{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64991\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64990\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64992\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64991,"next_page":64992,"prev_page":64990,"total_pages":65767,"limit_value":10,"offset_value":649900,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"21e51e7747508f0d2acd72a5_aspace_b340172430c07c736f209a89bc59160c","type":"Item","attributes":{"title":"\"WOMEN make POLICY not COFFEE\" Button, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/21e51e7747508f0d2acd72a5_aspace_b340172430c07c736f209a89bc59160c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b340172430c07c736f209a89bc59160c","ref_ssm":["aspace_b340172430c07c736f209a89bc59160c","aspace_b340172430c07c736f209a89bc59160c"],"id":"21e51e7747508f0d2acd72a5_aspace_b340172430c07c736f209a89bc59160c","title_filing_ssi":"\"WOMEN make POLICY not COFFEE\" Button","title_ssm":["\"WOMEN make POLICY not COFFEE\" Button"],"title_tesim":["\"WOMEN make POLICY not COFFEE\" Button"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["\"WOMEN make POLICY not COFFEE\" Button, Undated"],"text":["\"WOMEN make POLICY not COFFEE\" Button, Undated","Phyllis J. Hudson Collection, 1966-2006","Memorabilia, 1980-1998","Item 6","/repositories/4/archival_objects/55588","box 5","Tray 1","A 2 1/4 inch diameter pin button with blue letters inscribing \"WOMEN make POLICY not COFFEE\" on a white background with little blue spot."],"component_level_isim":[2],"parent_ids_ssim":["21e51e7747508f0d2acd72a5","21e51e7747508f0d2acd72a5_aspace_31ec730468626da842c0c7bc3ec71337"],"parent_unittitles_ssm":["Phyllis J. Hudson Collection, 1966-2006","Memorabilia, 1980-1998"],"parent_unittitles_tesim":["Phyllis J. Hudson Collection, 1966-2006","Memorabilia, 1980-1998"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 6","/repositories/4/archival_objects/55588"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Phyllis J. Hudson Collection, 1966-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":88,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 5","Tray 1"],"odd_html_tesm":["\u003cp\u003eA 2 1/4 inch diameter pin button with blue letters inscribing \"WOMEN make POLICY not COFFEE\" on a white background with little blue spot.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["A 2 1/4 inch diameter pin button with blue letters inscribing \"WOMEN make POLICY not COFFEE\" on a white background with little blue spot."],"_nest_path_":"/components#8/components#5","_nest_parent_":"21e51e7747508f0d2acd72a5_aspace_31ec730468626da842c0c7bc3ec71337","_root_":"21e51e7747508f0d2acd72a5","_version_":1872035371672403968,"timestamp":"2026-07-29T08:00:53.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"21e51e7747508f0d2acd72a5","title_ssm":["Phyllis J. Hudson Collection"],"title_tesim":["Phyllis J. Hudson Collection"],"ead_ssi":"21e51e7747508f0d2acd72a5","unitdate_ssm":["1966-2006"],"unitdate_inclusive_ssm":["1966-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.058","/repositories/4/resources/124"],"text":["SC.058","/repositories/4/resources/124","Phyllis J. Hudson Collection, 1966-2006","Equal Rights Amendments","Pay equity -- United States","Feminism -- United States","Women's rights -- United States","University of Central Florida","The entire collection is open for research.","Phyllis J. Hudson worked as a UCF librarian for thirty-four years. Hudson interested herself in many organizations concerned with employment issues and women's rights both in libraries and in the community. From 1977-1978, she chaired the United Faculty of Florida Women's Rights Committee. She was president of the Association of College and Research Libraries Florida Chapter from 1982-1983. Hudson chaired the Florida Library Association Women in Libraries Caucus from 1981-1982 and the Collective Bargaining in Libraries Caucus from 1987-1988. She was a director of the NEA Florida Teaching Profession board from 1987-1989. Her writings include two articles in Florida Libraries entitled \"Equal Pay Issue at FTU\" and \"Librarians Denied Sex Equality\" in the May-June and November-December 1978 issues. In the Fall 1982 issue of Reach, she published \"Comparable Worth\".","\nHudson organized a poster display and presentation at FTU in 1978 on the subject \"The FTU Woman: Today's Answers, Tomorrow's Opportunities.\" She was on the panel at FLA Women in Libraries Caucus in 1979 and 1982; the latter on the subject of the ERA. In 1987, she spoke at the Social Responsibilities Round Table Library Union Task Force on \"Academic Libraries and Union Activism: The Florida Experience\". Hudson continued to be active in both the UFF and the ACRL throughout her career. In 1989, she received the UCF Excellence in Librarianship award and earned the title Emerita in 2006.","Collection processed by Judith Beale; finding aid prepared by Judith Beale.","The materials were organized and rehoused in acid free folders and boxes.","Similar materials may be found in the  Lynda Van Scoyoc Women's Political Caucus  Collection.","The materials are arranged in eight series by topic.","\nSeries I: Employment, 1974-2000 holds materials relating to employment issues that mainly concern women but more generally affect librarians. Local organizations are represented here as well as state and national associations. Of particular interest are the large quantity of materials concerning the concept of comparable worth, which was designed to overcome a limitation of the equal pay ideal which occurs when men and women do not work in exactly the same occupations. The comparable worth philosophy compares work done solely by women with similar work done by men.","\nSeries II: Equal Rights Amendment, 1972-2001 shows how women worked both in Florida and nationally to ratify the ERA. Florida ultimately failed to ratify the amendment despite being included in a boycott by the National Organization for Women, and some materials on these subjects may be found here. Additionally, this series includes information about support from the American Library Association.","\nSeries III: Education, 1972-2001 provides information concerning education for women and about women. Research materials on Women's Studies Programs are held in this series with particular emphasis on the establishment of the program at UCF.","\nSeries IV: Reproductive Issues, 1980-2006 documents local and national organizations that either support women's right to an abortion, offer advice on contraception or advocate protection against rape. The Human Life Amendments aimed to offer the unborn the full protection of the constitution.","\nSeries V: Organizations, 1976-2006 shows the range of organizations that women formed not only to protect women's rights but also to preserve their history and to overcome social problems. All the organizations advocate either for issues that specifically concern women or for matters of interest to Floridians.","\nSeries VI: Events, 1975-1996 holds a few materials concerning particular national and international events that advocated women's rights.","\nSeries VII: Domestic Violence, 1995-2006 contains information about the problem of domestic violence with particular emphasis on the Florida Coalition Against Domestic Violence.","\nSeries VIII: Individual Women, 1966-1984 holds campaign materials, news clippings and research materials on three women, Jane Emmons, Fannie Lou Hamer and Sonia Johnston.","Series IX: Memorabilia, 1980-1998 holds materials such as sashes, stickers, and buttons from rallies and marches concerning\nwomen's rights, pro-abortion, and the Equal Rights Amendment (ERA).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","These materials were accumulated by Phyllis J. Hudson when she was active in issues concerning women and labor. In correspondence, bibliographies, leaflets, newsletters and memorabilia, this collection documents women's concerns in employment, the Equal Rights Amendment, education, reproduction, domestic violence and women's rights. Similar materials show how organizations worked to overcome social problems, such as, homelessness and an inadequate mass transit system. Most of the labor materials concern librarians, but one folder of newsletters and correspondence documents industrial action by the United Farm Workers.","UCF Special Collections","American Library Association","United Farm Workers","Emmons, Jane","Hamer, Fannie Lou (1917-1977)","Hudson, Phyllis J., 1933-2017","Johnston, Sonia","English"],"unitid_tesim":["SC.058","/repositories/4/resources/124"],"normalized_date_ssm":["1966-2006"],"normalized_title_ssm":["Phyllis J. Hudson Collection, 1966-2006"],"collection_title_tesim":["Phyllis J. Hudson Collection, 1966-2006"],"collection_ssim":["Phyllis J. Hudson Collection, 1966-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["These papers were donated to the Special Collections and University Archives in 2005 (CFM2005_02)."],"access_subjects_ssim":["Equal Rights Amendments","Pay equity -- United States","Feminism -- United States","Women's rights -- United States","University of Central Florida"],"access_subjects_ssm":["Equal Rights Amendments","Pay equity -- United States","Feminism -- United States","Women's rights -- United States","University of Central Florida"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 5 Boxes"],"extent_tesim":["5 Linear Feet 5 Boxes"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePhyllis J. Hudson worked as a UCF librarian for thirty-four years. Hudson interested herself in many organizations concerned with employment issues and women's rights both in libraries and in the community. From 1977-1978, she chaired the United Faculty of Florida Women's Rights Committee. She was president of the Association of College and Research Libraries Florida Chapter from 1982-1983. Hudson chaired the Florida Library Association Women in Libraries Caucus from 1981-1982 and the Collective Bargaining in Libraries Caucus from 1987-1988. She was a director of the NEA Florida Teaching Profession board from 1987-1989. Her writings include two articles in Florida Libraries entitled \"Equal Pay Issue at FTU\" and \"Librarians Denied Sex Equality\" in the May-June and November-December 1978 issues. In the Fall 1982 issue of Reach, she published \"Comparable Worth\".\u003c/p\u003e\n","\u003cp\u003e\nHudson organized a poster display and presentation at FTU in 1978 on the subject \"The FTU Woman: Today's Answers, Tomorrow's Opportunities.\" She was on the panel at FLA Women in Libraries Caucus in 1979 and 1982; the latter on the subject of the ERA. In 1987, she spoke at the Social Responsibilities Round Table Library Union Task Force on \"Academic Libraries and Union Activism: The Florida Experience\". Hudson continued to be active in both the UFF and the ACRL throughout her career. In 1989, she received the UCF Excellence in Librarianship award and earned the title Emerita in 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Phyllis J. Hudson worked as a UCF librarian for thirty-four years. Hudson interested herself in many organizations concerned with employment issues and women's rights both in libraries and in the community. From 1977-1978, she chaired the United Faculty of Florida Women's Rights Committee. She was president of the Association of College and Research Libraries Florida Chapter from 1982-1983. Hudson chaired the Florida Library Association Women in Libraries Caucus from 1981-1982 and the Collective Bargaining in Libraries Caucus from 1987-1988. She was a director of the NEA Florida Teaching Profession board from 1987-1989. Her writings include two articles in Florida Libraries entitled \"Equal Pay Issue at FTU\" and \"Librarians Denied Sex Equality\" in the May-June and November-December 1978 issues. In the Fall 1982 issue of Reach, she published \"Comparable Worth\".","\nHudson organized a poster display and presentation at FTU in 1978 on the subject \"The FTU Woman: Today's Answers, Tomorrow's Opportunities.\" She was on the panel at FLA Women in Libraries Caucus in 1979 and 1982; the latter on the subject of the ERA. In 1987, she spoke at the Social Responsibilities Round Table Library Union Task Force on \"Academic Libraries and Union Activism: The Florida Experience\". Hudson continued to be active in both the UFF and the ACRL throughout her career. In 1989, she received the UCF Excellence in Librarianship award and earned the title Emerita in 2006."],"prefercite_html_tesm":["\u003cp\u003ePhyllis Hudson Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Phyllis Hudson Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale.\u003c/p\u003e","\u003cp\u003eThe materials were organized and rehoused in acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale.","The materials were organized and rehoused in acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eSimilar materials may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus\u003c/extref\u003e Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Similar materials may be found in the  Lynda Van Scoyoc Women's Political Caucus  Collection."],"scopecontent_html_tesm":["\u003cp\u003eThe materials are arranged in eight series by topic.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Employment, 1974-2000 holds materials relating to employment issues that mainly concern women but more generally affect librarians. Local organizations are represented here as well as state and national associations. Of particular interest are the large quantity of materials concerning the concept of comparable worth, which was designed to overcome a limitation of the equal pay ideal which occurs when men and women do not work in exactly the same occupations. The comparable worth philosophy compares work done solely by women with similar work done by men.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Equal Rights Amendment, 1972-2001 shows how women worked both in Florida and nationally to ratify the ERA. Florida ultimately failed to ratify the amendment despite being included in a boycott by the National Organization for Women, and some materials on these subjects may be found here. Additionally, this series includes information about support from the American Library Association.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Education, 1972-2001 provides information concerning education for women and about women. Research materials on Women's Studies Programs are held in this series with particular emphasis on the establishment of the program at UCF.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Reproductive Issues, 1980-2006 documents local and national organizations that either support women's right to an abortion, offer advice on contraception or advocate protection against rape. The Human Life Amendments aimed to offer the unborn the full protection of the constitution.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Organizations, 1976-2006 shows the range of organizations that women formed not only to protect women's rights but also to preserve their history and to overcome social problems. All the organizations advocate either for issues that specifically concern women or for matters of interest to Floridians.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Events, 1975-1996 holds a few materials concerning particular national and international events that advocated women's rights.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Domestic Violence, 1995-2006 contains information about the problem of domestic violence with particular emphasis on the Florida Coalition Against Domestic Violence.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Individual Women, 1966-1984 holds campaign materials, news clippings and research materials on three women, Jane Emmons, Fannie Lou Hamer and Sonia Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Memorabilia, 1980-1998 holds materials such as sashes, stickers, and buttons from rallies and marches concerning\nwomen's rights, pro-abortion, and the Equal Rights Amendment (ERA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials are arranged in eight series by topic.","\nSeries I: Employment, 1974-2000 holds materials relating to employment issues that mainly concern women but more generally affect librarians. Local organizations are represented here as well as state and national associations. Of particular interest are the large quantity of materials concerning the concept of comparable worth, which was designed to overcome a limitation of the equal pay ideal which occurs when men and women do not work in exactly the same occupations. The comparable worth philosophy compares work done solely by women with similar work done by men.","\nSeries II: Equal Rights Amendment, 1972-2001 shows how women worked both in Florida and nationally to ratify the ERA. Florida ultimately failed to ratify the amendment despite being included in a boycott by the National Organization for Women, and some materials on these subjects may be found here. Additionally, this series includes information about support from the American Library Association.","\nSeries III: Education, 1972-2001 provides information concerning education for women and about women. Research materials on Women's Studies Programs are held in this series with particular emphasis on the establishment of the program at UCF.","\nSeries IV: Reproductive Issues, 1980-2006 documents local and national organizations that either support women's right to an abortion, offer advice on contraception or advocate protection against rape. The Human Life Amendments aimed to offer the unborn the full protection of the constitution.","\nSeries V: Organizations, 1976-2006 shows the range of organizations that women formed not only to protect women's rights but also to preserve their history and to overcome social problems. All the organizations advocate either for issues that specifically concern women or for matters of interest to Floridians.","\nSeries VI: Events, 1975-1996 holds a few materials concerning particular national and international events that advocated women's rights.","\nSeries VII: Domestic Violence, 1995-2006 contains information about the problem of domestic violence with particular emphasis on the Florida Coalition Against Domestic Violence.","\nSeries VIII: Individual Women, 1966-1984 holds campaign materials, news clippings and research materials on three women, Jane Emmons, Fannie Lou Hamer and Sonia Johnston.","Series IX: Memorabilia, 1980-1998 holds materials such as sashes, stickers, and buttons from rallies and marches concerning\nwomen's rights, pro-abortion, and the Equal Rights Amendment (ERA)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f372619540ed1deac29e6d1fcbd962ae\" label=\"Abstract\"\u003eThese materials were accumulated by Phyllis J. Hudson when she was active in issues concerning women and labor. In correspondence, bibliographies, leaflets, newsletters and memorabilia, this collection documents women's concerns in employment, the Equal Rights Amendment, education, reproduction, domestic violence and women's rights. Similar materials show how organizations worked to overcome social problems, such as, homelessness and an inadequate mass transit system. Most of the labor materials concern librarians, but one folder of newsletters and correspondence documents industrial action by the United Farm Workers.\u003c/abstract\u003e"],"abstract_tesim":["These materials were accumulated by Phyllis J. Hudson when she was active in issues concerning women and labor. In correspondence, bibliographies, leaflets, newsletters and memorabilia, this collection documents women's concerns in employment, the Equal Rights Amendment, education, reproduction, domestic violence and women's rights. Similar materials show how organizations worked to overcome social problems, such as, homelessness and an inadequate mass transit system. Most of the labor materials concern librarians, but one folder of newsletters and correspondence documents industrial action by the United Farm Workers."],"names_coll_ssim":["American Library Association","United Farm Workers","Emmons, Jane","Hamer, Fannie Lou (1917-1977)","Hudson, Phyllis J., 1933-2017","Johnston, Sonia"],"names_ssim":["UCF Special Collections","American Library Association","United Farm Workers","Emmons, Jane","Hamer, Fannie Lou (1917-1977)","Hudson, Phyllis J., 1933-2017","Johnston, Sonia"],"corpname_ssim":["UCF Special Collections","American Library Association","United Farm Workers"],"persname_ssim":["Emmons, Jane","Hamer, Fannie Lou (1917-1977)","Hudson, Phyllis J., 1933-2017","Johnston, Sonia"],"language_ssim":["English"],"descrules_ssm":["other_unmapped"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035371672403968,"_root_":"21e51e7747508f0d2acd72a5","timestamp":"2026-07-29T08:00:53.367Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/21e51e7747508f0d2acd72a5_aspace_b340172430c07c736f209a89bc59160c"}},{"id":"af523c30b90933b50a837e53_aspace_e764edf13008f747dfc9e0f8b1a6ab4b","type":"Item","attributes":{"title":"Women making cigars at machines at the Swann Products, Incorporated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_e764edf13008f747dfc9e0f8b1a6ab4b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e764edf13008f747dfc9e0f8b1a6ab4b","ref_ssm":["aspace_e764edf13008f747dfc9e0f8b1a6ab4b","aspace_e764edf13008f747dfc9e0f8b1a6ab4b"],"id":"af523c30b90933b50a837e53_aspace_e764edf13008f747dfc9e0f8b1a6ab4b","title_filing_ssi":"Women making cigars at machines at the Swann Products, Incorporated","title_ssm":["Women making cigars at machines at the Swann Products, Incorporated"],"title_tesim":["Women making cigars at machines at the Swann Products, Incorporated"],"normalized_title_ssm":["Women making cigars at machines at the Swann Products, Incorporated"],"text":["Women making cigars at machines at the Swann Products, Incorporated","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","53046-69996","11","/repositories/2/archival_objects/146258","box 10"],"component_level_isim":[2],"parent_ids_ssim":["af523c30b90933b50a837e53","af523c30b90933b50a837e53_aspace_107b83ce999b38278d4eba15bf8a2c36"],"parent_unittitles_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","53046-69996"],"parent_unittitles_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","53046-69996"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["11","/repositories/2/archival_objects/146258"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":367,"parent_access_restrict_tesm":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 10"],"_nest_path_":"/components#9/components#10","_nest_parent_":"af523c30b90933b50a837e53_aspace_107b83ce999b38278d4eba15bf8a2c36","_root_":"af523c30b90933b50a837e53","_version_":1879740859650408448,"timestamp":"2026-10-22T09:16:19.330Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af523c30b90933b50a837e53","title_ssm":["Burgert Brothers collection of Tampa photographs"],"title_tesim":["Burgert Brothers collection of Tampa photographs"],"ead_ssi":"af523c30b90933b50a837e53","unitdate_ssm":["1890-1960"],"unitdate_bulk_ssim":["1890-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-03","/repositories/2/resources/458"],"text":["MS-2000-03","/repositories/2/resources/458","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.","This collection is currently unprocessed.","Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992.","The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers","English"],"unitid_tesim":["MS-2000-03","/repositories/2/resources/458"],"normalized_date_ssm":["bulk 1890-1960"],"normalized_title_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_title_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Burgert Brothers Commercial Photographers"],"creator_ssim":["Burgert Brothers Commercial Photographers"],"creator_corpname_ssim":["Burgert Brothers Commercial Photographers"],"creators_ssim":["Burgert Brothers Commercial Photographers"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["4.39 Linear Feet","21 boxes"],"extent_tesim":["4.39 Linear Feet","21 boxes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"arrangement_html_tesm":["\u003cp\u003eThis collection is currently unprocessed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is currently unprocessed."],"bioghist_html_tesm":["\u003cp\u003eSamuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. \u003c/p\u003e\n","\u003cp\u003eSynder, Robert E. and Jack B. Morre, \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e , 16 (November 1990) pp. 19-26.\u003c/p\u003e\n","\u003cp\u003eFor further reading see: Synder, Robert B. and Jack B. Moore, \u003cemph render=\"italic\"\u003ePioneer Commercial Photography- The Burgert Brothers\u003c/emph\u003e, Tampa, Florida, University Press of Flordia: Gainesville, 1992.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. 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The collection was assembled into a single, coherent collection in 1993.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":774,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879740859650408448,"_root_":"af523c30b90933b50a837e53","timestamp":"2026-10-22T09:16:19.330Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_e764edf13008f747dfc9e0f8b1a6ab4b"}},{"id":"af523c30b90933b50a837e53_aspace_ff69fbc2d834a758756f81e0130a3795","type":"Item","attributes":{"title":"Women making cigars at the Hav-A-Tampa Cigar Company","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_ff69fbc2d834a758756f81e0130a3795#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ff69fbc2d834a758756f81e0130a3795","ref_ssm":["aspace_ff69fbc2d834a758756f81e0130a3795","aspace_ff69fbc2d834a758756f81e0130a3795"],"id":"af523c30b90933b50a837e53_aspace_ff69fbc2d834a758756f81e0130a3795","title_filing_ssi":"Women making cigars at the Hav-A-Tampa Cigar Company","title_ssm":["Women making cigars at the Hav-A-Tampa Cigar Company"],"title_tesim":["Women making cigars at the Hav-A-Tampa Cigar Company"],"normalized_title_ssm":["Women making cigars at the Hav-A-Tampa Cigar Company"],"text":["Women making cigars at the Hav-A-Tampa Cigar Company","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","42269-51441","5","/repositories/2/archival_objects/146217","box 9"],"component_level_isim":[2],"parent_ids_ssim":["af523c30b90933b50a837e53","af523c30b90933b50a837e53_aspace_fde947ad8caabd064c3a85e449036f84"],"parent_unittitles_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","42269-51441"],"parent_unittitles_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","42269-51441"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["5","/repositories/2/archival_objects/146217"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":319,"parent_access_restrict_tesm":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 9"],"_nest_path_":"/components#8/components#4","_nest_parent_":"af523c30b90933b50a837e53_aspace_fde947ad8caabd064c3a85e449036f84","_root_":"af523c30b90933b50a837e53","_version_":1879740859650408448,"timestamp":"2026-10-22T09:16:19.330Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af523c30b90933b50a837e53","title_ssm":["Burgert Brothers collection of Tampa photographs"],"title_tesim":["Burgert Brothers collection of Tampa photographs"],"ead_ssi":"af523c30b90933b50a837e53","unitdate_ssm":["1890-1960"],"unitdate_bulk_ssim":["1890-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-03","/repositories/2/resources/458"],"text":["MS-2000-03","/repositories/2/resources/458","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.","This collection is currently unprocessed.","Samuel Burgert was born in Cincinnati, Ohio in 1849. 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They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992."],"prefercite_html_tesm":["\u003cp\u003eBurgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Burgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.\u0026#xA0; The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. 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The collection was assembled into a single, coherent collection in 1993."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":774,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879740859650408448,"_root_":"af523c30b90933b50a837e53","timestamp":"2026-10-22T09:16:19.330Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_ff69fbc2d834a758756f81e0130a3795"}},{"id":"fbbb66cacb8d5010e0974dee_aspace_33624","type":"File","attributes":{"title":"Women - Military Service for America Memorial  HR 3487","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fbbb66cacb8d5010e0974dee_aspace_33624#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_33624","ref_ssm":["aspace_33624","aspace_33624"],"id":"fbbb66cacb8d5010e0974dee_aspace_33624","title_filing_ssi":"Women - Military Service for America Memorial  HR 3487","title_ssm":["Women - Military Service for America Memorial  HR 3487"],"title_tesim":["Women - Military Service for America Memorial  HR 3487"],"normalized_title_ssm":["Women - Military Service for America Memorial  HR 3487"],"text":["Women - Military Service for America Memorial  HR 3487","Elaine Gordon Papers, 1966-1994","Box 11","Folder 1","/repositories/2/archival_objects/2303","box 11","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["fbbb66cacb8d5010e0974dee","fbbb66cacb8d5010e0974dee_aspace_33623"],"parent_unittitles_ssm":["Elaine Gordon Papers, 1966-1994","Box 11"],"parent_unittitles_tesim":["Elaine Gordon Papers, 1966-1994","Box 11"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 1","/repositories/2/archival_objects/2303"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Elaine Gordon Papers, 1966-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":220,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. 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She also helped pass the Florida Commission on the Status of Women and the Patients' Bill of Rights, as well as an outspoken supporter of raising awareness to hate crimes of both women and minority groups. For her tireless efforts, she became the first woman to chair a standing committee, the first female Speaker Pro Tempore and the first woman inducted into the Florida Women's Hall of Fame. She was the first recipient of the Florida United Way Humanitarian Award. In 1994, she retired from Florida's House of Representatives but kept busy as an active supporter of the local community. She became an assistant vice president at Florida International University, and helped raise funds for scholarships at FIU's Biscayne Bay Campus and for the University's state-of-the-art conference center.","This collection details the legal struggle for women's rights regarding fairer wages, equal opportunities as men, as well as the right for more say in legal affairs regarding women directly. 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FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["14 boxes"],"extent_tesim":["14 boxes"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe original arrangement of the boxes was kept during processing.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The original arrangement of the boxes was kept during processing."],"bioghist_html_tesm":["\u003cp\u003eElaine Gordon was in an American politician who dedicated her life towards the advancement and equal rights of women who served in the Florida House of Representatives from 1972 to 1994 as an advocate to pass the Equal Rights Amendment (ERA). She also helped pass the Florida Commission on the Status of Women and the Patients' Bill of Rights, as well as an outspoken supporter of raising awareness to hate crimes of both women and minority groups. For her tireless efforts, she became the first woman to chair a standing committee, the first female Speaker Pro Tempore and the first woman inducted into the Florida Women's Hall of Fame. She was the first recipient of the Florida United Way Humanitarian Award. In 1994, she retired from Florida's House of Representatives but kept busy as an active supporter of the local community. She became an assistant vice president at Florida International University, and helped raise funds for scholarships at FIU's Biscayne Bay Campus and for the University's state-of-the-art conference center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Elaine Gordon was in an American politician who dedicated her life towards the advancement and equal rights of women who served in the Florida House of Representatives from 1972 to 1994 as an advocate to pass the Equal Rights Amendment (ERA). She also helped pass the Florida Commission on the Status of Women and the Patients' Bill of Rights, as well as an outspoken supporter of raising awareness to hate crimes of both women and minority groups. For her tireless efforts, she became the first woman to chair a standing committee, the first female Speaker Pro Tempore and the first woman inducted into the Florida Women's Hall of Fame. She was the first recipient of the Florida United Way Humanitarian Award. In 1994, she retired from Florida's House of Representatives but kept busy as an active supporter of the local community. She became an assistant vice president at Florida International University, and helped raise funds for scholarships at FIU's Biscayne Bay Campus and for the University's state-of-the-art conference center."],"scopecontent_html_tesm":["\u003cp\u003eThis collection details the legal struggle for women's rights regarding fairer wages, equal opportunities as men, as well as the right for more say in legal affairs regarding women directly. The documents in the collection include but are not limited to legal documents involving rape, abortion, healthcare, allegations of sexual misconduct against women, child care, and the right to speak. Additional content includes memos of speeches, legal testimonies, and news clippings regarding the advancements and progress of the Equal Rights Amendment (ERA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection details the legal struggle for women's rights regarding fairer wages, equal opportunities as men, as well as the right for more say in legal affairs regarding women directly. The documents in the collection include but are not limited to legal documents involving rape, abortion, healthcare, allegations of sexual misconduct against women, child care, and the right to speak. Additional content includes memos of speeches, legal testimonies, and news clippings regarding the advancements and progress of the Equal Rights Amendment (ERA)."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":287,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"fbbb66cacb8d5010e0974dee","timestamp":"2026-04-21T02:24:44.178Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fbbb66cacb8d5010e0974dee_aspace_33624"}},{"id":"14bcb2243a8e439b7fa35feb_aspace_7e9a387e43c20b92f1cbcf0e1e08da31","type":"Box","attributes":{"title":"Women/Minority Small Businesses","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/14bcb2243a8e439b7fa35feb_aspace_7e9a387e43c20b92f1cbcf0e1e08da31#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7e9a387e43c20b92f1cbcf0e1e08da31","ref_ssm":["aspace_7e9a387e43c20b92f1cbcf0e1e08da31","aspace_7e9a387e43c20b92f1cbcf0e1e08da31"],"id":"14bcb2243a8e439b7fa35feb_aspace_7e9a387e43c20b92f1cbcf0e1e08da31","title_filing_ssi":"Women/Minority Small Businesses","title_ssm":["Women/Minority Small Businesses"],"title_tesim":["Women/Minority Small Businesses"],"normalized_title_ssm":["Women/Minority Small Businesses"],"text":["Women/Minority Small Businesses","Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Tampa Black Culture Preservation","57","/repositories/2/archival_objects/210699","box 57"],"component_level_isim":[2],"parent_ids_ssim":["14bcb2243a8e439b7fa35feb","14bcb2243a8e439b7fa35feb_aspace_17d07eb16a449a04f4bbc84eb8d64891"],"parent_unittitles_ssm":["Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Tampa Black Culture Preservation"],"parent_unittitles_tesim":["Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Tampa Black Culture Preservation"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["57","/repositories/2/archival_objects/210699"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Al Davis papers, 1960-2011, Date acquired: 08/01/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":649,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 57"],"_nest_path_":"/components#7/components#5","_nest_parent_":"14bcb2243a8e439b7fa35feb_aspace_17d07eb16a449a04f4bbc84eb8d64891","_root_":"14bcb2243a8e439b7fa35feb","_version_":1870863012755144704,"timestamp":"2026-07-16T09:26:44.769Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"14bcb2243a8e439b7fa35feb","title_ssm":["Al Davis papers"],"title_tesim":["Al Davis papers"],"ead_ssi":"14bcb2243a8e439b7fa35feb","unitdate_ssm":["1960-2011","Date acquired: 08/01/2016"],"unitdate_inclusive_ssm":["1960-2011"],"unitdate_other_ssim":["Date acquired: 08/01/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2016-03","/repositories/2/resources/40"],"text":["MS-2016-03","/repositories/2/resources/40","Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Hillsborough County (Fla.) -- Politics and government.","Tampa (Fla.) -- History -- 20th century","African Americans -- Civil rights -- Florida -- Tampa -- History","National Association for the Advancement of Colored People -- Florida -- Tampa -- History -- 20th century","African Americans -- Education","African Americans -- Florida -- Social Conditions -- 20th century","Civil rights","Additional accrual received in 2020.","Arranged by topic.","Albert \"Al\" Davis was born in North Carolina in 1931. He enlisted in the United States Air Force in 1949, where he served as a logician. He retired in 1975 in Tampa, FL. Davis attended the University of South Florida, earning a double BA in Political Science and Religious Studies.","Much of Davis' deepest involvement was with the local chapters of the National Association for the Advancement of Colored People (NAACP), which led to his position on the City of Tampa Bi-Racial Advisory Committee, which supervised and advised the Hillsborough County (FL) School Board on desegregation issues. Davis continued working with the school board outside of the Bi-Racial Advisory Committee until the 2000s.\t","The civil rights papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Robert Saunders papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","This collection includes newspaper clippings, correspondence, drafts and final versions of legal documents, and personal notes. One area of focus\nregards the redistricting of Tampa, FL and how it related to the Voting Rights Act of 1965, as well as African American participation in the voting process.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","These papers are from Al Davis, a local education and voting rights activist. 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He enlisted in the United States Air Force\u0026#xA0;in 1949, where he served as a logician. He retired in 1975 in Tampa, FL. Davis attended the University of South Florida, earning a double BA in Political Science and Religious Studies.\u003c/p\u003e\n","\u003cp\u003eMuch of Davis' deepest involvement was with the local chapters of the National Association for the Advancement of Colored People (NAACP), which led to his position on the City of Tampa Bi-Racial Advisory Committee, which supervised and advised the Hillsborough County (FL) School Board on desegregation issues. Davis continued working with the school board outside of the Bi-Racial Advisory Committee until the 2000s.\t\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Albert \"Al\" Davis was born in North Carolina in 1931. He enlisted in the United States Air Force in 1949, where he served as a logician. He retired in 1975 in Tampa, FL. Davis attended the University of South Florida, earning a double BA in Political Science and Religious Studies.","Much of Davis' deepest involvement was with the local chapters of the National Association for the Advancement of Colored People (NAACP), which led to his position on the City of Tampa Bi-Racial Advisory Committee, which supervised and advised the Hillsborough County (FL) School Board on desegregation issues. Davis continued working with the school board outside of the Bi-Racial Advisory Committee until the 2000s.\t"],"prefercite_html_tesm":["\u003cp\u003eAl Davis papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Al Davis papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThe civil rights papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eRobert Saunders papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The civil rights papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Robert Saunders papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes newspaper clippings, correspondence, drafts and final versions of legal documents, and personal notes. One area of focus\nregards the redistricting of Tampa, FL and how it related to the Voting Rights Act of 1965, as well as African American participation in the voting process.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes newspaper clippings, correspondence, drafts and final versions of legal documents, and personal notes. One area of focus\nregards the redistricting of Tampa, FL and how it related to the Voting Rights Act of 1965, as well as African American participation in the voting process."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_808375e5d88836a9eb45e7348290ebae\" label=\"Abstract\"\u003eThese papers are from Al Davis, a local education and voting rights activist. Included are court and legal documents, minutes from the various organizations he was a part of, and his own personal collection of notes as member in these organization.\u003c/abstract\u003e"],"abstract_tesim":["These papers are from Al Davis, a local education and voting rights activist. Included are court and legal documents, minutes from the various organizations he was a part of, and his own personal collection of notes as member in these organization."],"names_ssim":["USF Libraries - Tampa Special Collections","Davis, Al (1931-2024)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Davis, Al (1931-2024)"],"persname_ssim":["Davis, Al (1931-2024)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":744,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863012755144704,"_root_":"14bcb2243a8e439b7fa35feb","timestamp":"2026-07-16T09:26:44.769Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/14bcb2243a8e439b7fa35feb_aspace_7e9a387e43c20b92f1cbcf0e1e08da31"}},{"id":"e7c16a29f721ad32208ab2cb_aspace_57948","type":"File","attributes":{"title":"Women Moving Forward (Conference)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e7c16a29f721ad32208ab2cb_aspace_57948#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57948","ref_ssm":["aspace_57948","aspace_57948"],"id":"e7c16a29f721ad32208ab2cb_aspace_57948","title_filing_ssi":"Women Moving Forward (Conference)","title_ssm":["Women Moving Forward (Conference)"],"title_tesim":["Women Moving Forward (Conference)"],"normalized_title_ssm":["Women Moving Forward (Conference)"],"text":["Women Moving Forward (Conference)","University of Central Florida Vertical File, Circa 1970-2012","W","Folder 11","/repositories/2/archival_objects/39642","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["e7c16a29f721ad32208ab2cb","e7c16a29f721ad32208ab2cb_aspace_57937"],"parent_unittitles_ssm":["University of Central Florida Vertical File, Circa 1970-2012","W"],"parent_unittitles_tesim":["University of Central Florida Vertical File, Circa 1970-2012","W"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 11","/repositories/2/archival_objects/39642"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Vertical File, Circa 1970-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":633,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by the Special Collections. Files are may contain a variety of materials including newsletters, clippings, brochures, pamphlets, documents, photographs, and other items.","UCF University Archives","English"],"unitid_tesim":["UA28B","/repositories/2/resources/166"],"normalized_date_ssm":["Circa 1970-2012"],"normalized_title_ssm":["University of Central Florida Vertical File, Circa 1970-2012"],"collection_title_tesim":["University of Central Florida Vertical File, Circa 1970-2012"],"collection_ssim":["University of Central Florida Vertical File, Circa 1970-2012"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"geogname_ssm":["Orlando (Fla.)","West Indies"],"geogname_ssim":["Orlando (Fla.)","West Indies"],"places_ssim":["Orlando (Fla.)","West Indies"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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Documents are filed in alphabetical order by topic and stored in filing cabinets in the Special Collections Reading Room. The collection was worked on in June of 2007 resulting in edition 2 of the finding aid. The collection was worked on again in December of 2010 and was updated for consistency among all collections by Nava Cohen resulting in edition 3. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 4, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 5.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Rebecca Hammond and Elizabeth Konzak in 2005. Documents are filed in alphabetical order by topic and stored in filing cabinets in the Special Collections Reading Room. The collection was worked on in June of 2007 resulting in edition 2 of the finding aid. The collection was worked on again in December of 2010 and was updated for consistency among all collections by Nava Cohen resulting in edition 3. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 4, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 5."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections and University Archives, please see our website. The Vertical Files are subject files that relate to all collections in the Special Collections and University Archives. Vertical Files are particularly useful for information on University organizations, units, and offices.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections and University Archives, please see our website. The Vertical Files are subject files that relate to all collections in the Special Collections and University Archives. Vertical Files are particularly useful for information on University organizations, units, and offices."],"scopecontent_html_tesm":["\u003cp\u003eTopics include UCF departments, organizations, events, teams, and individuals as well as information on Orlando, local history, book arts, printing and typography, and artists in the Bryant collection. Files generally contain materials such as pamphlets, brochures, memos, publications, newsletters, clippings, photographs, and many other document types.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Topics include UCF departments, organizations, events, teams, and individuals as well as information on Orlando, local history, book arts, printing and typography, and artists in the Bryant collection. Files generally contain materials such as pamphlets, brochures, memos, publications, newsletters, clippings, photographs, and many other document types."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1f920586c6b391d3696a7849bd422383\" label=\"Abstract\"\u003eThe Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by the Special Collections. Files are may contain a variety of materials including newsletters, clippings, brochures, pamphlets, documents, photographs, and other items.\u003c/abstract\u003e"],"abstract_tesim":["The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by the Special Collections. Files are may contain a variety of materials including newsletters, clippings, brochures, pamphlets, documents, photographs, and other items."],"names_ssim":["UCF University Archives"],"corpname_ssim":["UCF University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":641,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858642458148864,"_root_":"e7c16a29f721ad32208ab2cb","timestamp":"2026-07-16T08:17:16.933Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e7c16a29f721ad32208ab2cb_aspace_57948"}},{"id":"45ef2efedafd2d8b799556ab_aspace_62488","type":"File","attributes":{"title":"Women Moving Forward (Conference), 1979.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45ef2efedafd2d8b799556ab_aspace_62488#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62488","ref_ssm":["aspace_62488","aspace_62488"],"id":"45ef2efedafd2d8b799556ab_aspace_62488","title_filing_ssi":"Women Moving Forward (Conference)","title_ssm":["Women Moving Forward (Conference)"],"title_tesim":["Women Moving Forward (Conference)"],"unitdate_other_ssim":["1979."],"normalized_date_ssm":["1979."],"normalized_title_ssm":["Women Moving Forward (Conference), 1979."],"text":["Women Moving Forward (Conference), 1979.","University of Central Florida Special Collections Vertical Files, 1872-2016","W","Folder 29","/repositories/4/archival_objects/46261","box 5","folder 29"],"component_level_isim":[2],"parent_ids_ssim":["45ef2efedafd2d8b799556ab","45ef2efedafd2d8b799556ab_aspace_62477"],"parent_unittitles_ssm":["University of Central Florida Special Collections Vertical Files, 1872-2016","W"],"parent_unittitles_tesim":["University of Central Florida Special Collections Vertical Files, 1872-2016","W"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 29","/repositories/4/archival_objects/46261"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["University of Central Florida Special Collections Vertical Files, 1872-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":343,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 5","folder 29"],"_nest_path_":"/components#22/components#9","_nest_parent_":"45ef2efedafd2d8b799556ab_aspace_62477","_root_":"45ef2efedafd2d8b799556ab","_version_":1870857708024889344,"timestamp":"2026-07-16T08:02:25.790Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45ef2efedafd2d8b799556ab","title_ssm":["University of Central Florida Special Collections Vertical Files"],"title_tesim":["University of Central Florida Special Collections Vertical Files"],"ead_ssi":"45ef2efedafd2d8b799556ab","unitdate_ssm":["1872-2016"],"unitdate_inclusive_ssm":["1872-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.102","/repositories/4/resources/183"],"text":["SC.102","/repositories/4/resources/183","University of Central Florida Special Collections Vertical Files, 1872-2016","The entire collection is open for research.","This collection is arranged alphabetically from A-Z order according to subject area.","The Vertical Files were collected over time by Special Collections staff to serve as a reference file for subjects relating to the collections held in the Special Collections. The purpose of the vertical file was to house small and random items on a variety of topics to assist researchers. These topics include Central Florida institutions, events, and organizations; topical files for artists in the Bryant West Indies collection; materials related to fine bindings, printers, presses, and rare book formats; and a small collection of printed materials related to Travel and Tourism. This collection is on-going project, therefore additional materials are being added as received.","Documents are filed in alphabetical order by topic and stored in acid free folders and boxes.","The Vertical Files are subject files that relate to all collections in the Special Collections. Collection guides and the inventory of the records can be found  here .","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Vertical Files Collection, 1872-2016, is an artificial collection, contains a wide variety of collected materials documenting or relevant to Central Florida's local history. Collection also includes subject materials such as book arts, typography, travel, tourism, and the West Indies. Included are newsletters, magazines, news clippings, reports, pamphlets, documents, photographs, and handbooks.","UCF Special Collections","University of Central Florida. Library","English"],"unitid_tesim":["SC.102","/repositories/4/resources/183"],"normalized_date_ssm":["1872-2016"],"normalized_title_ssm":["University of Central Florida Special Collections Vertical Files, 1872-2016"],"collection_title_tesim":["University of Central Florida Special Collections Vertical Files, 1872-2016"],"collection_ssim":["University of Central Florida Special Collections Vertical Files, 1872-2016"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["University of Central Florida. Library"],"creator_ssim":["University of Central Florida. Library"],"creator_corpname_ssim":["University of Central Florida. Library"],"creators_ssim":["University of Central Florida. Library"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Staff created the collection in 2016 (CFM2016_02). It is an on-going project; therefore, additional materials will be added to the collection as received."],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet 6 Boxes"],"extent_tesim":["6.50 Linear Feet 6 Boxes"],"date_range_isim":[1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically from A-Z order according to subject area.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged alphabetically from A-Z order according to subject area."],"bioghist_html_tesm":["\u003cp\u003eThe Vertical Files were collected over time by Special Collections staff to serve as a reference file for subjects relating to the collections held in the Special Collections. The purpose of the vertical file was to house small and random items on a variety of topics to assist researchers. These topics include Central Florida institutions, events, and organizations; topical files for artists in the Bryant West Indies collection; materials related to fine bindings, printers, presses, and rare book formats; and a small collection of printed materials related to Travel and Tourism. This collection is on-going project, therefore additional materials are being added as received.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Vertical Files were collected over time by Special Collections staff to serve as a reference file for subjects relating to the collections held in the Special Collections. The purpose of the vertical file was to house small and random items on a variety of topics to assist researchers. These topics include Central Florida institutions, events, and organizations; topical files for artists in the Bryant West Indies collection; materials related to fine bindings, printers, presses, and rare book formats; and a small collection of printed materials related to Travel and Tourism. This collection is on-going project, therefore additional materials are being added as received."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Special Collections Vertical Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Special Collections Vertical Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eDocuments are filed in alphabetical order by topic and stored in acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Documents are filed in alphabetical order by topic and stored in acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Vertical Files are subject files that relate to all collections in the Special Collections. Collection guides and the inventory of the records can be found \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/special-collections/special-collections-collection-guides/\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Vertical Files are subject files that relate to all collections in the Special Collections. Collection guides and the inventory of the records can be found  here ."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d173ff880929e05607e3452a2ca109df\" label=\"Abstract\"\u003eThe Vertical Files Collection, 1872-2016, is an artificial collection, contains a wide variety of collected materials documenting or relevant to Central Florida's local history. Collection also includes subject materials such as book arts, typography, travel, tourism, and the West Indies. Included are newsletters, magazines, news clippings, reports, pamphlets, documents, photographs, and handbooks.\u003c/abstract\u003e"],"abstract_tesim":["The Vertical Files Collection, 1872-2016, is an artificial collection, contains a wide variety of collected materials documenting or relevant to Central Florida's local history. Collection also includes subject materials such as book arts, typography, travel, tourism, and the West Indies. Included are newsletters, magazines, news clippings, reports, pamphlets, documents, photographs, and handbooks."],"names_ssim":["UCF Special Collections","University of Central Florida. Library"],"corpname_ssim":["UCF Special Collections","University of Central Florida. Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":351,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857708024889344,"_root_":"45ef2efedafd2d8b799556ab","timestamp":"2026-07-16T08:02:25.790Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45ef2efedafd2d8b799556ab_aspace_62488"}},{"id":"752064412e936a46a42f5ffd_aspace_84110","type":"File","attributes":{"title":"Women Moving Forward Conference, 1979","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/752064412e936a46a42f5ffd_aspace_84110#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_84110","ref_ssm":["aspace_84110","aspace_84110"],"id":"752064412e936a46a42f5ffd_aspace_84110","title_filing_ssi":"Women Moving Forward Conference","title_ssm":["Women Moving Forward Conference"],"title_tesim":["Women Moving Forward Conference"],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Women Moving Forward Conference, 1979"],"text":["Women Moving Forward Conference, 1979","University of Central Florida Photograph collection, 1963-2012","Negatives, 1965-2004","Subject Files, 1965-2004","Folder 35","/repositories/2/archival_objects/22907","box 71","folder 35"],"component_level_isim":[3],"parent_ids_ssim":["752064412e936a46a42f5ffd","752064412e936a46a42f5ffd_aspace_83927","752064412e936a46a42f5ffd_aspace_84048"],"parent_unittitles_ssm":["University of Central Florida Photograph collection, 1963-2012","Negatives, 1965-2004","Subject Files, 1965-2004"],"parent_unittitles_tesim":["University of Central Florida Photograph collection, 1963-2012","Negatives, 1965-2004","Subject Files, 1965-2004"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 35","/repositories/2/archival_objects/22907"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Photograph collection, 1963-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1036,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 71","folder 35"],"_nest_path_":"/components#6/components#1/components#59","_nest_parent_":"752064412e936a46a42f5ffd_aspace_84048","_root_":"752064412e936a46a42f5ffd","_version_":1877743971469361152,"timestamp":"2026-09-30T08:16:38.365Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"752064412e936a46a42f5ffd","title_ssm":["University of Central Florida Photograph collection"],"title_tesim":["University of Central Florida Photograph collection"],"ead_ssi":"752064412e936a46a42f5ffd","unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA27B","/repositories/2/resources/100"],"text":["UA27B","/repositories/2/resources/100","University of Central Florida Photograph collection, 1963-2012","The entire collection is open for research.","The images are arranged in seven series. The first four series contain photographic prints arranged by subject; later series are organized by format beginning with slides and color positives, negatives with proof sheets follow and negatives alone form the last series.","News and Information is the University's primary media relations office. It disseminates news about all aspects of the university to the media. Since 2005, the department has been led by and Assistant VP who reports to the VP for Marketing, Communications and Admissions. The university had a Public Relations Department from 1968 with its own director who reported directly to the President. The same year, it was renamed the Department of Public Information. As the university grew, the director began reporting to the VP for Community Relations from 1974. In 1979, the department was briefly renamed the Office of Information Services before becoming the Office of Public Affairs the following year. In 1987, the Director began reporting to the VP for University Relations, and in 1990, the Director became the Assistant VP for University Relations and Director of Public Affairs. In 1997, the department was renamed the Office of Public Relations. In 2000, department's work was divided and News and Information was created under an Associate VP for University Relations and Director of News and Information.","Duplicates were removed, and the photographs were rehoused in acid-free folders. Those images that will be heavily used or fragile were placed in polyester sleeves. The negatives, proof sheets and slides were housed in polyester sleeves within acid-free folders.In 2012, all images were rehoused in half boxes to create a more stable environment. Previous large boxes were over weight and showing wear and damage, floders were not able to stay upright. Two thirds of all images have been sleeved.","More photographs may be found in the papers of individual University Presidents. Scrapbooks illustrate the visit of President Richard M. Nixon. As many of the photographs have been published, further information about them may be found in University Publications, such as, Report, Emphasis, and Accent. All these materials may be accessed in the Special Collections and University Archives Reading Room.","The basis for the this collection is the News and Information department's images. However, additional images from a variety of sources will continue to be added to create a collection of images relevant to the university's history. Many of the images were published either in university publications, such as, the university catalogue, or student or alumni publications, or in local newspapers such as the Orlando Sentinel. These images are photographic prints, negatives, proof sheets and color positives. The prints are mostly black and white, but some are in color especially Series V that holds the slides and color positives that are 35mm and 120mm. Not all the images have been identified.","Series I: People, 1965-2008 contains photographic prints of individuals and groups that have been arranged in subseries by the role that the individual played in the University. Faculty, staff and administrators form the first subseries, followed by students, alumni, regents trustees and governors, advisors, Women's Club members, donors, government officials, speakers, performers and visitors.","Series II: Buildings, 1966-2006 holds images of buildings and construction both on the main campus and the regional campuses.","Series III: Events, 1967-2006 contains images of a variety of occasions. The first subseries concerns university events, such as, commencement and homecoming. The second subseries holds images of sporting events including not only intercollegiate sports but also intramural and casual games. A third subseries contains photographs taken by the Campus Activities Board of their events and activities. Fund-raisers, Social and Community events and a miscellaneous group form the remaining subseries.","Series IV: Campus Life, 1966-2004 holds images concerning campus life from academic endeavours and performances to the resources and services offered to students. Clubs are also documented here with particular reference to fraternity and sorority activities. This series ends with an assortment of images showing general scenes of campus activity, images of university icons and memorabilia and images used in publications that illuminate information about the University.","Series V: Slides and Color Positives, 1965-2004 holds slides that are arranged in two subseries chronologically and by subject. The subjects are more general than the arrangement for the photographs, but the topics are similar.","Series VI: Negatives with Proof Sheets 1966-2003 holds negatives that have either proofs, contact sheets, or prints associated with them. It encompasses all of the topics noted in the first four series. Although many images may not be found elsewhere in the collection, this series includes the originals of the prints from the first four series.","Series VII: Negatives, 1965-2004 holds negatives mostly from images in the first four series arranged chronologically and by subject. Again, the topics are similar to those in the other series.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The basis for this record group are photographs that were taken for use as publicity material for the University of Central Florida. The images document all aspects of university life, including annual events such as commencement and homecoming, portraits of faculty, students, alumni, and visitors to the university including speakers, performers, and government officials. Buildings on both the main campus and regional campuses are shown during construction and after completion. Instructors are shown teaching and researching and students are shown studying in laboratories and classrooms.","UCF University Archives","English"],"unitid_tesim":["UA27B","/repositories/2/resources/100"],"normalized_date_ssm":["1963-2012"],"normalized_title_ssm":["University of Central Florida Photograph collection, 1963-2012"],"collection_title_tesim":["University of Central Florida Photograph collection, 1963-2012"],"collection_ssim":["University of Central Florida Photograph collection, 1963-2012"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Office of Public Affairs transferred these photographs to the University Archives in 1989. Subsequently, several donors have added to the collection and News and Information have transferred additional images."],"has_online_content_ssim":["false"],"extent_ssm":["71 boxes 31.25 Linear Feet"],"extent_tesim":["71 boxes 31.25 Linear Feet"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":[" Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe images are arranged in seven series. The first four series contain photographic prints arranged by subject; later series are organized by format beginning with slides and color positives, negatives with proof sheets follow and negatives alone form the last series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The images are arranged in seven series. The first four series contain photographic prints arranged by subject; later series are organized by format beginning with slides and color positives, negatives with proof sheets follow and negatives alone form the last series."],"bioghist_html_tesm":["\u003cp\u003eNews and Information is the University's primary media relations office. It disseminates news about all aspects of the university to the media. Since 2005, the department has been led by and Assistant VP who reports to the VP for Marketing, Communications and Admissions. The university had a Public Relations Department from 1968 with its own director who reported directly to the President. The same year, it was renamed the Department of Public Information. As the university grew, the director began reporting to the VP for Community Relations from 1974. In 1979, the department was briefly renamed the Office of Information Services before becoming the Office of Public Affairs the following year. In 1987, the Director began reporting to the VP for University Relations, and in 1990, the Director became the Assistant VP for University Relations and Director of Public Affairs. In 1997, the department was renamed the Office of Public Relations. In 2000, department's work was divided and News and Information was created under an Associate VP for University Relations and Director of News and Information.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["News and Information is the University's primary media relations office. It disseminates news about all aspects of the university to the media. Since 2005, the department has been led by and Assistant VP who reports to the VP for Marketing, Communications and Admissions. The university had a Public Relations Department from 1968 with its own director who reported directly to the President. The same year, it was renamed the Department of Public Information. As the university grew, the director began reporting to the VP for Community Relations from 1974. In 1979, the department was briefly renamed the Office of Information Services before becoming the Office of Public Affairs the following year. In 1987, the Director began reporting to the VP for University Relations, and in 1990, the Director became the Assistant VP for University Relations and Director of Public Affairs. In 1997, the department was renamed the Office of Public Relations. In 2000, department's work was divided and News and Information was created under an Associate VP for University Relations and Director of News and Information."],"prefercite_html_tesm":["\u003cp\u003eUniversity Photograph Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University Photograph Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eDuplicates were removed, and the photographs were rehoused in acid-free folders. Those images that will be heavily used or fragile were placed in polyester sleeves. The negatives, proof sheets and slides were housed in polyester sleeves within acid-free folders.In 2012, all images were rehoused in half boxes to create a more stable environment. Previous large boxes were over weight and showing wear and damage, floders were not able to stay upright. Two thirds of all images have been sleeved.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Duplicates were removed, and the photographs were rehoused in acid-free folders. Those images that will be heavily used or fragile were placed in polyester sleeves. The negatives, proof sheets and slides were housed in polyester sleeves within acid-free folders.In 2012, all images were rehoused in half boxes to create a more stable environment. Previous large boxes were over weight and showing wear and damage, floders were not able to stay upright. Two thirds of all images have been sleeved."],"relatedmaterial_html_tesm":["\u003cp\u003eMore photographs may be found in the papers of individual University Presidents. Scrapbooks illustrate the visit of President Richard M. Nixon. As many of the photographs have been published, further information about them may be found in University Publications, such as, Report, Emphasis, and Accent. All these materials may be accessed in the Special Collections and University Archives Reading Room.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More photographs may be found in the papers of individual University Presidents. Scrapbooks illustrate the visit of President Richard M. Nixon. As many of the photographs have been published, further information about them may be found in University Publications, such as, Report, Emphasis, and Accent. All these materials may be accessed in the Special Collections and University Archives Reading Room."],"scopecontent_html_tesm":["\u003cp\u003eThe basis for the this collection is the News and Information department's images. However, additional images from a variety of sources will continue to be added to create a collection of images relevant to the university's history. Many of the images were published either in university publications, such as, the university catalogue, or student or alumni publications, or in local newspapers such as the Orlando Sentinel. These images are photographic prints, negatives, proof sheets and color positives. The prints are mostly black and white, but some are in color especially Series V that holds the slides and color positives that are 35mm and 120mm. Not all the images have been identified.\u003c/p\u003e\n","\u003cp\u003eSeries I: People, 1965-2008 contains photographic prints of individuals and groups that have been arranged in subseries by the role that the individual played in the University. Faculty, staff and administrators form the first subseries, followed by students, alumni, regents trustees and governors, advisors, Women's Club members, donors, government officials, speakers, performers and visitors.\u003c/p\u003e\n","\u003cp\u003eSeries II: Buildings, 1966-2006 holds images of buildings and construction both on the main campus and the regional campuses.\u003c/p\u003e\n","\u003cp\u003eSeries III: Events, 1967-2006 contains images of a variety of occasions. The first subseries concerns university events, such as, commencement and homecoming. The second subseries holds images of sporting events including not only intercollegiate sports but also intramural and casual games. A third subseries contains photographs taken by the Campus Activities Board of their events and activities. Fund-raisers, Social and Community events and a miscellaneous group form the remaining subseries.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Campus Life, 1966-2004 holds images concerning campus life from academic endeavours and performances to the resources and services offered to students. Clubs are also documented here with particular reference to fraternity and sorority activities. This series ends with an assortment of images showing general scenes of campus activity, images of university icons and memorabilia and images used in publications that illuminate information about the University.\u003c/p\u003e\n","\u003cp\u003eSeries V: Slides and Color Positives, 1965-2004 holds slides that are arranged in two subseries chronologically and by subject. The subjects are more general than the arrangement for the photographs, but the topics are similar.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Negatives with Proof Sheets 1966-2003 holds negatives that have either proofs, contact sheets, or prints associated with them. It encompasses all of the topics noted in the first four series. Although many images may not be found elsewhere in the collection, this series includes the originals of the prints from the first four series.\u003c/p\u003e\n","\u003cp\u003eSeries VII: Negatives, 1965-2004 holds negatives mostly from images in the first four series arranged chronologically and by subject. Again, the topics are similar to those in the other series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The basis for the this collection is the News and Information department's images. However, additional images from a variety of sources will continue to be added to create a collection of images relevant to the university's history. Many of the images were published either in university publications, such as, the university catalogue, or student or alumni publications, or in local newspapers such as the Orlando Sentinel. These images are photographic prints, negatives, proof sheets and color positives. The prints are mostly black and white, but some are in color especially Series V that holds the slides and color positives that are 35mm and 120mm. Not all the images have been identified.","Series I: People, 1965-2008 contains photographic prints of individuals and groups that have been arranged in subseries by the role that the individual played in the University. Faculty, staff and administrators form the first subseries, followed by students, alumni, regents trustees and governors, advisors, Women's Club members, donors, government officials, speakers, performers and visitors.","Series II: Buildings, 1966-2006 holds images of buildings and construction both on the main campus and the regional campuses.","Series III: Events, 1967-2006 contains images of a variety of occasions. The first subseries concerns university events, such as, commencement and homecoming. The second subseries holds images of sporting events including not only intercollegiate sports but also intramural and casual games. A third subseries contains photographs taken by the Campus Activities Board of their events and activities. Fund-raisers, Social and Community events and a miscellaneous group form the remaining subseries.","Series IV: Campus Life, 1966-2004 holds images concerning campus life from academic endeavours and performances to the resources and services offered to students. Clubs are also documented here with particular reference to fraternity and sorority activities. This series ends with an assortment of images showing general scenes of campus activity, images of university icons and memorabilia and images used in publications that illuminate information about the University.","Series V: Slides and Color Positives, 1965-2004 holds slides that are arranged in two subseries chronologically and by subject. The subjects are more general than the arrangement for the photographs, but the topics are similar.","Series VI: Negatives with Proof Sheets 1966-2003 holds negatives that have either proofs, contact sheets, or prints associated with them. It encompasses all of the topics noted in the first four series. Although many images may not be found elsewhere in the collection, this series includes the originals of the prints from the first four series.","Series VII: Negatives, 1965-2004 holds negatives mostly from images in the first four series arranged chronologically and by subject. Again, the topics are similar to those in the other series."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_eb97fe99e6d4986e716becf6f0c6c4f5\" label=\"Abstract\"\u003eThe basis for this record group are photographs that were taken for use as publicity material for the University of Central Florida. The images document all aspects of university life, including annual events such as commencement and homecoming, portraits of faculty, students, alumni, and visitors to the university including speakers, performers, and government officials. Buildings on both the main campus and regional campuses are shown during construction and after completion. Instructors are shown teaching and researching and students are shown studying in laboratories and classrooms.\u003c/abstract\u003e"],"abstract_tesim":["The basis for this record group are photographs that were taken for use as publicity material for the University of Central Florida. The images document all aspects of university life, including annual events such as commencement and homecoming, portraits of faculty, students, alumni, and visitors to the university including speakers, performers, and government officials. Buildings on both the main campus and regional campuses are shown during construction and after completion. Instructors are shown teaching and researching and students are shown studying in laboratories and classrooms."],"names_ssim":["UCF University Archives"],"corpname_ssim":["UCF University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877743971469361152,"_root_":"752064412e936a46a42f5ffd","timestamp":"2026-09-30T08:16:38.365Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/752064412e936a46a42f5ffd_aspace_84110"}},{"id":"ce20910b89b47cd31876fd5f_aspace_72bc7c5dec50e66fedf28697adbbc74d","type":"File","attributes":{"title":"Women - Newspaper Articles","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ce20910b89b47cd31876fd5f_aspace_72bc7c5dec50e66fedf28697adbbc74d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72bc7c5dec50e66fedf28697adbbc74d","ref_ssm":["aspace_72bc7c5dec50e66fedf28697adbbc74d","aspace_72bc7c5dec50e66fedf28697adbbc74d"],"id":"ce20910b89b47cd31876fd5f_aspace_72bc7c5dec50e66fedf28697adbbc74d","title_filing_ssi":"Women - Newspaper Articles","title_ssm":["Women - Newspaper Articles"],"title_tesim":["Women - Newspaper Articles"],"normalized_title_ssm":["Women - Newspaper Articles"],"text":["Women - Newspaper Articles","Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Defense","Folder 10","/repositories/2/archival_objects/179527","box 9","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["ce20910b89b47cd31876fd5f","ce20910b89b47cd31876fd5f_aspace_76396"],"parent_unittitles_ssm":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Defense"],"parent_unittitles_tesim":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Defense"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 10","/repositories/2/archival_objects/179527"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":170,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 9","folder 10"],"_nest_path_":"/components#14/components#38","_nest_parent_":"ce20910b89b47cd31876fd5f_aspace_76396","_root_":"ce20910b89b47cd31876fd5f","timestamp":"2026-06-18T03:18:37.189Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ce20910b89b47cd31876fd5f","title_ssm":["Works Progress Administration (WPA) Tampa Office records"],"title_tesim":["Works Progress Administration (WPA) Tampa Office records"],"ead_ssi":"ce20910b89b47cd31876fd5f","unitdate_ssm":["1881-1943","1935-1943","1982"],"unitdate_bulk_ssim":["1935-1943"],"unitdate_inclusive_ssm":["1881-1943"],"unitdate_other_ssim":["1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-08","/repositories/2/resources/563"],"text":["MS-1982-08","/repositories/2/resources/563","Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943","Hillsborough County (Fla.) -- History","Ybor City (Tampa, Fla.)","United States. Works Progress Administration","Florida -- Social life and customs.","Seminole","African Americans -- Florida -- Social life and customs","African Americans -- Florida -- Tampa","Series. Within series, arranged alphabetically by subject.","The Works Progress Administration (WPA) was created in 1935 by President Franklin D. Roosevelt as part of the New Deal program. The primary function of the WPA was to create jobs for the millions of unemployed Americans as a result of the Great Depression. Through a series of projects called Federal One, the WPA became the largest federal relief program, employing nearly one-third of the nation's jobless. WPA Projects included the Federal Arts Project, Federal Music Project, and the Federal Writers' Project. During World War II, the focus of the WPA shifted toward national defense and, eventually, into war preparation. WPA agencies were closed in 1943.","Complete","Federal Writers' Project Collections  at USF Special Collections.","Records of the Works Projects Administration, 1922-1944 , National Archives and Records Administration, Majority at the National Archives at College Park, Maryland.","Tidd, James F.  The Works Progress Administration in Hillsborough and Pinellas Counties, Florida, 1935 to 1943 . , 1989. Print.","This collection contains extensive documentation regarding the administration of the Works Progress Administration's (WPA) Tampa Office, which was located in Ybor City, Tampa, FL at 1318 East 9th Avenue. The bulk of this collection consists of manuscripts and revised typescripts for the Florida edition of the  American Guide  series. Drafts and revisions pertain to Hillsborough County, particularly the city of Tampa, with a substantial number of essays on Ybor City and its immigration history. Also included is correspondence and research by Stetson Kennedy, one of the project's chief editors, in addition to correspondence and records of the daily activities of Carita Doggett Corse, who served as the director of the Florida Writer's Project in 1935. A significant number of newspaper clippings from the  Tampa Tribune , dating between 1935 and 1943, are also present.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The bulk of this collection includes manuscripts and revised typescripts for the Florida edition of the  American Guide  series produced by the Works Progress Administration.","USF Libraries - Tampa Special Collections","United States. Florida Works Progress Administration","Federal Works Agency. Work Projects Administration. Federal Writers' Project. Florida","English"],"unitid_tesim":["MS-1982-08","/repositories/2/resources/563"],"normalized_date_ssm":["1881-1943, 1982, bulk 1935-1943"],"normalized_title_ssm":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943"],"collection_title_tesim":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943"],"collection_ssim":["Works Progress Administration (WPA) Tampa Office records, 1881-1943, 1982, bulk 1935-1943"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Ybor City (Tampa, Fla.)"],"creator_ssm":["United States. Florida Works Progress Administration"],"creator_ssim":["United States. Florida Works Progress Administration"],"creator_corpname_ssim":["United States. Florida Works Progress Administration"],"creators_ssim":["United States. Florida Works Progress Administration"],"places_ssim":["Hillsborough County (Fla.) -- History","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Jay Dobkin; Avellanal Family","Recovered by Jay Dobkin and Paul Camp during the renovation of the El Pasaje building in Ybor City, Tampa, FL."],"access_subjects_ssim":["United States. Works Progress Administration","Florida -- Social life and customs.","Seminole","African Americans -- Florida -- Social life and customs","African Americans -- Florida -- Tampa"],"access_subjects_ssm":["United States. Works Progress Administration","Florida -- Social life and customs.","Seminole","African Americans -- Florida -- Social life and customs","African Americans -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["19.42 Linear Feet","34 boxes"],"extent_tesim":["19.42 Linear Feet","34 boxes"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1982],"arrangement_html_tesm":["\u003cp\u003eSeries. Within series, arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series. Within series, arranged alphabetically by subject."],"bioghist_html_tesm":["\u003cp\u003eThe Works Progress Administration (WPA) was created in 1935 by President Franklin D. Roosevelt as part of the New Deal program. The primary function of the WPA was to create jobs for the millions of unemployed Americans as a result of the Great Depression. Through a series of projects called Federal One, the WPA became the largest federal relief program, employing nearly one-third of the nation's jobless. WPA Projects included the Federal Arts Project, Federal Music Project, and the Federal Writers' Project. During World War II, the focus of the WPA shifted toward national defense and, eventually, into war preparation. WPA agencies were closed in 1943.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Works Progress Administration (WPA) was created in 1935 by President Franklin D. Roosevelt as part of the New Deal program. The primary function of the WPA was to create jobs for the millions of unemployed Americans as a result of the Great Depression. Through a series of projects called Federal One, the WPA became the largest federal relief program, employing nearly one-third of the nation's jobless. WPA Projects included the Federal Arts Project, Federal Music Project, and the Federal Writers' Project. During World War II, the focus of the WPA shifted toward national defense and, eventually, into war preparation. WPA agencies were closed in 1943."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration Tampa Office Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration Tampa Office Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eComplete\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Complete"],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://archives.lib.usf.edu/repositories/2/resources/398\"\u003eFederal Writers' Project Collections\u003c/a\u003e at USF Special Collections.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://catalog.archives.gov/id/398\"\u003eRecords of the Works Projects Administration, 1922-1944\u003c/a\u003e, National Archives and Records Administration, Majority at the National Archives at College Park, Maryland.\u003c/p\u003e","\u003cp\u003eTidd, James F. \u003cemph render=\"italic\"\u003eThe Works Progress Administration in Hillsborough and Pinellas Counties, Florida, 1935 to 1943\u003c/emph\u003e. , 1989. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Federal Writers' Project Collections  at USF Special Collections.","Records of the Works Projects Administration, 1922-1944 , National Archives and Records Administration, Majority at the National Archives at College Park, Maryland.","Tidd, James F.  The Works Progress Administration in Hillsborough and Pinellas Counties, Florida, 1935 to 1943 . , 1989. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains extensive documentation regarding the administration of the Works Progress Administration's (WPA) Tampa Office, which was located in Ybor City, Tampa, FL at 1318 East 9th Avenue. The bulk of this collection consists of manuscripts and revised typescripts for the Florida edition of the \u003cemph render=\"italic\"\u003eAmerican Guide \u003c/emph\u003eseries. Drafts and revisions pertain to Hillsborough County, particularly the city of Tampa, with a substantial number of essays on Ybor City and its immigration history. Also included is correspondence and research by Stetson Kennedy, one of the project's chief editors, in addition to correspondence and records of the daily activities of Carita Doggett Corse, who served as the director of the Florida Writer's Project in 1935. A significant number of newspaper clippings from the \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e, dating between 1935 and 1943, are also present.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains extensive documentation regarding the administration of the Works Progress Administration's (WPA) Tampa Office, which was located in Ybor City, Tampa, FL at 1318 East 9th Avenue. The bulk of this collection consists of manuscripts and revised typescripts for the Florida edition of the  American Guide  series. Drafts and revisions pertain to Hillsborough County, particularly the city of Tampa, with a substantial number of essays on Ybor City and its immigration history. Also included is correspondence and research by Stetson Kennedy, one of the project's chief editors, in addition to correspondence and records of the daily activities of Carita Doggett Corse, who served as the director of the Florida Writer's Project in 1935. A significant number of newspaper clippings from the  Tampa Tribune , dating between 1935 and 1943, are also present."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00668a2e4deae7170de0e81b4b3a3140\" label=\"Abstract\"\u003eThe bulk of this collection includes manuscripts and revised typescripts for the Florida edition of the \u003cemph render=\"italic\"\u003eAmerican Guide \u003c/emph\u003eseries produced by the Works Progress Administration.\u003c/abstract\u003e"],"abstract_tesim":["The bulk of this collection includes manuscripts and revised typescripts for the Florida edition of the  American Guide  series produced by the Works Progress Administration."],"names_coll_ssim":["Federal Works Agency. Work Projects Administration. Federal Writers' Project. Florida"],"names_ssim":["USF Libraries - Tampa Special Collections","United States. Florida Works Progress Administration","Federal Works Agency. Work Projects Administration. Federal Writers' Project. Florida"],"corpname_ssim":["USF Libraries - Tampa Special Collections","United States. Florida Works Progress Administration","Federal Works Agency. Work Projects Administration. Federal Writers' Project. Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":650,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ce20910b89b47cd31876fd5f","timestamp":"2026-06-18T03:18:37.189Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ce20910b89b47cd31876fd5f_aspace_72bc7c5dec50e66fedf28697adbbc74d"}},{"id":"18ce43a3c782b797db9fa781_aspace_179720","type":"Item","attributes":{"title":"[Women next to shooting targets]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179720#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179720#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_179720","ref_ssm":["aspace_179720","aspace_179720"],"id":"18ce43a3c782b797db9fa781_aspace_179720","title_filing_ssi":"[Women next to shooting targets]","title_ssm":["[Women next to shooting targets]"],"title_tesim":["[Women next to shooting targets]"],"normalized_title_ssm":["[Women next to shooting targets]"],"text":["[Women next to shooting targets]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Misc. Photographs, Houses","Misc. Photographs","Item 2","/repositories/2/archival_objects/81500","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179822","18ce43a3c782b797db9fa781_aspace_179718"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Misc. Photographs, Houses","Misc. Photographs"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Misc. Photographs, Houses","Misc. Photographs"],"parent_levels_ssm":["collection","Box ","Series"],"unitid_ssm":["Item 2","/repositories/2/archival_objects/81500"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":837,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#19/components#0/components#1","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179718","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content 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