{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64923\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64922\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64924\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64923,"next_page":64924,"prev_page":64922,"total_pages":65767,"limit_value":10,"offset_value":649220,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"763de249ff7d9b630424e493_aspace_53e29aa5bfb6e007ac9616d1bbb38ddf","type":"Item","attributes":{"title":"Woman seated with pink bow. Photographer and studio unknown. Tintype #1259., Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_53e29aa5bfb6e007ac9616d1bbb38ddf#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDigital Archives Identification: ARL_202117_IMG_0404\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_53e29aa5bfb6e007ac9616d1bbb38ddf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_53e29aa5bfb6e007ac9616d1bbb38ddf","ref_ssm":["aspace_53e29aa5bfb6e007ac9616d1bbb38ddf","aspace_53e29aa5bfb6e007ac9616d1bbb38ddf"],"id":"763de249ff7d9b630424e493_aspace_53e29aa5bfb6e007ac9616d1bbb38ddf","title_filing_ssi":"Woman seated with pink bow. Photographer and studio unknown. Tintype #1259.","title_ssm":["Woman seated with pink bow. Photographer and studio unknown. Tintype #1259."],"title_tesim":["Woman seated with pink bow. Photographer and studio unknown. Tintype #1259."],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman seated with pink bow. Photographer and studio unknown. Tintype #1259., Undated"],"text":["Woman seated with pink bow. Photographer and studio unknown. Tintype #1259., Undated","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Women","/repositories/2/archival_objects/5438","box 9","Digital Archives Identification: ARL_202117_IMG_0404"],"component_level_isim":[2],"parent_ids_ssim":["763de249ff7d9b630424e493","763de249ff7d9b630424e493_aspace_64068aea56cbdd06ed3547509b8afdf6"],"parent_unittitles_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Women"],"parent_unittitles_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Women"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/5438"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":409,"parent_access_restrict_tesm":["The Love-Thornell Collection of Black American Photographs is open for research."],"containers_ssim":["box 9"],"scopecontent_html_tesm":["\u003cp\u003eDigital Archives Identification: ARL_202117_IMG_0404\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Digital Archives Identification: ARL_202117_IMG_0404"],"_nest_path_":"/components#0/components#407","_nest_parent_":"763de249ff7d9b630424e493_aspace_64068aea56cbdd06ed3547509b8afdf6","_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"763de249ff7d9b630424e493","title_filing_ssi":"Love-Thornell Collection of Black American Photographs","title_ssm":["Love-Thornell Collection of Black American Photographs"],"title_tesim":["Love-Thornell Collection of Black American Photographs"],"ead_ssi":"763de249ff7d9b630424e493","unitdate_ssm":["Circa 1850-1950"],"unitdate_inclusive_ssm":["Circa 1850-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.17","/repositories/2/resources/168"],"text":["AARLCC.2021.17","/repositories/2/resources/168","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera","The Love-Thornell Collection of Black American Photographs is open for research.","The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.","Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"","The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. ","View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.","The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.17","/repositories/2/resources/168"],"normalized_date_ssm":["Circa 1850-1950"],"normalized_title_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_title_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Jaquelyn Love-Thornell donated the materials to AARLCC Special Collections on November 15, 2021 (Accession AARLCC-2021.17)."],"access_subjects_ssim":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"access_subjects_ssm":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"extent_tesim":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"genreform_ssim":["Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Love-Thornell Collection of Black American Photographs is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.\u003c/p\u003e\n","\u003cp\u003eChildren and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families."],"bioghist_html_tesm":["\u003cp\u003eJacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.\u003c/p\u003e\n","\u003cp\u003eJacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.\u003c/p\u003e\n","\u003cp\u003eShe began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\""],"prefercite_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e","\u003cp\u003eDescription of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. "],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll35/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=LOT\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_53e29aa5bfb6e007ac9616d1bbb38ddf"}},{"id":"763de249ff7d9b630424e493_aspace_75a347b9e7b09beda6fb3a5421a9e5ce","type":"Item","attributes":{"title":"Woman seated with right hand on chest. Photographer and studio unknown. Item #940d., Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_75a347b9e7b09beda6fb3a5421a9e5ce#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_75a347b9e7b09beda6fb3a5421a9e5ce","ref_ssm":["aspace_75a347b9e7b09beda6fb3a5421a9e5ce","aspace_75a347b9e7b09beda6fb3a5421a9e5ce"],"id":"763de249ff7d9b630424e493_aspace_75a347b9e7b09beda6fb3a5421a9e5ce","title_filing_ssi":"Woman seated with right hand on chest. Photographer and studio unknown. Item #940d.","title_ssm":["Woman seated with right hand on chest. Photographer and studio unknown. Item #940d."],"title_tesim":["Woman seated with right hand on chest. Photographer and studio unknown. Item #940d."],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman seated with right hand on chest. Photographer and studio unknown. Item #940d., Undated"],"text":["Woman seated with right hand on chest. Photographer and studio unknown. Item #940d., Undated","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Women","/repositories/2/archival_objects/5087","box 7"],"component_level_isim":[2],"parent_ids_ssim":["763de249ff7d9b630424e493","763de249ff7d9b630424e493_aspace_64068aea56cbdd06ed3547509b8afdf6"],"parent_unittitles_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Women"],"parent_unittitles_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Women"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/5087"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":299,"parent_access_restrict_tesm":["The Love-Thornell Collection of Black American Photographs is open for research."],"containers_ssim":["box 7"],"_nest_path_":"/components#0/components#297","_nest_parent_":"763de249ff7d9b630424e493_aspace_64068aea56cbdd06ed3547509b8afdf6","_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"763de249ff7d9b630424e493","title_filing_ssi":"Love-Thornell Collection of Black American Photographs","title_ssm":["Love-Thornell Collection of Black American Photographs"],"title_tesim":["Love-Thornell Collection of Black American Photographs"],"ead_ssi":"763de249ff7d9b630424e493","unitdate_ssm":["Circa 1850-1950"],"unitdate_inclusive_ssm":["Circa 1850-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.17","/repositories/2/resources/168"],"text":["AARLCC.2021.17","/repositories/2/resources/168","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera","The Love-Thornell Collection of Black American Photographs is open for research.","The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.","Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... 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","View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.","The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.17","/repositories/2/resources/168"],"normalized_date_ssm":["Circa 1850-1950"],"normalized_title_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_title_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Jaquelyn Love-Thornell donated the materials to AARLCC Special Collections on November 15, 2021 (Accession AARLCC-2021.17)."],"access_subjects_ssim":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"access_subjects_ssm":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"extent_tesim":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"genreform_ssim":["Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Love-Thornell Collection of Black American Photographs is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.\u003c/p\u003e\n","\u003cp\u003eChildren and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families."],"bioghist_html_tesm":["\u003cp\u003eJacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.\u003c/p\u003e\n","\u003cp\u003eJacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.\u003c/p\u003e\n","\u003cp\u003eShe began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\""],"prefercite_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e","\u003cp\u003eDescription of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. "],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll35/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=LOT\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_75a347b9e7b09beda6fb3a5421a9e5ce"}},{"id":"998ae1dfeac58871a130992b_aspace_875f9f27ed27a5576ec710d8772bdad7","type":"File","attributes":{"title":"Woman Selling Flowers, 1984 December 19","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b_aspace_875f9f27ed27a5576ec710d8772bdad7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePhotographs taken off of West Tennessee Street in Tallahassee.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b_aspace_875f9f27ed27a5576ec710d8772bdad7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_875f9f27ed27a5576ec710d8772bdad7","ref_ssm":["aspace_875f9f27ed27a5576ec710d8772bdad7","aspace_875f9f27ed27a5576ec710d8772bdad7"],"id":"998ae1dfeac58871a130992b_aspace_875f9f27ed27a5576ec710d8772bdad7","title_filing_ssi":"Woman Selling Flowers","title_ssm":["Woman Selling Flowers"],"title_tesim":["Woman Selling Flowers"],"unitdate_other_ssim":["1984 December 19"],"normalized_date_ssm":["1984 December 19"],"normalized_title_ssm":["Woman Selling Flowers, 1984 December 19"],"text":["Woman Selling Flowers, 1984 December 19","Mark Wallheiser Photographic Collection, 1980-2024","Negatives, 1980-2004","Box 3","/repositories/10/archival_objects/237591","box 3","Photographs taken off of West Tennessee Street in Tallahassee."],"component_level_isim":[3],"parent_ids_ssim":["998ae1dfeac58871a130992b","998ae1dfeac58871a130992b_aspace_558164c2217b036c21bcfa52c37f4950","998ae1dfeac58871a130992b_aspace_ab898d6f0df341eb3794117b02983a01"],"parent_unittitles_ssm":["Mark Wallheiser Photographic Collection, 1980-2024","Negatives, 1980-2004","Box 3"],"parent_unittitles_tesim":["Mark Wallheiser Photographic Collection, 1980-2024","Negatives, 1980-2004","Box 3"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/10/archival_objects/237591"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Mark Wallheiser Photographic Collection, 1980-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":574,"parent_access_restrict_tesm":["Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library."],"parent_access_terms_tesm":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"containers_ssim":["box 3"],"scopecontent_html_tesm":["\u003cp\u003ePhotographs taken off of West Tennessee Street in Tallahassee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs taken off of West Tennessee Street in Tallahassee."],"_nest_path_":"/components#0/components#2/components#202","_nest_parent_":"998ae1dfeac58871a130992b_aspace_ab898d6f0df341eb3794117b02983a01","_root_":"998ae1dfeac58871a130992b","_version_":1877107886885175296,"timestamp":"2026-09-23T07:46:20.757Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"998ae1dfeac58871a130992b","title_filing_ssi":"Wallheiser Photographic Collection","title_ssm":["Mark Wallheiser Photographic Collection"],"title_tesim":["Mark Wallheiser Photographic Collection"],"ead_ssi":"998ae1dfeac58871a130992b","unitdate_ssm":["1980-2024"],"unitdate_inclusive_ssm":["1980-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2024-008","/repositories/10/resources/2668"],"text":["SCA 2024-008","/repositories/10/resources/2668","Mark Wallheiser Photographic Collection, 1980-2024","Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library.","Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/","This collection does not have a box 31.","Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/","Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS .","Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2024-008","/repositories/10/resources/2668"],"normalized_date_ssm":["1980-2024"],"normalized_title_ssm":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_title_tesim":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_ssim":["Mark Wallheiser Photographic Collection, 1980-2024"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"acqinfo_ssim":["Property rights transfer and copyright license executed by SCA Deed of Gift, March 28, 2023.","Negatives, prints, and optical disks transported to FSU Libraries on April 30, 2024.","Transfer of additional digital images expected in May 2024."],"has_online_content_ssim":["false"],"extent_ssm":["30 Linear Feet"],"extent_tesim":["30 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 1-32 and 35 of this collection are open to all researchers.\u003c/p\u003e\n","\u003cp\u003eBoxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eAll boxes may be accessed by researchers upon request at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eMark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.\u003c/p\u003e\n","\u003cp\u003eHe graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.\u003c/p\u003e\n","\u003cp\u003eThe Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.\u003c/p\u003e\n","\u003cp\u003eWallheiser retired from FAMU-FSU College of Engineering in December 2023.\u003c/p\u003e\n","\u003cp\u003eWallheiser, 72, died of cancer on May 15, 2026.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eWilliam L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies. \u003cemph render=\"italic\"\u003eTallahassee Democrat\u003c/emph\u003e. \u003cextref href=\"https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\"\u003ehttps://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection does not have a box 31.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection does not have a box 31."],"relatedmaterial_html_tesm":["\u003cp\u003eMark Wallheiser Photography. \u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\n\u003cbr\u003e\nat the Internet Archive: \u003cextref href=\"https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\"\u003ehttps://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/"],"scopecontent_html_tesm":["\u003cp\u003eDigital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026amp;M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.\u003c/p\u003e","\u003cp\u003ePortions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eSelected images from this collection have been digitized and are available through \u003cextref href=\"http://pass.lib.fsu.edu/#Mark_Wallheiser_Photographic_Collection_2024-008/\"\u003ePASS\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Potentially Harmful Content","Online Copies Available"],"scopecontent_tesim":["Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS ."],"userestrict_html_tesm":["\u003cp\u003eCopyright in images created by Wallheiser are held by the Wallheiser estate.\u003c/p\u003e\n","\u003cp\u003eRe-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":5345,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877107886885175296,"_root_":"998ae1dfeac58871a130992b","timestamp":"2026-09-23T07:46:20.757Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b_aspace_875f9f27ed27a5576ec710d8772bdad7"}},{"id":"18ce43a3c782b797db9fa781_aspace_179349","type":"Item","attributes":{"title":"[Woman's face in cutout picture]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179349#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179349#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_179349","ref_ssm":["aspace_179349","aspace_179349"],"id":"18ce43a3c782b797db9fa781_aspace_179349","title_filing_ssi":"[Woman's face in cutout picture]","title_ssm":["[Woman's face in cutout picture]"],"title_tesim":["[Woman's face in cutout picture]"],"normalized_title_ssm":["[Woman's face in cutout picture]"],"text":["[Woman's face in cutout picture]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Bolles Family Part I","Item 10","/repositories/2/archival_objects/82843","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179890","18ce43a3c782b797db9fa781_aspace_179339"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Bolles Family Part I"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Bolles Family Part I"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 10","/repositories/2/archival_objects/82843"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2105,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#31/components#3/components#9","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179339","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179349"}},{"id":"3a691bb3ebf7b743485425f4_aspace_72c0db50d21b37206a8dd1f485e39e4a","type":"File","attributes":{"title":"Woman's Got Soul","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_72c0db50d21b37206a8dd1f485e39e4a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_72c0db50d21b37206a8dd1f485e39e4a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72c0db50d21b37206a8dd1f485e39e4a","ref_ssm":["aspace_72c0db50d21b37206a8dd1f485e39e4a","aspace_72c0db50d21b37206a8dd1f485e39e4a"],"id":"3a691bb3ebf7b743485425f4_aspace_72c0db50d21b37206a8dd1f485e39e4a","title_filing_ssi":"Woman's Got Soul","title_ssm":["Woman's Got Soul"],"title_tesim":["Woman's Got Soul"],"normalized_title_ssm":["Woman's Got Soul"],"text":["Woman's Got Soul","Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series I: Alpha","Box 24","Folder 600","/repositories/12/archival_objects/214393","Jones, Thad (1923-03-28-1986-08-20)","Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets","English","This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari\nTrumpet: 4\nTrombone: 4\nBass: 1\nPiano: 1\nPercussion: 1"],"component_level_isim":[3],"parent_ids_ssim":["3a691bb3ebf7b743485425f4","3a691bb3ebf7b743485425f4_aspace_e94ac77e4287197827a5217522d899b0","3a691bb3ebf7b743485425f4_aspace_44c80b8a1d6fda188e98fa10ae928946"],"parent_unittitles_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series I: Alpha","Box 24"],"parent_unittitles_tesim":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series I: Alpha","Box 24"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 600","/repositories/12/archival_objects/214393"],"repository_ssim":["Allen Music Library Special Collections"],"collection_ssim":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920"],"creator_ssim":["Jones, Thad (1923-03-28-1986-08-20)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":845,"parent_access_restrict_tesm":["This collection is available for viewing in person."],"parent_access_terms_tesm":["This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned."],"names_ssim":["Jones, Thad (1923-03-28-1986-08-20)"],"persname_ssim":["Jones, Thad (1923-03-28-1986-08-20)"],"access_subjects_ssim":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"access_subjects_ssm":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e","\u003cp\u003eSax: 2 alto, 2 tenor, 1 bari\nTrumpet: 4\nTrombone: 4\nBass: 1\nPiano: 1\nPercussion: 1\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari\nTrumpet: 4\nTrombone: 4\nBass: 1\nPiano: 1\nPercussion: 1"],"_nest_path_":"/components#0/components#23/components#44","_nest_parent_":"3a691bb3ebf7b743485425f4_aspace_44c80b8a1d6fda188e98fa10ae928946","_root_":"3a691bb3ebf7b743485425f4","_version_":1870852924015378432,"timestamp":"2026-07-16T06:46:23.350Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a691bb3ebf7b743485425f4","title_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection"],"title_tesim":["Robert H. Stone and Pamela S. Carey Jazz Collection"],"ead_ssi":"3a691bb3ebf7b743485425f4","unitdate_ssm":["1920"],"unitdate_other_ssim":["1920"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2022-03","/repositories/12/resources/2018"],"text":["FSUML-2022-03","/repositories/12/resources/2018","Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Jazz","Jazz ensembles","Jazz musicians","Jazz singers","Jazz vocals","Jazz -- 1971-1980 -- Lead sheets","Jazz -- 1951-1960 -- Lead sheets","Popular music -- Lead sheets","Sheet music--United States--History","This collection is available for viewing in person.","This collection was owned in its entirety by Robert H. Stone and Pamela S. Carey.","This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.","This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned.","Allen Music Library Special Collections","London Orchestration","Albam, Manny (1922-06-24-2001-10-02)","Ayoub, Nick, 1926-1991","Dee Barton","Barone, Mike, 1936-","Bellson, Lou ","Berg, Curt","Blumberg, Dave","Boice, John","Boland, Francy (19291106-20050812)","Briggs, Bill, (Composer)","Bryant, Bobby (1934-05-19-1998-06)","Burns, Ralph (1922-06-29-2001-11-21)","Byers, Billy, 1927-1996","Carisi, John","Casagrande, Al ","Catingub, Matt","Chase, Bill","Childers, Buddy, 1926-2007","Caiazza, Igor","Cicchetti, Charles \"Chick\"","Clausen, Alf (19410328)","Coccia, Joe","Cohn, Al (1925-11-24-1988-02-15)","Colombier, Michel (19390523-20041114)","Comstock, Frank (1922-09-22-2013-05-21)","Costa, Don (1925-06-10-1983-01-19)","Dameron, Tadd, 1917-1965","Davis, Wild Bill, 1918-1995","Davis, Rick ","Dimmick, Don ","Eklund, Bernt","Ellington, Duke, 1899-1974","Evans, Gil, 1912-1988","Evans, Marion (1926-05-01)","Farnon, Robert (1917-07-24-2005-04-23)","Ferenturo, Ken","Florence, Bob, 1932-2008","Flory, Med, 1926-2014","Foster, Frank (Frank Benjamin), 1928-2011","Galliard, John Ernest, -1747","Gibbs, Michael (Michael Clement Irving), 1937-","Gray, Jerry, 1915-1976","Grove, Dick, 1927-1998","Haerle, Dan","Hampton, Slide (1932-04-21-2021-11-20)","Hanna, Ken, jazz trumpeter","Hartley, Lanny  ","Heath, Ted, 1902-1969","Heathman, Mike","Hefti, Neal (Neal Paul) (19221029-20081011)","Hensel, Wes, 1917-1982","Hill, Jay","Hodges, Tommy ","Holman, Bill (Willis Leonard) (1927-05-21)","Johnstone, Bruce","Jones, Jimmy, 1930-","Jones, Quincy (Quincy Delight), 1933-","Jones, Thad (1923-03-28-1986-08-20)","Kelly, Phil, 1937-","Kennedy, Jay, 1951-","Kenton, Stan (1911-12-15-1979-08-25)","King, Joe, (Trumpet player)","Kubis, Tom","LaParta, John ","Maiden, Willie, 1928-1976","Mandel, Johnny (1925-11-23-2020-06-29)","Manone, Jimmy","Mantooth, Frank","Mardin, Adrif ","Martin, Skip, 1957-","Mathieu, W. A. (William Allaudin) (1937)","May, Billy (1916-11-10-2004-01-22)","Maynard","McConnell, Rob (19350214-20100501)","McFarland, Gary","Menza, Don (1936-04-22)","Mintzer, Bob (Robert Alan) (1953-01-27)","Morgan, Bob, 1941-","Mulligan, Gerry (1927-04-06-1996-01-20)","Nelson, Oliver, 1932-1975","Nestico, Sammy (1924-02-06-2021-01-17)","Newsom, Tommy","Niehaus, Lennie (1929-06-01-2020-05-28)","Noto, Sam","Ojeda, Bob (1941-2020)","Oyler, Dave (1946-2018)","Paich, Marty (1925-01-23-1995-08-12)","Palombi, Dick","Perkins, Bill, 1924-2003","Phillips, Herbie, -1995","Pierce, Nat (19250716-19920610)","Piestrup, Don (Donall James) ([1937,1938])","Potts, Bill (1928-04-03-2005-02-15)","Powell, Morgan, 1938-","Radar, Don (1935)","Richards, Johnny","Richmond, Kim (19400724)","Rogers, Bill, 1938?-","Rogers, Shorty, 1924-1994","Roland, Gene (19210915-19820811)","Romero, Raoul","Rugolo, Pete, 1915-2011","Russo, William (1928-06-25-2003-01-11)","Saunders, Carl (19420802)","Sebesky, Don (1937-12-10)","Seibert, Bob","Shabda-Noor, Thomas","Shemenek, Bob","Sherwood, Bobby (1914-05-30-1981-01-23)","Shew, Bobby (19410304)","Stapleton, Bill","Stegmeyer, Bill, 1916-1968","Stock, J. ","Sturges, Jeff","Williams, Patrick (Patrick Moody), 1939-2018","Wilson, Phil, (Trombonist)","Wolpe, Dave (1936-07-16)","Acosta, Bill","Bishop, Joe, 1907-1976","Burley, Dave","Cobine, Al, 1927-2009","Coenin, J.","Freeman, Ernie (1922-08-16-1981-05-16)","Gold, Marty (1915-12-26-2011-01-14)","Harpin, Jon","LaBarbera, John, 1945-","Longo. M. ","Mitchell, Hank ","Morey, Brad","Mossman, Michael Philip","Norred, Larry","Nowak, Jerry (Gerald Chester) (1936-04-15-2015-12-14)","O'Farrill, Chico, 1921-2001","Parnello, Joe (1987-12-04)","Pfrogner, Tom","Pope, John","Riddle, Nelson (Nelson Smock) (1921-06-01-1985-10-06)","Rowe, Harold , Jr. ","Schlasach, Errol Weiss","Sheldon, Earl","Skinner, Carroll","Sorenson, Paul ","Stafford, Jo (19171112-20080713)","Stordahl, Axel (19130808-19630830)","Stuart, Walt","Styne, Jule, 1905-1994","Tanner, Dave","Todd, John","Vina, Leslie ","Zito, Torrie (1933-10-12-2009-12-03)","Akiyoshi, Toshiko, 1929-","Anderson, Gary","Argodale, Ann","Bard, M. ","Barduhn, Dave ","Barton, Dee, 1937-2001","Barrett, Eddie","Beach, Doug, 1952-","Bentall, Scott","Berg, Kurt A. ","Herman, Woody, 1913-1987","Bonardi, N.","Bridgewater, Cecil (1942-10-10)","Broadbent, Alan, 1947-","Brookmeyer, Bob, 1929-2011","Brown, Les (Lester Raymond), 1912-2001","Cacavas, John (19300813-20140128)","Cary, Bob","Caviani, L","Chattaway, Jay (Jay A.) (1946-07-08)","Clark, Buddy, 1929-1999","Dallabetta, John L. ","Davis, Tom, 1959-","DeCamp, Carroll","Dechter, Brad, 1956-","Dedrick, Art","Devoe, Dale","Dodgion, Jerry (19320829)","Dorsey, J.","Drover, Adrian","Evans, Richard L. (Richard Lee), 1932-2014","Field, Phil","Garland, Joe, 1903-1977","Gibbs, Terry, 1924-","Giueffre, Jimmy ","Gjesvold, Gene","Green, F.","Hagen, Gerard","Harpin, John","Hest, Jeff","Hill. J. ","Jennie, Glen","Jennings, Paul ","Johns","Johnson, Jerry","Kapp","Kerchner, Larry ","Klatka, Tony","Kondziela, Paul","Kornegay","Lawhead","Legrand, Michel ","Levy, Hank","Lewis, Bobby","Lieb, Richard, 1930-","Liliedahl, Jerry","Lowden, Bob","Mackrel, Dennis (1962-04-03)","Mancini, Henry (1924-04-16-1994-06-14)","Martin, Jim, 1966-","McDuggall","McGahan, C.","McGlohan, Loonis ","McIntyre, Jr., Hal","Meyers, Pete ","Miller, Glenn (Alton Glenn), 1904-1944","Morehead, D.","Nelson, Don (Donald M.), 1921-2002","Neumann, R.","Newborn, Ira (1949-12-26)","Oliver, Sy (1910-12-17-1988-05-28)","Osser, Glen","Pemberton, Roger","Pendowski, Mike (1958)","Rea, Evan","Reddie, Bill","Reisman, Joe","Rich, Buddy","Richardson","Schamber, Don","Soder, Bob ","Stone, George","Taylor, Mark (Mark Alan), 1950-","Tesinsky, Frank","Ward, John ","Warrington, Johnny (John Theodore), 1911-1978","Wess, Frank (Frank Wellington), 1922-2013","Wilson, Paul ","Wisniewski, W. ›","Wittig, Allen ","Woods, Phil (1931-11-02-2015-09-29)","Yankee, Alan ","Zervic, Jerry ","English"],"unitid_tesim":["FSUML-2022-03","/repositories/12/resources/2018"],"normalized_date_ssm":["1920"],"normalized_title_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920"],"collection_title_tesim":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920"],"collection_ssim":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"access_terms_ssm":["This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned."],"access_subjects_ssim":["Jazz","Jazz ensembles","Jazz musicians","Jazz singers","Jazz vocals","Jazz -- 1971-1980 -- Lead sheets","Jazz -- 1951-1960 -- Lead sheets","Popular music -- Lead sheets","Sheet music--United States--History"],"access_subjects_ssm":["Jazz","Jazz ensembles","Jazz musicians","Jazz singers","Jazz vocals","Jazz -- 1971-1980 -- Lead sheets","Jazz -- 1951-1960 -- Lead sheets","Popular music -- Lead sheets","Sheet music--United States--History"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes","48.75 Linear Feet"],"extent_tesim":["47 boxes","48.75 Linear Feet"],"date_range_isim":[1920],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is available for viewing in person.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is available for viewing in person."],"custodhist_html_tesm":["\u003cp\u003eThis collection was owned in its entirety by Robert H. Stone and Pamela S. Carey.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was owned in its entirety by Robert H. Stone and Pamela S. Carey."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Robert H. Stone and Pamela S. Carey Jazz Collection, Warren D. Allen Music Library, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Robert H. Stone and Pamela S. Carey Jazz Collection, Warren D. Allen Music Library, Tallahassee, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.\u003c/p\u003e\n","\u003cp\u003eBob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989."],"userestrict_html_tesm":["\u003cp\u003eThis collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned."],"names_ssim":["Allen Music Library Special Collections","London Orchestration","Albam, Manny (1922-06-24-2001-10-02)","Ayoub, Nick, 1926-1991","Dee Barton","Barone, Mike, 1936-","Bellson, Lou ","Berg, Curt","Blumberg, Dave","Boice, John","Boland, Francy (19291106-20050812)","Briggs, Bill, (Composer)","Bryant, Bobby (1934-05-19-1998-06)","Burns, Ralph (1922-06-29-2001-11-21)","Byers, Billy, 1927-1996","Carisi, John","Casagrande, Al ","Catingub, Matt","Chase, Bill","Childers, Buddy, 1926-2007","Caiazza, Igor","Cicchetti, Charles \"Chick\"","Clausen, Alf (19410328)","Coccia, Joe","Cohn, Al (1925-11-24-1988-02-15)","Colombier, Michel (19390523-20041114)","Comstock, Frank (1922-09-22-2013-05-21)","Costa, Don (1925-06-10-1983-01-19)","Dameron, Tadd, 1917-1965","Davis, Wild Bill, 1918-1995","Davis, Rick ","Dimmick, Don ","Eklund, Bernt","Ellington, Duke, 1899-1974","Evans, Gil, 1912-1988","Evans, Marion (1926-05-01)","Farnon, Robert (1917-07-24-2005-04-23)","Ferenturo, Ken","Florence, Bob, 1932-2008","Flory, Med, 1926-2014","Foster, Frank (Frank Benjamin), 1928-2011","Galliard, John Ernest, -1747","Gibbs, Michael (Michael Clement Irving), 1937-","Gray, Jerry, 1915-1976","Grove, Dick, 1927-1998","Haerle, Dan","Hampton, Slide (1932-04-21-2021-11-20)","Hanna, Ken, jazz trumpeter","Hartley, Lanny  ","Heath, Ted, 1902-1969","Heathman, Mike","Hefti, Neal (Neal Paul) (19221029-20081011)","Hensel, Wes, 1917-1982","Hill, Jay","Hodges, Tommy ","Holman, Bill (Willis Leonard) (1927-05-21)","Johnstone, Bruce","Jones, Jimmy, 1930-","Jones, Quincy (Quincy Delight), 1933-","Jones, Thad (1923-03-28-1986-08-20)","Kelly, Phil, 1937-","Kennedy, Jay, 1951-","Kenton, Stan (1911-12-15-1979-08-25)","King, Joe, (Trumpet player)","Kubis, Tom","LaParta, John ","Maiden, Willie, 1928-1976","Mandel, Johnny (1925-11-23-2020-06-29)","Manone, Jimmy","Mantooth, Frank","Mardin, Adrif ","Martin, Skip, 1957-","Mathieu, W. 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(William Allaudin) (1937)","May, Billy (1916-11-10-2004-01-22)","Maynard","McConnell, Rob (19350214-20100501)","McFarland, Gary","Menza, Don (1936-04-22)","Mintzer, Bob (Robert Alan) (1953-01-27)","Morgan, Bob, 1941-","Mulligan, Gerry (1927-04-06-1996-01-20)","Nelson, Oliver, 1932-1975","Nestico, Sammy (1924-02-06-2021-01-17)","Newsom, Tommy","Niehaus, Lennie (1929-06-01-2020-05-28)","Noto, Sam","Ojeda, Bob (1941-2020)","Oyler, Dave (1946-2018)","Paich, Marty (1925-01-23-1995-08-12)","Palombi, Dick","Perkins, Bill, 1924-2003","Phillips, Herbie, -1995","Pierce, Nat (19250716-19920610)","Piestrup, Don (Donall James) ([1937,1938])","Potts, Bill (1928-04-03-2005-02-15)","Powell, Morgan, 1938-","Radar, Don (1935)","Richards, Johnny","Richmond, Kim (19400724)","Rogers, Bill, 1938?-","Rogers, Shorty, 1924-1994","Roland, Gene (19210915-19820811)","Romero, Raoul","Rugolo, Pete, 1915-2011","Russo, William (1928-06-25-2003-01-11)","Saunders, Carl (19420802)","Sebesky, Don (1937-12-10)","Seibert, Bob","Shabda-Noor, Thomas","Shemenek, Bob","Sherwood, Bobby (1914-05-30-1981-01-23)","Shew, Bobby (19410304)","Stapleton, Bill","Stegmeyer, Bill, 1916-1968","Stock, J. ","Sturges, Jeff","Williams, Patrick (Patrick Moody), 1939-2018","Wilson, Phil, (Trombonist)","Wolpe, Dave (1936-07-16)","Acosta, Bill","Bishop, Joe, 1907-1976","Burley, Dave","Cobine, Al, 1927-2009","Coenin, J.","Freeman, Ernie (1922-08-16-1981-05-16)","Gold, Marty (1915-12-26-2011-01-14)","Harpin, Jon","LaBarbera, John, 1945-","Longo. M. ","Mitchell, Hank ","Morey, Brad","Mossman, Michael Philip","Norred, Larry","Nowak, Jerry (Gerald Chester) (1936-04-15-2015-12-14)","O'Farrill, Chico, 1921-2001","Parnello, Joe (1987-12-04)","Pfrogner, Tom","Pope, John","Riddle, Nelson (Nelson Smock) (1921-06-01-1985-10-06)","Rowe, Harold , Jr. ","Schlasach, Errol Weiss","Sheldon, Earl","Skinner, Carroll","Sorenson, Paul ","Stafford, Jo (19171112-20080713)","Stordahl, Axel (19130808-19630830)","Stuart, Walt","Styne, Jule, 1905-1994","Tanner, Dave","Todd, John","Vina, Leslie ","Zito, Torrie (1933-10-12-2009-12-03)","Akiyoshi, Toshiko, 1929-","Anderson, Gary","Argodale, Ann","Bard, M. 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","Jennie, Glen","Jennings, Paul ","Johns","Johnson, Jerry","Kapp","Kerchner, Larry ","Klatka, Tony","Kondziela, Paul","Kornegay","Lawhead","Legrand, Michel ","Levy, Hank","Lewis, Bobby","Lieb, Richard, 1930-","Liliedahl, Jerry","Lowden, Bob","Mackrel, Dennis (1962-04-03)","Mancini, Henry (1924-04-16-1994-06-14)","Martin, Jim, 1966-","McDuggall","McGahan, C.","McGlohan, Loonis ","McIntyre, Jr., Hal","Meyers, Pete ","Miller, Glenn (Alton Glenn), 1904-1944","Morehead, D.","Nelson, Don (Donald M.), 1921-2002","Neumann, R.","Newborn, Ira (1949-12-26)","Oliver, Sy (1910-12-17-1988-05-28)","Osser, Glen","Pemberton, Roger","Pendowski, Mike (1958)","Rea, Evan","Reddie, Bill","Reisman, Joe","Rich, Buddy","Richardson","Schamber, Don","Soder, Bob ","Stone, George","Taylor, Mark (Mark Alan), 1950-","Tesinsky, Frank","Ward, John ","Warrington, Johnny (John Theodore), 1911-1978","Wess, Frank (Frank Wellington), 1922-2013","Wilson, Paul ","Wisniewski, W. ›","Wittig, Allen ","Woods, Phil (1931-11-02-2015-09-29)","Yankee, Alan ","Zervic, Jerry "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1678,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852924015378432,"_root_":"3a691bb3ebf7b743485425f4","timestamp":"2026-07-16T06:46:23.350Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_72c0db50d21b37206a8dd1f485e39e4a"}},{"id":"27c60a84fd2f5fc89fc968d1_aspace_143700","type":"Item","attributes":{"title":"Woman/Ship/Train","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143700#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eInner Cigar Box Label\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143700#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_143700","ref_ssm":["aspace_143700","aspace_143700"],"id":"27c60a84fd2f5fc89fc968d1_aspace_143700","title_filing_ssi":"Woman/Ship/Train","title_ssm":["Woman/Ship/Train"],"title_tesim":["Woman/Ship/Train"],"normalized_title_ssm":["Woman/Ship/Train"],"text":["Woman/Ship/Train","Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5","Item 66","/repositories/2/archival_objects/2258","Inner Cigar Box Label"],"component_level_isim":[3],"parent_ids_ssim":["27c60a84fd2f5fc89fc968d1","27c60a84fd2f5fc89fc968d1_aspace_170715","27c60a84fd2f5fc89fc968d1_aspace_143359"],"parent_unittitles_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5"],"parent_unittitles_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 66","/repositories/2/archival_objects/2258"],"repository_ssim":["USF Libraries - 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Mr. Ballantyne had a special affinity for labels depicting women.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Collection of cigar labels from the late 1800s and early 1900s.","USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia","English"],"unitid_tesim":["MS-2016-10","/repositories/2/resources/37"],"normalized_date_ssm":["1880-1930, Date acquired: 12/01/2016"],"normalized_title_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_title_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_ssim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creators_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Rick and Trish Ballantyne","Donation."],"access_subjects_ssim":["Chromolithography","Cigar bands and labels"],"access_subjects_ssm":["Chromolithography","Cigar bands and labels"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet","6 boxes"],"extent_tesim":["2.50 Linear Feet","6 boxes"],"genreform_ssim":["Cigar bands and labels"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930],"appraisal_html_tesm":["\u003cp\u003e.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.\u0026#xA0; Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e\n","\u003cp\u003eNote written by Andy Huse\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.  Mr. Ballantyne had a special affinity for labels depicting women.","Note written by Andy Huse"],"prefercite_html_tesm":["\u003cp\u003eRick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Rick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eFred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eKane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eOsterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Kane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Osterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffeb33666aa8afab57423eb79361a6e5\" label=\"Abstract\"\u003eCollection of cigar labels from the late 1800s and early 1900s.\u003c/abstract\u003e"],"abstract_tesim":["Collection of cigar labels from the late 1800s and early 1900s."],"names_ssim":["USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1895,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"27c60a84fd2f5fc89fc968d1","timestamp":"2026-07-09T04:17:20.293Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143700"}},{"id":"a41738572719a0828d2a4369_aspace_539","type":"Item","attributes":{"title":"Woman's Home Mission Society Speech, 1904","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a41738572719a0828d2a4369_aspace_539#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eHandwritten speech by Minnie Clark Gatewood to present at the Woman's Home Mission Society meeting. The speech describes the goals of the society and how the women can accomplish the goals.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a41738572719a0828d2a4369_aspace_539#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_539","ref_ssm":["aspace_539","aspace_539"],"id":"a41738572719a0828d2a4369_aspace_539","title_filing_ssi":"Woman's Home Mission Society Speech","title_ssm":["Woman's Home Mission Society Speech"],"title_tesim":["Woman's Home Mission Society Speech"],"unitdate_other_ssim":["1904"],"normalized_date_ssm":["1904"],"normalized_title_ssm":["Woman's Home Mission Society Speech, 1904"],"text":["Woman's Home Mission Society Speech, 1904","Minnie L. Gatewood Papers, 1892-1900","Minnie L. Gatewood Papers, 1892-1900","Item 4","/repositories/2/archival_objects/9710","Gatewood, Minnie L.","box 2","Handwritten speech by Minnie Clark Gatewood to present at the Woman's Home Mission Society meeting. The speech describes the goals of the society and how the women can accomplish the goals."],"component_level_isim":[2],"parent_ids_ssim":["a41738572719a0828d2a4369","a41738572719a0828d2a4369_aspace_506"],"parent_unittitles_ssm":["Minnie L. Gatewood Papers, 1892-1900","Minnie L. Gatewood Papers, 1892-1900"],"parent_unittitles_tesim":["Minnie L. Gatewood Papers, 1892-1900","Minnie L. Gatewood Papers, 1892-1900"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 4","/repositories/2/archival_objects/9710"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Minnie L. Gatewood Papers, 1892-1900"],"creator_ssim":["Gatewood, Minnie L."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":11,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1904],"names_ssim":["Gatewood, Minnie L."],"persname_ssim":["Gatewood, Minnie L."],"containers_ssim":["box 2"],"scopecontent_html_tesm":["\u003cp\u003eHandwritten speech by Minnie Clark Gatewood to present at the Woman's Home Mission Society meeting. The speech describes the goals of the society and how the women can accomplish the goals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Handwritten speech by Minnie Clark Gatewood to present at the Woman's Home Mission Society meeting. The speech describes the goals of the society and how the women can accomplish the goals."],"_nest_path_":"/components#0/components#9","_nest_parent_":"a41738572719a0828d2a4369_aspace_506","_root_":"a41738572719a0828d2a4369","_version_":1879903215396323328,"timestamp":"2026-10-24T04:16:53.852Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a41738572719a0828d2a4369","title_ssm":["Minnie L. Gatewood Papers"],"title_tesim":["Minnie L. Gatewood Papers"],"ead_ssi":"a41738572719a0828d2a4369","unitdate_ssm":["1892-1900"],"unitdate_inclusive_ssm":["1892-1900"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/11","/repositories/2/resources/15"],"text":["02/01/11","/repositories/2/resources/15","Minnie L. Gatewood Papers, 1892-1900","Fort Myers (Fla.)","Florida -- History","Minister","Personal history","Religious writing","Diaries","The collection is open for research.","Organized in two series: Series 1, Minnie L. Gatewood Papers, 1892-1900; Series 2, Photocopies and transcriptions.","The digitization of the Minnie L. Gatewood Diaries Collection was a cooperative project of Florida Gulf Coast University and the Southwest Florida Library Network (SWFLN).","http://ufdc.ufl.edu/GatewoodDiaries?n=fgcu","Consists of several personal diaries (1892-1900), papers, and ephemera written by or belonging to Minnie L. Gatewood, as well as, photocopies and transcriptions of collection items to serve as access copies.","Minnie L. Gatewood (1875-1944), who married a minister when she was 16 years old, kept diaries chronicling her life in Southwest Florida.  The five volumes of her diary at Florida Gulf Coast University cover her life from 1892 to 1900, and are a valuable resource for scholars of Florida history.  Mrs. Gatewood also kept a \"Want Book\"—mostly reflections on religious matters such as \"Christian stewardship\"—with the latest dated entry being from 1936.  The 5 volumes of her diary and her Want Book have been transcribed and digital versions available on  FGCU's Digital Library .  FGCU has also prepared lists of names mentioned in the diaries to assist researchers.\n\nMrs. Gatewood wrote mainly of her travels and family life, and her role as a minister's wife.  Her husband, the Rev. George W. Gatewood (1862-1947), was an influential figure in Southwest Florida during his day.  The Gatewoods and their children either lived in or travelled to cities ranging as far south as Key West and as far north as Leesburg.  FGCU also owns a copy of Rev. Gatewood's book,  On Florida's Coconut Coasts , which was published in 1944.  Their granddaughter, Hazel Hoffman Wall, donated a copy of her 2006 autobiography,  Cracker Girl; A Love Story , in which she writes about her family, including the older Gatewoods.","Florida Gulf Coast University Special Collections","Gatewood, Minnie L.","English"],"unitid_tesim":["02/01/11","/repositories/2/resources/15"],"normalized_date_ssm":["1892-1900"],"normalized_title_ssm":["Minnie L. Gatewood Papers, 1892-1900"],"collection_title_tesim":["Minnie L. Gatewood Papers, 1892-1900"],"collection_ssim":["Minnie L. Gatewood Papers, 1892-1900"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Fort Myers (Fla.)","Florida -- History"],"geogname_ssim":["Fort Myers (Fla.)","Florida -- History"],"creator_ssm":["Gatewood, Minnie L."],"creator_ssim":["Gatewood, Minnie L."],"creator_persname_ssim":["Gatewood, Minnie L."],"creators_ssim":["Gatewood, Minnie L."],"places_ssim":["Fort Myers (Fla.)","Florida -- History"],"acqinfo_ssim":["Dr. A. Hugh Adams - Date acquired: 11/29/2000","On extended loan to Florida Gulf Coast University Library Services."],"access_subjects_ssim":["Minister","Personal history","Religious writing","Diaries"],"access_subjects_ssm":["Minister","Personal history","Religious writing","Diaries"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"genreform_ssim":["Personal history","Religious writing","Diaries"],"date_range_isim":[1892,1893,1894,1895,1896,1897,1898,1899,1900],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOrganized in two series: Series 1, Minnie L. Gatewood Papers, 1892-1900; Series 2, Photocopies and transcriptions.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in two series: Series 1, Minnie L. Gatewood Papers, 1892-1900; Series 2, Photocopies and transcriptions."],"relatedmaterial_html_tesm":["\u003cp\u003eThe digitization of the Minnie L. Gatewood Diaries Collection was a cooperative project of Florida Gulf Coast University and the Southwest Florida Library Network (SWFLN).\u003c/p\u003e\n","\u003cp\u003ehttp://ufdc.ufl.edu/GatewoodDiaries?n=fgcu\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The digitization of the Minnie L. Gatewood Diaries Collection was a cooperative project of Florida Gulf Coast University and the Southwest Florida Library Network (SWFLN).","http://ufdc.ufl.edu/GatewoodDiaries?n=fgcu"],"scopecontent_html_tesm":["\u003cp\u003eConsists of several personal diaries (1892-1900), papers, and ephemera written by or belonging to Minnie L. Gatewood, as well as, photocopies and transcriptions of collection items to serve as access copies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Consists of several personal diaries (1892-1900), papers, and ephemera written by or belonging to Minnie L. Gatewood, as well as, photocopies and transcriptions of collection items to serve as access copies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_668e5c3a14340129f2b0c4b1b94c98de\" label=\"Abstract\"\u003eMinnie L. Gatewood (1875-1944), who married a minister when she was 16 years old, kept diaries chronicling her life in Southwest Florida.\u0026#xA0; The five volumes of her diary at Florida Gulf Coast University cover her life from 1892 to 1900, and are a valuable resource for scholars of Florida history.\u0026#xA0; Mrs. Gatewood also kept a \"Want Book\"\u0026#x2014;mostly reflections on religious matters such as \"Christian stewardship\"\u0026#x2014;with the latest dated entry being from 1936.\u0026#xA0; The 5 volumes of her diary and her Want Book have been transcribed and digital versions available on \u003cextref href=\"http://fgcu.digital.flvc.org/islandora/search?type=edismax\u0026amp;collection=fgcu:020111\"\u003eFGCU's Digital Library\u003c/extref\u003e.\u0026#xA0; FGCU has also prepared lists of names mentioned in the diaries to assist researchers.\n\nMrs. Gatewood wrote mainly of her travels and family life, and her role as a minister's wife.\u0026#xA0; Her husband, the Rev. George W. Gatewood (1862-1947), was an influential figure in Southwest Florida during his day.\u0026#xA0; The Gatewoods and their children either lived in or travelled to cities ranging as far south as Key West and as far north as Leesburg.\u0026#xA0; FGCU also owns a copy of Rev. Gatewood's book, \u003cemph render=\"underline\"\u003eOn Florida's Coconut Coasts\u003c/emph\u003e, which was published in 1944.\u0026#xA0; Their granddaughter, Hazel Hoffman Wall, donated a copy of her 2006 autobiography, \u003cemph render=\"underline\"\u003eCracker Girl; A Love Story\u003c/emph\u003e, in which she writes about her family, including the older Gatewoods.\u003c/abstract\u003e"],"abstract_tesim":["Minnie L. Gatewood (1875-1944), who married a minister when she was 16 years old, kept diaries chronicling her life in Southwest Florida.  The five volumes of her diary at Florida Gulf Coast University cover her life from 1892 to 1900, and are a valuable resource for scholars of Florida history.  Mrs. Gatewood also kept a \"Want Book\"—mostly reflections on religious matters such as \"Christian stewardship\"—with the latest dated entry being from 1936.  The 5 volumes of her diary and her Want Book have been transcribed and digital versions available on  FGCU's Digital Library .  FGCU has also prepared lists of names mentioned in the diaries to assist researchers.\n\nMrs. Gatewood wrote mainly of her travels and family life, and her role as a minister's wife.  Her husband, the Rev. George W. Gatewood (1862-1947), was an influential figure in Southwest Florida during his day.  The Gatewoods and their children either lived in or travelled to cities ranging as far south as Key West and as far north as Leesburg.  FGCU also owns a copy of Rev. Gatewood's book,  On Florida's Coconut Coasts , which was published in 1944.  Their granddaughter, Hazel Hoffman Wall, donated a copy of her 2006 autobiography,  Cracker Girl; A Love Story , in which she writes about her family, including the older Gatewoods."],"names_ssim":["Florida Gulf Coast University Special Collections","Gatewood, Minnie L."],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Gatewood, Minnie L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879903215396323328,"_root_":"a41738572719a0828d2a4369","timestamp":"2026-10-24T04:16:53.852Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a41738572719a0828d2a4369_aspace_539"}},{"id":"9fbdbff688388dbc4784612e_aspace_73766","type":"Item","attributes":{"title":"Woman siting while thinking with another woman out of focus staring right at camera, 1977","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9fbdbff688388dbc4784612e_aspace_73766#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73766","ref_ssm":["aspace_73766","aspace_73766"],"id":"9fbdbff688388dbc4784612e_aspace_73766","title_filing_ssi":"Woman siting while thinking with another woman out of focus staring right at camera","title_ssm":["Woman siting while thinking with another woman out of focus staring right at camera"],"title_tesim":["Woman siting while thinking with another woman out of focus staring right at camera"],"unitdate_other_ssim":["1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Woman siting while thinking with another woman out of focus staring right at camera, 1977"],"text":["Woman siting while thinking with another woman out of focus staring right at camera, 1977","Michael Berman Florida Women's Conference Photographs, 1977","Photographs, 1977.","Item 21","/repositories/4/archival_objects/8983","box 1","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["9fbdbff688388dbc4784612e","9fbdbff688388dbc4784612e_aspace_73743"],"parent_unittitles_ssm":["Michael Berman Florida Women's Conference Photographs, 1977","Photographs, 1977."],"parent_unittitles_tesim":["Michael Berman Florida Women's Conference Photographs, 1977","Photographs, 1977."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 21","/repositories/4/archival_objects/8983"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael Berman Florida Women's Conference Photographs, 1977"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":22,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#20","_nest_parent_":"9fbdbff688388dbc4784612e_aspace_73743","_root_":"9fbdbff688388dbc4784612e","_version_":1870857954961391616,"timestamp":"2026-07-16T08:06:21.290Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9fbdbff688388dbc4784612e","title_ssm":["Michael Berman Florida Women's Conference Photographs"],"title_tesim":["Michael Berman Florida Women's Conference Photographs"],"ead_ssi":"9fbdbff688388dbc4784612e","unitdate_ssm":["1977"],"unitdate_other_ssim":["1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.106","/repositories/4/resources/49"],"text":["SC.106","/repositories/4/resources/49","Michael Berman Florida Women's Conference Photographs, 1977","Florida","United States -- Politics and government","Berman, Michael","Equal Rights Amendments","Florida -- Orlando","Women -- Florida","Sex Discrimination Against Florida -- Florida -- Orlando","Florida Technological University--Faculty--Photographs","photographs","The entire collection is open for research.","This collection is arranged into one series with the pictures organized in a numbered order in that which it was received.","Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.\nMichael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photographs for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.\nAfter the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the United States and Southeast Asia. During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.","Note written by ","Collection processed by and finding aid prepared by Kyle West in 2018. Photographs were removed from cardboard backing with numbers on cardboard transferred onto the back of photographs then were placed into archival quality sleeves, which were then put into an acid-free folder in acid-free box.","For more information on special collections, please see our  website .","Series I: Photographs, 1977, contains 21 black and white photographs, approximately 11 x 14 inches. Each photograph except the last had been numbered in an order.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection contains 21 photographs taken by Michael Berman that pertain to the Florida Women's Conference of 1977. The first Florida Women'’s Conference was held in July of the 15th, 16th, and 17th. It was run by forty Florida women selected by Jimmy Carter in order to help deal with the rift between those for Equal Rights Amendment and those against it.","UCF Special Collections","History","Berman, Michael","English"],"unitid_tesim":["SC.106","/repositories/4/resources/49"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Michael Berman Florida Women's Conference Photographs, 1977"],"collection_title_tesim":["Michael Berman Florida Women's Conference Photographs, 1977"],"collection_ssim":["Michael Berman Florida Women's Conference Photographs, 1977"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","United States -- Politics and government"],"geogname_ssim":["Florida","United States -- Politics and government"],"creator_ssm":["Berman, Michael"],"creator_ssim":["Berman, Michael"],"creator_persname_ssim":["Berman, Michael"],"creators_ssim":["Berman, Michael"],"places_ssim":["Florida","United States -- Politics and government"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.\nMichael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photographs for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.\nAfter the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the United States and Southeast Asia. During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael J. Berman attended Nova High School in Ft. Lauderdale, and graduated from Vanguard High School in Ocala, before studying at Florida Technological University (FTU), now University of Central Florida, in Orlando, Florida.\nMichael Berman received his B.S. in Physics from FTU in 1975 and a B.A. in Theatre in 1976. During his time at FTU and afterward, he was very active in photography, taking photographs for the University theatre department and the campus newspaper, as both a photographer and a photo editor. He also produced the first Holograms on campus.\nAfter the completion of his studies at FTU, Michael began a successful career as an individual contributor and engineering manager in semiconductor manufacturing at different companies, including AMD in Silicon Valley and LSI Logic in Portland. While at the latter, he was named the Inventor of the Year in 2002 and Outstanding Patent Liaison of the Year in 2003. He also completed five major fab start-ups in the United States and Southeast Asia. During his time in the private sector, he published over a dozen papers and was granted over 50 US patents. In 2004 he joined the Micro/Nano Fabrication Center of University of Arizona, where he has been a nanotechnologist and chairman for 12 years. In 2009, he also joined Tempronics as the Director of Manufacturing. He retired in May 2016.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMichael Berman Florida Women\u0026#x92;'s Conference Photographs, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael Berman Florida Women’'s Conference Photographs, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Kyle West in 2018. Photographs were removed from cardboard backing with numbers on cardboard transferred onto the back of photographs then were placed into archival quality sleeves, which were then put into an acid-free folder in acid-free box.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Kyle West in 2018. Photographs were removed from cardboard backing with numbers on cardboard transferred onto the back of photographs then were placed into archival quality sleeves, which were then put into an acid-free folder in acid-free box."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on special collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on special collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Photographs, 1977, contains 21 black and white photographs, approximately 11 x 14 inches. Each photograph except the last had been numbered in an order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Photographs, 1977, contains 21 black and white photographs, approximately 11 x 14 inches. Each photograph except the last had been numbered in an order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1b41c3a7a2e6dcd7f7ffa4bcddf904b2\" label=\"Abstract\"\u003eThis collection contains 21 photographs taken by Michael Berman that pertain to the Florida Women's Conference of 1977. The first Florida Women'\u0026#x92;s Conference was held in July of the 15th, 16th, and 17th. It was run by forty Florida women selected by Jimmy Carter in order to help deal with the rift between those for Equal Rights Amendment and those against it.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains 21 photographs taken by Michael Berman that pertain to the Florida Women's Conference of 1977. The first Florida Women'’s Conference was held in July of the 15th, 16th, and 17th. It was run by forty Florida women selected by Jimmy Carter in order to help deal with the rift between those for Equal Rights Amendment and those against it."],"names_coll_ssim":["History"],"names_ssim":["UCF Special Collections","History","Berman, Michael"],"corpname_ssim":["UCF Special Collections","History"],"persname_ssim":["Berman, Michael"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857954961391616,"_root_":"9fbdbff688388dbc4784612e","timestamp":"2026-07-16T08:06:21.290Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9fbdbff688388dbc4784612e_aspace_73766"}},{"id":"53f642d51ae3f1367537126d_aspace_6ac4c8dd08ea7dbd940ad856a4821359","type":"Item","attributes":{"title":"Woman Sits On the Stairs Of A Beach House, 1925","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_6ac4c8dd08ea7dbd940ad856a4821359#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFlorence (last name unknown) sits on the stairs of the Beach House, one of the Sawyer family's buildings, in the mid-20s on Sanibel.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_6ac4c8dd08ea7dbd940ad856a4821359#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6ac4c8dd08ea7dbd940ad856a4821359","ref_ssm":["aspace_6ac4c8dd08ea7dbd940ad856a4821359","aspace_6ac4c8dd08ea7dbd940ad856a4821359"],"id":"53f642d51ae3f1367537126d_aspace_6ac4c8dd08ea7dbd940ad856a4821359","title_filing_ssi":"Woman Sits On the Stairs Of A Beach House","title_ssm":["Woman Sits On the Stairs Of A Beach House"],"title_tesim":["Woman Sits On the Stairs Of A Beach House"],"unitdate_other_ssim":["1925"],"normalized_date_ssm":["1925"],"normalized_title_ssm":["Woman Sits On the Stairs Of A Beach House, 1925"],"text":["Woman Sits On the Stairs Of A Beach House, 1925","Sanibel Island Collection, 1574-1998","/repositories/2/archival_objects/49158","Sanibel (Fla.)","Captiva Island (Fla.)","Florence (last name unknown) sits on the stairs of the Beach House, one of the Sawyer family's buildings, in the mid-20s on Sanibel."],"component_level_isim":[1],"parent_ids_ssim":["53f642d51ae3f1367537126d"],"parent_unittitles_ssm":["Sanibel Island Collection, 1574-1998"],"parent_unittitles_tesim":["Sanibel Island Collection, 1574-1998"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/49158"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Sanibel Island Collection, 1574-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":563,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1925],"geogname_ssim":["Sanibel (Fla.)","Captiva Island (Fla.)"],"geogname_ssm":["Sanibel (Fla.)","Captiva Island (Fla.)"],"places_ssim":["Sanibel (Fla.)","Captiva Island (Fla.)"],"scopecontent_html_tesm":["\u003cp\u003eFlorence (last name unknown) sits on the stairs of the Beach House, one of the Sawyer family's buildings, in the mid-20s on Sanibel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florence (last name unknown) sits on the stairs of the Beach House, one of the Sawyer family's buildings, in the mid-20s on Sanibel."],"_nest_path_":"/components#562","_nest_parent_":"53f642d51ae3f1367537126d","_root_":"53f642d51ae3f1367537126d","_version_":1870843512966086656,"timestamp":"2026-07-16T04:16:48.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"53f642d51ae3f1367537126d","title_ssm":["Sanibel Island Collection"],"title_tesim":["Sanibel Island Collection"],"ead_ssi":"53f642d51ae3f1367537126d","unitdate_ssm":["1574-1998"],"unitdate_inclusive_ssm":["1574-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019.SC.10","/repositories/2/resources/104"],"text":["2019.SC.10","/repositories/2/resources/104","Sanibel Island Collection, 1574-1998","The collection is open for research use.","Sanibel Island is a barrier island off the coast of Florida in Lee County. It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation.","The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.","The Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022.","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["2019.SC.10","/repositories/2/resources/104"],"normalized_date_ssm":["1574-1998"],"normalized_title_ssm":["Sanibel Island Collection, 1574-1998"],"collection_title_tesim":["Sanibel Island Collection, 1574-1998"],"collection_ssim":["Sanibel Island Collection, 1574-1998"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["649 Megabytes"],"extent_tesim":["649 Megabytes"],"date_range_isim":[1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eSanibel Island is a barrier island off the coast of Florida in Lee County. It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanibel Island is a barrier island off the coast of Florida in Lee County. It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation."],"originalsloc_html_tesm":["\u003cp\u003eThe University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022."],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":649,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843512966086656,"_root_":"53f642d51ae3f1367537126d","timestamp":"2026-07-16T04:16:48.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_6ac4c8dd08ea7dbd940ad856a4821359"}},{"id":"494d175c32d55745f7fddbc7_aspace_4368","type":"Item","attributes":{"title":"Woman sitting among foliage, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_4368#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4368","ref_ssm":["aspace_4368","aspace_4368"],"id":"494d175c32d55745f7fddbc7_aspace_4368","title_filing_ssi":"Woman sitting among foliage","title_ssm":["Woman sitting among foliage"],"title_tesim":["Woman sitting among foliage"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman sitting among foliage, Undated"],"text":["Woman sitting among foliage, Undated","Florida Image Collection, 1884-2002","People, 1913-1987, Undated","Roper Family Album, (described according to location in album), Undated","Folder 3","/repositories/4/archival_objects/12111","box 1","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["494d175c32d55745f7fddbc7","494d175c32d55745f7fddbc7_aspace_4299","494d175c32d55745f7fddbc7_aspace_4323"],"parent_unittitles_ssm":["Florida Image Collection, 1884-2002","People, 1913-1987, Undated","Roper Family Album, (described according to location in album), Undated"],"parent_unittitles_tesim":["Florida Image Collection, 1884-2002","People, 1913-1987, Undated","Roper Family Album, (described according to location in album), Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Folder 3","/repositories/4/archival_objects/12111"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Image Collection, 1884-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":67,"parent_access_restrict_tesm":["The entire collection is open for research."],"containers_ssim":["box 1","folder 3"],"_nest_path_":"/components#0/components#2/components#44","_nest_parent_":"494d175c32d55745f7fddbc7_aspace_4323","_root_":"494d175c32d55745f7fddbc7","_version_":1870858026892656640,"timestamp":"2026-07-16T08:07:29.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"494d175c32d55745f7fddbc7","title_ssm":["Florida Image Collection"],"title_tesim":["Florida Image Collection"],"ead_ssi":"494d175c32d55745f7fddbc7","unitdate_ssm":["1884-2002"],"unitdate_inclusive_ssm":["1884-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.067","/repositories/4/resources/58"],"text":["SC.067","/repositories/4/resources/58","Florida Image Collection, 1884-2002","Florida","photographs","The entire collection is open for research.","The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.","Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.","Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes.","More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.","Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection.","The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.067","/repositories/4/resources/58"],"normalized_date_ssm":["1884-2002"],"normalized_title_ssm":["Florida Image Collection, 1884-2002"],"collection_title_tesim":["Florida Image Collection, 1884-2002"],"collection_ssim":["Florida Image Collection, 1884-2002"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida"],"acqinfo_ssim":["Photographs used in the collection were taken from the Thomas and Georgine Mickler Collection, the UCF Libraries, Special Collections vertical file,as well as, other purchases and acessions.","This collection was a mixture of purchased and donated from the Mickler Estate and other sources in 2006 (CFM2006_08)."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["photographs"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection."],"custodhist_html_tesm":["\u003cp\u003eMany of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives."],"prefercite_html_tesm":["\u003cp\u003eFlorida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Alexandra Olson; finding aid created by Alexandra Olson.\u003c/p\u003e","\u003cp\u003eThe photographs and postcards were sleeved and placed in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room."],"scopecontent_html_tesm":["\u003cp\u003eGenerally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject\u003c/p\u003e\n","\u003cp\u003e\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: Negatives, Undated contains all the negatives of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1764512ad44520b697525a0abb48530\" label=\"Abstract\"\u003eThe images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.\u003c/abstract\u003e"],"abstract_tesim":["The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858026892656640,"_root_":"494d175c32d55745f7fddbc7","timestamp":"2026-07-16T08:07:29.876Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_4368"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=compact"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=compact"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=compact"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=compact"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=compact"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=compact"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=compact"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=compact"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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