{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=64028\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=64027\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=64029\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64028,"next_page":64029,"prev_page":64027,"total_pages":65767,"limit_value":10,"offset_value":640270,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"3a691bb3ebf7b743485425f4_aspace_05cfc8b935cbb5c943e0853ea400145d","type":"File","attributes":{"title":"Well Git It","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_05cfc8b935cbb5c943e0853ea400145d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_05cfc8b935cbb5c943e0853ea400145d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_05cfc8b935cbb5c943e0853ea400145d","ref_ssm":["aspace_05cfc8b935cbb5c943e0853ea400145d","aspace_05cfc8b935cbb5c943e0853ea400145d"],"id":"3a691bb3ebf7b743485425f4_aspace_05cfc8b935cbb5c943e0853ea400145d","title_filing_ssi":"Well Git It","title_ssm":["Well Git It"],"title_tesim":["Well Git It"],"normalized_title_ssm":["Well Git It"],"text":["Well Git It","Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series II: Big Band/Basie","Box 15","Folder 377","/repositories/12/archival_objects/219896","Oliver, Sy (1910-12-17-1988-05-28)","Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets","English","This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari\nTrumpet: 5\nTrombone: 4\nBass: 1 \nPiano: 1\nPercussion: 1"],"component_level_isim":[3],"parent_ids_ssim":["3a691bb3ebf7b743485425f4","3a691bb3ebf7b743485425f4_aspace_dc4c77d98a562e4d17f225c0d68e229f","3a691bb3ebf7b743485425f4_aspace_50117fb630d2f9cb0c9e8289baf60e9a"],"parent_unittitles_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series II: Big Band/Basie","Box 15"],"parent_unittitles_tesim":["Robert H. Stone and Pamela S. 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Carey.\u003c/p\u003e\n","\u003cp\u003eBob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\n    \nShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1903],"containers_ssim":["box 2","folder 39"],"scopecontent_html_tesm":["\u003cp\u003ebound issue from April 29, 1903; Vol LIII, no. 1365. Lithographs address the America's Cub; labor unions, leaders, and immigration. Lithographs include \"Well Guarded\" (title page; shows a bulldog wearing a formal navy uniform, on his label is a ribbon labeled \"N.Y. Yacht Club.\" The dog is sitting on the shore with the America's Cup behind him, a yacht labeled \"Shamrock III\" is seen sailing offshore); \"Liberty?\" (shows a caricature of the Statue of Liberty; the original figure has been replaced by a labor union \"Walking Delegate\" and he is holding a tablet labeled \"Tyranny\" and a torch labeled \"Lawlessness.\" Below him, there is a large crowd of immigrants disembarking from boats, other boats are sailing across the sea towards the Statue of Liberty from a mound of land labeled \"To the Land of the Free\")\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["bound issue from April 29, 1903; Vol LIII, no. 1365. Lithographs address the America's Cub; labor unions, leaders, and immigration. Lithographs include \"Well Guarded\" (title page; shows a bulldog wearing a formal navy uniform, on his label is a ribbon labeled \"N.Y. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Annaleah Morse processed this collection in 2019.","The Library of Congress has a wealth of digitzed Puck lithographs from the Prints and Photographs Division: http://www.loc.gov/pictures/. Special Collections also has a catalog record for this collection of Puck Magazines: http://fau.catalog.fcla.edu/permalink.jsp?28FA033734620","In 1871, Joseph Keppler, an Austrian-born cartoonist, created Puck Magazine -- a satire magazine filled with cartoons, caricatures, and commentary on political and social issues of the day. Originally only published in German, Puck evolved from a nearly-failed periodical publication to one of the most popular humor magazines in the United States in the 19th century. Keppler published the first English-language issue of Puck in 1877, which became widely popular for featuring three lithographs versus one. Each Puck publication features a full-color chromolithograph print on the front cover, a double-page centerfold, and a lithograph or cartoon strip on the back of the issue. The English language version of Puck was published for more than 40 years under Keppler, later being bought in 1916 by William Hearst's company and ceasing production two years later, in 1918. Each Puck contains a series of editorial articles commenting on issues of the day, as well as two to three full pages of advertisements. In this collection, many of the choromolithographs are by Louis Dalrymple and Frederick Opper, both notable American cartoonists during the 19th century.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\n    \nShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPCW0013","/repositories/2/resources/160"],"normalized_date_ssm":["The majority of the material is from the 1880s and 1890s and deals largely with social and political issues of the time., bulk 1878-1916"],"normalized_title_ssm":["Marvin and Sybil Weiner Spirit of America Collection -- Puck Magazines, The majority of the material is from the 1880s and 1890s and deals largely with social and political issues of the time., bulk 1878-1916"],"collection_title_tesim":["Marvin and Sybil Weiner Spirit of America Collection -- Puck Magazines, The majority of the material is from the 1880s and 1890s and deals largely with social and political issues of the time., bulk 1878-1916"],"collection_ssim":["Marvin and Sybil Weiner Spirit of America Collection -- Puck Magazines, The majority of the material is from the 1880s and 1890s and deals largely with social and political issues of the time., bulk 1878-1916"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["American wit and humor -- Periodicals -- Illustrations","American wit and humor, Pictorial -- 19th century","Caricatures and cartoons -- United States -- 19th century","Political satire -- Periodicals -- Illustrations","Politicians -- United States -- 19th century -- Caricatures and cartoons","Satire -- Periodicals -- Illustrations","United States -- Economic policy -- Caricatures and cartoons","United States -- Politics and government -- 1885-1889 -- Caricatures and cartoons","Keppler, Joseph Ferdinand 1838-1894","Opper, Frederick Burr 1857-1937","Weiner"],"access_subjects_ssm":["American wit and humor -- Periodicals -- Illustrations","American wit and humor, Pictorial -- 19th century","Caricatures and cartoons -- United States -- 19th century","Political satire -- Periodicals -- Illustrations","Politicians -- United States -- 19th century -- Caricatures and cartoons","Satire -- Periodicals -- Illustrations","United States -- Economic policy -- Caricatures and cartoons","United States -- Politics and government -- 1885-1889 -- Caricatures and cartoons","Keppler, Joseph Ferdinand 1838-1894","Opper, Frederick Burr 1857-1937","Weiner"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eAnnaleah Morse processed this collection in 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Annaleah Morse processed this collection in 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Library of Congress has a wealth of digitzed Puck lithographs from the Prints and Photographs Division: http://www.loc.gov/pictures/. Special Collections also has a catalog record for this collection of Puck Magazines: http://fau.catalog.fcla.edu/permalink.jsp?28FA033734620\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Library of Congress has a wealth of digitzed Puck lithographs from the Prints and Photographs Division: http://www.loc.gov/pictures/. Special Collections also has a catalog record for this collection of Puck Magazines: http://fau.catalog.fcla.edu/permalink.jsp?28FA033734620"],"scopecontent_html_tesm":["\u003cp\u003eIn 1871, Joseph Keppler, an Austrian-born cartoonist, created Puck Magazine -- a satire magazine filled with cartoons, caricatures, and commentary on political and social issues of the day. Originally only published in German, Puck evolved from a nearly-failed periodical publication to one of the most popular humor magazines in the United States in the 19th century. Keppler published the first English-language issue of Puck in 1877, which became widely popular for featuring three lithographs versus one. Each Puck publication features a full-color chromolithograph print on the front cover, a double-page centerfold, and a lithograph or cartoon strip on the back of the issue. The English language version of Puck was published for more than 40 years under Keppler, later being bought in 1916 by William Hearst's company and ceasing production two years later, in 1918. Each Puck contains a series of editorial articles commenting on issues of the day, as well as two to three full pages of advertisements. In this collection, many of the choromolithographs are by Louis Dalrymple and Frederick Opper, both notable American cartoonists during the 19th century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 1871, Joseph Keppler, an Austrian-born cartoonist, created Puck Magazine -- a satire magazine filled with cartoons, caricatures, and commentary on political and social issues of the day. Originally only published in German, Puck evolved from a nearly-failed periodical publication to one of the most popular humor magazines in the United States in the 19th century. Keppler published the first English-language issue of Puck in 1877, which became widely popular for featuring three lithographs versus one. Each Puck publication features a full-color chromolithograph print on the front cover, a double-page centerfold, and a lithograph or cartoon strip on the back of the issue. The English language version of Puck was published for more than 40 years under Keppler, later being bought in 1916 by William Hearst's company and ceasing production two years later, in 1918. Each Puck contains a series of editorial articles commenting on issues of the day, as well as two to three full pages of advertisements. In this collection, many of the choromolithographs are by Louis Dalrymple and Frederick Opper, both notable American cartoonists during the 19th century."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\n    \nShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\n    \nShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841751920443392,"_root_":"ea3223c819864f148dd4c740","timestamp":"2026-07-16T03:48:48.862Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea3223c819864f148dd4c740_aspace_55989f9278a43a1495d6510f81ee5654"}},{"id":"377018d2c691025d88612f9e_aspace_bc2b9cecaa1c11de0b66b3861387861f","type":"File","attributes":{"title":"\"We'll have a jubilee in my old Kentucky home\", 1985","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_bc2b9cecaa1c11de0b66b3861387861f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bc2b9cecaa1c11de0b66b3861387861f","ref_ssm":["aspace_bc2b9cecaa1c11de0b66b3861387861f","aspace_bc2b9cecaa1c11de0b66b3861387861f"],"id":"377018d2c691025d88612f9e_aspace_bc2b9cecaa1c11de0b66b3861387861f","title_filing_ssi":"\"We'll have a jubilee in my old Kentucky home\"","title_ssm":["\"We'll have a jubilee in my old Kentucky home\""],"title_tesim":["\"We'll have a jubilee in my old Kentucky home\""],"unitdate_inclusive_ssm":["1985"],"normalized_date_ssm":["1985"],"normalized_title_ssm":["\"We'll have a jubilee in my old Kentucky home\", 1985"],"text":["\"We'll have a jubilee in my old Kentucky home\", 1985","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79896","/repositories/2/archival_objects/83158","box 27","folder 1"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79896","/repositories/2/archival_objects/83158"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":932,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1985],"containers_ssim":["box 27","folder 1"],"_nest_path_":"/components#931","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. CFU2018_47)."],"access_subjects_ssim":["Barbershop quartets","sheet music"],"access_subjects_ssm":["Barbershop quartets","sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["11.8 Linear Feet 30 boxes"],"extent_tesim":["11.8 Linear Feet 30 boxes"],"genreform_ssim":["sheet music"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the original order that it was received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the original order that it was received."],"bioghist_html_tesm":["\u003cp\u003eAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_bc2b9cecaa1c11de0b66b3861387861f"}},{"id":"319a0366018875a84541c010_aspace_101465","type":"File","attributes":{"title":"Wellhead Protection","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/319a0366018875a84541c010_aspace_101465#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_101465","ref_ssm":["aspace_101465","aspace_101465"],"id":"319a0366018875a84541c010_aspace_101465","title_filing_ssi":"Wellhead Protection","title_ssm":["Wellhead Protection"],"title_tesim":["Wellhead Protection"],"normalized_title_ssm":["Wellhead Protection"],"text":["Wellhead Protection","Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996","Box 206","Folder 7","/repositories/2/archival_objects/39441","box 206","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["319a0366018875a84541c010","319a0366018875a84541c010_aspace_101458"],"parent_unittitles_ssm":["Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996","Box 206"],"parent_unittitles_tesim":["Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996","Box 206"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/39441"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1897,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 206","folder 7"],"_nest_path_":"/components#205/components#6","_nest_parent_":"319a0366018875a84541c010_aspace_101458","_root_":"319a0366018875a84541c010","timestamp":"2026-07-11T03:40:49.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"319a0366018875a84541c010","title_ssm":["Jan K. Platt papers"],"title_tesim":["Jan K. Platt papers"],"ead_ssi":"319a0366018875a84541c010","unitdate_ssm":["1974-2004","Date acquired: 00/00/1996"],"unitdate_inclusive_ssm":["1974-2004"],"unitdate_other_ssim":["Date acquired: 00/00/1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1996-08","/repositories/2/resources/222"],"text":["MS-1996-08","/repositories/2/resources/222","Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996","Hillsborough County (Fla.) -- Politics and government.","This collection's inventory provides access for patrons. The collection has not been arranged thematically or chronologically.","Janice Kaminis Platt (Jan K. Platt) was born in 1936 in St. Petersburg, Florida. After attending University of Florida, University of Virginia, and Vanderbilt University for postgraduate studies, Platt ran for public office. She was first elected as a Tampa City Council Member from 1974-1978 before being elected to serve on the Hillsborough County Board of County Commissioners, where she held office from 1978-1996, and again from 1998 to 2004. As an active County Commissioner, Platt has fought to protect the environment, keep government honest, and assure balanced, managed growth. This collection contains extensive records from Commissioner Platt's activities in public office ranging from 1974 to her retirement in 2004.","Note written by Adams, K., 2012","The Jan K. Platt Papers focus on environmental concerns, regional development, operating budgets, and public services, such as libraries and welfare, within Hillsborough County. This collection also includes correspondence, memorandum, and reports from the numerous boards, authorities, and commissions that Platt chaired and served on, in addition to miscellaneous campaign ephemera.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Platt, Jan Kaminis (1936-)","English"],"unitid_tesim":["MS-1996-08","/repositories/2/resources/222"],"normalized_date_ssm":["1974-2004, Date acquired: 00/00/1996"],"normalized_title_ssm":["Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996"],"collection_title_tesim":["Jan K. Platt papers, 1974-2004, Date acquired: 00/00/1996"],"collection_ssim":["Jan K. 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Platt","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["285.33 Linear Feet","214 boxes"],"extent_tesim":["285.33 Linear Feet","214 boxes"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThis collection's inventory provides access for patrons. The collection has not been arranged thematically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection's inventory provides access for patrons. The collection has not been arranged thematically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eJanice Kaminis Platt (Jan K. Platt) was born in 1936 in St. Petersburg, Florida. After attending University of Florida, University of Virginia, and Vanderbilt University for postgraduate studies, Platt ran for public office. She was first elected as a Tampa City Council Member from 1974-1978 before being elected to serve on the Hillsborough County Board of County Commissioners, where she held office from 1978-1996, and again from 1998 to 2004. As an active County Commissioner, Platt has fought to protect the environment, keep government honest, and assure balanced, managed growth. This collection contains extensive records from Commissioner Platt's activities in public office ranging from 1974 to her retirement in 2004.\u003c/p\u003e\n","\u003cp\u003eNote written by Adams, K., 2012\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Janice Kaminis Platt (Jan K. Platt) was born in 1936 in St. Petersburg, Florida. After attending University of Florida, University of Virginia, and Vanderbilt University for postgraduate studies, Platt ran for public office. 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Platt Papers focus on environmental concerns, regional development, operating budgets, and public services, such as libraries and welfare, within Hillsborough County. This collection also includes correspondence, memorandum, and reports from the numerous boards, authorities, and commissions that Platt chaired and served on, in addition to miscellaneous campaign ephemera.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jan K. Platt Papers focus on environmental concerns, regional development, operating budgets, and public services, such as libraries and welfare, within Hillsborough County. 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If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1996,1997],"containers_ssim":["box 13","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eHandbook with a message from FAU President Anthony James Catanese, 1996-1997 academic calendar, a weekly calendar for the academic year that lists academic information and varsity athletic games, information about the Office of Student Affairs, Student Government, student activities, rules and regulations, campus information for other campuses, Qty: 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Handbook with a message from FAU President Anthony James Catanese, 1996-1997 academic calendar, a weekly calendar for the academic year that lists academic information and varsity athletic games, information about the Office of Student Affairs, Student Government, student activities, rules and regulations, campus information for other campuses, Qty: 2"],"_nest_path_":"/components#1/components#301","_nest_parent_":"27369c77877e52a2084a08b3_aspace_47b0d4d01dc41d6530a45d5c59dfe9a9","_root_":"27369c77877e52a2084a08b3","timestamp":"2026-06-05T01:46:38.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"27369c77877e52a2084a08b3","title_ssm":["FAU Student Pamphlets"],"title_tesim":["FAU Student Pamphlets"],"ead_ssi":"27369c77877e52a2084a08b3","unitdate_ssm":["1962-2010"],"unitdate_bulk_ssim":["1962-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00022","/repositories/2/resources/193"],"text":["UA00022","/repositories/2/resources/193","FAU Student Pamphlets, bulk 1962-2010","Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives","The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph.","This collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00022","/repositories/2/resources/193"],"normalized_date_ssm":["bulk 1962-2010"],"normalized_title_ssm":["FAU Student Pamphlets, bulk 1962-2010"],"collection_title_tesim":["FAU Student Pamphlets, bulk 1962-2010"],"collection_ssim":["FAU Student Pamphlets, bulk 1962-2010"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":345,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"27369c77877e52a2084a08b3","timestamp":"2026-06-05T01:46:38.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/27369c77877e52a2084a08b3_aspace_c85ccc52e70014d20f42bd79ee204861"}},{"id":"2326334e5e159c8d459e96a3_aspace_38670","type":"Item","attributes":{"title":"\"Well Honey, When They Finish The Beltway, We'll Make It There...\", July 14, 1994.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38670#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38670","ref_ssm":["aspace_38670","aspace_38670"],"id":"2326334e5e159c8d459e96a3_aspace_38670","title_filing_ssi":"\"Well Honey, When They Finish The Beltway, We'll Make It There...\"","title_ssm":["\"Well Honey, When They Finish The Beltway, We'll Make It There...\""],"title_tesim":["\"Well Honey, When They Finish The Beltway, We'll Make It There...\""],"unitdate_other_ssim":["July 14, 1994."],"normalized_date_ssm":["July 14, 1994."],"normalized_title_ssm":["\"Well Honey, When They Finish The Beltway, We'll Make It There...\", July 14, 1994."],"text":["\"Well Honey, When They Finish The Beltway, We'll Make It There...\", July 14, 1994.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Personal Files, 1974-2013, Undated.","Clippings, 1983-2000.","The West Orange Times, 1994.","Item 1","/repositories/4/archival_objects/2392","box 14","folder 2"],"component_level_isim":[4],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_38611","2326334e5e159c8d459e96a3_aspace_38618","2326334e5e159c8d459e96a3_aspace_38667"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Personal Files, 1974-2013, Undated.","Clippings, 1983-2000.","The West Orange Times, 1994."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Personal Files, 1974-2013, Undated.","Clippings, 1983-2000.","The West Orange Times, 1994."],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/2392"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1421,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 14","folder 2"],"_nest_path_":"/components#2/components#1/components#4/components#0","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38667","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38670"}},{"id":"2326334e5e159c8d459e96a3_aspace_37809","type":"Item","attributes":{"title":"Well Honey, When they Finish the Beltway, we'll Make It There..., June 22, 1994.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37809#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37809","ref_ssm":["aspace_37809","aspace_37809"],"id":"2326334e5e159c8d459e96a3_aspace_37809","title_filing_ssi":"Well Honey, When they Finish the Beltway, we'll Make It There...","title_ssm":["Well Honey, When they Finish the Beltway, we'll Make It There..."],"title_tesim":["Well Honey, When they Finish the Beltway, we'll Make It There..."],"unitdate_other_ssim":["June 22, 1994."],"normalized_date_ssm":["June 22, 1994."],"normalized_title_ssm":["Well Honey, When they Finish the Beltway, we'll Make It There..., June 22, 1994."],"text":["Well Honey, When they Finish the Beltway, we'll Make It There..., June 22, 1994.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","The West Orange Times, 1991-1994.","Item 8","/repositories/4/archival_objects/2938","box 7","folder 8"],"component_level_isim":[4],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37102","2326334e5e159c8d459e96a3_aspace_37799"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","The West Orange Times, 1991-1994."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","The West Orange Times, 1991-1994."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 8","/repositories/4/archival_objects/2938"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":652,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 7","folder 8"],"_nest_path_":"/components#0/components#0/components#9/components#7","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37799","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37809"}},{"id":"f641859834f303be292eed1d_aspace_70149","type":"File","attributes":{"title":"Well, How About That...Election Time Again!., 1956.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f641859834f303be292eed1d_aspace_70149#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70149","ref_ssm":["aspace_70149","aspace_70149"],"id":"f641859834f303be292eed1d_aspace_70149","title_filing_ssi":"Well, How About That...Election Time Again!.","title_ssm":["Well, How About That...Election Time Again!."],"title_tesim":["Well, How About That...Election Time Again!."],"unitdate_other_ssim":["1956."],"normalized_date_ssm":["1956."],"normalized_title_ssm":["Well, How About That...Election Time Again!., 1956."],"text":["Well, How About That...Election Time Again!., 1956.","Robert L. Glasser Collection, 1956-2016","Florida State Files, 1956-2002, Undated.","Folder 10","/repositories/4/archival_objects/1880","box 6","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["f641859834f303be292eed1d","f641859834f303be292eed1d_aspace_70126"],"parent_unittitles_ssm":["Robert L. Glasser Collection, 1956-2016","Florida State Files, 1956-2002, Undated."],"parent_unittitles_tesim":["Robert L. Glasser Collection, 1956-2016","Florida State Files, 1956-2002, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 10","/repositories/4/archival_objects/1880"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert L. Glasser Collection, 1956-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":183,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 6","folder 10"],"_nest_path_":"/components#3/components#20","_nest_parent_":"f641859834f303be292eed1d_aspace_70126","_root_":"f641859834f303be292eed1d","_version_":1870857609438822400,"timestamp":"2026-07-16T08:00:51.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f641859834f303be292eed1d","title_ssm":["Robert L. Glasser Collection"],"title_tesim":["Robert L. Glasser Collection"],"ead_ssi":"f641859834f303be292eed1d","unitdate_ssm":["1956-2016"],"unitdate_inclusive_ssm":["1956-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.108","/repositories/4/resources/10"],"text":["SC.108","/repositories/4/resources/10","Robert L. Glasser Collection, 1956-2016","EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)","Amusement parks","Attractions","Consultants -- United States","Contracts -- United States","Tourism","Tourism--Florida--Orlando","The entire collection is open for research.","The collection is arranged in four series.","Robert \"Bob\" L. Glasser was born on January 13, 1927 in New York City, New York. At the age of ten, Robert's family decided to move to Miami Beach, Florida. He and his brother, Leonard, attended Miami Beach High School before serving in World War II. Leonard enlisted in the Army and Robert was in the Navy. After the war ended, two brothers sought higher education and enrolled to the University of Florida. They both became an architect and completed state boards soon after graduation. The Glassers worked at the same architecture firm and designed several homes and buildings in the South Florida region including Fort Lauderdale, Vero Beach, Marathon, Miami, and Coral Gables. In 1961, the Glassers moved the firm to Puerto Rico to work on new projects both in there and in Central America. However, in 1962, Robert accepted new position as a Director for Buildings \u0026 Grounds Division in the office of Florida's Secretary of State in Tallahassee and served between 1962 to 1970. The following year, he moved to Orlando and managed various construction and development projects in the Central Florida. In 1979, he became the Contract Administrator for the Walt Disney Company and completed his career there as a Senior Environmental Analyst.","\nBob was the chancellor of Tau Epsilon Phi (TEP) Fraternity Club at the University of Florida, President of Miami Beach Jaycees, National Director of Florida Jaycees, President of Miami Beach Young Democrats (1959), member of Temple Israel, the Jewish Genealogical Society of Greater Orlando, the American Legion, the USS Bataan CVL-29 Association, and member of Disney's Retirement Club-Golden Ears Club. He was also recognized by his accomplishments and rewarded Distinguished Service Award by Miami Beach Jaycees (1961), Outstanding Alumni Service Award by TEP Chapter of University of Florida, and Distinguished Alumni Award by National TEP Fraternity (1989).","\nOn April 7, 2017, Bob passed away at the age of 90 in Winter Park, Florida. He is survived by his wife, Doris; son, Dr. Gary Glasser (Adele); daughters, Janet Cohen in Atlanta, Georgia and Maxine (Jeffrey) Giordano in Oak Hill, Virginia.","Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","The collection has been arranged in alphabetical order; materials were placed in pH neutral folders and boxes; photographs and slides were put in sleeves; construction hat was cleaned, buffered with tissue papers, and housed in a separate container; Disneyland map was unfolded and stored in a flat file; publications \"Eyes \u0026 Ears\", \"Disney News\", and \"Annual Reports\" were removed from the collection and cataloged separately.","For more information on Florida and Travel and Tourism, please check out our  Collection Guide  page.","Series I: Walt Disney Company, 1967-2016, Undated, materials are collected by Robert L. Glasser during his employment at the Walt Disney Company including employee training materials, reports, guidelines, brochures, magazines, newsletters, contract agreements, catalogues, news clippings and memorabilia.","\nSeries II: EPCOT Center, 1974-1990, Undated, includes materials related to ECPOT Center such as newsletters, newspapers, pictorial guides, reports, guidebooks, and cast member booklets. Series also includes a few memorabilia related to EPCOT such as admission tickets, Canadian flags, parking passes, stickers, and a construction hat worn by Robert L. Glasser.","\nSeries III: Consultants and Contracts, 1956-2005, Undated, contains the working files of Robert L. Glasser, as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney World Company. Materials include condition of agreement between associated architects, construction claim research files, forms, guidelines and procedures, interior design services, legal issues, shop drawings, zoning and other building codes.","\nSeries IV: Florida State Files, 1956-2002, Undated, consists of various publications and ephemera he collected related to the State of Florida's political activities including an advertisements, election and campaign materials.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Robert \"Bob\" Lewis Glasser worked as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney Parks and Resorts. During his employment with Disney, he collected various reports, promotional materials, publications and memorabilia mainly related to the Experimental Prototype Community of Tomorrow (EPCOT) Center. Bob also worked for the Office of Florida's Secretary of State between 1962 to 1970 as a Director for Buildings \u0026 Grounds Division and gathered a few campaign and election materials which can be found within the collection.","UCF Special Collections","Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort","Glasser, Robert L., 1927-2017","English"],"unitid_tesim":["SC.108","/repositories/4/resources/10"],"normalized_date_ssm":["1956-2016"],"normalized_title_ssm":["Robert L. Glasser Collection, 1956-2016"],"collection_title_tesim":["Robert L. Glasser Collection, 1956-2016"],"collection_ssim":["Robert L. Glasser Collection, 1956-2016"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)"],"geogname_ssim":["EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)"],"creator_ssm":["Glasser, Robert L., 1927-2017"],"creator_ssim":["Glasser, Robert L., 1927-2017"],"creator_persname_ssim":["Glasser, Robert L., 1927-2017"],"creators_ssim":["Glasser, Robert L., 1927-2017"],"places_ssim":["EPCOT Center (Fla.)--Design and construction","EPCOT Center (Fla.)--History","Florida -- Politics and government","Orlando (Fla.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Doris Glasser donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2017 (CFM2017_07)."],"access_subjects_ssim":["Amusement parks","Attractions","Consultants -- United States","Contracts -- United States","Tourism","Tourism--Florida--Orlando"],"access_subjects_ssm":["Amusement parks","Attractions","Consultants -- United States","Contracts -- United States","Tourism","Tourism--Florida--Orlando"],"has_online_content_ssim":["false"],"extent_ssm":["6.5 Linear Feet 8 Boxes, 1 Flat File"],"extent_tesim":["6.5 Linear Feet 8 Boxes, 1 Flat File"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in four series."],"bioghist_html_tesm":["\u003cp\u003eRobert \"Bob\" L. Glasser was born on January 13, 1927 in New York City, New York. At the age of ten, Robert's family decided to move to Miami Beach, Florida. He and his brother, Leonard, attended Miami Beach High School before serving in World War II. Leonard enlisted in the Army and Robert was in the Navy. After the war ended, two brothers sought higher education and enrolled to the University of Florida. They both became an architect and completed state boards soon after graduation. The Glassers worked at the same architecture firm and designed several homes and buildings in the South Florida region including Fort Lauderdale, Vero Beach, Marathon, Miami, and Coral Gables. In 1961, the Glassers moved the firm to Puerto Rico to work on new projects both in there and in Central America. However, in 1962, Robert accepted new position as a Director for Buildings \u0026amp; Grounds Division in the office of Florida's Secretary of State in Tallahassee and served between 1962 to 1970. The following year, he moved to Orlando and managed various construction and development projects in the Central Florida. In 1979, he became the Contract Administrator for the Walt Disney Company and completed his career there as a Senior Environmental Analyst.\u003c/p\u003e\n","\u003cp\u003e\nBob was the chancellor of Tau Epsilon Phi (TEP) Fraternity Club at the University of Florida, President of Miami Beach Jaycees, National Director of Florida Jaycees, President of Miami Beach Young Democrats (1959), member of Temple Israel, the Jewish Genealogical Society of Greater Orlando, the American Legion, the USS Bataan CVL-29 Association, and member of Disney's Retirement Club-Golden Ears Club. He was also recognized by his accomplishments and rewarded Distinguished Service Award by Miami Beach Jaycees (1961), Outstanding Alumni Service Award by TEP Chapter of University of Florida, and Distinguished Alumni Award by National TEP Fraternity (1989).\u003c/p\u003e\n","\u003cp\u003e\nOn April 7, 2017, Bob passed away at the age of 90 in Winter Park, Florida. He is survived by his wife, Doris; son, Dr. Gary Glasser (Adele); daughters, Janet Cohen in Atlanta, Georgia and Maxine (Jeffrey) Giordano in Oak Hill, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Robert \"Bob\" L. Glasser was born on January 13, 1927 in New York City, New York. At the age of ten, Robert's family decided to move to Miami Beach, Florida. He and his brother, Leonard, attended Miami Beach High School before serving in World War II. Leonard enlisted in the Army and Robert was in the Navy. After the war ended, two brothers sought higher education and enrolled to the University of Florida. They both became an architect and completed state boards soon after graduation. The Glassers worked at the same architecture firm and designed several homes and buildings in the South Florida region including Fort Lauderdale, Vero Beach, Marathon, Miami, and Coral Gables. In 1961, the Glassers moved the firm to Puerto Rico to work on new projects both in there and in Central America. However, in 1962, Robert accepted new position as a Director for Buildings \u0026 Grounds Division in the office of Florida's Secretary of State in Tallahassee and served between 1962 to 1970. The following year, he moved to Orlando and managed various construction and development projects in the Central Florida. In 1979, he became the Contract Administrator for the Walt Disney Company and completed his career there as a Senior Environmental Analyst.","\nBob was the chancellor of Tau Epsilon Phi (TEP) Fraternity Club at the University of Florida, President of Miami Beach Jaycees, National Director of Florida Jaycees, President of Miami Beach Young Democrats (1959), member of Temple Israel, the Jewish Genealogical Society of Greater Orlando, the American Legion, the USS Bataan CVL-29 Association, and member of Disney's Retirement Club-Golden Ears Club. He was also recognized by his accomplishments and rewarded Distinguished Service Award by Miami Beach Jaycees (1961), Outstanding Alumni Service Award by TEP Chapter of University of Florida, and Distinguished Alumni Award by National TEP Fraternity (1989).","\nOn April 7, 2017, Bob passed away at the age of 90 in Winter Park, Florida. He is survived by his wife, Doris; son, Dr. Gary Glasser (Adele); daughters, Janet Cohen in Atlanta, Georgia and Maxine (Jeffrey) Giordano in Oak Hill, Virginia."],"prefercite_html_tesm":["\u003cp\u003eRobert L. Glasser Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Robert L. Glasser Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eThe collection has been arranged in alphabetical order; materials were placed in pH neutral folders and boxes; photographs and slides were put in sleeves; construction hat was cleaned, buffered with tissue papers, and housed in a separate container; Disneyland map was unfolded and stored in a flat file; publications \"Eyes \u0026amp; Ears\", \"Disney News\", and \"Annual Reports\" were removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","The collection has been arranged in alphabetical order; materials were placed in pH neutral folders and boxes; photographs and slides were put in sleeves; construction hat was cleaned, buffered with tissue papers, and housed in a separate container; Disneyland map was unfolded and stored in a flat file; publications \"Eyes \u0026 Ears\", \"Disney News\", and \"Annual Reports\" were removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Florida and Travel and Tourism, please check out our \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/special-collections/special-collections-collection-guides/#TravelandTourism\"\u003eCollection Guide\u003c/extref\u003e page.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Florida and Travel and Tourism, please check out our  Collection Guide  page."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Walt Disney Company, 1967-2016, Undated, materials are collected by Robert L. Glasser during his employment at the Walt Disney Company including employee training materials, reports, guidelines, brochures, magazines, newsletters, contract agreements, catalogues, news clippings and memorabilia.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: EPCOT Center, 1974-1990, Undated, includes materials related to ECPOT Center such as newsletters, newspapers, pictorial guides, reports, guidebooks, and cast member booklets. Series also includes a few memorabilia related to EPCOT such as admission tickets, Canadian flags, parking passes, stickers, and a construction hat worn by Robert L. Glasser.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Consultants and Contracts, 1956-2005, Undated, contains the working files of Robert L. Glasser, as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney World Company. Materials include condition of agreement between associated architects, construction claim research files, forms, guidelines and procedures, interior design services, legal issues, shop drawings, zoning and other building codes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Florida State Files, 1956-2002, Undated, consists of various publications and ephemera he collected related to the State of Florida's political activities including an advertisements, election and campaign materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Walt Disney Company, 1967-2016, Undated, materials are collected by Robert L. Glasser during his employment at the Walt Disney Company including employee training materials, reports, guidelines, brochures, magazines, newsletters, contract agreements, catalogues, news clippings and memorabilia.","\nSeries II: EPCOT Center, 1974-1990, Undated, includes materials related to ECPOT Center such as newsletters, newspapers, pictorial guides, reports, guidebooks, and cast member booklets. Series also includes a few memorabilia related to EPCOT such as admission tickets, Canadian flags, parking passes, stickers, and a construction hat worn by Robert L. Glasser.","\nSeries III: Consultants and Contracts, 1956-2005, Undated, contains the working files of Robert L. Glasser, as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney World Company. Materials include condition of agreement between associated architects, construction claim research files, forms, guidelines and procedures, interior design services, legal issues, shop drawings, zoning and other building codes.","\nSeries IV: Florida State Files, 1956-2002, Undated, consists of various publications and ephemera he collected related to the State of Florida's political activities including an advertisements, election and campaign materials."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5acf65d3b6ea5814cc67a386f65e833a\" label=\"Abstract\"\u003eRobert \"Bob\" Lewis Glasser worked as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney Parks and Resorts. During his employment with Disney, he collected various reports, promotional materials, publications and memorabilia mainly related to the Experimental Prototype Community of Tomorrow (EPCOT) Center. Bob also worked for the Office of Florida's Secretary of State between 1962 to 1970 as a Director for Buildings \u0026amp; Grounds Division and gathered a few campaign and election materials which can be found within the collection.\u003c/abstract\u003e"],"abstract_tesim":["Robert \"Bob\" Lewis Glasser worked as a Contract Administrator and a Senior Environmental Analyst for the Walt Disney Parks and Resorts. During his employment with Disney, he collected various reports, promotional materials, publications and memorabilia mainly related to the Experimental Prototype Community of Tomorrow (EPCOT) Center. Bob also worked for the Office of Florida's Secretary of State between 1962 to 1970 as a Director for Buildings \u0026 Grounds Division and gathered a few campaign and election materials which can be found within the collection."],"names_coll_ssim":["Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort"],"names_ssim":["UCF Special Collections","Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort","Glasser, Robert L., 1927-2017"],"corpname_ssim":["UCF Special Collections","Disney Cruise Line","Disney Enterprises (1996- )","Disney-MGM Studios","Magic Kingdom (Fla.)","Walt Disney World Resort"],"persname_ssim":["Glasser, Robert L., 1927-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857609438822400,"_root_":"f641859834f303be292eed1d","timestamp":"2026-07-16T08:00:51.773Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f641859834f303be292eed1d_aspace_70149"}},{"id":"2618966e348bf0aa45f97845_aspace_121348","type":"Item","attributes":{"title":"Well Hung","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2618966e348bf0aa45f97845_aspace_121348#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_121348","ref_ssm":["aspace_121348","aspace_121348"],"id":"2618966e348bf0aa45f97845_aspace_121348","title_filing_ssi":"Well Hung","title_ssm":["Well Hung"],"title_tesim":["Well Hung"],"normalized_title_ssm":["Well Hung"],"text":["Well Hung","Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Books","Item 13","/repositories/2/archival_objects/25487"],"component_level_isim":[2],"parent_ids_ssim":["2618966e348bf0aa45f97845","2618966e348bf0aa45f97845_aspace_121333"],"parent_unittitles_ssm":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Books"],"parent_unittitles_tesim":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Books"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 13","/repositories/2/archival_objects/25487"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gay surfer collection, 1936-2011, Date acquired: 07/00/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":523,"parent_access_restrict_tesm":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#27/components#12","_nest_parent_":"2618966e348bf0aa45f97845_aspace_121333","_root_":"2618966e348bf0aa45f97845","_version_":1870862531353903104,"timestamp":"2026-07-16T09:19:05.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2618966e348bf0aa45f97845","title_ssm":["Gay surfer collection"],"title_tesim":["Gay surfer collection"],"ead_ssi":"2618966e348bf0aa45f97845","unitdate_ssm":["1936-2011","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1936-2011"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-04","/repositories/2/resources/164"],"text":["MS-2013-04","/repositories/2/resources/164","Gay surfer collection, 1936-2011, Date acquired: 07/00/2013","Gay culture","Queer studies -- Tampa (Fla.)","Surfer photography--United States","Surfers","Lesbian and gay experience","Queer studies -- United States -- History","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged in chronological order by year. Items with no discernable date are grouped together. Books are grouped by size.","The Donald L. Bentz Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The Equality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The National Center for Lesbian Rights (St. Petersburg Office) Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. 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The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in chronological order by year. Items with no discernable date are grouped together. Books are grouped by size.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in chronological order by year. Items with no discernable date are grouped together. Books are grouped by size."],"prefercite_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Donald L. Bentz Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eThe Equality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eThe National Center for Lesbian Rights (St. Petersburg Office) Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. \u003c/p\u003e\n","\u003cp\u003eThe Rex Maniscalco Collection of Bobbie Smith Photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Donald L. 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Beginning in 1936, the collection documents the increasingly visible appearance of surfers and its connection with gay men and women until 2011 through nude photographs, all male physique magazines, and eventually to overtly gay lifestyle publications and advertisements."],"separatedmaterial_html_tesm":["\u003cp\u003ePublished materials cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Published materials cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5698b2515616899976e73e2d764f953b\" label=\"Abstract\"\u003eA collection of books, magazines, newsclippings, and ephemera relating to the gay surfer image in printed form.\u003c/abstract\u003e"],"abstract_tesim":["A collection of books, magazines, newsclippings, and ephemera relating to the gay surfer image in printed form."],"names_ssim":["USF Libraries - 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