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Denis Lomax Collection, Circa 1900-2000

9.97 Linear Feet (16 Hollinger boxes and 1 folio)
Abstract Or Scope

The Denis Lomax collection consists of photographs, photograph negatives, scrapbooks, printed materials, correspondence and writings that document the lives of filmmakers Leila Roosevelt and Armand Denis as well as their families. The collection contains materials related to Leila Roosevelt's parents, filmmaker, entrepreneur and sportsman Cornelius Louis André Roosevelt (Andre Roosevelt), as well as architect and artist Adelheid Lange Roosevelt. The collection highlights Leila Roosevelt and Armand Denis's travels and film productions such as the documentary film based on the Democratic Republic of the Congo entitled Dark Rapture (Magie Africaine) (1938) and a film based in Bali, Indonesia entitled Goona Goona (Love Powder) (1932). Materials documenting the Anthropoid Ape Research foundation in Dania Beach, Florida, founded by Leila Roosevelt and Armand Denis, along with personal papers of their families are also included in this collection.

Kirkpatrick Kodak Film Camera Collection, bulk 1907-2010

18 Linear Feet
Abstract Or Scope

This collection includes a wide array of cameras spanning centuries, accessories to go with cameras, magazines, and annual reports from Kodak.

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Turner Railroad Collection, 1809-2007

14.00 Linear Feet
Abstract Or Scope

Consists of publications, advertisements, photographs, administration and research on the east coast railroads of the United States collected by history scholar Gregg M. Turner. Consists of four series, including but not limited to documents and photographs of railroad history (1830-1890), the Plant System Co. Inc.(1860-1902), the three primary railroads on the eastern seaboard of the United States (1830-present), and independent railroads. A portion of the collection has been digitized by Florida Gulf Coast University's Library Archives, Special Collections, and Digital Initiatives and is available on D[url=https://fgcu.digital.flvc.org/islandora/search/?type=edismax&collection=fgcu:0216]igitalFGCU[/url].

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Booklets, 1830-1930 Box 3, Folder 2

 
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Anthony P. "Tony" Pizzo collection, 1824-1994, Date acquired: 10/23/1982

126.00 Linear Feet 262 boxes
Abstract Or Scope

Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.

3 results

Raymond O. Arsenault collection, bulk 1880-2001

9 boxes
Abstract Or Scope
Collection consists of USF St. Petersburg professor Raymond O. Asenault's research materials on the history of St. Petersbrug and Florida.

African American Legacy: The Carol Mundy collection, 1791-2003

26 Linear Feet 36 boxes and 73 flat files
Abstract Or Scope
Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.

Florida Ephemera collection, circa 1813-2007

13 Linear Feet 26 Boxes, 1 Flat File
Abstract Or Scope
The Florida Ephemera Collection is a collection of brochures, advertisements and news clippings documenting the history of Florida. Although the collection includes information about Florida as a whole, it focuses on the Central Florida area, and Orlando in particular. The collection contains information about most aspects of life in Florida including business and industry, real estate and development, tourism and wildlife.
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Early 20th Century Dance Band Music Collection, 1891-1922

218 folders
Abstract Or Scope
This collection contains 218 popular music dance band selections from the late 19th and early 20th centuries. Composer represented here include: Spencer Adams; Russell Alexander; Harry L. Alford; Egbert van Alstyne; Will R. Anderson; Bert R. Anthony; Fred T. Ashton; Charles L. Van Baar; Ernest R. Ball; Ashley Ballou; A.W. Bauer; C.W. Bennet; Irving Berlin; Leo E. Berliner; Milton D. Blake, H.B. Blank and Schwartz; N. Bousquet; E.L. Bowman; Edmund Braham; R.H. Brennen; Louise Breau; G.B. Brigham; Fred C. Brooks; Shelton Brooks; Will M.S. Brown; Ernest Bucalossi; Benjamin Burt; Carl Carlton ; Ivan Caryll; W.P. Chambers; James P. Conlin; Charles L. Cooke ; G.F. Daniels; Denni; Herbert Dillea; Will E. Dulmage; O.R. Farrar; Carl Fischer; Bayard E. Foote; A. Ford; Rudolf Friml; Joseph Gearen; T. Mayo Geary; Gilbert, Friedland and Morgan; Gilbert and Muir; L. Wolfe Gilbert; Vivian Grey (Mabel McKinley); Gumble and Blake; Fred W. Hager; John T. Hall; R.B. Hall; Edward Hazel; Milt H. Hall; H.L. Heartz; J. Fred Helf; S.R. Henry; Victor Herbert; Pierre Heyendal; Williams Hill; Louis H. Hirsche; Abe Holzmann; Joseph E. Howard; Raymond Hubbell; Fred K. Huffer; Herbert Ingraham; Bob Irving; Victor Jacobi; Walter Jacobs (publisher); Carrie Jacobs-Bond; Jerome and Schwartz; Ben M. Jerome; Frank H. Jimerson; Charles L. Johnson; Archibald Joyce; Ruby Kalmar; Kapulè Kanoa; Mel Kaufman; F. Henri Klickmann; John N. Klohr; Clare Kummer; J. Bodewalt Lampe; L.P. Laurendeau; Sidney Leroy; John Leubrie Hill; Harry J. Lincoln; Edward Llewellyn; E.E. Loftis; F.H. Losey; Gustav Luders; Cecil Mack and Chris Smith; W.H. Mackie; Gifford Mellor; J.W. Menges; Roy O. Myers; Kerry Mills; E. Milok; Neil Moret; Theo F. Morse; Theo Moses-Tobani; Lewis F. Muri and Maurice Abrahams; Gilbert Muir; O'Donnell and Smith; William C. O'Hare; Lee Orean Smith; William Penn and Edward Hutchinson; Clarence J. Penney; William Frederick Peters; Al Piantadosi; Georg Porepp; Arthur Pryor; Add J. Ressegue; Henry Restorff; F.R. Seltzer; J. Lawrence Ritchie; Charles J. Roberts; Walter Rolfe; Selden-Ingraham and Kendis-Payley; Shannon and Johnson; Albert Sirmay; Arthur Sizemore and Egbert van Alstyne; Maurice F. Smith, Jack Snyder, Ted Snyder, Richard Stahl, B.H. Starks, George Stevens, G. Van Stone, John Stromberg, Thurban and Berger; Ludomir Thomas, Harry von Tilzer, George J. Trinkaus, C.E. Vadersloot, Paul Wachs, E. Waldteufel, Charles B. Ward, Freddy Watson, R.L. Weaver, Arthur Wellesly, Percy Wenrich, Wenrich and Blanke-Belcher, Wenrich and Dunlap, Werden and Gladdish, E.M. Wheatley, White and Lloyd, H. Lane Wilson, L.O. De Witt, L. Wolfe Gilbert and Robert E. Keiser Arthur Wood, Pedro de Zulueta, Wooster and Smith, Ellen Wright, Jack Yellen and Abe Olman, C.F. Zerbe and Harry Zickel. Arrangers represented include: Harry L. Alford; Hilding Anderson; J.C. Arnold; Emile Asher; Fred T. Ashton; Frank E. Barry; C.F. Bauer; Robert Russell Bennett; J. Lampe Bodewalt; M.I. Brazil; Geo. F. Briegel; Charles F. Carey; Carl Carlton; J.W. Chattaway; Tom Clark; F.W. Clement; James P. Conlin; H.A. Dahlman; Ribé Danmark; Ivan L. Davis; S. Deshon; C. Dotzler; C.A. Egener; Everett J. Evans; Herman Friederich; John T. Hall; R. L. Halle; J.C. Heed; T.W. Hindley; S. Jergensen; Charles L. Johnson; Stephen Jones; Stephen O. Jones; Dave Kaplin; Louis Katzman; Carl Kiefert; F. Henri Klickmann; John N. Klohr; Arthur Lange; Otto Langey; L. P. Laurendeau; F.H. Losey; W.H. Mackie; James C. McCabe; McKee; J. Messina; Charles Miller; Theo- Moses-Tobani; William C. O'Hare; D. Onivas Charles Puerner; Charles Quinn; William M. Redfield F.; Robert Recker; J. Ringleben Jr.; Charles J. Roberts; E. Rosales; Frank Saddler; 'La Salle;' Schaefer; E. R. Schremser; William Schul; Lee Orean Smith; Maurice S. Smith; Fred White; Carl F. Williams; L. O. Witt; and Arthur Wood. Statement on Potentially Harmful Content: Many of the items in our collections are reflective of the time period in which they were created, rather than the current beliefs and values of our institution. They may contain offensive or outdated language and imagery because of content relating to ability, gender, race, religion, sexuality, sexual orientation, and other categories. While some descriptions in our finding aids are written by staff, others reflect language that was used by the people and organizations that created the material. When we encounter problematic language that we believe a staff member created, we update it. Language that comes from the original archival material can provide information about the people who created it. In such cases, library staff members strive to provide additional context whenever possible.
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