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Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into two series."],"bioghist_html_tesm":["\u003cp\u003eCarlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on Jos\u0026#xE9; Mart\u0026#xED;, a legendary Cuban figure and important Latin American writer.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.\u003c/p\u003e\n","\u003cp\u003eRipoll devoted his life to studying and writing about Mart\u0026#xED;. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.\u003c/p\u003e\n","\u003cp\u003eCarlos Ripoll died in Miami in 2011.\u003c/p\u003e\n","\u003cp\u003eNote written by Annia Gonzalez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carlos Ripoll was born in Cuba in 1922. Carlos Ripoll is considered one of the world's leading scholars on José Martí, a legendary Cuban figure and important Latin American writer.","Carlos Ripoll married Herminia (Mina) Ripoll in 1945 and stayed together for 65 years. Carlos and Mina shared many interests and had an affinity for Cuba. The couple came to the U.S. in the early 1960s.","Ripoll devoted his life to studying and writing about Martí. Carlos Ripoll was a professor of Romance languages at Queens College, CUNY. During his time at Queen's College, CUNY, Ripoll received grants from the National Endowment for the Humanities and published extensively, well into his 80s.","Carlos Ripoll died in Miami in 2011.","Note written by Annia Gonzalez"],"scopecontent_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection consists of material relating to Jos\u0026#xE9; Mart\u0026#xED;, which was accumulated by Mr. Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED;.\u0026#xA0; Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carlos Ripoll Collection consists of material relating to José Martí, which was accumulated by Mr. Ripoll in the course of his research on the life and work of José Martí.  Material includes including manuscripts, books, papers, and pamphlets, original typescripts, printed material, and clippings of writings by Carlos Ripoll and other writers."],"userestrict_html_tesm":["\u003cp\u003eThe Carlos Ripoll Collection is owned by Florida International University.\u0026#xA0; This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Carlos Ripoll Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8328ead2bfc2bb419daa7d87d1161d\" label=\"Abstract\"\u003eThe Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of Jos\u0026#xE9; Mart\u0026#xED; and other Cuban personalities.\u003c/abstract\u003e"],"abstract_tesim":["The Carlos Ripoll Collection contains material collected by Carlos Ripoll in the course of his research on the life and work of José Martí and other Cuban personalities."],"names_ssim":["FIU Special Collections","Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"persname_ssim":["Ripoll, Carlos","Castro, Fidel -- 1926-","Céspedes, Carlos Manuel de -- 1819-1874","Gutiérrez Vega, Zenaida","Martí, José -- 1853-1895"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":436,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"37312f5866336a19375b2369","timestamp":"2026-07-10T02:36:25.172Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/37312f5866336a19375b2369_aspace_65045"}},{"id":"085cdf111f574f3d1d8dd845_aspace_1718b8e6b0cc9b6853724b24c59415b5","type":"Item","attributes":{"title":"Zen and the Art of Brownie Baking! A Comprehensive Guide to the Brownie Revolution!","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_1718b8e6b0cc9b6853724b24c59415b5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eRecipes and tips for making brownies.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_1718b8e6b0cc9b6853724b24c59415b5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1718b8e6b0cc9b6853724b24c59415b5","ref_ssm":["aspace_1718b8e6b0cc9b6853724b24c59415b5","aspace_1718b8e6b0cc9b6853724b24c59415b5"],"id":"085cdf111f574f3d1d8dd845_aspace_1718b8e6b0cc9b6853724b24c59415b5","title_filing_ssi":"Zen and the Art of Brownie Baking! A Comprehensive Guide to the Brownie Revolution!","title_ssm":["Zen and the Art of Brownie Baking! A Comprehensive Guide to the Brownie Revolution!"],"title_tesim":["Zen and the Art of Brownie Baking! A Comprehensive Guide to the Brownie Revolution!"],"normalized_title_ssm":["Zen and the Art of Brownie Baking! A Comprehensive Guide to the Brownie Revolution!"],"text":["Zen and the Art of Brownie Baking! A Comprehensive Guide to the Brownie Revolution!","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","DIY Zines","Item 18","/repositories/2/archival_objects/215808","Recipes and tips for making brownies.","[Josh Russell, auth.]\n    Wilton, CT"],"component_level_isim":[2],"parent_ids_ssim":["085cdf111f574f3d1d8dd845","085cdf111f574f3d1d8dd845_aspace_158120"],"parent_unittitles_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","DIY Zines"],"parent_unittitles_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","DIY Zines"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 18","/repositories/2/archival_objects/215808"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":645,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eRecipes and tips for making brownies.\u003c/p\u003e","\u003cp\u003e[Josh Russell, auth.]\n    Wilton, CT\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Recipes and tips for making brownies.","[Josh Russell, auth.]\n    Wilton, CT"],"_nest_path_":"/components#18/components#16","_nest_parent_":"085cdf111f574f3d1d8dd845_aspace_158120","_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"085cdf111f574f3d1d8dd845","title_ssm":["Tampa Zine Fest Public Library"],"title_tesim":["Tampa Zine Fest Public Library"],"ead_ssi":"085cdf111f574f3d1d8dd845","unitdate_ssm":["1980-2016","Date acquired: 00/00/2017"],"unitdate_inclusive_ssm":["1980-2016"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-08","/repositories/2/resources/47"],"text":["MS-2017-08","/repositories/2/resources/47","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines","Accrual integrated 2026-02; CC","The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.","Processed","The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.","USF Libraries - Tampa Special Collections","Bloom, Philip","English"],"unitid_tesim":["MS-2017-08","/repositories/2/resources/47"],"normalized_date_ssm":["1980-2016, Date acquired: 00/00/2017"],"normalized_title_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_title_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bloom, Philip"],"creator_ssim":["Bloom, Philip"],"creator_persname_ssim":["Bloom, Philip"],"creators_ssim":["Bloom, Philip"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Philip Bloom","Donation."],"access_subjects_ssim":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"access_subjects_ssm":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","18 boxes"],"extent_tesim":["6.00 Linear Feet","18 boxes"],"genreform_ssim":["Zines","LGBTQ+ zines"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accruals_html_tesm":["\u003cp\u003eAccrual integrated 2026-02; CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual integrated 2026-02; CC"],"arrangement_html_tesm":["\u003cp\u003eThe zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine."],"prefercite_html_tesm":["\u003cp\u003eTampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThe majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.\u003c/p\u003e\n","\u003cp\u003eThis finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_330acc9f5dfb8f75036aa56087852cfe\" label=\"Abstract\"\u003eZine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.\u003c/abstract\u003e"],"abstract_tesim":["Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest."],"names_ssim":["USF Libraries - Tampa Special Collections","Bloom, Philip"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bloom, Philip"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":739,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_1718b8e6b0cc9b6853724b24c59415b5"}},{"id":"dd38bff49c4e87e02dde1ee1_aspace_76689","type":"File","attributes":{"title":"Zendah Grotto","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dd38bff49c4e87e02dde1ee1_aspace_76689#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_76689","ref_ssm":["aspace_76689","aspace_76689"],"id":"dd38bff49c4e87e02dde1ee1_aspace_76689","title_filing_ssi":"Zendah Grotto","title_ssm":["Zendah Grotto"],"title_tesim":["Zendah Grotto"],"normalized_title_ssm":["Zendah Grotto"],"text":["Zendah Grotto","Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","General Subject Files","Hillsborough County - Tampa","Folder 17","/repositories/2/archival_objects/129832","box 137","folder 17"],"component_level_isim":[3],"parent_ids_ssim":["dd38bff49c4e87e02dde1ee1","dd38bff49c4e87e02dde1ee1_aspace_73692","dd38bff49c4e87e02dde1ee1_aspace_76672"],"parent_unittitles_ssm":["Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","General Subject Files","Hillsborough County - Tampa"],"parent_unittitles_tesim":["Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","General Subject Files","Hillsborough County - Tampa"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 17","/repositories/2/archival_objects/129832"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1796,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 137","folder 17"],"_nest_path_":"/components#0/components#136/components#16","_nest_parent_":"dd38bff49c4e87e02dde1ee1_aspace_76672","_root_":"dd38bff49c4e87e02dde1ee1","_version_":1875482926083211264,"timestamp":"2026-09-05T09:18:17.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dd38bff49c4e87e02dde1ee1","title_ssm":["Hampton Dunn collection"],"title_tesim":["Hampton Dunn collection"],"ead_ssi":"dd38bff49c4e87e02dde1ee1","unitdate_ssm":["1916-2002","1960-2002","Date acquired: 00/00/1981"],"unitdate_bulk_ssim":["1960-2002"],"unitdate_inclusive_ssm":["1916-2002"],"unitdate_other_ssim":["Date acquired: 00/00/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1981-01","/repositories/2/resources/549"],"text":["MS-1981-01","/repositories/2/resources/549","Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","Tampa (Fla.) -- History","Florida -- History","Ybor City (Tampa, Fla.)","Tampa (Fla.) -- Newspapers","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.) -- History","Florida -- History, Local","Dunn, Hampton -- Correspondence","Tampa (Fla.) -- Social life and customs","The collection is arranged alphabetically with a separate series for photographs. The cities, towns, and physical locations within Florida are arranged in the county in which they reside. For example, Tampa is listed under Hillsborough County.","Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006.","Note written by Paul Eugene Camp","Camp, Paul E.  Collecting Florida: The Hampton Dunn Collection and other Floridiana . Tampa, FL: University of South Florida, 2006. ","Dunn, Hampton.  Yesterday's Tampa . Miami, Fla: E.A. Seemann Pub, 1972.","Dunn, Hampton.  Hampton Dunn's History of Tampa Bay . Tampa, Fla: Southern Star Productions, 1992.","Only a Newspaper Guy: The Life and Times of Hampton Dunn . Inverness, Fla: The Society, 1995.","Dunn, Hampton.  Hampton Dunn Photouring Florida Collection . Tampa, Fla: University of South Florida, Tampa Library, 2000.","Dunn, Hampton, and Robert J. Kerstein.  Hampton Dunn Oral History Interview . Tampa, Fla: University of South Florida Tampa Library, 2005.","The collection consists of syndicated newspaper clippings, ephemera, correspondence, brochures, photographs, and articles written about the various places and people of Florida.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Florida Historical Society","Florida. Governor (1917-1921 : Catts)","Dunn, Hampton (Henry Hampton), 1916-2002","Catts, Sidney Johnston, 1863-1936","English"],"unitid_tesim":["MS-1981-01","/repositories/2/resources/549"],"normalized_date_ssm":["1916-2002, Date acquired: 00/00/1981, bulk 1960-2002"],"normalized_title_ssm":["Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002"],"collection_title_tesim":["Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002"],"collection_ssim":["Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History","Florida -- History","Ybor City (Tampa, Fla.)","Tampa (Fla.) -- Newspapers","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History","Florida -- History","Ybor City (Tampa, Fla.)","Tampa (Fla.) -- Newspapers","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.) -- History"],"creator_ssm":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creators_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"places_ssim":["Tampa (Fla.) -- History","Florida -- History","Ybor City (Tampa, Fla.)","Tampa (Fla.) -- Newspapers","Tampa (Fla.) -- Politics and government","Hillsborough County (Fla.) -- History"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Florida -- History, Local","Dunn, Hampton -- Correspondence","Tampa (Fla.) -- Social life and customs"],"access_subjects_ssm":["Florida -- History, Local","Dunn, Hampton -- Correspondence","Tampa (Fla.) -- Social life and customs"],"has_online_content_ssim":["false"],"extent_ssm":["227.01 Linear Feet","452 boxes"],"extent_tesim":["227.01 Linear Feet","452 boxes"],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically with a separate series for photographs. The cities, towns, and physical locations within Florida are arranged in the county in which they reside. For example, Tampa is listed under Hillsborough County.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged alphabetically with a separate series for photographs. The cities, towns, and physical locations within Florida are arranged in the county in which they reside. For example, Tampa is listed under Hillsborough County."],"bioghist_html_tesm":["\u003cp\u003eHenry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eFlorida Times Union\u003c/emph\u003e. He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.\u003c/p\u003e\n","\u003cp\u003eDunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.\u0026#xA0; When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.\u003c/p\u003e\n","\u003cp\u003eDunn edited AAA's monthly magazine, \u003cemph render=\"italic\"\u003eFlorida Explorer\u003c/emph\u003e, and several other journals and newsletters including the \u003cemph render=\"italic\"\u003eSunland Tribune \u003c/emph\u003e(Tampa Historical Society) and \u003cemph render=\"italic\"\u003eThe Hub\u003c/emph\u003e (Rotary Club of Tampa).\u0026#xA0; His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"\u0026#xA0; During his later years, he presented \"Hampton Dunn's Yesterdays\" \u0026#x2013; little histories of Florida events \u0026#x2013; on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.\u0026#xA0; His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"\u003c/p\u003e\n","\u003cp\u003eHampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.\u0026#xA0; He died February 3, 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBerube, Rich.\u0026#xA0; \"Hampton Dunn Gift Brings Florida's History to Life.\"\u0026#xA0; \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e\u0026#xA0; 7 (November 1982): 65-67.\u003c/p\u003e\n","\u003cp\u003eCamp, Paul.\u0026#xA0; \u003cemph render=\"italic\"\u003eCollecting Florida: The Hampton Dunn Collection and other Floridiana.\u003c/emph\u003e Tampa, FL: University of South Florida Libraries, 2006.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Eugene Camp\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006.","Note written by Paul Eugene Camp"],"prefercite_html_tesm":["\u003cp\u003eHampton Dunn collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Hampton Dunn collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eCamp, Paul E. \u003cemph render=\"italic\"\u003eCollecting Florida: The Hampton Dunn Collection and other Floridiana\u003c/emph\u003e. Tampa, FL: University of South Florida, 2006. \u003c/p\u003e\n","\u003cp\u003eDunn, Hampton. \u003cemph render=\"italic\"\u003eYesterday's Tampa\u003c/emph\u003e. Miami, Fla: E.A. Seemann Pub, 1972.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton. \u003cemph render=\"italic\"\u003eHampton Dunn's History of Tampa Bay\u003c/emph\u003e. Tampa, Fla: Southern Star Productions, 1992.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eOnly a Newspaper Guy: The Life and Times of Hampton Dunn\u003c/emph\u003e. Inverness, Fla: The Society, 1995.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton. \u003cemph render=\"italic\"\u003eHampton Dunn Photouring Florida Collection\u003c/emph\u003e. Tampa, Fla: University of South Florida, Tampa Library, 2000.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton, and Robert J. Kerstein. \u003cemph render=\"italic\"\u003eHampton Dunn Oral History Interview\u003c/emph\u003e. Tampa, Fla: University of South Florida Tampa Library, 2005.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Camp, Paul E.  Collecting Florida: The Hampton Dunn Collection and other Floridiana . Tampa, FL: University of South Florida, 2006. ","Dunn, Hampton.  Yesterday's Tampa . Miami, Fla: E.A. Seemann Pub, 1972.","Dunn, Hampton.  Hampton Dunn's History of Tampa Bay . Tampa, Fla: Southern Star Productions, 1992.","Only a Newspaper Guy: The Life and Times of Hampton Dunn . Inverness, Fla: The Society, 1995.","Dunn, Hampton.  Hampton Dunn Photouring Florida Collection . Tampa, Fla: University of South Florida, Tampa Library, 2000.","Dunn, Hampton, and Robert J. Kerstein.  Hampton Dunn Oral History Interview . Tampa, Fla: University of South Florida Tampa Library, 2005."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of syndicated newspaper clippings, ephemera, correspondence, brochures, photographs, and articles written about the various places and people of Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of syndicated newspaper clippings, ephemera, correspondence, brochures, photographs, and articles written about the various places and people of Florida."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Florida Historical Society","Dunn, Hampton (Henry Hampton), 1916-2002"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Historical Society","Florida. Governor (1917-1921 : Catts)","Dunn, Hampton (Henry Hampton), 1916-2002","Catts, Sidney Johnston, 1863-1936"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Historical Society","Florida. Governor (1917-1921 : Catts)"],"persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002","Catts, Sidney Johnston, 1863-1936"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4820,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875482926083211264,"_root_":"dd38bff49c4e87e02dde1ee1","timestamp":"2026-09-05T09:18:17.355Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dd38bff49c4e87e02dde1ee1_aspace_76689"}},{"id":"456875eab9536e3707a4b04f_aspace_25adc53dfa25410e144f0abc0585f48a","type":"File","attributes":{"title":"Zeneda","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_25adc53dfa25410e144f0abc0585f48a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_25adc53dfa25410e144f0abc0585f48a","ref_ssm":["aspace_25adc53dfa25410e144f0abc0585f48a","aspace_25adc53dfa25410e144f0abc0585f48a"],"id":"456875eab9536e3707a4b04f_aspace_25adc53dfa25410e144f0abc0585f48a","title_filing_ssi":"Zeneda","title_ssm":["Zeneda"],"title_tesim":["Zeneda"],"normalized_title_ssm":["Zeneda"],"text":["Zeneda","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida","/repositories/3/archival_objects/45468","box 9","folder 72"],"component_level_isim":[2],"parent_ids_ssim":["456875eab9536e3707a4b04f","456875eab9536e3707a4b04f_aspace_31dfdb7b037db2a1939ecf601f7ef540"],"parent_unittitles_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida"],"parent_unittitles_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/45468"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":856,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 9","folder 72"],"_nest_path_":"/components#3/components#671","_nest_parent_":"456875eab9536e3707a4b04f_aspace_31dfdb7b037db2a1939ecf601f7ef540","_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. ","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000-1","/repositories/3/resources/145"],"normalized_date_ssm":["1900-1970"],"normalized_title_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_title_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"geogname_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"places_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was created by Professor Tom Mack as part of his efforts to document the history of the citrus industry. It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eCitrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.\u003c/p\u003e\n","\u003cp\u003eTo ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.\u003c/p\u003e\n","\u003cp\u003eWhile all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.\u003c/p\u003e\n","\u003cp\u003eCalifornia was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.\u003c/p\u003e\n","\u003cp\u003eBecause the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.\u003c/p\u003e\n","\u003cp\u003eFlorida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.\u003c/p\u003e\n","\u003cp\u003eCommon motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de Le\u0026#xF3;n and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.\u003c/p\u003e\n","\u003cp\u003eThe Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.\u003c/p\u003e\n","\u003cp\u003eTexas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything\u0026#x2014;including the marketing\u0026#x2014;was bigger and bolder in Texas.\u003c/p\u003e\n","\u003cp\u003erizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.\u003c/p\u003e\n","\u003cp\u003eArizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.\u003c/p\u003e\n","\u003cp\u003eBy the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.\u003c/p\u003e\n","\u003cp\u003eAlso notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.\u003c/p\u003e\n","\u003cp\u003eMost labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_25adc53dfa25410e144f0abc0585f48a"}},{"id":"456875eab9536e3707a4b04f_aspace_3b2fde71c1c524939119012b723a5d6f","type":"File","attributes":{"title":"Zeneda","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_3b2fde71c1c524939119012b723a5d6f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3b2fde71c1c524939119012b723a5d6f","ref_ssm":["aspace_3b2fde71c1c524939119012b723a5d6f","aspace_3b2fde71c1c524939119012b723a5d6f"],"id":"456875eab9536e3707a4b04f_aspace_3b2fde71c1c524939119012b723a5d6f","title_filing_ssi":"Zeneda","title_ssm":["Zeneda"],"title_tesim":["Zeneda"],"normalized_title_ssm":["Zeneda"],"text":["Zeneda","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida","/repositories/3/archival_objects/45469","box 9","folder 73"],"component_level_isim":[2],"parent_ids_ssim":["456875eab9536e3707a4b04f","456875eab9536e3707a4b04f_aspace_31dfdb7b037db2a1939ecf601f7ef540"],"parent_unittitles_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida"],"parent_unittitles_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/45469"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":857,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 9","folder 73"],"_nest_path_":"/components#3/components#672","_nest_parent_":"456875eab9536e3707a4b04f_aspace_31dfdb7b037db2a1939ecf601f7ef540","_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. 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Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000-1","/repositories/3/resources/145"],"normalized_date_ssm":["1900-1970"],"normalized_title_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_title_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"geogname_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"places_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was created by Professor Tom Mack as part of his efforts to document the history of the citrus industry. It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eCitrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.\u003c/p\u003e\n","\u003cp\u003eTo ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.\u003c/p\u003e\n","\u003cp\u003eWhile all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.\u003c/p\u003e\n","\u003cp\u003eCalifornia was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.\u003c/p\u003e\n","\u003cp\u003eBecause the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.\u003c/p\u003e\n","\u003cp\u003eFlorida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.\u003c/p\u003e\n","\u003cp\u003eCommon motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de Le\u0026#xF3;n and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.\u003c/p\u003e\n","\u003cp\u003eThe Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.\u003c/p\u003e\n","\u003cp\u003eTexas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything\u0026#x2014;including the marketing\u0026#x2014;was bigger and bolder in Texas.\u003c/p\u003e\n","\u003cp\u003erizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.\u003c/p\u003e\n","\u003cp\u003eArizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.\u003c/p\u003e\n","\u003cp\u003eBy the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.\u003c/p\u003e\n","\u003cp\u003eAlso notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.\u003c/p\u003e\n","\u003cp\u003eMost labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_3b2fde71c1c524939119012b723a5d6f"}},{"id":"cf3038e22b52cf62b89ef6d9_aspace_0e03cd4931a0da7a567d07af4a264012","type":"File","attributes":{"title":"Zeneda","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf3038e22b52cf62b89ef6d9_aspace_0e03cd4931a0da7a567d07af4a264012#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0e03cd4931a0da7a567d07af4a264012","ref_ssm":["aspace_0e03cd4931a0da7a567d07af4a264012","aspace_0e03cd4931a0da7a567d07af4a264012"],"id":"cf3038e22b52cf62b89ef6d9_aspace_0e03cd4931a0da7a567d07af4a264012","title_filing_ssi":"Zeneda","title_ssm":["Zeneda"],"title_tesim":["Zeneda"],"normalized_title_ssm":["Zeneda"],"text":["Zeneda","Haskins Family Label Collection, 1920-1959","Box 2","Citrus Labels","/repositories/3/archival_objects/12563","folder 34"],"component_level_isim":[3],"parent_ids_ssim":["cf3038e22b52cf62b89ef6d9","cf3038e22b52cf62b89ef6d9_aspace_9439b84c894663012ce61c4f5ae619bf","cf3038e22b52cf62b89ef6d9_aspace_c061d187181a433164ebf6153cae9234"],"parent_unittitles_ssm":["Haskins Family Label Collection, 1920-1959","Box 2","Citrus Labels"],"parent_unittitles_tesim":["Haskins Family Label Collection, 1920-1959","Box 2","Citrus Labels"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/3/archival_objects/12563"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Haskins Family Label Collection, 1920-1959"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":167,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish material from the Haskins Family Label Collection must be obtained from the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu."],"containers_ssim":["folder 34"],"_nest_path_":"/components#1/components#0/components#33","_nest_parent_":"cf3038e22b52cf62b89ef6d9_aspace_c061d187181a433164ebf6153cae9234","_root_":"cf3038e22b52cf62b89ef6d9","_version_":1879186906859700224,"timestamp":"2026-10-16T06:31:28.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf3038e22b52cf62b89ef6d9","title_ssm":["Haskins Family Label Collection"],"title_tesim":["Haskins Family Label Collection"],"ead_ssi":"cf3038e22b52cf62b89ef6d9","unitdate_ssm":["1920-1959"],"unitdate_inclusive_ssm":["1920-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3010","/repositories/3/resources/35"],"text":["CIT3010","/repositories/3/resources/35","Haskins Family Label Collection, 1920-1959","Haskins, Harold","Labels--Florida","Fruit--Labels--Florida","Vegetables--Labels--Florida","Cigar boxes--Labels--Florida","Tobacco--Labels--Florida","Advertising--Labels--Florida","Antiques--Florida--Collectors and collecting","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Calling himself the \"Florida Label Man,\" Harold Haskins and his wife Geraldine ran an antique shop for many years in Micanopy, Florida before moving to Tallahassee, Florida. The Haskins collected and sold a variety of labels, including fruit and vegetable crate labels and cigar box labels. Later, their daughter Mary also collected and sold labels as the \"Florida Label Ma'am.\"","The date range for this collection is based on the usage of citrus crate labels as the labels in this collection are all undated.\nSome labels included in this collection have previously been digitized as part of other collections and are available to view online as part of the McKay Archives' Fruit and Vegetable Labels Collection at https://archives.flsouthern.edu/digital/collection/labels.","The collection contains the following types of labels: Canning, Citrus, Fruit and Vegetable, Glass, and Tobacco. There are also postcards collected by the family.","Permission to publish material from the Haskins Family Label Collection must be obtained from the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu.","Thomas B. Mack Florida Citrus Archives","Haskins, Harold ","English"],"unitid_tesim":["CIT3010","/repositories/3/resources/35"],"normalized_date_ssm":["1920-1959"],"normalized_title_ssm":["Haskins Family Label Collection, 1920-1959"],"collection_title_tesim":["Haskins Family Label Collection, 1920-1959"],"collection_ssim":["Haskins Family Label Collection, 1920-1959"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"creator_ssm":["Haskins, Harold "],"creator_ssim":["Haskins, Harold "],"creator_persname_ssim":["Haskins, Harold "],"creators_ssim":["Haskins, Harold "],"access_terms_ssm":["Permission to publish material from the Haskins Family Label Collection must be obtained from the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu."],"acqinfo_ssim":["The labels were brought to the McKay Archives in 2021."],"access_subjects_ssim":["Haskins, Harold","Labels--Florida","Fruit--Labels--Florida","Vegetables--Labels--Florida","Cigar boxes--Labels--Florida","Tobacco--Labels--Florida","Advertising--Labels--Florida","Antiques--Florida--Collectors and collecting"],"access_subjects_ssm":["Haskins, Harold","Labels--Florida","Fruit--Labels--Florida","Vegetables--Labels--Florida","Cigar boxes--Labels--Florida","Tobacco--Labels--Florida","Advertising--Labels--Florida","Antiques--Florida--Collectors and collecting"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eCalling himself the \"Florida Label Man,\" Harold Haskins and his wife Geraldine ran an antique shop for many years in Micanopy, Florida before moving to Tallahassee, Florida. The Haskins collected and sold a variety of labels, including fruit and vegetable crate labels and cigar box labels. Later, their daughter Mary also collected and sold labels as the \"Florida Label Ma'am.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Calling himself the \"Florida Label Man,\" Harold Haskins and his wife Geraldine ran an antique shop for many years in Micanopy, Florida before moving to Tallahassee, Florida. The Haskins collected and sold a variety of labels, including fruit and vegetable crate labels and cigar box labels. Later, their daughter Mary also collected and sold labels as the \"Florida Label Ma'am.\""],"odd_html_tesm":["\u003cp\u003eThe date range for this collection is based on the usage of citrus crate labels as the labels in this collection are all undated.\nSome labels included in this collection have previously been digitized as part of other collections and are available to view online as part of the McKay Archives' Fruit and Vegetable Labels Collection at https://archives.flsouthern.edu/digital/collection/labels.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The date range for this collection is based on the usage of citrus crate labels as the labels in this collection are all undated.\nSome labels included in this collection have previously been digitized as part of other collections and are available to view online as part of the McKay Archives' Fruit and Vegetable Labels Collection at https://archives.flsouthern.edu/digital/collection/labels."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains the following types of labels: Canning, Citrus, Fruit and Vegetable, Glass, and Tobacco. There are also postcards collected by the family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains the following types of labels: Canning, Citrus, Fruit and Vegetable, Glass, and Tobacco. There are also postcards collected by the family."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Haskins Family Label Collection must be obtained from the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Haskins Family Label Collection must be obtained from the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu."],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Haskins, Harold "],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"persname_ssim":["Haskins, Harold "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879186906859700224,"_root_":"cf3038e22b52cf62b89ef6d9","timestamp":"2026-10-16T06:31:28.796Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf3038e22b52cf62b89ef6d9_aspace_0e03cd4931a0da7a567d07af4a264012"}},{"id":"9b83f60114f461d46ead1fe9_aspace_a4bfc1aa50bb0dcb4315b3beca7591be","type":"File","attributes":{"title":"Zeneda (JE.0344)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b83f60114f461d46ead1fe9_aspace_a4bfc1aa50bb0dcb4315b3beca7591be#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a4bfc1aa50bb0dcb4315b3beca7591be","ref_ssm":["aspace_a4bfc1aa50bb0dcb4315b3beca7591be","aspace_a4bfc1aa50bb0dcb4315b3beca7591be"],"id":"9b83f60114f461d46ead1fe9_aspace_a4bfc1aa50bb0dcb4315b3beca7591be","title_filing_ssi":"Zeneda (JE.0344)","title_ssm":["Zeneda (JE.0344)"],"title_tesim":["Zeneda (JE.0344)"],"normalized_title_ssm":["Zeneda (JE.0344)"],"text":["Zeneda (JE.0344)","Jim Ellis Citrus Crate Label Collection, n/a","/repositories/3/archival_objects/34701","box 4","folder 45"],"component_level_isim":[1],"parent_ids_ssim":["9b83f60114f461d46ead1fe9"],"parent_unittitles_ssm":["Jim Ellis Citrus Crate Label Collection, n/a"],"parent_unittitles_tesim":["Jim Ellis Citrus Crate Label Collection, n/a"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/34701"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Jim Ellis Citrus Crate Label Collection, n/a"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":346,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 4","folder 45"],"_nest_path_":"/components#345","_nest_parent_":"9b83f60114f461d46ead1fe9","_root_":"9b83f60114f461d46ead1fe9","_version_":1870852077888995328,"timestamp":"2026-07-16T06:32:56.465Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b83f60114f461d46ead1fe9","title_ssm":["Jim Ellis Citrus Crate Label Collection"],"title_tesim":["Jim Ellis Citrus Crate Label Collection"],"ead_ssi":"9b83f60114f461d46ead1fe9","unitdate_ssm":["n/a"],"unitdate_other_ssim":["n/a"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT6085","/repositories/3/resources/136"],"text":["CIT6085","/repositories/3/resources/136","Jim Ellis Citrus Crate Label Collection, n/a","Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruits--Packing","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","James Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees – whatever needed to be done – a trait he would carry with him throughout his life.","He attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute – where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.","He finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.","Shortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM– hosting steak dinners and signing up growers as members of the organization.","In 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.","As general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but – more importantly – sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.","When the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026 Bonds, Division of Fruits \u0026 Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.","Jim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.","His main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and – if you don't – you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections – along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.","However, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the décor of a restaurant recently opened in Sarasota!","However, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.","He has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.","Jim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain – his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website.","Labels are scanned and added to the Mckay Archives digital collection up to Box 8 Folder 49 (JE.0747).","The contents of this collection are made up of various citrus crate labels from different companies.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT6085","/repositories/3/resources/136"],"normalized_date_ssm":["n/a"],"normalized_title_ssm":["Jim Ellis Citrus Crate Label Collection, n/a"],"collection_title_tesim":["Jim Ellis Citrus Crate Label Collection, n/a"],"collection_ssim":["Jim Ellis Citrus Crate Label Collection, n/a"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated by Jim Ellis 2014-current."],"access_subjects_ssim":["Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruits--Packing"],"access_subjects_ssm":["Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruits--Packing"],"has_online_content_ssim":["false"],"extent_ssm":["5.4 Linear Feet"],"extent_tesim":["5.4 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eJames Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees \u0026#x2013; whatever needed to be done \u0026#x2013; a trait he would carry with him throughout his life.\u003c/p\u003e\n","\u003cp\u003eHe attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute \u0026#x2013; where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.\u003c/p\u003e\n","\u003cp\u003eHe finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.\u003c/p\u003e\n","\u003cp\u003eShortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM\u0026#x2013; hosting steak dinners and signing up growers as members of the organization.\u003c/p\u003e\n","\u003cp\u003eIn 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.\u003c/p\u003e\n","\u003cp\u003eAs general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but \u0026#x2013; more importantly \u0026#x2013; sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.\u003c/p\u003e\n","\u003cp\u003eWhen the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026amp; Bonds, Division of Fruits \u0026amp; Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.\u003c/p\u003e\n","\u003cp\u003eJim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.\u003c/p\u003e\n","\u003cp\u003eHis main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and \u0026#x2013; if you don't \u0026#x2013; you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections \u0026#x2013; along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.\u003c/p\u003e\n","\u003cp\u003eHowever, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the d\u0026#xE9;cor of a restaurant recently opened in Sarasota!\u003c/p\u003e\n","\u003cp\u003eHowever, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.\u003c/p\u003e\n","\u003cp\u003eHe has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.\u003c/p\u003e\n","\u003cp\u003eJim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain \u0026#x2013; his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees – whatever needed to be done – a trait he would carry with him throughout his life.","He attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute – where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.","He finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.","Shortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM– hosting steak dinners and signing up growers as members of the organization.","In 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.","As general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but – more importantly – sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.","When the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026 Bonds, Division of Fruits \u0026 Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.","Jim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.","His main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and – if you don't – you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections – along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.","However, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the décor of a restaurant recently opened in Sarasota!","However, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.","He has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.","Jim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain – his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website."],"odd_html_tesm":["\u003cp\u003eLabels are scanned and added to the Mckay Archives digital collection up to Box 8 Folder 49 (JE.0747).\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Labels are scanned and added to the Mckay Archives digital collection up to Box 8 Folder 49 (JE.0747)."],"scopecontent_html_tesm":["\u003cp\u003eThe contents of this collection are made up of various citrus crate labels from different companies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The contents of this collection are made up of various citrus crate labels from different companies."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"total_component_count_is":1301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852077888995328,"_root_":"9b83f60114f461d46ead1fe9","timestamp":"2026-07-16T06:32:56.465Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b83f60114f461d46ead1fe9_aspace_a4bfc1aa50bb0dcb4315b3beca7591be"}},{"id":"72deb24cd94ab58efde27fe0_aspace_92668","type":"File","attributes":{"title":"Zenep Advertising","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_92668#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e1 photo\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_92668#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_92668","ref_ssm":["aspace_92668","aspace_92668"],"id":"72deb24cd94ab58efde27fe0_aspace_92668","title_filing_ssi":"Zenep Advertising","title_ssm":["Zenep Advertising"],"title_tesim":["Zenep Advertising"],"normalized_title_ssm":["Zenep Advertising"],"text":["Zenep Advertising","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn","Folder 27","/repositories/2/archival_objects/79118","box 50","folder 27","1 photo"],"component_level_isim":[3],"parent_ids_ssim":["72deb24cd94ab58efde27fe0","72deb24cd94ab58efde27fe0_aspace_51853","72deb24cd94ab58efde27fe0_aspace_108247"],"parent_unittitles_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn"],"parent_unittitles_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 27","/repositories/2/archival_objects/79118"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2723,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 50","folder 27"],"scopecontent_html_tesm":["\u003cp\u003e1 photo\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["1 photo"],"_nest_path_":"/components#0/components#49/components#26","_nest_parent_":"72deb24cd94ab58efde27fe0_aspace_108247","_root_":"72deb24cd94ab58efde27fe0","_version_":1877023012303142912,"timestamp":"2026-09-22T09:17:18.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72deb24cd94ab58efde27fe0","title_ssm":["Gandy Commercial and Aerial Photography collection"],"title_tesim":["Gandy Commercial and Aerial Photography collection"],"ead_ssi":"72deb24cd94ab58efde27fe0","unitdate_ssm":["1950-2010","Date acquired: 12/01/2010"],"unitdate_inclusive_ssm":["1950-2010"],"unitdate_other_ssim":["Date acquired: 12/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-02","/repositories/2/resources/390"],"text":["MS-2010-02","/repositories/2/resources/390","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Boats and boating -- Florida","Photograph collections","No restrictions.","Arranged alphabetically in two series (aerial and commercial photography).","Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.","Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/","The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed.","Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/","USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)","English"],"unitid_tesim":["MS-2010-02","/repositories/2/resources/390"],"normalized_date_ssm":["1950-2010, Date acquired: 12/01/2010"],"normalized_title_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_title_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creators_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Skip Gandy","Donation"],"access_subjects_ssim":["Boats and boating -- Florida","Photograph collections"],"access_subjects_ssm":["Boats and boating -- Florida","Photograph collections"],"has_online_content_ssim":["false"],"extent_ssm":["43.33 Linear Feet","80 boxes"],"extent_tesim":["43.33 Linear Feet","80 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically in two series (aerial and commercial photography).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically in two series (aerial and commercial photography)."],"bioghist_html_tesm":["\u003cp\u003eSkip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer.\u0026#xA0;With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010."],"prefercite_html_tesm":["\u003cp\u003eSkip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Skip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBay Study Group Collection.\u003c/p\u003e\n","\u003cp\u003ehttp://scholarcommons.usf.edu/basgp/\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/"],"scopecontent_html_tesm":["\u003cp\u003eThe negatives are from the years 1970-2010, documenting Skip Gandy's activities.\u0026#xA0; A few of the prints are from his father, Sandy Gandy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f0829ee87f156f9d8e1500edac814ac3\" label=\"Abstract\"\u003eThe Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.\u0026#xA0; Only the negatives, which comprise the bulk of the materials, have been fully processed.\u003c/abstract\u003e"],"abstract_tesim":["The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06412a435727cb367b88f193b6659b9d\"\u003ePhotographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. 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