{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64399\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64398\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64400\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64399,"next_page":64400,"prev_page":64398,"total_pages":65767,"limit_value":10,"offset_value":643980,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"f8071abebd9e559e8ca46a96_aspace_cf42e15de8283d81ea5568e813178096","type":"Item","attributes":{"title":"\"Why Leopard Has Spots\" by Ashley Bryan, 1998","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f8071abebd9e559e8ca46a96_aspace_cf42e15de8283d81ea5568e813178096#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\"Why Leopard Has Spots\". From the book \"Why Leopard Has Spots: Dan Stories from Liberia\" by Won-Ldy Paye and Margaret Lippert, Illustrated by Ashley Bryan. Fulcrum, 1998. Dimensions: 12 3/4 x 17 1/2 inches. Black and white print, matted and framed.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8071abebd9e559e8ca46a96_aspace_cf42e15de8283d81ea5568e813178096#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cf42e15de8283d81ea5568e813178096","ref_ssm":["aspace_cf42e15de8283d81ea5568e813178096","aspace_cf42e15de8283d81ea5568e813178096"],"id":"f8071abebd9e559e8ca46a96_aspace_cf42e15de8283d81ea5568e813178096","title_filing_ssi":"\"Why Leopard Has Spots\" by Ashley Bryan","title_ssm":["\"Why Leopard Has Spots\" by Ashley Bryan"],"title_tesim":["\"Why Leopard Has Spots\" by Ashley Bryan"],"unitdate_other_ssim":["1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["\"Why Leopard Has Spots\" by Ashley Bryan, 1998"],"text":["\"Why Leopard Has Spots\" by Ashley Bryan, 1998","Ashley Bryan Art Series Collection, 1974-2022","6","/repositories/2/archival_objects/17400","Art","Ashley Bryan Art Series exhibit","\"Why Leopard Has Spots\". 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Black and white print, matted and framed."],"_nest_path_":"/components#11","_nest_parent_":"f8071abebd9e559e8ca46a96","_root_":"f8071abebd9e559e8ca46a96","_version_":1879536074485661696,"timestamp":"2026-10-20T03:01:20.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8071abebd9e559e8ca46a96","title_filing_ssi":"Ashley Bryan Art Series Collection","title_ssm":["Ashley Bryan Art Series Collection"],"title_tesim":["Ashley Bryan Art Series Collection"],"ead_ssi":"f8071abebd9e559e8ca46a96","unitdate_ssm":["1974-2022"],"unitdate_inclusive_ssm":["1974-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.9","/repositories/2/resources/270"],"text":["AARLCC.2003.9","/repositories/2/resources/270","Ashley Bryan Art Series Collection, 1974-2022","Ashley Bryan Art Series Conference","Children's literature, American","Art","The Ashley Bryan Art Series Collection is open for research. The artwork is on public display in AARLCC's Youth Services department.","The repository continues to add materials to this collection annually.","Since 2002, AARLCC's Ashley Bryan Art Series has provided programming and outreach to Broward County youth with the goal of educating and inspiring art appreciation and literacy. The Ashley Bryan Art Series hosts nationally recognized illustrators of African descent. \nEach year, the participating featured illustrator donates a piece of original art from one of their children's books to AARLCC Special Collections.","When AARLCC was opening in 2002, Dr. Henrietta M. Smith (1922-2021) asked renowned illustrator Ashley Bryan to donate some of his original artwork to the library's new archive. Bryan agreed on the condition that AARLCC continue to celebrate and uplift illustrators of color. In response, Dr. Smith worked with the Broward County Library to establish the Ashley Bryan Art Series, at which Bryan himself was the first featured illustrator. He was also the featured illustrator at the 2005 and 2012 Ashely Bryan Art Series.","Ashley Bryan","Ashley Bryan (1923-2022) illustrated over 70 children's books, many of which he also wrote. Bryan was an early advocate of diverse representation in children's literature, and dedicated his career to creating books that celebrated children of color and their culture.","Ashley Bryan started making art when he was very young and made his first book when he was five years old.","At the age of 16, he was accepted to the Cooper Union School of Art after being rejected from many others on the basis of his race. \nIn 1943 he was drafted into the U.S. Army and served in World War II. After being honorably discharged he enrolled at Columbia University where he graduated Cum Laude. He continued to study and teach art for his entire life. ","In 1967 his illustrations first appeared in the book Moon, for What Do You Wait featuring poems by Rabindranath Tagore.\nBryan was the recipient of numerous awards, winning the Coretta Scott King Award more than any other author/illustrator. ","Dr. Henrietta M. Smith","Dr. Henrietta M. Smith was a librarian and professor who believed in providing quality literature to children.\nShe moved to South Florida with her husband, Isaiah Smith, who was a civil rights lawyer and activist in Palm Beach County and later served as circuit judge for Palm Beach County. Early in her career, Henrietta Smith worked as a school media specialist for the Broward County Public Schools.","In 1975, she completed her doctorate degree at the University of Miami and joined the faculty of the Florida Atlantic University's School of Education. After ten years at Florida Atlantic, she joined the faculty of the University of South Florida's School of Library Science, where she was the first African American faculty member on USF's Fort Lauderdale campus. She trained library specialists to meet new demands and provide cutting-edge services to patrons. ","She also worked as a consultant to the Broward County Library system, building the children's book collection at the Pompano Beach Library and provided many storytelling programs for children.","Dr. Smith made a major impact the trajectory of children's literature through her work with the Caldecott Book Awards, the Newberry Award, and the Coretta Scott King Book Awards. She was also an active member of the American Library Association.","\nList of Featured Illustrators:","2002: Ashley Bryan","2003: Pat Cummings","2004: Kadir Nelson","2005: Ashley Bryan","2006: Bryan Collier","2007: Jerry Pinkney","2008: ","2009: James E. Ransome","2010: Shadra Strickland","2011: Floyd Cooper","2012: Ashley Bryan","2013: Shane Evans","2014: Colin Bootman","2015: E.B. Lewis","2016: Charles R. Smith, Jr.","2017: Brian Pinkney","2018: Javaka Steptoe","2019: Ekua Holmes","2020: Laura Freeman","2021: Nina Crews","2022-2023: Jerry Craft","2024: Johnnie Christmas","2025: Jeffery Boston Weatherford","2026: Vashti Harrison","The collection was processed by Emily Calderon in 2023. Accruals were processed and the finding aid updated by Erin Purdy in December 2025. Accruals were processed and the finding aid updated by Erin Purdy in September 2026.","The Ashley Bryan Art Series Collection contains original pieces of artwork donated by artists who have been honored as the featured illustrator during the Ashley Bryan Art Series at the African American Research Library and Cultural Center.","AARLCC Special Collections","African American Research Library and Cultural Center","English"],"unitid_tesim":["AARLCC.2003.9","/repositories/2/resources/270"],"normalized_date_ssm":["1974-2022"],"normalized_title_ssm":["Ashley Bryan Art Series Collection, 1974-2022"],"collection_title_tesim":["Ashley Bryan Art Series Collection, 1974-2022"],"collection_ssim":["Ashley Bryan Art Series Collection, 1974-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["African American Research Library and Cultural Center"],"creator_ssim":["African American Research Library and Cultural Center"],"creator_corpname_ssim":["African American Research Library and Cultural Center"],"creators_ssim":["African American Research Library and Cultural Center"],"acqinfo_ssim":["Henrietta Smith donated 8 original art pieces to the African American Research Library and Cultural Center Special Collections in 2003 (Accession 2003.9). Illustrators donate artwork to the collection annually."],"access_subjects_ssim":["Ashley Bryan Art Series Conference","Children's literature, American","Art"],"access_subjects_ssm":["Ashley Bryan Art Series Conference","Children's literature, American","Art"],"has_online_content_ssim":["false"],"extent_ssm":["27 Artwork"],"extent_tesim":["27 Artwork"],"genreform_ssim":["Art"],"accessrestrict_html_tesm":["\u003cp\u003eThe Ashley Bryan Art Series Collection is open for research. The artwork is on public display in AARLCC's Youth Services department.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Ashley Bryan Art Series Collection is open for research. The artwork is on public display in AARLCC's Youth Services department."],"accruals_html_tesm":["\u003cp\u003eThe repository continues to add materials to this collection annually.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The repository continues to add materials to this collection annually."],"bioghist_html_tesm":["\u003cp\u003eSince 2002, AARLCC's Ashley Bryan Art Series has provided programming and outreach to Broward County youth with the goal of educating and inspiring art appreciation and literacy. The Ashley Bryan Art Series hosts nationally recognized illustrators of African descent. \nEach year, the participating featured illustrator donates a piece of original art from one of their children's books to AARLCC Special Collections.\u003c/p\u003e\n","\u003cp\u003eWhen AARLCC was opening in 2002, Dr. Henrietta M. Smith (1922-2021) asked renowned illustrator Ashley Bryan to donate some of his original artwork to the library's new archive. Bryan agreed on the condition that AARLCC continue to celebrate and uplift illustrators of color. In response, Dr. Smith worked with the Broward County Library to establish the Ashley Bryan Art Series, at which Bryan himself was the first featured illustrator. He was also the featured illustrator at the 2005 and 2012 Ashely Bryan Art Series.\u003c/p\u003e\n","\u003cp\u003eAshley Bryan\u003c/p\u003e\n","\u003cp\u003eAshley Bryan (1923-2022) illustrated over 70 children's books, many of which he also wrote. Bryan was an early advocate of diverse representation in children's literature, and dedicated his career to creating books that celebrated children of color and their culture.\u003c/p\u003e\n","\u003cp\u003eAshley Bryan started making art when he was very young and made his first book when he was five years old.\u003c/p\u003e\n","\u003cp\u003eAt the age of 16, he was accepted to the Cooper Union School of Art after being rejected from many others on the basis of his race. \nIn 1943 he was drafted into the U.S. Army and served in World War II. After being honorably discharged he enrolled at Columbia University where he graduated Cum Laude. He continued to study and teach art for his entire life. \u003c/p\u003e\n","\u003cp\u003eIn 1967 his illustrations first appeared in the book Moon, for What Do You Wait featuring poems by Rabindranath Tagore.\nBryan was the recipient of numerous awards, winning the Coretta Scott King Award more than any other author/illustrator. \u003c/p\u003e\n","\u003cp\u003eDr. Henrietta M. Smith\u003c/p\u003e\n","\u003cp\u003eDr. Henrietta M. Smith was a librarian and professor who believed in providing quality literature to children.\nShe moved to South Florida with her husband, Isaiah Smith, who was a civil rights lawyer and activist in Palm Beach County and later served as circuit judge for Palm Beach County. Early in her career, Henrietta Smith worked as a school media specialist for the Broward County Public Schools.\u003c/p\u003e\n","\u003cp\u003eIn 1975, she completed her doctorate degree at the University of Miami and joined the faculty of the Florida Atlantic University's School of Education. After ten years at Florida Atlantic, she joined the faculty of the University of South Florida's School of Library Science, where she was the first African American faculty member on USF's Fort Lauderdale campus. She trained library specialists to meet new demands and provide cutting-edge services to patrons. \u003c/p\u003e\n","\u003cp\u003eShe also worked as a consultant to the Broward County Library system, building the children's book collection at the Pompano Beach Library and provided many storytelling programs for children.\u003c/p\u003e\n","\u003cp\u003eDr. Smith made a major impact the trajectory of children's literature through her work with the Caldecott Book Awards, the Newberry Award, and the Coretta Scott King Book Awards. She was also an active member of the American Library Association.\u003c/p\u003e\n","\u003cp\u003e\nList of Featured Illustrators:\u003c/p\u003e\n","\u003cp\u003e2002: Ashley Bryan\u003c/p\u003e\n","\u003cp\u003e2003: Pat Cummings\u003c/p\u003e\n","\u003cp\u003e2004: Kadir Nelson\u003c/p\u003e\n","\u003cp\u003e2005: Ashley Bryan\u003c/p\u003e\n","\u003cp\u003e2006: Bryan Collier\u003c/p\u003e\n","\u003cp\u003e2007: Jerry Pinkney\u003c/p\u003e\n","\u003cp\u003e2008: \u003c/p\u003e\n","\u003cp\u003e2009: James E. Ransome\u003c/p\u003e\n","\u003cp\u003e2010: Shadra Strickland\u003c/p\u003e\n","\u003cp\u003e2011: Floyd Cooper\u003c/p\u003e\n","\u003cp\u003e2012: Ashley Bryan\u003c/p\u003e\n","\u003cp\u003e2013: Shane Evans\u003c/p\u003e\n","\u003cp\u003e2014: Colin Bootman\u003c/p\u003e\n","\u003cp\u003e2015: E.B. Lewis\u003c/p\u003e\n","\u003cp\u003e2016: Charles R. Smith, Jr.\u003c/p\u003e\n","\u003cp\u003e2017: Brian Pinkney\u003c/p\u003e\n","\u003cp\u003e2018: Javaka Steptoe\u003c/p\u003e\n","\u003cp\u003e2019: Ekua Holmes\u003c/p\u003e\n","\u003cp\u003e2020: Laura Freeman\u003c/p\u003e\n","\u003cp\u003e2021: Nina Crews\u003c/p\u003e\n","\u003cp\u003e2022-2023: Jerry Craft\u003c/p\u003e\n","\u003cp\u003e2024: Johnnie Christmas\u003c/p\u003e\n","\u003cp\u003e2025: Jeffery Boston Weatherford\u003c/p\u003e\n","\u003cp\u003e2026: Vashti Harrison\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Since 2002, AARLCC's Ashley Bryan Art Series has provided programming and outreach to Broward County youth with the goal of educating and inspiring art appreciation and literacy. The Ashley Bryan Art Series hosts nationally recognized illustrators of African descent. \nEach year, the participating featured illustrator donates a piece of original art from one of their children's books to AARLCC Special Collections.","When AARLCC was opening in 2002, Dr. Henrietta M. Smith (1922-2021) asked renowned illustrator Ashley Bryan to donate some of his original artwork to the library's new archive. Bryan agreed on the condition that AARLCC continue to celebrate and uplift illustrators of color. In response, Dr. Smith worked with the Broward County Library to establish the Ashley Bryan Art Series, at which Bryan himself was the first featured illustrator. He was also the featured illustrator at the 2005 and 2012 Ashely Bryan Art Series.","Ashley Bryan","Ashley Bryan (1923-2022) illustrated over 70 children's books, many of which he also wrote. Bryan was an early advocate of diverse representation in children's literature, and dedicated his career to creating books that celebrated children of color and their culture.","Ashley Bryan started making art when he was very young and made his first book when he was five years old.","At the age of 16, he was accepted to the Cooper Union School of Art after being rejected from many others on the basis of his race. \nIn 1943 he was drafted into the U.S. Army and served in World War II. After being honorably discharged he enrolled at Columbia University where he graduated Cum Laude. He continued to study and teach art for his entire life. ","In 1967 his illustrations first appeared in the book Moon, for What Do You Wait featuring poems by Rabindranath Tagore.\nBryan was the recipient of numerous awards, winning the Coretta Scott King Award more than any other author/illustrator. ","Dr. Henrietta M. Smith","Dr. Henrietta M. Smith was a librarian and professor who believed in providing quality literature to children.\nShe moved to South Florida with her husband, Isaiah Smith, who was a civil rights lawyer and activist in Palm Beach County and later served as circuit judge for Palm Beach County. Early in her career, Henrietta Smith worked as a school media specialist for the Broward County Public Schools.","In 1975, she completed her doctorate degree at the University of Miami and joined the faculty of the Florida Atlantic University's School of Education. After ten years at Florida Atlantic, she joined the faculty of the University of South Florida's School of Library Science, where she was the first African American faculty member on USF's Fort Lauderdale campus. She trained library specialists to meet new demands and provide cutting-edge services to patrons. ","She also worked as a consultant to the Broward County Library system, building the children's book collection at the Pompano Beach Library and provided many storytelling programs for children.","Dr. Smith made a major impact the trajectory of children's literature through her work with the Caldecott Book Awards, the Newberry Award, and the Coretta Scott King Book Awards. She was also an active member of the American Library Association.","\nList of Featured Illustrators:","2002: Ashley Bryan","2003: Pat Cummings","2004: Kadir Nelson","2005: Ashley Bryan","2006: Bryan Collier","2007: Jerry Pinkney","2008: ","2009: James E. Ransome","2010: Shadra Strickland","2011: Floyd Cooper","2012: Ashley Bryan","2013: Shane Evans","2014: Colin Bootman","2015: E.B. Lewis","2016: Charles R. Smith, Jr.","2017: Brian Pinkney","2018: Javaka Steptoe","2019: Ekua Holmes","2020: Laura Freeman","2021: Nina Crews","2022-2023: Jerry Craft","2024: Johnnie Christmas","2025: Jeffery Boston Weatherford","2026: Vashti Harrison"],"prefercite_html_tesm":["\u003cp\u003eAshley Bryan Art Series Collection, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Ashley Bryan Art Series Collection, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by Emily Calderon in 2023. Accruals were processed and the finding aid updated by Erin Purdy in December 2025. Accruals were processed and the finding aid updated by Erin Purdy in September 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by Emily Calderon in 2023. Accruals were processed and the finding aid updated by Erin Purdy in December 2025. Accruals were processed and the finding aid updated by Erin Purdy in September 2026."],"scopecontent_html_tesm":["\u003cp\u003eThe Ashley Bryan Art Series Collection contains original pieces of artwork donated by artists who have been honored as the featured illustrator during the Ashley Bryan Art Series at the African American Research Library and Cultural Center.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ashley Bryan Art Series Collection contains original pieces of artwork donated by artists who have been honored as the featured illustrator during the Ashley Bryan Art Series at the African American Research Library and Cultural Center."],"names_coll_ssim":["African American Research Library and Cultural Center"],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879536074485661696,"_root_":"f8071abebd9e559e8ca46a96","timestamp":"2026-10-20T03:01:20.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8071abebd9e559e8ca46a96_aspace_cf42e15de8283d81ea5568e813178096"}},{"id":"ea2789f130cdef2a479cf691_aspace_14784","type":"File","attributes":{"title":"Why Letters are Shaped That Way, 1962, 1993, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea2789f130cdef2a479cf691_aspace_14784#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14784","ref_ssm":["aspace_14784","aspace_14784"],"id":"ea2789f130cdef2a479cf691_aspace_14784","title_filing_ssi":"Why Letters are Shaped That Way","title_ssm":["Why Letters are Shaped That Way"],"title_tesim":["Why Letters are Shaped That Way"],"unitdate_other_ssim":["1962, 1993, Undated."],"normalized_date_ssm":["1962, 1993, Undated."],"normalized_title_ssm":["Why Letters are Shaped That Way, 1962, 1993, Undated."],"text":["Why Letters are Shaped That Way, 1962, 1993, Undated.","Sol and Sadie Malkoff Papers, 1900-1999","Subject Files., 1903-1999, Undated.","Folder 17","/repositories/4/archival_objects/31514","box 2","folder 17"],"component_level_isim":[2],"parent_ids_ssim":["ea2789f130cdef2a479cf691","ea2789f130cdef2a479cf691_aspace_14736"],"parent_unittitles_ssm":["Sol and Sadie Malkoff Papers, 1900-1999","Subject Files., 1903-1999, Undated."],"parent_unittitles_tesim":["Sol and Sadie Malkoff Papers, 1900-1999","Subject Files., 1903-1999, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 17","/repositories/4/archival_objects/31514"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Sol and Sadie Malkoff Papers, 1900-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":45,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 2","folder 17"],"_nest_path_":"/components#1/components#40","_nest_parent_":"ea2789f130cdef2a479cf691_aspace_14736","_root_":"ea2789f130cdef2a479cf691","_version_":1870857688819171328,"timestamp":"2026-07-16T08:02:07.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea2789f130cdef2a479cf691","title_ssm":["Sol and Sadie Malkoff Papers"],"title_tesim":["Sol and Sadie Malkoff Papers"],"ead_ssi":"ea2789f130cdef2a479cf691","unitdate_ssm":["1900-1999"],"unitdate_inclusive_ssm":["1900-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.027","/repositories/4/resources/139"],"text":["SC.027","/repositories/4/resources/139","Sol and Sadie Malkoff Papers, 1900-1999","Graphic design (Typography)","Penmanship","Type and type-founding","calligraphy (visual works) ","The entire collection is open for research.","Sol Malkoff was born in Chicago in 1918. A typographer and calligrapher, he moved to Central Florida in 1976. A past president of the Typographers Association of New York and a life member of the Type Directors Club of New York, Malkoff began assembling his collection of books on type design and printing in 1939, when he became a composing room compositor-linotype apprentice. He was associated with leading printers and typographers in Chicago, Atlanta, New York, and Orlando. A cofounder of the Typography Shop in Atlanta, he pioneered the concept of a type house producing photoprocess hand lettering. Malkoff wrote and lectured on typography and taught typographic design and calligraphy. He died on January 17, 2001, survived by his wife Sadie.","Collection processed by Danie Helm; finding aid prepared by Danie Helm.","Materials were sorted and listed by type.","Books donated by Sol and Sadie Malkoff can be found in  online catalog  by searching the series \"Sol and Sadie Malkoff Book Arts Collection\".","A resource collection of correspondence and photographs, clippings, pamphlets, periodicals, graphics, and type foundry specimen books. The collection assembled over 60 years by graphic artist Sol Malkoff demonstrates the principles of good calligraphy, typography, graphic design, and book design. Arranged by subject. Most file folders retain the subject headings established by Sol Malkoff.","Series I: Correspondence and Photography, 1961-1997, consists of one folder of correspondence and notes with some enclosures, to Malkoff, primarily from typographers and calligraphers. 1 letter from Malkoff describing his life's work. Series also includes 1 folder of photographs and a few slides.","Series II: Subject Files, 1903-1999, Undated, contains 1.5 boxes of collected notes, pamphlets, clippings, articles, and graphics on various aspects of calligraphy, penmanship, typography, and design.","Series III: Periodicals, 1938-1998, Undated, contains 0.5 boxes of collected articles on typography from Visible Language and other unidentified periodicals.","Series IV: Portfolios, 1900-1990, Undated, contains 1 box of portfolios of printing samples including flyers, pamphlets, advertisements, keepsakes, business cards, and greeting cards. ","Series V: Typography Specimens, 1916-1997, Undated, contains 6 boxes of typography specimen books that describe multiple fonts from many different sources.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Sol Malkoff's correspondence, photographs, research, and collected materials including over a hundred typography and font specimens.","UCF Special Collections","Malkoff, Sol, 1918-2001","English"],"unitid_tesim":["SC.027","/repositories/4/resources/139"],"normalized_date_ssm":["1900-1999"],"normalized_title_ssm":["Sol and Sadie Malkoff Papers, 1900-1999"],"collection_title_tesim":["Sol and Sadie Malkoff Papers, 1900-1999"],"collection_ssim":["Sol and Sadie Malkoff Papers, 1900-1999"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Malkoff, Sol, 1918-2001"],"creator_ssim":["Malkoff, Sol, 1918-2001"],"creator_persname_ssim":["Malkoff, Sol, 1918-2001"],"creators_ssim":["Malkoff, Sol, 1918-2001"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Sol Malkoff and his family donated his collection to the UCF Art Department in 1999. Printing equipment and type was retained by the Art Department, while his books and paper materials were given transferred to the UCF Libraries in 1999 (CFM1999_01)."],"access_subjects_ssim":["Graphic design (Typography)","Penmanship","Type and type-founding","calligraphy (visual works) "],"access_subjects_ssm":["Graphic design (Typography)","Penmanship","Type and type-founding","calligraphy (visual works) "],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Linear Feet 9 Boxes"],"extent_tesim":["9.5 Linear Feet 9 Boxes"],"genreform_ssim":["calligraphy (visual works) "],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eSol Malkoff was born in Chicago in 1918. A typographer and calligrapher, he moved to Central Florida in 1976. A past president of the Typographers Association of New York and a life member of the Type Directors Club of New York, Malkoff began assembling his collection of books on type design and printing in 1939, when he became a composing room compositor-linotype apprentice. He was associated with leading printers and typographers in Chicago, Atlanta, New York, and Orlando. A cofounder of the Typography Shop in Atlanta, he pioneered the concept of a type house producing photoprocess hand lettering. Malkoff wrote and lectured on typography and taught typographic design and calligraphy. He died on January 17, 2001, survived by his wife Sadie.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Sol Malkoff was born in Chicago in 1918. A typographer and calligrapher, he moved to Central Florida in 1976. A past president of the Typographers Association of New York and a life member of the Type Directors Club of New York, Malkoff began assembling his collection of books on type design and printing in 1939, when he became a composing room compositor-linotype apprentice. He was associated with leading printers and typographers in Chicago, Atlanta, New York, and Orlando. A cofounder of the Typography Shop in Atlanta, he pioneered the concept of a type house producing photoprocess hand lettering. Malkoff wrote and lectured on typography and taught typographic design and calligraphy. He died on January 17, 2001, survived by his wife Sadie."],"prefercite_html_tesm":["\u003cp\u003eSol and Sadie Malkoff Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Sol and Sadie Malkoff Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Danie Helm; finding aid prepared by Danie Helm.\u003c/p\u003e","\u003cp\u003eMaterials were sorted and listed by type.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Danie Helm; finding aid prepared by Danie Helm.","Materials were sorted and listed by type."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks donated by Sol and Sadie Malkoff can be found in \u003cextref href=\"https://library.ucf.edu\"\u003eonline catalog\u003c/extref\u003e by searching the series \"Sol and Sadie Malkoff Book Arts Collection\".\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books donated by Sol and Sadie Malkoff can be found in  online catalog  by searching the series \"Sol and Sadie Malkoff Book Arts Collection\"."],"scopecontent_html_tesm":["\u003cp\u003eA resource collection of correspondence and photographs, clippings, pamphlets, periodicals, graphics, and type foundry specimen books. The collection assembled over 60 years by graphic artist Sol Malkoff demonstrates the principles of good calligraphy, typography, graphic design, and book design. Arranged by subject. Most file folders retain the subject headings established by Sol Malkoff.\u003c/p\u003e\n","\u003cp\u003eSeries I: Correspondence and Photography, 1961-1997, consists of one folder of correspondence and notes with some enclosures, to Malkoff, primarily from typographers and calligraphers. 1 letter from Malkoff describing his life's work. Series also includes 1 folder of photographs and a few slides.\u003c/p\u003e\n","\u003cp\u003eSeries II: Subject Files, 1903-1999, Undated, contains 1.5 boxes of collected notes, pamphlets, clippings, articles, and graphics on various aspects of calligraphy, penmanship, typography, and design.\u003c/p\u003e\n","\u003cp\u003eSeries III: Periodicals, 1938-1998, Undated, contains 0.5 boxes of collected articles on typography from Visible Language and other unidentified periodicals.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Portfolios, 1900-1990, Undated, contains 1 box of portfolios of printing samples including flyers, pamphlets, advertisements, keepsakes, business cards, and greeting cards. \u003c/p\u003e\n","\u003cp\u003eSeries V: Typography Specimens, 1916-1997, Undated, contains 6 boxes of typography specimen books that describe multiple fonts from many different sources.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A resource collection of correspondence and photographs, clippings, pamphlets, periodicals, graphics, and type foundry specimen books. 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Series also includes 1 folder of photographs and a few slides.","Series II: Subject Files, 1903-1999, Undated, contains 1.5 boxes of collected notes, pamphlets, clippings, articles, and graphics on various aspects of calligraphy, penmanship, typography, and design.","Series III: Periodicals, 1938-1998, Undated, contains 0.5 boxes of collected articles on typography from Visible Language and other unidentified periodicals.","Series IV: Portfolios, 1900-1990, Undated, contains 1 box of portfolios of printing samples including flyers, pamphlets, advertisements, keepsakes, business cards, and greeting cards. ","Series V: Typography Specimens, 1916-1997, Undated, contains 6 boxes of typography specimen books that describe multiple fonts from many different sources."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fcac2aace51dce4526d08f5bf193015\" label=\"Abstract\"\u003eSol Malkoff's correspondence, photographs, research, and collected materials including over a hundred typography and font specimens.\u003c/abstract\u003e"],"abstract_tesim":["Sol Malkoff's correspondence, photographs, research, and collected materials including over a hundred typography and font specimens."],"names_ssim":["UCF Special Collections","Malkoff, Sol, 1918-2001"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Malkoff, Sol, 1918-2001"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":317,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857688819171328,"_root_":"ea2789f130cdef2a479cf691","timestamp":"2026-07-16T08:02:07.473Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea2789f130cdef2a479cf691_aspace_14784"}},{"id":"2a5a0b9ae0683d2c80f55473_aspace_109688","type":"Item","attributes":{"title":"Why Mazel and Simon Tov?","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2a5a0b9ae0683d2c80f55473_aspace_109688#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eScript\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a5a0b9ae0683d2c80f55473_aspace_109688#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_109688","ref_ssm":["aspace_109688","aspace_109688"],"id":"2a5a0b9ae0683d2c80f55473_aspace_109688","title_filing_ssi":"Why Mazel and Simon Tov?","title_ssm":["Why Mazel and Simon Tov?"],"title_tesim":["Why Mazel and Simon Tov?"],"normalized_title_ssm":["Why Mazel and Simon Tov?"],"text":["Why Mazel and Simon Tov?","Fannie Ushkow Collection, 1916-1978","Fannie Ushkow Collection","Sheet Music","Folder 25","Item 1","/repositories/2/archival_objects/19389","Script","Why Mazel and Simon Tov?","Celebrating Purim and 65 years of Hadassah","Original","Script"],"component_level_isim":[4],"parent_ids_ssim":["2a5a0b9ae0683d2c80f55473","2a5a0b9ae0683d2c80f55473_aspace_109115","2a5a0b9ae0683d2c80f55473_aspace_109116","2a5a0b9ae0683d2c80f55473_aspace_109687"],"parent_unittitles_ssm":["Fannie Ushkow Collection, 1916-1978","Fannie Ushkow Collection","Sheet Music","Folder 25"],"parent_unittitles_tesim":["Fannie Ushkow Collection, 1916-1978","Fannie Ushkow Collection","Sheet Music","Folder 25"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/19389"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Fannie Ushkow Collection, 1916-1978"],"physdesc_tesim":["Script"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":568,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Pianist and vocalist Fannie Ushkow held a master's degree in music and was a devoted member of Hadassah.  She created several original musical-theatre programs for their events and also published television programs for local South Florida public television. For 13+ years, Fannie Ushkow was devoted to directing the Melodears choral group at her home in Century Village in West Palm Beach.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. ","When using electronic copies or images, please keep in mind that copyright law applies. 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","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. ","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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","Boxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 182-397 may be accessed at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 277","folder 10"],"_nest_path_":"/components#0/components#2/components#766","_nest_parent_":"cca5a1d5a68332202957d1b9_aspace_153915","_root_":"cca5a1d5a68332202957d1b9","_version_":1870859149381730304,"timestamp":"2026-07-16T08:25:20.261Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cca5a1d5a68332202957d1b9","title_ssm":["Dr. Thomas William Hoffer Papers"],"title_tesim":["Dr. Thomas William Hoffer Papers"],"ead_ssi":"cca5a1d5a68332202957d1b9","unitdate_ssm":["1920-2005"],"unitdate_inclusive_ssm":["1920-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2008-024","/repositories/10/resources/623"],"text":["MSS 2008-024","/repositories/10/resources/623","Dr. Thomas William Hoffer Papers, 1920-2005","Apalachicola (Fla.)","Franklin County (Fla.)","Bibliography","Animation","Broadcasting.","Campaign speeches","Cancer--Treatment.","Censorship.","Copyright.","Digital media.","Mass media.","Motion picture industry.","Obscenity (Law)","Pirate radio broadcasting","Political analysis","Political campaigns","Political parties.","Religion and politics","Radio broadcasting--United States--History","Motion picture plays.","Television authorship","Television--Production and direction","United States. Federal Communications Commission.","Vietnam War, 1961-1975","Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books","Collection is open to all researchers. ","Boxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 182-397 may be accessed at the Claude Pepper Library.","Dr. Thomas William Hoffer was born on May 31, 1938, in Toledo, Iowa, the son of Martin H. and Margaret K. (Plum) Hoffer. Hoffer attended Toledo High School, graduating in 1955. Later that year, he enrolled at the State University of Iowa, where he earned his B.A. in 1960. Following his college graduation, Hoffer briefly worked at WITI-TV, a Milwaukee, WI television station, from 1960 to 1961.\n In 1961, Hoffer enrolled in Officer Candidate School in Newport, RI. Later year, he was stationed at the US Naval Base at Yokosuka Bay, Japan. Hoffer served on the USS Bon Homme Richard, nicknamed the \"Bonnie Dick.\" On board, Hoffer served in the Communications Department from 1961 to 1963; he also became part of the newly re-structured US Naval Communications State at Yokosuka. He was promoted to Lieutenant (junior grade), served in the Pacific from 1961 until 1964, and retired from active duty in order to enroll at the University of Wisconsin, Madison (Hoffer remained in the Naval Reserves for several more years). His service during that time included an assignment in Vietnam. He received the Vietnam Service Medal and the Republic of Vietnam Campaign Medal, and was honorably discharged at the rank of Lieutenant Commander.  Hoffer retired from active duty in 1964, but remained a member of the US Naval Reserve Program, assigned to the Ninth Naval District in Great Lakes, Illinois. He served two weeks of active duty in 1968 aboard the USS Wright, while still in graduate school at the University of Wisconsin, as a Radio-Television Officer and was eventually promoted to Lieutenant Commander and Supply Officer.\n Hoffer attended the University of Wisconsin in 1964, where he earned a Masters Degree in Speech Communication in 1969. His M.A. thesis was \"Norman Baker and American Broadcasting.\" Hoffer continued his doctoral studies at the University of Wisconsin, focusing on film and mass communication. He majored in Communication Arts, and minored in Journalism. Hoffer completed his doctorate in 1972. From 1972 until his retirement in 1996, Hoffer was a professor in the Department of Communication at Florida State University (FSU). He was particularly interested in mass media, photojournalism, and documentary film, and taught classes in documentary film making before the establishment of the FSU Film School. When he retired in 1996, he became the founding publisher of The Franklin Chronicle, a local newspaper distributed in Franklin, Gulf, and Wakulla counties. He died in Tallahassee on December 9, 2006.","Portions of collection available online?: No","Processed by Claude Pepper Library staff, Summer 2009-Fall 2010.","Thomas William Hoffer. (1969). Norman Baker and American Broadcasting (thesis).  https://search.library.wisc.edu/catalog/999822730802121","Hoffer Florida Primary collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.","Wilkinson Collection on Thomas Hoffer, MSS 2021-004, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2021-004","Selected issues of the  Franklin County Chronicle  and  Franklin Chronicle  are accessible through the University of Florida Digital Collections:","Franklin County Chronicle , 1992-1996:","http://ufdc.ufl.edu/UF00089927","Franklin Chronicle , 1994-2008:","http://ufdc.ufl.edu/UF00089928","The Thomas William Hoffer Papers consists of a wide variety of personal and professional materials created and collected by this prolific and creative educator. Personal papers are organized into correspondence with friends and colleagues, research files for his Norman Baker M.A. Thesis and Vietnam dissertation, materials related to the operations of the Franklin County Chronicle, family files, and military activities.\n Professional files are organized into correspondence and subject files, parts of which give researchers particular insight into film studies at FSU before the establishment of the university's film school; professional writings, particularly materials used in developing his animation publication, teaching materials on documentary film making, research files, and student files. There is an extensive collection of audiocassettes and videotapes documenting his teaching and research activities as an instructor at Florida State University, and recordings of speakers at various events and meetings of the Franklin County Commission on such topics as aquaculture and other environmental issues that impacted the growth of Franklin County, FL.\n \tWithin his teaching materials are a large set of card index files to Variety and Motion Picture World his students compiled as a project to study the history of film making in the United States.","Select materials from the Hoffer Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Professional and personal files of Dr. Thomas William Hoffer, documenting his prolific and creative activities in animation studies, broadcasting, communication education, and documentary production.","FSU Special Collections \u0026 Archives","American Medical Association","Hoffer, Thomas William, 1938-2006","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James","English"],"unitid_tesim":["MSS 2008-024","/repositories/10/resources/623"],"normalized_date_ssm":["1920-2005"],"normalized_title_ssm":["Dr. Thomas William Hoffer Papers, 1920-2005"],"collection_title_tesim":["Dr. Thomas William Hoffer Papers, 1920-2005"],"collection_ssim":["Dr. Thomas William Hoffer Papers, 1920-2005"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Apalachicola (Fla.)","Franklin County (Fla.)"],"geogname_ssim":["Apalachicola (Fla.)","Franklin County (Fla.)"],"creator_ssm":["Hoffer, Thomas William, 1938-2006"],"creator_ssim":["Hoffer, Thomas William, 1938-2006"],"creator_persname_ssim":["Hoffer, Thomas William, 1938-2006"],"creators_ssim":["Hoffer, Thomas William, 1938-2006"],"places_ssim":["Apalachicola (Fla.)","Franklin County (Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Hoffer Papers were acquired by Deed of Gift from Gary Heald and Richard Alan Nelson, Hoffer's executors."],"access_subjects_ssim":["Bibliography","Animation","Broadcasting.","Campaign speeches","Cancer--Treatment.","Censorship.","Copyright.","Digital media.","Mass media.","Motion picture industry.","Obscenity (Law)","Pirate radio broadcasting","Political analysis","Political campaigns","Political parties.","Religion and politics","Radio broadcasting--United States--History","Motion picture plays.","Television authorship","Television--Production and direction","United States. Federal Communications Commission.","Vietnam War, 1961-1975","Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books"],"access_subjects_ssm":["Bibliography","Animation","Broadcasting.","Campaign speeches","Cancer--Treatment.","Censorship.","Copyright.","Digital media.","Mass media.","Motion picture industry.","Obscenity (Law)","Pirate radio broadcasting","Political analysis","Political campaigns","Political parties.","Religion and politics","Radio broadcasting--United States--History","Motion picture plays.","Television authorship","Television--Production and direction","United States. Federal Communications Commission.","Vietnam War, 1961-1975","Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books"],"has_online_content_ssim":["false"],"extent_ssm":["172.00 Linear Feet"],"extent_tesim":["172.00 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eBoxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e\n","\u003cp\u003eBoxes 182-397 may be accessed at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","Boxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 182-397 may be accessed at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eDr. Thomas William Hoffer was born on May 31, 1938, in Toledo, Iowa, the son of Martin H. and Margaret K. (Plum) Hoffer. Hoffer attended Toledo High School, graduating in 1955. Later that year, he enrolled at the State University of Iowa, where he earned his B.A. in 1960. Following his college graduation, Hoffer briefly worked at WITI-TV, a Milwaukee, WI television station, from 1960 to 1961.\n\u003cbr\u003e\u003cbr\u003eIn 1961, Hoffer enrolled in Officer Candidate School in Newport, RI. Later year, he was stationed at the US Naval Base at Yokosuka Bay, Japan. Hoffer served on the USS Bon Homme Richard, nicknamed the \"Bonnie Dick.\" On board, Hoffer served in the Communications Department from 1961 to 1963; he also became part of the newly re-structured US Naval Communications State at Yokosuka. He was promoted to Lieutenant (junior grade), served in the Pacific from 1961 until 1964, and retired from active duty in order to enroll at the University of Wisconsin, Madison (Hoffer remained in the Naval Reserves for several more years). His service during that time included an assignment in Vietnam. He received the Vietnam Service Medal and the Republic of Vietnam Campaign Medal, and was honorably discharged at the rank of Lieutenant Commander. \u003cbr\u003e\u003cbr\u003eHoffer retired from active duty in 1964, but remained a member of the US Naval Reserve Program, assigned to the Ninth Naval District in Great Lakes, Illinois. He served two weeks of active duty in 1968 aboard the USS Wright, while still in graduate school at the University of Wisconsin, as a Radio-Television Officer and was eventually promoted to Lieutenant Commander and Supply Officer.\n\u003cbr\u003e\u003cbr\u003eHoffer attended the University of Wisconsin in 1964, where he earned a Masters Degree in Speech Communication in 1969. His M.A. thesis was \"Norman Baker and American Broadcasting.\" Hoffer continued his doctoral studies at the University of Wisconsin, focusing on film and mass communication. He majored in Communication Arts, and minored in Journalism. Hoffer completed his doctorate in 1972. From 1972 until his retirement in 1996, Hoffer was a professor in the Department of Communication at Florida State University (FSU). He was particularly interested in mass media, photojournalism, and documentary film, and taught classes in documentary film making before the establishment of the FSU Film School. When he retired in 1996, he became the founding publisher of The Franklin Chronicle, a local newspaper distributed in Franklin, Gulf, and Wakulla counties. He died in Tallahassee on December 9, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Thomas William Hoffer was born on May 31, 1938, in Toledo, Iowa, the son of Martin H. and Margaret K. (Plum) Hoffer. Hoffer attended Toledo High School, graduating in 1955. Later that year, he enrolled at the State University of Iowa, where he earned his B.A. in 1960. Following his college graduation, Hoffer briefly worked at WITI-TV, a Milwaukee, WI television station, from 1960 to 1961.\n In 1961, Hoffer enrolled in Officer Candidate School in Newport, RI. Later year, he was stationed at the US Naval Base at Yokosuka Bay, Japan. Hoffer served on the USS Bon Homme Richard, nicknamed the \"Bonnie Dick.\" On board, Hoffer served in the Communications Department from 1961 to 1963; he also became part of the newly re-structured US Naval Communications State at Yokosuka. He was promoted to Lieutenant (junior grade), served in the Pacific from 1961 until 1964, and retired from active duty in order to enroll at the University of Wisconsin, Madison (Hoffer remained in the Naval Reserves for several more years). His service during that time included an assignment in Vietnam. He received the Vietnam Service Medal and the Republic of Vietnam Campaign Medal, and was honorably discharged at the rank of Lieutenant Commander.  Hoffer retired from active duty in 1964, but remained a member of the US Naval Reserve Program, assigned to the Ninth Naval District in Great Lakes, Illinois. He served two weeks of active duty in 1968 aboard the USS Wright, while still in graduate school at the University of Wisconsin, as a Radio-Television Officer and was eventually promoted to Lieutenant Commander and Supply Officer.\n Hoffer attended the University of Wisconsin in 1964, where he earned a Masters Degree in Speech Communication in 1969. His M.A. thesis was \"Norman Baker and American Broadcasting.\" Hoffer continued his doctoral studies at the University of Wisconsin, focusing on film and mass communication. He majored in Communication Arts, and minored in Journalism. Hoffer completed his doctorate in 1972. From 1972 until his retirement in 1996, Hoffer was a professor in the Department of Communication at Florida State University (FSU). He was particularly interested in mass media, photojournalism, and documentary film, and taught classes in documentary film making before the establishment of the FSU Film School. When he retired in 1996, he became the founding publisher of The Franklin Chronicle, a local newspaper distributed in Franklin, Gulf, and Wakulla counties. He died in Tallahassee on December 9, 2006."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Thomas William Hoffer Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2008-024\"\u003ehttp://purl.fcla.edu/fsu/MSS_2008-024\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Thomas William Hoffer Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida.","http://purl.fcla.edu/fsu/MSS_2008-024"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Claude Pepper Library staff, Summer 2009-Fall 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Claude Pepper Library staff, Summer 2009-Fall 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas William Hoffer. (1969). Norman Baker and American Broadcasting (thesis). \u003cextref href=\"https://search.library.wisc.edu/catalog/999822730802121\"\u003ehttps://search.library.wisc.edu/catalog/999822730802121\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHoffer Florida Primary collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\u003c/p\u003e\n","\u003cp\u003eWilkinson Collection on Thomas Hoffer, MSS 2021-004, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2021-004\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2021-004\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eSelected issues of the \u003cemph render=\"underline\"\u003eFranklin County Chronicle\u003c/emph\u003e and \u003cemph render=\"underline\"\u003eFranklin Chronicle\u003c/emph\u003e are accessible through the University of Florida Digital Collections:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eFranklin County Chronicle\u003c/emph\u003e, 1992-1996:\u003c/p\u003e\n","\u003cp\u003ehttp://ufdc.ufl.edu/UF00089927\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eFranklin Chronicle\u003c/emph\u003e, 1994-2008:\u003c/p\u003e\n","\u003cp\u003ehttp://ufdc.ufl.edu/UF00089928\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas William Hoffer. (1969). Norman Baker and American Broadcasting (thesis).  https://search.library.wisc.edu/catalog/999822730802121","Hoffer Florida Primary collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.","Wilkinson Collection on Thomas Hoffer, MSS 2021-004, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2021-004","Selected issues of the  Franklin County Chronicle  and  Franklin Chronicle  are accessible through the University of Florida Digital Collections:","Franklin County Chronicle , 1992-1996:","http://ufdc.ufl.edu/UF00089927","Franklin Chronicle , 1994-2008:","http://ufdc.ufl.edu/UF00089928"],"scopecontent_html_tesm":["\u003cp\u003eThe Thomas William Hoffer Papers consists of a wide variety of personal and professional materials created and collected by this prolific and creative educator. Personal papers are organized into correspondence with friends and colleagues, research files for his Norman Baker M.A. Thesis and Vietnam dissertation, materials related to the operations of the Franklin County Chronicle, family files, and military activities.\n\u003cbr\u003e\u003cbr\u003eProfessional files are organized into correspondence and subject files, parts of which give researchers particular insight into film studies at FSU before the establishment of the university's film school; professional writings, particularly materials used in developing his animation publication, teaching materials on documentary film making, research files, and student files. There is an extensive collection of audiocassettes and videotapes documenting his teaching and research activities as an instructor at Florida State University, and recordings of speakers at various events and meetings of the Franklin County Commission on such topics as aquaculture and other environmental issues that impacted the growth of Franklin County, FL.\n\u003cbr\u003e\u003cbr\u003e\tWithin his teaching materials are a large set of card index files to Variety and Motion Picture World his students compiled as a project to study the history of film making in the United States.\u003c/p\u003e","\u003cp\u003eSelect materials from the Hoffer Papers have been digitized and are available through the \u003cextref href=\"http://diginole.lib.fsu.edu/islandora/object/fsu:hofferpapers\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Thomas William Hoffer Papers consists of a wide variety of personal and professional materials created and collected by this prolific and creative educator. Personal papers are organized into correspondence with friends and colleagues, research files for his Norman Baker M.A. Thesis and Vietnam dissertation, materials related to the operations of the Franklin County Chronicle, family files, and military activities.\n Professional files are organized into correspondence and subject files, parts of which give researchers particular insight into film studies at FSU before the establishment of the university's film school; professional writings, particularly materials used in developing his animation publication, teaching materials on documentary film making, research files, and student files. There is an extensive collection of audiocassettes and videotapes documenting his teaching and research activities as an instructor at Florida State University, and recordings of speakers at various events and meetings of the Franklin County Commission on such topics as aquaculture and other environmental issues that impacted the growth of Franklin County, FL.\n \tWithin his teaching materials are a large set of card index files to Variety and Motion Picture World his students compiled as a project to study the history of film making in the United States.","Select materials from the Hoffer Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_becb894e5adf9f80936757be088c9f12\" label=\"Abstract\"\u003eProfessional and personal files of Dr. Thomas William Hoffer, documenting his prolific and creative activities in animation studies, broadcasting, communication education, and documentary production.\u003c/abstract\u003e"],"abstract_tesim":["Professional and personal files of Dr. Thomas William Hoffer, documenting his prolific and creative activities in animation studies, broadcasting, communication education, and documentary production."],"names_coll_ssim":["American Medical Association","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James"],"names_ssim":["FSU Special Collections \u0026 Archives","American Medical Association","Hoffer, Thomas William, 1938-2006","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James"],"corpname_ssim":["FSU Special Collections \u0026 Archives","American Medical Association"],"persname_ssim":["Hoffer, Thomas William, 1938-2006","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3677,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859149381730304,"_root_":"cca5a1d5a68332202957d1b9","timestamp":"2026-07-16T08:25:20.261Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cca5a1d5a68332202957d1b9_aspace_154700"}},{"id":"9646530ffefd538c63ce134a_aspace_f7d58aad279566654b37d42f49e29025","type":"Item","attributes":{"title":"Why Mr. Wolffee…, bulk undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a_aspace_f7d58aad279566654b37d42f49e29025#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eImage of a woman climbing out of a convertible. Man in drver's side in touching a button and a bed 'pops out' of the trunk; Text reads, 'Mr. Wolffe, you didn't say it was That kind of Convertible! ©F.F.F\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a_aspace_f7d58aad279566654b37d42f49e29025#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f7d58aad279566654b37d42f49e29025","ref_ssm":["aspace_f7d58aad279566654b37d42f49e29025","aspace_f7d58aad279566654b37d42f49e29025"],"id":"9646530ffefd538c63ce134a_aspace_f7d58aad279566654b37d42f49e29025","title_filing_ssi":"Why Mr. Wolffee…","title_ssm":["Why Mr. Wolffee…"],"title_tesim":["Why Mr. Wolffee…"],"unitdate_bulk_ssim":["undated"],"normalized_date_ssm":["bulk undated"],"normalized_title_ssm":["Why Mr. Wolffee…, bulk undated"],"text":["Why Mr. Wolffee…, bulk undated","Visual Representation of Women Collection, bulk 1900-2019","Ephemera-Postcards","/repositories/2/archival_objects/68218","Card stock, 3 1/2\" x 5 1/2\"","box 1","item 62","Image of a woman climbing out of a convertible. Man in drver's side in touching a button and a bed 'pops out' of the trunk; Text reads, 'Mr. Wolffe, you didn't say it was That kind of Convertible! ©F.F.F"],"component_level_isim":[2],"parent_ids_ssim":["9646530ffefd538c63ce134a","9646530ffefd538c63ce134a_aspace_21805a5defd3bf3c1e3eac3ddedfcab1"],"parent_unittitles_ssm":["Visual Representation of Women Collection, bulk 1900-2019","Ephemera-Postcards"],"parent_unittitles_tesim":["Visual Representation of Women Collection, bulk 1900-2019","Ephemera-Postcards"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/68218"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Visual Representation of Women Collection, bulk 1900-2019"],"physdesc_tesim":["Card stock, 3 1/2\" x 5 1/2\""],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":63,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. 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Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Songs and music"," Songs, Yiddish","Songs, Yiddish United States","Folk songs, Yiddish","Manuscripts","Music Manuscripts","Music"],"access_subjects_ssm":["Songs and music"," Songs, Yiddish","Songs, Yiddish United States","Folk songs, Yiddish","Manuscripts","Music Manuscripts","Music"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":[" Songs, Yiddish","Songs, Yiddish United States","Folk songs, Yiddish","Manuscripts","Music Manuscripts","Music"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eIn 2004, the family of Joseph Schrogin donated his collection of original manuscripts. Joseph Schrogin was a Lithuanian composer immigrated to the United States in 1921 and lived between New York and Chicago, establishing his home with his wife Manya Schrogin (nee Ptashe) and their two children in Los Angeles. While Mr. Schrogin was not a formally trained musician, he learned to play the piano and mandolin. According to the family, Mr. Schrogin studied harmony and had a gift for melody. After 30 of composing music and publishing a book of his songs titled Gezangen, he passed away at the age of 53 in Los Angeles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2004, the family of Joseph Schrogin donated his collection of original manuscripts. Joseph Schrogin was a Lithuanian composer immigrated to the United States in 1921 and lived between New York and Chicago, establishing his home with his wife Manya Schrogin (nee Ptashe) and their two children in Los Angeles. While Mr. Schrogin was not a formally trained musician, he learned to play the piano and mandolin. According to the family, Mr. Schrogin studied harmony and had a gift for melody. After 30 of composing music and publishing a book of his songs titled Gezangen, he passed away at the age of 53 in Los Angeles."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"334611b48c3fe0d4883f0835","timestamp":"2026-04-21T17:59:30.750Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/334611b48c3fe0d4883f0835_aspace_62389"}},{"id":"3394cf21c0478bbafbe79cf9_aspace_118270","type":"File","attributes":{"title":"Why not Hillary? Because no one needs to go to war every 28 days!, n.d.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3394cf21c0478bbafbe79cf9_aspace_118270#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eReproduced image; white background with Hillary Clinton with a moon and calendar behind her. Her eyes are closed and her mouth is open in an exaggerated laugh. On the calendar reads, 'Go 2 war.' Additional text in red reads, 'Why not Hillary? Because no one needs to go to war every 28 days!'\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3394cf21c0478bbafbe79cf9_aspace_118270#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_118270","ref_ssm":["aspace_118270","aspace_118270"],"id":"3394cf21c0478bbafbe79cf9_aspace_118270","title_filing_ssi":"Why not Hillary? Because no one needs to go to war every 28 days!","title_ssm":["Why not Hillary? Because no one needs to go to war every 28 days!"],"title_tesim":["Why not Hillary? Because no one needs to go to war every 28 days!"],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["Why not Hillary? Because no one needs to go to war every 28 days!, n.d."],"text":["Why not Hillary? Because no one needs to go to war every 28 days!, n.d.","Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Ephemera","Folder 61","/repositories/2/archival_objects/23871","Laminated photocopy paper, 8\" x 11 1/2\".","box 3","folder 61","Reproduced image; white background with Hillary Clinton with a moon  and calendar behind her. Her eyes are closed and her mouth is open in an exaggerated laugh.  On the calendar reads, 'Go 2 war.' Additional text in red reads, 'Why not Hillary? Because no one needs to go to war every 28 days!'"],"component_level_isim":[2],"parent_ids_ssim":["3394cf21c0478bbafbe79cf9","3394cf21c0478bbafbe79cf9_aspace_118159"],"parent_unittitles_ssm":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Ephemera"],"parent_unittitles_tesim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 61","/repositories/2/archival_objects/23871"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"physdesc_tesim":["Laminated photocopy paper, 8\" x 11 1/2\"."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":109,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3","folder 61"],"scopecontent_html_tesm":["\u003cp\u003eReproduced image; white background with Hillary Clinton with a moon  and calendar behind her. Her eyes are closed and her mouth is open in an exaggerated laugh.  On the calendar reads, 'Go 2 war.' Additional text in red reads, 'Why not Hillary? Because no one needs to go to war every 28 days!'\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Reproduced image; white background with Hillary Clinton with a moon  and calendar behind her. Her eyes are closed and her mouth is open in an exaggerated laugh.  On the calendar reads, 'Go 2 war.' Additional text in red reads, 'Why not Hillary? Because no one needs to go to war every 28 days!'"],"_nest_path_":"/components#0/components#107","_nest_parent_":"3394cf21c0478bbafbe79cf9_aspace_118159","_root_":"3394cf21c0478bbafbe79cf9","_version_":1870842037446639616,"timestamp":"2026-07-16T03:53:21.162Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3394cf21c0478bbafbe79cf9","title_ssm":["Dr. Jane Caputi Collection--Political Circus"],"title_tesim":["Dr. Jane Caputi Collection--Political Circus"],"ead_ssi":"3394cf21c0478bbafbe79cf9","unitdate_ssm":["2007-2008","2008"],"unitdate_bulk_ssim":["2008"],"unitdate_inclusive_ssm":["2007-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0009","/repositories/2/resources/56"],"text":["UAFP0009","/repositories/2/resources/56","Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Processed in 2018 by Simone Clunie","https://archives.library.fau.edu/repositories/2/resources/57","The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality.","The Political Circus Collection consists of commercial paraphernalia produced during the 2008 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like a soft toy, an action figure, and a figurative nut- cracker. These pieces were central components of the exhibition, Political Circus: A 3 Ring Reflection on the 2008 Election Campaign that ran from September 5 - November 1, 2008 at Florida Atlantic University.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0009","/repositories/2/resources/56"],"normalized_date_ssm":["2007-2008, bulk 2008"],"normalized_title_ssm":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"collection_title_tesim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"collection_ssim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet","11 boxes; 3 items in map case other_unmapped"],"extent_tesim":["0.00 Linear Feet","11 boxes; 3 items in map case other_unmapped"],"date_range_isim":[2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2018 by Simone Clunie\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2018 by Simone Clunie"],"relatedmaterial_html_tesm":["\u003cp\u003ehttps://archives.library.fau.edu/repositories/2/resources/57\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["https://archives.library.fau.edu/repositories/2/resources/57"],"scopecontent_html_tesm":["\u003cp\u003eThe collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality.\u003c/p\u003e\n","\u003cp\u003eThe Political Circus Collection consists of commercial paraphernalia produced during the 2008 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like a soft toy, an action figure, and a figurative nut- cracker. These pieces were central components of the exhibition, Political Circus: A 3 Ring Reflection on the 2008 Election Campaign that ran from September 5 - November 1, 2008 at Florida Atlantic University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality.","The Political Circus Collection consists of commercial paraphernalia produced during the 2008 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like a soft toy, an action figure, and a figurative nut- cracker. These pieces were central components of the exhibition, Political Circus: A 3 Ring Reflection on the 2008 Election Campaign that ran from September 5 - November 1, 2008 at Florida Atlantic University."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":204,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842037446639616,"_root_":"3394cf21c0478bbafbe79cf9","timestamp":"2026-07-16T03:53:21.162Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3394cf21c0478bbafbe79cf9_aspace_118270"}},{"id":"2326334e5e159c8d459e96a3_aspace_37908","type":"Item","attributes":{"title":"\"Why not me?!\", \"You're ashamed of me!\", \"No I'm not!\", November, 1987.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37908#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37908","ref_ssm":["aspace_37908","aspace_37908"],"id":"2326334e5e159c8d459e96a3_aspace_37908","title_filing_ssi":"\"Why not me?!\", \"You're ashamed of me!\", \"No I'm not!\"","title_ssm":["\"Why not me?!\", \"You're ashamed of me!\", \"No I'm not!\""],"title_tesim":["\"Why not me?!\", \"You're ashamed of me!\", \"No I'm not!\""],"unitdate_other_ssim":["November, 1987."],"normalized_date_ssm":["November, 1987."],"normalized_title_ssm":["\"Why not me?!\", \"You're ashamed of me!\", \"No I'm not!\", November, 1987."],"text":["\"Why not me?!\", \"You're ashamed of me!\", \"No I'm not!\", November, 1987.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated.","Item 7","/repositories/4/archival_objects/2415","box 8","folder 4"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_37827","2326334e5e159c8d459e96a3_aspace_37899"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Doppelgängers, 1987-1988, 1990, Undated.","Comic Strips (Templates), 1987-1988, 2000, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 7","/repositories/4/archival_objects/2415"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":739,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 8","folder 4"],"_nest_path_":"/components#0/components#1/components#0/components#3/components#6","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37899","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37908"}},{"id":"26eefec1361de1ff540d3dcd_aspace_6244","type":"Item","attributes":{"title":"Why Not Negotiate in Vietnam?, December, 1965.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/26eefec1361de1ff540d3dcd_aspace_6244#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eNote: By Richard M. Nixon. The Reader's Digest.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/26eefec1361de1ff540d3dcd_aspace_6244#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6244","ref_ssm":["aspace_6244","aspace_6244"],"id":"26eefec1361de1ff540d3dcd_aspace_6244","title_filing_ssi":"Why Not Negotiate in Vietnam?","title_ssm":["Why Not Negotiate in Vietnam?"],"title_tesim":["Why Not Negotiate in Vietnam?"],"unitdate_other_ssim":["December, 1965."],"normalized_date_ssm":["December, 1965."],"normalized_title_ssm":["Why Not Negotiate in Vietnam?, December, 1965."],"text":["Why Not Negotiate in Vietnam?, December, 1965.","Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979","Subject Files, 1929-1983","U.S. Government Materials, 1962-1965","Item 11","/repositories/10/archival_objects/161768","6 p","Note: By Richard M. Nixon. The Reader's Digest."],"component_level_isim":[3],"parent_ids_ssim":["26eefec1361de1ff540d3dcd","26eefec1361de1ff540d3dcd_aspace_5390","26eefec1361de1ff540d3dcd_aspace_6233"],"parent_unittitles_ssm":["Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979","Subject Files, 1929-1983","U.S. Government Materials, 1962-1965"],"parent_unittitles_tesim":["Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979","Subject Files, 1929-1983","U.S. Government Materials, 1962-1965"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 11","/repositories/10/archival_objects/161768"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979"],"physdesc_tesim":["6 p"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":849,"parent_access_restrict_tesm":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"scopecontent_html_tesm":["\u003cp\u003eNote: By Richard M. Nixon. The Reader's Digest.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Note: By Richard M. Nixon. The Reader's Digest."],"_nest_path_":"/components#0/components#51/components#10","_nest_parent_":"26eefec1361de1ff540d3dcd_aspace_6233","_root_":"26eefec1361de1ff540d3dcd","timestamp":"2026-07-11T03:44:58.512Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"26eefec1361de1ff540d3dcd","title_ssm":["Daisy Parker Flory Papers"],"title_tesim":["Daisy Parker Flory Papers"],"ead_ssi":"26eefec1361de1ff540d3dcd","unitdate_ssm":["1929-1990","1961-1979","Date acquired: 02/00/1994"],"unitdate_bulk_ssim":["1961-1979"],"unitdate_inclusive_ssm":["1929-1990"],"unitdate_other_ssim":["Date acquired: 02/00/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2005-004","/repositories/10/resources/1267"],"text":["MSS 2005-004","/repositories/10/resources/1267","Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979","Florida Election Law","Florida. Constitution (1968)","Federal aid to the arts","Florida Constitutional Amendments","Florida Constitution Revision Commission","Florida--Officials and employees.","Florida State Government","Advertising fliers","Federal aid to the arts--United States","State governments--Administration","State governments--Study and teaching.","Bibliography","Florida--Politics and government","School day","Clippings (Books, newspapers, etc.)","Lecture notes","Lectures.","Manuscripts","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Daisy Parker Flory was born February 8, 1915 in Charlotte, N.C., the daughter of Julius Monrie and Daisy (Kidd) Parker. She attended Florida State College for Women (FSCW) in 1933, and earned her Bachelor's degree in History from that institution in 1937.","\nWhile she attended FSCW, she was elected to the 1936-37 Mortar Board, the first national organization honoring senior college women. Flory was editor of the Mortar Board Quarterly from 1950 to 1956, served on the Katherine Wills Coleman Fellowship Committee from 1959 to 1965, and was Parliamentarian for the Mortar Board Conventions in 1961, 1964, 1967, and 1970. In 2001, she was named the recipient of the Eighth Distinguished Lifetime Mortar Board Award.","\nIn 1937, she began her professional career as a teacher of government and history at Leon High School. Some of her students at Florida State University (FSU) included former governor Reubin Askew, former Supreme Court Justice Alan Sundberg, and Attorney General Jim Smith. She attended the University of Virginia, where she received her M.A. in Political Science in 1940 and Ph.D. in 1959. Flory came to FSCW in 1942, where her career took her through the academic chairs of Instructor (1942), Assistant Professor (1947), Associate Professor (1957), Assistant Vice President for Academic Affairs (1969), and Dean of the Faculties (1973). In 1973, she also married Claude R. Flory, an FSU professor of English, who retired in June 1978.","\nIn those days, it was most unusual for a woman to serve as Dean of the Faculties, but her wisdom and the respect she earned from her colleagues made her a leader in the academic world. She served during a very difficult time of student unrest (and sometimes violence) on college campuses. As Dean of the Faculties, she was responsible for coordinating University-wide academic matters including faculty promotion and tenure, administration of faculty appointments, curricular approvals, faculty and professional development programs and responses to requests from the Florida Board of Regents on academic matters.","\nAs Dean of the Faculties, Flory was directed by President Bernard Sliger to secure for FSU \"Title Nine Certification,\" and FSU became the first university in Florida to do so. For this achievement, she was elected to the FSU Athletic Hall of Fame-to the great amusement of family and friends who knew her lack of athletic prowess! In 1981, she received the Ross Oglesby Award for outstanding service; in 1982, the Moore-Stone Award for outstanding support of athletics; in 1983, the Herbert Morgan Award for individual service to further women's athletics and the Distinguished Service Award; and in 1984, the Seminole Award for outstanding leadership and service.","\nWhen Flory retired at the end of 1984, a special \"Daisy Parker Flory Day\" was declared in her honor. During the festivities, the Department of Political Science, in which Flory taught a course on Florida Government for over 40 years, conferred upon her the title of Professor Emeritus. The University also established the Daisy Parker Flory Professorship in her honor. In 1986, she received an honorary Doctoral Degree from FSU. She was very active with The Emeritus Club (graduates of 50 years or more), serving as President and Program Committee Chair. She also helped the Club raise $600,000 to establish the Edward Conradi Eminent Professorship to honor President Conradi, who served from 1909 to 1941.","\nFor a number of years, Flory served on the Committee of Thirty whose charge is to secure funds from corporations, alumni, and others to support women in organized athletic activities in the Atlantic Coast Conference (basketball, volleyball, softball) and also to solicit increased support from the University for women in organized athletics. She and her husband Claude personally established a full scholarship for women's volleyball.","\nFlory has been a member of Phi Beta Kappa, Phi Kappa Phi, Pi Sigma Alpha, Phi Alpha Theta, and Pi Gamma Nu. She has been President of the Tallahassee Branch of AAUW and the Tallahassee Historical Society, Secretary of the Southern Political Science Association, and a member of the Governor's Study Committee on Personnel. Even at 86, she still attended the meetings of the Sesquicentennial Committee on her campus, planning for the celebration of FSU's 150th Anniversary Celebration on January 24, 2001.","\nFlory also served the residents of Westminster Oaks, a retirement community where she and her husband lived. She provided outstanding speakers for their Friday night Lecture Series and for the Women's Breakfasts, such as FSU Eminent Professor Dr. Leo Sandon, nationally-known professor of religion; Dr. William Warren Rogers, well-known writer of southern and regional history; Dr. James O'Brien, a meteorologist nationally-known for his research on the weather phenomena El Nino and La Nina, as well as hurricanes; Dr. Donald Horward, internationally-known expert on Napoleonic strategy who has taught at FSU and at West Point on Napoleonic campaigns; and former Governor Reuben Askew, a former Flory student and now Eminent Professor.","\nHer writings include:","\n- Background for Public Decision-Making","\n- Proceedings of the Pre-Session Conference for Florida Legislators held at the Florida State University, January 26-28, (Tallahassee, Fla: Institute of Governmental Research, The Florida State University 1967)","\n- Executive Branch in the Florida Constitution, Prepared for the Florida Constitution Revision Commission (Created by Senate Bill No. 977, Approved June 24, 1965) (Tallahassee, Fla: Institute of Governmental Research, The Florida State University, 1966)","\n- The Florida Executive and Constitutional Revision (Tallahassee, Fla.: Institute of Governmental Research, The Florida State University, 1967)","\n- John Milton, Governor of Florida (Thesis: Honors Paper, Florida State University, 1937).","\nFSU's Reichelt Oral History Program includes a recorded interview (with transcript), with Claude and Daisy Parker Flory.","Special Collections staff member Burt Altman processed the collection in March-April, 2005.","The Daisy Parker Flory Collection documents many aspects of Dr. Flory's professional life, and is valuable to researchers studying Florida elections, higher education in Florida, state government reorganization, and changes in the Florida executive and legislative branches of government from the late 1950s through the 1970s.","\nThe majority of the papers are subject files containing materials she used in teaching Florida Government classes at Florida State University.  The collection includes correspondence, photographs, and reference materials, mostly journals.  The class materials originally included several boxes of deteriorating newspaper clippings. Several sample folders were retained, and news clippings from these folders were photocopied. Samples of some journals she used in her work were retained for the reference files.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","Subject files documenting her professional interests and teaching activities; research notes for her Florida State University (FSU) Florida Government classes; reference materials reflecting her teaching and other activities; class materials (reading lists, curricula, student papers) for her FSU Florida Government course; manuscripts; correspondence to Daisy Parker Flory and her husband Claude Flory; photograph of Dr. Flory.","FSU Special Collections \u0026 Archives","Florida State College for Women","Flory, Daisy Parker, 1915-2006","Askew, Reubin O'D., 1928-2014","English"],"unitid_tesim":["MSS 2005-004","/repositories/10/resources/1267"],"normalized_date_ssm":["1929-1990, Date acquired: 02/00/1994, bulk 1961-1979"],"normalized_title_ssm":["Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979"],"collection_title_tesim":["Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979"],"collection_ssim":["Daisy Parker Flory Papers, 1929-1990, Date acquired: 02/00/1994, bulk 1961-1979"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Flory, Daisy Parker, 1915-2006"],"creator_ssim":["Flory, Daisy Parker, 1915-2006"],"creator_persname_ssim":["Flory, Daisy Parker, 1915-2006"],"creators_ssim":["Flory, Daisy Parker, 1915-2006"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["The Daisy Parker Flory Collection was given to Special Collections in February 1994."],"access_subjects_ssim":["Florida Election Law","Florida. Constitution (1968)","Federal aid to the arts","Florida Constitutional Amendments","Florida Constitution Revision Commission","Florida--Officials and employees.","Florida State Government","Advertising fliers","Federal aid to the arts--United States","State governments--Administration","State governments--Study and teaching.","Bibliography","Florida--Politics and government","School day","Clippings (Books, newspapers, etc.)","Lecture notes","Lectures.","Manuscripts"],"access_subjects_ssm":["Florida Election Law","Florida. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eDaisy Parker Flory was born February 8, 1915 in Charlotte, N.C., the daughter of Julius Monrie and Daisy (Kidd) Parker. She attended Florida State College for Women (FSCW) in 1933, and earned her Bachelor's degree in History from that institution in 1937.\u003c/p\u003e\n","\u003cp\u003e\nWhile she attended FSCW, she was elected to the 1936-37 Mortar Board, the first national organization honoring senior college women. Flory was editor of the Mortar Board Quarterly from 1950 to 1956, served on the Katherine Wills Coleman Fellowship Committee from 1959 to 1965, and was Parliamentarian for the Mortar Board Conventions in 1961, 1964, 1967, and 1970. In 2001, she was named the recipient of the Eighth Distinguished Lifetime Mortar Board Award.\u003c/p\u003e\n","\u003cp\u003e\nIn 1937, she began her professional career as a teacher of government and history at Leon High School. Some of her students at Florida State University (FSU) included former governor Reubin Askew, former Supreme Court Justice Alan Sundberg, and Attorney General Jim Smith. She attended the University of Virginia, where she received her M.A. in Political Science in 1940 and Ph.D. in 1959. Flory came to FSCW in 1942, where her career took her through the academic chairs of Instructor (1942), Assistant Professor (1947), Associate Professor (1957), Assistant Vice President for Academic Affairs (1969), and Dean of the Faculties (1973). In 1973, she also married Claude R. Flory, an FSU professor of English, who retired in June 1978.\u003c/p\u003e\n","\u003cp\u003e\nIn those days, it was most unusual for a woman to serve as Dean of the Faculties, but her wisdom and the respect she earned from her colleagues made her a leader in the academic world. She served during a very difficult time of student unrest (and sometimes violence) on college campuses. As Dean of the Faculties, she was responsible for coordinating University-wide academic matters including faculty promotion and tenure, administration of faculty appointments, curricular approvals, faculty and professional development programs and responses to requests from the Florida Board of Regents on academic matters.\u003c/p\u003e\n","\u003cp\u003e\nAs Dean of the Faculties, Flory was directed by President Bernard Sliger to secure for FSU \"Title Nine Certification,\" and FSU became the first university in Florida to do so. For this achievement, she was elected to the FSU Athletic Hall of Fame-to the great amusement of family and friends who knew her lack of athletic prowess! In 1981, she received the Ross Oglesby Award for outstanding service; in 1982, the Moore-Stone Award for outstanding support of athletics; in 1983, the Herbert Morgan Award for individual service to further women's athletics and the Distinguished Service Award; and in 1984, the Seminole Award for outstanding leadership and service.\u003c/p\u003e\n","\u003cp\u003e\nWhen Flory retired at the end of 1984, a special \"Daisy Parker Flory Day\" was declared in her honor. During the festivities, the Department of Political Science, in which Flory taught a course on Florida Government for over 40 years, conferred upon her the title of Professor Emeritus. The University also established the Daisy Parker Flory Professorship in her honor. In 1986, she received an honorary Doctoral Degree from FSU. She was very active with The Emeritus Club (graduates of 50 years or more), serving as President and Program Committee Chair. She also helped the Club raise $600,000 to establish the Edward Conradi Eminent Professorship to honor President Conradi, who served from 1909 to 1941.\u003c/p\u003e\n","\u003cp\u003e\nFor a number of years, Flory served on the Committee of Thirty whose charge is to secure funds from corporations, alumni, and others to support women in organized athletic activities in the Atlantic Coast Conference (basketball, volleyball, softball) and also to solicit increased support from the University for women in organized athletics. She and her husband Claude personally established a full scholarship for women's volleyball.\u003c/p\u003e\n","\u003cp\u003e\nFlory has been a member of Phi Beta Kappa, Phi Kappa Phi, Pi Sigma Alpha, Phi Alpha Theta, and Pi Gamma Nu. She has been President of the Tallahassee Branch of AAUW and the Tallahassee Historical Society, Secretary of the Southern Political Science Association, and a member of the Governor's Study Committee on Personnel. Even at 86, she still attended the meetings of the Sesquicentennial Committee on her campus, planning for the celebration of FSU's 150th Anniversary Celebration on January 24, 2001.\u003c/p\u003e\n","\u003cp\u003e\nFlory also served the residents of Westminster Oaks, a retirement community where she and her husband lived. She provided outstanding speakers for their Friday night Lecture Series and for the Women's Breakfasts, such as FSU Eminent Professor Dr. Leo Sandon, nationally-known professor of religion; Dr. William Warren Rogers, well-known writer of southern and regional history; Dr. James O'Brien, a meteorologist nationally-known for his research on the weather phenomena El Nino and La Nina, as well as hurricanes; Dr. Donald Horward, internationally-known expert on Napoleonic strategy who has taught at FSU and at West Point on Napoleonic campaigns; and former Governor Reuben Askew, a former Flory student and now Eminent Professor.\u003c/p\u003e\n","\u003cp\u003e\nHer writings include:\u003c/p\u003e\n","\u003cp\u003e\n- Background for Public Decision-Making\u003c/p\u003e\n","\u003cp\u003e\n- Proceedings of the Pre-Session Conference for Florida Legislators held at the Florida State University, January 26-28, (Tallahassee, Fla: Institute of Governmental Research, The Florida State University 1967)\u003c/p\u003e\n","\u003cp\u003e\n- Executive Branch in the Florida Constitution, Prepared for the Florida Constitution Revision Commission (Created by Senate Bill No. 977, Approved June 24, 1965) (Tallahassee, Fla: Institute of Governmental Research, The Florida State University, 1966)\u003c/p\u003e\n","\u003cp\u003e\n- The Florida Executive and Constitutional Revision (Tallahassee, Fla.: Institute of Governmental Research, The Florida State University, 1967)\u003c/p\u003e\n","\u003cp\u003e\n- John Milton, Governor of Florida (Thesis: Honors Paper, Florida State University, 1937).\u003c/p\u003e\n","\u003cp\u003e\nFSU's Reichelt Oral History Program includes a recorded interview (with transcript), with Claude and Daisy Parker Flory.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Daisy Parker Flory was born February 8, 1915 in Charlotte, N.C., the daughter of Julius Monrie and Daisy (Kidd) Parker. She attended Florida State College for Women (FSCW) in 1933, and earned her Bachelor's degree in History from that institution in 1937.","\nWhile she attended FSCW, she was elected to the 1936-37 Mortar Board, the first national organization honoring senior college women. Flory was editor of the Mortar Board Quarterly from 1950 to 1956, served on the Katherine Wills Coleman Fellowship Committee from 1959 to 1965, and was Parliamentarian for the Mortar Board Conventions in 1961, 1964, 1967, and 1970. In 2001, she was named the recipient of the Eighth Distinguished Lifetime Mortar Board Award.","\nIn 1937, she began her professional career as a teacher of government and history at Leon High School. Some of her students at Florida State University (FSU) included former governor Reubin Askew, former Supreme Court Justice Alan Sundberg, and Attorney General Jim Smith. She attended the University of Virginia, where she received her M.A. in Political Science in 1940 and Ph.D. in 1959. Flory came to FSCW in 1942, where her career took her through the academic chairs of Instructor (1942), Assistant Professor (1947), Associate Professor (1957), Assistant Vice President for Academic Affairs (1969), and Dean of the Faculties (1973). In 1973, she also married Claude R. Flory, an FSU professor of English, who retired in June 1978.","\nIn those days, it was most unusual for a woman to serve as Dean of the Faculties, but her wisdom and the respect she earned from her colleagues made her a leader in the academic world. She served during a very difficult time of student unrest (and sometimes violence) on college campuses. As Dean of the Faculties, she was responsible for coordinating University-wide academic matters including faculty promotion and tenure, administration of faculty appointments, curricular approvals, faculty and professional development programs and responses to requests from the Florida Board of Regents on academic matters.","\nAs Dean of the Faculties, Flory was directed by President Bernard Sliger to secure for FSU \"Title Nine Certification,\" and FSU became the first university in Florida to do so. For this achievement, she was elected to the FSU Athletic Hall of Fame-to the great amusement of family and friends who knew her lack of athletic prowess! In 1981, she received the Ross Oglesby Award for outstanding service; in 1982, the Moore-Stone Award for outstanding support of athletics; in 1983, the Herbert Morgan Award for individual service to further women's athletics and the Distinguished Service Award; and in 1984, the Seminole Award for outstanding leadership and service.","\nWhen Flory retired at the end of 1984, a special \"Daisy Parker Flory Day\" was declared in her honor. During the festivities, the Department of Political Science, in which Flory taught a course on Florida Government for over 40 years, conferred upon her the title of Professor Emeritus. The University also established the Daisy Parker Flory Professorship in her honor. In 1986, she received an honorary Doctoral Degree from FSU. She was very active with The Emeritus Club (graduates of 50 years or more), serving as President and Program Committee Chair. She also helped the Club raise $600,000 to establish the Edward Conradi Eminent Professorship to honor President Conradi, who served from 1909 to 1941.","\nFor a number of years, Flory served on the Committee of Thirty whose charge is to secure funds from corporations, alumni, and others to support women in organized athletic activities in the Atlantic Coast Conference (basketball, volleyball, softball) and also to solicit increased support from the University for women in organized athletics. She and her husband Claude personally established a full scholarship for women's volleyball.","\nFlory has been a member of Phi Beta Kappa, Phi Kappa Phi, Pi Sigma Alpha, Phi Alpha Theta, and Pi Gamma Nu. She has been President of the Tallahassee Branch of AAUW and the Tallahassee Historical Society, Secretary of the Southern Political Science Association, and a member of the Governor's Study Committee on Personnel. Even at 86, she still attended the meetings of the Sesquicentennial Committee on her campus, planning for the celebration of FSU's 150th Anniversary Celebration on January 24, 2001.","\nFlory also served the residents of Westminster Oaks, a retirement community where she and her husband lived. She provided outstanding speakers for their Friday night Lecture Series and for the Women's Breakfasts, such as FSU Eminent Professor Dr. Leo Sandon, nationally-known professor of religion; Dr. William Warren Rogers, well-known writer of southern and regional history; Dr. James O'Brien, a meteorologist nationally-known for his research on the weather phenomena El Nino and La Nina, as well as hurricanes; Dr. Donald Horward, internationally-known expert on Napoleonic strategy who has taught at FSU and at West Point on Napoleonic campaigns; and former Governor Reuben Askew, a former Flory student and now Eminent Professor.","\nHer writings include:","\n- Background for Public Decision-Making","\n- Proceedings of the Pre-Session Conference for Florida Legislators held at the Florida State University, January 26-28, (Tallahassee, Fla: Institute of Governmental Research, The Florida State University 1967)","\n- Executive Branch in the Florida Constitution, Prepared for the Florida Constitution Revision Commission (Created by Senate Bill No. 977, Approved June 24, 1965) (Tallahassee, Fla: Institute of Governmental Research, The Florida State University, 1966)","\n- The Florida Executive and Constitutional Revision (Tallahassee, Fla.: Institute of Governmental Research, The Florida State University, 1967)","\n- John Milton, Governor of Florida (Thesis: Honors Paper, Florida State University, 1937).","\nFSU's Reichelt Oral History Program includes a recorded interview (with transcript), with Claude and Daisy Parker Flory."],"prefercite_html_tesm":["\u003cp\u003eDaisy Parker Flory Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-004\u003c/p\u003e"],"prefercite_tesim":["Daisy Parker Flory Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2005-004"],"processinfo_html_tesm":["\u003cp\u003eSpecial Collections staff member Burt Altman processed the collection in March-April, 2005.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Special Collections staff member Burt Altman processed the collection in March-April, 2005."],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Parker Flory Collection documents many aspects of Dr. Flory's professional life, and is valuable to researchers studying Florida elections, higher education in Florida, state government reorganization, and changes in the Florida executive and legislative branches of government from the late 1950s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\nThe majority of the papers are subject files containing materials she used in teaching Florida Government classes at Florida State University.\u0026#xA0; The collection includes correspondence, photographs, and reference materials, mostly journals.\u0026#xA0; The class materials originally included several boxes of deteriorating newspaper clippings. Several sample folders were retained, and news clippings from these folders were photocopied. Samples of some journals she used in her work were retained for the reference files.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Daisy Parker Flory Collection documents many aspects of Dr. Flory's professional life, and is valuable to researchers studying Florida elections, higher education in Florida, state government reorganization, and changes in the Florida executive and legislative branches of government from the late 1950s through the 1970s.","\nThe majority of the papers are subject files containing materials she used in teaching Florida Government classes at Florida State University.  The collection includes correspondence, photographs, and reference materials, mostly journals.  The class materials originally included several boxes of deteriorating newspaper clippings. Several sample folders were retained, and news clippings from these folders were photocopied. Samples of some journals she used in her work were retained for the reference files."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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