{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64243\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64245\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64244,"next_page":64245,"prev_page":64243,"total_pages":65767,"limit_value":10,"offset_value":642430,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"8a59a7d5170b598adb3047fc_aspace_187765","type":"Item","attributes":{"title":"Wheelock College, 1983","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_187765#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eJob Number 8311. 1 sheet.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_187765#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_187765","ref_ssm":["aspace_187765","aspace_187765"],"id":"8a59a7d5170b598adb3047fc_aspace_187765","title_filing_ssi":"Wheelock College","title_ssm":["Wheelock College"],"title_tesim":["Wheelock College"],"unitdate_other_ssim":["1983"],"normalized_date_ssm":["1983"],"normalized_title_ssm":["Wheelock College, 1983"],"text":["Wheelock College, 1983","J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","Job Drawings","Roll 65","Item 12","/repositories/10/archival_objects/41654","Job Number 8311. 1 sheet."],"component_level_isim":[3],"parent_ids_ssim":["8a59a7d5170b598adb3047fc","8a59a7d5170b598adb3047fc_aspace_355b18932e1d1ea9bdf7717267724462","8a59a7d5170b598adb3047fc_aspace_187753"],"parent_unittitles_ssm":["J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","Job Drawings","Roll 65"],"parent_unittitles_tesim":["J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","Job Drawings","Roll 65"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["Item 12","/repositories/10/archival_objects/41654"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1903,"scopecontent_html_tesm":["\u003cp\u003eJob Number 8311. 1 sheet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Job Number 8311. 1 sheet."],"_nest_path_":"/components#0/components#63/components#11","_nest_parent_":"8a59a7d5170b598adb3047fc_aspace_187753","_root_":"8a59a7d5170b598adb3047fc","timestamp":"2026-07-11T06:28:28.123Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a59a7d5170b598adb3047fc","title_ssm":["J. R. Clancy Collection"],"title_tesim":["J. R. Clancy Collection"],"ead_ssi":"8a59a7d5170b598adb3047fc","unitdate_ssm":["1911-1999","Date acquired: 01/01/2010"],"unitdate_other_ssim":["1911-1999","Date acquired: 01/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2010-002","/repositories/10/resources/310"],"text":["MSS 2010-002","/repositories/10/resources/310","J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","Architectural design","Theaters","Theater architecture","Theaters--Designs and plans","Drawing rolls are arranged in two series: Job Drawings and Standard Part Drawings. Within each series, rolls are arranged numerically by job number or standard part number where possible. Drawings are arranged within each roll in the order they were recieved from the donor, and researchers should note that not all drawings from a job are arranged together.","Architectural and engineering drawings related to construction and renovation projects managed by the J.R. Clancy stage rigging firm (1885-present), including theatrical designs, drawings for standard parts, wiring diagrams, and standard assemblies for stage rigging systems.","Select drawings from the J.R. Clancy Collection have been digitized and are available through the  FSU Digital Library .","FSU Special Collections \u0026 Archives","J.R. Clancy (Firm)","English"],"unitid_tesim":["MSS 2010-002","/repositories/10/resources/310"],"normalized_date_ssm":["1911-1999, Date acquired: 01/01/2010"],"normalized_title_ssm":["J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010"],"collection_title_tesim":["J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010"],"collection_ssim":["J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["J.R. Clancy (Firm)"],"creator_ssim":["J.R. Clancy (Firm)"],"creator_corpname_ssim":["J.R. Clancy (Firm)"],"creators_ssim":["J.R. Clancy (Firm)"],"acqinfo_ssim":["Bob Theis, Chair, J.R. Clancy","Deed of Gift"],"access_subjects_ssim":["Architectural design","Theaters","Theater architecture","Theaters--Designs and plans"],"access_subjects_ssm":["Architectural design","Theaters","Theater architecture","Theaters--Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["350.00 Linear Feet"],"extent_tesim":["350.00 Linear Feet"],"arrangement_html_tesm":["\u003cp\u003eDrawing rolls are arranged in two series: Job Drawings and Standard Part Drawings. Within each series, rolls are arranged numerically by job number or standard part number where possible. Drawings are arranged within each roll in the order they were recieved from the donor, and researchers should note that not all drawings from a job are arranged together.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Drawing rolls are arranged in two series: Job Drawings and Standard Part Drawings. Within each series, rolls are arranged numerically by job number or standard part number where possible. Drawings are arranged within each roll in the order they were recieved from the donor, and researchers should note that not all drawings from a job are arranged together."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], J.R. Clancy Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2010-002\"\u003ehttp://purl.fcla.edu/fsu/MSS_2010-002\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], J.R. Clancy Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2010-002"],"scopecontent_html_tesm":["\u003cp\u003eArchitectural and engineering drawings related to construction and renovation projects managed by the J.R. Clancy stage rigging firm (1885-present), including theatrical designs, drawings for standard parts, wiring diagrams, and standard assemblies for stage rigging systems.\u003c/p\u003e","\u003cp\u003eSelect drawings from the J.R. Clancy Collection have been digitized and are available through the \u003cextref href=\"http://diginole.lib.fsu.edu/islandora/object/fsu:clancycollection\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Architectural and engineering drawings related to construction and renovation projects managed by the J.R. Clancy stage rigging firm (1885-present), including theatrical designs, drawings for standard parts, wiring diagrams, and standard assemblies for stage rigging systems.","Select drawings from the J.R. Clancy Collection have been digitized and are available through the  FSU Digital Library ."],"names_ssim":["FSU Special Collections \u0026 Archives","J.R. Clancy (Firm)"],"corpname_ssim":["FSU Special Collections \u0026 Archives","J.R. Clancy (Firm)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2605,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a59a7d5170b598adb3047fc","timestamp":"2026-07-11T06:28:28.123Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_187765"}},{"id":"1ac81ef5e6623d4b183a7c01_aspace_81748","type":"File","attributes":{"title":"Wheelock, John Hall (1886-1978), 1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac81ef5e6623d4b183a7c01_aspace_81748#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_81748","ref_ssm":["aspace_81748","aspace_81748"],"id":"1ac81ef5e6623d4b183a7c01_aspace_81748","title_filing_ssi":"Wheelock, John Hall (1886-1978)","title_ssm":["Wheelock, John Hall (1886-1978)"],"title_tesim":["Wheelock, John Hall (1886-1978)"],"unitdate_other_ssim":["1967"],"normalized_date_ssm":["1967"],"normalized_title_ssm":["Wheelock, John Hall (1886-1978), 1967"],"text":["Wheelock, John Hall (1886-1978), 1967","John MacKay Shaw Collection, 1737-2007","Literary, 1737-2007","Shaw Bibliography Notes and Source Materials, 1805-2007","Folder 36","/repositories/10/archival_objects/174766","2 items","box 70","folder 36"],"component_level_isim":[3],"parent_ids_ssim":["1ac81ef5e6623d4b183a7c01","1ac81ef5e6623d4b183a7c01_aspace_79207","1ac81ef5e6623d4b183a7c01_aspace_79208"],"parent_unittitles_ssm":["John MacKay Shaw Collection, 1737-2007","Literary, 1737-2007","Shaw Bibliography Notes and Source Materials, 1805-2007"],"parent_unittitles_tesim":["John MacKay Shaw Collection, 1737-2007","Literary, 1737-2007","Shaw Bibliography Notes and Source Materials, 1805-2007"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 36","/repositories/10/archival_objects/174766"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["John MacKay Shaw Collection, 1737-2007"],"physdesc_tesim":["2 items"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2561,"parent_access_restrict_tesm":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 70","folder 36"],"_nest_path_":"/components#1/components#0/components#2400","_nest_parent_":"1ac81ef5e6623d4b183a7c01_aspace_79208","_root_":"1ac81ef5e6623d4b183a7c01","_version_":1870857602626224128,"timestamp":"2026-07-16T08:00:45.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1ac81ef5e6623d4b183a7c01","title_ssm":["John MacKay Shaw Collection"],"title_tesim":["John MacKay Shaw Collection"],"ead_ssi":"1ac81ef5e6623d4b183a7c01","unitdate_ssm":["1737-2007"],"unitdate_inclusive_ssm":["1737-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2008-006","/repositories/10/resources/1390"],"text":["MSS 2008-006","/repositories/10/resources/1390","John MacKay Shaw Collection, 1737-2007","Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides.","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","TABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n Shaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n Shaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n Shaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n Theme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n Autographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n Folders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future.","John Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n When he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n When his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n For thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n Upon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T he Things I Want: Poems for Two Children  (1967) and  Zumpin, More Poems for Two Children  (1969).\n All during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography,  Childhood in Poetry , which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n On the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984.","John MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU.","Some books from the John M. Shaw collection are available through the  FSU Digital Library .","In 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n In the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n In 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.  She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n In 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n From 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab.","Wisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n Temple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n Pennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw.","The John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n While the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n Significant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection.","Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities.","FSU Special Collections \u0026 Archives","Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939","English"],"unitid_tesim":["MSS 2008-006","/repositories/10/resources/1390"],"normalized_date_ssm":["1737-2007"],"normalized_title_ssm":["John MacKay Shaw Collection, 1737-2007"],"collection_title_tesim":["John MacKay Shaw Collection, 1737-2007"],"collection_ssim":["John MacKay Shaw Collection, 1737-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Shaw, John MacKay, 1897-1984"],"creator_ssim":["Shaw, John MacKay, 1897-1984"],"creator_persname_ssim":["Shaw, John MacKay, 1897-1984"],"creators_ssim":["Shaw, John MacKay, 1897-1984"],"access_terms_ssm":["Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"access_subjects_ssm":["Bibliography","Biography","Book collecting--United States.","Children","Children's poetry","Collectors and collecting.","Letters--20th century","Poets, American--20th century","Publishers and publishing.","Writing.","Autographs.","Advertising fliers","Pamphlets","Poetry","Genealogy","Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["69.00 Linear Feet"],"extent_tesim":["69.00 Linear Feet"],"genreform_ssim":["Manuscripts","Books","Clippings (Books, newspapers, etc.)","Correspondence","Drawing","Financial Records","Illustrations","Lecture notes","Lectures.","Maps","Newsletters","Obituaries.","Photographs","Postcards.","Programs","Reports","Slides."],"date_range_isim":[1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eTABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n\u003cbr\u003e\u003cbr\u003eShaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n\u003cbr\u003e\u003cbr\u003eShaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n\u003cbr\u003e\u003cbr\u003eShaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n\u003cbr\u003e\u003cbr\u003eTheme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n\u003cbr\u003e\u003cbr\u003eAutographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n\u003cbr\u003e\u003cbr\u003eFolders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["TABLE OF CONTENTS FOR MAJOR SERIES, WITH BOX NUMBER LOCATIONS\n Shaw Life: Boxes 1-11B. Arranged alphabetically within each subseries.\n Shaw Bibliography Notes and Source Materials: Boxes 12-72, 59, 73-74, 117-119. Arranged alphabetically by author's name.\n Shaw Writings: Boxes 75-82. Arranged alphabetically by title (not strictly in order).\n Theme Materials in Childhood in Poetry: Boxes 90-93. Arranged alphabetically within each theme subseries.\n Autographed Materials: Boxes 83-89, 94-95. Arranged alphabetically by name of writer.\n Folders in the Shaw Bibliography Notes and Source Materials series contain detailed lists of the contents. Folder lists for the Autographed Materials, Shaw Correspondence, Themes, and other series will be created in the future."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n When he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n When his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n For thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n Upon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T he Things I Want: Poems for Two Children  (1967) and  Zumpin, More Poems for Two Children  (1969).\n All during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography,  Childhood in Poetry , which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n On the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984."],"custodhist_html_tesm":["\u003cp\u003eJohn MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["John MacKay Shaw, in anticipation of his retirement in the late 1950s, sought a repository where he could continue to work on his Childhood in Poetry Collection and collect materials related to the building of that collection. Jacqueline Dupont, Florida State University alumna and friend of his daughter Cathmar, suggested FSU. In 1959, 6,000 volumes of the Childhood in Poetry Collection, along with its collector, came to FSU."],"originalsloc_html_tesm":["\u003cp\u003eSome books from the John M. Shaw collection are available through the \u003cextref href=\"http://fsu.digital.flvc.org/islandora/object/fsu%3Adigital_library\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Some books from the John M. Shaw collection are available through the  FSU Digital Library ."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], John MacKay Shaw Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2008-006\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], John MacKay Shaw Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2008-006"],"processinfo_html_tesm":["\u003cp\u003eIn 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n\u003cbr\u003e\u003cbr\u003eIn the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n\u003cbr\u003e\u003cbr\u003eIn 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.\u0026#xA0; She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n\u003cbr\u003e\u003cbr\u003eIn 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n\u003cbr\u003e\u003cbr\u003eFrom 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, under the supervision of librarian Kathy Shelfer, students began organizing the piles, folders, and envelopes of loose materials that Shaw collected. These materials included articles, catalogs, serials, programs, and other items, as well as the notes Shaw wrote about the books and their authors. Under her supervision, students began making folders headed by authors' names and a few other headings Shaw had used. Cathmar Prange, John Shaw's daughter, assisted during the winter of 1997-98.\n In the winters of 1998-2000, Prange made folders and lists of the Shaw Life materials, writings by others, and his correspondence. Debra Rouse, a Special Collections Visiting Librarian, removed materials that Shaw had inserted in books, placed them in archival envelopes, and labeled them with the author, title of the item, and the title of the book in which they were discovered.\n In 2001, Shaw Notes materials were removed from non-archival envelopes and pam-binders, and filed in author folders. Prange, assisted by Garnett Avant, a Special Collections staff member, did minor preservation tasks (photocopying, stapling and taping) and sorted materials, copied labels made by Shaw into descriptive lists of individual items, and placed the items in appropriate folders.  She continued this process through 2004, adding to the lists and folders the materials that had been placed in envelopes. In 2003-2004, Delia Tam, a part-time retired library staff member, reviewed materials in the Shaw Notes boxes for typos and inconsistencies between Prange's lists and the box contents. Tam also shifted materials in boxes and on the box lists to accommodate everything that had been added since 1997.\n In 2004, Prange continued organizing and preparing detailed lists of the Shaw Notes folders, which was completed in 2005. In sorting these bibliography and source materials, she found items that could not be attributed to any particular author whose name Shaw had used as a heading in his original author arrangement scheme. The subjects of these items fell into six categories or themes: bibliography, biography, children, collecting, publishing, and writing. These themes, evident throughout the collection, became the headings for folders of non-author items. During the winter of 2004-05, she solved most of the problems that Tam had noted by rewriting and/or reorganizing materials in the Shaw Notes folders.\n From 2005-2007, Prange and Avant created a system for removal and tracking of additional items left in books, a process that continued through 2008. From 2007-2009, Prange completed and revised the storage and listing of Shaw Life materials, writings by others, and his correspondence begun in 2000, and wrote the finding aid's front matter. She, Altman, and graduate assistant Ginger H. Williams determined the intellectual arrangement of the collection. From 2008 to 2009, Altman and Williams created the EAD finding aid in NoteTab."],"relatedmaterial_html_tesm":["\u003cp\u003eWisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n\u003cbr\u003e\u003cbr\u003eTemple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n\u003cbr\u003e\u003cbr\u003ePennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wisconsin Historical Society, Madison, WI, USA. Three boxes of papers and one 2-page manuscript, including Bell System speeches, articles, reports and other papers, 1930-1959. Subjects discussed include public attitudes and corporate image, rate-making and governmental regulations, and marketing and market research.\n Temple University Library in Philadelphia, PA, USA. John MacKay Shaw's Mitten Management correspondence, news items, and \"Service Talks\" from 1919-1929, and his biography of transportation industry magnate Thomas Mitten.\n Pennsylvania State University Labor Collection, State College, PA, USA. Union Dues Records of Neil Shaw, father of John MacKay Shaw."],"scopecontent_html_tesm":["\u003cp\u003eThe John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n\u003cbr\u003e\u003cbr\u003eWhile the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n\u003cbr\u003e\u003cbr\u003eSignificant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n\u003cbr\u003e\u003cbr\u003eThe John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The John MacKay Shaw Collection, housed at the Florida State University Libraries, includes over 22,400 books in the Childhood in Poetry Collection and over 46 linear feet of other materials that document the personal, business, and collecting activities of John MacKay Shaw, an internationally-known book collector. The Childhood in Poetry Collection is one of the foremost repositories of the poetry of childhood. It includes the books by, for, and about children, and additional materials he collected relating to the themes (bibliography, biography, children, collecting, publication, and writing) of the collection.\n While the emphasis of the John MacKay Shaw Collection is on poetry and children, it also contains the collector's own notes and correspondence, as well as original drawings, proof sheets, catalogs, and other materials assembled during his many years of research. In these materials as well as in the books, history, sociology, music and theatre, art and education are well represented, with emphasis on the Victorian era.\n Significant authors and poets documented in the Collection include Alfred Lord Tennyson, William Blake, Robert and Elizabeth Barrett Browning, Robert Burns, Lewis Carroll, Eugene Field, Rudyard Kipling, Walter de la Mare, A.A. Milne, Theodor Geisel, Charles and Mary Lamb, James Whitcomb Riley, Sir Walter Scott, Robert Louis Stevenson, Isaac Watts, and William B. Yeats.\n The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that document the books and poets and relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These additional materials are organized into several series and subseries documenting the career of this collector. The Shaw Life series comprises biography, business files, church and education materials, correspondence, and personal files; Professional Files contain Shaw Correspondence and the Collection's History and Operation; Literary Materials include Shaw Bibliography Notes and Source Materials, Theme Materials in Childhood in Poetry, Shaw Writings, Autographed Materials, and Writings by Others who used the Shaw Collection; Promotional Materials include catalogs and advertisements; Other Printed Materials comprise magazines, catalogs, and newspaper articles; Audiovisual Materials contain films, photographs, and recordings. Additional materials include artwork, memorabilia, and the books in the Childhood in Poetry Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright owned by Florida State University.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright owned by Florida State University.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_511b6ccc8f10025b9aef72bc60c8b7bb\" label=\"Abstract\"\u003eThe John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities.\u003c/abstract\u003e"],"abstract_tesim":["The John MacKay Shaw Collection consists of the Childhood in Poetry Collection and other materials he collected that relate to the six themes that are evident throughout the Collection: bibliography, biography, children, collecting, publishing, and writing. These other materials include articles, audiovisual materials, biographical materials, catalogs, correspondence, literary materials, notes, photographs, programs, and publications documenting his personal, business, and collecting activities."],"names_ssim":["FSU Special Collections \u0026 Archives","Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Shaw, John MacKay, 1897-1984","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"persname_ssim":["Shaw, John MacKay, 1897-1984","Aldrich, Thomas Bailey, 1836-1907.","Barton, Bernard, 1784-1849","Belloc, Hilaire, 1870-1953","Bewick, Thomas, 1753-1828","Blake, William, 1757-1827","Browning, Elizabeth Barrett, 1806-1861","Browning, Robert, 1812-1889","Bryant, William Cullen, 1794-1878","Burns, Robert, 1759-1796","Carleton, William, 1794-1869","Carman, Bliss, 1861-1929","Carroll, Lewis, 1832-1898","Cory, Fanny Y","Cowper, William, 1731-1800","Daly, T. A. (Thomas Augustine), 1871-1948","Dalziel, George, 1815-1902","De La Mare, Walter, 1873-1956","Dickinson, Emily, 1830-1886","Dodge, Mary Mapes, 1830-1905","Douglas, Lord Alfred Bruce, 1870-1945","Drinkwater, John, 1832-1937","Dunbar, Paul Laurence, 1872-1906","Eliot, Ebenezer, 1781-1849","Farjeon, Eleanor, 1881-1965","Field, Eugene, 1850-1895","Fyleman, Rose, 1877-1957","Gale, Norman R. (Norman Rowland), 1862-1942","Geisel, Theodor Seuss, 1904-1991","Gilbert, W. S. (William Schwenck), 1836-1911","Graham, Stephen, 1884-1975","Grahame, Kenneth, 1859-1932","Graves, Robert, 1895-1985","Gray, Thomas, 1716-1771","Greenaway, Kate, 1846-1901","Guest, Edgar A. (Edgar Albert), 1881-1959","Hemans, Mrs., 1793-1835","Herbert, A. P. (Alan Patrick), 1890-1971","Herford, Oliver, 1863-1935","Holmes, Oliver Wendell, 1809-1894","Hood, Thomas, The Elder, 1799-1845","Housman, A. E. (Alfred Edward), 1859-1936","Howitt, Mary, 1799-1888","Hunt, James Henry Leigh, 1784-1859","Johnson, Burges, 1877-1963","Keats, John, 1795-1821","Kerlan, Irwin, 1912-1963","Kingsley, Charles, 1819-1875","Kipling, Rudyard, 1865-1936","Lamb, Charles, 1775-1834","Lang, Andrew, 1844-1912","Larcom, Lucy, 1824-1893","Lear, Edward, 1812-1888","Levertov, Denise, 1923-1997","Lindsay, Vachel, 1879-1931","Locker-Lampson, Frederick, 1821-1895","Longfellow, Henry Wadsworth, 1807-1882","Lowell, James Russell, 1819-1891","Macdiarmid, Hugh, 1892-1978","Macdonald, George 1824-1905","Mcginley, Phyllis, 1905-1978","MacGregor, Archie","Masefield, John, 1878-1967","Mayfield, John","Millay, Edna St. Vincent, 1892-1950","Milne, A.A., 1882-1956","Montgomery, James, 1771-1854","Morley, Christopher, 1890-1959","Nash, Ogden, 1902-1971","Noyes, Alfred, 1880-1958","Phillips, George","Pitter, Ruth, 1897-1992","Potter, Beatrix, 1866-1943","Quarles, Francis, 1592-1644","Wiggins, Laura Elizabeth Richards, 1886-1988","Riley, James Whitcomb, 1849-1916","Rossetti, Christina Georgina, 1830-1894","Rossetti, Dante Gabriel, 1828-1882","Russell, George William \"A.E.\"","Saxe, John Godfrey, 1818-1887","Scollard, Clinton, 1860-1932","Scott, Walter, 1771-1832","Sendak, Maurice, 1928-","Sigourney, Dora Sigerson, 1868-1918","Southey, Robert, 1774-1843","Stevenson, Robert Louis, 1850-1894","Tabb, John B. (John Banister), 1845-1909","Tennyson, Alfred, 1809-1892","Thackeray, William Makepeace, 1811-1863","Watts, Isaac, 1674-1748","Whittier, John Greenleaf, 1807-1892","Wordsworth, William, 1770-1850","Yeats, W. B. (William Butler), 1865-1939"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3928,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857602626224128,"_root_":"1ac81ef5e6623d4b183a7c01","timestamp":"2026-07-16T08:00:45.077Z","bioghist_html_tesm":["\u003cp\u003eJohn Shaw was born in Glasgow, Scotland, on May 15, 1897. In 1911, he immigrated with his mother and two sisters to Philadelphia where his father had already found work and a place for the family to live. He quit school at the age of 14 and went to work as an errand boy at John Wanamaker's Department Store. Later he took stenographic courses at the Wharton Business School. He enlisted in the Army in 1917 and was stationed in France with the Ambulance Corp during World War I.\n\u003cbr\u003e\u003cbr\u003eWhen he returned to the U.S. in 1919 he became part of the steno pool for Mitten Management, which operated the transportation system in Philadelphia. Thomas Mitten, the President of the company, drew him out of the pool to be his personal secretary. His interest in people led Shaw to write fliers that were distributed to passengers on the trolleys and trains, his first public relations job. After Mr. Mitten's death, Shaw went to work for the Bell Telephone System, and remained a public relations executive with that company until he retired in 1959. Part of this job was to serve as liaison for the company in the production of the weekly classical music radio program \"The Bell Telephone Hour.\" Based on research he conducted, he also redesigned the Yellow Pages for New York City. He changed his name legally to John MacKay Shaw to distinguish himself from all the other John Shaws he had discovered. He chose MacKay in honor of his mother's uncle, the scholar, navigator, and teacher John MacKay of Stornoway, Isle of Lewis, Scotland.\n\u003cbr\u003e\u003cbr\u003eWhen his two children were young, Shaw read and sang to them often. He recited poetry, sang the old Glasgow drinking songs, Gilbert and Sullivan, and songs of the Gay Nineties. However, the children wanted to hear poems about them, not about other children. He promised to write them if they would provide the subjects for him to write about. Each year between 1933 and 1937, he collected the poems he had written that year and had them printed in pamphlets which he sent to friends at Christmas. Too soon the children outgrew the pleasures of poetry, but Shaw never did. Realizing that other fathers must have written poems for their children, he went looking for them in the second-hand bookstores. Thus began his collection of Childhood in Poetry.\n\u003cbr\u003e\u003cbr\u003eFor thirty years, while continuing to work for the Bell System, John MacKay Shaw haunted the second-hand bookstores of Great Britain and the United States, poring over catalogs in the evenings, searching out and purchasing rare and first editions of poetry for, about, and by children. He studied the books, read and wrote about them and their authors, and discoursed extensively with other collectors and scholars. He became a member of the Grolier Club and the American Library Association.\n\u003cbr\u003e\u003cbr\u003eUpon retirement in 1959, Shaw gave his collection of almost 6,000 volumes to Florida State University (FSU) Libraries. For the next 25 years, Shaw went to the library daily to study, write, and talk about his books. He continued adding to his collection. FSU provided secretarial support. Jim Birchfield helped him as curator; later Fred Korn served in that capacity. Shaw was an active member of the St. Andrews Society, the Friends of the FSU Libraries, and the Presbyterian Church. He initiated the FSU Libraries' Scottish Collection in 1975 by a donation of 100 of his books. Other Scots donated books and ephemera too, not only to the Scottish Collection but to Childhood in Poetry, including former director of the New York Public Library, George Fraser Black. In 1967 and 1969, the Friends of the FSU Libraries published two hardcover illustrated volumes of the poems Shaw had written for his children: T\u003cemph render=\"italic\"\u003ehe Things I Want: Poems for Two Children\u003c/emph\u003e (1967) and \u003cemph render=\"italic\"\u003eZumpin, More Poems for Two Children\u003c/emph\u003e (1969).\n\u003cbr\u003e\u003cbr\u003eAll during his collecting years, as he discovered new material, Shaw typed information about it into the pages of his notebooks. He collected catalogs, articles, ads, and items other than reading material as well-- anything that related to childhood and poetry. He stored non-book items in labeled envelopes and folders as well as in his notebooks, and even in the books themselves. These items and the notes he kept for each book provided the source material for his 11-volume annotated bibliography, \u003cemph render=\"italic\"\u003eChildhood in Poetry\u003c/emph\u003e, which includes a keyword index to the poems as well. In addition to scholarly journal articles, Shaw published several monographs covering various categories of authors. He also gave talks to professional librarians and English teachers around the U.S. and read to children in the local schools.\n\u003cbr\u003e\u003cbr\u003eOn the recommendation of Jim Walters of FSU's Department of Child Development, the FSU faculty awarded John MacKay Shaw the Doctor of Humane Letters degree on May 24, 1972. Shaw died in Tallahassee, FL on March 15, 1984.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1ac81ef5e6623d4b183a7c01_aspace_81748"}},{"id":"6a3439ec5b142fcb048b4e8a_aspace_d5a4457bcfb28e31b6eae2cae93e1ecb","type":"File","attributes":{"title":"'Wheel of the Year' Pagan Writings","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a_aspace_d5a4457bcfb28e31b6eae2cae93e1ecb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA series of writings titled \"Wheel of the Year\".\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a_aspace_d5a4457bcfb28e31b6eae2cae93e1ecb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d5a4457bcfb28e31b6eae2cae93e1ecb","ref_ssm":["aspace_d5a4457bcfb28e31b6eae2cae93e1ecb","aspace_d5a4457bcfb28e31b6eae2cae93e1ecb"],"id":"6a3439ec5b142fcb048b4e8a_aspace_d5a4457bcfb28e31b6eae2cae93e1ecb","title_filing_ssi":"'Wheel of the Year' Pagan Writings","title_ssm":["'Wheel of the Year' Pagan Writings"],"title_tesim":["'Wheel of the Year' Pagan Writings"],"normalized_title_ssm":["'Wheel of the Year' Pagan Writings"],"text":["'Wheel of the Year' Pagan Writings","Ellen Peterson Legacy Collection, 1923-2018","Ellen Peterson Materials","Personal Papers","52","/repositories/2/archival_objects/19641","Paganism.","English","box 1","folder 52","A series of writings titled \"Wheel of the Year\"."],"component_level_isim":[3],"parent_ids_ssim":["6a3439ec5b142fcb048b4e8a","6a3439ec5b142fcb048b4e8a_aspace_94c37650cd4e808b5c07fffe3a979327","6a3439ec5b142fcb048b4e8a_aspace_64f709ceaaa6e185bbf9271ac76f9736"],"parent_unittitles_ssm":["Ellen Peterson Legacy Collection, 1923-2018","Ellen Peterson Materials","Personal Papers"],"parent_unittitles_tesim":["Ellen Peterson Legacy Collection, 1923-2018","Ellen Peterson Materials","Personal Papers"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["52","/repositories/2/archival_objects/19641"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Ellen Peterson Legacy Collection, 1923-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":54,"parent_access_restrict_tesm":["The collection is open for research."],"access_subjects_ssim":["Paganism."],"access_subjects_ssm":["Paganism."],"language_ssim":["English"],"containers_ssim":["box 1","folder 52"],"scopecontent_html_tesm":["\u003cp\u003eA series of writings titled \"Wheel of the Year\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A series of writings titled \"Wheel of the Year\"."],"_nest_path_":"/components#0/components#0/components#51","_nest_parent_":"6a3439ec5b142fcb048b4e8a_aspace_64f709ceaaa6e185bbf9271ac76f9736","_root_":"6a3439ec5b142fcb048b4e8a","_version_":1877728880174825472,"timestamp":"2026-09-30T04:16:46.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6a3439ec5b142fcb048b4e8a","title_ssm":["Ellen Peterson Legacy Collection"],"title_tesim":["Ellen Peterson Legacy Collection"],"ead_ssi":"6a3439ec5b142fcb048b4e8a","unitdate_ssm":["1923-2018"],"unitdate_inclusive_ssm":["1923-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/14","/repositories/2/resources/25"],"text":["02/01/14","/repositories/2/resources/25","Ellen Peterson Legacy Collection, 1923-2018","Estero (Fla.)","Sierra Club","Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship.","The collection is open for research.","Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.","Ellen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.","This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.","Range: 8B, Section: 3, Shelf: 1-3","Florida Gulf Coast University Special Collections","Peterson, Ellen","English"],"unitid_tesim":["02/01/14","/repositories/2/resources/25"],"normalized_date_ssm":["1923-2018"],"normalized_title_ssm":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_title_tesim":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_ssim":["Ellen Peterson Legacy Collection, 1923-2018"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Estero (Fla.)","Sierra Club"],"geogname_ssim":["Estero (Fla.)","Sierra Club"],"places_ssim":["Estero (Fla.)","Sierra Club"],"access_subjects_ssim":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"access_subjects_ssm":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet"],"extent_tesim":["9.00 Linear Feet"],"genreform_ssim":["Social science.","Environmental science.","Political science.","Entrepreneurship."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOrganized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos."],"bioghist_html_tesm":["\u003cp\u003eEllen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ellen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f55c00ea5009819167911e4326a3f251\"\u003eRange: 8B, Section: 3, Shelf: 1-3\u003c/physloc\u003e"],"physloc_tesim":["Range: 8B, Section: 3, Shelf: 1-3"],"names_ssim":["Florida Gulf Coast University Special Collections","Peterson, Ellen"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"names_coll_ssim":["Peterson, Ellen"],"persname_ssim":["Peterson, Ellen"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":278,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877728880174825472,"_root_":"6a3439ec5b142fcb048b4e8a","timestamp":"2026-09-30T04:16:46.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a_aspace_d5a4457bcfb28e31b6eae2cae93e1ecb"}},{"id":"f8f446b15f81524e15fa326b_aspace_120201","type":"File","attributes":{"title":"Wheelspinners","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_120201#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_120201","ref_ssm":["aspace_120201","aspace_120201"],"id":"f8f446b15f81524e15fa326b_aspace_120201","title_filing_ssi":"Wheelspinners","title_ssm":["Wheelspinners"],"title_tesim":["Wheelspinners"],"normalized_title_ssm":["Wheelspinners"],"text":["Wheelspinners","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","General Fanmail","Folder 20","/repositories/10/archival_objects/13018","box 176","folder 20"],"component_level_isim":[3],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_113497","f8f446b15f81524e15fa326b_aspace_113499"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","General Fanmail"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","General Fanmail"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 20","/repositories/10/archival_objects/13018"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7594,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 176","folder 20"],"_nest_path_":"/components#6/components#1/components#634","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_113499","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_120201"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72968","type":"Item","attributes":{"title":"\"Wheels,\" San Antonio, Texas, 1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72968#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72968","ref_ssm":["aspace_72968","aspace_72968"],"id":"f3a395395ce4b16d754d4a5b_aspace_72968","title_filing_ssi":"\"Wheels,\" San Antonio, Texas","title_ssm":["\"Wheels,\" San Antonio, Texas"],"title_tesim":["\"Wheels,\" San Antonio, Texas"],"unitdate_other_ssim":["1988"],"normalized_date_ssm":["1988"],"normalized_title_ssm":["\"Wheels,\" San Antonio, Texas, 1988"],"text":["\"Wheels,\" San Antonio, Texas, 1988","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Illustrations, 1981-1988.","Item 3","/repositories/4/archival_objects/8427","Flat File 26","1 Illustration: 1 illustration with color on mat board. This illustration is of the Wheels Stage Show in San Antonio, Texas."],"component_level_isim":[4],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858","f3a395395ce4b16d754d4a5b_aspace_72884"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Illustrations, 1981-1988."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Illustrations, 1981-1988."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 3","/repositories/4/archival_objects/8427"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":36,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Flat File 26"],"odd_html_tesm":["\u003cp\u003e1 Illustration: 1 illustration with color on mat board. This illustration is of the Wheels Stage Show in San Antonio, Texas.\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["1 Illustration: 1 illustration with color on mat board. This illustration is of the Wheels Stage Show in San Antonio, Texas."],"_nest_path_":"/components#0/components#1/components#1/components#2","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72884","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72968"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72906","type":"File","attributes":{"title":"\"Wheels,\" San Antonio, Texas, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72906#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72906","ref_ssm":["aspace_72906","aspace_72906"],"id":"f3a395395ce4b16d754d4a5b_aspace_72906","title_filing_ssi":"\"Wheels,\" San Antonio, Texas","title_ssm":["\"Wheels,\" San Antonio, Texas"],"title_tesim":["\"Wheels,\" San Antonio, Texas"],"unitdate_other_ssim":["1988."],"normalized_date_ssm":["1988."],"normalized_title_ssm":["\"Wheels,\" San Antonio, Texas, 1988."],"text":["\"Wheels,\" San Antonio, Texas, 1988.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Photographic Prints, 1983-1988.","Folder 12","/repositories/4/archival_objects/8467","box 1","folder 12","122 photographs: 2 colored polaroids, 23 colored prints on 3x5 glossy paper, 97 colored prints on 4x6 glossy paper; 86 construction prints, 15 people prints, 6 prints of drawings, 15 modeling prints. Photographs of the different stages in the production process of the \"Wheels\" project at the San Antonio Sea World. Many of the prints are of the construction done on this project. There are also a few pictures of the 3-D model the team created and photos of some of the illustration drawings that were done."],"component_level_isim":[5],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858","f3a395395ce4b16d754d4a5b_aspace_72886","f3a395395ce4b16d754d4a5b_aspace_72897"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Photographic Prints, 1983-1988."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Photographic Prints, 1983-1988."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","Subseries"],"unitid_ssm":["Folder 12","/repositories/4/archival_objects/8467"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":51,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 12"],"odd_html_tesm":["\u003cp\u003e122 photographs: 2 colored polaroids, 23 colored prints on 3x5 glossy paper, 97 colored prints on 4x6 glossy paper; 86 construction prints, 15 people prints, 6 prints of drawings, 15 modeling prints. Photographs of the different stages in the production process of the \"Wheels\" project at the San Antonio Sea World. Many of the prints are of the construction done on this project. There are also a few pictures of the 3-D model the team created and photos of some of the illustration drawings that were done.\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["122 photographs: 2 colored polaroids, 23 colored prints on 3x5 glossy paper, 97 colored prints on 4x6 glossy paper; 86 construction prints, 15 people prints, 6 prints of drawings, 15 modeling prints. Photographs of the different stages in the production process of the \"Wheels\" project at the San Antonio Sea World. Many of the prints are of the construction done on this project. There are also a few pictures of the 3-D model the team created and photos of some of the illustration drawings that were done."],"_nest_path_":"/components#0/components#1/components#2/components#2/components#7","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72897","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72906"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72914","type":"File","attributes":{"title":"\"Wheels,\" San Antonio, Texas, Circa 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72914#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72914","ref_ssm":["aspace_72914","aspace_72914"],"id":"f3a395395ce4b16d754d4a5b_aspace_72914","title_filing_ssi":"\"Wheels,\" San Antonio, Texas","title_ssm":["\"Wheels,\" San Antonio, Texas"],"title_tesim":["\"Wheels,\" San Antonio, Texas"],"unitdate_other_ssim":["Circa 1988."],"normalized_date_ssm":["Circa 1988."],"normalized_title_ssm":["\"Wheels,\" San Antonio, Texas, Circa 1988."],"text":["\"Wheels,\" San Antonio, Texas, Circa 1988.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Negatives, 1986-1988, Undated.","Folder 18","/repositories/4/archival_objects/8462","box 1","folder 18","3 sheets of negatives: 3 sheets of colored negatives were exposed. These are negatives of the \"Wheels\" project in Sea World of San Antonio. The negatives are placed into 4 negative sleeves and contain a total of 81 negatives."],"component_level_isim":[5],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858","f3a395395ce4b16d754d4a5b_aspace_72886","f3a395395ce4b16d754d4a5b_aspace_72907"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Negatives, 1986-1988, Undated."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Negatives, 1986-1988, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","Subseries"],"unitid_ssm":["Folder 18","/repositories/4/archival_objects/8462"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 18"],"odd_html_tesm":["\u003cp\u003e3 sheets of negatives: 3 sheets of colored negatives were exposed. These are negatives of the \"Wheels\" project in Sea World of San Antonio. The negatives are placed into 4 negative sleeves and contain a total of 81 negatives.\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["3 sheets of negatives: 3 sheets of colored negatives were exposed. These are negatives of the \"Wheels\" project in Sea World of San Antonio. The negatives are placed into 4 negative sleeves and contain a total of 81 negatives."],"_nest_path_":"/components#0/components#1/components#2/components#3/components#5","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72907","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72914"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72882","type":"File","attributes":{"title":"\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72882#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72882","ref_ssm":["aspace_72882","aspace_72882"],"id":"f3a395395ce4b16d754d4a5b_aspace_72882","title_filing_ssi":"\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas","title_ssm":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas"],"title_tesim":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas"],"unitdate_other_ssim":["1988."],"normalized_date_ssm":["1988."],"normalized_title_ssm":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas, 1988."],"text":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas, 1988.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Drawings, 1973-1991, Undated.","Flat File 24","/repositories/4/archival_objects/8478","Flat File 24","12 Drawings: 9 graphite on vellum; 2 graphite on bond; 1 graphite on trace. These are construction drawings for the Wheels stage show in San Antonio, Texas. Eight of them are construction drawings. One is just of boxes that have height and length measurements. Two of these drawings are small construction drawings that were taped together, but tape has been removed. One of the drawings was a construction drawing done on trace paper."],"component_level_isim":[4],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858","f3a395395ce4b16d754d4a5b_aspace_72859"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Drawings, 1973-1991, Undated."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Drawings, 1973-1991, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Flat File 24","/repositories/4/archival_objects/8478"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":31,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Flat File 24"],"odd_html_tesm":["\u003cp\u003e12 Drawings: 9 graphite on vellum; 2 graphite on bond; 1 graphite on trace. These are construction drawings for the Wheels stage show in San Antonio, Texas. Eight of them are construction drawings. One is just of boxes that have height and length measurements. Two of these drawings are small construction drawings that were taped together, but tape has been removed. One of the drawings was a construction drawing done on trace paper.\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["12 Drawings: 9 graphite on vellum; 2 graphite on bond; 1 graphite on trace. These are construction drawings for the Wheels stage show in San Antonio, Texas. Eight of them are construction drawings. One is just of boxes that have height and length measurements. Two of these drawings are small construction drawings that were taped together, but tape has been removed. One of the drawings was a construction drawing done on trace paper."],"_nest_path_":"/components#0/components#1/components#0/components#22","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72859","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72882"}},{"id":"da4d05e4376dbaeab6a6dad3_aspace_39a35834343a685831037910b60364b8","type":"Item","attributes":{"title":"Wheel Wagon Wrench from WWI","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_39a35834343a685831037910b60364b8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39a35834343a685831037910b60364b8","ref_ssm":["aspace_39a35834343a685831037910b60364b8","aspace_39a35834343a685831037910b60364b8"],"id":"da4d05e4376dbaeab6a6dad3_aspace_39a35834343a685831037910b60364b8","title_filing_ssi":"Wheel Wagon Wrench from WWI","title_ssm":["Wheel Wagon Wrench from WWI"],"title_tesim":["Wheel Wagon Wrench from WWI"],"normalized_title_ssm":["Wheel Wagon Wrench from WWI"],"text":["Wheel Wagon Wrench from WWI","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Artifacts","6","/repositories/2/archival_objects/181408","object 6"],"component_level_isim":[2],"parent_ids_ssim":["da4d05e4376dbaeab6a6dad3","da4d05e4376dbaeab6a6dad3_aspace_5089d6a62b039f1de17f0cf126bf594d"],"parent_unittitles_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Artifacts"],"parent_unittitles_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Artifacts"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["6","/repositories/2/archival_objects/181408"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4348,"parent_access_restrict_tesm":["Some materials are fragile."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"containers_ssim":["object 6"],"_nest_path_":"/components#4/components#26","_nest_parent_":"da4d05e4376dbaeab6a6dad3_aspace_5089d6a62b039f1de17f0cf126bf594d","_root_":"da4d05e4376dbaeab6a6dad3","_version_":1876751201237729280,"timestamp":"2026-09-19T09:16:58.845Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"da4d05e4376dbaeab6a6dad3","title_ssm":["Anthony P. \"Tony\" Pizzo collection"],"title_tesim":["Anthony P. \"Tony\" Pizzo collection"],"ead_ssi":"da4d05e4376dbaeab6a6dad3","unitdate_ssm":["1824-1994","Date acquired: 10/23/1982"],"unitdate_inclusive_ssm":["1824-1994"],"unitdate_other_ssim":["Date acquired: 10/23/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1982-01","/repositories/2/resources/371"],"text":["MS-1982-01","/repositories/2/resources/371","Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)","African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions","Some materials are fragile.","The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.","Alphabetically by subject (within series).","The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007","Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925","English"],"unitid_tesim":["MS-1982-01","/repositories/2/resources/371"],"normalized_date_ssm":["1824-1994, Date acquired: 10/23/1982"],"normalized_title_ssm":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_title_tesim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"collection_ssim":["Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Pizzo, Anthony P. (1912-1994)"],"creator_ssim":["Pizzo, Anthony P. (1912-1994)"],"creator_persname_ssim":["Pizzo, Anthony P. (1912-1994)"],"creators_ssim":["Pizzo, Anthony P. (1912-1994)"],"places_ssim":["Hillsborough County (Fla.) -- History","Tampa (Fla.) -- Ethnic relations","Tampa (Fla.) -- History","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Anthony P. Pizzo","Donation"],"access_subjects_ssim":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"access_subjects_ssm":["African Americans -- Florida -- Tampa","Cigar industry -- Florida -- Tampa","Clubs -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Cuba -- Revolution, 1895-1898","Cuban Americans -- Florida -- Tampa -- History","Cuban Americans -- Florida -- Tampa","Cubans -- Florida -- Tampa -- History","Florida -- History, Local","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Tampa (Fla.) -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["126.00 Linear Feet","262 boxes"],"extent_tesim":["126.00 Linear Feet","262 boxes"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some materials are fragile."],"accruals_html_tesm":["\u003cp\u003eThe collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The collection was received in installments between 1982 and 1999. Additional accural was deposited in 2026 by sons Anthony and Paul Pizzo."],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject (within series).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject (within series)."],"bioghist_html_tesm":["\u003cp\u003eThe son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    \u003c/p\u003e\n","\u003cp\u003ePizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de C\u0026#xE9;spedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993 \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e article commented that no other Tampan had been awarded so many honors for contributions and service to his community.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"\u003c/p\u003e\n","\u003cp\u003eA prolific writer whose history articles appeared in a range of publications- from \u003cemph render=\"italic\"\u003eTampa Bay History \u003c/emph\u003emagazine to the popular press- his first book-length work, \u003cemph render=\"italic\"\u003eTampa Town, 1886-1834: Cracker Village with a Latin Accent, \u003c/emph\u003eappeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating \u003cemph render=\"italic\"\u003eTony Pizzo's Tampa, \u003c/emph\u003ea ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity, \u003cemph render=\"italic\"\u003eTampa, the Treasure City\u003c/emph\u003e, with USF history professor Gary R. Mormino.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.\u003c/p\u003e\n","\u003cp\u003eThis intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.\u003c/p\u003e\n","\u003cp\u003eTony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.\u003c/p\u003e\n","\u003cp\u003eBasse, Craig.  \"Historian Tony Pizzo Dies.\"  \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.\u003c/p\u003e\n","\u003cp\u003eCabrera, Cloe. \"The Loves of Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e11 January 1994, University section: 4.\u003c/p\u003e\n","\u003cp\u003eDeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"  \u003cemph render=\"italic\"\u003eLa Gaceta\u003c/emph\u003e  (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eEx Libris: Journal of the USF Library Associates, \u003c/emph\u003eSummer 1982: 18.\u003c/p\u003e\n","\u003cp\u003eDunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"\u003cemph render=\"italic\"\u003e 17\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Annual Italian-American Invitational Golf Tournament\u003c/emph\u003e.  Tampa:  Italian-American Golf Association, 1994.\u003c/p\u003e\n","\u003cp\u003eEdwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\" \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e3 January 1994, Nation/World section: 1.\u003c/p\u003e\n","\u003cp\u003eEastman, Susan. \"Historian's Legacy Will Live in USF collection.\" \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e 6 January 1994, Community Times section: 1.\u003c/p\u003e\n","\u003cp\u003eMormino, Gary R., and Anthony P. Pizzo.  \u003cemph render=\"italic\"\u003eTampa:  The Treasure City\u003c/emph\u003e.  Tulsa: Continental Heritage Press, 1983.\u003c/p\u003e\n","\u003cp\u003e\"Pizzo\" [obituary].  \u003cemph render=\"italic\"\u003eTampa Tribune \u003c/emph\u003e4 January 1994.\u003c/p\u003e\n","\u003cp\u003e\"Tony Pizzo made Tampa proud.\"  \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e 4 January 1994, Nation/World\u003c/p\u003e\n","\u003cp\u003eSection: 6.\u003c/p\u003e\n","\u003cp\u003eNote written by pec, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The son of Paul and Rosalia (Pizzolato) Pizzo, Anthony P. \"Tony\" Pizzo was born on September 22, 1912 in Ybor City, Tampa's immigrant cigar making community.  While growing up, Tony absorbed the multiethnic cultural ambience of Ybor City and its primarily Cuban, Spanish, and Italian population.  A graduate of Hillsborough High School, he attended the University of Florida for two years, then transferred to Stetson University to study law.  After two years, he left Stetson to embark on a business career.  Following service in the U.S. Army during World War II, Pizzo started his own company, International Brands, a wine and beer distributorship. He subsequently accepted a position with Tampa Wholesale Liquors, which later became Midulla Importing Company and House of Midulla, Inc.  From 1950 to his retirement in 1984 Tony Pizzo was the company's vice president in charge of sales, also serving as president of Midulla affiliates Rey del Mundo Cigar Company (1965-1971) and Fruit Wines of Florida (1972-1984).    ","Pizzo was active in local business, civic, educational, and cultural organizations, including the Tampa General Hospital Foundation, Barrio Latino Commission, University of Tampa Foundation, University of South Florida President's Council, Ybor City Redevelopment Committee, Tampa Philharmonic Association, and Tampa Bay Business Hall of Fame.  He was the founder and first president of the Tampa International Trade Council, first president of the Ybor City Junior Chamber of Commerce, first president of the Rotary Club of Ybor City, and the first honorary mayor (alcalde) of Ybor City.  In 1952, the Cuban government awarded Tony Pizzo the Order of Carlos Manuel de Céspedes, and in 1976 the government of Italy invested him as a Knight Officer of the Order of Merit.  A 1993  Tampa Tribune  article commented that no other Tampan had been awarded so many honors for contributions and service to his community.","During the early 1950s, Tony Pizzo realized that the colorful, multiethnic Ybor City of his youth was rapidly fading away due to post-World War II demographic and economic changes.  He decided to make it his mission to preserve the history of Tampa's immigrant cigar makers and the community they built.  Over time, this mission expanded to include the history of the Tampa and Hillsborough County as a whole.  Pursuing his avocation for local history, Pizzo became the most prominent advocate of and spokesman for Tampa's historic heritage, earning the informal title \"Mr. Ybor City.\"","A prolific writer whose history articles appeared in a range of publications- from  Tampa Bay History  magazine to the popular press- his first book-length work,  Tampa Town, 1886-1834: Cracker Village with a Latin Accent,  appeared in 1968.  In 1979, Pizzo collaborated with WUSF Television in creating  Tony Pizzo's Tampa,  a ten-part documentary that won two awards from the National University Television Association.  In 1983, he co-authored a comprehensive history of Tampa and its vicinity,  Tampa, the Treasure City , with USF history professor Gary R. Mormino.","In 1971, Pizzo founded the Tampa Historical Society and served as its first president.  He was chairman of the Hillsborough County Historical Commission from 1968 to 1980, and from 1984 until his death was Hillsborough County's official historian.  As a Tampa native, civic leader, and prominent spokesman for local history, Pizzo was ideally positioned to gather historically significant material.  He \"knew everyone\" and \"everyone\" knew him.  His decades of gathering information about Tampa's past resulted in a monumental collection of historical materials documenting virtually every aspect of the community's historical heritage from its origins as a frontier fort to the dynamic, modern metropolis of today.  In a letter dated August 11, 1980, Tony Pizzo expressed his intention that the Special Collections Department at the University of South Florida's Tampa Library be the permanent repository for his unique collection.","This intention was realized on October 23, 1982 when USF President John Lott Brown formally accepted the Pizzo Collection during a gala dinner program held at the Hyatt Regency Hotel in downtown Tampa.  Since that time, the Tony Pizzo Collection has become one of the most consulted and referenced resources for historians and other researchers studying Tampa history and culture.  As an \"open\" collection, librarians, historians and researchers regularly contribute to the growth and value of the collection.","Tony Pizzo died January 2, 1994 and was buried in the mausoleum at Myrtle Hill Memorial Park in Tampa.  He was survived by his wife of fifty-two years, Josephine (Acosta) Pizzo, and two sons, Paul and Anthony.","Basse, Craig.  \"Historian Tony Pizzo Dies.\"   St. Petersburg Times  4 January 1994, Community Times Tampa Bay and State section: pp. 1, 5B.","Cabrera, Cloe. \"The Loves of Tony Pizzo.\"   Tampa Tribune  11 January 1994, University section: 4.","DeSormier, Vicki.  \"Silhouettes:  Tony Pizzo.\"   La Gaceta   (November 20, 1987): 18. \"Dinner Program in Honor of Tony Pizzo.\"","Ex Libris: Journal of the USF Library Associates,  Summer 1982: 18.","Dunn, Hampton.  \"A Tribute to Tony Pizzo:  Hail! The Alcalde:  'The Little Flower.'\"  17 th  Annual Italian-American Invitational Golf Tournament .  Tampa:  Italian-American Golf Association, 1994.","Edwards, Brian. \"Tampa Historian Tony Pizzo Dies at 81.\"  Tampa Tribune  3 January 1994, Nation/World section: 1.","Eastman, Susan. \"Historian's Legacy Will Live in USF collection.\"  St. Petersburg Times  6 January 1994, Community Times section: 1.","Mormino, Gary R., and Anthony P. Pizzo.   Tampa:  The Treasure City .  Tulsa: Continental Heritage Press, 1983.","\"Pizzo\" [obituary].   Tampa Tribune  4 January 1994.","\"Tony Pizzo made Tampa proud.\"   Tampa Tribune  4 January 1994, Nation/World","Section: 6.","Note written by pec, 2007"],"prefercite_html_tesm":["\u003cp\u003eTony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL\u003c/p\u003e"],"prefercite_tesim":["Tony Pizzo collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL"],"scopecontent_html_tesm":["\u003cp\u003ePublications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's Website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Martí, José (1853-1895)","Pizzo, Anthony P. (1912-1994)"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa","Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","Centro Español de Tampa","Florida Historical Society","L'Unione Italiana (Tampa, Fla.)","Circulo Cubano de Tampa"],"persname_ssim":["Pizzo, Anthony P. (1912-1994)","Martí, José (1853-1895)","Bowyer, F.C. (Frank Clayton), 1869-1925"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876751201237729280,"_root_":"da4d05e4376dbaeab6a6dad3","timestamp":"2026-09-19T09:16:58.845Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/da4d05e4376dbaeab6a6dad3_aspace_39a35834343a685831037910b60364b8"}},{"id":"f8f446b15f81524e15fa326b_aspace_123199","type":"File","attributes":{"title":"Whelan, Joseph","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_123199#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123199","ref_ssm":["aspace_123199","aspace_123199"],"id":"f8f446b15f81524e15fa326b_aspace_123199","title_filing_ssi":"Whelan, Joseph","title_ssm":["Whelan, Joseph"],"title_tesim":["Whelan, Joseph"],"normalized_title_ssm":["Whelan, Joseph"],"text":["Whelan, Joseph","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","Book Fanmail","Folder 43","/repositories/10/archival_objects/17013","box 161","folder 43"],"component_level_isim":[3],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_113497","f8f446b15f81524e15fa326b_aspace_113498"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","Book Fanmail"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","Book Fanmail"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 43","/repositories/10/archival_objects/17013"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6857,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 161","folder 43"],"_nest_path_":"/components#6/components#0/components#2855","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_113498","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_123199"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=compact"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=compact"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=compact"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=compact"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=compact"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=compact"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=compact"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=compact"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":262},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":152},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Stecher%2C+Jo\u0026view=compact"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":145},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=compact"}},{"attributes":{"label":"Holman, Bill (Willis Leonard) (1927-05-21)","value":"Holman, Bill (Willis Leonard) (1927-05-21)","hits":115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Holman%2C+Bill+%28Willis+Leonard%29+%281927-05-21%29\u0026view=compact"}},{"attributes":{"label":"Eastman Kodak Company","value":"Eastman Kodak Company","hits":114},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Eastman+Kodak+Company\u0026view=compact"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":73},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026view=compact"}},{"attributes":{"label":"Nestico, Sammy (1924-02-06-2021-01-17)","value":"Nestico, Sammy (1924-02-06-2021-01-17)","hits":70},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Nestico%2C+Sammy+%281924-02-06-2021-01-17%29\u0026view=compact"}},{"attributes":{"label":"Levine, Seymour","value":"Levine, Seymour","hits":62},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Levine%2C+Seymour\u0026view=compact"}},{"attributes":{"label":"Jones, Thad (1923-03-28-1986-08-20)","value":"Jones, Thad (1923-03-28-1986-08-20)","hits":57},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Jones%2C+Thad+%281923-03-28-1986-08-20%29\u0026view=compact"}},{"attributes":{"label":"Morey, Brad","value":"Morey, Brad","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Morey%2C+Brad\u0026view=compact"}},{"attributes":{"label":"Wagner, Richard, 1813-1883","value":"Wagner, Richard, 1813-1883","hits":45},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Wagner%2C+Richard%2C+1813-1883\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1990","value":"1990","hits":6652},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026view=compact"}},{"attributes":{"label":"1945","value":"1945","hits":6569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1945\u0026view=compact"}},{"attributes":{"label":"1987","value":"1987","hits":6549},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026view=compact"}},{"attributes":{"label":"1986","value":"1986","hits":6489},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026view=compact"}},{"attributes":{"label":"1989","value":"1989","hits":6487},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026view=compact"}},{"attributes":{"label":"1985","value":"1985","hits":6394},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026view=compact"}},{"attributes":{"label":"1988","value":"1988","hits":6361},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026view=compact"}},{"attributes":{"label":"1984","value":"1984","hits":6130},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026view=compact"}},{"attributes":{"label":"1944","value":"1944","hits":6115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026view=compact"}},{"attributes":{"label":"1983","value":"1983","hits":6046},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"1997","value":"1997","hits":6023},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026view=compact"}},{"attributes":{"label":"1991","value":"1991","hits":5994},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026view=compact"}},{"attributes":{"label":"1996","value":"1996","hits":5979},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"1992","value":"1992","hits":5931},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"1995","value":"1995","hits":5889},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"1982","value":"1982","hits":5882},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026view=compact"}},{"attributes":{"label":"1993","value":"1993","hits":5831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026view=compact"}},{"attributes":{"label":"1994","value":"1994","hits":5792},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026view=compact"}},{"attributes":{"label":"1998","value":"1998","hits":5765},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026view=compact"}},{"attributes":{"label":"1980","value":"1980","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026view=compact"}},{"attributes":{"label":"1981","value":"1981","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026view=compact"}},{"attributes":{"label":"1999","value":"1999","hits":5648},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026view=compact"}},{"attributes":{"label":"1979","value":"1979","hits":5612},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026view=compact"}},{"attributes":{"label":"1978","value":"1978","hits":5538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026view=compact"}},{"attributes":{"label":"1976","value":"1976","hits":5526},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"1943","value":"1943","hits":5405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1943\u0026view=compact"}},{"attributes":{"label":"1977","value":"1977","hits":5348},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026view=compact"}},{"attributes":{"label":"1975","value":"1975","hits":5327},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026view=compact"}},{"attributes":{"label":"1974","value":"1974","hits":5252},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026view=compact"}},{"attributes":{"label":"1973","value":"1973","hits":5220},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026view=compact"}},{"attributes":{"label":"2000","value":"2000","hits":5154},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"1970","value":"1970","hits":5098},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026view=compact"}},{"attributes":{"label":"1972","value":"1972","hits":5045},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026view=compact"}},{"attributes":{"label":"1971","value":"1971","hits":4971},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026view=compact"}},{"attributes":{"label":"1969","value":"1969","hits":4843},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026view=compact"}},{"attributes":{"label":"1968","value":"1968","hits":4674},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026view=compact"}},{"attributes":{"label":"2001","value":"2001","hits":4639},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026view=compact"}},{"attributes":{"label":"1967","value":"1967","hits":4527},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026view=compact"}},{"attributes":{"label":"1942","value":"1942","hits":4470},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026view=compact"}},{"attributes":{"label":"1946","value":"1946","hits":4455},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":4429},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":4375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026view=compact"}},{"attributes":{"label":"1950","value":"1950","hits":4338},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1950\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":4307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":4281},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026view=compact"}},{"attributes":{"label":"2002","value":"2002","hits":4270},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":4266},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":4263},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":4223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":4194},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":4187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":4165},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026view=compact"}},{"attributes":{"label":"1953","value":"1953","hits":4133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026view=compact"}},{"attributes":{"label":"1952","value":"1952","hits":4111},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026view=compact"}},{"attributes":{"label":"1948","value":"1948","hits":4110},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026view=compact"}},{"attributes":{"label":"1951","value":"1951","hits":4101},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":4094},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026view=compact"}},{"attributes":{"label":"1947","value":"1947","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026view=compact"}},{"attributes":{"label":"1949","value":"1949","hits":4058},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026view=compact"}},{"attributes":{"label":"2003","value":"2003","hits":3981},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":3944},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026view=compact"}},{"attributes":{"label":"1941","value":"1941","hits":3800},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026view=compact"}},{"attributes":{"label":"2004","value":"2004","hits":3678},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026view=compact"}},{"attributes":{"label":"2005","value":"2005","hits":3664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026view=compact"}},{"attributes":{"label":"2007","value":"2007","hits":3627},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026view=compact"}},{"attributes":{"label":"2006","value":"2006","hits":3607},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026view=compact"}},{"attributes":{"label":"1940","value":"1940","hits":3567},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026view=compact"}},{"attributes":{"label":"1939","value":"1939","hits":3187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026view=compact"}},{"attributes":{"label":"2008","value":"2008","hits":3056},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026view=compact"}},{"attributes":{"label":"1938","value":"1938","hits":2998},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026view=compact"}},{"attributes":{"label":"1937","value":"1937","hits":2799},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026view=compact"}},{"attributes":{"label":"2009","value":"2009","hits":2676},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026view=compact"}},{"attributes":{"label":"1936","value":"1936","hits":2625},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026view=compact"}},{"attributes":{"label":"1935","value":"1935","hits":2538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1935\u0026view=compact"}},{"attributes":{"label":"2010","value":"2010","hits":2491},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026view=compact"}},{"attributes":{"label":"1932","value":"1932","hits":2463},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026view=compact"}},{"attributes":{"label":"1934","value":"1934","hits":2423},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"1933","value":"1933","hits":2395},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026view=compact"}},{"attributes":{"label":"1925","value":"1925","hits":2337},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026view=compact"}},{"attributes":{"label":"1930","value":"1930","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1930\u0026view=compact"}},{"attributes":{"label":"1931","value":"1931","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1931\u0026view=compact"}},{"attributes":{"label":"1926","value":"1926","hits":2213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1926\u0026view=compact"}},{"attributes":{"label":"1929","value":"1929","hits":2158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026view=compact"}},{"attributes":{"label":"1928","value":"1928","hits":2108},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026view=compact"}},{"attributes":{"label":"1927","value":"1927","hits":2076},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1927\u0026view=compact"}},{"attributes":{"label":"2011","value":"2011","hits":1988},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026view=compact"}},{"attributes":{"label":"2012","value":"2012","hits":1831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026view=compact"}},{"attributes":{"label":"2013","value":"2013","hits":1750},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=compact"}},{"attributes":{"label":"1920","value":"1920","hits":1725},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1920\u0026view=compact"}},{"attributes":{"label":"1924","value":"1924","hits":1714},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026view=compact"}},{"attributes":{"label":"1923","value":"1923","hits":1664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026view=compact"}},{"attributes":{"label":"1922","value":"1922","hits":1603},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1922\u0026view=compact"}},{"attributes":{"label":"2014","value":"2014","hits":1579},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026view=compact"}},{"attributes":{"label":"1921","value":"1921","hits":1553},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026view=compact"}},{"attributes":{"label":"1919","value":"1919","hits":1381},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1919\u0026view=compact"}},{"attributes":{"label":"1918","value":"1918","hits":1367},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026view=compact"}},{"attributes":{"label":"1917","value":"1917","hits":1335},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026view=compact"}},{"attributes":{"label":"1916","value":"1916","hits":1316},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026view=compact"}},{"attributes":{"label":"1915","value":"1915","hits":1290},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":422809},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Item","value":"Item","hits":192992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"Box","value":"Box","hits":9618},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Series","value":"Series","hits":8556},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":6594},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Collection","value":"Collection","hits":5009},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}},{"attributes":{"label":"Folder","value":"Folder","hits":4717},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Folder\u0026view=compact"}},{"attributes":{"label":"Other level","value":"Other level","hits":2770},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026view=compact"}},{"attributes":{"label":"Sub-sub-series","value":"Sub-sub-series","hits":939},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Sub-sub-series\u0026view=compact"}},{"attributes":{"label":"Container","value":"Container","hits":633},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Container\u0026view=compact"}},{"attributes":{"label":"Drawer","value":"Drawer","hits":412},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Drawer\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":2617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":534},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=compact"}},{"attributes":{"label":" Broward County Historical Archives","value":" Broward County Historical Archives","hits":299},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=+Broward+County+Historical+Archives\u0026view=compact"}},{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":174},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida State College for Women","value":"Florida State College for Women","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+College+for+Women\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Stecher%2C+Jo\u0026view=compact"}},{"attributes":{"label":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","value":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","hits":150},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+University+Libraries.+Heritage+Protocol+%26+University+Archives\u0026view=compact"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":148},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?view=compact"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":209699},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":163506},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":66602},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":44227},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":35563},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FIU+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":23064},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+University+Archives\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":18653},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":13020},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Archives","value":"Florida Gulf Coast University Archives","hits":12777},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Archives\u0026view=compact"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":12495},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections\u0026view=compact"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":11405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=AARLCC+Special+Collections\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Captiva Island (Fla.)","value":"Captiva Island (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Captiva+Island+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Sanibel (Fla.)","value":"Sanibel (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Sanibel+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Zines.","value":"Zines.","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Zines.\u0026view=compact"}},{"attributes":{"label":"Community organization.","value":"Community organization.","hits":189},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Community+organization.\u0026view=compact"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":164},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Feminism.","value":"Feminism.","hits":143},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Feminism.\u0026view=compact"}},{"attributes":{"label":"Art.","value":"Art.","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Art.\u0026view=compact"}},{"attributes":{"label":"Fort Myers (Fla.)--History.","value":"Fort Myers (Fla.)--History.","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Fort+Myers+%28Fla.%29--History.\u0026view=compact"}},{"attributes":{"label":"Kodak camera.","value":"Kodak camera.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Kodak+camera.\u0026view=compact"}},{"attributes":{"label":"Photography.","value":"Photography.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Photography.\u0026view=compact"}},{"attributes":{"label":"Punk culture.","value":"Punk culture.","hits":93},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Punk+culture.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Maps","value":"Maps","hits":4265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Maps\u0026view=compact"}},{"attributes":{"label":"Sheet music","value":"Sheet music","hits":1647},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sheet+music\u0026view=compact"}},{"attributes":{"label":"Jazz","value":"Jazz","hits":1631},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz\u0026view=compact"}},{"attributes":{"label":"Jazz musicians","value":"Jazz musicians","hits":1624},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz+musicians\u0026view=compact"}},{"attributes":{"label":"Popular music -- Lead sheets","value":"Popular music -- Lead sheets","hits":1617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Popular+music+--+Lead+sheets\u0026view=compact"}},{"attributes":{"label":"Developmental Regional Impact (DRI)","value":"Developmental Regional Impact (DRI)","hits":1247},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Developmental+Regional+Impact+%28DRI%29\u0026view=compact"}},{"attributes":{"label":"Report and studies","value":"Report and studies","hits":636},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Report+and+studies\u0026view=compact"}},{"attributes":{"label":"World War, 1939-1945","value":"World War, 1939-1945","hits":379},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945\u0026view=compact"}},{"attributes":{"label":"Sufficiency","value":"Sufficiency","hits":350},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sufficiency\u0026view=compact"}},{"attributes":{"label":"Legal documents","value":"Legal documents","hits":330},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Legal+documents\u0026view=compact"}},{"attributes":{"label":"Clippings (Books, newspapers, etc.)","value":"Clippings (Books, newspapers, etc.)","hits":322},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Clippings+%28Books%2C+newspapers%2C+etc.%29\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64244\u0026sort=title_sort+desc\u0026view=compact"}}]}