{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=65253\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=65252\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=65254\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65773\u0026view=list"},"meta":{"pages":{"current_page":65253,"next_page":65254,"prev_page":65252,"total_pages":65773,"limit_value":10,"offset_value":652520,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"ce20910b89b47cd31876fd5f_aspace_76321","type":"File","attributes":{"title":"World War I, Part 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ce20910b89b47cd31876fd5f_aspace_76321#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_76321","ref_ssm":["aspace_76321","aspace_76321"],"id":"ce20910b89b47cd31876fd5f_aspace_76321","title_filing_ssi":"World War I, Part 1","title_ssm":["World War I, Part 1"],"title_tesim":["World War I, Part 1"],"normalized_title_ssm":["World War I, Part 1"],"text":["World War I, Part 1","Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Agriculture","Folder 6","/repositories/2/archival_objects/132348","box 4","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["ce20910b89b47cd31876fd5f","ce20910b89b47cd31876fd5f_aspace_76268"],"parent_unittitles_ssm":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Agriculture"],"parent_unittitles_tesim":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Agriculture"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/132348"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":79,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 4","folder 6"],"_nest_path_":"/components#2/components#35","_nest_parent_":"ce20910b89b47cd31876fd5f_aspace_76268","_root_":"ce20910b89b47cd31876fd5f","timestamp":"2026-06-18T03:18:37.189Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ce20910b89b47cd31876fd5f","title_ssm":["Works Progress Administration (WPA) Tampa Office records"],"title_tesim":["Works Progress Administration (WPA) Tampa Office records"],"ead_ssi":"ce20910b89b47cd31876fd5f","unitdate_ssm":["1881-1943","1935-1943","1982"],"unitdate_bulk_ssim":["1935-1943"],"unitdate_inclusive_ssm":["1881-1943"],"unitdate_other_ssim":["1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-08","/repositories/2/resources/563"],"text":["MS-1982-08","/repositories/2/resources/563","Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Hillsborough County (Fla.) -- History","Ybor City (Tampa, Fla.)","United States. 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Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":650,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ce20910b89b47cd31876fd5f","timestamp":"2026-06-18T03:18:37.189Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ce20910b89b47cd31876fd5f_aspace_76322"}},{"id":"3a800e6eaa9e675c4a7db2ca_aspace_15463","type":"Item","attributes":{"title":"World War I Patch","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a800e6eaa9e675c4a7db2ca_aspace_15463#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eWWI US Army 37th Infantry Division Embroidered Wool Felt Patch\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a800e6eaa9e675c4a7db2ca_aspace_15463#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_15463","ref_ssm":["aspace_15463","aspace_15463"],"id":"3a800e6eaa9e675c4a7db2ca_aspace_15463","title_filing_ssi":"World War I Patch","title_ssm":["World War I Patch"],"title_tesim":["World War I Patch"],"normalized_title_ssm":["World War I Patch"],"text":["World War I Patch","Marvin E. Kemery Collection, 1914-1919, Date acquired: 08/03/2007, bulk 1918","Realia","Item 3","/repositories/2/archival_objects/41828","box 2","WWI US Army 37th Infantry Division Embroidered Wool Felt Patch"],"component_level_isim":[2],"parent_ids_ssim":["3a800e6eaa9e675c4a7db2ca","3a800e6eaa9e675c4a7db2ca_aspace_15459"],"parent_unittitles_ssm":["Marvin E. Kemery Collection, 1914-1919, Date acquired: 08/03/2007, bulk 1918","Realia"],"parent_unittitles_tesim":["Marvin E. Kemery Collection, 1914-1919, Date acquired: 08/03/2007, bulk 1918","Realia"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 3","/repositories/2/archival_objects/41828"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marvin E. Kemery Collection, 1914-1919, Date acquired: 08/03/2007, bulk 1918"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":62,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 2"],"scopecontent_html_tesm":["\u003cp\u003eWWI US Army 37th Infantry Division Embroidered Wool Felt Patch\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["WWI US Army 37th Infantry Division Embroidered Wool Felt Patch"],"_nest_path_":"/components#3/components#2","_nest_parent_":"3a800e6eaa9e675c4a7db2ca_aspace_15459","_root_":"3a800e6eaa9e675c4a7db2ca","timestamp":"2026-04-21T17:13:41.849Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a800e6eaa9e675c4a7db2ca","title_ssm":["Marvin E. Kemery Collection"],"title_tesim":["Marvin E. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","In 2011, Bebe Chang processed this collection.","This collection of correspondence and maps by World War I United States Army Officer Marvin Kemery describes the emotions and environment in which he served. Private Marvin E. Kemery, Fourth Army, 37th Division, 135th Field Artillery Regiment wrote home on a weekly basis. His letters discuss  training and service overseas. This collection includes 45 letters with envelopes, two felt caps, one army patch and a eight maps.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Marvin Kemery","English"],"unitid_tesim":["SPC00009","/repositories/2/resources/116"],"normalized_date_ssm":["1914-1919, Date acquired: 08/03/2007, bulk 1918"],"normalized_title_ssm":["Marvin E. Kemery Collection, 1914-1919, Date acquired: 08/03/2007, bulk 1918"],"collection_title_tesim":["Marvin E. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Boca Raton Historical Society, Susan Gillis and David Ashe"],"access_subjects_ssim":["\tWorld War, 1914-1918 -- Personal narratives, American","\tWorld War, 1914-1918 -- Campaigns -- Western Front"," Correspondence","World War, 1914-1918 -- United States -- Personal narratives"],"access_subjects_ssm":["\tWorld War, 1914-1918 -- Personal narratives, American","\tWorld War, 1914-1918 -- Campaigns -- Western Front"," Correspondence","World War, 1914-1918 -- United States -- Personal narratives"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet","2 boxes and 1 map folder other_unmapped"],"extent_tesim":["2.00 Linear Feet","2 boxes and 1 map folder other_unmapped"],"date_range_isim":[1914,1915,1916,1917,1918,1919],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Bebe Chang processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Bebe Chang processed this collection."],"scopecontent_html_tesm":["\u003cp\u003e\u003cblockquote\u003eThis collection of correspondence and maps by World War I United States Army Officer Marvin Kemery describes the emotions and environment in which he served. Private Marvin E. Kemery, Fourth Army, 37th Division, 135th Field Artillery Regiment wrote home on a weekly basis. His letters discuss  training and service overseas. This collection includes 45 letters with envelopes, two felt caps, one army patch and a eight maps.\u003c/blockquote\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of correspondence and maps by World War I United States Army Officer Marvin Kemery describes the emotions and environment in which he served. Private Marvin E. Kemery, Fourth Army, 37th Division, 135th Field Artillery Regiment wrote home on a weekly basis. His letters discuss  training and service overseas. This collection includes 45 letters with envelopes, two felt caps, one army patch and a eight maps."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Marvin Kemery"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Marvin Kemery"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":65,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3a800e6eaa9e675c4a7db2ca","timestamp":"2026-04-21T17:13:41.849Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3a800e6eaa9e675c4a7db2ca_aspace_15463"}},{"id":"4b1b011e59287a46abc92172_aspace_56652","type":"File","attributes":{"title":"World War I (Pension Bill), 1964","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4b1b011e59287a46abc92172_aspace_56652#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_56652","ref_ssm":["aspace_56652","aspace_56652"],"id":"4b1b011e59287a46abc92172_aspace_56652","title_filing_ssi":"World War I (Pension Bill)","title_ssm":["World War I (Pension Bill)"],"title_tesim":["World War I (Pension Bill)"],"unitdate_other_ssim":["1964"],"normalized_date_ssm":["1964"],"normalized_title_ssm":["World War I (Pension Bill), 1964"],"text":["World War I (Pension Bill), 1964","Claude Pepper Papers, 1900-1989","U.S. House","U.S. House - Congressional Legislative Speeches","Folder 9","/repositories/10/archival_objects/75883","303A - Box 2","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["4b1b011e59287a46abc92172","4b1b011e59287a46abc92172_aspace_90d5fc28931abbf58f09941a28fa2e3b","4b1b011e59287a46abc92172_aspace_56620"],"parent_unittitles_ssm":["Claude Pepper Papers, 1900-1989","U.S. House","U.S. House - Congressional Legislative Speeches"],"parent_unittitles_tesim":["Claude Pepper Papers, 1900-1989","U.S. House","U.S. House - Congressional Legislative Speeches"],"parent_levels_ssm":["collection","Record Group","Series"],"unitid_ssm":["Folder 9","/repositories/10/archival_objects/75883"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Claude Pepper Papers, 1900-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":14324,"parent_access_restrict_tesm":["Collection is open to all researchers. 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Congress. House","United States--Politics and government--1933-1945","United States--Politics and government--1945-1953","United States--Politics and government--1953-1961","Collection is open to all researchers. Users may access this collection at the Claude Pepper Library.","During the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.","As is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:","Record Group 300 - U.S. House of Representatives:","~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings","To insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred.","Claude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n Much later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n Prior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars.","The Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building.","Peter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.","Claude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.","Roosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.","Patricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)","Containing over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.","These materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.","Select materials from the Claude Pepper Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library","FSU Special Collections \u0026 Archives","United States. Congress. 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Users may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eDuring the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003eAs is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:\u003c/p\u003e\n","\u003cp\u003eRecord Group 300 - U.S. House of Representatives:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003e~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTo insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["During the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.","As is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:","Record Group 300 - U.S. House of Representatives:","~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings","To insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred."],"bioghist_html_tesm":["\u003cp\u003eClaude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n\u003cbr\u003e\u003cbr\u003eMuch later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n\u003cbr\u003e\u003cbr\u003ePrior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Claude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n Much later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n Prior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars."],"custodhist_html_tesm":["\u003cp\u003eThe Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Claude Pepper Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_1979-01\"\u003ehttp://purl.fcla.edu/fsu/MSS_1979-01\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Claude Pepper Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1979-01 ."],"relatedmaterial_html_tesm":["\u003cp\u003ePeter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.\u003c/p\u003e\n","\u003cp\u003eClaude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.\u003c/p\u003e\n","\u003cp\u003eRoosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.\u003c/p\u003e\n","\u003cp\u003ePatricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Peter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.","Claude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.","Roosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.","Patricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)"],"scopecontent_html_tesm":["\u003cp\u003eContaining over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.\u003c/p\u003e\n","\u003cp\u003eThese materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.\u003c/p\u003e","\u003cp\u003eSelect materials from the Claude Pepper Papers have been digitized and are available through the \u003cextref href=\"http://diginole.lib.fsu.edu/islandora/object/fsu%3Aclaudepeppermaincollection\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Containing over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.","These materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.","Select materials from the Claude Pepper Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59cdc344ccbf964b456e94c25aa79f8c\"\u003eClaude Pepper Library\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library"],"names_coll_ssim":["United States. Congress. Senate","Pepper, Claude, 1900-1989"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Congress. Senate","Pepper, Claude D.","Pepper, Claude, 1900-1989"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Congress. Senate"],"famname_ssim":["Pepper, Claude D."],"persname_ssim":["Pepper, Claude, 1900-1989"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38465,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870947473700159488,"_root_":"4b1b011e59287a46abc92172","timestamp":"2026-07-17T07:49:12.052Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4b1b011e59287a46abc92172_aspace_56652"}},{"id":"65675f74ccda9442057b96d0_aspace_58185","type":"File","attributes":{"title":"World War I Pension – Position Paper Against (November 1963)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/65675f74ccda9442057b96d0_aspace_58185#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_58185","ref_ssm":["aspace_58185","aspace_58185"],"id":"65675f74ccda9442057b96d0_aspace_58185","title_filing_ssi":"World War I Pension – Position Paper Against (November 1963)","title_ssm":["World War I Pension – Position Paper Against (November 1963)"],"title_tesim":["World War I Pension – Position Paper Against (November 1963)"],"normalized_title_ssm":["World War I Pension – Position Paper Against (November 1963)"],"text":["World War I Pension – Position Paper Against (November 1963)","Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","1966-6","Folder 34","/repositories/2/archival_objects/63797","box 6","folder 34"],"component_level_isim":[2],"parent_ids_ssim":["65675f74ccda9442057b96d0","65675f74ccda9442057b96d0_aspace_58144"],"parent_unittitles_ssm":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","1966-6"],"parent_unittitles_tesim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","1966-6"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 34","/repositories/2/archival_objects/63797"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":184,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 6","folder 34"],"_nest_path_":"/components#5/components#33","_nest_parent_":"65675f74ccda9442057b96d0_aspace_58144","_root_":"65675f74ccda9442057b96d0","_version_":1881013055886721024,"timestamp":"2026-11-05T10:17:19.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"65675f74ccda9442057b96d0","title_ssm":["Sam Gibbons collection"],"title_tesim":["Sam Gibbons collection"],"ead_ssi":"65675f74ccda9442057b96d0","unitdate_ssm":["1940-2000","1960-1996","1996"],"unitdate_bulk_ssim":["1960-1996"],"unitdate_inclusive_ssm":["1940-2000"],"unitdate_other_ssim":["1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1996-02","/repositories/2/resources/378"],"text":["MS-1996-02","/repositories/2/resources/378","Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","University of South Florida -- History","No restrictions.","Chronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing.","Sam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba.","Primarily covers his years in the U.S. House of Representatives, 1962-1996.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Gibbons, Sam M. (Sam Melville), 1920-2012","English"],"unitid_tesim":["MS-1996-02","/repositories/2/resources/378"],"normalized_date_ssm":["1940-2000, 1996, bulk 1960-1996"],"normalized_title_ssm":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"collection_title_tesim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"collection_ssim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"creator_ssm":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"creator_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"creator_persname_ssim":["Gibbons, Sam M. 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(Sam Melville), 1920-2012"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Sam Gibbons and Gibbons family, U.S. House of Representatives","Donation."],"access_subjects_ssim":["University of South Florida -- History"],"access_subjects_ssm":["University of South Florida -- History"],"has_online_content_ssim":["false"],"extent_ssm":["504.02 Linear Feet","370 boxes"],"extent_tesim":["504.02 Linear Feet","370 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eChronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing."],"bioghist_html_tesm":["\u003cp\u003eSam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.\u0026#xA0; Gibbons died in Tampa in 2012.\u003c/p\u003e\n","\u003cp\u003eAs a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Sam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba."],"scopecontent_html_tesm":["\u003cp\u003ePrimarily covers his years in the U.S. House of Representatives, 1962-1996.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Primarily covers his years in the U.S. House of Representatives, 1962-1996."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Gibbons, Sam M. (Sam Melville), 1920-2012"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8166,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881013055886721024,"_root_":"65675f74ccda9442057b96d0","timestamp":"2026-11-05T10:17:19.988Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/65675f74ccda9442057b96d0_aspace_58185"}},{"id":"18ce43a3c782b797db9fa781_aspace_176244","type":"Series","attributes":{"title":"World War I Posters","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176244#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_176244","ref_ssm":["aspace_176244","aspace_176244"],"id":"18ce43a3c782b797db9fa781_aspace_176244","title_filing_ssi":"World War I Posters","title_ssm":["World War I Posters"],"title_tesim":["World War I Posters"],"normalized_title_ssm":["World War I Posters"],"text":["World War I Posters","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","Series 4","/repositories/2/archival_objects/81555"],"component_level_isim":[2],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179818"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Series 4","/repositories/2/archival_objects/81555"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":19,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":636,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#16/components#3","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179818","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176244"}},{"id":"87b9e019e70053ce303e1e31_aspace_d6ebf93889136eb9ce7dd00ddf73934f","type":"File","attributes":{"title":"World War I -- Ration Books","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/87b9e019e70053ce303e1e31_aspace_d6ebf93889136eb9ce7dd00ddf73934f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d6ebf93889136eb9ce7dd00ddf73934f","ref_ssm":["aspace_d6ebf93889136eb9ce7dd00ddf73934f","aspace_d6ebf93889136eb9ce7dd00ddf73934f"],"id":"87b9e019e70053ce303e1e31_aspace_d6ebf93889136eb9ce7dd00ddf73934f","title_filing_ssi":"World War I -- Ration Books","title_ssm":["World War I -- Ration Books"],"title_tesim":["World War I -- Ration Books"],"normalized_title_ssm":["World War I -- Ration Books"],"text":["World War I -- Ration Books","Jack Walton collection, 1903-1961","Family Files","Jack Walton","Box 6","Folder 19","/repositories/2/archival_objects/223898","box 6","folder 19"],"component_level_isim":[4],"parent_ids_ssim":["87b9e019e70053ce303e1e31","87b9e019e70053ce303e1e31_aspace_92964","87b9e019e70053ce303e1e31_aspace_92966","87b9e019e70053ce303e1e31_aspace_2405bba24ad5c30be0a053843510b6ad"],"parent_unittitles_ssm":["Jack Walton collection, 1903-1961","Family Files","Jack Walton","Box 6"],"parent_unittitles_tesim":["Jack Walton collection, 1903-1961","Family Files","Jack Walton","Box 6"],"parent_levels_ssm":["collection","Series","Subseries","Box"],"unitid_ssm":["Folder 19","/repositories/2/archival_objects/223898"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jack Walton collection, 1903-1961"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":124,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 6","folder 19"],"_nest_path_":"/components#1/components#1/components#2/components#18","_nest_parent_":"87b9e019e70053ce303e1e31_aspace_2405bba24ad5c30be0a053843510b6ad","_root_":"87b9e019e70053ce303e1e31","_version_":1878019535211069440,"timestamp":"2026-10-03T09:16:36.438Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"87b9e019e70053ce303e1e31","title_ssm":["Jack Walton collection"],"title_tesim":["Jack Walton collection"],"ead_ssi":"87b9e019e70053ce303e1e31","unitdate_ssm":["1903-1961"],"unitdate_inclusive_ssm":["1903-1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2011-17","/repositories/2/resources/197"],"text":["MS-2011-17","/repositories/2/resources/197","Jack Walton collection, 1903-1961","Air pilots","Smuggling","Rum industry","World War, 1939-1945 -- Photographs","Collection is arranged by type of material into the following series: family photographs and postcards, family files, and oversized materials. Family files are further subdivided into subseries by personal name.","A well-known air mechanic, pilot, and inventor, Jack Walton was born in January of 1903 in Germany. He resided in Tampa, Florida with his wife, Viola Walton, and their daughter, Maria Anne Walton. Jack Walton was actively involved in the whisky bootlegging trade, and owned one of the \"whisky ships\" that flew between Tampa and the Bahamas.","Note written by Jean McAllister, 2011","Collection consists of photographs, newspaper clippings, financial records, family papers, travel documents, estate papers, immigration and citizenship documents, correspondence, postcards, and ephemera pertaining to Jack Walton and other members of the Walton family. Particularly prominent are World War II photographs, materials relating to aeronautics in Tampa, the \"rum running\" trade, and Jack Walton's numerous inventions.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the personal papers of Jack Walton and his family.","USF Libraries - Tampa Special Collections","Walton, Jack (1903-)","English"],"unitid_tesim":["MS-2011-17","/repositories/2/resources/197"],"normalized_date_ssm":["1903-1961"],"normalized_title_ssm":["Jack Walton collection, 1903-1961"],"collection_title_tesim":["Jack Walton collection, 1903-1961"],"collection_ssim":["Jack Walton collection, 1903-1961"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Walton, Jack (1903-)"],"creator_ssim":["Walton, Jack (1903-)"],"creator_persname_ssim":["Walton, Jack (1903-)"],"creators_ssim":["Walton, Jack (1903-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Maria Walton","Donation."],"access_subjects_ssim":["Air pilots","Smuggling","Rum industry","World War, 1939-1945 -- Photographs"],"access_subjects_ssm":["Air pilots","Smuggling","Rum industry","World War, 1939-1945 -- Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["4.89 Linear Feet","5 boxes"],"extent_tesim":["4.89 Linear Feet","5 boxes"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by type of material into the following series: family photographs and postcards, family files, and oversized materials. Family files are further subdivided into subseries by personal name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is arranged by type of material into the following series: family photographs and postcards, family files, and oversized materials. Family files are further subdivided into subseries by personal name."],"bioghist_html_tesm":["\u003cp\u003eA well-known air mechanic, pilot, and inventor, Jack Walton was born in January of 1903 in Germany. He resided in Tampa, Florida with his wife, Viola Walton, and their daughter, Maria Anne Walton. Jack Walton was actively involved in the whisky bootlegging trade, and owned one of the \"whisky ships\" that flew between Tampa and the Bahamas.\u003c/p\u003e\n","\u003cp\u003eNote written by Jean McAllister, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["A well-known air mechanic, pilot, and inventor, Jack Walton was born in January of 1903 in Germany. He resided in Tampa, Florida with his wife, Viola Walton, and their daughter, Maria Anne Walton. Jack Walton was actively involved in the whisky bootlegging trade, and owned one of the \"whisky ships\" that flew between Tampa and the Bahamas.","Note written by Jean McAllister, 2011"],"prefercite_html_tesm":["\u003cp\u003eJack Walton Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Jack Walton Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of photographs, newspaper clippings, financial records, family papers, travel documents, estate papers, immigration and citizenship documents, correspondence, postcards, and ephemera pertaining to Jack Walton and other members of the Walton family. Particularly prominent are World War II photographs, materials relating to aeronautics in Tampa, the \"rum running\" trade, and Jack Walton's numerous inventions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of photographs, newspaper clippings, financial records, family papers, travel documents, estate papers, immigration and citizenship documents, correspondence, postcards, and ephemera pertaining to Jack Walton and other members of the Walton family. Particularly prominent are World War II photographs, materials relating to aeronautics in Tampa, the \"rum running\" trade, and Jack Walton's numerous inventions."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_26d97449de07e1156adbe6760ca2d5e6\" label=\"Abstract\"\u003eThis collection consists of the personal papers of Jack Walton and his family.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the personal papers of Jack Walton and his family."],"names_ssim":["USF Libraries - Tampa Special Collections","Walton, Jack (1903-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Walton, Jack (1903-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":173,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878019535211069440,"_root_":"87b9e019e70053ce303e1e31","timestamp":"2026-10-03T09:16:36.438Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/87b9e019e70053ce303e1e31_aspace_d6ebf93889136eb9ce7dd00ddf73934f"}},{"id":"bec408ef355489ed2515918e_aspace_9441","type":"File","attributes":{"title":"World War I soldier in uniform, circa 1910-1915","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9441#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9441","ref_ssm":["aspace_9441","aspace_9441"],"id":"bec408ef355489ed2515918e_aspace_9441","title_filing_ssi":"World War I soldier in uniform","title_ssm":["World War I soldier in uniform"],"title_tesim":["World War I soldier in uniform"],"unitdate_inclusive_ssm":["circa 1910-1915"],"normalized_date_ssm":["circa 1910-1915"],"normalized_title_ssm":["World War I soldier in uniform, circa 1910-1915"],"text":["World War I soldier in uniform, circa 1910-1915","African American Legacy: The Carol Mundy collection, 1791-2003","Photographs, 1800-1989, Undated","Assorted Photographs, 1862-1951, Undated","Folder 8","/repositories/4/archival_objects/24684","box 12","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_9385","bec408ef355489ed2515918e_aspace_9386"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Photographs, 1800-1989, Undated","Assorted Photographs, 1862-1951, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Photographs, 1800-1989, Undated","Assorted Photographs, 1862-1951, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 8","/repositories/4/archival_objects/24684"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":537,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1910,1911,1912,1913,1914,1915],"containers_ssim":["box 12","folder 8"],"_nest_path_":"/components#5/components#0/components#52","_nest_parent_":"bec408ef355489ed2515918e_aspace_9386","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9441"}},{"id":"af523c30b90933b50a837e53_aspace_da35f5a75591bc57167ba5dea5a3bcfe","type":"Item","attributes":{"title":"World War I soldiers marching in a parade on Franklin Street","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_da35f5a75591bc57167ba5dea5a3bcfe#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_da35f5a75591bc57167ba5dea5a3bcfe","ref_ssm":["aspace_da35f5a75591bc57167ba5dea5a3bcfe","aspace_da35f5a75591bc57167ba5dea5a3bcfe"],"id":"af523c30b90933b50a837e53_aspace_da35f5a75591bc57167ba5dea5a3bcfe","title_filing_ssi":"World War I soldiers marching in a parade on Franklin Street","title_ssm":["World War I soldiers marching in a parade on Franklin Street"],"title_tesim":["World War I soldiers marching in a parade on Franklin Street"],"normalized_title_ssm":["World War I soldiers marching in a parade on Franklin Street"],"text":["World War I soldiers marching in a parade on Franklin Street","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","UNK3-V197","23","/repositories/2/archival_objects/146444","box 14"],"component_level_isim":[2],"parent_ids_ssim":["af523c30b90933b50a837e53","af523c30b90933b50a837e53_aspace_511d3523d97e6cf0a5a2e23a0668c79c"],"parent_unittitles_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","UNK3-V197"],"parent_unittitles_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","UNK3-V197"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["23","/repositories/2/archival_objects/146444"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":561,"parent_access_restrict_tesm":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 14"],"_nest_path_":"/components#13/components#22","_nest_parent_":"af523c30b90933b50a837e53_aspace_511d3523d97e6cf0a5a2e23a0668c79c","_root_":"af523c30b90933b50a837e53","_version_":1879740859650408448,"timestamp":"2026-10-22T09:16:19.330Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af523c30b90933b50a837e53","title_ssm":["Burgert Brothers collection of Tampa photographs"],"title_tesim":["Burgert Brothers collection of Tampa photographs"],"ead_ssi":"af523c30b90933b50a837e53","unitdate_ssm":["1890-1960"],"unitdate_bulk_ssim":["1890-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-03","/repositories/2/resources/458"],"text":["MS-2000-03","/repositories/2/resources/458","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.","This collection is currently unprocessed.","Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992.","The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers","English"],"unitid_tesim":["MS-2000-03","/repositories/2/resources/458"],"normalized_date_ssm":["bulk 1890-1960"],"normalized_title_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_title_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Burgert Brothers Commercial Photographers"],"creator_ssim":["Burgert Brothers Commercial Photographers"],"creator_corpname_ssim":["Burgert Brothers Commercial Photographers"],"creators_ssim":["Burgert Brothers Commercial Photographers"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["4.39 Linear Feet","21 boxes"],"extent_tesim":["4.39 Linear Feet","21 boxes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"arrangement_html_tesm":["\u003cp\u003eThis collection is currently unprocessed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is currently unprocessed."],"bioghist_html_tesm":["\u003cp\u003eSamuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. \u003c/p\u003e\n","\u003cp\u003eSynder, Robert E. and Jack B. Morre, \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e , 16 (November 1990) pp. 19-26.\u003c/p\u003e\n","\u003cp\u003eFor further reading see: Synder, Robert B. and Jack B. Moore, \u003cemph render=\"italic\"\u003ePioneer Commercial Photography- The Burgert Brothers\u003c/emph\u003e, Tampa, Florida, University Press of Flordia: Gainesville, 1992.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992."],"prefercite_html_tesm":["\u003cp\u003eBurgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Burgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.\u0026#xA0; The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":774,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879740859650408448,"_root_":"af523c30b90933b50a837e53","timestamp":"2026-10-22T09:16:19.330Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_da35f5a75591bc57167ba5dea5a3bcfe"}},{"id":"09828ae20f62ecd4053afda2_aspace_2037256a03921c0f6a74103aed423b60","type":"Item","attributes":{"title":"World War I U.S. Helmet, 1914-1918","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/09828ae20f62ecd4053afda2_aspace_2037256a03921c0f6a74103aed423b60#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe World War I helmet is without its liner and is painted original drab green paint.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/09828ae20f62ecd4053afda2_aspace_2037256a03921c0f6a74103aed423b60#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2037256a03921c0f6a74103aed423b60","ref_ssm":["aspace_2037256a03921c0f6a74103aed423b60","aspace_2037256a03921c0f6a74103aed423b60"],"id":"09828ae20f62ecd4053afda2_aspace_2037256a03921c0f6a74103aed423b60","title_filing_ssi":"World War I U.S. Helmet","title_ssm":["World War I U.S. Helmet"],"title_tesim":["World War I U.S. Helmet"],"unitdate_inclusive_ssm":["1914-1918"],"normalized_date_ssm":["1914-1918"],"normalized_title_ssm":["World War I U.S. Helmet, 1914-1918"],"text":["World War I U.S. Helmet, 1914-1918","Edward Davis Wynot collection, 1917-2009, Date acquired: 07/04/2016, Date accessioned: 2020-05-18","/repositories/10/archival_objects/188079","object 16.0017 - Object 1","object 001","The World War I helmet is without its liner and is painted original drab green paint."],"component_level_isim":[1],"parent_ids_ssim":["09828ae20f62ecd4053afda2"],"parent_unittitles_ssm":["Edward Davis Wynot collection, 1917-2009, Date acquired: 07/04/2016, Date accessioned: 2020-05-18"],"parent_unittitles_tesim":["Edward Davis Wynot collection, 1917-2009, Date acquired: 07/04/2016, Date accessioned: 2020-05-18"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/188079"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Edward Davis Wynot collection, 1917-2009, Date acquired: 07/04/2016, Date accessioned: 2020-05-18"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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