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Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_6cd9041e9230e7070a4eeeb3a6ad80fe"}},{"id":"3574dbfb2eaa0487e5083bae_aspace_1326","type":"Item","attributes":{"title":"A dialogue with no boundaries, April 8, 1998","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1326#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFrom: The Miami Herald By: Balmaseda, Liz\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1326#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1326","ref_ssm":["aspace_1326","aspace_1326"],"id":"3574dbfb2eaa0487e5083bae_aspace_1326","title_filing_ssi":"A dialogue with no boundaries","title_ssm":["A dialogue with no boundaries"],"title_tesim":["A dialogue with no boundaries"],"unitdate_other_ssim":["April 8, 1998"],"normalized_date_ssm":["April 8, 1998"],"normalized_title_ssm":["A dialogue with no boundaries, April 8, 1998"],"text":["A dialogue with no boundaries, April 8, 1998","Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death","Item 6","/repositories/2/archival_objects/11788","From: The Miami Herald\nBy: Balmaseda, Liz"],"component_level_isim":[3],"parent_ids_ssim":["3574dbfb2eaa0487e5083bae","3574dbfb2eaa0487e5083bae_aspace_1034","3574dbfb2eaa0487e5083bae_aspace_1037"],"parent_unittitles_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death"],"parent_unittitles_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series IV: Album Memorabilia. Articles on Miguel Gonzalez-Pando Death"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 6","/repositories/2/archival_objects/11788"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":377,"parent_access_restrict_tesm":["There are No Restrictions on this Collection"],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"scopecontent_html_tesm":["\u003cp\u003eFrom: The Miami Herald\nBy: Balmaseda, Liz\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["From: The Miami Herald\nBy: Balmaseda, Liz"],"_nest_path_":"/components#1/components#3/components#5","_nest_parent_":"3574dbfb2eaa0487e5083bae_aspace_1037","_root_":"3574dbfb2eaa0487e5083bae","_version_":1870844607502221312,"timestamp":"2026-07-16T04:34:12.153Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3574dbfb2eaa0487e5083bae","title_ssm":["Cuban Living History Project"],"title_tesim":["Cuban Living History Project"],"ead_ssi":"3574dbfb2eaa0487e5083bae","unitdate_ssm":["1990-1998","1993-1995"],"unitdate_bulk_ssim":["1993-1995"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2001","/repositories/2/resources/43"],"text":["SPC2001","/repositories/2/resources/43","Cuban Living History Project, 1990-1998, bulk 1993-1995","Cuba -- Exiles","Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters","There are No Restrictions on this Collection","Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.","There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment","The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel","English Spanish; Castilian"],"unitid_tesim":["SPC2001","/repositories/2/resources/43"],"normalized_date_ssm":["1990-1998, bulk 1993-1995"],"normalized_title_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_title_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba -- Exiles"],"geogname_ssim":["Cuba -- Exiles"],"creator_ssm":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_persname_ssim":["González-Pando, Miguel"],"creator_corpname_ssim":["Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creators_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"places_ssim":["Cuba -- Exiles"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by Miguel González-Pando's widow"],"access_subjects_ssim":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"access_subjects_ssm":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"genreform_ssim":["Newspaper Clippings","Tapes","Photographs","Posters"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThere are No Restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are No Restrictions on this Collection"],"arrangement_html_tesm":["\u003cp\u003eSpecial Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order."],"phystech_html_tesm":["\u003cp\u003eThere are No Physical Restrictions on this collection\u003c/p\u003e","\u003cp\u003ePatrons will need to use our audio visual equipment\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel Gonz\u0026#xE1;lez-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e\n","\u003cp\u003eThe personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel"],"corpname_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"persname_ssim":["González-Pando, Miguel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":443,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844607502221312,"_root_":"3574dbfb2eaa0487e5083bae","timestamp":"2026-07-16T04:34:12.153Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1326"}},{"id":"cd47e6ad97695fdc678be0a9_aspace_12938","type":"Item","attributes":{"title":"A Diamond Added to the Crown of Performing Arts, 02/03/1990","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_12938#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eExtent: 1 p. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"scopecontent_html_tesm":["\u003cp\u003eExtent: 1 p. Note: North Port Sun Times, North Port, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Extent: 1 p. Note: North Port Sun Times, North Port, Florida."],"_nest_path_":"/components#1/components#6/components#26","_nest_parent_":"cd47e6ad97695fdc678be0a9_aspace_4627","_root_":"cd47e6ad97695fdc678be0a9","_version_":1873846371912515584,"timestamp":"2026-08-18T07:45:57.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cd47e6ad97695fdc678be0a9","title_ssm":["Florida State University Media Relations Files"],"title_tesim":["Florida State University Media Relations Files"],"ead_ssi":"cd47e6ad97695fdc678be0a9","unitdate_ssm":["1969-1995"],"unitdate_inclusive_ssm":["1969-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2003-019","/repositories/10/resources/1253"],"text":["MSS 2003-019","/repositories/10/resources/1253","Florida State University Media Relations Files, 1969-1995","Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.","The MSS 2003-019 accession was processed in September 2003 by Delia Tam.","The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N.","English"],"unitid_tesim":["MSS 2003-019","/repositories/10/resources/1253"],"normalized_date_ssm":["1969-1995"],"normalized_title_ssm":["Florida State University Media Relations Files, 1969-1995"],"collection_title_tesim":["Florida State University Media Relations Files, 1969-1995"],"collection_ssim":["Florida State University Media Relations Files, 1969-1995"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University Media Relations Department"],"creator_ssim":["Florida State University Media Relations Department"],"creator_corpname_ssim":["Florida State University Media Relations Department"],"creators_ssim":["Florida State University Media Relations Department"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["The MSS 2003-019 accession of the FSU Media Relations Files was given to the Special Collections Department by the FSU Media Relations Office in 1999."],"access_subjects_ssim":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"access_subjects_ssm":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"has_online_content_ssim":["false"],"extent_ssm":["4.80 Linear Feet"],"extent_tesim":["4.80 Linear Feet"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019"],"processinfo_html_tesm":["\u003cp\u003eThe MSS 2003-019 accession was processed in September 2003 by Delia Tam.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The MSS 2003-019 accession was processed in September 2003 by Delia Tam."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n\u003cbr\u003e\u003cbr\u003eAppleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n\u003cbr\u003e\u003cbr\u003eThe College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.\u0026#xA0; Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.\u0026#xA0; The press releases publicize the successes and achievements of the Business students.\u0026#xA0; Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n\u003cbr\u003e\u003cbr\u003eThe FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n\u003cbr\u003e\u003cbr\u003eThe Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.\u0026#xA0; Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n\u003cbr\u003e\u003cbr\u003eThe Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.\u0026#xA0; Subjects include the pep rally, parade, alumni class reunions,\u0026#xA0; banquet, faculty concert, alumni breakfast, Grads Made Good\u0026#xA0; presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n\u003cbr\u003e\u003cbr\u003eThe School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.\u0026#xA0; These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus"],"persname_ssim":["Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3222,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873846371912515584,"_root_":"cd47e6ad97695fdc678be0a9","timestamp":"2026-08-18T07:45:57.747Z","bioghist_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.\u0026#xA0; Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.\u0026#xA0; It is staffed by professional journalists and public relations experts who promote the university.\n\u003cbr\u003e\u003cbr\u003eAPPLETON MUSEUM OF ART\n\u003cbr\u003e\u003cbr\u003eThe Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n\u003cbr\u003e\u003cbr\u003eConsidered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n\u003cbr\u003e\u003cbr\u003eASOLO THEATRE COMPANY\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.\u0026#xA0; In 1930, the old wooden theater was taken down and its components were stored in Venice.\u0026#xA0; In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.\u0026#xA0; Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n\u003cbr\u003e\u003cbr\u003eRecognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.\u0026#xA0; Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.\u0026#xA0; During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.\u0026#xA0; The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.\u0026#xA0; This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n\u003cbr\u003e\u003cbr\u003eTHE COLLEGE OF BUSINESS\n\u003cbr\u003e\u003cbr\u003eThe School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n\u003cbr\u003e\u003cbr\u003eAmong Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n\u003cbr\u003e\u003cbr\u003eWhen Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.\u0026#xA0; Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n\u003cbr\u003e\u003cbr\u003eFollowing his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n\u003cbr\u003e\u003cbr\u003eTHE FSU FLYING HIGH CIRCUS\n\u003cbr\u003e\u003cbr\u003eThe Florida State University Flying High Circus is the country's only collegiate circus.\u0026#xA0; It was organized in 1947 by Jack Haskin.\u0026#xA0; The first circus show on campus\u0026#xA0; was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.\u0026#xA0; The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.\u0026#xA0; Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n\u003cbr\u003e\u003cbr\u003eThe Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.\u0026#xA0; Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n\u003cbr\u003e\u003cbr\u003eHOMECOMING\n\u003cbr\u003e\u003cbr\u003eHomecoming is an alumni program.\u0026#xA0; Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.\u0026#xA0; During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.\u0026#xA0; The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n\u003cbr\u003e\u003cbr\u003eTHE FSU SCHOOL OF THEATRE\n\u003cbr\u003e\u003cbr\u003eThe Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.\u0026#xA0; Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.\u0026#xA0; The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.\u0026#xA0; The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n\u003cbr\u003e\u003cbr\u003eThree theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.\u0026#xA0; Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.\u0026#xA0; The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.\u0026#xA0; The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_12938"}},{"id":"d52d92af1bf73915192489ed_aspace_96691","type":"Item","attributes":{"title":"\"A Dickens of a Package for this Holiday Season,\" poster depicts advertisements for both The Rescuers and Mickey's Christmas Carol. Printed in U.S.A. NSS #R-830183","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed_aspace_96691#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_96691","ref_ssm":["aspace_96691","aspace_96691"],"id":"d52d92af1bf73915192489ed_aspace_96691","title_filing_ssi":"\"A Dickens of a Package for this Holiday Season,\" poster depicts advertisements for both The Rescuers and Mickey's Christmas Carol. Printed in U.S.A. NSS #R-830183","title_ssm":["\"A Dickens of a Package for this Holiday Season,\" poster depicts advertisements for both The Rescuers and Mickey's Christmas Carol. Printed in U.S.A. NSS #R-830183"],"title_tesim":["\"A Dickens of a Package for this Holiday Season,\" poster depicts advertisements for both The Rescuers and Mickey's Christmas Carol. Printed in U.S.A. NSS #R-830183"],"normalized_title_ssm":["\"A Dickens of a Package for this Holiday Season,\" poster depicts advertisements for both The Rescuers and Mickey's Christmas Carol. Printed in U.S.A. NSS #R-830183"],"text":["\"A Dickens of a Package for this Holiday Season,\" poster depicts advertisements for both The Rescuers and Mickey's Christmas Carol. Printed in U.S.A. NSS #R-830183","Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","Oversized","Oversized Posters","Disney Oversized Posters","Animated Features, A-F","Item 10","/repositories/2/archival_objects/35848"],"component_level_isim":[5],"parent_ids_ssim":["d52d92af1bf73915192489ed","d52d92af1bf73915192489ed_aspace_61c8f53c1f895597f0f071b1712cc919","d52d92af1bf73915192489ed_aspace_96608","d52d92af1bf73915192489ed_aspace_96362","d52d92af1bf73915192489ed_aspace_8f3a8a53372eb89d94e0eb21b36172a8"],"parent_unittitles_ssm":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","Oversized","Oversized Posters","Disney Oversized Posters","Animated Features, A-F"],"parent_unittitles_tesim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","Oversized","Oversized Posters","Disney Oversized Posters","Animated Features, A-F"],"parent_levels_ssm":["collection","Series","Box","Box","File"],"unitid_ssm":["Item 10","/repositories/2/archival_objects/35848"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1299,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#5/components#0/components#0/components#0/components#9","_nest_parent_":"d52d92af1bf73915192489ed_aspace_8f3a8a53372eb89d94e0eb21b36172a8","_root_":"d52d92af1bf73915192489ed","_version_":1877838338632712192,"timestamp":"2026-10-01T09:16:33.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d52d92af1bf73915192489ed","title_ssm":["Mahan collection of American humor and cartoon art"],"title_tesim":["Mahan collection of American humor and cartoon art"],"ead_ssi":"d52d92af1bf73915192489ed","unitdate_ssm":["1813-2005","1928-1965","Date acquired: 00/00/2006"],"unitdate_bulk_ssim":["1928-1965"],"unitdate_inclusive_ssm":["1813-2005"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-12","/repositories/2/resources/220"],"text":["MS-2006-12","/repositories/2/resources/220","Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company","Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by ","In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)","English"],"unitid_tesim":["MS-2006-12","/repositories/2/resources/220"],"normalized_date_ssm":["1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"normalized_title_ssm":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_title_tesim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_ssim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Mahan, Charles S. (1938-)"],"creator_ssim":["Mahan, Charles S. (1938-)"],"creator_persname_ssim":["Mahan, Charles S. (1938-)"],"creators_ssim":["Mahan, Charles S. (1938-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Dr. Charles S. Mahan","Donation."],"access_subjects_ssim":["American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company"],"access_subjects_ssm":["American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company"],"has_online_content_ssim":["false"],"extent_ssm":["78.75 Linear Feet","90 boxes"],"extent_tesim":["78.75 Linear Feet","90 boxes"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"bioghist_html_tesm":["\u003cp\u003eCharles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).\u003c/p\u003e\n","\u003cp\u003eUniversity of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. \u003cemph render=\"italic\"\u003eUniversity of South Florida Library Links, 10\u003c/emph\u003e(3), 2-3.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. (1938-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2403,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877838338632712192,"_root_":"d52d92af1bf73915192489ed","timestamp":"2026-10-01T09:16:33.829Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed_aspace_96691"}},{"id":"1b305a2d384cb2225812854f_aspace_82006","type":"File","attributes":{"title":"Adicks, Richard, 2003","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1b305a2d384cb2225812854f_aspace_82006#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCharter faculty; Assistant Professor in the College of Humanities and Social Sciences\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1b305a2d384cb2225812854f_aspace_82006#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82006","ref_ssm":["aspace_82006","aspace_82006"],"id":"1b305a2d384cb2225812854f_aspace_82006","title_filing_ssi":"Adicks, Richard","title_ssm":["Adicks, Richard"],"title_tesim":["Adicks, Richard"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["Adicks, Richard, 2003"],"text":["Adicks, Richard, 2003","H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002","Final Transcripts, 1987-2006","Folder 3","/repositories/2/archival_objects/21391","box 1","folder 3","Charter faculty; Assistant Professor in the College of Humanities and Social Sciences"],"component_level_isim":[2],"parent_ids_ssim":["1b305a2d384cb2225812854f","1b305a2d384cb2225812854f_aspace_82002"],"parent_unittitles_ssm":["H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002","Final Transcripts, 1987-2006"],"parent_unittitles_tesim":["H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002","Final Transcripts, 1987-2006"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 3","/repositories/2/archival_objects/21391"],"repository_ssim":["UCF University Archives"],"collection_ssim":["H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The final transcripts are open for research. The audio tapes and the edited transcripts are not."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 3"],"scopecontent_html_tesm":["\u003cp\u003eCharter faculty; Assistant Professor in the College of Humanities and Social Sciences\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Charter faculty; Assistant Professor in the College of Humanities and Social Sciences"],"_nest_path_":"/components#0/components#2","_nest_parent_":"1b305a2d384cb2225812854f_aspace_82002","_root_":"1b305a2d384cb2225812854f","_version_":1873214118951911424,"timestamp":"2026-08-11T08:16:34.372Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1b305a2d384cb2225812854f","title_ssm":["H. Trevor Colbourn Oral History collection"],"title_tesim":["H. Trevor Colbourn Oral History collection"],"ead_ssi":"1b305a2d384cb2225812854f","unitdate_ssm":["1987-2006","1991-2002"],"unitdate_bulk_ssim":["1991-2002"],"unitdate_inclusive_ssm":["1987-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA26A","/repositories/2/resources/95"],"text":["UA26A","/repositories/2/resources/95","H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002","University of Central Florida","Florida Technological University -- Presidents","Florida Technological University -- History","University of Central Florida -- History","University of Central Florida -- Presidents","Oral History","interviews","The final transcripts are open for research. The audio tapes and the edited transcripts are not.","This collection is arranged in three series, final transcripts, edited transcripts, and audio tapes. Each series is arranged in alphabetical order by interviewee's last name.","H. Trevor Colbourn was born in Armidale, New South Wales, Australia on 24 February 1927. Known by his second name, Trevor Colbourn earned his BA at the University of London then moved to the United States of America in 1948 to further his education at the College of William and Mary; finally earning his Ph.D. in American History at Johns Hopkins in 1953.","Dr. Colbourn taught at Penn State and Indiana University in Bloomington before moving into administration. In 1967, he became Graduate Dean at the University of New Hampshire. In 1973 he was appointed Academic Vice President of San Diego State University and eventually served as Acting President from 1977-1978 before becoming President of Florida Technological University, now UCF, in 1978.","After retiring as president, Dr. Colbourn returned to teaching history full-time at the University. In 1990, he earned the title President Emeritus and assumed the role of University Historian in 1991. As part of the latter appointment, he compiled an oral history of the University. Dr. Colbourn interviewed many people that were vital to the foundation of the University, such as founders, other presidents, donors, faculty, and staff.","Processed by Lindsay Mazziotto in 2007. Revised for consistency by Chloe Lanham in 2025.","More Information about Dr. Colbourn may be found in the  University of Central Florida Office of the President: H. Trevor Colbourn papers .","The Colbourn Oral History collection contains interviews conducted between Dr. Colbourn and people who were vital to the foundation of the University such as founders, previous presidents, donators, faculty/staff, and other contributors. This collection offers insight into the founding of Florida Technological University (now, the University of Central Florida)","Series I: Final Transcripts, 1987-2006 contains the final released transcripts of the interviews along with duplicates of those transcripts.","Series II: Edited Transcripts, 1993-2006 contains the edited transcripts of the final transcripts that have not been released to the public by the interviewee.","Series III: Audio Tapes, 1995-2006 contains the audio tapes of the original interviews. These audio tapes have also not been released to the public by the interviewee.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Colbourn Oral History collection contains interviews conducted between Dr. Colbourn and people who were vital to the foundation of the University such as founders, previous presidents, donators, faculty/staff, and other contributors. This collection offers insight into the founding of Florida Technological University (now, the University of Central Florida)\nSeries I: Final Transcripts, 1987-2006 contains the final released transcripts of the interviews along with duplicates of those transcripts.\nSeries II: Edited Transcripts, 1993-2006 contains the edited transcripts of the final transcripts that have not been released to the public by the interviewee.\nSeries III: Audio Tapes, 1995-2006 contains the audio tapes of the original interviews. These audio tapes have also not been released to the public by the interviewee.\n\nH. Trevor Colbourn was born in Armidale, New South Wales, Australia on 24 February 1927. Known by his second name, Trevor Colbourn became President of Florida Technological University, now UCF, in 1978. After retiring as president, Dr. Colbourn returned to teaching history full-time at the University. In 1990, he earned the title President Emeritus and assumed the role of University Historian in 1991. As part of the latter appointment, he compiled an oral history of the University. Dr. Colbourn interviewed many people that were vital to the foundation of the University, such as founders, other presidents, donors, faculty, and staff.","UCF University Archives","Colbourn, H. Trevor (1927)","English"],"unitid_tesim":["UA26A","/repositories/2/resources/95"],"normalized_date_ssm":["1987-2006, bulk 1991-2002"],"normalized_title_ssm":["H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002"],"collection_title_tesim":["H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002"],"collection_ssim":["H. Trevor Colbourn Oral History collection, 1987-2006, bulk 1991-2002"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Colbourn, H. Trevor (1927)"],"creator_ssim":["Colbourn, H. Trevor (1927)"],"creator_persname_ssim":["Colbourn, H. Trevor (1927)"],"creators_ssim":["Colbourn, H. Trevor (1927)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["H. Trevor Colbourn transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2006"],"access_subjects_ssim":["University of Central Florida","Florida Technological University -- Presidents","Florida Technological University -- History","University of Central Florida -- History","University of Central Florida -- Presidents","Oral History","interviews"],"access_subjects_ssm":["University of Central Florida","Florida Technological University -- Presidents","Florida Technological University -- History","University of Central Florida -- History","University of Central Florida -- Presidents","Oral History","interviews"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 11 boxes"],"extent_tesim":["8 Linear Feet 11 boxes"],"genreform_ssim":["interviews"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe final transcripts are open for research. The audio tapes and the edited transcripts are not.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The final transcripts are open for research. The audio tapes and the edited transcripts are not."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series, final transcripts, edited transcripts, and audio tapes. Each series is arranged in alphabetical order by interviewee's last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in three series, final transcripts, edited transcripts, and audio tapes. Each series is arranged in alphabetical order by interviewee's last name."],"bioghist_html_tesm":["\u003cp\u003eH. Trevor Colbourn was born in Armidale, New South Wales, Australia on 24 February 1927. Known by his second name, Trevor Colbourn earned his BA at the University of London then moved to the United States of America in 1948 to further his education at the College of William and Mary; finally earning his Ph.D. in American History at Johns Hopkins in 1953.\u003c/p\u003e\n","\u003cp\u003eDr. Colbourn taught at Penn State and Indiana University in Bloomington before moving into administration. In 1967, he became Graduate Dean at the University of New Hampshire. In 1973 he was appointed Academic Vice President of San Diego State University and eventually served as Acting President from 1977-1978 before becoming President of Florida Technological University, now UCF, in 1978.\u003c/p\u003e\n","\u003cp\u003eAfter retiring as president, Dr. Colbourn returned to teaching history full-time at the University. In 1990, he earned the title President Emeritus and assumed the role of University Historian in 1991. As part of the latter appointment, he compiled an oral history of the University. Dr. Colbourn interviewed many people that were vital to the foundation of the University, such as founders, other presidents, donors, faculty, and staff.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["H. Trevor Colbourn was born in Armidale, New South Wales, Australia on 24 February 1927. Known by his second name, Trevor Colbourn earned his BA at the University of London then moved to the United States of America in 1948 to further his education at the College of William and Mary; finally earning his Ph.D. in American History at Johns Hopkins in 1953.","Dr. Colbourn taught at Penn State and Indiana University in Bloomington before moving into administration. In 1967, he became Graduate Dean at the University of New Hampshire. In 1973 he was appointed Academic Vice President of San Diego State University and eventually served as Acting President from 1977-1978 before becoming President of Florida Technological University, now UCF, in 1978.","After retiring as president, Dr. Colbourn returned to teaching history full-time at the University. In 1990, he earned the title President Emeritus and assumed the role of University Historian in 1991. As part of the latter appointment, he compiled an oral history of the University. Dr. Colbourn interviewed many people that were vital to the foundation of the University, such as founders, other presidents, donors, faculty, and staff."],"prefercite_html_tesm":["\u003cp\u003eH. Trevor Colbourn Oral History collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["H. Trevor Colbourn Oral History collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lindsay Mazziotto in 2007. Revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lindsay Mazziotto in 2007. Revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eMore Information about Dr. Colbourn may be found in the \u003cextref href=\"http://purl.flvc.org/ucf/ead/UCFPresColbourn\"\u003eUniversity of Central Florida Office of the President: H. Trevor Colbourn papers\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More Information about Dr. Colbourn may be found in the  University of Central Florida Office of the President: H. Trevor Colbourn papers ."],"scopecontent_html_tesm":["\u003cp\u003eThe Colbourn Oral History collection contains interviews conducted between Dr. Colbourn and people who were vital to the foundation of the University such as founders, previous presidents, donators, faculty/staff, and other contributors. This collection offers insight into the founding of Florida Technological University (now, the University of Central Florida)\u003c/p\u003e","\u003cp\u003eSeries I: Final Transcripts, 1987-2006 contains the final released transcripts of the interviews along with duplicates of those transcripts.\u003c/p\u003e","\u003cp\u003eSeries II: Edited Transcripts, 1993-2006 contains the edited transcripts of the final transcripts that have not been released to the public by the interviewee.\u003c/p\u003e","\u003cp\u003eSeries III: Audio Tapes, 1995-2006 contains the audio tapes of the original interviews. These audio tapes have also not been released to the public by the interviewee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Colbourn Oral History collection contains interviews conducted between Dr. Colbourn and people who were vital to the foundation of the University such as founders, previous presidents, donators, faculty/staff, and other contributors. This collection offers insight into the founding of Florida Technological University (now, the University of Central Florida)","Series I: Final Transcripts, 1987-2006 contains the final released transcripts of the interviews along with duplicates of those transcripts.","Series II: Edited Transcripts, 1993-2006 contains the edited transcripts of the final transcripts that have not been released to the public by the interviewee.","Series III: Audio Tapes, 1995-2006 contains the audio tapes of the original interviews. These audio tapes have also not been released to the public by the interviewee."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6063779bb12eee2129db3e95740a46a2\" label=\"Abstract\"\u003eThe Colbourn Oral History collection contains interviews conducted between Dr. Colbourn and people who were vital to the foundation of the University such as founders, previous presidents, donators, faculty/staff, and other contributors. This collection offers insight into the founding of Florida Technological University (now, the University of Central Florida)\nSeries I: Final Transcripts, 1987-2006 contains the final released transcripts of the interviews along with duplicates of those transcripts.\nSeries II: Edited Transcripts, 1993-2006 contains the edited transcripts of the final transcripts that have not been released to the public by the interviewee.\nSeries III: Audio Tapes, 1995-2006 contains the audio tapes of the original interviews. These audio tapes have also not been released to the public by the interviewee.\n\nH. Trevor Colbourn was born in Armidale, New South Wales, Australia on 24 February 1927. Known by his second name, Trevor Colbourn became President of Florida Technological University, now UCF, in 1978. After retiring as president, Dr. Colbourn returned to teaching history full-time at the University. In 1990, he earned the title President Emeritus and assumed the role of University Historian in 1991. As part of the latter appointment, he compiled an oral history of the University. Dr. Colbourn interviewed many people that were vital to the foundation of the University, such as founders, other presidents, donors, faculty, and staff.\u003c/abstract\u003e"],"abstract_tesim":["The Colbourn Oral History collection contains interviews conducted between Dr. Colbourn and people who were vital to the foundation of the University such as founders, previous presidents, donators, faculty/staff, and other contributors. This collection offers insight into the founding of Florida Technological University (now, the University of Central Florida)\nSeries I: Final Transcripts, 1987-2006 contains the final released transcripts of the interviews along with duplicates of those transcripts.\nSeries II: Edited Transcripts, 1993-2006 contains the edited transcripts of the final transcripts that have not been released to the public by the interviewee.\nSeries III: Audio Tapes, 1995-2006 contains the audio tapes of the original interviews. These audio tapes have also not been released to the public by the interviewee.\n\nH. Trevor Colbourn was born in Armidale, New South Wales, Australia on 24 February 1927. Known by his second name, Trevor Colbourn became President of Florida Technological University, now UCF, in 1978. After retiring as president, Dr. Colbourn returned to teaching history full-time at the University. In 1990, he earned the title President Emeritus and assumed the role of University Historian in 1991. As part of the latter appointment, he compiled an oral history of the University. Dr. Colbourn interviewed many people that were vital to the foundation of the University, such as founders, other presidents, donors, faculty, and staff."],"names_ssim":["UCF University Archives","Colbourn, H. Trevor (1927)"],"corpname_ssim":["UCF University Archives"],"persname_ssim":["Colbourn, H. 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Cooper, Samuel, 1832","Item 1","/repositories/10/archival_objects/59778","By Samuel Cooper. New York: J and J Harper. Belongs to Clanton W. Williams."],"component_level_isim":[3],"parent_ids_ssim":["a256d3b3a2848ad32b0a57f3","a256d3b3a2848ad32b0a57f3_aspace_110258","a256d3b3a2848ad32b0a57f3_aspace_110270"],"parent_unittitles_ssm":["Weymouth Tyree Jordan Papers, 1822-1970","Miscellaneous","Book. Cooper, Samuel, 1832"],"parent_unittitles_tesim":["Weymouth Tyree Jordan Papers, 1822-1970","Miscellaneous","Book. Cooper, Samuel, 1832"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 1","/repositories/10/archival_objects/59778"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Weymouth Tyree Jordan Papers, 1822-1970"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2656,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"odd_html_tesm":["\u003cp\u003eBy Samuel Cooper. New York: J and J Harper. Belongs to Clanton W. Williams.\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["By Samuel Cooper. New York: J and J Harper. Belongs to Clanton W. 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The sheet music is arranged according to the composer who wrote the music."],"names_ssim":["Florida Gulf Coast University Special Collections"," D'Arienzo, Marco, 1811-1877","Lemonnier, Pierre-René, 1731-1796"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":[" D'Arienzo, Marco, 1811-1877","Lemonnier, Pierre-René, 1731-1796"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1004,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880265583097806848,"_root_":"6fb6b27850de62e5c1e768a0","timestamp":"2026-10-28T04:16:34.611Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6fb6b27850de62e5c1e768a0_aspace_16440"}},{"id":"db1c2396ff96649adafd3788_aspace_9b194870bfff648441c73975b674b67e","type":"Item","attributes":{"title":"A Different Beat: adb, 1977","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/db1c2396ff96649adafd3788_aspace_9b194870bfff648441c73975b674b67e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIncludes: no.12(1977:June).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/db1c2396ff96649adafd3788_aspace_9b194870bfff648441c73975b674b67e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9b194870bfff648441c73975b674b67e","ref_ssm":["aspace_9b194870bfff648441c73975b674b67e","aspace_9b194870bfff648441c73975b674b67e"],"id":"db1c2396ff96649adafd3788_aspace_9b194870bfff648441c73975b674b67e","title_filing_ssi":"A Different Beat: adb","title_ssm":["A Different Beat: adb"],"title_tesim":["A Different Beat: adb"],"unitdate_other_ssim":["1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["A Different Beat: adb, 1977"],"text":["A Different Beat: adb, 1977","John Grannan collection, 1970s-2005, bulk 1975-2005","Cataloged Publications","/repositories/2/archival_objects/143854","object QLIT HQ75 .D544","Go To Catalog Record","Includes: no.12(1977:June)."],"component_level_isim":[2],"parent_ids_ssim":["db1c2396ff96649adafd3788","db1c2396ff96649adafd3788_aspace_94aa7a04bf6458f98fe9319f453175fd"],"parent_unittitles_ssm":["John Grannan collection, 1970s-2005, bulk 1975-2005","Cataloged Publications"],"parent_unittitles_tesim":["John Grannan collection, 1970s-2005, bulk 1975-2005","Cataloged Publications"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/143854"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["John Grannan collection, 1970s-2005, bulk 1975-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":357,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1977],"containers_ssim":["object QLIT HQ75 .D544"],"bibliography_html_tesm":["\u003cp\u003e \n\u003ca href=\"https://usf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_USF/1amem1q/alma99379897303206599\"\u003eGo To Catalog Record\u003c/a\u003e\n\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Go To Catalog Record"],"scopecontent_html_tesm":["\u003cp\u003eIncludes: no.12(1977:June).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes: no.12(1977:June)."],"_nest_path_":"/components#11/components#14","_nest_parent_":"db1c2396ff96649adafd3788_aspace_94aa7a04bf6458f98fe9319f453175fd","_root_":"db1c2396ff96649adafd3788","_version_":1872040144467394560,"timestamp":"2026-07-29T09:16:45.052Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"db1c2396ff96649adafd3788","title_ssm":["John Grannan collection"],"title_tesim":["John Grannan collection"],"ead_ssi":"db1c2396ff96649adafd3788","unitdate_ssm":["1970s-2005","1975-2005"],"unitdate_bulk_ssim":["1975-2005"],"unitdate_inclusive_ssm":["1970s-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-04","/repositories/2/resources/591"],"text":["MS-2021-04","/repositories/2/resources/591","John Grannan collection, 1970s-2005, bulk 1975-2005","LGBTQ+","Lesbian and gay experience","Queer studies","Gay and lesbian dance parties","Queer studies -- United States -- History","Queer community ","LGBTQ+ activists","Queer identity ","HIV/AIDS","HIV/AIDS awareness","HIV-positive people","University of South Florida -- History","LGBTQ+ college students","College students -- Florida","Clubs -- Florida -- Tampa","Evidence of live pests upon accession.","Materials are arranged according to type, with attention to location and chronology within series.","John Aubrey Grannan was born in on February 16, 1947 in Orlando, Florida. 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