{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64257\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64256\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64258\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":64257,"next_page":64258,"prev_page":64256,"total_pages":65767,"limit_value":10,"offset_value":642560,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"0c6450679382733623a42e56_aspace_70869","type":"Item","attributes":{"title":"When Phillis Looks, n.d.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_70869#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70869","ref_ssm":["aspace_70869","aspace_70869"],"id":"0c6450679382733623a42e56_aspace_70869","title_filing_ssi":"When Phillis Looks","title_ssm":["When Phillis Looks"],"title_tesim":["When Phillis Looks"],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["When Phillis Looks, n.d."],"text":["When Phillis Looks, n.d.","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","General","Folder 45","Item 02","/repositories/2/archival_objects/2808","2","Stevens, David","Chadwick, G.W.","Manuscript","English","Piano, Voice"],"component_level_isim":[4],"parent_ids_ssim":["0c6450679382733623a42e56","0c6450679382733623a42e56_aspace_70310","0c6450679382733623a42e56_aspace_70311","0c6450679382733623a42e56_aspace_70867"],"parent_unittitles_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","General","Folder 45"],"parent_unittitles_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Solo","General","Folder 45"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 02","/repositories/2/archival_objects/2808"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"physdesc_tesim":["2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":552,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. 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Clancy Collection, 1911-1999, Date acquired: 01/01/2010","Architectural design","Theaters","Theater architecture","Theaters--Designs and plans","Drawing rolls are arranged in two series: Job Drawings and Standard Part Drawings. Within each series, rolls are arranged numerically by job number or standard part number where possible. Drawings are arranged within each roll in the order they were recieved from the donor, and researchers should note that not all drawings from a job are arranged together.","Architectural and engineering drawings related to construction and renovation projects managed by the J.R. Clancy stage rigging firm (1885-present), including theatrical designs, drawings for standard parts, wiring diagrams, and standard assemblies for stage rigging systems.","Select drawings from the J.R. Clancy Collection have been digitized and are available through the  FSU Digital Library .","FSU Special Collections \u0026 Archives","J.R. 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Clancy","Deed of Gift"],"access_subjects_ssim":["Architectural design","Theaters","Theater architecture","Theaters--Designs and plans"],"access_subjects_ssm":["Architectural design","Theaters","Theater architecture","Theaters--Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["350.00 Linear Feet"],"extent_tesim":["350.00 Linear Feet"],"arrangement_html_tesm":["\u003cp\u003eDrawing rolls are arranged in two series: Job Drawings and Standard Part Drawings. Within each series, rolls are arranged numerically by job number or standard part number where possible. Drawings are arranged within each roll in the order they were recieved from the donor, and researchers should note that not all drawings from a job are arranged together.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Drawing rolls are arranged in two series: Job Drawings and Standard Part Drawings. Within each series, rolls are arranged numerically by job number or standard part number where possible. Drawings are arranged within each roll in the order they were recieved from the donor, and researchers should note that not all drawings from a job are arranged together."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], J.R. Clancy Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2010-002\"\u003ehttp://purl.fcla.edu/fsu/MSS_2010-002\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], J.R. Clancy Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2010-002"],"scopecontent_html_tesm":["\u003cp\u003eArchitectural and engineering drawings related to construction and renovation projects managed by the J.R. 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Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993","Research Files, 1880-2006.","Florida History, 1880-1991, Undated.","Clippings, 1953-1989, Undated.","Item 11","/repositories/4/archival_objects/16223","box 1","folder 19"],"component_level_isim":[4],"parent_ids_ssim":["4ddca0864b5649d9cc073c0f","4ddca0864b5649d9cc073c0f_aspace_41912","4ddca0864b5649d9cc073c0f_aspace_42148","4ddca0864b5649d9cc073c0f_aspace_42149"],"parent_unittitles_ssm":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993","Research Files, 1880-2006.","Florida History, 1880-1991, Undated.","Clippings, 1953-1989, Undated."],"parent_unittitles_tesim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993","Research Files, 1880-2006.","Florida History, 1880-1991, Undated.","Clippings, 1953-1989, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 11","/repositories/4/archival_objects/16223"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":213,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 19"],"_nest_path_":"/components#0/components#3/components#0/components#10","_nest_parent_":"4ddca0864b5649d9cc073c0f_aspace_42149","_root_":"4ddca0864b5649d9cc073c0f","_version_":1870858020377853952,"timestamp":"2026-07-16T08:07:23.593Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ddca0864b5649d9cc073c0f","title_ssm":["J. Paul Hartman Slide Collection"],"title_tesim":["J. Paul Hartman Slide Collection"],"ead_ssi":"4ddca0864b5649d9cc073c0f","unitdate_ssm":["1605-2006","1905-1993"],"unitdate_bulk_ssim":["1905-1993"],"unitdate_inclusive_ssm":["1605-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.057","/repositories/4/resources/70"],"text":["SC.057","/repositories/4/resources/70","J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993","Florida","Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida","The entire collection is open for research.","The purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically.","Dr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.","\nWhile he was teaching at the Florida Technological University, published the following titles:","\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.","\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.","\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.","\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.","\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well.","Files were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box.","Mary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\"  Online Catalog .","Series I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.","\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.","\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026 sinkholes), and Walt Disney World \u0026 Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida.","UCF Special Collections","Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002","English"],"unitid_tesim":["SC.057","/repositories/4/resources/70"],"normalized_date_ssm":["1605-2006, bulk 1905-1993"],"normalized_title_ssm":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"collection_title_tesim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"collection_ssim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Mary Alice Hartman donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2004 (CFM2004_09)."],"access_subjects_ssim":["Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida"],"access_subjects_ssm":["Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 2 Boxes"],"extent_tesim":["1.75 Linear Feet 2 Boxes"],"date_range_isim":[1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eDr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.\u003c/p\u003e\n","\u003cp\u003e\nWhile he was teaching at the Florida Technological University, published the following titles:\u003c/p\u003e\n","\u003cp\u003e\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.\u003c/p\u003e\n","\u003cp\u003e\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.\u003c/p\u003e\n","\u003cp\u003e\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.\u003c/p\u003e\n","\u003cp\u003e\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.\u003c/p\u003e\n","\u003cp\u003e\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.","\nWhile he was teaching at the Florida Technological University, published the following titles:","\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.","\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.","\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.","\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.","\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well."],"prefercite_html_tesm":["\u003cp\u003eJ. Paul Hartman Slide Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["J. Paul Hartman Slide Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eFiles were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Files were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box."],"relatedmaterial_html_tesm":["\u003cp\u003eMary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\" \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Mary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\"  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.\u003c/p\u003e\n","\u003cp\u003e\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026amp; sinkholes), and Walt Disney World \u0026amp; Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.","\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.","\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026 sinkholes), and Walt Disney World \u0026 Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd4d6c9f456210a55b16f53354fe796\" label=\"Abstract\"\u003eJohn P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida.\u003c/abstract\u003e"],"abstract_tesim":["John P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida."],"names_coll_ssim":["Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002"],"names_ssim":["UCF Special Collections","Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002"],"corpname_ssim":["UCF Special Collections","Florida East Coast Railway"],"persname_ssim":["Hartman, J. Paul (John Paul), -2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":585,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858020377853952,"_root_":"4ddca0864b5649d9cc073c0f","timestamp":"2026-07-16T08:07:23.593Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ddca0864b5649d9cc073c0f_aspace_42162"}},{"id":"3232c27cb5756431732dd4dd_aspace_129145","type":"File","attributes":{"title":"When Rock and Roll Come to Trinidad, 1957","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129145#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_129145","ref_ssm":["aspace_129145","aspace_129145"],"id":"3232c27cb5756431732dd4dd_aspace_129145","title_filing_ssi":"When Rock and Roll Come to Trinidad","title_ssm":["When Rock and Roll Come to Trinidad"],"title_tesim":["When Rock and Roll Come to Trinidad"],"unitdate_other_ssim":["1957"],"normalized_date_ssm":["1957"],"normalized_title_ssm":["When Rock and Roll Come to Trinidad, 1957"],"text":["When Rock and Roll Come to Trinidad, 1957","Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music","Folder 93","/repositories/2/archival_objects/36659","5","box 11","folder 93","New York, NY","Marvin Music Co.","Fisher, Marvin","Aldfred, Roy","English"],"component_level_isim":[3],"parent_ids_ssim":["3232c27cb5756431732dd4dd","3232c27cb5756431732dd4dd_aspace_128094","3232c27cb5756431732dd4dd_aspace_128095"],"parent_unittitles_ssm":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_unittitles_tesim":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 93","/repositories/2/archival_objects/36659"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"physdesc_tesim":["5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1041,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 11","folder 93"],"odd_html_tesm":["\u003cp\u003eNew York, NY\u003c/p\u003e","\u003cp\u003eMarvin Music Co.\u003c/p\u003e","\u003cp\u003eFisher, Marvin\u003c/p\u003e","\u003cp\u003eAldfred, Roy\u003c/p\u003e"],"odd_heading_ssm":["Place","Publisher","Composer","Lyricist"],"odd_tesim":["New York, NY","Marvin Music Co.","Fisher, Marvin","Aldfred, Roy"],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"_nest_path_":"/components#0/components#0/components#1038","_nest_parent_":"3232c27cb5756431732dd4dd_aspace_128095","_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3232c27cb5756431732dd4dd","title_ssm":["Joe Merman Sheet Music Collection"],"title_tesim":["Joe Merman Sheet Music Collection"],"ead_ssi":"3232c27cb5756431732dd4dd","unitdate_ssm":["1909-1999"],"unitdate_inclusive_ssm":["1909-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00012","/repositories/2/resources/98"],"text":["PMC00012","/repositories/2/resources/98","Joe Merman Sheet Music Collection, 1909-1999","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by score name","Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00012","/repositories/2/resources/98"],"normalized_date_ssm":["1909-1999"],"normalized_title_ssm":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_title_tesim":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by score name\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by score name"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eJoe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2109,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129145"}},{"id":"2326334e5e159c8d459e96a3_aspace_38469","type":"Item","attributes":{"title":"\"When Ron 'Speaks' \", July 18, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38469#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38469","ref_ssm":["aspace_38469","aspace_38469"],"id":"2326334e5e159c8d459e96a3_aspace_38469","title_filing_ssi":"\"When Ron 'Speaks' \"","title_ssm":["\"When Ron 'Speaks' \""],"title_tesim":["\"When Ron 'Speaks' \""],"unitdate_other_ssim":["July 18, 1988."],"normalized_date_ssm":["July 18, 1988."],"normalized_title_ssm":["\"When Ron 'Speaks' \", July 18, 1988."],"text":["\"When Ron 'Speaks' \", July 18, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","General Cartoon Arts, 1955, 1970-2010, Undated.","Caricatures., 1985-2004.","Item 11","/repositories/4/archival_objects/2139","box 12","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_38436","2326334e5e159c8d459e96a3_aspace_38456"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","General Cartoon Arts, 1955, 1970-2010, Undated.","Caricatures., 1985-2004."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","General Cartoon Arts, 1955, 1970-2010, Undated.","Caricatures., 1985-2004."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 11","/repositories/4/archival_objects/2139"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1262,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 12","folder 4"],"_nest_path_":"/components#1/components#1/components#10","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38456","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38469"}},{"id":"3232c27cb5756431732dd4dd_aspace_129080","type":"File","attributes":{"title":"When Stealing Down Her Pallid Cheek, 1910","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129080#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_129080","ref_ssm":["aspace_129080","aspace_129080"],"id":"3232c27cb5756431732dd4dd_aspace_129080","title_filing_ssi":"When Stealing Down Her Pallid Cheek","title_ssm":["When Stealing Down Her Pallid Cheek"],"title_tesim":["When Stealing Down Her Pallid Cheek"],"unitdate_other_ssim":["1910"],"normalized_date_ssm":["1910"],"normalized_title_ssm":["When Stealing Down Her Pallid Cheek, 1910"],"text":["When Stealing Down Her Pallid Cheek, 1910","Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music","Folder 28","/repositories/2/archival_objects/36594","5","box 11","folder 28","Krehbiel, H. E.","Donizetti, Gaetano","Oliver Ditson Company","New York, NY","English"],"component_level_isim":[3],"parent_ids_ssim":["3232c27cb5756431732dd4dd","3232c27cb5756431732dd4dd_aspace_128094","3232c27cb5756431732dd4dd_aspace_128095"],"parent_unittitles_ssm":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_unittitles_tesim":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 28","/repositories/2/archival_objects/36594"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"physdesc_tesim":["5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":976,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 11","folder 28"],"odd_html_tesm":["\u003cp\u003eKrehbiel, H. E.\u003c/p\u003e","\u003cp\u003eDonizetti, Gaetano\u003c/p\u003e","\u003cp\u003eOliver Ditson Company\u003c/p\u003e","\u003cp\u003eNew York, NY\u003c/p\u003e"],"odd_heading_ssm":["Arranger","Composer","Publisher","Place"],"odd_tesim":["Krehbiel, H. E.","Donizetti, Gaetano","Oliver Ditson Company","New York, NY"],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"_nest_path_":"/components#0/components#0/components#973","_nest_parent_":"3232c27cb5756431732dd4dd_aspace_128095","_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3232c27cb5756431732dd4dd","title_ssm":["Joe Merman Sheet Music Collection"],"title_tesim":["Joe Merman Sheet Music Collection"],"ead_ssi":"3232c27cb5756431732dd4dd","unitdate_ssm":["1909-1999"],"unitdate_inclusive_ssm":["1909-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00012","/repositories/2/resources/98"],"text":["PMC00012","/repositories/2/resources/98","Joe Merman Sheet Music Collection, 1909-1999","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by score name","Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00012","/repositories/2/resources/98"],"normalized_date_ssm":["1909-1999"],"normalized_title_ssm":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_title_tesim":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by score name\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by score name"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eJoe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2109,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129080"}},{"id":"53fe42784f04677d1a2bb649_aspace_62186","type":"File","attributes":{"title":"When Suicide is Homicide","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/53fe42784f04677d1a2bb649_aspace_62186#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62186","ref_ssm":["aspace_62186","aspace_62186"],"id":"53fe42784f04677d1a2bb649_aspace_62186","title_filing_ssi":"When Suicide is Homicide","title_ssm":["When Suicide is Homicide"],"title_tesim":["When Suicide is Homicide"],"normalized_title_ssm":["When Suicide is Homicide"],"text":["When Suicide is Homicide","William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982","Manuscripts","Manuscripts - V-W","Folder 10","/repositories/2/archival_objects/135783","box 34","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["53fe42784f04677d1a2bb649","53fe42784f04677d1a2bb649_aspace_61172","53fe42784f04677d1a2bb649_aspace_62174"],"parent_unittitles_ssm":["William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982","Manuscripts","Manuscripts - V-W"],"parent_unittitles_tesim":["William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982","Manuscripts","Manuscripts - V-W"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 10","/repositories/2/archival_objects/135783"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1104,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 34","folder 10"],"_nest_path_":"/components#3/components#16/components#9","_nest_parent_":"53fe42784f04677d1a2bb649_aspace_62174","_root_":"53fe42784f04677d1a2bb649","_version_":1870863453787258880,"timestamp":"2026-07-16T09:33:45.270Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"53fe42784f04677d1a2bb649","title_ssm":["William Tibbetts Brannon papers"],"title_tesim":["William Tibbetts Brannon papers"],"ead_ssi":"53fe42784f04677d1a2bb649","unitdate_ssm":["1937-1980","Date acquired: 00/00/1982"],"unitdate_inclusive_ssm":["1937-1980"],"unitdate_other_ssim":["Date acquired: 00/00/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-02","/repositories/2/resources/576"],"text":["MS-1982-02","/repositories/2/resources/576","William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982","Detective and mystery stories","Crime and criminals","Crime","Authors, American","Organized into series.","William Tibbetts Brannon, the son of Lorenzo E. and Mae Holliday Brannon, was born in Meridian, Mississippi on March 3, 1906.  He attended the Medill School of Journalism at Northwestern University from 1930 to 1933.","An author and journalist, Brannon was a columnist and feature writer for the  St. Petersburg Daily Times , a staff writer for the  Tourist News , a freelance writer for  Reader's Digest ,  Coronet ,  Saga ,  True Detective ,  True Police ,  Official Detective , and a crime feature writer for King Features Syndicate.  He also wrote and co-wrote seventeen books, nine segments of the television show \"Maverick,\" and three \"Official Detective\" shows. Known as the \"dean of true crime writers,\" Brannon used various by-lines, including S.T. Peters, Lawrence Gardner, Peter Hermanns, Peter Oberholtzer, Randy Lebert, and Dwight McGlinn.  He died in 1981.","Collection includes correspondence, manuscripts of articles, research notes, periodical issues containing articles, awards and certificates, news clippings, and photographs. Series 1-8 were intially processed by format, however, for ease of access Series 9, the Author's Integrated Files, are in original order.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","King Features Syndicate","Brannon, William T. (William Tibbetts) (1906-1981)","English"],"unitid_tesim":["MS-1982-02","/repositories/2/resources/576"],"normalized_date_ssm":["1937-1980, Date acquired: 00/00/1982"],"normalized_title_ssm":["William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982"],"collection_title_tesim":["William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982"],"collection_ssim":["William Tibbetts Brannon papers, 1937-1980, Date acquired: 00/00/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Brannon, William T. (William Tibbetts) (1906-1981)"],"creator_ssim":["Brannon, William T. (William Tibbetts) (1906-1981)"],"creator_persname_ssim":["Brannon, William T. (William Tibbetts) (1906-1981)"],"creators_ssim":["Brannon, William T. (William Tibbetts) (1906-1981)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["William T. Brannon","Donated by the estate of William T. 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_1ebb78e23c685bc41fc41678f9e8df4c"}},{"id":"3a691bb3ebf7b743485425f4_aspace_5733e1e48e74020e52f7164d19f444c8","type":"File","attributes":{"title":"When Sunny Gets Blue","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_5733e1e48e74020e52f7164d19f444c8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_5733e1e48e74020e52f7164d19f444c8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5733e1e48e74020e52f7164d19f444c8","ref_ssm":["aspace_5733e1e48e74020e52f7164d19f444c8","aspace_5733e1e48e74020e52f7164d19f444c8"],"id":"3a691bb3ebf7b743485425f4_aspace_5733e1e48e74020e52f7164d19f444c8","title_filing_ssi":"When Sunny Gets Blue","title_ssm":["When Sunny Gets Blue"],"title_tesim":["When Sunny Gets Blue"],"normalized_title_ssm":["When Sunny Gets Blue"],"text":["When Sunny Gets Blue","Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series I: Alpha","Box 2","Folder 44a","/repositories/12/archival_objects/210174","Boice, John","Jazz","Sheet music","Popular music -- Lead sheets","Jazz musicians","English","This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari \nTrumpet: 5\nTrombone: 5\nOther: Flugelhorn\nBass: 1\nPiano: 1\nGuitar: 1\nPercussion: 1"],"component_level_isim":[3],"parent_ids_ssim":["3a691bb3ebf7b743485425f4","3a691bb3ebf7b743485425f4_aspace_e94ac77e4287197827a5217522d899b0","3a691bb3ebf7b743485425f4_aspace_dd025afc5a41d87c442b6d89c2e28255"],"parent_unittitles_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series I: Alpha","Box 2"],"parent_unittitles_tesim":["Robert H. Stone and Pamela S. 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Due to copyright restrictions, items in this collection may not be photographed or scanned."],"names_ssim":["Boice, John"],"persname_ssim":["Boice, John"],"access_subjects_ssim":["Jazz","Sheet music","Popular music -- Lead sheets","Jazz musicians"],"access_subjects_ssm":["Jazz","Sheet music","Popular music -- Lead sheets","Jazz musicians"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e","\u003cp\u003eSax: 2 alto, 2 tenor, 1 bari \nTrumpet: 5\nTrombone: 5\nOther: Flugelhorn\nBass: 1\nPiano: 1\nGuitar: 1\nPercussion: 1\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari \nTrumpet: 5\nTrombone: 5\nOther: Flugelhorn\nBass: 1\nPiano: 1\nGuitar: 1\nPercussion: 1"],"_nest_path_":"/components#0/components#1/components#24","_nest_parent_":"3a691bb3ebf7b743485425f4_aspace_dd025afc5a41d87c442b6d89c2e28255","_root_":"3a691bb3ebf7b743485425f4","_version_":1870852924015378432,"timestamp":"2026-07-16T06:46:23.350Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a691bb3ebf7b743485425f4","title_ssm":["Robert H. 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Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.","This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned.","Allen Music Library Special Collections","London Orchestration","Albam, Manny (1922-06-24-2001-10-02)","Ayoub, Nick, 1926-1991","Dee Barton","Barone, Mike, 1936-","Bellson, Lou ","Berg, Curt","Blumberg, Dave","Boice, John","Boland, Francy (19291106-20050812)","Briggs, Bill, (Composer)","Bryant, Bobby (1934-05-19-1998-06)","Burns, Ralph (1922-06-29-2001-11-21)","Byers, Billy, 1927-1996","Carisi, John","Casagrande, Al ","Catingub, Matt","Chase, Bill","Childers, Buddy, 1926-2007","Caiazza, Igor","Cicchetti, Charles \"Chick\"","Clausen, Alf (19410328)","Coccia, Joe","Cohn, Al (1925-11-24-1988-02-15)","Colombier, Michel (19390523-20041114)","Comstock, Frank (1922-09-22-2013-05-21)","Costa, Don (1925-06-10-1983-01-19)","Dameron, Tadd, 1917-1965","Davis, Wild Bill, 1918-1995","Davis, Rick ","Dimmick, Don ","Eklund, Bernt","Ellington, Duke, 1899-1974","Evans, Gil, 1912-1988","Evans, Marion (1926-05-01)","Farnon, Robert (1917-07-24-2005-04-23)","Ferenturo, Ken","Florence, Bob, 1932-2008","Flory, Med, 1926-2014","Foster, Frank (Frank Benjamin), 1928-2011","Galliard, John Ernest, -1747","Gibbs, Michael (Michael Clement Irving), 1937-","Gray, Jerry, 1915-1976","Grove, Dick, 1927-1998","Haerle, Dan","Hampton, Slide (1932-04-21-2021-11-20)","Hanna, Ken, jazz trumpeter","Hartley, Lanny  ","Heath, Ted, 1902-1969","Heathman, Mike","Hefti, Neal (Neal Paul) (19221029-20081011)","Hensel, Wes, 1917-1982","Hill, Jay","Hodges, Tommy ","Holman, Bill (Willis Leonard) (1927-05-21)","Johnstone, Bruce","Jones, Jimmy, 1930-","Jones, Quincy (Quincy Delight), 1933-","Jones, Thad (1923-03-28-1986-08-20)","Kelly, Phil, 1937-","Kennedy, Jay, 1951-","Kenton, Stan (1911-12-15-1979-08-25)","King, Joe, (Trumpet player)","Kubis, Tom","LaParta, John ","Maiden, Willie, 1928-1976","Mandel, Johnny (1925-11-23-2020-06-29)","Manone, Jimmy","Mantooth, Frank","Mardin, Adrif ","Martin, Skip, 1957-","Mathieu, W. 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Stone and Pamela S. Carey.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was owned in its entirety by Robert H. Stone and Pamela S. Carey."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Robert H. Stone and Pamela S. Carey Jazz Collection, Warren D. Allen Music Library, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Robert H. Stone and Pamela S. Carey Jazz Collection, Warren D. Allen Music Library, Tallahassee, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.\u003c/p\u003e\n","\u003cp\u003eBob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989."],"userestrict_html_tesm":["\u003cp\u003eThis collection is available for viewing in person. 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