{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64603\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64605\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64604,"next_page":64605,"prev_page":64603,"total_pages":65767,"limit_value":10,"offset_value":646030,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"c535959967939890c4a30b27_aspace_71fcc4b5c89ac446e93247f8d934ed59","type":"Item","attributes":{"title":"Will, Thomas E. \u0026 Will, Lawrence E.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_71fcc4b5c89ac446e93247f8d934ed59#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71fcc4b5c89ac446e93247f8d934ed59","ref_ssm":["aspace_71fcc4b5c89ac446e93247f8d934ed59","aspace_71fcc4b5c89ac446e93247f8d934ed59"],"id":"c535959967939890c4a30b27_aspace_71fcc4b5c89ac446e93247f8d934ed59","title_filing_ssi":"Will, Thomas E. \u0026 Will, Lawrence E. ","title_ssm":["Will, Thomas E. \u0026 Will, Lawrence E. "],"title_tesim":["Will, Thomas E. \u0026 Will, Lawrence E. "],"normalized_title_ssm":["Will, Thomas E. \u0026 Will, Lawrence E."],"text":["Will, Thomas E. \u0026 Will, Lawrence E.","Vertical files, 1900-2005","Biographical Index","W","/repositories/2/archival_objects/197600"],"component_level_isim":[3],"parent_ids_ssim":["c535959967939890c4a30b27","c535959967939890c4a30b27_aspace_e24dde343949547256f92be295beae4d","c535959967939890c4a30b27_aspace_3923f361ecf2aafd7d77b8f119e14d80"],"parent_unittitles_ssm":["Vertical files, 1900-2005","Biographical Index","W"],"parent_unittitles_tesim":["Vertical files, 1900-2005","Biographical Index","W"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/197600"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Vertical files, 1900-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4767,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0/components#22/components#207","_nest_parent_":"c535959967939890c4a30b27_aspace_3923f361ecf2aafd7d77b8f119e14d80","_root_":"c535959967939890c4a30b27","_version_":1881465993006415872,"timestamp":"2026-11-10T10:16:34.681Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c535959967939890c4a30b27","title_ssm":["Vertical files"],"title_tesim":["Vertical files"],"ead_ssi":"c535959967939890c4a30b27","unitdate_ssm":["1900-2005"],"unitdate_inclusive_ssm":["1900-2005"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["RD-1960-01","/repositories/2/resources/612"],"text":["RD-1960-01","/repositories/2/resources/612","Vertical files, 1900-2005","Florida -- Biography","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)","Catts, Sidney Johnston, 1863-1936","English"],"unitid_tesim":["RD-1960-01","/repositories/2/resources/612"],"normalized_date_ssm":["1900-2005"],"normalized_title_ssm":["Vertical files, 1900-2005"],"collection_title_tesim":["Vertical files, 1900-2005"],"collection_ssim":["Vertical files, 1900-2005"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Florida -- Biography"],"access_subjects_ssm":["Florida -- Biography"],"has_online_content_ssim":["false"],"extent_ssm":["39 Cubic Feet"],"extent_tesim":["39 Cubic Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"userestrict_html_tesm":["\u003cp\u003eNone.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b751902f9471baf1c338df56dba5bba1\"\u003eThe biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.\u003c/abstract\u003e"],"abstract_tesim":["The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)","Catts, Sidney Johnston, 1863-1936"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)"],"persname_ssim":["Catts, Sidney Johnston, 1863-1936"],"language_ssim":["English"],"total_component_count_is":4914,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881465993006415872,"_root_":"c535959967939890c4a30b27","timestamp":"2026-11-10T10:16:34.681Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_71fcc4b5c89ac446e93247f8d934ed59"}},{"id":"d570293c5aa1e29ef024f756_aspace_0b549aad72cc0193a38e3e4c75e5ed2a","type":"File","attributes":{"title":"Will Trade Racists for Refugees, n.d.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d570293c5aa1e29ef024f756_aspace_0b549aad72cc0193a38e3e4c75e5ed2a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eRectangular sticker with curved edges; white background. Red arrow curves around circle rebel flag and points to male isotype with raised arms. Blue arrow curves around isotype and points to rebel flag. Black text above and below reads, 'Will Trade Racists' (above) 'For Refugees' (below). Designed by FosterChild 7. Redbubble.com. Vinyl adhesive backed paper. 4\" x 8\". \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d570293c5aa1e29ef024f756_aspace_0b549aad72cc0193a38e3e4c75e5ed2a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0b549aad72cc0193a38e3e4c75e5ed2a","ref_ssm":["aspace_0b549aad72cc0193a38e3e4c75e5ed2a","aspace_0b549aad72cc0193a38e3e4c75e5ed2a"],"id":"d570293c5aa1e29ef024f756_aspace_0b549aad72cc0193a38e3e4c75e5ed2a","title_filing_ssi":"Will Trade Racists for Refugees, n.d.","title_ssm":["Will Trade Racists for Refugees, n.d."],"title_tesim":["Will Trade Racists for Refugees, n.d."],"normalized_title_ssm":["Will Trade Racists for Refugees, n.d."],"text":["Will Trade Racists for Refugees, n.d.","Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020","Ephemera","Stickers","/repositories/2/archival_objects/84372","box 1","folder 28","Rectangular sticker with curved edges; white background. Red arrow curves around circle rebel flag and points to male isotype with raised arms. Blue arrow curves around isotype and points to rebel flag. Black text above and below reads, 'Will Trade Racists' (above) 'For Refugees' (below). Designed by FosterChild 7. Redbubble.com. Vinyl adhesive backed paper. 4\" x 8\". "],"component_level_isim":[3],"parent_ids_ssim":["d570293c5aa1e29ef024f756","d570293c5aa1e29ef024f756_aspace_a3779b66ea57b107cd2a0cd6afc08b57","d570293c5aa1e29ef024f756_aspace_83593b9826b1bbd81ce4568682ef0dcd"],"parent_unittitles_ssm":["Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020","Ephemera","Stickers"],"parent_unittitles_tesim":["Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020","Ephemera","Stickers"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/84372"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":35,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 1","folder 28"],"scopecontent_html_tesm":["\u003cp\u003eRectangular sticker with curved edges; white background. Red arrow curves around circle rebel flag and points to male isotype with raised arms. Blue arrow curves around isotype and points to rebel flag. Black text above and below reads, 'Will Trade Racists' (above) 'For Refugees' (below). Designed by FosterChild 7. Redbubble.com.\u0026#xA0;Vinyl adhesive backed paper. 4\" x 8\".\u0026#xA0;\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Rectangular sticker with curved edges; white background. Red arrow curves around circle rebel flag and points to male isotype with raised arms. Blue arrow curves around isotype and points to rebel flag. Black text above and below reads, 'Will Trade Racists' (above) 'For Refugees' (below). Designed by FosterChild 7. Redbubble.com. Vinyl adhesive backed paper. 4\" x 8\". "],"_nest_path_":"/components#0/components#5/components#15","_nest_parent_":"d570293c5aa1e29ef024f756_aspace_83593b9826b1bbd81ce4568682ef0dcd","_root_":"d570293c5aa1e29ef024f756","timestamp":"2026-04-21T17:35:09.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d570293c5aa1e29ef024f756","title_ssm":["Dr. Jane Caputi Collection--Political Pandemonium"],"title_tesim":["Dr. Jane Caputi Collection--Political Pandemonium"],"ead_ssi":"d570293c5aa1e29ef024f756","unitdate_ssm":["2019-2020"],"unitdate_bulk_ssim":["2019-2020"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["UAFP0013","/repositories/2/resources/213"],"text":["UAFP0013","/repositories/2/resources/213","Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020","University Archives","University Archives -- Faculty Papers","Gender matters in U.S. politics","U.S. states -- Politics and government","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Processed in 2024 by Emily Logan","There are two additional collections in this series: Dr. Jane Caputi Collection--Political Circus https://archives.library.fau.edu/repositories/2/resources/56 and Dr. Jane Caputi Collection--Political Sideshow https://archives.library.fau.edu/repositories/2/resources/57","The Political Circus, Political Sideshow, and Political Pandemonium collections focus on the Presidential Campaigns of 2008, 2016, and 2020, where identity has played a part in the rhetoric of some candidates but more so in some of the general public's responses to various candidates. Through the acquisition of popular consumer items and material culture produced for the Presidential campaigns, Dr. Caputi organized three exhibitions teasing out issues concentrated on gender, racism, identity, class, and sexuality.\nThe Political Pandemonium Collection highlights the 2020 presidential election cycle. The items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia).  These pieces were central components of the exhibition, POLITICAL PANDEMONIUM Presidential Pop Culture From 2008 Through 2020 that ran from October 1, 2020 - January 15, 2021 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0013","/repositories/2/resources/213"],"normalized_date_ssm":["bulk 2019-2020"],"normalized_title_ssm":["Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020"],"collection_title_tesim":["Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020"],"collection_ssim":["Dr. Jane Caputi Collection--Political Pandemonium, bulk 2019-2020"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["University Archives","University Archives -- Faculty Papers","Gender matters in U.S. politics","U.S. states -- Politics and government","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives","University Archives -- Faculty Papers","Gender matters in U.S. politics","U.S. states -- Politics and government","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2024 by Emily Logan\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2024 by Emily Logan"],"relatedmaterial_html_tesm":["\u003cp\u003eThere are two additional collections in this series: Dr. Jane Caputi Collection--Political Circus https://archives.library.fau.edu/repositories/2/resources/56 and Dr. Jane Caputi Collection--Political Sideshow https://archives.library.fau.edu/repositories/2/resources/57\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are two additional collections in this series: Dr. Jane Caputi Collection--Political Circus https://archives.library.fau.edu/repositories/2/resources/56 and Dr. Jane Caputi Collection--Political Sideshow https://archives.library.fau.edu/repositories/2/resources/57"],"scopecontent_html_tesm":["\u003cp\u003e\u003cblockquote\u003eThe Political Circus, Political Sideshow, and Political Pandemonium collections focus on the Presidential Campaigns of 2008, 2016, and 2020, where identity has played a part in the rhetoric of some candidates but more so in some of the general public's responses to various candidates. Through the acquisition of popular consumer items and material culture produced for the Presidential campaigns, Dr. Caputi organized three exhibitions teasing out issues concentrated on gender, racism, identity, class, and sexuality.\nThe Political Pandemonium Collection highlights the 2020 presidential election cycle. The items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia).  These pieces were central components of the exhibition, POLITICAL PANDEMONIUM Presidential Pop Culture From 2008 Through 2020 that ran from October 1, 2020 - January 15, 2021 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism.\u003c/blockquote\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Political Circus, Political Sideshow, and Political Pandemonium collections focus on the Presidential Campaigns of 2008, 2016, and 2020, where identity has played a part in the rhetoric of some candidates but more so in some of the general public's responses to various candidates. Through the acquisition of popular consumer items and material culture produced for the Presidential campaigns, Dr. Caputi organized three exhibitions teasing out issues concentrated on gender, racism, identity, class, and sexuality.\nThe Political Pandemonium Collection highlights the 2020 presidential election cycle. The items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia).  These pieces were central components of the exhibition, POLITICAL PANDEMONIUM Presidential Pop Culture From 2008 Through 2020 that ran from October 1, 2020 - January 15, 2021 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":181,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d570293c5aa1e29ef024f756","timestamp":"2026-04-21T17:35:09.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d570293c5aa1e29ef024f756_aspace_0b549aad72cc0193a38e3e4c75e5ed2a"}},{"id":"18ce43a3c782b797db9fa781_aspace_178088","type":"Item","attributes":{"title":"Will with \"Jersey\"","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178088#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178088#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178088","ref_ssm":["aspace_178088","aspace_178088"],"id":"18ce43a3c782b797db9fa781_aspace_178088","title_filing_ssi":"Will with \"Jersey\"","title_ssm":["Will with \"Jersey\""],"title_tesim":["Will with \"Jersey\""],"normalized_title_ssm":["Will with \"Jersey\""],"text":["Will with \"Jersey\"","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford","St Hartford - Bolles Home","Item 14","/repositories/2/archival_objects/82372","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179823","18ce43a3c782b797db9fa781_aspace_178024"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford","St Hartford - Bolles Home"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford","St Hartford - Bolles Home"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 14","/repositories/2/archival_objects/82372"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1017,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#20/components#3/components#13","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178024","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178088"}},{"id":"1309a9d63f577afddf5ec714_aspace_111352","type":"Item","attributes":{"title":"Will Work For Passengers, November 18, 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1309a9d63f577afddf5ec714_aspace_111352#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_111352","ref_ssm":["aspace_111352","aspace_111352"],"id":"1309a9d63f577afddf5ec714_aspace_111352","title_filing_ssi":"Will Work For Passengers","title_ssm":["Will Work For Passengers"],"title_tesim":["Will Work For Passengers"],"unitdate_other_ssim":["November 18, 2002"],"normalized_date_ssm":["November 18, 2002"],"normalized_title_ssm":["Will Work For Passengers, November 18, 2002"],"text":["Will Work For Passengers, November 18, 2002","Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons I","Item 66","/repositories/2/archival_objects/112776","usfldc:H59-00135"],"component_level_isim":[3],"parent_ids_ssim":["1309a9d63f577afddf5ec714","1309a9d63f577afddf5ec714_aspace_123466","1309a9d63f577afddf5ec714_aspace_110515"],"parent_unittitles_ssm":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons I"],"parent_unittitles_tesim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons I"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Item 66","/repositories/2/archival_objects/112776"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":68,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_9a6a3be6a5f991ecbe7197b1e1f32458\"\u003eusfldc:H59-00135\u003c/materialspec\u003e"],"materialspec_tesim":["usfldc:H59-00135"],"_nest_path_":"/components#0/components#0/components#65","_nest_parent_":"1309a9d63f577afddf5ec714_aspace_110515","_root_":"1309a9d63f577afddf5ec714","_version_":1870863200756432896,"timestamp":"2026-07-16T09:29:44.067Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1309a9d63f577afddf5ec714","title_ssm":["Ed Hall editorial cartoon collection"],"title_tesim":["Ed Hall editorial cartoon collection"],"ead_ssi":"1309a9d63f577afddf5ec714","unitdate_ssm":["1996-2006","Date acquired: 12/00/2012"],"unitdate_inclusive_ssm":["1996-2006"],"unitdate_other_ssim":["Date acquired: 12/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["H59","/repositories/2/resources/494"],"text":["H59","/repositories/2/resources/494","Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Florida -- Politics and government","Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons","Series Two added March 2014.","Original order maintained. Order corresponds with cartoon numbering in the publications  Code Red  and  Diversions.","Born in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.  While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.  After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.  He has also won the Florida Press Club Award four times (2003 \u0026 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.","Ed is the owner of  Design Alternatives , a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.","Ed's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.  Through Artizans, Ed's cartoons appear weekly in newspapers across North America.","In 2003, Hall published his first book of oolitical cartoons entitled,  Code Red – Editorial Cartoons by Ed Hall.   His second collection entitled  Diversions and other Political Observations  was published in 2006.  His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"","Hall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.  He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.  Other recent awards include best of show in  Behind the Mask, Inside the Head  a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for  Figures of the Millenium , a St. Augustine Art Association show held in 1999.","Hall is represented in Florida by The Corse Gallery \u0026 Atelier.  His work is also held in the permanent collection of the St. Augustine Art Association.","Hall resides in Jacksonville with his wife Emmy.","published","This collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled  Code Red—Editorial Cartoons  and his 2006 book entitled  Diversions . These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection.","\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Hall, Ed","English"],"unitid_tesim":["H59","/repositories/2/resources/494"],"normalized_date_ssm":["1996-2006, Date acquired: 12/00/2012"],"normalized_title_ssm":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"collection_title_tesim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"collection_ssim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government"],"geogname_ssim":["Florida -- Politics and government"],"creator_ssm":["Hall, Ed"],"creator_ssim":["Hall, Ed"],"creator_persname_ssim":["Hall, Ed"],"creators_ssim":["Hall, Ed"],"places_ssim":["Florida -- Politics and government"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Ed Hall","Donation"],"access_subjects_ssim":["Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons"],"access_subjects_ssm":["Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons"],"has_online_content_ssim":["false"],"extent_ssm":["6.62 Linear Feet","4 boxes"],"extent_tesim":["6.62 Linear Feet","4 boxes"],"genreform_ssim":["Political cartoons"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accruals_html_tesm":["\u003cp\u003eSeries Two added March 2014.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Series Two added March 2014."],"arrangement_html_tesm":["\u003cp\u003eOriginal order maintained. Order corresponds with cartoon numbering in the publications \u003cemph render=\"italic\"\u003eCode Red\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eDiversions.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Original order maintained. Order corresponds with cartoon numbering in the publications  Code Red  and  Diversions."],"bioghist_html_tesm":["\u003cp\u003eBorn in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.\u0026#xA0; While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.\u0026#xA0; After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.\u0026#xA0; He has also won the Florida Press Club Award four times (2003 \u0026amp; 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.\u003c/p\u003e\n","\u003cp\u003eEd is the owner of \u003cemph render=\"italic\"\u003eDesign Alternatives\u003c/emph\u003e, a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.\u003c/p\u003e\n","\u003cp\u003eEd's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.\u0026#xA0; Through Artizans, Ed's cartoons appear weekly in newspapers across North America.\u003c/p\u003e\n","\u003cp\u003eIn 2003, Hall published his first book of oolitical cartoons entitled, \u003cemph render=\"italic\"\u003eCode Red \u0026#x2013; Editorial Cartoons by Ed Hall.\u0026#xA0; \u003c/emph\u003eHis second collection entitled \u003cemph render=\"italic\"\u003eDiversions and other Political Observations\u003c/emph\u003e was published in 2006.\u0026#xA0; His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"\u003c/p\u003e\n","\u003cp\u003eHall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.\u0026#xA0; He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.\u0026#xA0; Other recent awards include best of show in \u003cemph render=\"bold\"\u003e\u003cemph render=\"italic\"\u003eBehind the Mask, Inside the Head\u003c/emph\u003e\u003c/emph\u003e a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for \u003cemph render=\"bold\"\u003e\u003cemph render=\"italic\"\u003eFigures of the Millenium\u003c/emph\u003e\u003c/emph\u003e, a St. Augustine Art Association show held in 1999.\u003c/p\u003e\n","\u003cp\u003eHall is represented in Florida by The Corse Gallery \u0026amp; Atelier.\u0026#xA0; His work is also held in the permanent collection of the St. Augustine Art Association.\u003c/p\u003e\n","\u003cp\u003eHall resides in Jacksonville with his wife Emmy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Born in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.  While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.  After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.  He has also won the Florida Press Club Award four times (2003 \u0026 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.","Ed is the owner of  Design Alternatives , a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.","Ed's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.  Through Artizans, Ed's cartoons appear weekly in newspapers across North America.","In 2003, Hall published his first book of oolitical cartoons entitled,  Code Red – Editorial Cartoons by Ed Hall.   His second collection entitled  Diversions and other Political Observations  was published in 2006.  His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"","Hall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.  He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.  Other recent awards include best of show in  Behind the Mask, Inside the Head  a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for  Figures of the Millenium , a St. Augustine Art Association show held in 1999.","Hall is represented in Florida by The Corse Gallery \u0026 Atelier.  His work is also held in the permanent collection of the St. Augustine Art Association.","Hall resides in Jacksonville with his wife Emmy."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eEd Hall Editorial Cartoon Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ed Hall Editorial Cartoon Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled \u003cemph render=\"italic\"\u003eCode Red\u0026#x2014;Editorial Cartoons \u003c/emph\u003eand his 2006 book entitled \u003cemph render=\"italic\"\u003eDiversions\u003c/emph\u003e. These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled  Code Red—Editorial Cartoons  and his 2006 book entitled  Diversions . These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Hall, Ed"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hall, Ed"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":287,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863200756432896,"_root_":"1309a9d63f577afddf5ec714","timestamp":"2026-07-16T09:29:44.067Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1309a9d63f577afddf5ec714_aspace_111352"}},{"id":"a2a4f653385013d7eb9dc5f7_aspace_57209","type":"Item","attributes":{"title":"Willy Chirino. Oxigeno. Cassette. Location Box 12","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a2a4f653385013d7eb9dc5f7_aspace_57209#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57209","ref_ssm":["aspace_57209","aspace_57209"],"id":"a2a4f653385013d7eb9dc5f7_aspace_57209","title_filing_ssi":"Willy Chirino. Oxigeno. Cassette. Location Box 12","title_ssm":["Willy Chirino. Oxigeno. Cassette. Location Box 12"],"title_tesim":["Willy Chirino. Oxigeno. Cassette. Location Box 12"],"normalized_title_ssm":["Willy Chirino. Oxigeno. Cassette. Location Box 12"],"text":["Willy Chirino. Oxigeno. Cassette. Location Box 12","Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés.","Cassettes","Item 9","/repositories/2/archival_objects/55327"],"component_level_isim":[3],"parent_ids_ssim":["a2a4f653385013d7eb9dc5f7","a2a4f653385013d7eb9dc5f7_aspace_57052","a2a4f653385013d7eb9dc5f7_aspace_57199"],"parent_unittitles_ssm":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés.","Cassettes"],"parent_unittitles_tesim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés.","Cassettes"],"parent_levels_ssm":["collection","Other level","Other level"],"unitid_ssm":["Item 9","/repositories/2/archival_objects/55327"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":110,"parent_access_restrict_tesm":["In library use only."],"parent_access_terms_tesm":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"_nest_path_":"/components#11/components#1/components#8","_nest_parent_":"a2a4f653385013d7eb9dc5f7_aspace_57199","_root_":"a2a4f653385013d7eb9dc5f7","_version_":1870844629846327296,"timestamp":"2026-07-16T04:34:33.469Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a2a4f653385013d7eb9dc5f7","title_ssm":["Vicentico Valdés Collection"],"title_tesim":["Vicentico Valdés Collection"],"ead_ssi":"a2a4f653385013d7eb9dc5f7","unitdate_ssm":["1959-1995","1965","Date acquired: 00/00/2012"],"unitdate_bulk_ssim":["1965"],"unitdate_inclusive_ssm":["1959-1995"],"unitdate_other_ssim":["Date acquired: 00/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["DAC6020","/repositories/2/resources/56"],"text":["DAC6020","/repositories/2/resources/56","Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","Boleros (Music)","Popular music--Cuba.","In library use only.","The collection consists of 13 boxes and one photo album. The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11.","Note written by Valdés, Vicentico","https://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898","There are no physical restrictions on this collection.","There are no technical restrictions on this collection.","http://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html","Copyright is held by Florida International University by Dayana Valdés (deed of gift).","Vicentico Valdés was born on December 10, 1919 in Havana, and died on June 26, 1995 in New York. His career began as a singer of \"El Nacional\". Later on, he became a member of \"El Sexteto Jabón Candado\" and \"La Orquesta de Cheo Belén Puig y Cosmopolita\". In the 40's he integrated the sextet of \"Los Leones\" in Cuba and he also recorded with \"El Conjunto Tropical de Humberto Cané\" in México. Upon moving to New York he sang at the Hispanic Theater, the Million Dollar, the Park Plaza, the Palladium, and Puerto Rico. Moreover, he joined the orchestras of famous artists such as Noro Morales, Tito Puente, and Bobby Valentine multiple times. Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. He was known as one of the best \"Bolero\" singers from all times, which earned him the popular title of \"La voz romántica de Cuba\" and \"La voz elástica de Cuba\".","FIU Special Collections","Valdés, Vicentico","Valdés, Vicentico","English"],"unitid_tesim":["DAC6020","/repositories/2/resources/56"],"normalized_date_ssm":["1959-1995, Date acquired: 00/00/2012, bulk 1965"],"normalized_title_ssm":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"collection_title_tesim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"collection_ssim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Valdés, Vicentico"],"creator_ssim":["Valdés, Vicentico"],"creator_persname_ssim":["Valdés, Vicentico"],"creators_ssim":["Valdés, Vicentico"],"access_terms_ssm":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"acqinfo_ssim":["Donated by Diana Valdés to Diaz Ayala Collection"],"access_subjects_ssim":["Boleros (Music)","Popular music--Cuba."],"access_subjects_ssm":["Boleros (Music)","Popular music--Cuba."],"has_online_content_ssim":["false"],"extent_ssm":["13.00 boxes"],"extent_tesim":["13.00 boxes"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eIn library use only.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["In library use only."],"arrangement_html_tesm":["\u003cp\u003eThe collection consists of 13 boxes and one photo album. The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection consists of 13 boxes and one photo album. The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11."],"bioghist_html_tesm":["\u003cp\u003eNote written by Vald\u0026#xE9;s, Vicentico\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Note written by Valdés, Vicentico"],"odd_html_tesm":["\u003cp\u003ehttps://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["https://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898"],"phystech_html_tesm":["\u003cp\u003eThere are no physical restrictions on this collection.\u003c/p\u003e","\u003cp\u003eThere are no technical restrictions on this collection.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are no physical restrictions on this collection.","There are no technical restrictions on this collection."],"relatedmaterial_html_tesm":["\u003cp\u003ehttp://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["http://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html"],"userestrict_html_tesm":["\u003cp\u003eCopyright is held by Florida International University by Dayana Vald\u0026#xE9;s (deed of gift).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e9f7044b1c3e214bbe4a8c41235a25fd\" label=\"Abstract\"\u003eVicentico Vald\u0026#xE9;s was born on December 10, 1919 in Havana, and died on June 26, 1995 in New York. His career began as a singer of \"El Nacional\". Later on, he became a member of \"El Sexteto Jab\u0026#xF3;n Candado\" and \"La Orquesta de Cheo Bel\u0026#xE9;n Puig y Cosmopolita\". In the 40's he integrated the sextet of \"Los Leones\" in Cuba and he also recorded with \"El Conjunto Tropical de Humberto Can\u0026#xE9;\" in M\u0026#xE9;xico. Upon moving to New York he sang at the Hispanic Theater, the Million Dollar, the Park Plaza, the Palladium, and Puerto Rico. Moreover, he joined the orchestras of famous artists such as Noro Morales, Tito Puente, and Bobby Valentine multiple times. Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. He was known as one of the best \"Bolero\" singers from all times, which earned him the popular title of \"La voz rom\u0026#xE1;ntica de Cuba\" and \"La voz el\u0026#xE1;stica de Cuba\".\u003c/abstract\u003e"],"abstract_tesim":["Vicentico Valdés was born on December 10, 1919 in Havana, and died on June 26, 1995 in New York. His career began as a singer of \"El Nacional\". Later on, he became a member of \"El Sexteto Jabón Candado\" and \"La Orquesta de Cheo Belén Puig y Cosmopolita\". In the 40's he integrated the sextet of \"Los Leones\" in Cuba and he also recorded with \"El Conjunto Tropical de Humberto Cané\" in México. Upon moving to New York he sang at the Hispanic Theater, the Million Dollar, the Park Plaza, the Palladium, and Puerto Rico. Moreover, he joined the orchestras of famous artists such as Noro Morales, Tito Puente, and Bobby Valentine multiple times. Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. He was known as one of the best \"Bolero\" singers from all times, which earned him the popular title of \"La voz romántica de Cuba\" and \"La voz elástica de Cuba\"."],"names_ssim":["FIU Special Collections","Valdés, Vicentico","Valdés, Vicentico"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Valdés, Vicentico"],"persname_ssim":["Valdés, Vicentico","Valdés, Vicentico"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":128,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844629846327296,"_root_":"a2a4f653385013d7eb9dc5f7","timestamp":"2026-07-16T04:34:33.469Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a2a4f653385013d7eb9dc5f7_aspace_57209"}},{"id":"f70dba2e4db85b9be660d412_aspace_169100","type":"Item","attributes":{"title":"Willy McBean and His Magic Machine","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412_aspace_169100#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eItems available: 1 press release. Studio: Magna Dist. Corp.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412_aspace_169100#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_169100","ref_ssm":["aspace_169100","aspace_169100"],"id":"f70dba2e4db85b9be660d412_aspace_169100","title_filing_ssi":"Willy McBean and His Magic Machine","title_ssm":["Willy McBean and His Magic Machine"],"title_tesim":["Willy McBean and His Magic Machine"],"normalized_title_ssm":["Willy McBean and His Magic Machine"],"text":["Willy McBean and His Magic Machine","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Miscellaneous Studios","Item Misc 514","/repositories/10/archival_objects/65092","Items available: 1 press release. Studio: Magna Dist. Corp."],"component_level_isim":[2],"parent_ids_ssim":["f70dba2e4db85b9be660d412","f70dba2e4db85b9be660d412_aspace_168663"],"parent_unittitles_ssm":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Miscellaneous Studios"],"parent_unittitles_tesim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Miscellaneous Studios"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item Misc 514","/repositories/10/archival_objects/65092"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2835,"parent_access_restrict_tesm":["This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"scopecontent_html_tesm":["\u003cp\u003eItems available: 1 press release. Studio: Magna Dist. Corp.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Items available: 1 press release. Studio: Magna Dist. Corp."],"_nest_path_":"/components#16/components#436","_nest_parent_":"f70dba2e4db85b9be660d412_aspace_168663","_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f70dba2e4db85b9be660d412","title_ssm":["Cinema Promotional Materials"],"title_tesim":["Cinema Promotional Materials"],"ead_ssi":"f70dba2e4db85b9be660d412","unitdate_ssm":["1957-1976","Date acquired: 08/01/1976"],"unitdate_inclusive_ssm":["1957-1976"],"unitdate_other_ssim":["Date acquired: 08/01/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 76-18","/repositories/10/resources/599"],"text":["MSS 76-18","/repositories/10/resources/599","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures.","This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library.","The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.","Processed November, 1977.","This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 76-18","/repositories/10/resources/599"],"normalized_date_ssm":["1957-1976, Date acquired: 08/01/1976"],"normalized_title_ssm":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_title_tesim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_ssim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Mr. Leslie W. Pendleton, District Supervisor, Kent Theatres, Inc.","Received August 1976 through the efforts of Dr. Ungurait."],"access_subjects_ssim":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"access_subjects_ssm":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"has_online_content_ssim":["false"],"extent_ssm":["5521.00 items"],"extent_tesim":["5521.00 items"],"genreform_ssim":["Motion pictures."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003ePortions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e\n","\u003cp\u003eBoxes 2-5 and 8 may be accessed at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eThe larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed."],"prefercite_html_tesm":["\u003cp\u003eCinema Promotional Materials, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18\u003c/p\u003e"],"prefercite_tesim":["Cinema Promotional Materials, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18"],"processinfo_html_tesm":["\u003cp\u003eProcessed November, 1977.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed November, 1977."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n\u003cbr\u003e\u003cbr\u003eEach press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n\u003cbr\u003e\u003cbr\u003eThe records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412_aspace_169100"}},{"id":"d1ea106fa8cbccd8c648e8d4_aspace_24403","type":"Item","attributes":{"title":"\"Willy\", n.d.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d1ea106fa8cbccd8c648e8d4_aspace_24403#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24403","ref_ssm":["aspace_24403","aspace_24403"],"id":"d1ea106fa8cbccd8c648e8d4_aspace_24403","title_filing_ssi":"\"Willy\"","title_ssm":["\"Willy\""],"title_tesim":["\"Willy\""],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["\"Willy\", n.d."],"text":["\"Willy\", n.d.","William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Personal Photos","Item 53","/repositories/2/archival_objects/51677","2\"X2.5\"  - Black And White Photograph","box 3","Mr. Rosenblatt"],"component_level_isim":[3],"parent_ids_ssim":["d1ea106fa8cbccd8c648e8d4","d1ea106fa8cbccd8c648e8d4_aspace_24256","d1ea106fa8cbccd8c648e8d4_aspace_24360"],"parent_unittitles_ssm":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Personal Photos"],"parent_unittitles_tesim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Personal Photos"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 53","/repositories/2/archival_objects/51677"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"physdesc_tesim":["2\"X2.5\"  - Black And White Photograph"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":144,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3"],"odd_html_tesm":["\u003cp\u003eMr. Rosenblatt\u003c/p\u003e"],"odd_heading_ssm":["Creator"],"odd_tesim":["Mr. Rosenblatt"],"_nest_path_":"/components#0/components#1/components#41","_nest_parent_":"d1ea106fa8cbccd8c648e8d4_aspace_24360","_root_":"d1ea106fa8cbccd8c648e8d4","_version_":1870841708719112192,"timestamp":"2026-07-16T03:48:07.664Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d1ea106fa8cbccd8c648e8d4","title_ssm":["William Rosenblatt Photography Collection"],"title_tesim":["William Rosenblatt Photography Collection"],"ead_ssi":"d1ea106fa8cbccd8c648e8d4","unitdate_ssm":["1944-1945","1944"],"unitdate_bulk_ssim":["1944"],"unitdate_inclusive_ssm":["1944-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00020","/repositories/2/resources/148"],"text":["SPC00020","/repositories/2/resources/148","William Rosenblatt Photography Collection, 1944-1945, bulk 1944","World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Teresa Van Dyke processed this collection.","William Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. Most of the photographs depict various members of the United States Army and relief organization workers in France and Belgium. The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","William Rosenblatt","English"],"unitid_tesim":["SPC00020","/repositories/2/resources/148"],"normalized_date_ssm":["1944-1945, bulk 1944"],"normalized_title_ssm":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"collection_title_tesim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"collection_ssim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["William Rosenblatt"],"creator_ssim":["William Rosenblatt"],"creator_persname_ssim":["William Rosenblatt"],"creators_ssim":["William Rosenblatt"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945"],"access_subjects_ssm":["World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet","173 items other_unmapped"],"extent_tesim":["2.50 Linear Feet","173 items other_unmapped"],"date_range_isim":[1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eWilliam Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. Most of the photographs depict various members of the United States Army and relief organization workers in France and Belgium. The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["William Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. Most of the photographs depict various members of the United States Army and relief organization workers in France and Belgium. The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","William Rosenblatt"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["William Rosenblatt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":177,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841708719112192,"_root_":"d1ea106fa8cbccd8c648e8d4","timestamp":"2026-07-16T03:48:07.664Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d1ea106fa8cbccd8c648e8d4_aspace_24403"}},{"id":"ecb7f54a1d2fa64c00723e94_aspace_32fdda388337893f223fd7c924f85d6c","type":"Item","attributes":{"title":"Will You Have a Healthy Baby poster","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ecb7f54a1d2fa64c00723e94_aspace_32fdda388337893f223fd7c924f85d6c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_32fdda388337893f223fd7c924f85d6c","ref_ssm":["aspace_32fdda388337893f223fd7c924f85d6c","aspace_32fdda388337893f223fd7c924f85d6c"],"id":"ecb7f54a1d2fa64c00723e94_aspace_32fdda388337893f223fd7c924f85d6c","title_filing_ssi":"Will You Have a Healthy Baby poster","title_ssm":["Will You Have a Healthy Baby poster"],"title_tesim":["Will You Have a Healthy Baby poster"],"normalized_title_ssm":["Will You Have a Healthy Baby poster"],"text":["Will You Have a Healthy Baby poster","Charles Mahan Public Health posters collection, 1995-2006","Childbirth and Pregnancy posters","Item 16","/repositories/2/archival_objects/203813","folder 3","Item 16","There are three copies of this poster."],"component_level_isim":[2],"parent_ids_ssim":["ecb7f54a1d2fa64c00723e94","ecb7f54a1d2fa64c00723e94_aspace_139281"],"parent_unittitles_ssm":["Charles Mahan Public Health posters collection, 1995-2006","Childbirth and Pregnancy posters"],"parent_unittitles_tesim":["Charles Mahan Public Health posters collection, 1995-2006","Childbirth and Pregnancy posters"],"parent_levels_ssm":["collection","File"],"unitid_ssm":["Item 16","/repositories/2/archival_objects/203813"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Charles Mahan Public Health posters collection, 1995-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":44,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["folder 3","Item 16"],"altformavail_html_tesm":["\u003cp\u003eThere are three copies of this poster.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["There are three copies of this poster."],"_nest_path_":"/components#2/components#15","_nest_parent_":"ecb7f54a1d2fa64c00723e94_aspace_139281","_root_":"ecb7f54a1d2fa64c00723e94","_version_":1870862963462635520,"timestamp":"2026-07-16T09:25:57.767Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ecb7f54a1d2fa64c00723e94","title_ssm":["Charles Mahan Public Health posters collection"],"title_tesim":["Charles Mahan Public Health posters collection"],"ead_ssi":"ecb7f54a1d2fa64c00723e94","unitdate_ssm":["1995-2006"],"unitdate_inclusive_ssm":["1995-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-07","/repositories/2/resources/393"],"text":["MS-2006-07","/repositories/2/resources/393","Charles Mahan Public Health posters collection, 1995-2006","Children -- Posters","Medicine -- Posters","Smoking -- Posters","Pregnancy -- Posters","Breastfeeding -- Posters","Arranged alphabetically.","Charles S. Mahan, M.D. Professor Emeritus of the USF College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","A collection of medical posters from the USF College of Public Health.","The Charles Mahan Public Health posters collection is housed in Map Case 2 drawer 5.","USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)","English"],"unitid_tesim":["MS-2006-07","/repositories/2/resources/393"],"normalized_date_ssm":["1995-2006"],"normalized_title_ssm":["Charles Mahan Public Health posters collection, 1995-2006"],"collection_title_tesim":["Charles Mahan Public Health posters collection, 1995-2006"],"collection_ssim":["Charles Mahan Public Health posters collection, 1995-2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Mahan, Charles S. (1938-)"],"creator_ssim":["Mahan, Charles S. (1938-)"],"creator_persname_ssim":["Mahan, Charles S. (1938-)"],"creators_ssim":["Mahan, Charles S. (1938-)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Charles S. Mahan","Donation"],"access_subjects_ssim":["Children -- Posters","Medicine -- Posters","Smoking -- Posters","Pregnancy -- Posters","Breastfeeding -- Posters"],"access_subjects_ssm":["Children -- Posters","Medicine -- Posters","Smoking -- Posters","Pregnancy -- Posters","Breastfeeding -- Posters"],"has_online_content_ssim":["false"],"extent_ssm":["4.33 Linear Feet"],"extent_tesim":["4.33 Linear Feet"],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eCharles S. Mahan, M.D. Professor Emeritus of the USF College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D. Professor Emeritus of the USF College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies."],"prefercite_html_tesm":["\u003cp\u003eCharles Mahan Public Health posters collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Charles Mahan Public Health posters collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_38420db0eeeaa29248720d628026278d\" label=\"Abstract\"\u003eA collection of medical posters from the USF College of Public Health.\u003c/abstract\u003e"],"abstract_tesim":["A collection of medical posters from the USF College of Public Health."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6b30fb8d017703f0380dcf8e481630d5\"\u003eThe Charles Mahan Public Health posters collection is housed in Map Case 2 drawer 5.\u003c/physloc\u003e"],"physloc_tesim":["The Charles Mahan Public Health posters collection is housed in Map Case 2 drawer 5."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. (1938-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862963462635520,"_root_":"ecb7f54a1d2fa64c00723e94","timestamp":"2026-07-16T09:25:57.767Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ecb7f54a1d2fa64c00723e94_aspace_32fdda388337893f223fd7c924f85d6c"}},{"id":"a04ee2f29c834be99eea7a5b_aspace_21219","type":"Item","attributes":{"title":"Will You Help The Orientation Man, 21-Sep-71","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_21219#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSteve King, Editor; Qty: 2\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_21219#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_21219","ref_ssm":["aspace_21219","aspace_21219"],"id":"a04ee2f29c834be99eea7a5b_aspace_21219","title_filing_ssi":"Will You Help The Orientation Man","title_ssm":["Will You Help The Orientation Man"],"title_tesim":["Will You Help The Orientation Man"],"unitdate_other_ssim":["21-Sep-71"],"normalized_date_ssm":["21-Sep-71"],"normalized_title_ssm":["Will You Help The Orientation Man, 21-Sep-71"],"text":["Will You Help The Orientation Man, 21-Sep-71","FAU Student Newspapers Collection, 1964 - 2017","The Atlantic Sun, 1966-1989","Volume 18","Item 1","/repositories/2/archival_objects/6964","Steve King, Editor; Qty: 2"],"component_level_isim":[3],"parent_ids_ssim":["a04ee2f29c834be99eea7a5b","a04ee2f29c834be99eea7a5b_aspace_21006","a04ee2f29c834be99eea7a5b_aspace_21218"],"parent_unittitles_ssm":["FAU Student Newspapers Collection, 1964 - 2017","The Atlantic Sun, 1966-1989","Volume 18"],"parent_unittitles_tesim":["FAU Student Newspapers Collection, 1964 - 2017","The Atlantic Sun, 1966-1989","Volume 18"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/6964"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Student Newspapers Collection, 1964 - 2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":215,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eSteve King, Editor; Qty: 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Steve King, Editor; Qty: 2"],"_nest_path_":"/components#0/components#17/components#0","_nest_parent_":"a04ee2f29c834be99eea7a5b_aspace_21218","_root_":"a04ee2f29c834be99eea7a5b","_version_":1870841933544292352,"timestamp":"2026-07-16T03:51:41.966Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a04ee2f29c834be99eea7a5b","title_ssm":["FAU Student Newspapers Collection"],"title_tesim":["FAU Student Newspapers Collection"],"ead_ssi":"a04ee2f29c834be99eea7a5b","unitdate_ssm":["1964 - 2017"],"unitdate_inclusive_ssm":["1964 - 2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00017","/repositories/2/resources/18"],"text":["UA00017","/repositories/2/resources/18","FAU Student Newspapers Collection, 1964 - 2017","Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged in volume order. The item field represents the publication's issue number.  On some issues, there are a variety of publication conventions, such as: no printed issue number, words in place of issue number, or misnumbered print run.  For example, the phrase \"New Student Edition,\" \"Orientation,\" or \"Extra\" may appear instead of an issue number.  When permissible the finding aid best represents the information found on the front page.","In 2011, Leslie Siegel processed this collection.","The student newspapers at Florida Atlantic University document various events, politics, and opinions at FAU.  Overall there are seven different publishing histories: The Atlantic Sun (1964 - 1989),  Student Newspapers - Self Published (1969 - 1973), The Independent Atlantic Sun (1989 - 1991), \"All New\" Atlantic Sun (1991 - 1992), Free Press at Florida Atlantic University (1994 - 1995), The University Press at Florida Atlantic University (1996 - 1999), and The University Press (1999 - Active).","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Florida Atlantic University","English"],"unitid_tesim":["UA00017","/repositories/2/resources/18"],"normalized_date_ssm":["1964 - 2017"],"normalized_title_ssm":["FAU Student Newspapers Collection, 1964 - 2017"],"collection_title_tesim":["FAU Student Newspapers Collection, 1964 - 2017"],"collection_ssim":["FAU Student Newspapers Collection, 1964 - 2017"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in volume order. The item field represents the publication's issue number.\u0026#xA0; On some issues, there are a variety of publication conventions, such as: no printed issue number, words in place of issue number, or misnumbered print run.\u0026#xA0; For example, the phrase \"New Student Edition,\" \"Orientation,\" or \"Extra\" may appear instead of an issue number.\u0026#xA0; When permissible the finding aid best represents the information found on the front page.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in volume order. The item field represents the publication's issue number.  On some issues, there are a variety of publication conventions, such as: no printed issue number, words in place of issue number, or misnumbered print run.  For example, the phrase \"New Student Edition,\" \"Orientation,\" or \"Extra\" may appear instead of an issue number.  When permissible the finding aid best represents the information found on the front page."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series; volume and issue number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series; volume and issue number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Leslie Siegel processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Leslie Siegel processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe student newspapers at Florida Atlantic University document various events, politics, and opinions at FAU.\u0026#xA0; Overall there are seven different publishing histories: The Atlantic Sun (1964 - 1989),\u0026#xA0; Student Newspapers - Self Published (1969 - 1973), The Independent Atlantic Sun (1989 - 1991), \"All New\" Atlantic Sun (1991 - 1992), Free Press at Florida Atlantic University (1994 - 1995), The University Press at Florida Atlantic University (1996 - 1999), and The University Press (1999 - Active).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The student newspapers at Florida Atlantic University document various events, politics, and opinions at FAU.  Overall there are seven different publishing histories: The Atlantic Sun (1964 - 1989),  Student Newspapers - Self Published (1969 - 1973), The Independent Atlantic Sun (1989 - 1991), \"All New\" Atlantic Sun (1991 - 1992), Free Press at Florida Atlantic University (1994 - 1995), The University Press at Florida Atlantic University (1996 - 1999), and The University Press (1999 - Active)."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_coll_ssim":["Florida Atlantic University"],"names_ssim":["Florida Atlantic University Libraries","Florida Atlantic University"],"corpname_ssim":["Florida Atlantic University Libraries","Florida Atlantic University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1889,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841933544292352,"_root_":"a04ee2f29c834be99eea7a5b","timestamp":"2026-07-16T03:51:41.966Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_21219"}},{"id":"0c6450679382733623a42e56_aspace_70879","type":"File","attributes":{"title":"Will You Remember, 1917","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_70879#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70879","ref_ssm":["aspace_70879","aspace_70879"],"id":"0c6450679382733623a42e56_aspace_70879","title_filing_ssi":"Will You Remember","title_ssm":["Will You Remember"],"title_tesim":["Will You Remember"],"unitdate_other_ssim":["1917"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["Will You Remember, 1917"],"text":["Will You Remember, 1917","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","General","Folder 55","/repositories/2/archival_objects/2818","27755","6","box 08","folder 55","New York","G. Schirmer, Inc.","Young, Rida Johnson","Romberg, Sigmund","English","Piano, Voice"],"component_level_isim":[3],"parent_ids_ssim":["0c6450679382733623a42e56","0c6450679382733623a42e56_aspace_70310","0c6450679382733623a42e56_aspace_70311"],"parent_unittitles_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","General"],"parent_unittitles_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","General"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 55","/repositories/2/archival_objects/2818"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"physdesc_tesim":["27755","6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":562,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 08","folder 55"],"odd_html_tesm":["\u003cp\u003eNew York\u003c/p\u003e","\u003cp\u003eG. Schirmer, Inc.\u003c/p\u003e","\u003cp\u003eYoung, Rida Johnson\u003c/p\u003e","\u003cp\u003eRomberg, Sigmund\u003c/p\u003e"],"odd_heading_ssm":["Place","Publisher","Lyricist","Composer"],"odd_tesim":["New York","G. Schirmer, Inc.","Young, Rida Johnson","Romberg, Sigmund"],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_9dc23aa45c77ce8923a1647d12745fd6\"\u003ePiano, Voice\u003c/materialspec\u003e"],"materialspec_tesim":["Piano, Voice"],"_nest_path_":"/components#0/components#0/components#518","_nest_parent_":"0c6450679382733623a42e56_aspace_70311","_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0c6450679382733623a42e56","title_ssm":["Derna DePamphilis Music Collection"],"title_tesim":["Derna DePamphilis Music Collection"],"ead_ssi":"0c6450679382733623a42e56","unitdate_ssm":["1885-1962","1935-1950"],"unitdate_bulk_ssim":["1935-1950"],"unitdate_inclusive_ssm":["1885-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00011","/repositories/2/resources/5"],"text":["PMC00011","/repositories/2/resources/5","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00011","/repositories/2/resources/5"],"normalized_date_ssm":["1885-1962, bulk 1935-1950"],"normalized_title_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_title_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1053,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_70879"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=compact"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=compact"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=compact"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=compact"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=compact"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=compact"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=compact"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=compact"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":262},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":152},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Stecher%2C+Jo\u0026view=compact"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":145},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=compact"}},{"attributes":{"label":"Holman, Bill (Willis Leonard) (1927-05-21)","value":"Holman, Bill (Willis Leonard) (1927-05-21)","hits":115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Holman%2C+Bill+%28Willis+Leonard%29+%281927-05-21%29\u0026view=compact"}},{"attributes":{"label":"Eastman Kodak Company","value":"Eastman Kodak Company","hits":114},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Eastman+Kodak+Company\u0026view=compact"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":73},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026view=compact"}},{"attributes":{"label":"Nestico, Sammy (1924-02-06-2021-01-17)","value":"Nestico, Sammy (1924-02-06-2021-01-17)","hits":70},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Nestico%2C+Sammy+%281924-02-06-2021-01-17%29\u0026view=compact"}},{"attributes":{"label":"Levine, Seymour","value":"Levine, Seymour","hits":62},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Levine%2C+Seymour\u0026view=compact"}},{"attributes":{"label":"Jones, Thad (1923-03-28-1986-08-20)","value":"Jones, Thad (1923-03-28-1986-08-20)","hits":57},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Jones%2C+Thad+%281923-03-28-1986-08-20%29\u0026view=compact"}},{"attributes":{"label":"Morey, Brad","value":"Morey, Brad","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Morey%2C+Brad\u0026view=compact"}},{"attributes":{"label":"Wagner, Richard, 1813-1883","value":"Wagner, Richard, 1813-1883","hits":45},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Wagner%2C+Richard%2C+1813-1883\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1990","value":"1990","hits":6652},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026view=compact"}},{"attributes":{"label":"1945","value":"1945","hits":6569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1945\u0026view=compact"}},{"attributes":{"label":"1987","value":"1987","hits":6549},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026view=compact"}},{"attributes":{"label":"1986","value":"1986","hits":6489},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026view=compact"}},{"attributes":{"label":"1989","value":"1989","hits":6487},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026view=compact"}},{"attributes":{"label":"1985","value":"1985","hits":6394},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026view=compact"}},{"attributes":{"label":"1988","value":"1988","hits":6361},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026view=compact"}},{"attributes":{"label":"1984","value":"1984","hits":6130},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026view=compact"}},{"attributes":{"label":"1944","value":"1944","hits":6115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026view=compact"}},{"attributes":{"label":"1983","value":"1983","hits":6046},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"1997","value":"1997","hits":6023},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026view=compact"}},{"attributes":{"label":"1991","value":"1991","hits":5994},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026view=compact"}},{"attributes":{"label":"1996","value":"1996","hits":5979},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"1992","value":"1992","hits":5931},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"1995","value":"1995","hits":5889},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"1982","value":"1982","hits":5882},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026view=compact"}},{"attributes":{"label":"1993","value":"1993","hits":5831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026view=compact"}},{"attributes":{"label":"1994","value":"1994","hits":5792},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026view=compact"}},{"attributes":{"label":"1998","value":"1998","hits":5765},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026view=compact"}},{"attributes":{"label":"1980","value":"1980","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026view=compact"}},{"attributes":{"label":"1981","value":"1981","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026view=compact"}},{"attributes":{"label":"1999","value":"1999","hits":5648},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026view=compact"}},{"attributes":{"label":"1979","value":"1979","hits":5612},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026view=compact"}},{"attributes":{"label":"1978","value":"1978","hits":5538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026view=compact"}},{"attributes":{"label":"1976","value":"1976","hits":5526},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"1943","value":"1943","hits":5405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1943\u0026view=compact"}},{"attributes":{"label":"1977","value":"1977","hits":5348},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026view=compact"}},{"attributes":{"label":"1975","value":"1975","hits":5327},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026view=compact"}},{"attributes":{"label":"1974","value":"1974","hits":5252},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026view=compact"}},{"attributes":{"label":"1973","value":"1973","hits":5220},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026view=compact"}},{"attributes":{"label":"2000","value":"2000","hits":5154},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"1970","value":"1970","hits":5098},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026view=compact"}},{"attributes":{"label":"1972","value":"1972","hits":5045},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026view=compact"}},{"attributes":{"label":"1971","value":"1971","hits":4971},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026view=compact"}},{"attributes":{"label":"1969","value":"1969","hits":4843},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026view=compact"}},{"attributes":{"label":"1968","value":"1968","hits":4674},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026view=compact"}},{"attributes":{"label":"2001","value":"2001","hits":4639},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026view=compact"}},{"attributes":{"label":"1967","value":"1967","hits":4527},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026view=compact"}},{"attributes":{"label":"1942","value":"1942","hits":4470},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026view=compact"}},{"attributes":{"label":"1946","value":"1946","hits":4455},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":4429},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":4375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026view=compact"}},{"attributes":{"label":"1950","value":"1950","hits":4338},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1950\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":4307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":4281},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026view=compact"}},{"attributes":{"label":"2002","value":"2002","hits":4270},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":4266},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":4263},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":4223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":4194},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":4187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":4165},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026view=compact"}},{"attributes":{"label":"1953","value":"1953","hits":4133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026view=compact"}},{"attributes":{"label":"1952","value":"1952","hits":4111},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026view=compact"}},{"attributes":{"label":"1948","value":"1948","hits":4110},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026view=compact"}},{"attributes":{"label":"1951","value":"1951","hits":4101},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":4094},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026view=compact"}},{"attributes":{"label":"1947","value":"1947","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026view=compact"}},{"attributes":{"label":"1949","value":"1949","hits":4058},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026view=compact"}},{"attributes":{"label":"2003","value":"2003","hits":3981},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":3944},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026view=compact"}},{"attributes":{"label":"1941","value":"1941","hits":3800},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026view=compact"}},{"attributes":{"label":"2004","value":"2004","hits":3678},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026view=compact"}},{"attributes":{"label":"2005","value":"2005","hits":3664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026view=compact"}},{"attributes":{"label":"2007","value":"2007","hits":3627},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026view=compact"}},{"attributes":{"label":"2006","value":"2006","hits":3607},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026view=compact"}},{"attributes":{"label":"1940","value":"1940","hits":3567},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026view=compact"}},{"attributes":{"label":"1939","value":"1939","hits":3187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026view=compact"}},{"attributes":{"label":"2008","value":"2008","hits":3056},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026view=compact"}},{"attributes":{"label":"1938","value":"1938","hits":2998},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026view=compact"}},{"attributes":{"label":"1937","value":"1937","hits":2799},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026view=compact"}},{"attributes":{"label":"2009","value":"2009","hits":2676},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026view=compact"}},{"attributes":{"label":"1936","value":"1936","hits":2625},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026view=compact"}},{"attributes":{"label":"1935","value":"1935","hits":2538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1935\u0026view=compact"}},{"attributes":{"label":"2010","value":"2010","hits":2491},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026view=compact"}},{"attributes":{"label":"1932","value":"1932","hits":2463},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026view=compact"}},{"attributes":{"label":"1934","value":"1934","hits":2423},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"1933","value":"1933","hits":2395},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026view=compact"}},{"attributes":{"label":"1925","value":"1925","hits":2337},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026view=compact"}},{"attributes":{"label":"1930","value":"1930","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1930\u0026view=compact"}},{"attributes":{"label":"1931","value":"1931","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1931\u0026view=compact"}},{"attributes":{"label":"1926","value":"1926","hits":2213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1926\u0026view=compact"}},{"attributes":{"label":"1929","value":"1929","hits":2158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026view=compact"}},{"attributes":{"label":"1928","value":"1928","hits":2108},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026view=compact"}},{"attributes":{"label":"1927","value":"1927","hits":2076},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1927\u0026view=compact"}},{"attributes":{"label":"2011","value":"2011","hits":1988},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026view=compact"}},{"attributes":{"label":"2012","value":"2012","hits":1831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026view=compact"}},{"attributes":{"label":"2013","value":"2013","hits":1750},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=compact"}},{"attributes":{"label":"1920","value":"1920","hits":1725},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1920\u0026view=compact"}},{"attributes":{"label":"1924","value":"1924","hits":1714},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026view=compact"}},{"attributes":{"label":"1923","value":"1923","hits":1664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026view=compact"}},{"attributes":{"label":"1922","value":"1922","hits":1603},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1922\u0026view=compact"}},{"attributes":{"label":"2014","value":"2014","hits":1579},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026view=compact"}},{"attributes":{"label":"1921","value":"1921","hits":1553},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026view=compact"}},{"attributes":{"label":"1919","value":"1919","hits":1381},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1919\u0026view=compact"}},{"attributes":{"label":"1918","value":"1918","hits":1367},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026view=compact"}},{"attributes":{"label":"1917","value":"1917","hits":1335},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026view=compact"}},{"attributes":{"label":"1916","value":"1916","hits":1316},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026view=compact"}},{"attributes":{"label":"1915","value":"1915","hits":1290},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":422809},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Item","value":"Item","hits":192992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"Box","value":"Box","hits":9618},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Series","value":"Series","hits":8556},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":6594},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Collection","value":"Collection","hits":5009},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}},{"attributes":{"label":"Folder","value":"Folder","hits":4717},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Folder\u0026view=compact"}},{"attributes":{"label":"Other level","value":"Other level","hits":2770},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026view=compact"}},{"attributes":{"label":"Sub-sub-series","value":"Sub-sub-series","hits":939},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Sub-sub-series\u0026view=compact"}},{"attributes":{"label":"Container","value":"Container","hits":633},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Container\u0026view=compact"}},{"attributes":{"label":"Drawer","value":"Drawer","hits":412},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Drawer\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":2617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":534},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=compact"}},{"attributes":{"label":" Broward County Historical Archives","value":" Broward County Historical Archives","hits":299},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=+Broward+County+Historical+Archives\u0026view=compact"}},{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":174},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida State College for Women","value":"Florida State College for Women","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+College+for+Women\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Stecher%2C+Jo\u0026view=compact"}},{"attributes":{"label":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","value":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","hits":150},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+University+Libraries.+Heritage+Protocol+%26+University+Archives\u0026view=compact"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":148},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?view=compact"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":209699},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":163506},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":66602},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":44227},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":35563},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FIU+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":23064},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+University+Archives\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":18653},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":13020},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Archives","value":"Florida Gulf Coast University Archives","hits":12777},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Archives\u0026view=compact"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":12495},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections\u0026view=compact"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":11405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=AARLCC+Special+Collections\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Captiva Island (Fla.)","value":"Captiva Island (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Captiva+Island+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Sanibel (Fla.)","value":"Sanibel (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Sanibel+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Zines.","value":"Zines.","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Zines.\u0026view=compact"}},{"attributes":{"label":"Community organization.","value":"Community organization.","hits":189},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Community+organization.\u0026view=compact"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":164},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Feminism.","value":"Feminism.","hits":143},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Feminism.\u0026view=compact"}},{"attributes":{"label":"Art.","value":"Art.","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Art.\u0026view=compact"}},{"attributes":{"label":"Fort Myers (Fla.)--History.","value":"Fort Myers (Fla.)--History.","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Fort+Myers+%28Fla.%29--History.\u0026view=compact"}},{"attributes":{"label":"Kodak camera.","value":"Kodak camera.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Kodak+camera.\u0026view=compact"}},{"attributes":{"label":"Photography.","value":"Photography.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Photography.\u0026view=compact"}},{"attributes":{"label":"Punk culture.","value":"Punk culture.","hits":93},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Punk+culture.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Maps","value":"Maps","hits":4265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Maps\u0026view=compact"}},{"attributes":{"label":"Sheet music","value":"Sheet music","hits":1647},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sheet+music\u0026view=compact"}},{"attributes":{"label":"Jazz","value":"Jazz","hits":1631},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz\u0026view=compact"}},{"attributes":{"label":"Jazz musicians","value":"Jazz musicians","hits":1624},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz+musicians\u0026view=compact"}},{"attributes":{"label":"Popular music -- Lead sheets","value":"Popular music -- Lead sheets","hits":1617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Popular+music+--+Lead+sheets\u0026view=compact"}},{"attributes":{"label":"Developmental Regional Impact (DRI)","value":"Developmental Regional Impact (DRI)","hits":1247},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Developmental+Regional+Impact+%28DRI%29\u0026view=compact"}},{"attributes":{"label":"Report and studies","value":"Report and studies","hits":636},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Report+and+studies\u0026view=compact"}},{"attributes":{"label":"World War, 1939-1945","value":"World War, 1939-1945","hits":379},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945\u0026view=compact"}},{"attributes":{"label":"Sufficiency","value":"Sufficiency","hits":350},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sufficiency\u0026view=compact"}},{"attributes":{"label":"Legal documents","value":"Legal documents","hits":330},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Legal+documents\u0026view=compact"}},{"attributes":{"label":"Clippings (Books, newspapers, etc.)","value":"Clippings (Books, newspapers, etc.)","hits":322},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Clippings+%28Books%2C+newspapers%2C+etc.%29\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64604\u0026sort=title_sort+desc\u0026view=compact"}}]}