{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64234\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64233\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64235\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":64234,"next_page":64235,"prev_page":64233,"total_pages":65767,"limit_value":10,"offset_value":642330,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"2326334e5e159c8d459e96a3_aspace_37298","type":"Item","attributes":{"title":"\"What!?! We Need Another Safe for Our 1991 Reserves!!\", January 21, 1991.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37298#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37298","ref_ssm":["aspace_37298","aspace_37298"],"id":"2326334e5e159c8d459e96a3_aspace_37298","title_filing_ssi":"\"What!?! We Need Another Safe for Our 1991 Reserves!!\"","title_ssm":["\"What!?! We Need Another Safe for Our 1991 Reserves!!\""],"title_tesim":["\"What!?! We Need Another Safe for Our 1991 Reserves!!\""],"unitdate_other_ssim":["January 21, 1991."],"normalized_date_ssm":["January 21, 1991."],"normalized_title_ssm":["\"What!?! We Need Another Safe for Our 1991 Reserves!!\", January 21, 1991."],"text":["\"What!?! We Need Another Safe for Our 1991 Reserves!!\", January 21, 1991.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","Orlando Business Journal, 1990-1991, 1998-1999.","Cartoon Artwork (Black \u0026 White), 1990-1991.","Item 7","/repositories/4/archival_objects/2332","box 3","folder 1"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37102","2326334e5e159c8d459e96a3_aspace_37288","2326334e5e159c8d459e96a3_aspace_37289"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","Orlando Business Journal, 1990-1991, 1998-1999.","Cartoon Artwork (Black \u0026 White), 1990-1991."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","Orlando Business Journal, 1990-1991, 1998-1999.","Cartoon Artwork (Black \u0026 White), 1990-1991."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 7","/repositories/4/archival_objects/2332"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":176,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 3","folder 1"],"_nest_path_":"/components#0/components#0/components#4/components#0/components#6","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37289","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37298"}},{"id":"2868ee54af3563fe2f0377c1_aspace_123920","type":"Item","attributes":{"title":"What Went Wrong?, 2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123920#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDiscusses lack of freedom in the Muslim world\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123920#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123920","ref_ssm":["aspace_123920","aspace_123920"],"id":"2868ee54af3563fe2f0377c1_aspace_123920","title_filing_ssi":"What Went Wrong?","title_ssm":["What Went Wrong?"],"title_tesim":["What Went Wrong?"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["What Went Wrong?, 2002"],"text":["What Went Wrong?, 2002","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Miscellaneous","Folder 4","Item 5","/repositories/2/archival_objects/30517","Discusses lack of freedom in the Muslim world"],"component_level_isim":[4],"parent_ids_ssim":["2868ee54af3563fe2f0377c1","2868ee54af3563fe2f0377c1_aspace_123039","2868ee54af3563fe2f0377c1_aspace_123913","2868ee54af3563fe2f0377c1_aspace_123915"],"parent_unittitles_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Miscellaneous","Folder 4"],"parent_unittitles_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Miscellaneous","Folder 4"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 5","/repositories/2/archival_objects/30517"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1064,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eDiscusses lack of freedom in the Muslim world\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Discusses lack of freedom in the Muslim world"],"_nest_path_":"/components#1/components#16/components#0/components#4","_nest_parent_":"2868ee54af3563fe2f0377c1_aspace_123915","_root_":"2868ee54af3563fe2f0377c1","_version_":1870842163975159808,"timestamp":"2026-07-16T03:55:21.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2868ee54af3563fe2f0377c1","title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection"],"title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection"],"ead_ssi":"2868ee54af3563fe2f0377c1","unitdate_ssm":["1971-2006","1980 - 2000","Date acquired: 01/15/2017"],"unitdate_bulk_ssim":["1980 - 2000"],"unitdate_inclusive_ssm":["1971-2006"],"unitdate_other_ssim":["Date acquired: 01/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0008","/repositories/2/resources/79"],"text":["UAFP0008","/repositories/2/resources/79","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Topical","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","Heather Frazer","English"],"unitid_tesim":["UAFP0008","/repositories/2/resources/79"],"normalized_date_ssm":["1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"normalized_title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Heather Frazer"],"creator_ssim":["Heather Frazer"],"creator_persname_ssim":["Heather Frazer"],"creators_ssim":["Heather Frazer"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["21.00 Linear Feet","38 boxes other_unmapped"],"extent_tesim":["21.00 Linear Feet","38 boxes other_unmapped"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eTopical\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Topical"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan, \u003cemph render=\"italic\"\u003eWe Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II\u003c/emph\u003e (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries","Heather Frazer"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Heather Frazer"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2918,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842163975159808,"_root_":"2868ee54af3563fe2f0377c1","timestamp":"2026-07-16T03:55:21.784Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123920"}},{"id":"5c664f35ba84cce3023f6a62_aspace_184a30f598dd8f16097f8b9de6d002ed","type":"File","attributes":{"title":"What We Should Expect From A Public Education, 1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_184a30f598dd8f16097f8b9de6d002ed#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_184a30f598dd8f16097f8b9de6d002ed","ref_ssm":["aspace_184a30f598dd8f16097f8b9de6d002ed","aspace_184a30f598dd8f16097f8b9de6d002ed"],"id":"5c664f35ba84cce3023f6a62_aspace_184a30f598dd8f16097f8b9de6d002ed","title_filing_ssi":"What We Should Expect From A Public Education","title_ssm":["What We Should Expect From A Public Education"],"title_tesim":["What We Should Expect From A Public Education"],"unitdate_inclusive_ssm":["1997"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["What We Should Expect From A Public Education, 1997"],"text":["What We Should Expect From A Public Education, 1997","Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","General Writings","/repositories/2/archival_objects/28623","box 27","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_b5365ab1884eb615bb19cd586fd94d24","5c664f35ba84cce3023f6a62_aspace_02f037e5f86bf923c0fdb9c1a981d976"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","General Writings"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","General Writings"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/28623"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":606,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1997],"containers_ssim":["box 27","folder 10"],"_nest_path_":"/components#3/components#1/components#218","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_02f037e5f86bf923c0fdb9c1a981d976","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_184a30f598dd8f16097f8b9de6d002ed"}},{"id":"5c664f35ba84cce3023f6a62_aspace_42f83dee9e71116e5578489310f21264","type":"File","attributes":{"title":"What We Should Expect From A Public Education, 1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_42f83dee9e71116e5578489310f21264#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_42f83dee9e71116e5578489310f21264","ref_ssm":["aspace_42f83dee9e71116e5578489310f21264","aspace_42f83dee9e71116e5578489310f21264"],"id":"5c664f35ba84cce3023f6a62_aspace_42f83dee9e71116e5578489310f21264","title_filing_ssi":"What We Should Expect From A Public Education","title_ssm":["What We Should Expect From A Public Education"],"title_tesim":["What We Should Expect From A Public Education"],"unitdate_inclusive_ssm":["1997"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["What We Should Expect From A Public Education, 1997"],"text":["What We Should Expect From A Public Education, 1997","Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures","/repositories/2/archival_objects/28851","box 38","folder 15"],"component_level_isim":[3],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_b5365ab1884eb615bb19cd586fd94d24","5c664f35ba84cce3023f6a62_aspace_5a1303dec2f1da6a46336f1e37d205e3"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/28851"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":834,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1997],"containers_ssim":["box 38","folder 15"],"_nest_path_":"/components#3/components#2/components#212","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_5a1303dec2f1da6a46336f1e37d205e3","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_42f83dee9e71116e5578489310f21264"}},{"id":"73916baafed27f37aeec303d_aspace_4336ec57ca13a79adddbc94d7b524fb8","type":"Item","attributes":{"title":"What we Think: Dually Diagnosed Consumers in Jacksonville Give Their Views A Report Prepared for the JCCI ACT Taskforce, 1999-04-06","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/73916baafed27f37aeec303d_aspace_4336ec57ca13a79adddbc94d7b524fb8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4336ec57ca13a79adddbc94d7b524fb8","ref_ssm":["aspace_4336ec57ca13a79adddbc94d7b524fb8","aspace_4336ec57ca13a79adddbc94d7b524fb8"],"id":"73916baafed27f37aeec303d_aspace_4336ec57ca13a79adddbc94d7b524fb8","title_filing_ssi":"What we Think: Dually Diagnosed Consumers in Jacksonville Give Their Views A Report Prepared for the JCCI ACT Taskforce\n","title_ssm":["What we Think: Dually Diagnosed Consumers in Jacksonville Give Their Views A Report Prepared for the JCCI ACT Taskforce\n"],"title_tesim":["What we Think: Dually Diagnosed Consumers in Jacksonville Give Their Views A Report Prepared for the JCCI ACT Taskforce\n"],"unitdate_other_ssim":["1999-04-06"],"normalized_date_ssm":["1999-04-06"],"normalized_title_ssm":["What we Think: Dually Diagnosed Consumers in Jacksonville Give Their Views A Report Prepared for the JCCI ACT Taskforce, 1999-04-06"],"text":["What we Think: Dually Diagnosed Consumers in Jacksonville Give Their Views A Report Prepared for the JCCI ACT Taskforce, 1999-04-06","Jacksonville Community Council, Inc. Records, 1975-2015","Reports 1997-1999, 1997-1999","/repositories/3/archival_objects/8668","box 5","folder 19"],"component_level_isim":[2],"parent_ids_ssim":["73916baafed27f37aeec303d","73916baafed27f37aeec303d_aspace_fa4ac44e3b2a739a4a1ca65647443313"],"parent_unittitles_ssm":["Jacksonville Community Council, Inc. Records, 1975-2015","Reports 1997-1999, 1997-1999"],"parent_unittitles_tesim":["Jacksonville Community Council, Inc. Records, 1975-2015","Reports 1997-1999, 1997-1999"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/8668"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Jacksonville Community Council, Inc. Records, 1975-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":150,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1999],"containers_ssim":["box 5","folder 19"],"_nest_path_":"/components#4/components#23","_nest_parent_":"73916baafed27f37aeec303d_aspace_fa4ac44e3b2a739a4a1ca65647443313","_root_":"73916baafed27f37aeec303d","_version_":1870860597765079040,"timestamp":"2026-07-16T08:48:21.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"73916baafed27f37aeec303d","title_ssm":["Jacksonville Community Council, Inc. Records"],"title_tesim":["Jacksonville Community Council, Inc. Records"],"ead_ssi":"73916baafed27f37aeec303d","unitdate_ssm":["1975-2015"],"unitdate_inclusive_ssm":["1975-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.007","/repositories/3/resources/76"],"text":["2016.007","/repositories/3/resources/76","Jacksonville Community Council, Inc. Records, 1975-2015","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Jacksonville Community Council, Inc. (JCCI) was formed in 1974 after the Jacksonville Community Planning Conference in June of that year. It was created as a nonpartisan civic group to evaluate the needs of the Jacksonville community. The original mission statement was \"to bring people together to learn about out community, engage in problem solving and act to drive positive change.\" ","The JCCI led the creation of 80 reports examining the needs and state of education, city finances, mental health in Jacksonville. ","In 1985 the JCCI created the country's first \"community indicator project\" in the form of the Annual Quality of Life Indicators Report. ","Due to financial issues and staffing changes, the JCCI was disbanded in 2017 and the Citizen Engagement Pact was created and considered an \"organizational evolution\" of JCCI. The new mission of the Citizen Engagement Pact was to \"Foster a culture of civic engagement to improve the quality of life for all citizens. ","In March of 2021, it was announced that JCCI was going to be reactivated with the original mission as the focus of the organization with an emphasis to \"focus on community discussions, consensus, building and offering meaningful policy prescriptions of local lawmakers.\"","The collection consists of reports, annual reports, studies, and quality of life surveys conducted by the Jacksonville Community Council, Inc. for Jacksonville and Northeast Florida. The collection is arranged in chronological order beginning in 1975 through 2015.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.007","/repositories/3/resources/76"],"normalized_date_ssm":["1975-2015"],"normalized_title_ssm":["Jacksonville Community Council, Inc. Records, 1975-2015"],"collection_title_tesim":["Jacksonville Community Council, Inc. Records, 1975-2015"],"collection_ssim":["Jacksonville Community Council, Inc. Records, 1975-2015"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Jacksonville Community Council, Inc. Chair."],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet (9) nine flip-top document boxes"],"extent_tesim":["3.75 Linear Feet (9) nine flip-top document boxes"],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eJacksonville Community Council, Inc. (JCCI) was formed in 1974 after the Jacksonville Community Planning Conference in June of that year. It was created as a nonpartisan civic group to evaluate the needs of the Jacksonville community. The original mission statement was \"to bring people together to learn about out community, engage in problem solving and act to drive positive change.\" \u003c/p\u003e\n","\u003cp\u003eThe JCCI led the creation of 80 reports examining the needs and state of education, city finances, mental health in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eIn 1985 the JCCI created the country's first \"community indicator project\" in the form of the Annual Quality of Life Indicators Report. \u003c/p\u003e\n","\u003cp\u003eDue to financial issues and staffing changes, the JCCI was disbanded in 2017 and the Citizen Engagement Pact was created and considered an \"organizational evolution\" of JCCI. The new mission of the Citizen Engagement Pact was to \"Foster a culture of civic engagement to improve the quality of life for all citizens. \u003c/p\u003e\n","\u003cp\u003eIn March of 2021, it was announced that JCCI was going to be reactivated with the original mission as the focus of the organization with an emphasis to \"focus on community discussions, consensus, building and offering meaningful policy prescriptions of local lawmakers.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jacksonville Community Council, Inc. (JCCI) was formed in 1974 after the Jacksonville Community Planning Conference in June of that year. It was created as a nonpartisan civic group to evaluate the needs of the Jacksonville community. The original mission statement was \"to bring people together to learn about out community, engage in problem solving and act to drive positive change.\" ","The JCCI led the creation of 80 reports examining the needs and state of education, city finances, mental health in Jacksonville. ","In 1985 the JCCI created the country's first \"community indicator project\" in the form of the Annual Quality of Life Indicators Report. ","Due to financial issues and staffing changes, the JCCI was disbanded in 2017 and the Citizen Engagement Pact was created and considered an \"organizational evolution\" of JCCI. The new mission of the Citizen Engagement Pact was to \"Foster a culture of civic engagement to improve the quality of life for all citizens. ","In March of 2021, it was announced that JCCI was going to be reactivated with the original mission as the focus of the organization with an emphasis to \"focus on community discussions, consensus, building and offering meaningful policy prescriptions of local lawmakers.\""],"prefercite_html_tesm":["\u003cp\u003eJacksonville Community Council, Inc., Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Jacksonville Community Council, Inc., Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of reports, annual reports, studies, and quality of life surveys conducted by the Jacksonville Community Council, Inc. for Jacksonville and Northeast Florida. The collection is arranged in chronological order beginning in 1975 through 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of reports, annual reports, studies, and quality of life surveys conducted by the Jacksonville Community Council, Inc. for Jacksonville and Northeast Florida. The collection is arranged in chronological order beginning in 1975 through 2015."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860597765079040,"_root_":"73916baafed27f37aeec303d","timestamp":"2026-07-16T08:48:21.661Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/73916baafed27f37aeec303d_aspace_4336ec57ca13a79adddbc94d7b524fb8"}},{"id":"3394cf21c0478bbafbe79cf9_aspace_118355","type":"Item","attributes":{"title":"What we want, n.d.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3394cf21c0478bbafbe79cf9_aspace_118355#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eOff-white, American Apparel cotton t-shirt; size adult Small. Text in blue reads, 'WHAT WE WANT; a bear-huntin', ice-fishin', wave-makin', corruption-bustin', God-fearin', head-turnin', game-changin', pistol-packin', mama' underlined by a blue star and yellow line: 'Sarah Palin for Vice President'.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3394cf21c0478bbafbe79cf9_aspace_118355#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_118355","ref_ssm":["aspace_118355","aspace_118355"],"id":"3394cf21c0478bbafbe79cf9_aspace_118355","title_filing_ssi":"What we want","title_ssm":["What we want"],"title_tesim":["What we want"],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["What we want, n.d."],"text":["What we want, n.d.","Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Realia /Memorabilia","Item 6","/repositories/2/archival_objects/23765","100% combed organic cotton. 'Made in Downtown LA'. 36\" x  28\" x 13.5\". Small pin holes.","box 6","Off-white, American Apparel cotton t-shirt; size adult Small. Text in blue reads, 'WHAT WE WANT; a bear-huntin', ice-fishin', wave-makin', corruption-bustin', God-fearin', head-turnin', game-changin', pistol-packin', mama' underlined by a blue star and yellow line: 'Sarah Palin for Vice President'."],"component_level_isim":[2],"parent_ids_ssim":["3394cf21c0478bbafbe79cf9","3394cf21c0478bbafbe79cf9_aspace_118332"],"parent_unittitles_ssm":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Realia /Memorabilia"],"parent_unittitles_tesim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Realia /Memorabilia"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 6","/repositories/2/archival_objects/23765"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"physdesc_tesim":["100% combed organic cotton. 'Made in Downtown LA'. 36\" x  28\" x 13.5\". Small pin holes."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":189,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 6"],"scopecontent_html_tesm":["\u003cp\u003eOff-white, American Apparel cotton t-shirt; size adult Small. Text in blue reads, 'WHAT WE WANT; a bear-huntin', ice-fishin', wave-makin', corruption-bustin', God-fearin', head-turnin', game-changin', pistol-packin', mama' underlined by a blue star and yellow line: 'Sarah Palin for Vice President'.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Off-white, American Apparel cotton t-shirt; size adult Small. Text in blue reads, 'WHAT WE WANT; a bear-huntin', ice-fishin', wave-makin', corruption-bustin', God-fearin', head-turnin', game-changin', pistol-packin', mama' underlined by a blue star and yellow line: 'Sarah Palin for Vice President'."],"_nest_path_":"/components#1/components#19","_nest_parent_":"3394cf21c0478bbafbe79cf9_aspace_118332","_root_":"3394cf21c0478bbafbe79cf9","_version_":1870842037446639616,"timestamp":"2026-07-16T03:53:21.162Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3394cf21c0478bbafbe79cf9","title_ssm":["Dr. Jane Caputi Collection--Political Circus"],"title_tesim":["Dr. Jane Caputi Collection--Political Circus"],"ead_ssi":"3394cf21c0478bbafbe79cf9","unitdate_ssm":["2007-2008","2008"],"unitdate_bulk_ssim":["2008"],"unitdate_inclusive_ssm":["2007-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0009","/repositories/2/resources/56"],"text":["UAFP0009","/repositories/2/resources/56","Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008","Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Processed in 2018 by Simone Clunie","https://archives.library.fau.edu/repositories/2/resources/57","The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality.","The Political Circus Collection consists of commercial paraphernalia produced during the 2008 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like a soft toy, an action figure, and a figurative nut- cracker. These pieces were central components of the exhibition, Political Circus: A 3 Ring Reflection on the 2008 Election Campaign that ran from September 5 - November 1, 2008 at Florida Atlantic University.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0009","/repositories/2/resources/56"],"normalized_date_ssm":["2007-2008, bulk 2008"],"normalized_title_ssm":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"collection_title_tesim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"collection_ssim":["Dr. Jane Caputi Collection--Political Circus, 2007-2008, bulk 2008"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet","11 boxes; 3 items in map case other_unmapped"],"extent_tesim":["0.00 Linear Feet","11 boxes; 3 items in map case other_unmapped"],"date_range_isim":[2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2018 by Simone Clunie\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2018 by Simone Clunie"],"relatedmaterial_html_tesm":["\u003cp\u003ehttps://archives.library.fau.edu/repositories/2/resources/57\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["https://archives.library.fau.edu/repositories/2/resources/57"],"scopecontent_html_tesm":["\u003cp\u003eThe collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. 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These pieces were central components of the exhibition, Political Circus: A 3 Ring Reflection on the 2008 Election Campaign that ran from September 5 - November 1, 2008 at Florida Atlantic University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality.","The Political Circus Collection consists of commercial paraphernalia produced during the 2008 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like a soft toy, an action figure, and a figurative nut- cracker. These pieces were central components of the exhibition, Political Circus: A 3 Ring Reflection on the 2008 Election Campaign that ran from September 5 - November 1, 2008 at Florida Atlantic University."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1999],"containers_ssim":["box 15","folder 14"],"_nest_path_":"/components#504","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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She was active in the Tampa Civic Association and the Tampa Women's club.","Note written by Kevin Arms, 2013","partially processed","Hillsborough County Federation of Women's Clubs Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection contains correspondence, financial documents, news clippings, expense journals, date books and notebooks pertaining to James Jackson and Kate Jackson.  Additional material contained within the collection involves Hannah Walker, Seth Stetson Walker and Lula Dovi.  Included within these sections are funerary notices of Hannah Walker, business dealings and financial documents of Seth S. Walker as well as information on his orange juice cannery business located in Tampa, Florida.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of correspondence, financial documents and other ephemera related to the Jackson Family of Tampa, Florida.","USF Libraries - Tampa Special Collections","Jackson Family","English"],"unitid_tesim":["MS-2020-10","/repositories/2/resources/133"],"normalized_date_ssm":["1809-1887"],"normalized_title_ssm":["Jackson Family papers, 1809-1887"],"collection_title_tesim":["Jackson Family papers, 1809-1887"],"collection_ssim":["Jackson Family papers, 1809-1887"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History","Tampa (Fla.) -- History -- 20th century","Tampa Bay Region (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History","Tampa (Fla.) -- History -- 20th century","Tampa Bay Region (Fla.) -- History"],"creator_ssm":["Jackson Family"],"creator_ssim":["Jackson Family"],"creator_famname_ssim":["Jackson Family"],"creators_ssim":["Jackson Family"],"places_ssim":["Tampa (Fla.) -- History","Tampa (Fla.) -- History -- 20th century","Tampa Bay Region (Fla.) -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Lula Dovi","Donation."],"access_subjects_ssim":["Community development -- Florida -- Social life and customs","Businessmen -- Florida -- Tampa."],"access_subjects_ssm":["Community development -- Florida -- Social life and customs","Businessmen -- Florida -- Tampa."],"has_online_content_ssim":["false"],"extent_ssm":["8.61 Linear Feet","14 boxes"],"extent_tesim":["8.61 Linear Feet","14 boxes"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. 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He married Ellen Maher with whom he had five children:  Mary Ellen, Thomas Edward, James Andrew, Kate Veronica and John Alexander.","James was an architect and business manager, and died of typhoid fever.  Kate Jackson was a graduate of the Covenent of Holy Names in Key West, Florida and performed civic, cultural and charitable projects in Tampa.  She was active in the Tampa Civic Association and the Tampa Women's club.","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eJackson Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Jackson Family Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003epartially processed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["partially processed"],"relatedmaterial_html_tesm":["\u003cp\u003eHillsborough County Federation of Women's Clubs Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Hillsborough County Federation of Women's Clubs Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, financial documents, news clippings, expense journals, date books and notebooks pertaining to James Jackson and Kate Jackson.  Additional material contained within the collection involves Hannah Walker, Seth Stetson Walker and Lula Dovi.  Included within these sections are funerary notices of Hannah Walker, business dealings and financial documents of Seth S. Walker as well as information on his orange juice cannery business located in Tampa, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, financial documents, news clippings, expense journals, date books and notebooks pertaining to James Jackson and Kate Jackson.  Additional material contained within the collection involves Hannah Walker, Seth Stetson Walker and Lula Dovi.  Included within these sections are funerary notices of Hannah Walker, business dealings and financial documents of Seth S. Walker as well as information on his orange juice cannery business located in Tampa, Florida."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0e8815dece46d296acac95b2c22cdd70\" label=\"Abstract\"\u003eA collection of correspondence, financial documents and other ephemera related to the Jackson Family of Tampa, Florida.\u003c/abstract\u003e"],"abstract_tesim":["A collection of correspondence, financial documents and other ephemera related to the Jackson Family of Tampa, Florida."],"names_ssim":["USF Libraries - Tampa Special Collections","Jackson Family"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"famname_ssim":["Jackson Family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":143,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862428682584064,"_root_":"80c37155b9681776bf954f02","timestamp":"2026-07-16T09:17:27.762Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/80c37155b9681776bf954f02_aspace_2224f4520ebf097dea2d47f74e9ecc1a"}},{"id":"377018d2c691025d88612f9e_aspace_ca03e93cc92dd823833da8642a6b9e55","type":"File","attributes":{"title":"\"What wondrous love\", 1992","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_ca03e93cc92dd823833da8642a6b9e55#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ca03e93cc92dd823833da8642a6b9e55","ref_ssm":["aspace_ca03e93cc92dd823833da8642a6b9e55","aspace_ca03e93cc92dd823833da8642a6b9e55"],"id":"377018d2c691025d88612f9e_aspace_ca03e93cc92dd823833da8642a6b9e55","title_filing_ssi":"\"What wondrous love\"","title_ssm":["\"What wondrous love\""],"title_tesim":["\"What wondrous love\""],"unitdate_inclusive_ssm":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["\"What wondrous love\", 1992"],"text":["\"What wondrous love\", 1992","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79500","/repositories/2/archival_objects/82762","box 16","folder 11"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79500","/repositories/2/archival_objects/82762"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":536,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1992],"containers_ssim":["box 16","folder 11"],"_nest_path_":"/components#535","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. 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Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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