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Jesús María de Alba Castellanos Collection, 1945 - 2013, Date acquired: 03/00/2014

223.00 items
Abstract Or Scope
Jesús María de Alba Castellanos was an Executive Music Director, composer, arranger of polyphonic digitized music, in charge of public relations, fourth voice of the Rondalla group, who also played the guitar and clarinet. He began his musical studies at an early age, in the Musical Chair of The Conference Conciliate of Barranquilla, Colombia, where he studied four years of Gregorian chant and sacred music, music theory, and basic piano. He used both Latin and French languages on his historical research projects. Simultaneously with his studies of Bachelor of Philosophy and Humanities, professional studies perfected his musical skills at the School of fine arts in Barranquilla, Colombia, where he studied music theory and composition with his mentor Pietro Biava, as well as classical guitar with experts Joseph Mazzilli and Calixto González. In an autodidact manner he studied Spanish guitar and Flamenco by taking private lessons with Paco de Lucia, Emilio de Diego, and Juan Marote. The first two discs of Latin American titles by Paco de Lucia were recorded using "three guitars" arrangements  by Jesús de Alba for the themes: Moliendo café, La flor de la canela, Alma, corazón y vida, Manha do carnaval y Jarabe tapatio. Along with his studies in Business Administration and professional activities in the pharmaceutical industry, he continued his studies in music composition, classical guitar, and folk guitar at the Conservatory in Santiago de Cali, Colombia and the Institute of Culture in the same city, with professors Alvaro Ramirez, Hernán Moncada, Henry Rivas, and Valdiri. In addition to his musical activities and professional routine, he devoted much of his time to musical composition and musical arrangements digitalized for vocal groups and orchestras. He was also a composer and researcher of history, author of several works of history, poetry, and children's literature. Furthermore, he wrote a book of traditions and historical legends, several historical cartographic monographs, an essay on Andrés Bello, and was a pioneer in graphic Venezuelan advertising. His legacy consists of seventy musical compositions written by the artist for vocal and instrumental groups. He passed away in October 15, 2013.
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CORPS de Ballet Records, 1998-2021

52 Megabytes 0.5 Linear Feet
Abstract Or Scope

Born-digital and physical documentation of CORPS de Ballet International organizational functions, activities, and annual meetings.

Library Admin Records, Undated

22 Linear Feet
Abstract Or Scope

See Library Records docx

Senator Jack Gordon Papers, Date acquired: 00/00/1993

66.00 boxes
Abstract Or Scope
These records document his work with the Dade County School Board and his service to Florida as a member of the Florida State Senate.

Julie Hunter Collection, 1961-2022

9 Hollinger Boxes 2 Boxes (irregular size)
Abstract Or Scope

The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.

Dr. Harry A Kersey, Jr. Faculty Papers Collection, 1966-2010, Date acquired: 01/01/2002

19.00 Linear Feet 39 boxes
Abstract Or Scope
Harry A. Kersey, Jr. is Professor Emeritus of History at Florida Atlantic University in Boca Raton, Florida.  A native Floridian, he received his Bachelor of Arts and Masters degrees from the University of Florida, and holds a Ph.D. from the University of Illinois at Urbana-Champaign.  In 1966, Dr. Kersey began teaching at Florida Atlantic University and currently is an emeritus professor of history at FAU. Professor Kersey has a rich background in international research and teaching.  He has been a Fulbright Senior Scholar at two African universities—the University of Zimbabwe (1984) and the National University of Lesotho (1988)—where he lectured and initiated research on comparative frontier history.  In 1996, the United States Information Agency sponsored his appearance as a Visiting Lecturer on American Indian history at the Linguistics University of Nizhny Novgorod in Russia.  During 2000, he was a Fulbright Senior Scholar at the National Library of New Zealand conducting research for a comparative study of Maori and American Indian sovereignty issues. The Treaty of Waitangi Research Unit at Victoria University of Wellington published his initial research findings.  As a follow-up to the New Zealand work, Kersey was awarded a Visiting Research Fellowship at the East-West Center in Honolulu during the summer of 2001.  He returned to New Zealand in 2002 and 2005 as a Fulbright Senior Specialist examining the impact of Maori issues in New Zealand politics. Dr. Kersey's recent publication, Seminole Voices received a silver medal in the non-fiction category of the 2010 Florida Book Awards.  It also won the Harry and Harriet Moore Book Award and The Samuel Proctor Oral History Prize given by the Florida Historical Society. Dr. Kersey is currently involved in comparative research on indigenous rights, political sovereignty, and the impact of minority issues on national governments.  In addition, he occasionally teaches courses at both Florida Atlantic University and the University of Hawai'i at Manoa.
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Niles Sutphin Architectural Collection, 1926-1963

1 Linear Feet
Abstract Or Scope

The collection reflects Mr. Sutphin's admiration for Frank Lloyd Wright, whom he met on a number of occassions while at university. He, along with friends and colleagues, made a point to travel to Wright-designed works throughout the United States, where he took high quality color photographs which will soon be added to our digital collections. He also collected articles from trade publications related to Mr. Wright's work.

Marti Colon cemetery collection, 1887-2000, Date acquired: 12/01/2012, bulk 1887-1990

1.06 Linear Feet 2 items 1 boxes 1 large binder other_unmapped
Abstract Or Scope
Henry A. Echezabal's keen interest in the Marti Colon Cemetery resulted in this collection of research materials compiled from 1997 to 2012.  From the records of the earliest burials in the 1880s, to the local news investigative report of 2000, the collection covers several different incidents and offers clues as to how the cemetery ended up embroiled in controversy over the issue of missing bodies and buryovers, covering news stories, City of Tampa records, and correspondence that shed light on the issues. The Marti Colon Cemetery found itself the center of controversy several times over the issues of multiple burials, missing bodies, neglect, and vandalism. Most of the controversy surrounds the construction of Columbus Drive, where it is suspected that several of the bodies buried that were supposed to be removed, in fact only had headstones relocated. Columbus Drive separated the cemetery in two, and the section to the north of the road was left in disrepair. A. P. Boza took lease of the cemetery in 1939, but also mismanaged the cemetery, compounding its problems. Upon Boza's death, his son refused to take up the maintenance of the cemetery, and by the late 1980s, articles began to surface concerning vandalism and grave robbing. The cemetery went unclaimed, and was eventually taken over by the City, which restored it. In 2000, an investigative report showed the extent of the mismanagement of the cemetery over time, that a large amount of the information on burials was inaccurate, perhaps as much as 1/3rd to 2/3rds of the graves inaccurately marked.

Edith Daly Papers of Eugene Elliott, bulk 1849-1980

9 boxes
Abstract Or Scope
Family papers of Eugene (Gene) M. Elliott, a historical figure in St. Petersburg known for raising money for the Gandy Bridge and attempting to create a subdivision on Weedon Island.
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Robert A. Gray Scrapbooks, 1901-1969

15.00 items
Abstract Or Scope

This collection is comprised of fourteen scrapbooks assembled by Robert A. Gray and includes a typewritten introduction. Most of the scrapbooks consist of miscellaneous items such as photographs, clippings and letters pertaining to Gray's public and private life arranged in no discernible order with handwritten or typed commentary.

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1901-1968

 

1911-1961

 

1911-1968