{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64028\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64027\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64029\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":64028,"next_page":64029,"prev_page":64027,"total_pages":65767,"limit_value":10,"offset_value":640270,"total_count":657665,"first_page?":false,"last_page?":false}},"data":[{"id":"319a0366018875a84541c010_aspace_101465","type":"File","attributes":{"title":"Wellhead Protection","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/319a0366018875a84541c010_aspace_101465#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_101465","ref_ssm":["aspace_101465","aspace_101465"],"id":"319a0366018875a84541c010_aspace_101465","title_filing_ssi":"Wellhead Protection","title_ssm":["Wellhead Protection"],"title_tesim":["Wellhead Protection"],"normalized_title_ssm":["Wellhead Protection"],"text":["Wellhead Protection","Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996","Box 206","Folder 7","/repositories/2/archival_objects/39441","box 206","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["319a0366018875a84541c010","319a0366018875a84541c010_aspace_101458"],"parent_unittitles_ssm":["Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996","Box 206"],"parent_unittitles_tesim":["Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996","Box 206"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/39441"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jan K. 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If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1996,1997],"containers_ssim":["box 13","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eHandbook with a message from FAU President Anthony James Catanese, 1996-1997 academic calendar, a weekly calendar for the academic year that lists academic information and varsity athletic games, information about the Office of Student Affairs, Student Government, student activities, rules and regulations, campus information for other campuses, Qty: 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Handbook with a message from FAU President Anthony James Catanese, 1996-1997 academic calendar, a weekly calendar for the academic year that lists academic information and varsity athletic games, information about the Office of Student Affairs, Student Government, student activities, rules and regulations, campus information for other campuses, Qty: 2"],"_nest_path_":"/components#1/components#301","_nest_parent_":"27369c77877e52a2084a08b3_aspace_47b0d4d01dc41d6530a45d5c59dfe9a9","_root_":"27369c77877e52a2084a08b3","timestamp":"2026-06-05T01:46:38.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"27369c77877e52a2084a08b3","title_ssm":["FAU Student Pamphlets"],"title_tesim":["FAU Student Pamphlets"],"ead_ssi":"27369c77877e52a2084a08b3","unitdate_ssm":["1962-2010"],"unitdate_bulk_ssim":["1962-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00022","/repositories/2/resources/193"],"text":["UA00022","/repositories/2/resources/193","FAU Student Pamphlets, bulk 1962-2010","Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives","The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph.","This collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00022","/repositories/2/resources/193"],"normalized_date_ssm":["bulk 1962-2010"],"normalized_title_ssm":["FAU Student Pamphlets, bulk 1962-2010"],"collection_title_tesim":["FAU Student Pamphlets, bulk 1962-2010"],"collection_ssim":["FAU Student Pamphlets, bulk 1962-2010"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 14","folder 2"],"_nest_path_":"/components#2/components#1/components#4/components#0","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38667","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38670"}},{"id":"2326334e5e159c8d459e96a3_aspace_37809","type":"Item","attributes":{"title":"Well Honey, When they Finish the Beltway, we'll Make It There..., June 22, 1994.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37809#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37809","ref_ssm":["aspace_37809","aspace_37809"],"id":"2326334e5e159c8d459e96a3_aspace_37809","title_filing_ssi":"Well Honey, When they Finish the Beltway, we'll Make It There...","title_ssm":["Well Honey, When they Finish the Beltway, we'll Make It There..."],"title_tesim":["Well Honey, When they Finish the Beltway, we'll Make It There..."],"unitdate_other_ssim":["June 22, 1994."],"normalized_date_ssm":["June 22, 1994."],"normalized_title_ssm":["Well Honey, When they Finish the Beltway, we'll Make It There..., June 22, 1994."],"text":["Well Honey, When they Finish the Beltway, we'll Make It There..., June 22, 1994.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","The West Orange Times, 1991-1994.","Item 8","/repositories/4/archival_objects/2938","box 7","folder 8"],"component_level_isim":[4],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37102","2326334e5e159c8d459e96a3_aspace_37799"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","The West Orange Times, 1991-1994."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","The West Orange Times, 1991-1994."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 8","/repositories/4/archival_objects/2938"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":652,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 7","folder 8"],"_nest_path_":"/components#0/components#0/components#9/components#7","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37799","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37809"}},{"id":"f641859834f303be292eed1d_aspace_70149","type":"File","attributes":{"title":"Well, How About That...Election Time Again!., 1956.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f641859834f303be292eed1d_aspace_70149#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70149","ref_ssm":["aspace_70149","aspace_70149"],"id":"f641859834f303be292eed1d_aspace_70149","title_filing_ssi":"Well, How About That...Election Time Again!.","title_ssm":["Well, How About That...Election Time Again!."],"title_tesim":["Well, How About That...Election Time Again!."],"unitdate_other_ssim":["1956."],"normalized_date_ssm":["1956."],"normalized_title_ssm":["Well, How About That...Election Time Again!., 1956."],"text":["Well, How About That...Election Time Again!., 1956.","Robert L. Glasser Collection, 1956-2016","Florida State Files, 1956-2002, Undated.","Folder 10","/repositories/4/archival_objects/1880","box 6","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["f641859834f303be292eed1d","f641859834f303be292eed1d_aspace_70126"],"parent_unittitles_ssm":["Robert L. Glasser Collection, 1956-2016","Florida State Files, 1956-2002, Undated."],"parent_unittitles_tesim":["Robert L. Glasser Collection, 1956-2016","Florida State Files, 1956-2002, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 10","/repositories/4/archival_objects/1880"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert L. Glasser Collection, 1956-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":183,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 6","folder 10"],"_nest_path_":"/components#3/components#20","_nest_parent_":"f641859834f303be292eed1d_aspace_70126","_root_":"f641859834f303be292eed1d","_version_":1870857609438822400,"timestamp":"2026-07-16T08:00:51.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f641859834f303be292eed1d","title_ssm":["Robert L. Glasser Collection"],"title_tesim":["Robert L. Glasser Collection"],"ead_ssi":"f641859834f303be292eed1d","unitdate_ssm":["1956-2016"],"unitdate_inclusive_ssm":["1956-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.108","/repositories/4/resources/10"],"text":["SC.108","/repositories/4/resources/10","Robert L. Glasser Collection, 1956-2016","EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)","Amusement parks","Attractions","Consultants -- United States","Contracts -- United States","Tourism","Tourism--Florida--Orlando","The entire collection is open for research.","The collection is arranged in four series.","Robert \"Bob\" L. Glasser was born on January 13, 1927 in New York City, New York. At the age of ten, Robert's family decided to move to Miami Beach, Florida. He and his brother, Leonard, attended Miami Beach High School before serving in World War II. Leonard enlisted in the Army and Robert was in the Navy. After the war ended, two brothers sought higher education and enrolled to the University of Florida. They both became an architect and completed state boards soon after graduation. The Glassers worked at the same architecture firm and designed several homes and buildings in the South Florida region including Fort Lauderdale, Vero Beach, Marathon, Miami, and Coral Gables. In 1961, the Glassers moved the firm to Puerto Rico to work on new projects both in there and in Central America. However, in 1962, Robert accepted new position as a Director for Buildings \u0026 Grounds Division in the office of Florida's Secretary of State in Tallahassee and served between 1962 to 1970. The following year, he moved to Orlando and managed various construction and development projects in the Central Florida. In 1979, he became the Contract Administrator for the Walt Disney Company and completed his career there as a Senior Environmental Analyst.","\nBob was the chancellor of Tau Epsilon Phi (TEP) Fraternity Club at the University of Florida, President of Miami Beach Jaycees, National Director of Florida Jaycees, President of Miami Beach Young Democrats (1959), member of Temple Israel, the Jewish Genealogical Society of Greater Orlando, the American Legion, the USS Bataan CVL-29 Association, and member of Disney's Retirement Club-Golden Ears Club. He was also recognized by his accomplishments and rewarded Distinguished Service Award by Miami Beach Jaycees (1961), Outstanding Alumni Service Award by TEP Chapter of University of Florida, and Distinguished Alumni Award by National TEP Fraternity (1989).","\nOn April 7, 2017, Bob passed away at the age of 90 in Winter Park, Florida. He is survived by his wife, Doris; son, Dr. Gary Glasser (Adele); daughters, Janet Cohen in Atlanta, Georgia and Maxine (Jeffrey) Giordano in Oak Hill, Virginia.","Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","The collection has been arranged in alphabetical order; materials were placed in pH neutral folders and boxes; photographs and slides were put in sleeves; construction hat was cleaned, buffered with tissue papers, and housed in a separate container; Disneyland map was unfolded and stored in a flat file; publications \"Eyes \u0026 Ears\", \"Disney News\", and \"Annual Reports\" were removed from the collection and cataloged separately.","For more information on Florida and Travel and Tourism, please check out our  Collection Guide  page.","Series I: Walt Disney Company, 1967-2016, Undated, materials are collected by Robert L. Glasser during his employment at the Walt Disney Company including employee training materials, reports, guidelines, brochures, magazines, newsletters, contract agreements, catalogues, news clippings and memorabilia.","\nSeries II: EPCOT Center, 1974-1990, Undated, includes materials related to ECPOT Center such as newsletters, newspapers, pictorial guides, reports, guidebooks, and cast member booklets. Series also includes a few memorabilia related to EPCOT such as admission tickets, Canadian flags, parking passes, stickers, and a construction hat worn by Robert L. Glasser.","\nSeries III: Consultants and Contracts, 1956-2005, Undated, contains the working files of Robert L. Glasser, as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney World Company. Materials include condition of agreement between associated architects, construction claim research files, forms, guidelines and procedures, interior design services, legal issues, shop drawings, zoning and other building codes.","\nSeries IV: Florida State Files, 1956-2002, Undated, consists of various publications and ephemera he collected related to the State of Florida's political activities including an advertisements, election and campaign materials.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Robert \"Bob\" Lewis Glasser worked as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney Parks and Resorts. During his employment with Disney, he collected various reports, promotional materials, publications and memorabilia mainly related to the Experimental Prototype Community of Tomorrow (EPCOT) Center. Bob also worked for the Office of Florida's Secretary of State between 1962 to 1970 as a Director for Buildings \u0026 Grounds Division and gathered a few campaign and election materials which can be found within the collection.","UCF Special Collections","Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort","Glasser, Robert L., 1927-2017","English"],"unitid_tesim":["SC.108","/repositories/4/resources/10"],"normalized_date_ssm":["1956-2016"],"normalized_title_ssm":["Robert L. Glasser Collection, 1956-2016"],"collection_title_tesim":["Robert L. Glasser Collection, 1956-2016"],"collection_ssim":["Robert L. Glasser Collection, 1956-2016"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)"],"geogname_ssim":["EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)"],"creator_ssm":["Glasser, Robert L., 1927-2017"],"creator_ssim":["Glasser, Robert L., 1927-2017"],"creator_persname_ssim":["Glasser, Robert L., 1927-2017"],"creators_ssim":["Glasser, Robert L., 1927-2017"],"places_ssim":["EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Doris Glasser donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2017 (CFM2017_07)."],"access_subjects_ssim":["Amusement parks","Attractions","Consultants -- United States","Contracts -- United States","Tourism","Tourism--Florida--Orlando"],"access_subjects_ssm":["Amusement parks","Attractions","Consultants -- United States","Contracts -- United States","Tourism","Tourism--Florida--Orlando"],"has_online_content_ssim":["false"],"extent_ssm":["6.5 Linear Feet 8 Boxes, 1 Flat File"],"extent_tesim":["6.5 Linear Feet 8 Boxes, 1 Flat File"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in four series."],"bioghist_html_tesm":["\u003cp\u003eRobert \"Bob\" L. Glasser was born on January 13, 1927 in New York City, New York. At the age of ten, Robert's family decided to move to Miami Beach, Florida. He and his brother, Leonard, attended Miami Beach High School before serving in World War II. Leonard enlisted in the Army and Robert was in the Navy. After the war ended, two brothers sought higher education and enrolled to the University of Florida. They both became an architect and completed state boards soon after graduation. The Glassers worked at the same architecture firm and designed several homes and buildings in the South Florida region including Fort Lauderdale, Vero Beach, Marathon, Miami, and Coral Gables. In 1961, the Glassers moved the firm to Puerto Rico to work on new projects both in there and in Central America. However, in 1962, Robert accepted new position as a Director for Buildings \u0026amp; Grounds Division in the office of Florida's Secretary of State in Tallahassee and served between 1962 to 1970. The following year, he moved to Orlando and managed various construction and development projects in the Central Florida. In 1979, he became the Contract Administrator for the Walt Disney Company and completed his career there as a Senior Environmental Analyst.\u003c/p\u003e\n","\u003cp\u003e\nBob was the chancellor of Tau Epsilon Phi (TEP) Fraternity Club at the University of Florida, President of Miami Beach Jaycees, National Director of Florida Jaycees, President of Miami Beach Young Democrats (1959), member of Temple Israel, the Jewish Genealogical Society of Greater Orlando, the American Legion, the USS Bataan CVL-29 Association, and member of Disney's Retirement Club-Golden Ears Club. He was also recognized by his accomplishments and rewarded Distinguished Service Award by Miami Beach Jaycees (1961), Outstanding Alumni Service Award by TEP Chapter of University of Florida, and Distinguished Alumni Award by National TEP Fraternity (1989).\u003c/p\u003e\n","\u003cp\u003e\nOn April 7, 2017, Bob passed away at the age of 90 in Winter Park, Florida. He is survived by his wife, Doris; son, Dr. Gary Glasser (Adele); daughters, Janet Cohen in Atlanta, Georgia and Maxine (Jeffrey) Giordano in Oak Hill, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Robert \"Bob\" L. Glasser was born on January 13, 1927 in New York City, New York. At the age of ten, Robert's family decided to move to Miami Beach, Florida. He and his brother, Leonard, attended Miami Beach High School before serving in World War II. Leonard enlisted in the Army and Robert was in the Navy. After the war ended, two brothers sought higher education and enrolled to the University of Florida. They both became an architect and completed state boards soon after graduation. The Glassers worked at the same architecture firm and designed several homes and buildings in the South Florida region including Fort Lauderdale, Vero Beach, Marathon, Miami, and Coral Gables. In 1961, the Glassers moved the firm to Puerto Rico to work on new projects both in there and in Central America. However, in 1962, Robert accepted new position as a Director for Buildings \u0026 Grounds Division in the office of Florida's Secretary of State in Tallahassee and served between 1962 to 1970. The following year, he moved to Orlando and managed various construction and development projects in the Central Florida. In 1979, he became the Contract Administrator for the Walt Disney Company and completed his career there as a Senior Environmental Analyst.","\nBob was the chancellor of Tau Epsilon Phi (TEP) Fraternity Club at the University of Florida, President of Miami Beach Jaycees, National Director of Florida Jaycees, President of Miami Beach Young Democrats (1959), member of Temple Israel, the Jewish Genealogical Society of Greater Orlando, the American Legion, the USS Bataan CVL-29 Association, and member of Disney's Retirement Club-Golden Ears Club. He was also recognized by his accomplishments and rewarded Distinguished Service Award by Miami Beach Jaycees (1961), Outstanding Alumni Service Award by TEP Chapter of University of Florida, and Distinguished Alumni Award by National TEP Fraternity (1989).","\nOn April 7, 2017, Bob passed away at the age of 90 in Winter Park, Florida. He is survived by his wife, Doris; son, Dr. Gary Glasser (Adele); daughters, Janet Cohen in Atlanta, Georgia and Maxine (Jeffrey) Giordano in Oak Hill, Virginia."],"prefercite_html_tesm":["\u003cp\u003eRobert L. Glasser Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Robert L. Glasser Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eThe collection has been arranged in alphabetical order; materials were placed in pH neutral folders and boxes; photographs and slides were put in sleeves; construction hat was cleaned, buffered with tissue papers, and housed in a separate container; Disneyland map was unfolded and stored in a flat file; publications \"Eyes \u0026amp; Ears\", \"Disney News\", and \"Annual Reports\" were removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","The collection has been arranged in alphabetical order; materials were placed in pH neutral folders and boxes; photographs and slides were put in sleeves; construction hat was cleaned, buffered with tissue papers, and housed in a separate container; Disneyland map was unfolded and stored in a flat file; publications \"Eyes \u0026 Ears\", \"Disney News\", and \"Annual Reports\" were removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Florida and Travel and Tourism, please check out our \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/special-collections/special-collections-collection-guides/#TravelandTourism\"\u003eCollection Guide\u003c/extref\u003e page.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Florida and Travel and Tourism, please check out our  Collection Guide  page."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Walt Disney Company, 1967-2016, Undated, materials are collected by Robert L. Glasser during his employment at the Walt Disney Company including employee training materials, reports, guidelines, brochures, magazines, newsletters, contract agreements, catalogues, news clippings and memorabilia.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: EPCOT Center, 1974-1990, Undated, includes materials related to ECPOT Center such as newsletters, newspapers, pictorial guides, reports, guidebooks, and cast member booklets. Series also includes a few memorabilia related to EPCOT such as admission tickets, Canadian flags, parking passes, stickers, and a construction hat worn by Robert L. Glasser.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Consultants and Contracts, 1956-2005, Undated, contains the working files of Robert L. Glasser, as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney World Company. Materials include condition of agreement between associated architects, construction claim research files, forms, guidelines and procedures, interior design services, legal issues, shop drawings, zoning and other building codes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Florida State Files, 1956-2002, Undated, consists of various publications and ephemera he collected related to the State of Florida's political activities including an advertisements, election and campaign materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Walt Disney Company, 1967-2016, Undated, materials are collected by Robert L. Glasser during his employment at the Walt Disney Company including employee training materials, reports, guidelines, brochures, magazines, newsletters, contract agreements, catalogues, news clippings and memorabilia.","\nSeries II: EPCOT Center, 1974-1990, Undated, includes materials related to ECPOT Center such as newsletters, newspapers, pictorial guides, reports, guidebooks, and cast member booklets. Series also includes a few memorabilia related to EPCOT such as admission tickets, Canadian flags, parking passes, stickers, and a construction hat worn by Robert L. Glasser.","\nSeries III: Consultants and Contracts, 1956-2005, Undated, contains the working files of Robert L. Glasser, as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney World Company. Materials include condition of agreement between associated architects, construction claim research files, forms, guidelines and procedures, interior design services, legal issues, shop drawings, zoning and other building codes.","\nSeries IV: Florida State Files, 1956-2002, Undated, consists of various publications and ephemera he collected related to the State of Florida's political activities including an advertisements, election and campaign materials."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5acf65d3b6ea5814cc67a386f65e833a\" label=\"Abstract\"\u003eRobert \"Bob\" Lewis Glasser worked as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney Parks and Resorts. During his employment with Disney, he collected various reports, promotional materials, publications and memorabilia mainly related to the Experimental Prototype Community of Tomorrow (EPCOT) Center. Bob also worked for the Office of Florida's Secretary of State between 1962 to 1970 as a Director for Buildings \u0026amp; Grounds Division and gathered a few campaign and election materials which can be found within the collection.\u003c/abstract\u003e"],"abstract_tesim":["Robert \"Bob\" Lewis Glasser worked as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney Parks and Resorts. During his employment with Disney, he collected various reports, promotional materials, publications and memorabilia mainly related to the Experimental Prototype Community of Tomorrow (EPCOT) Center. Bob also worked for the Office of Florida's Secretary of State between 1962 to 1970 as a Director for Buildings \u0026 Grounds Division and gathered a few campaign and election materials which can be found within the collection."],"names_coll_ssim":["Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort"],"names_ssim":["UCF Special Collections","Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort","Glasser, Robert L., 1927-2017"],"corpname_ssim":["UCF Special Collections","Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort"],"persname_ssim":["Glasser, Robert L., 1927-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857609438822400,"_root_":"f641859834f303be292eed1d","timestamp":"2026-07-16T08:00:51.773Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f641859834f303be292eed1d_aspace_70149"}},{"id":"2618966e348bf0aa45f97845_aspace_121348","type":"Item","attributes":{"title":"Well Hung","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2618966e348bf0aa45f97845_aspace_121348#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_121348","ref_ssm":["aspace_121348","aspace_121348"],"id":"2618966e348bf0aa45f97845_aspace_121348","title_filing_ssi":"Well Hung","title_ssm":["Well Hung"],"title_tesim":["Well Hung"],"normalized_title_ssm":["Well Hung"],"text":["Well Hung","Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Books","Item 13","/repositories/2/archival_objects/25487"],"component_level_isim":[2],"parent_ids_ssim":["2618966e348bf0aa45f97845","2618966e348bf0aa45f97845_aspace_121333"],"parent_unittitles_ssm":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Books"],"parent_unittitles_tesim":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Books"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 13","/repositories/2/archival_objects/25487"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":523,"parent_access_restrict_tesm":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#27/components#12","_nest_parent_":"2618966e348bf0aa45f97845_aspace_121333","_root_":"2618966e348bf0aa45f97845","_version_":1870862531353903104,"timestamp":"2026-07-16T09:19:05.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2618966e348bf0aa45f97845","title_ssm":["Gay surfer collection"],"title_tesim":["Gay surfer collection"],"ead_ssi":"2618966e348bf0aa45f97845","unitdate_ssm":["1936-2011","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1936-2011"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-04","/repositories/2/resources/164"],"text":["MS-2013-04","/repositories/2/resources/164","Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Gay culture","Queer studies -- Tampa (Fla.)","Surfer photography--United States","Surfers","Lesbian and gay experience","Queer studies -- United States -- History","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged in chronological order by year. Items with no discernable date are grouped together. Books are grouped by size.","The Donald L. Bentz Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The Equality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The National Center for Lesbian Rights (St. Petersburg Office) Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. ","The Rex Maniscalco Collection of Bobbie Smith Photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The collection contains numerous books, magazines, newsclippings, and other ephemera relating to the gay surfer image in printed form. Beginning in 1936, the collection documents the increasingly visible appearance of surfers and its connection with gay men and women until 2011 through nude photographs, all male physique magazines, and eventually to overtly gay lifestyle publications and advertisements.","Published materials cataloged separately.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of books, magazines, newsclippings, and ephemera relating to the gay surfer image in printed form.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-04","/repositories/2/resources/164"],"normalized_date_ssm":["1936-2011, Date acquired: 07/00/2013"],"normalized_title_ssm":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013"],"collection_title_tesim":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013"],"collection_ssim":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Queer studies -- Tampa (Fla.)","Surfer photography--United States","Surfers","Lesbian and gay experience","Queer studies -- United States -- History"],"access_subjects_ssm":["Gay culture","Queer studies -- Tampa (Fla.)","Surfer photography--United States","Surfers","Lesbian and gay experience","Queer studies -- United States -- History"],"has_online_content_ssim":["false"],"extent_ssm":["15.53 Linear Feet","34 boxes"],"extent_tesim":["15.53 Linear Feet","34 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in chronological order by year. Items with no discernable date are grouped together. Books are grouped by size.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in chronological order by year. Items with no discernable date are grouped together. Books are grouped by size."],"prefercite_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Donald L. Bentz Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eThe Equality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eThe National Center for Lesbian Rights (St. Petersburg Office) Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. \u003c/p\u003e\n","\u003cp\u003eThe Rex Maniscalco Collection of Bobbie Smith Photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Donald L. Bentz Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The Equality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The National Center for Lesbian Rights (St. Petersburg Office) Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. ","The Rex Maniscalco Collection of Bobbie Smith Photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains numerous books, magazines, newsclippings, and other ephemera relating to the gay surfer image in printed form. Beginning in 1936, the collection documents the increasingly visible appearance of surfers and its connection with gay men and women until 2011 through nude photographs, all male physique magazines, and eventually to overtly gay lifestyle publications and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains numerous books, magazines, newsclippings, and other ephemera relating to the gay surfer image in printed form. Beginning in 1936, the collection documents the increasingly visible appearance of surfers and its connection with gay men and women until 2011 through nude photographs, all male physique magazines, and eventually to overtly gay lifestyle publications and advertisements."],"separatedmaterial_html_tesm":["\u003cp\u003ePublished materials cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Published materials cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5698b2515616899976e73e2d764f953b\" label=\"Abstract\"\u003eA collection of books, magazines, newsclippings, and ephemera relating to the gay surfer image in printed form.\u003c/abstract\u003e"],"abstract_tesim":["A collection of books, magazines, newsclippings, and ephemera relating to the gay surfer image in printed form."],"names_ssim":["USF Libraries - Tampa Special Collections","Anonymous"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Anonymous"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":686,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862531353903104,"_root_":"2618966e348bf0aa45f97845","timestamp":"2026-07-16T09:19:05.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2618966e348bf0aa45f97845_aspace_121348"}},{"id":"2326334e5e159c8d459e96a3_aspace_38083","type":"Item","attributes":{"title":"\"Well, if we can float that bond...Yeh, I think we could do it in a day\", May 19, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38083#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38083","ref_ssm":["aspace_38083","aspace_38083"],"id":"2326334e5e159c8d459e96a3_aspace_38083","title_filing_ssi":"\"Well, if we can float that bond...Yeh, I think we could do it in a day\"","title_ssm":["\"Well, if we can float that bond...Yeh, I think we could do it in a day\""],"title_tesim":["\"Well, if we can float that bond...Yeh, I think we could do it in a day\""],"unitdate_other_ssim":["May 19, 1988."],"normalized_date_ssm":["May 19, 1988."],"normalized_title_ssm":["\"Well, if we can float that bond...Yeh, I think we could do it in a day\", May 19, 1988."],"text":["\"Well, if we can float that bond...Yeh, I think we could do it in a day\", May 19, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002.","Item 2","/repositories/4/archival_objects/2098","box 9","folder 5"],"component_level_isim":[4],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38079"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 2","/repositories/4/archival_objects/2098"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":903,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 9","folder 5"],"_nest_path_":"/components#0/components#1/components#2/components#1","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38079","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38083"}},{"id":"2326334e5e159c8d459e96a3_aspace_38086","type":"Item","attributes":{"title":"\"Well, if we float that bond...Yeh, I think we could do it in a day.\", May 22, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38086#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38086","ref_ssm":["aspace_38086","aspace_38086"],"id":"2326334e5e159c8d459e96a3_aspace_38086","title_filing_ssi":"\"Well, if we float that bond...Yeh, I think we could do it in a day.\"","title_ssm":["\"Well, if we float that bond...Yeh, I think we could do it in a day.\""],"title_tesim":["\"Well, if we float that bond...Yeh, I think we could do it in a day.\""],"unitdate_other_ssim":["May 22, 1988."],"normalized_date_ssm":["May 22, 1988."],"normalized_title_ssm":["\"Well, if we float that bond...Yeh, I think we could do it in a day.\", May 22, 1988."],"text":["\"Well, if we float that bond...Yeh, I think we could do it in a day.\", May 22, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002.","Item 5","/repositories/4/archival_objects/2239","box 9","folder 5"],"component_level_isim":[4],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38079"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 5","/repositories/4/archival_objects/2239"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":906,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 9","folder 5"],"_nest_path_":"/components#0/components#1/components#2/components#4","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38079","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38086"}},{"id":"72e9fd8b4fa2172ea3c34f72_aspace_9881","type":"File","attributes":{"title":"Wellington Arms Apartment Building--Pittsfield, Massachussetts, Not dated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/72e9fd8b4fa2172ea3c34f72_aspace_9881#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDrawings 1-16 [16 pieces]\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72e9fd8b4fa2172ea3c34f72_aspace_9881#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9881","ref_ssm":["aspace_9881","aspace_9881"],"id":"72e9fd8b4fa2172ea3c34f72_aspace_9881","title_filing_ssi":"Wellington Arms Apartment Building--Pittsfield, Massachussetts","title_ssm":["Wellington Arms Apartment Building--Pittsfield, Massachussetts"],"title_tesim":["Wellington Arms Apartment Building--Pittsfield, Massachussetts"],"unitdate_other_ssim":["Not dated"],"normalized_date_ssm":["Not dated"],"normalized_title_ssm":["Wellington Arms Apartment Building--Pittsfield, Massachussetts, Not dated"],"text":["Wellington Arms Apartment Building--Pittsfield, Massachussetts, Not dated","Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997","Drawer 8","Folder 25","/repositories/2/archival_objects/3324","drawer 8","folder 25","Drawings 1-16  [16 pieces]"],"component_level_isim":[2],"parent_ids_ssim":["72e9fd8b4fa2172ea3c34f72","72e9fd8b4fa2172ea3c34f72_aspace_9658"],"parent_unittitles_ssm":["Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997","Drawer 8"],"parent_unittitles_tesim":["Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997","Drawer 8"],"parent_levels_ssm":["collection","Drawer"],"unitid_ssm":["Folder 25","/repositories/2/archival_objects/3324"],"repository_ssim":["UWF University Archives and West Florida History Center"],"collection_ssim":["Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":228,"parent_access_restrict_tesm":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"parent_access_terms_tesm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"containers_ssim":["drawer 8","folder 25"],"scopecontent_html_tesm":["\u003cp\u003eDrawings 1-16  [16 pieces]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Drawings 1-16  [16 pieces]"],"_nest_path_":"/components#7/components#24","_nest_parent_":"72e9fd8b4fa2172ea3c34f72_aspace_9658","_root_":"72e9fd8b4fa2172ea3c34f72","timestamp":"2026-07-11T04:48:11.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72e9fd8b4fa2172ea3c34f72","title_ssm":["Weeks, Roger G., Papers"],"title_tesim":["Weeks, Roger G., Papers"],"ead_ssi":"72e9fd8b4fa2172ea3c34f72","unitdate_ssm":["1955-1991","Date acquired: 00/00/1997"],"unitdate_inclusive_ssm":["1955-1991"],"unitdate_other_ssim":["Date acquired: 00/00/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1996-14","/repositories/2/resources/89"],"text":["M1996-14","/repositories/2/resources/89","Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997","Architects--Florida.","Architectural drawing--Alabama--Brewton.","Architectural drawing--Alabama--Flomaton.","Architectural drawing--Florida--Brooksville.","Architectural drawing--Florida--Cantonment.","Architectural drawing--Florida--Crestview.","Architectural drawing--Florida--Cross City.","Architectural drawing--Florida--Destin.","Architectural drawing--Florida--Fort Walton Beach.","Architectural drawing--Florida--Gulf Breeze.","Architectural drawing--Florida--Jay.","Architectural drawing--Florida--Milton.","Architectural drawing--Florida--Navarre.","Architectural drawing--Florida--Pace.","Architectural drawing--Florida--Pensacola.","Architectural drawing--Florida--Pensacola Beach.","Architectural drawing--Florida--Perdido Bay.","Architectural drawing--Florida--Tampa.","Architectural drawing--Florida--Warrington.","Architectural drawing--Maine--Camden.","Architectural drawing--Massachusetts--Fitchburg.","Architectural drawing--Massachusetts--Pittsfield.","Architectural drawing--Mississippi--Columbus.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Alphabetical","Cataloged 09/26/1997","     Personal papers, 1955-1991, of Roger G. Weeks, architect, of Pensacola, Florida consisting of artworks and architectural drawings for residences, churches, hotels, shopping centers, schools, businesses, and restaurants, primarily in Pensacola, Florida but also Bradenton, Brooksville, Cantonment, Crestview, Cross City, Destin, Fort Walton Beach, Gulf Breeze, Jay, Milton, Navarre, Pace, Pensacola Beach, Perdido Bay, Santa Rosa Shores, Tampa, and Warrington, Florida; as well as Brewton and Flomaton, Alabama; Camde, Maine; Fitchburg and Pittsfield, Massachusetts; and Columbus, Mississippi.","Gift included (2) architectural cabinets.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Weeks, Roger G.","Architectural drawing--Florida--Bradenton.","English"],"unitid_tesim":["M1996-14","/repositories/2/resources/89"],"normalized_date_ssm":["1955-1991, Date acquired: 00/00/1997"],"normalized_title_ssm":["Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997"],"collection_title_tesim":["Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997"],"collection_ssim":["Weeks, Roger G., Papers, 1955-1991, Date acquired: 00/00/1997"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"creator_ssm":["Weeks, Roger G."],"creator_ssim":["Weeks, Roger G."],"creator_persname_ssim":["Weeks, Roger G."],"creators_ssim":["Weeks, Roger G."],"access_terms_ssm":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Gift of Roger and Barbara Weeks, Gulf Breeze, Florida, 1997"],"access_subjects_ssim":["Architects--Florida.","Architectural drawing--Alabama--Brewton.","Architectural drawing--Alabama--Flomaton.","Architectural drawing--Florida--Brooksville.","Architectural drawing--Florida--Cantonment.","Architectural drawing--Florida--Crestview.","Architectural drawing--Florida--Cross City.","Architectural drawing--Florida--Destin.","Architectural drawing--Florida--Fort Walton Beach.","Architectural drawing--Florida--Gulf Breeze.","Architectural drawing--Florida--Jay.","Architectural drawing--Florida--Milton.","Architectural drawing--Florida--Navarre.","Architectural drawing--Florida--Pace.","Architectural drawing--Florida--Pensacola.","Architectural drawing--Florida--Pensacola Beach.","Architectural drawing--Florida--Perdido Bay.","Architectural drawing--Florida--Tampa.","Architectural drawing--Florida--Warrington.","Architectural drawing--Maine--Camden.","Architectural drawing--Massachusetts--Fitchburg.","Architectural drawing--Massachusetts--Pittsfield.","Architectural drawing--Mississippi--Columbus."],"access_subjects_ssm":["Architects--Florida.","Architectural drawing--Alabama--Brewton.","Architectural drawing--Alabama--Flomaton.","Architectural drawing--Florida--Brooksville.","Architectural drawing--Florida--Cantonment.","Architectural drawing--Florida--Crestview.","Architectural drawing--Florida--Cross City.","Architectural drawing--Florida--Destin.","Architectural drawing--Florida--Fort Walton Beach.","Architectural drawing--Florida--Gulf Breeze.","Architectural drawing--Florida--Jay.","Architectural drawing--Florida--Milton.","Architectural drawing--Florida--Navarre.","Architectural drawing--Florida--Pace.","Architectural drawing--Florida--Pensacola.","Architectural drawing--Florida--Pensacola Beach.","Architectural drawing--Florida--Perdido Bay.","Architectural drawing--Florida--Tampa.","Architectural drawing--Florida--Warrington.","Architectural drawing--Maine--Camden.","Architectural drawing--Massachusetts--Fitchburg.","Architectural drawing--Massachusetts--Pittsfield.","Architectural drawing--Mississippi--Columbus."],"has_online_content_ssim":["false"],"extent_ssm":["2831.00 items"],"extent_tesim":["2831.00 items"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical"],"processinfo_html_tesm":["\u003cp\u003eCataloged 09/26/1997\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Cataloged 09/26/1997"],"scopecontent_html_tesm":["\u003cp\u003e     Personal papers, 1955-1991, of Roger G. Weeks, architect, of Pensacola, Florida consisting of artworks and architectural drawings for residences, churches, hotels, shopping centers, schools, businesses, and restaurants, primarily in Pensacola, Florida but also Bradenton, Brooksville, Cantonment, Crestview, Cross City, Destin, Fort Walton Beach, Gulf Breeze, Jay, Milton, Navarre, Pace, Pensacola Beach, Perdido Bay, Santa Rosa Shores, Tampa, and Warrington, Florida; as well as Brewton and Flomaton, Alabama; Camde, Maine; Fitchburg and Pittsfield, Massachusetts; and Columbus, Mississippi.\u003c/p\u003e\n","\u003cp\u003eGift included (2) architectural cabinets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["     Personal papers, 1955-1991, of Roger G. Weeks, architect, of Pensacola, Florida consisting of artworks and architectural drawings for residences, churches, hotels, shopping centers, schools, businesses, and restaurants, primarily in Pensacola, Florida but also Bradenton, Brooksville, Cantonment, Crestview, Cross City, Destin, Fort Walton Beach, Gulf Breeze, Jay, Milton, Navarre, Pace, Pensacola Beach, Perdido Bay, Santa Rosa Shores, Tampa, and Warrington, Florida; as well as Brewton and Flomaton, Alabama; Camde, Maine; Fitchburg and Pittsfield, Massachusetts; and Columbus, Mississippi.","Gift included (2) architectural cabinets."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_ssim":["UWF University Archives and West Florida History Center","Weeks, Roger G.","Architectural drawing--Florida--Bradenton."],"corpname_ssim":["UWF University Archives and West Florida History Center"],"names_coll_ssim":["Weeks, Roger G.","Architectural drawing--Florida--Bradenton."],"persname_ssim":["Weeks, Roger G.","Architectural drawing--Florida--Bradenton."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":236,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"72e9fd8b4fa2172ea3c34f72","timestamp":"2026-07-11T04:48:11.235Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/72e9fd8b4fa2172ea3c34f72_aspace_9881"}},{"id":"9b6c5cac15ddfe0d7dfc030e_aspace_97978","type":"File","attributes":{"title":"Wellington Congress, 1986-1987","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b6c5cac15ddfe0d7dfc030e_aspace_97978#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_97978","ref_ssm":["aspace_97978","aspace_97978"],"id":"9b6c5cac15ddfe0d7dfc030e_aspace_97978","title_filing_ssi":"Wellington Congress","title_ssm":["Wellington Congress"],"title_tesim":["Wellington Congress"],"unitdate_other_ssim":["1986-1987"],"normalized_date_ssm":["1986-1987"],"normalized_title_ssm":["Wellington Congress, 1986-1987"],"text":["Wellington Congress, 1986-1987","Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","Consortia and Conference Files","Congresses","Folder 1","/repositories/10/archival_objects/115044","box 24","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["9b6c5cac15ddfe0d7dfc030e","9b6c5cac15ddfe0d7dfc030e_aspace_39465","9b6c5cac15ddfe0d7dfc030e_aspace_96419"],"parent_unittitles_ssm":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","Consortia and Conference Files","Congresses"],"parent_unittitles_tesim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","Consortia and Conference Files","Congresses"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 1","/repositories/10/archival_objects/115044"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":284,"parent_access_restrict_tesm":["This collections is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 24","folder 1"],"_nest_path_":"/components#2/components#1/components#13","_nest_parent_":"9b6c5cac15ddfe0d7dfc030e_aspace_96419","_root_":"9b6c5cac15ddfe0d7dfc030e","_version_":1870859098529988608,"timestamp":"2026-07-16T08:24:31.877Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b6c5cac15ddfe0d7dfc030e","title_ssm":["Donald D. Horward Papers"],"title_tesim":["Donald D. Horward Papers"],"ead_ssi":"9b6c5cac15ddfe0d7dfc030e","unitdate_ssm":["1961-2011","Date acquired: 05/26/2011"],"unitdate_inclusive_ssm":["1961-2011"],"unitdate_other_ssim":["Date acquired: 05/26/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0415","/repositories/10/resources/681"],"text":["MSS 2011-0415","/repositories/10/resources/681","Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","This collections is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Additions to collections:","May 26 and June 6, 2011","June 20, 2012","July 24 and December 19, 2013","The Donald D. Horward Papers are organized in four series:","Series 1. Professional Files. Arranged alphabetically by subject, then chronologically within subject.","                  Sub-Series 1.  Addresses and Papers","                  Sub-Series 2. Awards","                  Sub-Series 3. Committees","                  Sub-Series 4. Correspondence","                  Sub-Series 5. Writings","                  Sub-Series 6. Teaching Materials","                  Sub-Series 7. Research Materials","Series 2. Institute on Napoleon and the French Revolution. Each sub-series arranged chronologically.","                  Sub-Series 1. General Files","                  Sub-Series 2. Financial Records","                  Sub-Series 3. Project Files","Series 3. Consortia and Conference Files","                 Sub-Series 1. Consortia. Arranged chronologically.","                 Sub-Series 2. Congresses. Arranged alphabetically by Congress, then chronologically within each Congress.","                 Sub-Series 3. Conferences and Symposia. Arranged alphabetically by conference or symposia, then chronologically within each Congress.","Series 4. Publications.  All sub-series arranged alphabetically by publication.","                 Sub-Series 1. Catalogs","                 Sub-Series 2. Napoleonic Journals","                 Sub-Series 3. Monographs","Dr. Donald Horward, a native of Pennsylvania, received his B.A. at Waynesburg College, his M.A. from Ohio University, and his Ph.D. from the University of Minnesota.  He joined the faculty at Florida State University (FSU) in 1961.  Since his arrival on campus, over 16,000 students have been introduced to Napoleon and the French Revolution in his classes through the Institute on Napoleon and the French Revolution.  Graduate students were quickly attracted to the field and by 1963 the first master's degree was awarded. Three years later, the first Ph.D. graduated in Napoleonic history from FSU.\n  Dr. Horward was awarded the Distinguished Professorship in Military History at West Point and  taught  over  6,000  cadets  there. He also held  the  Edwin Conquest  Eminent Scholar Chair at Virginia Military Institute and taught hundreds of cadets in Lexington.He has written or contributed over  twenty  volumes  and  almost  sixty articles in scholarly journals, delivered  over 200  papers  and  throughout  the  U.S.and  Europe,  and  his contributions have been recognized by decorations from six countries.\n  A total of 101 doctorates and M.A. theses were completed under Dr. Horward's direction, making FSU the most prolific center for the study of Napoleon in the U.S. A unique aspect of the Institute program has been its relationship with the U.S. Military Academy at West Point.  Seventeen officers, destined for the history faculty at West Point, have been trained in the Napoleonic period at the Institute.  This is particularly appropriate since a large segment of the Military Art Course, required of all cadets, focuses on Napoleon and his system of operations.\n  Dr. Horward was the recipient of the first university-wide teaching award, and received five additional awards for excellence in teaching, including the title of Distinguished Teaching Professor.  He lectured at universities throughout the U.S., the Smithsonian on several occasions, and gave presentations in Europe at such universities as Frederick Schiller University in Germany, Charles University and Masaryk Universities in the Czech Republic, Cambridge University and Southampton University in England, the University of Budapest in Hungary, and the Borodino/Mazajsk Center, Russia.\n  In 1998, Dr. Ben Weider established at Florida State University the first chair devoted to the Napoleonic period in the U.S. and Dr. Horward was designated as the first chair holder. Dr. Weider also established a chair in the French Revolution and four scholarships for the study of Napoleon  at  FSU.  Soon thereafter, Baron  Roger Jomini,  descendent  of Napoleon's famous strategist, contributed funds  for  student scholarships. Dr. Proctor Jones provided substantial support for student grants to do research in Paris,and generous scholarships were established by Dr.Skip Vichnessand  Dr.George  Knight, graduatesof the Napoleonic program  at  FSU.\n  For  his  work  in  the  Napoleonic period,  Dr. Horward  was  decorated  by the  French, American,  and  Portuguese and recognized  by  the  Czech  Republic  and  Spanish governments.  He waselected to the  Portuguese Academy of History in1991 and named a Grand Officer of theOrder  of Infante  Dom Henrique (Prince Henry the Navigator).  In 2001, he was honored  by the  Napoleonic Alliance as the first John Elting Scholar \"for his extraordinary contributions to the study of Napoleonic History.\"  He received  the Renaissance  Francaise  Award in 2010, but his most distinguished award was given by France, The Legion of Honor,  in full ceremony at West  Point in 2002.\n  Much of the current research on Napoleon in the United States has been carried out by Dr. Horward's former students.This is closely related to his success in amassing the volumes of the Napoleon Collection at  FSU and his influential role in sustaining and expanding the Consortium on Revolutionary Europe. In addition to the thousands of  students he has taught in his graduate and  undergraduate classes at FSU,  the U.S.Military Academy at  West  Point, and other universities, his former students have introduced thousands of their students throughout the United States to the Napoleonic era.\n  After 44 years of distinguished service, Dr. Horward retired in 2005. The Institute and its students, the Napoleon and French Revolution Collection, the Ben Weider Endowment opportunities, and a series of other fellowships comprise a rich legacy - one that Florida State University is proud to share with its community of scholars.\n The Napoleon and French Revolution Collection at Florida State University \nThe creation and growth of the French Revolution and Napoleon Collection at Florida State University was a direct result of Dr. Horward's efforts. In 1961 there were some 250 volumes in the collection. As a result of his 28 trips to Europe doing research  and searching for books, as of late 2012 the collection includes over 20,000 volumes, some from collections as those of King Ernest August of Hanover and Achille Murat, King of Naples. It is among the most extensive in the country. The Collection attracts students and scholars from through the U.S. and Europe.\n  Of the 48 Ph.D.s and 52 M.A.s based primarily on the Napoleon and French Revolution Collection at FSU,as of late 2012, 42 books have been published and almost a thousand articles have been produced in scholarly journals.  Doctoral students who have completed their research in the Napoleon Collection have taught at scores of universities and colleges from California  to  New York.  Six of their volumes have been awarded the International  Book Prize of the International Napoleonic Society for the  best book published in Napoleonic history in a particular year.\n  The Collection has provided the basic research and degrees for fifteen officers who have taught Military Art and Napoleonic history at theUnited States Military Academy,West Point. Many have taught at the US Command and Staff College at Fort Levenworth, Kansas, the Army Command College at the Von BraunCenter, Huntsville, Alabama, the Naval Post Graduate School at Monterey, California, the Naval War College at Newport, Rhode Island, and the Air ForceCommand  and StaffCollege in Montgomery,  Alabama.  Others have occupied senior command positions in Rome, Afghanistan, Iraq,and South Korea as well as throughout the United States. In addition, the Napoleon Collection has proved to be a significant source of strategic, logistical, and tactical  information for officers who taught tens of thousandsof cadets at West Point.\n  Scholars from throughout the United States and Europe have traveled to FSU to work in the Napoleon Collection to complete their research, contributing to hundreds of publications. Inaddition, the Collection became the basis of  the  most  complete  bibliography on Napoleon and the French Revolution that exist in any language by one of our graduates. Oneof Dr. Horward's students, Major Mike Bonura, published a  volume with NYU Press in 2012 , Under theShadow of Napoleon , which traces  the extraordinary impact the Napoleonic system of  War has had upon the American military system, from President Thomas Jefferson to the onslaught of the Nazi Blitzkrieg in 1940.\n \nNote written by Burt Altman, C.A., University Librarian/Archivist","General Jean-Jacques-Germain Pelet-Clozeau Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_94-3","The Donald D. Horward Papers are composed primarily of the operational and financial records of the Institute on Napoleon and the French Revolution created by Dr. Horward in 1990, and the conference files of the Consortium on Revolutionary Europe, also founded by Dr. Horward, in 1971. The Institute Records comprise proposals for the Institute at Florida State University (including a proposal to the French government for Institute support); Institute Newsletters; International Napoleonic Society materials (Ben Weider Literary Awards); Ben Weider Student Scholarships, and files documenting Dr. Horward's involvement with Napoleon screenplay and television productions. The Consortia and Conference files include extensive correspondence with Dr. Horward and his colleagues about the various consortia and the Wellington Congresses and the International Congress on the Iberian Peninsula.\n \tThe collection also includes Dr. Horward's professional files, which comprise addresses, awards, committee files, correspondence, research materials, speeches, writings related to Dr. Horward's scholarship and that of his students, and publications related to the Napoleonic Era. Materials in his professional files include speeches he delivered at Florida State University, the Pelet Conference, Peninsular War Conference, VMI, and the War College at West Point; Florida State University Press Committee on which he served; starting the Napoleon and French Revolution Collection; Ben Weider's activities; teaching materials (slide transparencies) used by Dr. Horward in his West Point classes; and research materials concerning the Duke of Wellington from the British Museum and Public Record Office.\n \tPublications include catalogs used by Dr. Horward in building the Napoleon and the French Revolution collection; a selection of Napoleonic  journals, both popular and scholarly; and several scholarly monographic works, such as Dr. Jean Sarramon's  La Guerre de l'Independance de la peninsule Iberique contre Napoleon , which Dr Horward, collaborating with his colleague William R. Johnson in 1967, used in his research.","Select materials from the Horward Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Professional files of Dr. Donald D. Horward, including addresses and speeches, awards, committee files, correspondence, research materials, writings, operational and financial records of the Institute on Napoleon and the French Revolution, consortia, conference and congress files, and publications.","FSU Special Collections \u0026 Archives","Collection includes materials in English and French."],"unitid_tesim":["MSS 2011-0415","/repositories/10/resources/681"],"normalized_date_ssm":["1961-2011, Date acquired: 05/26/2011"],"normalized_title_ssm":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"collection_title_tesim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"collection_ssim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Dr. Donald D. Horward","Gift"],"has_online_content_ssim":["false"],"extent_ssm":["19.50 Linear Feet"],"extent_tesim":["19.50 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collections is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collections is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"accruals_html_tesm":["\u003cp\u003eAdditions to collections:\u003c/p\u003e\n","\u003cp\u003eMay 26 and June 6, 2011\u003c/p\u003e\n","\u003cp\u003eJune 20, 2012\u003c/p\u003e\n","\u003cp\u003eJuly 24 and December 19, 2013\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additions to collections:","May 26 and June 6, 2011","June 20, 2012","July 24 and December 19, 2013"],"arrangement_html_tesm":["\u003cp\u003eThe Donald D. Horward Papers are organized in four series:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Professional Files. Arranged alphabetically by subject, then chronologically within subject.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 1.\u0026#xA0; Addresses and Papers\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 2. Awards\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 3. Committees\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 4. Correspondence\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 5. 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Project Files\u003c/p\u003e\n","\u003cp\u003eSeries 3. Consortia and Conference Files\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 1. Consortia. Arranged chronologically.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 2. Congresses. Arranged alphabetically by Congress, then chronologically within each Congress.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 3. Conferences and Symposia. Arranged alphabetically by conference or symposia, then chronologically within each Congress.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Publications.\u0026#xA0; All sub-series arranged alphabetically by publication.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 1. Catalogs\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 2. Napoleonic Journals\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 3. Monographs\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Donald D. Horward Papers are organized in four series:","Series 1. Professional Files. Arranged alphabetically by subject, then chronologically within subject.","                  Sub-Series 1.  Addresses and Papers","                  Sub-Series 2. Awards","                  Sub-Series 3. Committees","                  Sub-Series 4. Correspondence","                  Sub-Series 5. Writings","                  Sub-Series 6. Teaching Materials","                  Sub-Series 7. Research Materials","Series 2. Institute on Napoleon and the French Revolution. Each sub-series arranged chronologically.","                  Sub-Series 1. General Files","                  Sub-Series 2. Financial Records","                  Sub-Series 3. Project Files","Series 3. Consortia and Conference Files","                 Sub-Series 1. Consortia. Arranged chronologically.","                 Sub-Series 2. Congresses. Arranged alphabetically by Congress, then chronologically within each Congress.","                 Sub-Series 3. Conferences and Symposia. Arranged alphabetically by conference or symposia, then chronologically within each Congress.","Series 4. Publications.  All sub-series arranged alphabetically by publication.","                 Sub-Series 1. Catalogs","                 Sub-Series 2. Napoleonic Journals","                 Sub-Series 3. Monographs"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Donald Horward, a native of Pennsylvania, received his B.A. at Waynesburg College, his M.A. from Ohio University, and his Ph.D. from the University of Minnesota.  He joined the faculty at Florida State University (FSU) in 1961.  Since his arrival on campus, over 16,000 students have been introduced to Napoleon and the French Revolution in his classes through the Institute on Napoleon and the French Revolution.  Graduate students were quickly attracted to the field and by 1963 the first master's degree was awarded. Three years later, the first Ph.D. graduated in Napoleonic history from FSU.\n  Dr. Horward was awarded the Distinguished Professorship in Military History at West Point and  taught  over  6,000  cadets  there. He also held  the  Edwin Conquest  Eminent Scholar Chair at Virginia Military Institute and taught hundreds of cadets in Lexington.He has written or contributed over  twenty  volumes  and  almost  sixty articles in scholarly journals, delivered  over 200  papers  and  throughout  the  U.S.and  Europe,  and  his contributions have been recognized by decorations from six countries.\n  A total of 101 doctorates and M.A. theses were completed under Dr. Horward's direction, making FSU the most prolific center for the study of Napoleon in the U.S. A unique aspect of the Institute program has been its relationship with the U.S. Military Academy at West Point.  Seventeen officers, destined for the history faculty at West Point, have been trained in the Napoleonic period at the Institute.  This is particularly appropriate since a large segment of the Military Art Course, required of all cadets, focuses on Napoleon and his system of operations.\n  Dr. Horward was the recipient of the first university-wide teaching award, and received five additional awards for excellence in teaching, including the title of Distinguished Teaching Professor.  He lectured at universities throughout the U.S., the Smithsonian on several occasions, and gave presentations in Europe at such universities as Frederick Schiller University in Germany, Charles University and Masaryk Universities in the Czech Republic, Cambridge University and Southampton University in England, the University of Budapest in Hungary, and the Borodino/Mazajsk Center, Russia.\n  In 1998, Dr. Ben Weider established at Florida State University the first chair devoted to the Napoleonic period in the U.S. and Dr. Horward was designated as the first chair holder. Dr. Weider also established a chair in the French Revolution and four scholarships for the study of Napoleon  at  FSU.  Soon thereafter, Baron  Roger Jomini,  descendent  of Napoleon's famous strategist, contributed funds  for  student scholarships. Dr. Proctor Jones provided substantial support for student grants to do research in Paris,and generous scholarships were established by Dr.Skip Vichnessand  Dr.George  Knight, graduatesof the Napoleonic program  at  FSU.\n  For  his  work  in  the  Napoleonic period,  Dr. Horward  was  decorated  by the  French, American,  and  Portuguese and recognized  by  the  Czech  Republic  and  Spanish governments.  He waselected to the  Portuguese Academy of History in1991 and named a Grand Officer of theOrder  of Infante  Dom Henrique (Prince Henry the Navigator).  In 2001, he was honored  by the  Napoleonic Alliance as the first John Elting Scholar \"for his extraordinary contributions to the study of Napoleonic History.\"  He received  the Renaissance  Francaise  Award in 2010, but his most distinguished award was given by France, The Legion of Honor,  in full ceremony at West  Point in 2002.\n  Much of the current research on Napoleon in the United States has been carried out by Dr. Horward's former students.This is closely related to his success in amassing the volumes of the Napoleon Collection at  FSU and his influential role in sustaining and expanding the Consortium on Revolutionary Europe. In addition to the thousands of  students he has taught in his graduate and  undergraduate classes at FSU,  the U.S.Military Academy at  West  Point, and other universities, his former students have introduced thousands of their students throughout the United States to the Napoleonic era.\n  After 44 years of distinguished service, Dr. Horward retired in 2005. The Institute and its students, the Napoleon and French Revolution Collection, the Ben Weider Endowment opportunities, and a series of other fellowships comprise a rich legacy - one that Florida State University is proud to share with its community of scholars.\n The Napoleon and French Revolution Collection at Florida State University \nThe creation and growth of the French Revolution and Napoleon Collection at Florida State University was a direct result of Dr. Horward's efforts. In 1961 there were some 250 volumes in the collection. As a result of his 28 trips to Europe doing research  and searching for books, as of late 2012 the collection includes over 20,000 volumes, some from collections as those of King Ernest August of Hanover and Achille Murat, King of Naples. It is among the most extensive in the country. The Collection attracts students and scholars from through the U.S. and Europe.\n  Of the 48 Ph.D.s and 52 M.A.s based primarily on the Napoleon and French Revolution Collection at FSU,as of late 2012, 42 books have been published and almost a thousand articles have been produced in scholarly journals.  Doctoral students who have completed their research in the Napoleon Collection have taught at scores of universities and colleges from California  to  New York.  Six of their volumes have been awarded the International  Book Prize of the International Napoleonic Society for the  best book published in Napoleonic history in a particular year.\n  The Collection has provided the basic research and degrees for fifteen officers who have taught Military Art and Napoleonic history at theUnited States Military Academy,West Point. Many have taught at the US Command and Staff College at Fort Levenworth, Kansas, the Army Command College at the Von BraunCenter, Huntsville, Alabama, the Naval Post Graduate School at Monterey, California, the Naval War College at Newport, Rhode Island, and the Air ForceCommand  and StaffCollege in Montgomery,  Alabama.  Others have occupied senior command positions in Rome, Afghanistan, Iraq,and South Korea as well as throughout the United States. In addition, the Napoleon Collection has proved to be a significant source of strategic, logistical, and tactical  information for officers who taught tens of thousandsof cadets at West Point.\n  Scholars from throughout the United States and Europe have traveled to FSU to work in the Napoleon Collection to complete their research, contributing to hundreds of publications. Inaddition, the Collection became the basis of  the  most  complete  bibliography on Napoleon and the French Revolution that exist in any language by one of our graduates. Oneof Dr. Horward's students, Major Mike Bonura, published a  volume with NYU Press in 2012 , Under theShadow of Napoleon , which traces  the extraordinary impact the Napoleonic system of  War has had upon the American military system, from President Thomas Jefferson to the onslaught of the Nazi Blitzkrieg in 1940.\n \nNote written by Burt Altman, C.A., University Librarian/Archivist"],"prefercite_html_tesm":["\u003cp\u003eDonald D. Horward Papers, Division of Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0415\u003c/p\u003e"],"prefercite_tesim":["Donald D. Horward Papers, Division of Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0415"],"relatedmaterial_html_tesm":["\u003cp\u003eGeneral Jean-Jacques-Germain Pelet-Clozeau Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_94-3\"\u003ehttp://purl.fcla.edu/fsu/MSS_94-3\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["General Jean-Jacques-Germain Pelet-Clozeau Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_94-3"],"scopecontent_html_tesm":["\u003cp\u003eThe Donald D. Horward Papers are composed primarily of the operational and financial records of the Institute on Napoleon and the French Revolution created by Dr. Horward in 1990, and the conference files of the Consortium on Revolutionary Europe, also founded by Dr. Horward, in 1971. The Institute Records comprise proposals for the Institute at Florida State University (including a proposal to the French government for Institute support); Institute Newsletters; International Napoleonic Society materials (Ben Weider Literary Awards); Ben Weider Student Scholarships, and files documenting Dr. Horward's involvement with Napoleon screenplay and television productions. The Consortia and Conference files include extensive correspondence with Dr. Horward and his colleagues about the various consortia and the Wellington Congresses and the International Congress on the Iberian Peninsula.\n\u003cbr\u003e\u003cbr\u003e\tThe collection also includes Dr. Horward's professional files, which comprise addresses, awards, committee files, correspondence, research materials, speeches, writings related to Dr. Horward's scholarship and that of his students, and publications related to the Napoleonic Era. Materials in his professional files include speeches he delivered at Florida State University, the Pelet Conference, Peninsular War Conference, VMI, and the War College at West Point; Florida State University Press Committee on which he served; starting the Napoleon and French Revolution Collection; Ben Weider's activities; teaching materials (slide transparencies) used by Dr. Horward in his West Point classes; and research materials concerning the Duke of Wellington from the British Museum and Public Record Office.\n\u003cbr\u003e\u003cbr\u003e\tPublications include catalogs used by Dr. Horward in building the Napoleon and the French Revolution collection; a selection of Napoleonic\u0026#xA0; journals, both popular and scholarly; and several scholarly monographic works, such as Dr. Jean Sarramon's \u003cemph render=\"italic\"\u003eLa Guerre de l'Independance\u003c/emph\u003e \u003cemph render=\"italic\"\u003ede la peninsule Iberique contre Napoleon\u003c/emph\u003e, which Dr Horward, collaborating with his colleague William R. Johnson in 1967, used in his research.\u003c/p\u003e","\u003cp\u003eSelect materials from the Horward Papers have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:naphorwardpapers\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Donald D. Horward Papers are composed primarily of the operational and financial records of the Institute on Napoleon and the French Revolution created by Dr. Horward in 1990, and the conference files of the Consortium on Revolutionary Europe, also founded by Dr. Horward, in 1971. The Institute Records comprise proposals for the Institute at Florida State University (including a proposal to the French government for Institute support); Institute Newsletters; International Napoleonic Society materials (Ben Weider Literary Awards); Ben Weider Student Scholarships, and files documenting Dr. Horward's involvement with Napoleon screenplay and television productions. The Consortia and Conference files include extensive correspondence with Dr. Horward and his colleagues about the various consortia and the Wellington Congresses and the International Congress on the Iberian Peninsula.\n \tThe collection also includes Dr. Horward's professional files, which comprise addresses, awards, committee files, correspondence, research materials, speeches, writings related to Dr. Horward's scholarship and that of his students, and publications related to the Napoleonic Era. Materials in his professional files include speeches he delivered at Florida State University, the Pelet Conference, Peninsular War Conference, VMI, and the War College at West Point; Florida State University Press Committee on which he served; starting the Napoleon and French Revolution Collection; Ben Weider's activities; teaching materials (slide transparencies) used by Dr. Horward in his West Point classes; and research materials concerning the Duke of Wellington from the British Museum and Public Record Office.\n \tPublications include catalogs used by Dr. Horward in building the Napoleon and the French Revolution collection; a selection of Napoleonic  journals, both popular and scholarly; and several scholarly monographic works, such as Dr. Jean Sarramon's  La Guerre de l'Independance de la peninsule Iberique contre Napoleon , which Dr Horward, collaborating with his colleague William R. Johnson in 1967, used in his research.","Select materials from the Horward Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.\u0026#xA0; Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ce3645b0ff55e0b2d4fb04ae0d143c7e\" label=\"Abstract\"\u003eProfessional files of Dr. Donald D. Horward, including addresses and speeches, awards, committee files, correspondence, research materials, writings, operational and financial records of the Institute on Napoleon and the French Revolution, consortia, conference and congress files, and publications.\u003c/abstract\u003e"],"abstract_tesim":["Professional files of Dr. Donald D. Horward, including addresses and speeches, awards, committee files, correspondence, research materials, writings, operational and financial records of the Institute on Napoleon and the French Revolution, consortia, conference and congress files, and publications."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["Collection includes materials in English and French."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":334,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859098529988608,"_root_":"9b6c5cac15ddfe0d7dfc030e","timestamp":"2026-07-16T08:24:31.877Z","bioghist_html_tesm":["\u003cp\u003eDr. Donald Horward, a native of Pennsylvania, received his B.A. at Waynesburg College, his M.A. from Ohio University, and his Ph.D. from the University of Minnesota.\u0026#xA0; He joined the faculty at Florida State University (FSU) in 1961.\u0026#xA0; Since his arrival on campus, over 16,000 students have been introduced to Napoleon and the French Revolution in his classes through the Institute on Napoleon and the French Revolution.\u0026#xA0; Graduate students were quickly attracted to the field and by 1963 the first master's degree was awarded. Three years later, the first Ph.D. graduated in Napoleonic history from FSU.\n\u003cbr\u003e\u003cbr\u003e Dr. Horward was awarded the Distinguished Professorship in Military History at West Point and\u0026#xA0; taught\u0026#xA0; over\u0026#xA0; 6,000\u0026#xA0; cadets\u0026#xA0; there. He also held\u0026#xA0; the\u0026#xA0; Edwin Conquest\u0026#xA0; Eminent Scholar Chair at Virginia Military Institute and taught hundreds of cadets in Lexington.He has written or contributed over\u0026#xA0; twenty\u0026#xA0; volumes\u0026#xA0; and\u0026#xA0; almost\u0026#xA0; sixty articles in scholarly journals, delivered\u0026#xA0; over 200\u0026#xA0; papers\u0026#xA0; and\u0026#xA0; throughout\u0026#xA0; the\u0026#xA0; U.S.and\u0026#xA0; Europe,\u0026#xA0; and\u0026#xA0; his contributions have been recognized by decorations from six countries.\n\u003cbr\u003e\u003cbr\u003e A total of 101 doctorates and M.A. theses were completed under Dr. Horward's direction, making FSU the most prolific center for the study of Napoleon in the U.S. A unique aspect of the Institute program has been its relationship with the U.S. Military Academy at West Point.\u0026#xA0; Seventeen officers, destined for the history faculty at West Point, have been trained in the Napoleonic period at the Institute.\u0026#xA0; This is particularly appropriate since a large segment of the Military Art Course, required of all cadets, focuses on Napoleon and his system of operations.\n\u003cbr\u003e\u003cbr\u003e Dr. Horward was the recipient of the first university-wide teaching award, and received five additional awards for excellence in teaching, including the title of Distinguished Teaching Professor.\u0026#xA0; He lectured at universities throughout the U.S., the Smithsonian on several occasions, and gave presentations in Europe at such universities as Frederick Schiller University in Germany, Charles University and Masaryk Universities in the Czech Republic, Cambridge University and Southampton University in England, the University of Budapest in Hungary, and the Borodino/Mazajsk Center, Russia.\n\u003cbr\u003e\u003cbr\u003e In 1998, Dr. Ben Weider established at Florida State University the first chair devoted to the Napoleonic period in the U.S. and Dr. Horward was designated as the first chair holder. Dr. Weider also established a chair in the French Revolution and four scholarships for the study of Napoleon\u0026#xA0; at\u0026#xA0; FSU.\u0026#xA0; Soon thereafter, Baron\u0026#xA0; Roger Jomini,\u0026#xA0; descendent\u0026#xA0; of Napoleon's famous strategist, contributed funds\u0026#xA0; for\u0026#xA0; student scholarships. Dr. Proctor Jones provided substantial support for student grants to do research in Paris,and generous scholarships were established by Dr.Skip Vichnessand\u0026#xA0; Dr.George\u0026#xA0; Knight, graduatesof the Napoleonic program\u0026#xA0; at\u0026#xA0; FSU.\n\u003cbr\u003e\u003cbr\u003e For\u0026#xA0; his\u0026#xA0; work\u0026#xA0; in\u0026#xA0; the\u0026#xA0; Napoleonic period,\u0026#xA0; Dr. Horward\u0026#xA0; was\u0026#xA0; decorated\u0026#xA0; by the\u0026#xA0; French, American,\u0026#xA0; and\u0026#xA0; Portuguese and recognized\u0026#xA0; by\u0026#xA0; the\u0026#xA0; Czech\u0026#xA0; Republic\u0026#xA0; and\u0026#xA0; Spanish governments.\u0026#xA0; He waselected to the\u0026#xA0; Portuguese Academy of History in1991 and named a Grand Officer of theOrder\u0026#xA0; of Infante\u0026#xA0; Dom Henrique (Prince Henry the Navigator).\u0026#xA0; In 2001, he was honored\u0026#xA0; by the\u0026#xA0; Napoleonic Alliance as the first John Elting Scholar \"for his extraordinary contributions to the study of Napoleonic History.\"\u0026#xA0; He received\u0026#xA0; the Renaissance\u0026#xA0; Francaise\u0026#xA0; Award in 2010, but his most distinguished award was given by France, The Legion of Honor,\u0026#xA0; in full ceremony at West\u0026#xA0; Point in 2002.\n\u003cbr\u003e\u003cbr\u003e Much of the current research on Napoleon in the United States has been carried out by Dr. Horward's former students.This is closely related to his success in amassing the volumes of the Napoleon Collection at\u0026#xA0; FSU and his influential role in sustaining and expanding the Consortium on Revolutionary Europe. In addition to the thousands of\u0026#xA0; students he has taught in his graduate and\u0026#xA0; undergraduate classes at FSU,\u0026#xA0; the U.S.Military Academy at\u0026#xA0; West\u0026#xA0; Point, and other universities, his former students have introduced thousands of their students throughout the United States to the Napoleonic era.\n\u003cbr\u003e\u003cbr\u003e After 44 years of distinguished service, Dr. Horward retired in 2005. The Institute and its students, the Napoleon and French Revolution Collection, the Ben Weider Endowment opportunities, and a series of other fellowships comprise a rich legacy - one that Florida State University is proud to share with its community of scholars.\n\u003cbr\u003e\u003cbr\u003e \u003cemph render=\"bold\"\u003eThe Napoleon and French Revolution Collection at Florida State University\u003c/emph\u003e\u003cbr\u003e\u003cbr\u003e\nThe creation and growth of the French Revolution and Napoleon Collection at Florida State University was a direct result of Dr. Horward's efforts. In 1961 there were some 250 volumes in the collection. As a result of his 28 trips to Europe doing research\u0026#xA0; and searching for books, as of late 2012 the collection includes over 20,000 volumes, some from collections as those of King Ernest August of Hanover and Achille Murat, King of Naples. It is among the most extensive in the country. The Collection attracts students and scholars from through the U.S. and Europe.\n\u003cbr\u003e\u003cbr\u003e Of the 48 Ph.D.s and 52 M.A.s based primarily on the Napoleon and French Revolution Collection at FSU,as of late 2012, 42 books have been published and almost a thousand articles have been produced in scholarly journals.\u0026#xA0; Doctoral students who have completed their research in the Napoleon Collection have taught at scores of universities and colleges from California\u0026#xA0; to\u0026#xA0; New York.\u0026#xA0; Six of their volumes have been awarded the International\u0026#xA0; Book Prize of the International Napoleonic Society for the\u0026#xA0; best book published in Napoleonic history in a particular year.\n\u003cbr\u003e\u003cbr\u003e The Collection has provided the basic research and degrees for fifteen officers who have taught Military Art and Napoleonic history at theUnited States Military Academy,West Point. Many have taught at the US Command and Staff College at Fort Levenworth, Kansas, the Army Command College at the Von BraunCenter, Huntsville, Alabama, the Naval Post Graduate School at Monterey, California, the Naval War College at Newport, Rhode Island, and the Air ForceCommand\u0026#xA0; and StaffCollege in Montgomery,\u0026#xA0; Alabama.\u0026#xA0; Others have occupied senior command positions in Rome, Afghanistan, Iraq,and South Korea as well as throughout the United States. In addition, the Napoleon Collection has proved to be a significant source of strategic, logistical, and tactical\u0026#xA0; information for officers who taught tens of thousandsof cadets at West Point.\n\u003cbr\u003e\u003cbr\u003e Scholars from throughout the United States and Europe have traveled to FSU to work in the Napoleon Collection to complete their research, contributing to hundreds of publications. Inaddition, the Collection became the basis of\u0026#xA0; the\u0026#xA0; most\u0026#xA0; complete\u0026#xA0; bibliography on Napoleon and the French Revolution that exist in any language by one of our graduates. Oneof Dr. Horward's students, Major Mike Bonura, published a\u0026#xA0; volume with NYU Press in 2012\u003cemph render=\"italic\"\u003e, Under theShadow of Napoleon\u003c/emph\u003e, which traces\u0026#xA0; the extraordinary impact the Napoleonic system of\u0026#xA0; War has had upon the American military system, from President Thomas Jefferson to the onslaught of the Nazi Blitzkrieg in 1940.\n\u003cbr\u003e\u003cbr\u003e\nNote written by Burt Altman, C.A., University Librarian/Archivist\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b6c5cac15ddfe0d7dfc030e_aspace_97978"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=list"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=list"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=list"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=list"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=list"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=list"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=list"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=list"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=list"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=list"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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