{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=65169\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=65168\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=65170\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65773\u0026view=list"},"meta":{"pages":{"current_page":65169,"next_page":65170,"prev_page":65168,"total_pages":65773,"limit_value":10,"offset_value":651680,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"c56aab442b34ccc24cb98200_aspace_219391","type":"Item","attributes":{"title":"Words divine / [theatre program]., 1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c56aab442b34ccc24cb98200_aspace_219391#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTitle devised by library staff.|Cast: Ofelia Medina, Ron Faber, Monique Cintron, Irma St. Paule, Sergio Cruz, Luz Castanos, Josie Chavez, Christopher Coucill, Susan Batson, Philip Arroyo, Shelton Dane, Peter McCabe, Alec Murphy.|Director: Max Ferra.|Intar Hispanic American Arts Center, November 11-December 13, 1992.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c56aab442b34ccc24cb98200_aspace_219391#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_219391","ref_ssm":["aspace_219391","aspace_219391"],"id":"c56aab442b34ccc24cb98200_aspace_219391","title_filing_ssi":"Words divine / [theatre program].","title_ssm":["Words divine / [theatre program]."],"title_tesim":["Words divine / [theatre program]."],"unitdate_other_ssim":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["Words divine / [theatre program]., 1992"],"text":["Words divine / [theatre program]., 1992","Degen Playbill Collection, 1895-2023","Item 16","/repositories/8/archival_objects/29246","box 1992 VOL 4","Title devised by library staff.|Cast: Ofelia Medina, Ron Faber, Monique Cintron, Irma St. Paule, Sergio Cruz, Luz Castanos, Josie Chavez, Christopher Coucill, Susan Batson, Philip Arroyo, Shelton Dane, Peter McCabe, Alec Murphy.|Director: Max Ferra.|Intar Hispanic American Arts Center, November 11-December 13, 1992."],"component_level_isim":[1],"parent_ids_ssim":["c56aab442b34ccc24cb98200"],"parent_unittitles_ssm":["Degen Playbill Collection, 1895-2023"],"parent_unittitles_tesim":["Degen Playbill Collection, 1895-2023"],"parent_levels_ssm":["collection"],"unitid_ssm":["Item 16","/repositories/8/archival_objects/29246"],"repository_ssim":["The John A. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":659,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"272e0ee1994c210ad3695a1a","timestamp":"2026-07-08T02:01:00.118Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/272e0ee1994c210ad3695a1a_aspace_68050"}},{"id":"8a73df5bac3fcd9650e65378_aspace_76e4c27e665ea83269844d7ab3251d63","type":"File","attributes":{"title":"Words in Verses Book, 1919","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_76e4c27e665ea83269844d7ab3251d63#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains a book published by Karl Kraus in 1919 titled Worte in Versen IV (Words in Verses).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_76e4c27e665ea83269844d7ab3251d63#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_76e4c27e665ea83269844d7ab3251d63","ref_ssm":["aspace_76e4c27e665ea83269844d7ab3251d63","aspace_76e4c27e665ea83269844d7ab3251d63"],"id":"8a73df5bac3fcd9650e65378_aspace_76e4c27e665ea83269844d7ab3251d63","title_filing_ssi":"Words in Verses Book","title_ssm":["Words in Verses Book"],"title_tesim":["Words in Verses Book"],"unitdate_other_ssim":["1919"],"normalized_date_ssm":["1919"],"normalized_title_ssm":["Words in Verses Book, 1919"],"text":["Words in Verses Book, 1919","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","003","/repositories/10/archival_objects/180892","98.0729 Box 14","folder 003","This folder contains a book published by Karl Kraus in 1919 titled Worte in Versen IV (Words in Verses)."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["003","/repositories/10/archival_objects/180892"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":154,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1919],"containers_ssim":["98.0729 Box 14","folder 003"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains a book published by Karl Kraus in 1919 titled Worte in Versen IV (Words in Verses).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains a book published by Karl Kraus in 1919 titled Worte in Versen IV (Words in Verses)."],"_nest_path_":"/components#153","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's 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collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_76e4c27e665ea83269844d7ab3251d63"}},{"id":"dfef092a22481784ca33b961_aspace_163525","type":"File","attributes":{"title":"Word Slides - Graphics \u0026 Maps 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dfef092a22481784ca33b961_aspace_163525#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_163525","ref_ssm":["aspace_163525","aspace_163525"],"id":"dfef092a22481784ca33b961_aspace_163525","title_filing_ssi":"Word Slides - Graphics \u0026 Maps 1","title_ssm":["Word Slides - Graphics \u0026 Maps 1"],"title_tesim":["Word Slides - Graphics \u0026 Maps 1"],"normalized_title_ssm":["Word Slides - Graphics \u0026 Maps 1"],"text":["Word Slides - Graphics \u0026 Maps 1","Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 17","1","/repositories/2/archival_objects/3384","box 17","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["dfef092a22481784ca33b961","dfef092a22481784ca33b961_aspace_163524"],"parent_unittitles_ssm":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 17"],"parent_unittitles_tesim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 17"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["1","/repositories/2/archival_objects/3384"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":400,"parent_access_terms_tesm":["Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"containers_ssim":["box 17","folder 1"],"_nest_path_":"/components#16/components#0","_nest_parent_":"dfef092a22481784ca33b961_aspace_163524","_root_":"dfef092a22481784ca33b961","timestamp":"2026-07-11T04:07:57.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dfef092a22481784ca33b961","title_ssm":["Tampa Audubon Society Slide collection"],"title_tesim":["Tampa Audubon Society Slide collection"],"ead_ssi":"dfef092a22481784ca33b961","unitdate_ssm":["1900-2005","1960-2005","Date acquired: 01/01/2015"],"unitdate_bulk_ssim":["1960-2005"],"unitdate_inclusive_ssm":["1900-2005"],"unitdate_other_ssim":["Date acquired: 01/01/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A57","/repositories/2/resources/38"],"text":["A57","/repositories/2/resources/38","Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Groupings and slide shows are preserved in the original order.","published","Audubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Lorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Audubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","These materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.","This collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. The materials in this collection document local bird life, conservation projects, and infrastructure issues, as well as environmental initiatives specific to the Florida Audubon Society branch.  Most of all, the slides document the educational efforts of the Audubon Society in Florida, specifically in the Tampa Bay region.","USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","English"],"unitid_tesim":["A57","/repositories/2/resources/38"],"normalized_date_ssm":["1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"normalized_title_ssm":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"collection_title_tesim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"collection_ssim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"acqinfo_ssim":["Ann Paul, Tampa Audubon Society","Donation"],"access_subjects_ssim":["Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida"],"access_subjects_ssm":["Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["13.50 Linear Feet","26 boxes"],"extent_tesim":["13.50 Linear Feet","26 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eGroupings and slide shows are preserved in the original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Groupings and slide shows are preserved in the original order."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eFlorida Audubon Slide Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Audubon Slide Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eAudubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eLorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eAudubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Audubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Lorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Audubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThese materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov\u003c/extref\u003e for more information.\u003c/p\u003e","\u003cp\u003eUntil 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86f1dfe2dd99ef99ff05baa5f1c97edc\" label=\"Abstract\"\u003eThis collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. The materials in this collection document local bird life, conservation projects, and infrastructure issues, as well as environmental initiatives specific to the Florida Audubon Society branch.\u0026#xA0; Most of all, the slides document the educational efforts of the Audubon Society in Florida, specifically in the Tampa Bay region.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. 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Permission from the Special Collections Department is required when downloading, printing, reproducing or copying items for our digital collections. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","This collection contains music collected by Joyce Glasser. Dates range from 1864 to 1998 and contains a variety of types including Judaic, Show Tunes, and Popular Songs, and Patriotic Pieces.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. Permission from the Special Collections Department is required when downloading, printing, reproducing or copying items for our digital collections. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. 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If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. Permission from the Special Collections Department is required when downloading, printing, reproducing or copying items for our digital collections. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":646,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841846714859520,"_root_":"5de03ad38d2c189a0de1122c","timestamp":"2026-07-16T03:50:19.183Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5de03ad38d2c189a0de1122c_aspace_c6e7dcad740774f917617d190842c0e1"}},{"id":"057d4d15b485b27b8bf108f4_aspace_3cffa3fbf33a74807755a795c5ba811f","type":"File","attributes":{"title":"\"Words Spoken at the Willeford Festival\" by Douglas Levin","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/057d4d15b485b27b8bf108f4_aspace_3cffa3fbf33a74807755a795c5ba811f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3cffa3fbf33a74807755a795c5ba811f","ref_ssm":["aspace_3cffa3fbf33a74807755a795c5ba811f","aspace_3cffa3fbf33a74807755a795c5ba811f"],"id":"057d4d15b485b27b8bf108f4_aspace_3cffa3fbf33a74807755a795c5ba811f","title_filing_ssi":"\"Words Spoken at the Willeford Festival\" by Douglas Levin","title_ssm":["\"Words Spoken at the Willeford Festival\" by Douglas Levin"],"title_tesim":["\"Words Spoken at the Willeford Festival\" by Douglas Levin"],"normalized_title_ssm":["\"Words Spoken at the Willeford Festival\" by Douglas Levin"],"text":["\"Words Spoken at the Willeford Festival\" by Douglas Levin","Charles Willeford Collection, Circa 1935-1999","Printed Materials","Obituaries and speeches about Willeford","/repositories/3/archival_objects/32550","box 34"],"component_level_isim":[3],"parent_ids_ssim":["057d4d15b485b27b8bf108f4","057d4d15b485b27b8bf108f4_aspace_013e0623a257b4b05606999cde7b97b6","057d4d15b485b27b8bf108f4_aspace_f1012165ad5fa3a3799a685c77cd35f0"],"parent_unittitles_ssm":["Charles Willeford Collection, Circa 1935-1999","Printed Materials","Obituaries and speeches about Willeford"],"parent_unittitles_tesim":["Charles Willeford Collection, Circa 1935-1999","Printed Materials","Obituaries and speeches about Willeford"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/32550"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Charles Willeford Collection, Circa 1935-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":602,"parent_access_restrict_tesm":["Access to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.","The Grimhaven manuscript is available for in-person viewing only. 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Grimhaven cannot be photographed or dupliciated.","With the exception of the above, there are no restrictions on the collection and the materials are available for use by the public.","The collection is arranged in the following series:\n","\nSeries 1: Writings by Charles Willeford\n","\nSeries 2: Correspondence to Willeford\n","\nSeries 3: Correspondence from Willeford\n","\nSeries 4: Photographs and Art\n","\nSeries 5: Personal Papers\n","\nSeries 6: Printed Materials\n","\nSeries 7: Audiovisual Materials\n","\nSeries 8: Books by Willeford\n","\nSeries 9: Books from Willeford's Library\n","Charles Ray Willeford III (January 2, 1919 - March 27, 1988) was an American writer who spent much of his career in South Florida. He is best known for his novels featuring detective Hoke Moseley, who debuted in the book \"Miami Blues\" (1984). Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.","Willeford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999.","The Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection.","The Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.","Series 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. 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Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.","Series 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.","Series 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.","Series 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. 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She donated additional materials in 1999."],"has_online_content_ssim":["false"],"extent_ssm":["162 Volumes The Willeford Collection contains 162 cataloged books","35 Hollinger Boxes 35 boxes of papers and audiovisual materials; oversize materials separated"],"extent_tesim":["162 Volumes The Willeford Collection contains 162 cataloged books","35 Hollinger Boxes 35 boxes of papers and audiovisual materials; oversize materials separated"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to the orignal materials in the Correspondence series is restricted, but researchers can view the access copies and request digital scans of the orignal materials.\u003c/p\u003e\n","\u003cp\u003eThe Grimhaven manuscript is available for in-person viewing only. 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Film adaptations have been made of four of Willeford's novels: Cockfighter, Miami Blues, The Woman Chaser, and The Burnt Orange Heresy.","Willeford's widow, Betsey Willeford, donated his papers and books to the Bienes Museum of the Modern Book in 1998 and 1999."],"prefercite_html_tesm":["\u003cp\u003eCharles Willeford Collection, Bienes Museum of the Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Charles Willeford Collection, Bienes Museum of the Modern Book, Broward County Library"],"processinfo_html_tesm":["\u003cp\u003eThe Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Willeford Collection has been partially processed at the file level. Additional processing work is being completed. The finding aid may be updated to reflect changes to the arrangement or accruals to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Willeford Collection contains materials created and collected by Charles Ray Willeford III (1919-1988), a Miami-Dade based crime writer, book reviewer, and professor. The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. The art in the series inlcudes cover art, movie posters, and prints.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Personal Papers includes Willeford's military service papers and records, book jackets and covers, notebooks, and membership and business cards.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Printed Materials contains 7 subseries. Subseries 6A: Articles by Charles Willeford includes Willeford's writings in magazines and newspapers, and is arranged alphabetically by publication title. Subseries 6B: Articles by others includes articles from magazines and newspapers and is arranged alphabetically by publication title. Subseries 6C: Reviews of Willeford's Books and Movies is arranged by the title of the work being critiqued. Subseries 6D: Book Reviews by Charles Willeford is arranged alphabetically by publication title. Subseries 6E: Village Post Columns includes entire issues of the Village Post and also copies of the Dropping Names column. Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. 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The collection includes manuscripts and writings by Willeford, correspondence, photographs, audiovisual materials, and books.","Series 1: Writings by Charles Willeford includes manuscripts, scripts, holograph copies, notebooks and fragments. The materials are arranged in alphabetical order, with materials accrued after the first donation arranged alphabetically at the end of the series.","Series 2: Correspondence to Willeford includes letters from individuals, organizations, and publishers. The materials are arranged in alphabetical order by the name of the correspondent.","Series 3: Corresponence from Willeford includes letters that Willeford wrote to individuals.","Series 4: Photographs and Art contains photographs of Willeford throughout his life as well as family photographs and professional phototraphs. 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Subseries 6F: Promotional Pieces includes posters, flyers, and articles promoting book releases and author events. Subseries 6G: Obituaries and speeches about Willeford includes obituaries and articles about Willeford's career as well as biographies and speeches written by various authors about Willeford.","Series 7: Audiovisual Materials inlcudes VHS Tapes, film, audiocassette tapes, and reel-to-reel audio tapes.","Series 8: Books by Willeford includes copies of each of Willeford's published books. They are arranged by catalog number.","Series 9: Books from Willeford's Library includes books that were owned and used by Charles Willeford. They are arranged by catalog number."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":632,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"057d4d15b485b27b8bf108f4","timestamp":"2026-04-21T01:43:55.847Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/057d4d15b485b27b8bf108f4_aspace_3cffa3fbf33a74807755a795c5ba811f"}},{"id":"11624158e5650be48e4f6cd2_aspace_209990","type":"File","attributes":{"title":"Words, Words, Words, 1976","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/11624158e5650be48e4f6cd2_aspace_209990#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_209990","ref_ssm":["aspace_209990","aspace_209990"],"id":"11624158e5650be48e4f6cd2_aspace_209990","title_filing_ssi":"Words, Words, Words","title_ssm":["Words, Words, Words"],"title_tesim":["Words, Words, Words"],"unitdate_other_ssim":["1976"],"normalized_date_ssm":["1976"],"normalized_title_ssm":["Words, Words, Words, 1976"],"text":["Words, Words, Words, 1976","Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014","Folder 548","/repositories/10/archival_objects/154566","box 5","folder 548"],"component_level_isim":[1],"parent_ids_ssim":["11624158e5650be48e4f6cd2"],"parent_unittitles_ssm":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"parent_unittitles_tesim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 548","/repositories/10/archival_objects/154566"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":548,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. 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Carothers interview, OHPCN 0400, Reichelt Oral History Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R Milton Stover Carothers Papers, Southern Historical Collection, University of North Carolina University Libraries, Chapel Hill, North Carolina.  http://search.lib.unc.edu/search?R=UNCb5315181","Carothers, M. S. (1991).  Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834 Carothers, M. S. (2004).  More Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177","Typed drafts, handwritten notes, newspaper clippings, event programs, and note cards documenting sermons written and delivered by Milton S. Carothers, as well as his career at Florida State University.\n Some sermons were later collected in  Letters \u0026 Lessons of Faith  and  More Letters \u0026 Lessons of Faith .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Carothers, Milton Stover","English"],"unitid_tesim":["MSS 2014-005","/repositories/10/resources/1207"],"normalized_date_ssm":["1956-1999, Date acquired: 04/04/2014"],"normalized_title_ssm":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"collection_title_tesim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"collection_ssim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Carothers, Milton Stover"],"creator_ssim":["Carothers, Milton Stover"],"creator_persname_ssim":["Carothers, Milton Stover"],"creators_ssim":["Carothers, Milton Stover"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Mary Louise Carothers","Gift"],"has_online_content_ssim":["false"],"extent_ssm":["7.00 boxes 7 boxes","7.00 Linear Feet"],"extent_tesim":["7.00 boxes 7 boxes","7.00 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eArrangement reflects the numbered filing system used by Carothers. Folder numbers reflect the original numbering of files in the Carothers system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arrangement reflects the numbered filing system used by Carothers. Folder numbers reflect the original numbering of files in the Carothers system."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Milton S. Carothers Papers, MSS 2014-005, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2014-005\"\u003ehttp://purl.fcla.edu/fsu/MSS_2014-005\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Milton S. Carothers Papers, MSS 2014-005, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2014-005"],"relatedmaterial_html_tesm":["\u003cp\u003eJulia Stover \u0026amp; Milton Washington Carothers Memorial Collection of Bibles and Rare Books, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\n\u003cbr\u003e\u003cbr\u003eMilton S. Carothers interview, OHPCN 0400, Reichelt Oral History Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA-2015-00R\"\u003ehttp://purl.fcla.edu/fsu/HPUA-2015-00R\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eMilton Stover Carothers Papers, Southern Historical Collection, University of North Carolina University Libraries, Chapel Hill, North Carolina. \u003cextref href=\"http://search.lib.unc.edu/search?R=UNCb5315181\"\u003ehttp://search.lib.unc.edu/search?R=UNCb5315181\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eCarothers, M. S. (1991). \u003cemph render=\"italic\"\u003eLetters \u0026amp; Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection\u003c/emph\u003e. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eCarothers, M. S. (2004). \u003cemph render=\"italic\"\u003eMore Letters \u0026amp; Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection\u003c/emph\u003e. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Julia Stover \u0026 Milton Washington Carothers Memorial Collection of Bibles and Rare Books, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\n Milton S. Carothers interview, OHPCN 0400, Reichelt Oral History Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R Milton Stover Carothers Papers, Southern Historical Collection, University of North Carolina University Libraries, Chapel Hill, North Carolina.  http://search.lib.unc.edu/search?R=UNCb5315181","Carothers, M. S. (1991).  Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834 Carothers, M. S. (2004).  More Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177"],"scopecontent_html_tesm":["\u003cp\u003eTyped drafts, handwritten notes, newspaper clippings, event programs, and note cards documenting sermons written and delivered by Milton S. Carothers, as well as his career at Florida State University.\n\u003cbr\u003e\u003cbr\u003eSome sermons were later collected in \u003cemph render=\"underline\"\u003eLetters \u0026amp; Lessons of Faith\u003c/emph\u003e and \u003cemph render=\"underline\"\u003eMore Letters \u0026amp; Lessons of Faith\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Typed drafts, handwritten notes, newspaper clippings, event programs, and note cards documenting sermons written and delivered by Milton S. Carothers, as well as his career at Florida State University.\n Some sermons were later collected in  Letters \u0026 Lessons of Faith  and  More Letters \u0026 Lessons of Faith ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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