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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_dd6fec7c7a85375b6319fca463703061"}},{"id":"359fedcc5b694e45729a69cf_aspace_0053ebabba75e19d6543cd90e34b9ab9","type":"Item","attributes":{"title":"Wildlife Studies of the Lake Belt Area of Northwest Dade County, 1995","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/359fedcc5b694e45729a69cf_aspace_0053ebabba75e19d6543cd90e34b9ab9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eEighth Quarterly Report, October, November, and December 1995.  \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/359fedcc5b694e45729a69cf_aspace_0053ebabba75e19d6543cd90e34b9ab9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0053ebabba75e19d6543cd90e34b9ab9","ref_ssm":["aspace_0053ebabba75e19d6543cd90e34b9ab9","aspace_0053ebabba75e19d6543cd90e34b9ab9"],"id":"359fedcc5b694e45729a69cf_aspace_0053ebabba75e19d6543cd90e34b9ab9","title_filing_ssi":"Wildlife Studies of the Lake Belt Area of Northwest Dade County,","title_ssm":["Wildlife Studies of the Lake Belt Area of Northwest Dade County,"],"title_tesim":["Wildlife Studies of the Lake Belt Area of Northwest Dade County,"],"unitdate_other_ssim":["1995"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["Wildlife Studies of the Lake Belt Area of Northwest Dade County, 1995"],"text":["Wildlife Studies of the Lake Belt Area of Northwest Dade County, 1995","Florida Audubon Society Miami records, 1961-2014","Lake Okeechobee II","Lake Okeechobee – Rock Mining, 1995-2000","Item 4","/repositories/2/archival_objects/212284","box 17","folder 6","Item 4","Eighth Quarterly Report, October, November, and December 1995.  "],"component_level_isim":[3],"parent_ids_ssim":["359fedcc5b694e45729a69cf","359fedcc5b694e45729a69cf_aspace_1a95126040d2d819725c92333a5ef573","359fedcc5b694e45729a69cf_aspace_d15246653138ea6f49ca06230ca163a8"],"parent_unittitles_ssm":["Florida Audubon Society Miami records, 1961-2014","Lake Okeechobee II","Lake Okeechobee – Rock Mining, 1995-2000"],"parent_unittitles_tesim":["Florida Audubon Society Miami records, 1961-2014","Lake Okeechobee II","Lake Okeechobee – Rock Mining, 1995-2000"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 4","/repositories/2/archival_objects/212284"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Audubon Society Miami records, 1961-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":757,"date_range_isim":[1995],"containers_ssim":["box 17","folder 6","Item 4"],"scopecontent_html_tesm":["\u003cp\u003eEighth Quarterly Report, October, November, and December 1995.\u0026#xA0;\u0026#xA0;\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Eighth Quarterly Report, October, November, and December 1995.  "],"_nest_path_":"/components#16/components#5/components#3","_nest_parent_":"359fedcc5b694e45729a69cf_aspace_d15246653138ea6f49ca06230ca163a8","_root_":"359fedcc5b694e45729a69cf","timestamp":"2026-07-02T03:25:37.750Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"359fedcc5b694e45729a69cf","title_ssm":["Florida Audubon Society Miami records"],"title_tesim":["Florida Audubon Society Miami records"],"ead_ssi":"359fedcc5b694e45729a69cf","unitdate_ssm":["1961-2014"],"unitdate_inclusive_ssm":["1961-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-13","/repositories/2/resources/752"],"text":["MS-2023-13","/repositories/2/resources/752","Florida Audubon Society Miami records, 1961-2014","Everglades (Fla.)","Everglades (Fla.)","Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management","Good","This collection is arranged according to material type. Within series, the arrangement is alphabetical.","This collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers.","This collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida.","USF Libraries - Tampa Special Collections","Florida Audubon Society","English"],"unitid_tesim":["MS-2023-13","/repositories/2/resources/752"],"normalized_date_ssm":["1961-2014"],"normalized_title_ssm":["Florida Audubon Society Miami records, 1961-2014"],"collection_title_tesim":["Florida Audubon Society Miami records, 1961-2014"],"collection_ssim":["Florida Audubon Society Miami records, 1961-2014"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Everglades (Fla.)","Everglades (Fla.)"],"geogname_ssim":["Everglades (Fla.)","Everglades (Fla.)"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"places_ssim":["Everglades (Fla.)","Everglades (Fla.)"],"access_subjects_ssim":["Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management"],"access_subjects_ssm":["Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["32 boxes","15.5 Linear Feet"],"extent_tesim":["32 boxes","15.5 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to material type. Within series, the arrangement is alphabetical.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to material type. Within series, the arrangement is alphabetical."],"prefercite_html_tesm":["\u003cp\u003eFlorida Audubon Society Miami records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Florida Audubon Society Miami records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae94bfa855929070bc8c7c4ddf975d23\"\u003eThis collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida."],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"language_ssim":["English"],"total_component_count_is":1307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"359fedcc5b694e45729a69cf","timestamp":"2026-07-02T03:25:37.750Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/359fedcc5b694e45729a69cf_aspace_0053ebabba75e19d6543cd90e34b9ab9"}},{"id":"236a3c88b766327883b2e155_aspace_aa2c1488b318e90b1d84e9e40a8116b9","type":"File","attributes":{"title":"Wildlife, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_aa2c1488b318e90b1d84e9e40a8116b9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_aa2c1488b318e90b1d84e9e40a8116b9","ref_ssm":["aspace_aa2c1488b318e90b1d84e9e40a8116b9","aspace_aa2c1488b318e90b1d84e9e40a8116b9"],"id":"236a3c88b766327883b2e155_aspace_aa2c1488b318e90b1d84e9e40a8116b9","title_filing_ssi":"Wildlife","title_ssm":["Wildlife"],"title_tesim":["Wildlife"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["Wildlife, undated"],"text":["Wildlife, undated","Joy Postle papers, 1910-2015","Art, 1921","Pen and Ink Illustrations","/repositories/4/archival_objects/87683","/repositories/4/archival_objects/91176","box 1","folder 7"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_e4179b1502f793e9232e522365ebb20e"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Pen and Ink Illustrations"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Pen and Ink Illustrations"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87683","/repositories/4/archival_objects/91176"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":82,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 7"],"_nest_path_":"/components#0/components#1/components#6","_nest_parent_":"236a3c88b766327883b2e155_aspace_e4179b1502f793e9232e522365ebb20e","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_aa2c1488b318e90b1d84e9e40a8116b9"}},{"id":"8ad8f4097d070dbd4757b69a_aspace_108703","type":"Item","attributes":{"title":"Wild Men of Broneo, June 29, 1945","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8ad8f4097d070dbd4757b69a_aspace_108703#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eText in cartoon: Australians capture Borneo oil fields.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8ad8f4097d070dbd4757b69a_aspace_108703#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_108703","ref_ssm":["aspace_108703","aspace_108703"],"id":"8ad8f4097d070dbd4757b69a_aspace_108703","title_filing_ssi":"Wild Men of Broneo","title_ssm":["Wild Men of Broneo"],"title_tesim":["Wild Men of Broneo"],"unitdate_other_ssim":["June 29, 1945"],"normalized_date_ssm":["June 29, 1945"],"normalized_title_ssm":["Wild Men of Broneo, June 29, 1945"],"text":["Wild Men of Broneo, June 29, 1945","George White Political Cartoons collection, 1938-1969, bulk 1940-1960","Item 11","/repositories/2/archival_objects/91889","box 1","Text in cartoon: Australians capture Borneo oil fields."],"component_level_isim":[1],"parent_ids_ssim":["8ad8f4097d070dbd4757b69a"],"parent_unittitles_ssm":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"parent_unittitles_tesim":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"parent_levels_ssm":["collection"],"unitid_ssm":["Item 11","/repositories/2/archival_objects/91889"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":11,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003eText in cartoon: Australians capture Borneo oil fields.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Text in cartoon: Australians capture Borneo oil fields."],"_nest_path_":"/components#10","_nest_parent_":"8ad8f4097d070dbd4757b69a","_root_":"8ad8f4097d070dbd4757b69a","_version_":1881194207760089088,"timestamp":"2026-11-07T10:16:40.100Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8ad8f4097d070dbd4757b69a","title_ssm":["George White Political Cartoons collection"],"title_tesim":["George White Political Cartoons collection"],"ead_ssi":"8ad8f4097d070dbd4757b69a","unitdate_ssm":["1938-1969","1940-1960"],"unitdate_bulk_ssim":["1940-1960"],"unitdate_inclusive_ssm":["1938-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["W08","/repositories/2/resources/418"],"text":["W08","/repositories/2/resources/418","George White Political Cartoons collection, 1938-1969, bulk 1940-1960","Caricatures and cartoons -- United States","Artists -- Florida","Unarranged","George Robert White was born in Grand Rapids, Michigan on January 7, 1901. In 1915 White and his family relocated to Tampa, Florida.  After completing a correspondence course in drawing, White studied art under Tampa artist Walter Collins.  In 1928 White began working for the  Tampa Morning Tribune  as a commercial artist; a year later White was hired as a regular member of the staff. On May 6, 1934, White became a regular cartoonist at the  Tribune,  where his cartoons were featured on the front page.  These cartoons became a staple of the paper until his death on March 7, 1964. Through the course of his career White provided a witty, comical and analytical perspective to such topics as: World War Two, national politics, Florida politics, Tampa culture and politics. In 1943 a compilation of his World War Two cartoons were compiled and edited by Byron S. Stephens in a book entitled,  The War in Black With White , a follow up was released in 1944.","Editorial cartoons from the  Tampa Morning Tribune , which became the  Tampa Tribune,  ranging from the 1940s to the 1960s.  Topics covered World War Two, national politics, Florida politics, and Tampa culture.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","White, Geo. (George), 1901-1964","English"],"unitid_tesim":["W08","/repositories/2/resources/418"],"normalized_date_ssm":["1938-1969, bulk 1940-1960"],"normalized_title_ssm":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"collection_title_tesim":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"collection_ssim":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["White, Geo. (George), 1901-1964","Tampa Tribune (1895-2016) (Tampa, Fla.)"],"creator_ssim":["White, Geo. (George), 1901-1964","Tampa Tribune (1895-2016) (Tampa, Fla.)"],"creator_persname_ssim":["White, Geo. (George), 1901-1964"],"creator_corpname_ssim":["Tampa Tribune (1895-2016) (Tampa, Fla.)"],"creators_ssim":["White, Geo. (George), 1901-1964","Tampa Tribune (1895-2016) (Tampa, Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Purchased"],"access_subjects_ssim":["Caricatures and cartoons -- United States","Artists -- Florida"],"access_subjects_ssm":["Caricatures and cartoons -- United States","Artists -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["4.00 Linear Feet","2 boxes"],"extent_tesim":["4.00 Linear Feet","2 boxes"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"arrangement_html_tesm":["\u003cp\u003eUnarranged\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Unarranged"],"bioghist_html_tesm":["\u003cp\u003eGeorge Robert White was born in Grand Rapids, Michigan on January 7, 1901. In 1915 White and his family relocated to Tampa, Florida.\u0026#xA0; After completing a correspondence course in drawing, White studied art under Tampa artist Walter Collins.\u0026#xA0; In 1928 White began working for the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e as a commercial artist; a year later White was hired as a regular member of the staff. On May 6, 1934, White became a regular cartoonist at the \u003cemph render=\"italic\"\u003eTribune, \u003c/emph\u003ewhere his cartoons were featured on the front page.\u0026#xA0; These cartoons became a staple of the paper until his death on March 7, 1964. Through the course of his career White provided a witty, comical and analytical perspective to such topics as: World War Two, national politics, Florida politics, Tampa culture and politics. In 1943 a compilation of his World War Two cartoons were compiled and edited by Byron S. Stephens in a book entitled, \u003cemph render=\"italic\"\u003eThe War in Black With White\u003c/emph\u003e, a follow up was released in 1944.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Robert White was born in Grand Rapids, Michigan on January 7, 1901. In 1915 White and his family relocated to Tampa, Florida.  After completing a correspondence course in drawing, White studied art under Tampa artist Walter Collins.  In 1928 White began working for the  Tampa Morning Tribune  as a commercial artist; a year later White was hired as a regular member of the staff. On May 6, 1934, White became a regular cartoonist at the  Tribune,  where his cartoons were featured on the front page.  These cartoons became a staple of the paper until his death on March 7, 1964. Through the course of his career White provided a witty, comical and analytical perspective to such topics as: World War Two, national politics, Florida politics, Tampa culture and politics. In 1943 a compilation of his World War Two cartoons were compiled and edited by Byron S. Stephens in a book entitled,  The War in Black With White , a follow up was released in 1944."],"prefercite_html_tesm":["\u003cp\u003eGeorge White Political Cartoons Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["George White Political Cartoons Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eEditorial cartoons from the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e, which became the \u003cemph render=\"italic\"\u003eTampa Tribune,\u003c/emph\u003e ranging from the 1940s to the 1960s.\u0026#xA0; Topics covered World War Two, national politics, Florida politics, and Tampa culture.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Editorial cartoons from the  Tampa Morning Tribune , which became the  Tampa Tribune,  ranging from the 1940s to the 1960s.  Topics covered World War Two, national politics, Florida politics, and Tampa culture."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","White, Geo. (George), 1901-1964"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)"],"persname_ssim":["White, Geo. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 76-18","/repositories/10/resources/599"],"normalized_date_ssm":["1957-1976, Date acquired: 08/01/1976"],"normalized_title_ssm":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_title_tesim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_ssim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Organized by type of publication.","Alicia Korenman became interested in the portrayal of women by the American comic book industry in the 1990s. Korenman found that alternative and small press comic book publishers offered realistic explorations of human emotions and the female experience.","Note written by ","Portions of collection available online?: No","Processed by Sara Duff in 2009.","Comic Book and Graphic Novel Collection, David M. Rubenstein Rare Book \u0026\tManuscript Library, Duke University.  http://library.duke.edu/rubenstein/findingaids/comicbooks.pdf","Includes small press and alternative publications, with a focus on content related to everyday experiences and societal norms. 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