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The Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, "The Lectors." Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City – Tampa, Florida at the start of the Depression. After cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises. On Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft.

The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project "Hamlet: Exploring the Renaissance Mind in Action" which was presented in the Summer 1991.

Collection of Playbills of Broadway productions, 1938-2005. Collected by the faculty of the Visual and Performing Arts department.

Donald Seay served as the chair and artistic director for the UCF Conservatory Theater from 1992 until 2004, when he then returned to teaching performance and theatre management. UCF Theatre experience immense growth under Dr. Seay and provided students and the community with entertaining productions during his tenure. This collection contains various documents, programs, affiliate information, photos, and awards relating to Dr. Donald Seay and the UCF Theatre Department.

This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.