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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Florida -- Biography"],"access_subjects_ssm":["Florida -- Biography"],"has_online_content_ssim":["false"],"extent_ssm":["39 Cubic Feet"],"extent_tesim":["39 Cubic Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"userestrict_html_tesm":["\u003cp\u003eNone.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b751902f9471baf1c338df56dba5bba1\"\u003eThe biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.\u003c/abstract\u003e"],"abstract_tesim":["The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)","Catts, Sidney Johnston, 1863-1936"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)"],"persname_ssim":["Catts, Sidney Johnston, 1863-1936"],"language_ssim":["English"],"total_component_count_is":4914,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881465993006415872,"_root_":"c535959967939890c4a30b27","timestamp":"2026-11-10T10:16:34.681Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_8d7a8c86c832e08255b9a64b82e95c38"}},{"id":"328cb1ddb2eba00ca03f2172_aspace_02232957964331ed3a49ad64589b8f71","type":"File","attributes":{"title":"Woods, Samuel, 2022","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172_aspace_02232957964331ed3a49ad64589b8f71#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_02232957964331ed3a49ad64589b8f71","ref_ssm":["aspace_02232957964331ed3a49ad64589b8f71","aspace_02232957964331ed3a49ad64589b8f71"],"id":"328cb1ddb2eba00ca03f2172_aspace_02232957964331ed3a49ad64589b8f71","title_filing_ssi":"Woods, Samuel","title_ssm":["Woods, Samuel"],"title_tesim":["Woods, Samuel"],"unitdate_other_ssim":["2022"],"normalized_date_ssm":["2022"],"normalized_title_ssm":["Woods, Samuel, 2022"],"text":["Woods, Samuel, 2022","Emmanuel George Collection, 1962-2023","Correspondence","/repositories/2/archival_objects/4020","box 1","folder 18"],"component_level_isim":[2],"parent_ids_ssim":["328cb1ddb2eba00ca03f2172","328cb1ddb2eba00ca03f2172_aspace_499d84697b4db72d69a6b5c2d63943dc"],"parent_unittitles_ssm":["Emmanuel George Collection, 1962-2023","Correspondence"],"parent_unittitles_tesim":["Emmanuel George Collection, 1962-2023","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/4020"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["The Emmanuel George Collection is open for research."],"date_range_isim":[2022],"containers_ssim":["box 1","folder 18"],"_nest_path_":"/components#0/components#7","_nest_parent_":"328cb1ddb2eba00ca03f2172_aspace_499d84697b4db72d69a6b5c2d63943dc","_root_":"328cb1ddb2eba00ca03f2172","_version_":1871563559323828224,"timestamp":"2026-07-24T03:01:38.048Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"328cb1ddb2eba00ca03f2172","title_filing_ssi":"George, Emmanuel Collection","title_ssm":["Emmanuel George Collection"],"title_tesim":["Emmanuel George Collection"],"ead_ssi":"328cb1ddb2eba00ca03f2172","unitdate_ssm":["1962-2023"],"unitdate_inclusive_ssm":["1962-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2021.11","/repositories/2/resources/105"],"text":["AARLCC.2021.11","/repositories/2/resources/105","Emmanuel George Collection, 1962-2023","Paintings","Art","The Emmanuel George Collection is open for research.","The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.11","/repositories/2/resources/105"],"normalized_date_ssm":["1962-2023"],"normalized_title_ssm":["Emmanuel George Collection, 1962-2023"],"collection_title_tesim":["Emmanuel George Collection, 1962-2023"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Paintings","Art"],"access_subjects_ssm":["Paintings","Art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"extent_tesim":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"genreform_ssim":["Paintings","Art"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe Emmanuel George Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Emmanuel George Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563559323828224,"_root_":"328cb1ddb2eba00ca03f2172","timestamp":"2026-07-24T03:01:38.048Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172_aspace_02232957964331ed3a49ad64589b8f71"}},{"id":"45c99155d0e34cb8661f71f5_aspace_10c1e8fbac4093fef9b909db7b184edb","type":"Item","attributes":{"title":"Woodstock Songs and Sermons proposal, 2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45c99155d0e34cb8661f71f5_aspace_10c1e8fbac4093fef9b909db7b184edb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_10c1e8fbac4093fef9b909db7b184edb","ref_ssm":["aspace_10c1e8fbac4093fef9b909db7b184edb","aspace_10c1e8fbac4093fef9b909db7b184edb"],"id":"45c99155d0e34cb8661f71f5_aspace_10c1e8fbac4093fef9b909db7b184edb","title_filing_ssi":"Woodstock Songs and Sermons proposal","title_ssm":["Woodstock Songs and Sermons proposal"],"title_tesim":["Woodstock Songs and Sermons proposal"],"unitdate_other_ssim":["2011"],"normalized_date_ssm":["2011"],"normalized_title_ssm":["Woodstock Songs and Sermons proposal, 2011"],"text":["Woodstock Songs and Sermons proposal, 2011","Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000","Documents, B-D","Business and Project Proposals and Reports","Item 5","/repositories/2/archival_objects/219727","box 1","folder 2","Item 5"],"component_level_isim":[3],"parent_ids_ssim":["45c99155d0e34cb8661f71f5","45c99155d0e34cb8661f71f5_aspace_0ac82087e4b8d0ecff4c2553a7db5c0a","45c99155d0e34cb8661f71f5_aspace_6d64e7f5f25106be6600102cb0be0430"],"parent_unittitles_ssm":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000","Documents, B-D","Business and Project Proposals and Reports"],"parent_unittitles_tesim":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000","Documents, B-D","Business and Project Proposals and Reports"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 5","/repositories/2/archival_objects/219727"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":24,"parent_access_restrict_tesm":["None"],"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2011],"containers_ssim":["box 1","folder 2","Item 5"],"_nest_path_":"/components#0/components#1/components#4","_nest_parent_":"45c99155d0e34cb8661f71f5_aspace_6d64e7f5f25106be6600102cb0be0430","_root_":"45c99155d0e34cb8661f71f5","_version_":1876388803354034176,"timestamp":"2026-09-15T09:16:49.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45c99155d0e34cb8661f71f5","title_ssm":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs"],"title_tesim":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs"],"ead_ssi":"45c99155d0e34cb8661f71f5","unitdate_ssm":["1962-2000"],"unitdate_bulk_ssim":["1962-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.2026.02","/repositories/2/resources/774"],"text":["MS.2026.02","/repositories/2/resources/774","Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000","Drug abuse--Prevention","Marketing research","Total quality management","Total quality management--Cross-cultural studies","Drug abuse--Study and teaching","Education--Aims and objectives","Public Health Policy","None","The collection is arranged and described using the creator's original order. Materials are organized by subject and assigned numerical identifiers corresponding to the creator's inventory. A copy of the inventory is included in each folder/box. Some materials were rearranged according to creator's classifications for clarity.","Josh Hammond was born in Cochabamba, Bolivia, and raised in Concepción, a remote mission village in the eastern Bolivian lowlands established by Jesuit missionaries in the seventeenth century. His father, a Protestant missionary, worked among Indigenous communities in the Bolivian Amazon, and Hammond spent his childhood in the region before being separated from his family and sent to the United States at the age of twelve to continue his education. He attended church-sponsored schools before enrolling at the University of South Florida as a member of the university's charter class, earning his undergraduate degree during USF's formative years.","Following graduation, Hammond began a career in public policy, government administration, and organizational management. In Washington, D.C., he served as Director of Communications for the White House Special Action Office for Drug Abuse Prevention during the Nixon administration, after serving as the first Director of the National Coordinating Council on Drug Education. He also worked as Senior Legislative Assistant to U.S. Senator Harrison A. Williams Jr., staffing the senator's work on the Senate Committee on Labor and Public Welfare (formerly Health, Education, and Welfare).","Hammond later moved to California, where he founded the National Public Advertising Center in San Francisco. Through the organization, he developed public education and social marketing campaigns addressing drug prevention, public health, and wellness. These initiatives included the original \"Say No\" anti-drug communications strategy, which was popularized four years later by Nancy Reagan as \"Just Say No,\" and California's first statewide paid television advertising campaign promoting wellness, developed for Governor Jerry Brown in partnership with the USC Annenberg School for Communication and Journalism.","In New York, Hammond became the founding president of the American Quality Foundation, the nation's first think tank dedicated to advancing strategic quality management in business and industry. Under his leadership, the Foundation partnered with Ernst and Young on comparative international studies of management and quality practices in the United States, Canada, Germany, and Japan. Hammond is also the author of  The Stuff Americans Are Made Of  (Macmillan, 1996), which examines American business culture and was later adapted for a Disney University professional development program.","Throughout his career, Hammond worked in government, nonprofit organizations, and the private sector, focusing on strategic communications, public policy, organizational effectiveness, cross-cultural management practices, and total quality management. His papers document his work in public service, communications, social marketing, organizational development, business leadership, and his reflections on his upbringing in Bolivia and his professional career.","Reference: Hammond, Josh. \"About Me.\" At The Break Of Day, Medium, 25 Jan. 2023,  Biographical statement (Josh Hammond, Medium)","The collection documents are based on Josh Hammond's twenty qualitative and quantitative studies that lead to the discovery and identification of seven cultural forces that define Americans, published by Macmillan books and used by Disney University for a professional development program. His two major careers were drug abuse prevention and education from the first legislation in the US Congress to go beyond enforcement and education and prevent. The formative research was the basis of Nancy Reagan's \"Just Say No\" campaign launch in 1982.; and second, in total quality management and the study of the cultural forces that influence America's global competitiveness that included the National Quality Month Campaign, Quality First, established by US Congress and a Proclamation by President Ronald Reagan. Both careers draw upon his educational experiences at the University of South Florida. The collection spans three decades and provides insight into his work in federal government, national public education campaigns, organizational development, and strategic management. The collection consists of documents, research reports, publications, brochures, periodicals, subject files, two published books, and mixed-media materials created or curated by Hammond.","Also represented are materials related to his service as Director of Communications for the White House Special Action Office for Drug Abuse Prevention; his work as Senior Legislative Assistant to U.S. Senator Harrison A. Williams Jr.; and his involvement creation of the National Public Advertising Center and serving as the founding president of American Quality Foundation, the first CEO-focused Think Tank on Total Quality Management. These records document public health and drug prevention initiatives, wellness campaigns, quality management research, strategic planning, organizational effectiveness, business leadership, and public policy.","See the External Documents note for a link to the USF Libraries Catalog search for materials donated by Josh Hammond that were seperated from the archival collection to in order to be cataloged.","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs document Hammond's career in public communications, government service, nonprofit leadership, cross-cultural quality management, and public policy, as well as his educational experiences at the University of South Florida. The collection includes documents, research files, publications, brochures, periodicals, subject files, and mixed-media materials relating to his work with the White House Special Action Office for Drug Abuse Prevention, the office of U.S. Senator Harrison A. Williams Jr., the National Public Advertising Center, and the American Quality Foundation.","USF Libraries - Tampa Special Collections","Hammond, Josh","English"],"unitid_tesim":["MS.2026.02","/repositories/2/resources/774"],"normalized_date_ssm":["bulk 1962-2000"],"normalized_title_ssm":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000"],"collection_title_tesim":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000"],"collection_ssim":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, bulk 1962-2000"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Hammond, Josh"],"creator_ssim":["Hammond, Josh"],"creator_persname_ssim":["Hammond, Josh"],"creators_ssim":["Hammond, Josh"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Josh Hammond","Donation"],"access_subjects_ssim":["Drug abuse--Prevention","Marketing research","Total quality management","Total quality management--Cross-cultural studies","Drug abuse--Study and teaching","Education--Aims and objectives","Public Health Policy"],"access_subjects_ssm":["Drug abuse--Prevention","Marketing research","Total quality management","Total quality management--Cross-cultural studies","Drug abuse--Study and teaching","Education--Aims and objectives","Public Health Policy"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 1 standard Hollinger box, 1 half Hollinger box, and 1 flat, oversized box.","2.02 Linear Feet"],"extent_tesim":["3 boxes 1 standard Hollinger box, 1 half Hollinger box, and 1 flat, oversized box.","2.02 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged and described using the creator's original order. Materials are organized by subject and assigned numerical identifiers corresponding to the creator's inventory. A copy of the inventory is included in each folder/box. Some materials were rearranged according to creator's classifications for clarity.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged and described using the creator's original order. Materials are organized by subject and assigned numerical identifiers corresponding to the creator's inventory. A copy of the inventory is included in each folder/box. Some materials were rearranged according to creator's classifications for clarity."],"bioghist_html_tesm":["\u003cp\u003eJosh Hammond was born in Cochabamba, Bolivia, and raised in Concepci\u0026#xF3;n, a remote mission village in the eastern Bolivian lowlands established by Jesuit missionaries in the seventeenth century. His father, a Protestant missionary, worked among Indigenous communities in the Bolivian Amazon, and Hammond spent his childhood in the region before being separated from his family and sent to the United States at the age of twelve to continue his education. He attended church-sponsored schools before enrolling at the University of South Florida as a member of the university's charter class, earning his undergraduate degree during USF's formative years.\u003c/p\u003e\n","\u003cp\u003eFollowing graduation, Hammond began a career in public policy, government administration, and organizational management. In Washington, D.C., he served as Director of Communications for the White House Special Action Office for Drug Abuse Prevention during the Nixon administration, after serving as the first Director of the National Coordinating Council on Drug Education. He also worked as Senior Legislative Assistant to U.S. Senator Harrison A. Williams Jr., staffing the senator's work on the Senate Committee on Labor and Public Welfare (formerly Health, Education, and Welfare).\u003c/p\u003e\n","\u003cp\u003eHammond later moved to California, where he founded the National Public Advertising Center in San Francisco. Through the organization, he developed public education and social marketing campaigns addressing drug prevention, public health, and wellness. These initiatives included the original \"Say No\" anti-drug communications strategy, which was popularized four years later by Nancy Reagan as \"Just Say No,\" and California's first statewide paid television advertising campaign promoting wellness, developed for Governor Jerry Brown in partnership with the USC Annenberg School for Communication and Journalism.\u003c/p\u003e\n","\u003cp\u003eIn New York, Hammond became the founding president of the American Quality Foundation, the nation's first think tank dedicated to advancing strategic quality management in business and industry. Under his leadership, the Foundation partnered with Ernst and Young on comparative international studies of management and quality practices in the United States, Canada, Germany, and Japan. Hammond is also the author of \u003cemph render=\"italic\"\u003eThe Stuff Americans Are Made Of\u003c/emph\u003e (Macmillan, 1996), which examines American business culture and was later adapted for a Disney University professional development program.\u003c/p\u003e\n","\u003cp\u003eThroughout his career, Hammond worked in government, nonprofit organizations, and the private sector, focusing on strategic communications, public policy, organizational effectiveness, cross-cultural management practices, and total quality management. His papers document his work in public service, communications, social marketing, organizational development, business leadership, and his reflections on his upbringing in Bolivia and his professional career.\u003c/p\u003e\n","\u003cp\u003eReference: Hammond, Josh. \"About Me.\" At The Break Of Day, Medium, 25 Jan. 2023, \u003ca href=\"https://medium.com/@AtTheBreakOfDay/about-me-josh-hammond-2dc8aa950a91\" target=\"_blank\"\u003eBiographical statement (Josh Hammond, Medium)\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Josh Hammond was born in Cochabamba, Bolivia, and raised in Concepción, a remote mission village in the eastern Bolivian lowlands established by Jesuit missionaries in the seventeenth century. His father, a Protestant missionary, worked among Indigenous communities in the Bolivian Amazon, and Hammond spent his childhood in the region before being separated from his family and sent to the United States at the age of twelve to continue his education. He attended church-sponsored schools before enrolling at the University of South Florida as a member of the university's charter class, earning his undergraduate degree during USF's formative years.","Following graduation, Hammond began a career in public policy, government administration, and organizational management. In Washington, D.C., he served as Director of Communications for the White House Special Action Office for Drug Abuse Prevention during the Nixon administration, after serving as the first Director of the National Coordinating Council on Drug Education. He also worked as Senior Legislative Assistant to U.S. Senator Harrison A. Williams Jr., staffing the senator's work on the Senate Committee on Labor and Public Welfare (formerly Health, Education, and Welfare).","Hammond later moved to California, where he founded the National Public Advertising Center in San Francisco. Through the organization, he developed public education and social marketing campaigns addressing drug prevention, public health, and wellness. These initiatives included the original \"Say No\" anti-drug communications strategy, which was popularized four years later by Nancy Reagan as \"Just Say No,\" and California's first statewide paid television advertising campaign promoting wellness, developed for Governor Jerry Brown in partnership with the USC Annenberg School for Communication and Journalism.","In New York, Hammond became the founding president of the American Quality Foundation, the nation's first think tank dedicated to advancing strategic quality management in business and industry. Under his leadership, the Foundation partnered with Ernst and Young on comparative international studies of management and quality practices in the United States, Canada, Germany, and Japan. Hammond is also the author of  The Stuff Americans Are Made Of  (Macmillan, 1996), which examines American business culture and was later adapted for a Disney University professional development program.","Throughout his career, Hammond worked in government, nonprofit organizations, and the private sector, focusing on strategic communications, public policy, organizational effectiveness, cross-cultural management practices, and total quality management. His papers document his work in public service, communications, social marketing, organizational development, business leadership, and his reflections on his upbringing in Bolivia and his professional career.","Reference: Hammond, Josh. \"About Me.\" At The Break Of Day, Medium, 25 Jan. 2023,  Biographical statement (Josh Hammond, Medium)"],"prefercite_html_tesm":["\u003cp\u003eRearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents are based on Josh Hammond's twenty qualitative and quantitative studies that lead to the discovery and identification of seven cultural forces that define Americans, published by Macmillan books and used by Disney University for a professional development program. His two major careers were drug abuse prevention and education from the first legislation in the US Congress to go beyond enforcement and education and prevent. The formative research was the basis of Nancy Reagan's \"Just Say No\" campaign launch in 1982.; and second, in total quality management and the study of the cultural forces that influence America's global competitiveness that included the National Quality Month Campaign, Quality First, established by US Congress and a Proclamation by President Ronald Reagan. Both careers draw upon his educational experiences at the University of South Florida. The collection spans three decades and provides insight into his work in federal government, national public education campaigns, organizational development, and strategic management. The collection consists of documents, research reports, publications, brochures, periodicals, subject files, two published books, and mixed-media materials created or curated by Hammond.\u003c/p\u003e\n","\u003cp\u003eAlso represented are materials related to his service as Director of Communications for the White House Special Action Office for Drug Abuse Prevention; his work as Senior Legislative Assistant to U.S. Senator Harrison A. Williams Jr.; and his involvement creation of the National Public Advertising Center and serving as the founding president of American Quality Foundation, the first CEO-focused Think Tank on Total Quality Management. These records document public health and drug prevention initiatives, wellness campaigns, quality management research, strategic planning, organizational effectiveness, business leadership, and public policy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents are based on Josh Hammond's twenty qualitative and quantitative studies that lead to the discovery and identification of seven cultural forces that define Americans, published by Macmillan books and used by Disney University for a professional development program. His two major careers were drug abuse prevention and education from the first legislation in the US Congress to go beyond enforcement and education and prevent. The formative research was the basis of Nancy Reagan's \"Just Say No\" campaign launch in 1982.; and second, in total quality management and the study of the cultural forces that influence America's global competitiveness that included the National Quality Month Campaign, Quality First, established by US Congress and a Proclamation by President Ronald Reagan. Both careers draw upon his educational experiences at the University of South Florida. The collection spans three decades and provides insight into his work in federal government, national public education campaigns, organizational development, and strategic management. The collection consists of documents, research reports, publications, brochures, periodicals, subject files, two published books, and mixed-media materials created or curated by Hammond.","Also represented are materials related to his service as Director of Communications for the White House Special Action Office for Drug Abuse Prevention; his work as Senior Legislative Assistant to U.S. Senator Harrison A. Williams Jr.; and his involvement creation of the National Public Advertising Center and serving as the founding president of American Quality Foundation, the first CEO-focused Think Tank on Total Quality Management. These records document public health and drug prevention initiatives, wellness campaigns, quality management research, strategic planning, organizational effectiveness, business leadership, and public policy."],"separatedmaterial_html_tesm":["\u003cp\u003eSee the External Documents note for a link to the USF Libraries Catalog search for materials donated by Josh Hammond that were seperated from the archival collection to in order to be cataloged.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Cataloged Materials"],"separatedmaterial_tesim":["See the External Documents note for a link to the USF Libraries Catalog search for materials donated by Josh Hammond that were seperated from the archival collection to in order to be cataloged."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b56796ad9e5f052874b29f6c2348e92c\"\u003eRearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs document Hammond's career in public communications, government service, nonprofit leadership, cross-cultural quality management, and public policy, as well as his educational experiences at the University of South Florida. The collection includes documents, research files, publications, brochures, periodicals, subject files, and mixed-media materials relating to his work with the White House Special Action Office for Drug Abuse Prevention, the office of U.S. Senator Harrison A. Williams Jr., the National Public Advertising Center, and the American Quality Foundation.\u003c/abstract\u003e"],"abstract_tesim":["Rearview Frontier: The Josh Hammond papers on the Discovery and Application of American Cultural Forces to Public Policy Programs document Hammond's career in public communications, government service, nonprofit leadership, cross-cultural quality management, and public policy, as well as his educational experiences at the University of South Florida. The collection includes documents, research files, publications, brochures, periodicals, subject files, and mixed-media materials relating to his work with the White House Special Action Office for Drug Abuse Prevention, the office of U.S. Senator Harrison A. Williams Jr., the National Public Advertising Center, and the American Quality Foundation."],"names_ssim":["USF Libraries - Tampa Special Collections","Hammond, Josh"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hammond, Josh"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":132,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876388803354034176,"_root_":"45c99155d0e34cb8661f71f5","timestamp":"2026-09-15T09:16:49.349Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45c99155d0e34cb8661f71f5_aspace_10c1e8fbac4093fef9b909db7b184edb"}},{"id":"8a59a7d5170b598adb3047fc_aspace_186828","type":"Item","attributes":{"title":"Woodstock Union High School, 1968","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_186828#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eJob Number 1313. Vorlander Lighting Inc. Woodstock, Vermont. 1 sheet.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_186828#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_186828","ref_ssm":["aspace_186828","aspace_186828"],"id":"8a59a7d5170b598adb3047fc_aspace_186828","title_filing_ssi":"Woodstock Union High School","title_ssm":["Woodstock Union High School"],"title_tesim":["Woodstock Union High School"],"unitdate_other_ssim":["1968"],"normalized_date_ssm":["1968"],"normalized_title_ssm":["Woodstock Union High School, 1968"],"text":["Woodstock Union High School, 1968","J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","Job Drawings","Roll 14","Item 45","/repositories/10/archival_objects/42140","Job Number 1313. Vorlander Lighting Inc. 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Within each series, rolls are arranged numerically by job number or standard part number where possible. Drawings are arranged within each roll in the order they were recieved from the donor, and researchers should note that not all drawings from a job are arranged together."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], J.R. Clancy Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2010-002\"\u003ehttp://purl.fcla.edu/fsu/MSS_2010-002\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], J.R. Clancy Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2010-002"],"scopecontent_html_tesm":["\u003cp\u003eArchitectural and engineering drawings related to construction and renovation projects managed by the J.R. Clancy stage rigging firm (1885-present), including theatrical designs, drawings for standard parts, wiring diagrams, and standard assemblies for stage rigging systems.\u003c/p\u003e","\u003cp\u003eSelect drawings from the J.R. Clancy Collection have been digitized and are available through the \u003cextref href=\"http://diginole.lib.fsu.edu/islandora/object/fsu:clancycollection\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Architectural and engineering drawings related to construction and renovation projects managed by the J.R. Clancy stage rigging firm (1885-present), including theatrical designs, drawings for standard parts, wiring diagrams, and standard assemblies for stage rigging systems.","Select drawings from the J.R. Clancy Collection have been digitized and are available through the  FSU Digital Library ."],"names_ssim":["FSU Special Collections \u0026 Archives","J.R. Clancy (Firm)"],"corpname_ssim":["FSU Special Collections \u0026 Archives","J.R. Clancy (Firm)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2605,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a59a7d5170b598adb3047fc","timestamp":"2026-07-11T06:28:28.123Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_186828"}},{"id":"dfef092a22481784ca33b961_aspace_163418","type":"File","attributes":{"title":"Wood Stork","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dfef092a22481784ca33b961_aspace_163418#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_163418","ref_ssm":["aspace_163418","aspace_163418"],"id":"dfef092a22481784ca33b961_aspace_163418","title_filing_ssi":"Wood Stork","title_ssm":["Wood Stork"],"title_tesim":["Wood Stork"],"normalized_title_ssm":["Wood Stork"],"text":["Wood Stork","Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 12","19","/repositories/2/archival_objects/3696","box 12","folder 19"],"component_level_isim":[2],"parent_ids_ssim":["dfef092a22481784ca33b961","dfef092a22481784ca33b961_aspace_163399"],"parent_unittitles_ssm":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 12"],"parent_unittitles_tesim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Slides 12"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["19","/repositories/2/archival_objects/3696"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":293,"parent_access_terms_tesm":["Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"containers_ssim":["box 12","folder 19"],"_nest_path_":"/components#11/components#18","_nest_parent_":"dfef092a22481784ca33b961_aspace_163399","_root_":"dfef092a22481784ca33b961","timestamp":"2026-07-11T04:07:57.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dfef092a22481784ca33b961","title_ssm":["Tampa Audubon Society Slide collection"],"title_tesim":["Tampa Audubon Society Slide collection"],"ead_ssi":"dfef092a22481784ca33b961","unitdate_ssm":["1900-2005","1960-2005","Date acquired: 01/01/2015"],"unitdate_bulk_ssim":["1960-2005"],"unitdate_inclusive_ssm":["1900-2005"],"unitdate_other_ssim":["Date acquired: 01/01/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A57","/repositories/2/resources/38"],"text":["A57","/repositories/2/resources/38","Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Groupings and slide shows are preserved in the original order.","published","Audubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Lorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Audubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","These materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.","This collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. The materials in this collection document local bird life, conservation projects, and infrastructure issues, as well as environmental initiatives specific to the Florida Audubon Society branch.  Most of all, the slides document the educational efforts of the Audubon Society in Florida, specifically in the Tampa Bay region.","USF Libraries - Tampa Special Collections","Florida Audubon Society","National Audubon Society","English"],"unitid_tesim":["A57","/repositories/2/resources/38"],"normalized_date_ssm":["1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"normalized_title_ssm":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"collection_title_tesim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"collection_ssim":["Tampa Audubon Society Slide collection, 1900-2005, Date acquired: 01/01/2015, bulk 1960-2005"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"acqinfo_ssim":["Ann Paul, Tampa Audubon Society","Donation"],"access_subjects_ssim":["Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida"],"access_subjects_ssm":["Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["13.50 Linear Feet","26 boxes"],"extent_tesim":["13.50 Linear Feet","26 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eGroupings and slide shows are preserved in the original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Groupings and slide shows are preserved in the original order."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eFlorida Audubon Slide Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Audubon Slide Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eAudubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eLorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eAudubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Audubon Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Lorida Audubon Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Audubon Everglades Science Center Research Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThese materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["These materials were mostly employed from the 1980s to the early 2000s in the Tampa Bay area, and cover the concerns and activities of the Audubon Society in the twentieth century."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov\u003c/extref\u003e for more information.\u003c/p\u003e","\u003cp\u003eUntil 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov  for more information.","Until 2034, USF Libraries must provide 90 day notice to FAS in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the FAS."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86f1dfe2dd99ef99ff05baa5f1c97edc\" label=\"Abstract\"\u003eThis collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. The materials in this collection document local bird life, conservation projects, and infrastructure issues, as well as environmental initiatives specific to the Florida Audubon Society branch.\u0026#xA0; Most of all, the slides document the educational efforts of the Audubon Society in Florida, specifically in the Tampa Bay region.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of slide presentations, photographs, video tapes, bird reports, and promotional and educational materials from the Florida Audubon Society. 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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. 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Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. 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Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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