{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64270\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64269\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64271\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64270,"next_page":64271,"prev_page":64269,"total_pages":65767,"limit_value":10,"offset_value":642690,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"377018d2c691025d88612f9e_aspace_1820f82059c6a9a3bab03307d831e46e","type":"File","attributes":{"title":"\"When you've lost the trail to home sweet home\", 1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_1820f82059c6a9a3bab03307d831e46e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1820f82059c6a9a3bab03307d831e46e","ref_ssm":["aspace_1820f82059c6a9a3bab03307d831e46e","aspace_1820f82059c6a9a3bab03307d831e46e"],"id":"377018d2c691025d88612f9e_aspace_1820f82059c6a9a3bab03307d831e46e","title_filing_ssi":"\"When you've lost the trail to home sweet home\"","title_ssm":["\"When you've lost the trail to home sweet home\""],"title_tesim":["\"When you've lost the trail to home sweet home\""],"unitdate_inclusive_ssm":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["\"When you've lost the trail to home sweet home\", 1996"],"text":["\"When you've lost the trail to home sweet home\", 1996","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79853","/repositories/2/archival_objects/83115","box 26","folder 13"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79853","/repositories/2/archival_objects/83115"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":889,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 4","folder 10"],"odd_html_tesm":["\u003cp\u003eKing Brand\u003c/p\u003e","\u003cp\u003eBroadway, NY\u003c/p\u003e"],"odd_heading_ssm":["Publisher","Place"],"odd_tesim":["King Brand","Broadway, NY"],"scopecontent_html_tesm":["\u003cp\u003eManuscript\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Manuscript"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_2e3e02d43a19dfd150cf7df8d18a56ea\"\u003eTrumpet, Trombone, Sax, Drums, Piano Guitar, Bass\u003c/materialspec\u003e"],"materialspec_tesim":["Trumpet, Trombone, Sax, Drums, Piano Guitar, Bass"],"_nest_path_":"/components#136","_nest_parent_":"7cebb39144b2c94f6c91b418","_root_":"7cebb39144b2c94f6c91b418","timestamp":"2026-04-21T17:59:32.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7cebb39144b2c94f6c91b418","title_ssm":["Dance Band Combo"],"title_tesim":["Dance Band Combo"],"ead_ssi":"7cebb39144b2c94f6c91b418","unitdate_ssm":["1925-1962","1946-1953"],"unitdate_bulk_ssim":["1946-1953"],"unitdate_inclusive_ssm":["1925-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00016","/repositories/2/resources/91"],"text":["PMC00016","/repositories/2/resources/91","Dance Band Combo, 1925-1962, bulk 1946-1953","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012 this collection was processed by Elizabeth Fairall and Victoria Thur.","The Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00016","/repositories/2/resources/91"],"normalized_date_ssm":["1925-1962, bulk 1946-1953"],"normalized_title_ssm":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"collection_title_tesim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"collection_ssim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["3.50 Linear Feet"],"extent_tesim":["3.50 Linear Feet"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012 this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012 this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_27dd5a2fc1e08c15cea572416237932d"}},{"id":"59327c0abe5aee857a5586d7_aspace_3026d7eb24a6d1b44a3884d60cb70868","type":"File","attributes":{"title":"When You Wish Upon a Deficit. The New York Times., 18-July-1993.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_3026d7eb24a6d1b44a3884d60cb70868#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3026d7eb24a6d1b44a3884d60cb70868","ref_ssm":["aspace_3026d7eb24a6d1b44a3884d60cb70868","aspace_3026d7eb24a6d1b44a3884d60cb70868"],"id":"59327c0abe5aee857a5586d7_aspace_3026d7eb24a6d1b44a3884d60cb70868","title_filing_ssi":"When You Wish Upon a Deficit. The New York Times.","title_ssm":["When You Wish Upon a Deficit. The New York Times."],"title_tesim":["When You Wish Upon a Deficit. The New York Times."],"unitdate_inclusive_ssm":["18-July-1993."],"normalized_date_ssm":["18-July-1993."],"normalized_title_ssm":["When You Wish Upon a Deficit. The New York Times., 18-July-1993."],"text":["When You Wish Upon a Deficit. The New York Times., 18-July-1993.","Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","Disney., 1953-2005.","Euro Disney.","/repositories/4/archival_objects/74617","box 215","folder 4"],"component_level_isim":[5],"parent_ids_ssim":["59327c0abe5aee857a5586d7","59327c0abe5aee857a5586d7_aspace_75fd1a9aac41d2150339e31aea23f6f5","59327c0abe5aee857a5586d7_aspace_a7a22ae08c63f53e06d590e86c5ed46a","59327c0abe5aee857a5586d7_aspace_fabaf989e9ec4dfd700028951a40c5ab","59327c0abe5aee857a5586d7_aspace_449e123dd924395500b92496fc2e7946"],"parent_unittitles_ssm":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","Disney., 1953-2005.","Euro Disney."],"parent_unittitles_tesim":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","Disney., 1953-2005.","Euro Disney."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/74617"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3138,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 215","folder 4"],"_nest_path_":"/components#6/components#0/components#113/components#29/components#2","_nest_parent_":"59327c0abe5aee857a5586d7_aspace_449e123dd924395500b92496fc2e7946","_root_":"59327c0abe5aee857a5586d7","_version_":1870858054322356224,"timestamp":"2026-07-16T08:07:55.983Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 047","/repositories/4/resources/299"],"text":["SC 047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC 047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858054322356224,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-07-16T08:07:55.983Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_3026d7eb24a6d1b44a3884d60cb70868"}},{"id":"377018d2c691025d88612f9e_aspace_150ec364801ecc73f74b0d19fda3d9ec","type":"File","attributes":{"title":"\"When you wore a tulip\", 1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_150ec364801ecc73f74b0d19fda3d9ec#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_150ec364801ecc73f74b0d19fda3d9ec","ref_ssm":["aspace_150ec364801ecc73f74b0d19fda3d9ec","aspace_150ec364801ecc73f74b0d19fda3d9ec"],"id":"377018d2c691025d88612f9e_aspace_150ec364801ecc73f74b0d19fda3d9ec","title_filing_ssi":"\"When you wore a tulip\"","title_ssm":["\"When you wore a tulip\""],"title_tesim":["\"When you wore a tulip\""],"unitdate_inclusive_ssm":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["\"When you wore a tulip\", 1990"],"text":["\"When you wore a tulip\", 1990","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79855","/repositories/2/archival_objects/83117","box 26","folder 15"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79855","/repositories/2/archival_objects/83117"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":891,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1990],"containers_ssim":["box 26","folder 15"],"_nest_path_":"/components#890","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. CFU2018_47)."],"access_subjects_ssim":["Barbershop quartets","sheet music"],"access_subjects_ssm":["Barbershop quartets","sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["11.8 Linear Feet 30 boxes"],"extent_tesim":["11.8 Linear Feet 30 boxes"],"genreform_ssim":["sheet music"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the original order that it was received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the original order that it was received."],"bioghist_html_tesm":["\u003cp\u003eAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 7","folder 48"],"odd_html_tesm":["\u003cp\u003eNew York\u003c/p\u003e","\u003cp\u003eLeo Feist\u003c/p\u003e","\u003cp\u003eWenrich, Percy\u003c/p\u003e","\u003cp\u003eMahoney, Jack\u003c/p\u003e"],"odd_heading_ssm":["Place","Publisher","Composer","Lyricist"],"odd_tesim":["New York","Leo Feist","Wenrich, Percy","Mahoney, Jack"],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_499a560e079c153de89dd45f364c195d\"\u003ePiano, Voice\u003c/materialspec\u003e"],"materialspec_tesim":["Piano, Voice"],"_nest_path_":"/components#466","_nest_parent_":"cea835c20490a01e134f591b","_root_":"cea835c20490a01e134f591b","_version_":1870841667398926336,"timestamp":"2026-07-16T03:47:28.172Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cea835c20490a01e134f591b","title_ssm":["Sybil Weiner Sheet Music Collection"],"title_tesim":["Sybil Weiner Sheet Music Collection"],"ead_ssi":"cea835c20490a01e134f591b","unitdate_ssm":["1895-1966"],"unitdate_inclusive_ssm":["1895-1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00005","/repositories/2/resources/112"],"text":["PMC00005","/repositories/2/resources/112","Sybil Weiner Sheet Music Collection, 1895-1966","Popular music -- United States -- 1901-1910","Popular music -- United States","\tWorld War, 1914-1918 -- Songs and music","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by title","In 2007, Sybil Weiner donated her collection of over 500 pieces of American popular print music to Florida Atlantic University. The collection dates from 1895 to 1966 and includes: patriotic songs, Negro spirituals, music from American musicals and motion pictures, as well as many popular standards.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00005","/repositories/2/resources/112"],"normalized_date_ssm":["1895-1966"],"normalized_title_ssm":["Sybil Weiner Sheet Music Collection, 1895-1966"],"collection_title_tesim":["Sybil Weiner Sheet Music Collection, 1895-1966"],"collection_ssim":["Sybil Weiner Sheet Music Collection, 1895-1966"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Popular music -- United States -- 1901-1910","Popular music -- United States","\tWorld War, 1914-1918 -- Songs and music"],"access_subjects_ssm":["Popular music -- United States -- 1901-1910","Popular music -- United States","\tWorld War, 1914-1918 -- Songs and music"],"has_online_content_ssim":["false"],"extent_ssm":["4.00 Linear Feet"],"extent_tesim":["4.00 Linear Feet"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by title\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by title"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIn 2007, Sybil Weiner donated her collection of over 500 pieces of American popular print music to Florida Atlantic University. 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Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":599,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841667398926336,"_root_":"cea835c20490a01e134f591b","timestamp":"2026-07-16T03:47:28.172Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cea835c20490a01e134f591b_aspace_41546"}},{"id":"377018d2c691025d88612f9e_aspace_8db9439b82cb80ae741d0066f50a4ba6","type":"File","attributes":{"title":"\"When you wore a tulip mixed B-shop\", 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_8db9439b82cb80ae741d0066f50a4ba6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8db9439b82cb80ae741d0066f50a4ba6","ref_ssm":["aspace_8db9439b82cb80ae741d0066f50a4ba6","aspace_8db9439b82cb80ae741d0066f50a4ba6"],"id":"377018d2c691025d88612f9e_aspace_8db9439b82cb80ae741d0066f50a4ba6","title_filing_ssi":"\"When you wore a tulip mixed B-shop\"","title_ssm":["\"When you wore a tulip mixed B-shop\""],"title_tesim":["\"When you wore a tulip mixed B-shop\""],"unitdate_inclusive_ssm":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["\"When you wore a tulip mixed B-shop\", 2004"],"text":["\"When you wore a tulip mixed B-shop\", 2004","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79215","/repositories/2/archival_objects/82477","box 7","folder 18"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79215","/repositories/2/archival_objects/82477"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":251,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_8db9439b82cb80ae741d0066f50a4ba6"}},{"id":"3232c27cb5756431732dd4dd_aspace_129157","type":"File","attributes":{"title":"When Yuba Plays the Rumba on the Tuba, 1931","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129157#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_129157","ref_ssm":["aspace_129157","aspace_129157"],"id":"3232c27cb5756431732dd4dd_aspace_129157","title_filing_ssi":"When Yuba Plays the Rumba on the Tuba","title_ssm":["When Yuba Plays the Rumba on the Tuba"],"title_tesim":["When Yuba Plays the Rumba on the Tuba"],"unitdate_other_ssim":["1931"],"normalized_date_ssm":["1931"],"normalized_title_ssm":["When Yuba Plays the Rumba on the Tuba, 1931"],"text":["When Yuba Plays the Rumba on the Tuba, 1931","Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music","Folder 105","/repositories/2/archival_objects/36671","8","box 11","folder 105","New York, NY","Hupfeld, Herman","Harms, Inc.","Hupfeld, Herman","English"],"component_level_isim":[3],"parent_ids_ssim":["3232c27cb5756431732dd4dd","3232c27cb5756431732dd4dd_aspace_128094","3232c27cb5756431732dd4dd_aspace_128095"],"parent_unittitles_ssm":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_unittitles_tesim":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 105","/repositories/2/archival_objects/36671"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"physdesc_tesim":["8"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1053,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 11","folder 105"],"odd_html_tesm":["\u003cp\u003eNew York, NY\u003c/p\u003e","\u003cp\u003eHupfeld, Herman\u003c/p\u003e","\u003cp\u003eHarms, Inc.\u003c/p\u003e","\u003cp\u003eHupfeld, Herman\u003c/p\u003e"],"odd_heading_ssm":["Place","Composer","Publisher","Lyricist"],"odd_tesim":["New York, NY","Hupfeld, Herman","Harms, Inc.","Hupfeld, Herman"],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"_nest_path_":"/components#0/components#0/components#1050","_nest_parent_":"3232c27cb5756431732dd4dd_aspace_128095","_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3232c27cb5756431732dd4dd","title_ssm":["Joe Merman Sheet Music Collection"],"title_tesim":["Joe Merman Sheet Music Collection"],"ead_ssi":"3232c27cb5756431732dd4dd","unitdate_ssm":["1909-1999"],"unitdate_inclusive_ssm":["1909-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00012","/repositories/2/resources/98"],"text":["PMC00012","/repositories/2/resources/98","Joe Merman Sheet Music Collection, 1909-1999","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by score name","Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00012","/repositories/2/resources/98"],"normalized_date_ssm":["1909-1999"],"normalized_title_ssm":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_title_tesim":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. 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