{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=65364\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=65363\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=65365\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65773\u0026view=compact"},"meta":{"pages":{"current_page":65364,"next_page":65365,"prev_page":65363,"total_pages":65773,"limit_value":10,"offset_value":653630,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"057d4d15b485b27b8bf108f4_aspace_372226d1a2401b0493dc2b502c99710f","type":"Item","attributes":{"title":"WVCG's 10-80 Dialogue (Audio reel tape), June 4, 1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/057d4d15b485b27b8bf108f4_aspace_372226d1a2401b0493dc2b502c99710f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_372226d1a2401b0493dc2b502c99710f","ref_ssm":["aspace_372226d1a2401b0493dc2b502c99710f","aspace_372226d1a2401b0493dc2b502c99710f"],"id":"057d4d15b485b27b8bf108f4_aspace_372226d1a2401b0493dc2b502c99710f","title_filing_ssi":"WVCG's 10-80 Dialogue (Audio reel tape)","title_ssm":["WVCG's 10-80 Dialogue (Audio reel tape)"],"title_tesim":["WVCG's 10-80 Dialogue (Audio reel tape)"],"unitdate_inclusive_ssm":["June 4, 1972"],"normalized_date_ssm":["June 4, 1972"],"normalized_title_ssm":["WVCG's 10-80 Dialogue (Audio reel tape), June 4, 1972"],"text":["WVCG's 10-80 Dialogue (Audio reel tape), June 4, 1972","Charles Willeford Collection, Circa 1935-1999","Audiovisual Materials","/repositories/3/archival_objects/32565","box 35"],"component_level_isim":[2],"parent_ids_ssim":["057d4d15b485b27b8bf108f4","057d4d15b485b27b8bf108f4_aspace_5bb4a400f436946d8f26b3cb115f203f"],"parent_unittitles_ssm":["Charles Willeford Collection, Circa 1935-1999","Audiovisual Materials"],"parent_unittitles_tesim":["Charles Willeford Collection, Circa 1935-1999","Audiovisual Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/32565"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Charles Willeford Collection, Circa 1935-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":617,"parent_access_restrict_tesm":["Access to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.","The Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.","With the exception of the above, there are no restrictions on the collection and the materials are available for use by the public."],"containers_ssim":["box 35"],"_nest_path_":"/components#8/components#1","_nest_parent_":"057d4d15b485b27b8bf108f4_aspace_5bb4a400f436946d8f26b3cb115f203f","_root_":"057d4d15b485b27b8bf108f4","timestamp":"2026-04-21T01:43:55.847Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"057d4d15b485b27b8bf108f4","title_filing_ssi":"Willeford, Charles Collection","title_ssm":["Charles Willeford Collection"],"title_tesim":["Charles Willeford Collection"],"ead_ssi":"057d4d15b485b27b8bf108f4","unitdate_ssm":["Circa 1935-1999"],"unitdate_inclusive_ssm":["Circa 1935-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.1998.1","/repositories/3/resources/358"],"text":["BIENES.1998.1","/repositories/3/resources/358","Charles Willeford Collection, Circa 1935-1999","Access to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.","The Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.","With the exception of the above, there are no restrictions on the collection and the materials are available for use by the public.","The collection is arranged in the following series:\n","\nSeries 1: Writings by Charles Willeford\n","\nSeries 2: Correspondence to Willeford\n","\nSeries 3: Correspondence from Willeford\n","\nSeries 4: Photographs and Art\n","\nSeries 5: Personal Papers\n","\nSeries 6: Printed Materials\n","\nSeries 7: Audiovisual Materials\n","\nSeries 8: Books by Willeford\n","\nSeries 9: Books from Willeford's Library\n","Charles Ray Willeford III (January 2, 1919 - March 27, 1988) was an American writer who spent much of his career in South Florida. He is best known for his novels featuring detective Hoke Moseley, who debuted in the book \"Miami Blues\" (1984). Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.","Willeford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999.","The Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection.","The Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.","Series 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.","Series 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.","Series 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.","Series 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. The art in the series inlcudes cover art, movie posters, and prints.","Series 5: Personal Papers includes Willeford's military service papers and records, book jackets and covers, notebooks, and membership and business cards.","Series 6: Printed Materials contains 7 subseries. Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.","Series 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.","Series 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.","Series 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. They are arranged by catalog number.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.1998.1","/repositories/3/resources/358"],"normalized_date_ssm":["Circa 1935-1999"],"normalized_title_ssm":["Charles Willeford Collection, Circa 1935-1999"],"collection_title_tesim":["Charles Willeford Collection, Circa 1935-1999"],"collection_ssim":["Charles Willeford Collection, Circa 1935-1999"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"acqinfo_ssim":["Betsy Willeford, wife of Charles Willeford, donated the materials to the Bienes Musem of the Modern Book on November 15, 1998 (Accession BIENES-1998.1). She donated additional materials in 1999."],"has_online_content_ssim":["false"],"extent_ssm":["162 Volumes The Willeford Collection contains 162 cataloged books","35 Hollinger Boxes 35 boxes of papers and audiovisual materials; oversize materials separated"],"extent_tesim":["162 Volumes The Willeford Collection contains 162 cataloged books","35 Hollinger Boxes 35 boxes of papers and audiovisual materials; oversize materials separated"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.\u003c/p\u003e\n","\u003cp\u003eThe Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.\u003c/p\u003e\n","\u003cp\u003eWith the exception of the above, there are no restrictions on the collection and the materials are available for use by the public.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.","The Grimhaven manuscript is available for in-person viewing only. Grimhaven cannot be photographed or dupliciated.","With the exception of the above, there are no restrictions on the collection and the materials are available for use by the public."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the following series:\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Writings by Charles Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 2: Correspondence to Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 3: Correspondence from Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 4: Photographs and Art\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 5: Personal Papers\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 6: Printed Materials\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 7: Audiovisual Materials\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 8: Books by Willeford\n\u003c/p\u003e\n","\u003cp\u003e\nSeries 9: Books from Willeford's Library\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the following series:\n","\nSeries 1: Writings by Charles Willeford\n","\nSeries 2: Correspondence to Willeford\n","\nSeries 3: Correspondence from Willeford\n","\nSeries 4: Photographs and Art\n","\nSeries 5: Personal Papers\n","\nSeries 6: Printed Materials\n","\nSeries 7: Audiovisual Materials\n","\nSeries 8: Books by Willeford\n","\nSeries 9: Books from Willeford's Library\n"],"bioghist_html_tesm":["\u003cp\u003eCharles Ray Willeford III (January 2, 1919 - March 27, 1988) was an American writer who spent much of his career in South Florida. He is best known for his novels featuring detective Hoke Moseley, who debuted in the book \"Miami Blues\" (1984). Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.\u003c/p\u003e\n","\u003cp\u003eWilleford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Ray Willeford III (January 2, 1919 - March 27, 1988) was an American writer who spent much of his career in South Florida. He is best known for his novels featuring detective Hoke Moseley, who debuted in the book \"Miami Blues\" (1984). Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.","Willeford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999."],"prefercite_html_tesm":["\u003cp\u003eCharles Willeford Collection, Bienes Museum of the Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Charles Willeford Collection, Bienes Museum of the Modern Book, Broward County Library"],"processinfo_html_tesm":["\u003cp\u003eThe Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. The art in the series inlcudes cover art, movie posters, and prints.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Personal Papers includes Willeford's military service papers and records, book jackets and covers, notebooks, and membership and business cards.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Printed Materials contains 7 subseries. Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.\u003c/p\u003e\n","\u003cp\u003eSeries 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. They are arranged by catalog number.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.","Series 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.","Series 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.","Series 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.","Series 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. The art in the series inlcudes cover art, movie posters, and prints.","Series 5: Personal Papers includes Willeford's military service papers and records, book jackets and covers, notebooks, and membership and business cards.","Series 6: Printed Materials contains 7 subseries. Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.","Series 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.","Series 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.","Series 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. They are arranged by catalog number."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":632,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"057d4d15b485b27b8bf108f4","timestamp":"2026-04-21T01:43:55.847Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/057d4d15b485b27b8bf108f4_aspace_372226d1a2401b0493dc2b502c99710f"}},{"id":"3232c27cb5756431732dd4dd_aspace_129091","type":"File","attributes":{"title":"Wven, Te Quiero Ver, 1942","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129091#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_129091","ref_ssm":["aspace_129091","aspace_129091"],"id":"3232c27cb5756431732dd4dd_aspace_129091","title_filing_ssi":"Wven, Te Quiero Ver","title_ssm":["Wven, Te Quiero Ver"],"title_tesim":["Wven, Te Quiero Ver"],"unitdate_other_ssim":["1942"],"normalized_date_ssm":["1942"],"normalized_title_ssm":["Wven, Te Quiero Ver, 1942"],"text":["Wven, Te Quiero Ver, 1942","Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music","Folder 39","/repositories/2/archival_objects/36605","2","box 11","folder 39","Pafumy, Jose","Salinas, Alberto / Valencia, Castro","New York, NY","Peer International Corporation","Spanish"],"component_level_isim":[3],"parent_ids_ssim":["3232c27cb5756431732dd4dd","3232c27cb5756431732dd4dd_aspace_128094","3232c27cb5756431732dd4dd_aspace_128095"],"parent_unittitles_ssm":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_unittitles_tesim":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 39","/repositories/2/archival_objects/36605"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"physdesc_tesim":["2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":987,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 11","folder 39"],"odd_html_tesm":["\u003cp\u003ePafumy, Jose\u003c/p\u003e","\u003cp\u003eSalinas, Alberto / Valencia, Castro\u003c/p\u003e","\u003cp\u003eNew York, NY\u003c/p\u003e","\u003cp\u003ePeer International Corporation\u003c/p\u003e"],"odd_heading_ssm":["Composer","Lyricist","Place","Publisher"],"odd_tesim":["Pafumy, Jose","Salinas, Alberto / Valencia, Castro","New York, NY","Peer International Corporation"],"separatedmaterial_html_tesm":["\u003cp\u003eSpanish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["Spanish"],"_nest_path_":"/components#0/components#0/components#984","_nest_parent_":"3232c27cb5756431732dd4dd_aspace_128095","_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3232c27cb5756431732dd4dd","title_ssm":["Joe Merman Sheet Music Collection"],"title_tesim":["Joe Merman Sheet Music Collection"],"ead_ssi":"3232c27cb5756431732dd4dd","unitdate_ssm":["1909-1999"],"unitdate_inclusive_ssm":["1909-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00012","/repositories/2/resources/98"],"text":["PMC00012","/repositories/2/resources/98","Joe Merman Sheet Music Collection, 1909-1999","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by score name","Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00012","/repositories/2/resources/98"],"normalized_date_ssm":["1909-1999"],"normalized_title_ssm":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_title_tesim":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by score name\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by score name"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eJoe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. 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For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. 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The series are arranged alphabetically by subject, personal name, or department or college name."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2017/03/30\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2017/03/30"],"prefercite_html_tesm":["\u003cp\u003eFSU Vertical Files Collection, HUA 2017-014, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA_2017-014\"\u003ehttp://purl.fcla.edu/fsu/HPUA_2017-014\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["FSU Vertical Files Collection, HUA 2017-014, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA_2017-014 ."],"scopecontent_html_tesm":["\u003cp\u003eThe FSU Vertical Files Collection was created by previous Special Collections librarians and archivists with the express purpose of housing information about FSU's colleges, departments, organizations, buildings, athletics teams, and notable people in one easily accessible collection. The Collection contains photocopies and original newspaper clippings, official records, meeting minutes, and reports, correspondence, programs, brochures, flyers, schedules and calendars of events, and other original memorabilia and ephemera.\n\u003cbr\u003e\u003cbr\u003e\tThis collection will be useful for research on specific FSU organizations and departments, campus initiatives, building history, and faculty, staff, and alumni biographies.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:hpmain\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The FSU Vertical Files Collection was created by previous Special Collections librarians and archivists with the express purpose of housing information about FSU's colleges, departments, organizations, buildings, athletics teams, and notable people in one easily accessible collection. The Collection contains photocopies and original newspaper clippings, official records, meeting minutes, and reports, correspondence, programs, brochures, flyers, schedules and calendars of events, and other original memorabilia and ephemera.\n \tThis collection will be useful for research on specific FSU organizations and departments, campus initiatives, building history, and faculty, staff, and alumni biographies.","Select materials from this collection have been digitized and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3614df265a24d305e49c16378c1283d4\" label=\"Abstract\"\u003eThis collection documents the activities and histories of various organizations, colleges, departments, and notable individuals at FSU. The collection contains original records, correspondence, press releases, schedules and calendars, newspaper clippings, brochures and pamphlets, programs, and flyers.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the activities and histories of various organizations, colleges, departments, and notable individuals at FSU. The collection contains original records, correspondence, press releases, schedules and calendars, newspaper clippings, brochures and pamphlets, programs, and flyers."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1648,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874752334535327744,"_root_":"cbd0c9af2d66dfe424d9b57f","timestamp":"2026-08-28T07:45:51.055Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cbd0c9af2d66dfe424d9b57f_aspace_207137"}},{"id":"a21e44f74bf8216c2c26dfd2_aspace_137234","type":"File","attributes":{"title":"WVFS Tallahassee 89.7fm (V89)","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a21e44f74bf8216c2c26dfd2_aspace_137234#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e20 items.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a21e44f74bf8216c2c26dfd2_aspace_137234#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_137234","ref_ssm":["aspace_137234","aspace_137234"],"id":"a21e44f74bf8216c2c26dfd2_aspace_137234","title_filing_ssi":"WVFS Tallahassee 89.7fm (V89)","title_ssm":["WVFS Tallahassee 89.7fm (V89)"],"title_tesim":["WVFS Tallahassee 89.7fm (V89)"],"normalized_title_ssm":["WVFS Tallahassee 89.7fm (V89)"],"text":["WVFS Tallahassee 89.7fm (V89)","Florida Flambeau/FSView Photograph Collection, 1970-1999","FSU Organizations and Offices","Folder 21","/repositories/10/archival_objects/5139","box 8","folder 21","20 items."],"component_level_isim":[2],"parent_ids_ssim":["a21e44f74bf8216c2c26dfd2","a21e44f74bf8216c2c26dfd2_aspace_137212"],"parent_unittitles_ssm":["Florida Flambeau/FSView Photograph Collection, 1970-1999","FSU Organizations and Offices"],"parent_unittitles_tesim":["Florida Flambeau/FSView Photograph Collection, 1970-1999","FSU Organizations and Offices"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 21","/repositories/10/archival_objects/5139"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Florida Flambeau/FSView Photograph Collection, 1970-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":199,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"containers_ssim":["box 8","folder 21"],"scopecontent_html_tesm":["\u003cp\u003e20 items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["20 items."],"_nest_path_":"/components#6/components#20","_nest_parent_":"a21e44f74bf8216c2c26dfd2_aspace_137212","_root_":"a21e44f74bf8216c2c26dfd2","timestamp":"2026-07-08T06:28:43.336Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a21e44f74bf8216c2c26dfd2","title_ssm":["Florida Flambeau/FSView Photograph Collection"],"title_tesim":["Florida Flambeau/FSView Photograph Collection"],"ead_ssi":"a21e44f74bf8216c2c26dfd2","unitdate_ssm":["1970-1999"],"unitdate_inclusive_ssm":["1970-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2006-012","/repositories/10/resources/18"],"text":["MSS 2006-012","/repositories/10/resources/18","Florida Flambeau/FSView Photograph Collection, 1970-1999","Tallahassee (Fla.)","Florida State University--Students","Florida State University--Sports.","Student government.","Florida State University--Faculty","Student protests","Student clubs and organizations","Florida State University--Buildings","Homecoming.","Photographs","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","\"Around the turn of 1915, Ruby Leach, a young upstart at the Florida State College for Women, approached the editor of the Tallahassee Democrat about their lack of coverage of the College. She was told she could write two columns per week, for which she would be paid the princely sum of $1.","It didn't take long for President Edward Conradi, however, to appreciate that the campus generated enough news to warrant its own paper, and thus the seeds for the Florida Flambeau were planted.","On January 23, 1915, the first issue of the Florida Flambeau hit newsstands, so to speak. Actually, for many years, the paper was delivered to students in a little red wagon, affectionately name the \"Flambeau Flier.\"","For years, the Flambeau was staunchly conservative, rarely running commentaries and only criticizing administration with proper approval.","As society evolved, so too did the Flambeau. When it was first offered advertisements from cigarette companies, the Executive Counsel of Deans and college officials vetoed the potential source of income. However, by 1935, both Lucky Strike and Chesterfield cigarette ads were featured in the paper.","For the next 38 years, the Florida Flambeau remained on campus as a symbol of the University. Then in 1972, the paper lost its funding from the University, but continued to publish off campus as a non-profit educational foundation. It surprised its critics by thriving for the next 20 years without financial support from the University.","By the early '90s, the once- conservative campus paper had produced multiple Pulitzer Prize winners, but had become a wildly liberal forum for anti-University propaganda and a soapbox for biased commentaries. Then in '92, following a series of slanderous commentaries and habitual editorializing, Flambeau staff writer Mary Jane Ryals penned a scalding front page commentary about the vapidity of the Miss Florida State pageant. Her commentary was the beginning of the end for the 77-year-old Florida Flambeau.","One month later the first issue of the FSView debuted. It was everything the Flambeau was not: It focused on the University with more attention to fact than opinion. With the FSView on the scene, the Flambeau fell fast, losing advertisers and accruing six-figure debt.","In 1998, the Tallahassee Democrat refused to print the paper without advance-payment for that week's issue, forcing them to publish only online.","Later that year, the Tallahassee Democrat \"called the note,\" meaning the bankrupt Florida Flambeau would either have to pay their $125,000 to the Democrat or the 83-year-old newspaper would become its property.","Seeing an investment opportunity, John Piemonte, the chief financier of the FSView, purchased the Florida Flambeau's debt from the Democrat, and in doing so, bought the Flambeau and everything that came with it. On October 15,1998 the first issue of the FSView \u0026 Florida Flambeau was published.","Four days later, FSView, Inc. (publisher of the FSView \u0026 Florida Flambeau) was purchased from Piemont by the FSView's general manager and sales manager, Rob Parker and Blaise Provitola.","These two men, along with Brad Ray, who joined later, are responsible for the issue in your hands right now, along with a staff of about 50 others.","We try to bring you, the reader, the best of both the FSView and the Florida Flambeau: campus and local news with hard facts you can count on, complemented by witty, insightful social commentaries.","Currently, the FSView \u0026 Florida Flambeau publishes twice a week on Mondays and Thursdays during the fall and spring, and once weekly on Mondays during the summer. We print 25,000 copies and distribute to 475 sites around Tallahassee, making us the sixth-highest circulated college newspaper in the nation, and No. 1 in terms of newspaper sites. We also have the third-highest ratio of newspapers per students in the nation.\"","Note written by FSView \u0026 Florida Flambeau staff  (5/31/04.) FSView. Accessed Feb 27, 2007 from website","This collection is composed of a wide variety of over 12,000 photographs, in addition to a small number of accompanying documents, united by the common characteristic of having been created or collected by the FSView and Florida Flambeau staff members for use in the newspaper. These images span the past three decades and provide a glimpse into the not only the makings of the newspaper, but also college life at Florida State University. The FSView and Florida Flambeau collection tells the story of an evolving landscape of students and culture in the last decades of the 20th century. In addition to containing illustrations of the university through the years, this collection sheds light into the way in which FSU students experienced and viewed national and international events.\n \nThe subject matter of the photographs within the collection varies, containing photographs of students, administration personnel, educators, places, events, and objects. While all of the photographs are documentary in nature, as they were explicitly created to be used in the FSView, some may be seen to express an artistic vision. These images span the 1970s through the 1990s. The collection is particularly strong in its coverage of the 1980s and 1990s and reveals the styles, attitudes, and past times associated with these decades.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Collection contained over 12,000 photographs covering a wide variety of people, places, events and activities affiliated with Florida State University.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2006-012","/repositories/10/resources/18"],"normalized_date_ssm":["1970-1999"],"normalized_title_ssm":["Florida Flambeau/FSView Photograph Collection, 1970-1999"],"collection_title_tesim":["Florida Flambeau/FSView Photograph Collection, 1970-1999"],"collection_ssim":["Florida Flambeau/FSView Photograph Collection, 1970-1999"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Tallahassee (Fla.)"],"geogname_ssim":["Tallahassee (Fla.)"],"places_ssim":["Tallahassee (Fla.)"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"access_subjects_ssim":["Florida State University--Students","Florida State University--Sports.","Student government.","Florida State University--Faculty","Student protests","Student clubs and organizations","Florida State University--Buildings","Homecoming.","Photographs"],"access_subjects_ssm":["Florida State University--Students","Florida State University--Sports.","Student government.","Florida State University--Faculty","Student protests","Student clubs and organizations","Florida State University--Buildings","Homecoming.","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["17.00 Linear Feet"],"extent_tesim":["17.00 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003e\"Around the turn of 1915, Ruby Leach, a young upstart at the Florida State College for Women, approached the editor of the Tallahassee Democrat about their lack of coverage of the College. She was told she could write two columns per week, for which she would be paid the princely sum of $1.\u003c/p\u003e\n","\u003cp\u003eIt didn't take long for President Edward Conradi, however, to appreciate that the campus generated enough news to warrant its own paper, and thus the seeds for the Florida Flambeau were planted.\u003c/p\u003e\n","\u003cp\u003eOn January 23, 1915, the first issue of the Florida Flambeau hit newsstands, so to speak. Actually, for many years, the paper was delivered to students in a little red wagon, affectionately name the \"Flambeau Flier.\"\u003c/p\u003e\n","\u003cp\u003eFor years, the Flambeau was staunchly conservative, rarely running commentaries and only criticizing administration with proper approval.\u003c/p\u003e\n","\u003cp\u003eAs society evolved, so too did the Flambeau. When it was first offered advertisements from cigarette companies, the Executive Counsel of Deans and college officials vetoed the potential source of income. However, by 1935, both Lucky Strike and Chesterfield cigarette ads were featured in the paper.\u003c/p\u003e\n","\u003cp\u003eFor the next 38 years, the Florida Flambeau remained on campus as a symbol of the University. Then in 1972, the paper lost its funding from the University, but continued to publish off campus as a non-profit educational foundation. It surprised its critics by thriving for the next 20 years without financial support from the University.\u003c/p\u003e\n","\u003cp\u003eBy the early '90s, the once- conservative campus paper had produced multiple Pulitzer Prize winners, but had become a wildly liberal forum for anti-University propaganda and a soapbox for biased commentaries. Then in '92, following a series of slanderous commentaries and habitual editorializing, Flambeau staff writer Mary Jane Ryals penned a scalding front page commentary about the vapidity of the Miss Florida State pageant. Her commentary was the beginning of the end for the 77-year-old Florida Flambeau.\u003c/p\u003e\n","\u003cp\u003eOne month later the first issue of the FSView debuted. It was everything the Flambeau was not: It focused on the University with more attention to fact than opinion. With the FSView on the scene, the Flambeau fell fast, losing advertisers and accruing six-figure debt.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Tallahassee Democrat refused to print the paper without advance-payment for that week's issue, forcing them to publish only online.\u003c/p\u003e\n","\u003cp\u003eLater that year, the Tallahassee Democrat \"called the note,\" meaning the bankrupt Florida Flambeau would either have to pay their $125,000 to the Democrat or the 83-year-old newspaper would become its property.\u003c/p\u003e\n","\u003cp\u003eSeeing an investment opportunity, John Piemonte, the chief financier of the FSView, purchased the Florida Flambeau's debt from the Democrat, and in doing so, bought the Flambeau and everything that came with it. On October 15,1998 the first issue of the FSView \u0026amp; Florida Flambeau was published.\u003c/p\u003e\n","\u003cp\u003eFour days later, FSView, Inc. (publisher of the FSView \u0026amp; Florida Flambeau) was purchased from Piemont by the FSView's general manager and sales manager, Rob Parker and Blaise Provitola.\u003c/p\u003e\n","\u003cp\u003eThese two men, along with Brad Ray, who joined later, are responsible for the issue in your hands right now, along with a staff of about 50 others.\u003c/p\u003e\n","\u003cp\u003eWe try to bring you, the reader, the best of both the FSView and the Florida Flambeau: campus and local news with hard facts you can count on, complemented by witty, insightful social commentaries.\u003c/p\u003e\n","\u003cp\u003eCurrently, the FSView \u0026amp; Florida Flambeau publishes twice a week on Mondays and Thursdays during the fall and spring, and once weekly on Mondays during the summer. We print 25,000 copies and distribute to 475 sites around Tallahassee, making us the sixth-highest circulated college newspaper in the nation, and No. 1 in terms of newspaper sites. We also have the third-highest ratio of newspapers per students in the nation.\"\u003c/p\u003e\n","\u003cp\u003eNote written by FSView \u0026amp; Florida Flambeau staff\u0026#xA0; (5/31/04.) FSView. Accessed Feb 27, 2007 from website\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["\"Around the turn of 1915, Ruby Leach, a young upstart at the Florida State College for Women, approached the editor of the Tallahassee Democrat about their lack of coverage of the College. She was told she could write two columns per week, for which she would be paid the princely sum of $1.","It didn't take long for President Edward Conradi, however, to appreciate that the campus generated enough news to warrant its own paper, and thus the seeds for the Florida Flambeau were planted.","On January 23, 1915, the first issue of the Florida Flambeau hit newsstands, so to speak. Actually, for many years, the paper was delivered to students in a little red wagon, affectionately name the \"Flambeau Flier.\"","For years, the Flambeau was staunchly conservative, rarely running commentaries and only criticizing administration with proper approval.","As society evolved, so too did the Flambeau. When it was first offered advertisements from cigarette companies, the Executive Counsel of Deans and college officials vetoed the potential source of income. However, by 1935, both Lucky Strike and Chesterfield cigarette ads were featured in the paper.","For the next 38 years, the Florida Flambeau remained on campus as a symbol of the University. Then in 1972, the paper lost its funding from the University, but continued to publish off campus as a non-profit educational foundation. It surprised its critics by thriving for the next 20 years without financial support from the University.","By the early '90s, the once- conservative campus paper had produced multiple Pulitzer Prize winners, but had become a wildly liberal forum for anti-University propaganda and a soapbox for biased commentaries. Then in '92, following a series of slanderous commentaries and habitual editorializing, Flambeau staff writer Mary Jane Ryals penned a scalding front page commentary about the vapidity of the Miss Florida State pageant. Her commentary was the beginning of the end for the 77-year-old Florida Flambeau.","One month later the first issue of the FSView debuted. It was everything the Flambeau was not: It focused on the University with more attention to fact than opinion. With the FSView on the scene, the Flambeau fell fast, losing advertisers and accruing six-figure debt.","In 1998, the Tallahassee Democrat refused to print the paper without advance-payment for that week's issue, forcing them to publish only online.","Later that year, the Tallahassee Democrat \"called the note,\" meaning the bankrupt Florida Flambeau would either have to pay their $125,000 to the Democrat or the 83-year-old newspaper would become its property.","Seeing an investment opportunity, John Piemonte, the chief financier of the FSView, purchased the Florida Flambeau's debt from the Democrat, and in doing so, bought the Flambeau and everything that came with it. On October 15,1998 the first issue of the FSView \u0026 Florida Flambeau was published.","Four days later, FSView, Inc. (publisher of the FSView \u0026 Florida Flambeau) was purchased from Piemont by the FSView's general manager and sales manager, Rob Parker and Blaise Provitola.","These two men, along with Brad Ray, who joined later, are responsible for the issue in your hands right now, along with a staff of about 50 others.","We try to bring you, the reader, the best of both the FSView and the Florida Flambeau: campus and local news with hard facts you can count on, complemented by witty, insightful social commentaries.","Currently, the FSView \u0026 Florida Flambeau publishes twice a week on Mondays and Thursdays during the fall and spring, and once weekly on Mondays during the summer. We print 25,000 copies and distribute to 475 sites around Tallahassee, making us the sixth-highest circulated college newspaper in the nation, and No. 1 in terms of newspaper sites. We also have the third-highest ratio of newspapers per students in the nation.\"","Note written by FSView \u0026 Florida Flambeau staff  (5/31/04.) FSView. Accessed Feb 27, 2007 from website"],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida Flambeau/FSView Photograph Collection, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2006-012\"\u003ehttp://purl.fcla.edu/fsu/MSS_2006-012\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida Flambeau/FSView Photograph Collection, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2006-012"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is composed of a wide variety of over 12,000 photographs, in addition to a small number of accompanying documents, united by the common characteristic of having been created or collected by the FSView and Florida Flambeau staff members for use in the newspaper. These images span the past three decades and provide a glimpse into the not only the makings of the newspaper, but also college life at Florida State University. The FSView and Florida Flambeau collection tells the story of an evolving landscape of students and culture in the last decades of the 20th century. In addition to containing illustrations of the university through the years, this collection sheds light into the way in which FSU students experienced and viewed national and international events.\n\u003cbr\u003e\u003cbr\u003e\nThe subject matter of the photographs within the collection varies, containing photographs of students, administration personnel, educators, places, events, and objects. While all of the photographs are documentary in nature, as they were explicitly created to be used in the FSView, some may be seen to express an artistic vision. These images span the 1970s through the 1990s. The collection is particularly strong in its coverage of the 1980s and 1990s and reveals the styles, attitudes, and past times associated with these decades.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger photograph collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection is composed of a wide variety of over 12,000 photographs, in addition to a small number of accompanying documents, united by the common characteristic of having been created or collected by the FSView and Florida Flambeau staff members for use in the newspaper. These images span the past three decades and provide a glimpse into the not only the makings of the newspaper, but also college life at Florida State University. The FSView and Florida Flambeau collection tells the story of an evolving landscape of students and culture in the last decades of the 20th century. In addition to containing illustrations of the university through the years, this collection sheds light into the way in which FSU students experienced and viewed national and international events.\n \nThe subject matter of the photographs within the collection varies, containing photographs of students, administration personnel, educators, places, events, and objects. While all of the photographs are documentary in nature, as they were explicitly created to be used in the FSView, some may be seen to express an artistic vision. These images span the 1970s through the 1990s. The collection is particularly strong in its coverage of the 1980s and 1990s and reveals the styles, attitudes, and past times associated with these decades.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c2e412f7601f509949e5db3a1deb5dda\" label=\"Abstract\"\u003eCollection contained over 12,000 photographs covering a wide variety of people, places, events and activities affiliated with Florida State University.\u003c/abstract\u003e"],"abstract_tesim":["Collection contained over 12,000 photographs covering a wide variety of people, places, events and activities affiliated with Florida State University."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":253,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a21e44f74bf8216c2c26dfd2","timestamp":"2026-07-08T06:28:43.336Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a21e44f74bf8216c2c26dfd2_aspace_137234"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_168343","type":"Item","attributes":{"title":"WW-10","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168343#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. Amazons of Rome starring Louis Jourdan, Sylvia Syms, Nicole Courcel. Produced and Directed by Carlo Bragaglia. Eastmancolor. Released thru United Artists. Copyright 1963, United Artists. All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in the U.S.A.) \"Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this picture at your theatre. 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The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford."],"names_ssim":["USF Libraries - Tampa Special Collections","Zewadski, William Knight"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Zewadski, William Knight"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873942720913866752,"_root_":"a0a65b28104bce9cf5ed2e36","timestamp":"2026-08-19T09:17:23.247Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168344"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_167912","type":"Item","attributes":{"title":"WW-16","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_167912#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. Warner Bros. presents Steve Reeves in \"The White Warrior\" with Georgia Moll and with Scilla Gabel. Technicolor. Copyright Warner Bros. Pictures Distributing Corporation. (All Rights Reserved). Copyright is waived to magazine and newspapers. Country of origin U.S.A. Imprime Aux Etats-Unis D'Amerique. This advertising material is the property of Warner Bros. 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Warner Bros. presents Steve Reeves in \"The White Warrior\" with Georgia Moll and with Scilla Gabel. Technicolor. Copyright Warner Bros. Pictures Distributing Corporation. (All Rights Reserved). Copyright is waived to magazine and newspapers. Country of origin U.S.A. Imprime Aux Etats-Unis D'Amerique. This advertising material is the property of Warner Bros. Pictures Corporation and is leased pursuant to an agreement which provides, \"The exhibitor agrees that the advertising materials are leased for the use only in connection with the exhibition of the respective motion pictures identified in such materials and only for the purpose of properly advertising and exploiting said respective motion pictures at said theatre and the exhibitor agrees that he will not trade, sublease, sell, give away or otherwise use or permit others to use such materials.\" 61/38\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. 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The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. 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The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. 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Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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Warner Bros. presents Steve Reeves in \"The White Warrior\" with Georgia Moll and with Scilla Gabel. Technicolor. Copyright Warner Bros. Pictures Distributing Corporation. (All Rights Reserved). Copyright is waived to magazine and newspapers. Country of origin U.S.A. Imprime Aux Etats-Unis D'Amerique. This advertising material is the property of Warner Bros. Pictures Corporation and is leased pursuant to an agreement which provides, \"The exhibitor agrees that the advertising materials are leased for the use only in connection with the exhibition of the respective motion pictures identified in such materials and only for the purpose of properly advertising and exploiting said respective motion pictures at said theatre and the exhibitor agrees that he will not trade, sublease, sell, give away or otherwise use or permit others to use such materials.\" 61/38\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_167913#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_167913","ref_ssm":["aspace_167913","aspace_167913"],"id":"a0a65b28104bce9cf5ed2e36_aspace_167913","title_filing_ssi":"WW-17","title_ssm":["WW-17"],"title_tesim":["WW-17"],"normalized_title_ssm":["WW-17"],"text":["WW-17","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Swords And Sandals - Steve Reeves","The White Warrior, 1959","Item 3","/repositories/2/archival_objects/13714","Black and white photograph. 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Pictures Corporation and is leased pursuant to an agreement which provides, \"The exhibitor agrees that the advertising materials are leased for the use only in connection with the exhibition of the respective motion pictures identified in such materials and only for the purpose of properly advertising and exploiting said respective motion pictures at said theatre and the exhibitor agrees that he will not trade, sublease, sell, give away or otherwise use or permit others to use such materials.\" 61/38"],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_167740","a0a65b28104bce9cf5ed2e36_aspace_167910"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Swords And Sandals - Steve Reeves","The White Warrior, 1959"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Swords And Sandals - Steve Reeves","The White Warrior, 1959"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 3","/repositories/2/archival_objects/13714"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4008,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. Warner Bros. presents Steve Reeves in \"The White Warrior\" with Georgia Moll and with Scilla Gabel. Technicolor. Copyright Warner Bros. Pictures Distributing Corporation. (All Rights Reserved). Copyright is waived to magazine and newspapers. Country of origin U.S.A. Imprime Aux Etats-Unis D'Amerique. This advertising material is the property of Warner Bros. Pictures Corporation and is leased pursuant to an agreement which provides, \"The exhibitor agrees that the advertising materials are leased for the use only in connection with the exhibition of the respective motion pictures identified in such materials and only for the purpose of properly advertising and exploiting said respective motion pictures at said theatre and the exhibitor agrees that he will not trade, sublease, sell, give away or otherwise use or permit others to use such materials.\" 61/38\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. 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Pictures Corporation and is leased pursuant to an agreement which provides, \"The exhibitor agrees that the advertising materials are leased for the use only in connection with the exhibition of the respective motion pictures identified in such materials and only for the purpose of properly advertising and exploiting said respective motion pictures at said theatre and the exhibitor agrees that he will not trade, sublease, sell, give away or otherwise use or permit others to use such materials.\" 61/38"],"_nest_path_":"/components#16/components#4/components#2","_nest_parent_":"a0a65b28104bce9cf5ed2e36_aspace_167910","_root_":"a0a65b28104bce9cf5ed2e36","_version_":1873942720913866752,"timestamp":"2026-08-19T09:17:23.247Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0a65b28104bce9cf5ed2e36","title_ssm":["William Knight Zewadski Classical movie stills collection"],"title_tesim":["William Knight Zewadski Classical movie stills collection"],"ead_ssi":"a0a65b28104bce9cf5ed2e36","unitdate_ssm":["1860-2007","Date acquired: 00/00/2018"],"unitdate_inclusive_ssm":["1860-2007"],"unitdate_other_ssim":["Date acquired: 00/00/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Z11","/repositories/2/resources/82"],"text":["Z11","/repositories/2/resources/82","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume","The materials in this collection are arranged topically and according to chronology. 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