{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64995\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64994\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64996\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":64995,"next_page":64996,"prev_page":64994,"total_pages":65767,"limit_value":10,"offset_value":649940,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"d458fbc83aea9df5a8fb197c_aspace_91d8dd071067bca07671c35b92ad083f","type":"File","attributes":{"title":"Women on the Field,\" September 2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d458fbc83aea9df5a8fb197c_aspace_91d8dd071067bca07671c35b92ad083f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_91d8dd071067bca07671c35b92ad083f","ref_ssm":["aspace_91d8dd071067bca07671c35b92ad083f","aspace_91d8dd071067bca07671c35b92ad083f"],"id":"d458fbc83aea9df5a8fb197c_aspace_91d8dd071067bca07671c35b92ad083f","title_filing_ssi":"Women on the Field,\" September 2011","title_ssm":["Women on the Field,\" September 2011"],"title_tesim":["Women on the Field,\" September 2011"],"normalized_title_ssm":["Women on the Field,\" September 2011"],"text":["Women on the Field,\" September 2011","Sue Stanley-Green Faculty Papers, 1997-2017, 1992","Press","/repositories/2/archival_objects/21453","box 3","folder 17"],"component_level_isim":[2],"parent_ids_ssim":["d458fbc83aea9df5a8fb197c","d458fbc83aea9df5a8fb197c_aspace_0615d9141dfd113ede1339d476136486"],"parent_unittitles_ssm":["Sue Stanley-Green Faculty Papers, 1997-2017, 1992","Press"],"parent_unittitles_tesim":["Sue Stanley-Green Faculty Papers, 1997-2017, 1992","Press"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/21453"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Sue Stanley-Green Faculty Papers, 1997-2017, 1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":110,"parent_access_restrict_tesm":["Access to this collection is restricted due to confidential information. Please contact the Florida Southern College Archivist for permission, 863-616-6487."],"parent_access_terms_tesm":["Permission to publish material from the Sue Stanley-Green Faculty Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu."],"containers_ssim":["box 3","folder 17"],"_nest_path_":"/components#7/components#7","_nest_parent_":"d458fbc83aea9df5a8fb197c_aspace_0615d9141dfd113ede1339d476136486","_root_":"d458fbc83aea9df5a8fb197c","timestamp":"2026-07-08T02:24:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d458fbc83aea9df5a8fb197c","title_ssm":["Sue Stanley-Green Faculty Papers"],"title_tesim":["Sue Stanley-Green Faculty Papers"],"ead_ssi":"d458fbc83aea9df5a8fb197c","unitdate_ssm":["1992","1997-2017"],"unitdate_inclusive_ssm":["1997-2017"],"unitdate_other_ssim":["1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1075","/repositories/2/resources/24"],"text":["MS1075","/repositories/2/resources/24","Sue Stanley-Green Faculty Papers, 1997-2017, 1992","Stanley-Green, Sue","Athletic trainers--Florida--Biography","Medical educators--Florida--Biography","Sports medicine--Study and teaching--Florida","Concussion--Prevention \u0026 control","Youth sports--Health aspects","Women in sports medicine","Professional associations--Florida","Scholarly publications","Florida Southern College--Faculty.","Awards","Correspondence.","Reports","Newspaper clippings","Access to this collection is restricted due to confidential information. Please contact the Florida Southern College Archivist for permission, 863-616-6487.","Sue Stanley-Green was born December 16, 1956 in Wooster, Ohio. She grew up in nearby Smithville, Ohio and graduated from high school in 1975. She attended Ohio State University where her original plan was to become a physician. However, while there, she discovered the university's athletic training\nprogram and switched her career path. She graduated in 1979 with her Bachelor of Science in Physical Education and went on to earn her Master of Science in Exercise Science from Purdue University in 1981. She began her career in athletic training by working at East Carolina State University, but in\n1982, she departed the school for the University of Kentucky where Albert \"Al\" Green had hired her as both an Assistant Athletic Trainer and an Instructor. She worked for the University of Kentucky for 15 years and was the first female full-time athletic trainer for football in the Southeastern Conference\n(SEC). From 1988 to 1993, Stanley-Green also worked on various assignments for the United States Olympic Committee as an athletic trainer. After years of working together as a team, she and Al Green married in 1993. The two continued to work as a team until 1997 when they both departed the\nUniversity of Kentucky. From 1998 to 1999, Stanley-Green served as the Head Athletic Trainer at Centre College in Danville, Kentucky.\nIn the fall of 1999, Sue Stanley-Green, MS, ATC was hired to serve as the Clinical Education Coordinator for the Athletic Training Education Program (ATEP) at Florida Southern College. In 2002, she was appointed the Athletic Education Training Program Director. Stanley-Green also served as a\nclinical instructor and faculty member for the College, teaching classes for ATEP as well as co-teaching a Women's Studies class. In 2004, she was inducted into the National Athletic Trainers' Association (NATA) Hall of Fame, alongside her husband. They were they first wife-husband team to be inducted.\nIn 2006, she returned to working alongside her husband as they both served as athletic trainers for the Lakeland Thunderbolts indoor football team. In 2007, Al Green joined his wife at Florida Southern asthe Assistant Athletic Director and Head Athletic Trainer. Sue Stanley-Green retired in 2019 alongside\nher last cohort of ATEP students, and the Program itself officially ended in May 2020. Throughout her career, Sue Stanley-Green received numerous awards and honors including, but not\nlimited to:","NATA Board of Certification/Board of Certification (NATABOC/BOC) Board of Directors: 1985-\n1992, 2002-2006\n• Southeast Athletic Trainers' Association (SEATA) Backbone Award: 1993\n• SEATA President: 1993-1996\n• NATA Board of Directors: 1996-2000\n• SEATA Award of Merit: 1999\n• NATA Most Distinguished Athletic Trainer: 2001\n• NATA 25 Year Award: 2001\n• SEATA Hall of Fame: 2007","More information on Sue Stanley-Green's time at Florida Southern College can be found in her Faculty File as well as the FSC Athletic Training Education Program Records collection.","The Sue Stanley-Green Faculty Papers contains documents pertaining to her role as Program Director of the Athletic Training Education Program and as a faculty member of Florida Southern College. The collection provides insight into the activities of a faculty member at Florida Southern College. It has\nbeen arranged into series alphabetically by topic.","The Activity Reports, contain the annual reports Sue Stanley-Green submitted to her supervisor detailing her professional activities over the past year as well as areas to improve and goals for the\nupcoming academic year. Initially, the dates for these reports follow the calendar year (January to December) rather than the academic calendar. Starting in 2010, however, the report dates are based on academic year.","The Awards consist of recognitions that Sue Stanley-Green received. Included are both the physical certificates she received as well as event pamphlets from the award ceremonies. The series Committee Work contains documents related to the committees that Sue Stanley-Green\nparticipated in to fulfill the campus expectation that faculty members serve on various committees. Over the years, Sue Stanley-Green was part of the Curriculum Committee, the Faculty Professional Interests Committee as well as committees concerning SACS accreditation and internships.\nThe Correspondence contains letters and emails written and received by Sue Stanley-Green. Courses includes material from the courses taught by Stanley-Green that were not part of the core classes for ATEP. For information on classes that she taught as part of ATEP, please see the FSCAthletic Training Education Program Records collection. The Faculty Meetings contain Stanley-Green's notes and handouts from Florida Southern College's\ngeneral faculty meetings. The Presentations and Publications are divided into three sub series. Presentations consists of presentations given by Sue Stanley-Green; Publications contains articles written by her; and Research Projects include materials from projects completed at Florida Southern College with fellow ATEP faculty member Dr. James \"Mick\" Lynch.\nThe Press series contains newspaper and magazine articles published about Sue Stanley-Green as well as her professional partnership with her husband Al Green. The Professional Development series is divided into two sub series. Athletic Training Services files contain information about the athletic training services Stanley-Green provided for local organizations\noutside of FSC. And Continuing Education Credits includes records of the continuing education credits undertaken by Stanley-Green to remain certified in the state of Florida, every two years. The Teaching Philosophy series contains materials related to the development of Stanley-Green's teaching philosophy and its development.","Permission to publish material from the Sue Stanley-Green Faculty Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Green, Sue Stanley","English"],"unitid_tesim":["MS1075","/repositories/2/resources/24"],"normalized_date_ssm":["1997-2017, 1992"],"normalized_title_ssm":["Sue Stanley-Green Faculty Papers, 1997-2017, 1992"],"collection_title_tesim":["Sue Stanley-Green Faculty Papers, 1997-2017, 1992"],"collection_ssim":["Sue Stanley-Green Faculty Papers, 1997-2017, 1992"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Green, Sue Stanley"],"creator_ssim":["Green, Sue Stanley"],"creator_persname_ssim":["Green, Sue Stanley"],"creators_ssim":["Green, Sue Stanley"],"access_terms_ssm":["Permission to publish material from the Sue Stanley-Green Faculty Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu."],"acqinfo_ssim":["Files were received from the Athletic Training Education Program during the summer of 2019. Files from that donation concerning former Program Director Sue Stanley-Green were transferred to this collection from the FSC Athletic Training Education Program Records collection."],"access_subjects_ssim":["Stanley-Green, Sue","Athletic trainers--Florida--Biography","Medical educators--Florida--Biography","Sports medicine--Study and teaching--Florida","Concussion--Prevention \u0026 control","Youth sports--Health aspects","Women in sports medicine","Professional associations--Florida","Scholarly publications","Florida Southern College--Faculty.","Awards","Correspondence.","Reports","Newspaper clippings"],"access_subjects_ssm":["Stanley-Green, Sue","Athletic trainers--Florida--Biography","Medical educators--Florida--Biography","Sports medicine--Study and teaching--Florida","Concussion--Prevention \u0026 control","Youth sports--Health aspects","Women in sports medicine","Professional associations--Florida","Scholarly publications","Florida Southern College--Faculty.","Awards","Correspondence.","Reports","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"genreform_ssim":["Awards","Correspondence.","Reports","Newspaper clippings"],"date_range_isim":[1992,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eAccess to this collection is restricted due to confidential information. Please contact the Florida Southern College Archivist for permission, 863-616-6487.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to this collection is restricted due to confidential information. Please contact the Florida Southern College Archivist for permission, 863-616-6487."],"bioghist_html_tesm":["\u003cp\u003eSue Stanley-Green was born December 16, 1956 in Wooster, Ohio. She grew up in nearby Smithville, Ohio and graduated from high school in 1975. She attended Ohio State University where her original plan was to become a physician. However, while there, she discovered the university's athletic training\nprogram and switched her career path. She graduated in 1979 with her Bachelor of Science in Physical Education and went on to earn her Master of Science in Exercise Science from Purdue University in 1981. She began her career in athletic training by working at East Carolina State University, but in\n1982, she departed the school for the University of Kentucky where Albert \"Al\" Green had hired her as both an Assistant Athletic Trainer and an Instructor. She worked for the University of Kentucky for 15 years and was the first female full-time athletic trainer for football in the Southeastern Conference\n(SEC). From 1988 to 1993, Stanley-Green also worked on various assignments for the United States Olympic Committee as an athletic trainer. After years of working together as a team, she and Al Green married in 1993. The two continued to work as a team until 1997 when they both departed the\nUniversity of Kentucky. From 1998 to 1999, Stanley-Green served as the Head Athletic Trainer at Centre College in Danville, Kentucky.\nIn the fall of 1999, Sue Stanley-Green, MS, ATC was hired to serve as the Clinical Education Coordinator for the Athletic Training Education Program (ATEP) at Florida Southern College. In 2002, she was appointed the Athletic Education Training Program Director. Stanley-Green also served as a\nclinical instructor and faculty member for the College, teaching classes for ATEP as well as co-teaching a Women's Studies class. In 2004, she was inducted into the National Athletic Trainers' Association (NATA) Hall of Fame, alongside her husband. They were they first wife-husband team to be inducted.\nIn 2006, she returned to working alongside her husband as they both served as athletic trainers for the Lakeland Thunderbolts indoor football team. In 2007, Al Green joined his wife at Florida Southern asthe Assistant Athletic Director and Head Athletic Trainer. Sue Stanley-Green retired in 2019 alongside\nher last cohort of ATEP students, and the Program itself officially ended in May 2020. Throughout her career, Sue Stanley-Green received numerous awards and honors including, but not\nlimited to:\u003c/p\u003e\n","\u003cp\u003eNATA Board of Certification/Board of Certification (NATABOC/BOC) Board of Directors: 1985-\n1992, 2002-2006\n\u0026#x2022; Southeast Athletic Trainers' Association (SEATA) Backbone Award: 1993\n\u0026#x2022; SEATA President: 1993-1996\n\u0026#x2022; NATA Board of Directors: 1996-2000\n\u0026#x2022; SEATA Award of Merit: 1999\n\u0026#x2022; NATA Most Distinguished Athletic Trainer: 2001\n\u0026#x2022; NATA 25 Year Award: 2001\n\u0026#x2022; SEATA Hall of Fame: 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sue Stanley-Green was born December 16, 1956 in Wooster, Ohio. She grew up in nearby Smithville, Ohio and graduated from high school in 1975. She attended Ohio State University where her original plan was to become a physician. However, while there, she discovered the university's athletic training\nprogram and switched her career path. She graduated in 1979 with her Bachelor of Science in Physical Education and went on to earn her Master of Science in Exercise Science from Purdue University in 1981. She began her career in athletic training by working at East Carolina State University, but in\n1982, she departed the school for the University of Kentucky where Albert \"Al\" Green had hired her as both an Assistant Athletic Trainer and an Instructor. She worked for the University of Kentucky for 15 years and was the first female full-time athletic trainer for football in the Southeastern Conference\n(SEC). From 1988 to 1993, Stanley-Green also worked on various assignments for the United States Olympic Committee as an athletic trainer. After years of working together as a team, she and Al Green married in 1993. The two continued to work as a team until 1997 when they both departed the\nUniversity of Kentucky. From 1998 to 1999, Stanley-Green served as the Head Athletic Trainer at Centre College in Danville, Kentucky.\nIn the fall of 1999, Sue Stanley-Green, MS, ATC was hired to serve as the Clinical Education Coordinator for the Athletic Training Education Program (ATEP) at Florida Southern College. In 2002, she was appointed the Athletic Education Training Program Director. Stanley-Green also served as a\nclinical instructor and faculty member for the College, teaching classes for ATEP as well as co-teaching a Women's Studies class. In 2004, she was inducted into the National Athletic Trainers' Association (NATA) Hall of Fame, alongside her husband. They were they first wife-husband team to be inducted.\nIn 2006, she returned to working alongside her husband as they both served as athletic trainers for the Lakeland Thunderbolts indoor football team. In 2007, Al Green joined his wife at Florida Southern asthe Assistant Athletic Director and Head Athletic Trainer. Sue Stanley-Green retired in 2019 alongside\nher last cohort of ATEP students, and the Program itself officially ended in May 2020. Throughout her career, Sue Stanley-Green received numerous awards and honors including, but not\nlimited to:","NATA Board of Certification/Board of Certification (NATABOC/BOC) Board of Directors: 1985-\n1992, 2002-2006\n• Southeast Athletic Trainers' Association (SEATA) Backbone Award: 1993\n• SEATA President: 1993-1996\n• NATA Board of Directors: 1996-2000\n• SEATA Award of Merit: 1999\n• NATA Most Distinguished Athletic Trainer: 2001\n• NATA 25 Year Award: 2001\n• SEATA Hall of Fame: 2007"],"odd_html_tesm":["\u003cp\u003eMore information on Sue Stanley-Green's time at Florida Southern College can be found in her Faculty File as well as the FSC Athletic Training Education Program Records collection.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["More information on Sue Stanley-Green's time at Florida Southern College can be found in her Faculty File as well as the FSC Athletic Training Education Program Records collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Sue Stanley-Green Faculty Papers contains documents pertaining to her role as Program Director of the Athletic Training Education Program and as a faculty member of Florida Southern College. The collection provides insight into the activities of a faculty member at Florida Southern College. It has\nbeen arranged into series alphabetically by topic.\u003c/p\u003e\n","\u003cp\u003eThe Activity Reports, contain the annual reports Sue Stanley-Green submitted to her supervisor detailing her professional activities over the past year as well as areas to improve and goals for the\nupcoming academic year. Initially, the dates for these reports follow the calendar year (January to December) rather than the academic calendar. Starting in 2010, however, the report dates are based on academic year.\u003c/p\u003e\n","\u003cp\u003eThe Awards consist of recognitions that Sue Stanley-Green received. Included are both the physical certificates she received as well as event pamphlets from the award ceremonies. The series Committee Work contains documents related to the committees that Sue Stanley-Green\nparticipated in to fulfill the campus expectation that faculty members serve on various committees. Over the years, Sue Stanley-Green was part of the Curriculum Committee, the Faculty Professional Interests Committee as well as committees concerning SACS accreditation and internships.\nThe Correspondence contains letters and emails written and received by Sue Stanley-Green. Courses includes material from the courses taught by Stanley-Green that were not part of the core classes for ATEP. For information on classes that she taught as part of ATEP, please see the FSCAthletic Training Education Program Records collection. The Faculty Meetings contain Stanley-Green's notes and handouts from Florida Southern College's\ngeneral faculty meetings. The Presentations and Publications are divided into three sub series. Presentations consists of presentations given by Sue Stanley-Green; Publications contains articles written by her; and Research Projects include materials from projects completed at Florida Southern College with fellow ATEP faculty member Dr. James \"Mick\" Lynch.\nThe Press series contains newspaper and magazine articles published about Sue Stanley-Green as well as her professional partnership with her husband Al Green. The Professional Development series is divided into two sub series. Athletic Training Services files contain information about the athletic training services Stanley-Green provided for local organizations\noutside of FSC. And Continuing Education Credits includes records of the continuing education credits undertaken by Stanley-Green to remain certified in the state of Florida, every two years. The Teaching Philosophy series contains materials related to the development of Stanley-Green's teaching philosophy and its development.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sue Stanley-Green Faculty Papers contains documents pertaining to her role as Program Director of the Athletic Training Education Program and as a faculty member of Florida Southern College. The collection provides insight into the activities of a faculty member at Florida Southern College. It has\nbeen arranged into series alphabetically by topic.","The Activity Reports, contain the annual reports Sue Stanley-Green submitted to her supervisor detailing her professional activities over the past year as well as areas to improve and goals for the\nupcoming academic year. Initially, the dates for these reports follow the calendar year (January to December) rather than the academic calendar. Starting in 2010, however, the report dates are based on academic year.","The Awards consist of recognitions that Sue Stanley-Green received. Included are both the physical certificates she received as well as event pamphlets from the award ceremonies. The series Committee Work contains documents related to the committees that Sue Stanley-Green\nparticipated in to fulfill the campus expectation that faculty members serve on various committees. Over the years, Sue Stanley-Green was part of the Curriculum Committee, the Faculty Professional Interests Committee as well as committees concerning SACS accreditation and internships.\nThe Correspondence contains letters and emails written and received by Sue Stanley-Green. Courses includes material from the courses taught by Stanley-Green that were not part of the core classes for ATEP. For information on classes that she taught as part of ATEP, please see the FSCAthletic Training Education Program Records collection. The Faculty Meetings contain Stanley-Green's notes and handouts from Florida Southern College's\ngeneral faculty meetings. The Presentations and Publications are divided into three sub series. Presentations consists of presentations given by Sue Stanley-Green; Publications contains articles written by her; and Research Projects include materials from projects completed at Florida Southern College with fellow ATEP faculty member Dr. James \"Mick\" Lynch.\nThe Press series contains newspaper and magazine articles published about Sue Stanley-Green as well as her professional partnership with her husband Al Green. The Professional Development series is divided into two sub series. Athletic Training Services files contain information about the athletic training services Stanley-Green provided for local organizations\noutside of FSC. And Continuing Education Credits includes records of the continuing education credits undertaken by Stanley-Green to remain certified in the state of Florida, every two years. The Teaching Philosophy series contains materials related to the development of Stanley-Green's teaching philosophy and its development."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Sue Stanley-Green Faculty Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Sue Stanley-Green Faculty Papers must be obtained from Sarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate copyright holder. Please inquire if you have questions archives@flsouthern.edu."],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Green, Sue Stanley"],"corpname_ssim":["The Sarah D. and L. 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After her graduation from FSU, she moved to Dallas, Texas where she began her journey as a leadership figure in the LGBT community. Gore moved back to Florida in the 2000s and with Edie Daly, started the LGBTQ Resource Center in partner with the Gulfport Public Library. The LGBTQ Resource Center has won the Newlan-Symons award and the National Medal for Museums and Library Service from the Institute of Museum and Library Services. In 2019, Susan Gore was announced as one of Tampa Bay's most remarkable people.","published","Materials in this collection include personal papers and correspondence, periodicals, pamphlets, newsletters, programs, newspaper clippings, publications, photos, visual media, ephemera, buttons, clothing, and various textiles.","Books and periodicals related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The papers of Susan Gore, a lesbian activist in Pinellas County, Florida.  Gore was especially interested in Christian and spiritual opportunities for LGBT populations.","USF Libraries - Tampa Special Collections","Gore, Susan","English"],"unitid_tesim":["MS-2016-05","/repositories/2/resources/71"],"normalized_date_ssm":["Date acquired: 00/00/2016"],"normalized_title_ssm":["Susan Gore collection, Date acquired: 00/00/2016"],"collection_title_tesim":["Susan Gore collection, Date acquired: 00/00/2016"],"collection_ssim":["Susan Gore collection, Date acquired: 00/00/2016"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Greek Letter Societies"],"geogname_ssim":["Greek Letter Societies"],"creator_ssm":["Gore, Susan"],"creator_ssim":["Gore, Susan"],"creator_persname_ssim":["Gore, Susan"],"creators_ssim":["Gore, Susan"],"places_ssim":["Greek Letter Societies"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Susan Gore","Donation."],"access_subjects_ssim":["Bisexual women","Unitarian Universalist churches -- Clergy","State universities and colleges -- Florida","Lesbian activism -- United States"],"access_subjects_ssm":["Bisexual women","Unitarian Universalist churches -- Clergy","State universities and colleges -- Florida","Lesbian activism -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet","36 boxes","2 items"],"extent_tesim":["20 Linear Feet","36 boxes","2 items"],"physfacet_tesim":["Framed oversized items on shelf"],"arrangement_html_tesm":["\u003cp\u003eArranged by subject or event within a series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject or event within a series."],"bioghist_html_tesm":["\u003cp\u003eA Florida State University Alumni and Gamma Beta Phi sorority sister, Susan Gore \"came out\" in the 1970s as an activist and lesbian. After her graduation from FSU, she moved to Dallas, Texas where she began her journey as a leadership figure in the LGBT community. Gore moved back to Florida in the 2000s and with Edie Daly, started the LGBTQ Resource Center in partner with the Gulfport Public Library. The LGBTQ Resource Center has won the Newlan-Symons award and the National Medal for Museums and Library Service from the Institute of Museum and Library Services. In 2019, Susan Gore was announced as one of Tampa Bay's most remarkable people.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A Florida State University Alumni and Gamma Beta Phi sorority sister, Susan Gore \"came out\" in the 1970s as an activist and lesbian. After her graduation from FSU, she moved to Dallas, Texas where she began her journey as a leadership figure in the LGBT community. Gore moved back to Florida in the 2000s and with Edie Daly, started the LGBTQ Resource Center in partner with the Gulfport Public Library. The LGBTQ Resource Center has won the Newlan-Symons award and the National Medal for Museums and Library Service from the Institute of Museum and Library Services. In 2019, Susan Gore was announced as one of Tampa Bay's most remarkable people."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"scopecontent_html_tesm":["\u003cp\u003eMaterials in this collection include personal papers and correspondence, periodicals, pamphlets, newsletters, programs, newspaper clippings, publications, photos, visual media, ephemera, buttons, clothing, and various textiles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in this collection include personal papers and correspondence, periodicals, pamphlets, newsletters, programs, newspaper clippings, publications, photos, visual media, ephemera, buttons, clothing, and various textiles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks and periodicals related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books and periodicals related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a6e09f107fb6d53ac1000c597d2bf76d\"\u003eThe papers of Susan Gore, a lesbian activist in Pinellas County, Florida.  Gore was especially interested in Christian and spiritual opportunities for LGBT populations.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Susan Gore, a lesbian activist in Pinellas County, Florida.  Gore was especially interested in Christian and spiritual opportunities for LGBT populations."],"names_ssim":["USF Libraries - Tampa Special Collections","Gore, Susan"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Gore, Susan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":230,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871405942681108480,"_root_":"4855640db2bdcc05397fe76f","timestamp":"2026-07-22T09:16:23.101Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4855640db2bdcc05397fe76f_aspace_a9fbbed91b2ea05a65588ea92618709a"}},{"id":"ae4e9efba5260571ede19734_aspace_69858","type":"Item","attributes":{"title":"Women on the Move - Kerosene Torch (FDC #77)., circa 1978","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734_aspace_69858#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_69858","ref_ssm":["aspace_69858","aspace_69858"],"id":"ae4e9efba5260571ede19734_aspace_69858","title_filing_ssi":"Women on the Move - Kerosene Torch (FDC #77).","title_ssm":["Women on the Move - Kerosene Torch (FDC #77)."],"title_tesim":["Women on the Move - Kerosene Torch (FDC #77)."],"unitdate_inclusive_ssm":["circa 1978"],"normalized_date_ssm":["circa 1978"],"normalized_title_ssm":["Women on the Move - Kerosene Torch (FDC #77)., circa 1978"],"text":["Women on the Move - Kerosene Torch (FDC #77)., circa 1978","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Artwork, circa 1976-2013","NOW New York First Day Covers Original Artwork., circa 1977-1980.","/repositories/4/archival_objects/76560","box 28","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["ae4e9efba5260571ede19734","ae4e9efba5260571ede19734_aspace_69809","ae4e9efba5260571ede19734_aspace_69820"],"parent_unittitles_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Artwork, circa 1976-2013","NOW New York First Day Covers Original Artwork., circa 1977-1980."],"parent_unittitles_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Artwork, circa 1976-2013","NOW New York First Day Covers Original Artwork., circa 1977-1980."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/76560"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":858,"parent_access_restrict_tesm":["The entire collection is open for research except for Box 34, which is closed until 2042."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 28","folder 4"],"_nest_path_":"/components#4/components#1/components#36","_nest_parent_":"ae4e9efba5260571ede19734_aspace_69820","_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ae4e9efba5260571ede19734","title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"ead_ssi":"ae4e9efba5260571ede19734","unitdate_ssm":["1792-2016","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1792-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 100","/repositories/4/resources/8"],"text":["SC 100","/repositories/4/resources/8","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Stamp collecting","Suffrage","first day covers","The entire collection is open for research except for Box 34, which is closed until 2042.","The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.","Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.","Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.","Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County.","Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.","UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith","English"],"unitid_tesim":["SC 100","/repositories/4/resources/8"],"normalized_date_ssm":["1792-2016, bulk 1900-2000"],"normalized_title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Kaplan, Judith"],"creator_ssim":["Kaplan, Judith"],"creator_persname_ssim":["Kaplan, Judith"],"creators_ssim":["Kaplan, Judith"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Judith and Warren Kaplan donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFM2015_01). Additional materials were donated in 2016 (CFM2016_11) and 2017 (CFM2017_01)."],"access_subjects_ssim":["Stamp collecting","Suffrage","first day covers"],"access_subjects_ssm":["Stamp collecting","Suffrage","first day covers"],"has_online_content_ssim":["false"],"extent_ssm":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"extent_tesim":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"genreform_ssim":["first day covers"],"date_range_isim":[1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for Box 34, which is closed until 2042.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for Box 34, which is closed until 2042."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world."],"bioghist_html_tesm":["\u003cp\u003eJudith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'\u0026#x92;s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024."],"prefercite_html_tesm":["\u003cp\u003eThe Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eJudith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog.\u003c/extref\u003e \nOther collections concerning women and politics include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-05\"\u003eDemocratic Women's Club of Florida, Inc. Collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2010-02\"\u003eLeague of Women Voters of Volusia County.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5765cfec293662f410013f49a81ec804\" label=\"Abstract\"\u003eCreated by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.\u003c/abstract\u003e"],"abstract_tesim":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"names_coll_ssim":["National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"names_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith"],"corpname_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"persname_ssim":["Kaplan, Judith"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":929,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734_aspace_69858"}},{"id":"6a8ca297c8d957a918dee02d_aspace_283bbb18ecf72e28fe67f2709da8f0f2","type":"Item","attributes":{"title":"Women Organizing a Gathering for Mothers and Others to Put an End to the Arms Race, 1988-05-06-1988-05-08","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d_aspace_283bbb18ecf72e28fe67f2709da8f0f2#abstract_or_scope","type":"document_value","attributes":{"value":["Mothers and Others Connecting All."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d_aspace_283bbb18ecf72e28fe67f2709da8f0f2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_283bbb18ecf72e28fe67f2709da8f0f2","ref_ssm":["aspace_283bbb18ecf72e28fe67f2709da8f0f2","aspace_283bbb18ecf72e28fe67f2709da8f0f2"],"id":"6a8ca297c8d957a918dee02d_aspace_283bbb18ecf72e28fe67f2709da8f0f2","title_filing_ssi":"Women Organizing a Gathering for Mothers and Others to Put an End to the Arms Race","title_ssm":["Women Organizing a Gathering for Mothers and Others to Put an End to the Arms Race"],"title_tesim":["Women Organizing a Gathering for Mothers and Others to Put an End to the Arms Race"],"unitdate_inclusive_ssm":["1988-05-06-1988-05-08"],"normalized_date_ssm":["1988-05-06-1988-05-08"],"normalized_title_ssm":["Women Organizing a Gathering for Mothers and Others to Put an End to the Arms Race, 1988-05-06-1988-05-08"],"text":["Women Organizing a Gathering for Mothers and Others to Put an End to the Arms Race, 1988-05-06-1988-05-08","Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","National - Organizations \u0026 Subject Files II","Peace Gathering, 1984","/repositories/2/archival_objects/164977","box 4","folder 14","object 6","Mothers and Others Connecting All."],"component_level_isim":[3],"parent_ids_ssim":["6a8ca297c8d957a918dee02d","6a8ca297c8d957a918dee02d_aspace_126691","6a8ca297c8d957a918dee02d_aspace_126638"],"parent_unittitles_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","National - Organizations \u0026 Subject Files II","Peace Gathering, 1984"],"parent_unittitles_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","National - Organizations \u0026 Subject Files II","Peace Gathering, 1984"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/164977"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":201,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1988],"containers_ssim":["box 4","folder 14","object 6"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a894c275fb5da4a7587e7e91929d1a28\"\u003eMothers and Others Connecting All.\u003c/abstract\u003e"],"abstract_tesim":["Mothers and Others Connecting All."],"_nest_path_":"/components#3/components#13/components#5","_nest_parent_":"6a8ca297c8d957a918dee02d_aspace_126638","_root_":"6a8ca297c8d957a918dee02d","_version_":1871496586827137024,"timestamp":"2026-07-23T09:17:07.992Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6a8ca297c8d957a918dee02d","title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"ead_ssi":"6a8ca297c8d957a918dee02d","unitdate_ssm":["1973-2014","1990-1998","Date acquired: 2006"],"unitdate_bulk_ssim":["1990-1998"],"unitdate_inclusive_ssm":["1973-2014"],"unitdate_other_ssim":["Date acquired: 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-08","/repositories/2/resources/442"],"text":["MS-2006-08","/repositories/2/resources/442","Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Tampa (Fla.)","Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies","Organized alphabetically within series and subjects.","In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026.","Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.","Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words .","USF Libraries - Tampa Special Collections","Daly, Edith (1937-)","English Croatian"],"unitid_tesim":["MS-2006-08","/repositories/2/resources/442"],"normalized_date_ssm":["1973-2014, Date acquired: 2006, bulk 1990-1998"],"normalized_title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.)"],"geogname_ssim":["Tampa (Fla.)"],"creator_ssm":["Daly, Edith (1937-)"],"creator_ssim":["Daly, Edith (1937-)"],"creator_persname_ssim":["Daly, Edith (1937-)"],"creators_ssim":["Daly, Edith (1937-)"],"places_ssim":["Tampa (Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edith Daly","Donation"],"access_subjects_ssim":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"access_subjects_ssm":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["17 Linear Feet","27 boxes"],"extent_tesim":["17 Linear Feet","27 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically within series and subjects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized alphabetically within series and subjects."],"bioghist_html_tesm":["\u003cp\u003eIn 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e. As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.\u003c/p\u003e\n","\u003cp\u003eLearn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.\u003c/p\u003e\n","\u003cp\u003eNote written by CBW. Edited by CC, 2026.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026."],"prefercite_html_tesm":["\u003cp\u003eEdith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Edith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.\u0026#xA0; Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eWomyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_035d6fc98144dc90e3c384ced17a9893\"\u003eThe papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words ."],"names_ssim":["USF Libraries - Tampa Special Collections","Daly, Edith (1937-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Daly, Edith (1937-)"],"language_ssim":["English Croatian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1323,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871496586827137024,"_root_":"6a8ca297c8d957a918dee02d","timestamp":"2026-07-23T09:17:07.992Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d_aspace_283bbb18ecf72e28fe67f2709da8f0f2"}},{"id":"18ce43a3c782b797db9fa781_aspace_179188","type":"Item","attributes":{"title":"[Women outside of building]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179188#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179188#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_179188","ref_ssm":["aspace_179188","aspace_179188"],"id":"18ce43a3c782b797db9fa781_aspace_179188","title_filing_ssi":"[Women outside of building]","title_ssm":["[Women outside of building]"],"title_tesim":["[Women outside of building]"],"normalized_title_ssm":["[Women outside of building]"],"text":["[Women outside of building]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Philadelphia, Mount Vernon","Item 1","/repositories/2/archival_objects/81760","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179828","18ce43a3c782b797db9fa781_aspace_179187"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Philadelphia, Mount Vernon"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - Philadelphia, Mount Vernon"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/81760"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1405,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#24/components#3/components#0","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179187","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179188"}},{"id":"18ce43a3c782b797db9fa781_aspace_178326","type":"Item","attributes":{"title":"[Women outside of Old Kitchen]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178326#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178326#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178326","ref_ssm":["aspace_178326","aspace_178326"],"id":"18ce43a3c782b797db9fa781_aspace_178326","title_filing_ssi":"[Women outside of Old Kitchen]","title_ssm":["[Women outside of Old Kitchen]"],"title_tesim":["[Women outside of Old Kitchen]"],"normalized_title_ssm":["[Women outside of Old Kitchen]"],"text":["[Women outside of Old Kitchen]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Mildred Part I","Item 17","/repositories/2/archival_objects/82813","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179893","18ce43a3c782b797db9fa781_aspace_178309"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Mildred Part I"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Mildred Part I"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 17","/repositories/2/archival_objects/82813"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2204,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#32/components#2/components#16","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178309","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178326"}},{"id":"8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2","type":"Item","attributes":{"title":"Women outside, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e3 women standing outside by small brick wall.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_976bb8d7d238322b21ffe58a7f94bab2","ref_ssm":["aspace_976bb8d7d238322b21ffe58a7f94bab2","aspace_976bb8d7d238322b21ffe58a7f94bab2"],"id":"8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2","title_filing_ssi":"Women outside","title_ssm":["Women outside"],"title_tesim":["Women outside"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Women outside, Undated"],"text":["Women outside, Undated","Barbara Carter Collection, Circa 1940s-1960s","Photographs","Small photographs, Undated","/repositories/2/archival_objects/20130","box 1","3 women standing outside by small brick wall."],"component_level_isim":[3],"parent_ids_ssim":["8cd3559c8c888ca4f16e1857","8cd3559c8c888ca4f16e1857_aspace_776dd1221e2f1a47bea3217b019e0992","8cd3559c8c888ca4f16e1857_aspace_507d713d7afc32a83079fc3aa29fc86e"],"parent_unittitles_ssm":["Barbara Carter Collection, Circa 1940s-1960s","Photographs","Small photographs, Undated"],"parent_unittitles_tesim":["Barbara Carter Collection, Circa 1940s-1960s","Photographs","Small photographs, Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["/repositories/2/archival_objects/20130"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Barbara Carter Collection, Circa 1940s-1960s"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":11,"parent_access_restrict_tesm":["The Barbara Carter Collection is open for research."],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003e3 women standing outside by small brick wall.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["3 women standing outside by small brick wall."],"_nest_path_":"/components#0/components#2/components#1","_nest_parent_":"8cd3559c8c888ca4f16e1857_aspace_507d713d7afc32a83079fc3aa29fc86e","_root_":"8cd3559c8c888ca4f16e1857","timestamp":"2026-05-02T01:31:36.231Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8cd3559c8c888ca4f16e1857","title_filing_ssi":"Carter, Barbara Collection","title_ssm":["Barbara Carter Collection"],"title_tesim":["Barbara Carter Collection"],"ead_ssi":"8cd3559c8c888ca4f16e1857","unitdate_ssm":["Circa 1940s-1960s"],"unitdate_inclusive_ssm":["Circa 1940s-1960s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2007.5","/repositories/2/resources/279"],"text":["AARLCC.2007.5","/repositories/2/resources/279","Barbara Carter Collection, Circa 1940s-1960s","Fort Lauderdale (Fla.)","Hurricanes","Hurricane damage","African American churches","African Americans--Florida","Photographs","The Barbara Carter Collection is open for research.","The Barbara Carter Collection is digitized and available on the  Broward County Library Digital Archives .","This collection received processing at the container level by Erin Purdy in November 2024. The collection was processed at the item level by Adam Anderson in March 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Barbara Carter Collection contains papers and 27 photographs related to life in Florida during the 1940s through the 1960s. Photographs include images of Black people, Zeta Phi Beta sorority, a meeting of the Interdenominational Choirs' Union of Fort Lauderdale, and flooding in downtown Fort Lauderdale during the October 1947 hurricane. ","Papers include an Orange Bowl program dated December 10, 1949, Mount Hernon African Methodist Epsiscopal Church of Fort Lauderdale (Mt. Hernon AME Church) programs and ephemera, a 1948 map of Florida, a 1951 calendar from Fifth Ave. Market - Bass Bros., a 1960 McWhite School of Cosmetology commencement program, business cards, and the Fort Lauderdale Bell Tel News from August 1960.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2007.5","/repositories/2/resources/279"],"normalized_date_ssm":["Circa 1940s-1960s"],"normalized_title_ssm":["Barbara Carter Collection, Circa 1940s-1960s"],"collection_title_tesim":["Barbara Carter Collection, Circa 1940s-1960s"],"collection_ssim":["Barbara Carter Collection, Circa 1940s-1960s"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"access_subjects_ssim":["Hurricanes","Hurricane damage","African American churches","African Americans--Florida","Photographs"],"access_subjects_ssm":["Hurricanes","Hurricane damage","African American churches","African Americans--Florida","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Half Hollinger Box"],"extent_tesim":["1 Half Hollinger Box"],"genreform_ssim":["Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThe Barbara Carter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Barbara Carter Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eThe Barbara Carter Collection is digitized and available on the \u003ca href=\"https://digitalarchives.broward.org/digital/collection/bcarter/search\"\u003eBroward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Barbara Carter Collection is digitized and available on the  Broward County Library Digital Archives ."],"prefercite_html_tesm":["\u003cp\u003eBarbara Carter Collection (AARLCC-2007.5), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Barbara Carter Collection (AARLCC-2007.5), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received processing at the container level by Erin Purdy in November 2024. The collection was processed at the item level by Adam Anderson in March 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received processing at the container level by Erin Purdy in November 2024. The collection was processed at the item level by Adam Anderson in March 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Barbara Carter Collection contains papers and 27 photographs related to life in Florida during the 1940s through the 1960s. Photographs include images of Black people, Zeta Phi Beta sorority, a meeting of the Interdenominational Choirs' Union of Fort Lauderdale, and flooding in downtown Fort Lauderdale during the October 1947 hurricane. \u003c/p\u003e\n","\u003cp\u003ePapers include an Orange Bowl program dated December 10, 1949, Mount Hernon African Methodist Epsiscopal Church of Fort Lauderdale (Mt. Hernon AME Church) programs and ephemera, a 1948 map of Florida, a 1951 calendar from Fifth Ave. Market - Bass Bros., a 1960 McWhite School of Cosmetology commencement program, business cards, and the Fort Lauderdale Bell Tel News from August 1960.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Barbara Carter Collection contains papers and 27 photographs related to life in Florida during the 1940s through the 1960s. Photographs include images of Black people, Zeta Phi Beta sorority, a meeting of the Interdenominational Choirs' Union of Fort Lauderdale, and flooding in downtown Fort Lauderdale during the October 1947 hurricane. ","Papers include an Orange Bowl program dated December 10, 1949, Mount Hernon African Methodist Epsiscopal Church of Fort Lauderdale (Mt. Hernon AME Church) programs and ephemera, a 1948 map of Florida, a 1951 calendar from Fifth Ave. Market - Bass Bros., a 1960 McWhite School of Cosmetology commencement program, business cards, and the Fort Lauderdale Bell Tel News from August 1960."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8cd3559c8c888ca4f16e1857","timestamp":"2026-05-02T01:31:36.231Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8cd3559c8c888ca4f16e1857_aspace_976bb8d7d238322b21ffe58a7f94bab2"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24217","type":"File","attributes":{"title":"Women, Part 1","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24217#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24217","ref_ssm":["aspace_24217","aspace_24217"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24217","title_filing_ssi":"Women, Part 1","title_ssm":["Women, Part 1"],"title_tesim":["Women, Part 1"],"normalized_title_ssm":["Women, Part 1"],"text":["Women, Part 1","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women","Folder 12","/repositories/2/archival_objects/61699","box 120","folder 12"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_176571"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 12","/repositories/2/archival_objects/61699"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2600,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120","folder 12"],"_nest_path_":"/components#0/components#119/components#11","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_176571","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925","English"],"unitid_tesim":["MS-1982-01","/repositories/2/resources/371"],"normalized_date_ssm":["1824-1994, Date acquired: 10/23/1982"],"normalized_title_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_title_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Pizzo, Anthony P. (1912-1994)"],"creator_ssim":["Pizzo, Anthony P. (1912-1994)"],"creator_persname_ssim":["Pizzo, Anthony P. (1912-1994)"],"creators_ssim":["Pizzo, Anthony P. (1912-1994)"],"places_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Anthony P. Pizzo","Donation"],"access_subjects_ssim":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"access_subjects_ssm":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["126.00 Linear Feet","262 boxes"],"extent_tesim":["126.00 Linear Feet","262 boxes"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials are fragile."],"accruals_html_tesm":["\u003cp\u003eThe collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24217"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24218","type":"File","attributes":{"title":"Women, Part 2","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24218#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24218","ref_ssm":["aspace_24218","aspace_24218"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24218","title_filing_ssi":"Women, Part 2","title_ssm":["Women, Part 2"],"title_tesim":["Women, Part 2"],"normalized_title_ssm":["Women, Part 2"],"text":["Women, Part 2","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women","Folder 13","/repositories/2/archival_objects/61700","box 120","folder 13"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_176571"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 13","/repositories/2/archival_objects/61700"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2601,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120","folder 13"],"_nest_path_":"/components#0/components#119/components#12","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_176571","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925","English"],"unitid_tesim":["MS-1982-01","/repositories/2/resources/371"],"normalized_date_ssm":["1824-1994, Date acquired: 10/23/1982"],"normalized_title_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_title_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Pizzo, Anthony P. (1912-1994)"],"creator_ssim":["Pizzo, Anthony P. (1912-1994)"],"creator_persname_ssim":["Pizzo, Anthony P. (1912-1994)"],"creators_ssim":["Pizzo, Anthony P. (1912-1994)"],"places_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Anthony P. Pizzo","Donation"],"access_subjects_ssim":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"access_subjects_ssm":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["126.00 Linear Feet","262 boxes"],"extent_tesim":["126.00 Linear Feet","262 boxes"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials are fragile."],"accruals_html_tesm":["\u003cp\u003eThe collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24218"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_24219","type":"File","attributes":{"title":"Women, Part 3","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_24219#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24219","ref_ssm":["aspace_24219","aspace_24219"],"id":"da4d05e4376dbaeab6a6dad3_aspace_24219","title_filing_ssi":"Women, Part 3","title_ssm":["Women, Part 3"],"title_tesim":["Women, Part 3"],"normalized_title_ssm":["Women, Part 3"],"text":["Women, Part 3","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women","Folder 14","/repositories/2/archival_objects/61756","box 120","folder 14"],"component_level_isim":[3],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_178138","da4d05e4376dbaeab6a6dad3_aspace_176571"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Documents","Wine - Women"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 14","/repositories/2/archival_objects/61756"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2602,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120","folder 14"],"_nest_path_":"/components#0/components#119/components#13","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_176571","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. 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Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. 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