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Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photograph of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.

Black and white photographs of The Beatles, including Pete Best, taken by Albert Marrion, a local Liverpool photographer, hired by The Beatles' new manager, Brian Epstein, to take a few photographs of the band. The University Archives and Special Collections do not own the original material of this digitized copy, which was kindly loaned to us by Sonny Barker with permission to digitize and make public on DigitalFGCU.