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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by score name\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by score name"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eJoe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2109,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_128286"}},{"id":"3574dbfb2eaa0487e5083bae_aspace_1146","type":"Item","attributes":{"title":"A Cuban takes a painful look at exodus, January 22, 1993","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1146#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFrom: The Miami Herald\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1146#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1146","ref_ssm":["aspace_1146","aspace_1146"],"id":"3574dbfb2eaa0487e5083bae_aspace_1146","title_filing_ssi":"A Cuban takes a painful look at exodus","title_ssm":["A Cuban takes a painful look at exodus"],"title_tesim":["A Cuban takes a painful look at exodus"],"unitdate_other_ssim":["January 22, 1993"],"normalized_date_ssm":["January 22, 1993"],"normalized_title_ssm":["A Cuban takes a painful look at exodus, January 22, 1993"],"text":["A Cuban takes a painful look at exodus, January 22, 1993","Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series II: Articles Written By Miguel Gonzalez-Pando","Folder 1","Item 48","/repositories/2/archival_objects/12069","From: The Miami Herald"],"component_level_isim":[4],"parent_ids_ssim":["3574dbfb2eaa0487e5083bae","3574dbfb2eaa0487e5083bae_aspace_1034","3574dbfb2eaa0487e5083bae_aspace_1036","3574dbfb2eaa0487e5083bae_aspace_1097"],"parent_unittitles_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series II: Articles Written By Miguel Gonzalez-Pando","Folder 1"],"parent_unittitles_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995","Series II: Press Articles","Sub-Series II: Articles Written By Miguel Gonzalez-Pando","Folder 1"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 48","/repositories/2/archival_objects/12069"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":221,"parent_access_restrict_tesm":["There are No Restrictions on this Collection"],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"scopecontent_html_tesm":["\u003cp\u003eFrom: The Miami Herald\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["From: The Miami Herald"],"_nest_path_":"/components#1/components#1/components#0/components#47","_nest_parent_":"3574dbfb2eaa0487e5083bae_aspace_1097","_root_":"3574dbfb2eaa0487e5083bae","_version_":1870844607502221312,"timestamp":"2026-07-16T04:34:12.153Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3574dbfb2eaa0487e5083bae","title_ssm":["Cuban Living History Project"],"title_tesim":["Cuban Living History Project"],"ead_ssi":"3574dbfb2eaa0487e5083bae","unitdate_ssm":["1990-1998","1993-1995"],"unitdate_bulk_ssim":["1993-1995"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC2001","/repositories/2/resources/43"],"text":["SPC2001","/repositories/2/resources/43","Cuban Living History Project, 1990-1998, bulk 1993-1995","Cuba -- Exiles","Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters","There are No Restrictions on this Collection","Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.","There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment","The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel","English Spanish; Castilian"],"unitid_tesim":["SPC2001","/repositories/2/resources/43"],"normalized_date_ssm":["1990-1998, bulk 1993-1995"],"normalized_title_ssm":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_title_tesim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"collection_ssim":["Cuban Living History Project, 1990-1998, bulk 1993-1995"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba -- Exiles"],"geogname_ssim":["Cuba -- Exiles"],"creator_ssm":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creator_persname_ssim":["González-Pando, Miguel"],"creator_corpname_ssim":["Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"creators_ssim":["González-Pando, Miguel","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"places_ssim":["Cuba -- Exiles"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donated by Miguel González-Pando's widow"],"access_subjects_ssim":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"access_subjects_ssm":["Cuba -- Exiles -- Florida","Cuba -- History -- 1895-1906","Cuba -- History -- 1909-1933","Cuba -- History -- 1933-1959","Cuba -- History -- 1959-1990","Oral history","Cubans -- Florida.","Newspaper Clippings","Tapes","Photographs","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"genreform_ssim":["Newspaper Clippings","Tapes","Photographs","Posters"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThere are No Restrictions on this Collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are No Restrictions on this Collection"],"arrangement_html_tesm":["\u003cp\u003eSpecial Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collections kept the order in which the material was received. The personal interviews are organized in alphabetical order by interviewee and the press kits are arranged in chronological order."],"phystech_html_tesm":["\u003cp\u003eThere are No Physical Restrictions on this collection\u003c/p\u003e","\u003cp\u003ePatrons will need to use our audio visual equipment\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are No Physical Restrictions on this collection","Patrons will need to use our audio visual equipment"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel Gonz\u0026#xE1;lez-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.\u003c/p\u003e\n","\u003cp\u003eThe personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Living History Project includes three documentaries and 114 personal interviews. The documentaries are named:  Y los Quiero Conocer (And I Want to Meet Them) recounting the era of the Cuban Republic, Calle Ocho: Cuban Exiles Look at Themselves, an Emmy Award-winner, based on the Cuban American exile community and Ni Patria Ni Amo (Neither Motherland Nor Master) which focuses on the exile opposition to Fidel Castro's regime and is based on testimonies of exile leaders.  The documentaries were created based on the personal interviews.\nThe interviewees on the personal interviews were Cuban exiles that played very important roles in the creation of Cuban Miami. Most of the interviewees, now deceased, were well-known figures in the cultural, political and intellectual life of the Cuban Republic. The interviews were conducted by Dr. Miguel González-Pando, between the years 1990 and 1997. A number of other items also included in the collection are press articles by Miguel Gonzalez-Pando, personal photos and posters, in addition to articles about him.","The personal interviews from this collection are in the process of being digitized. Sound clips (demo and full length) for recordings are available online. The access to full length sound files is limited to on-campus users only. Please use the \"Online access Cuban Living History Project\" link on this page to be directed to the digitized material."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)","González-Pando, Miguel"],"corpname_ssim":["FIU Special Collections","Florida International University. Cuban Living History Project","WTVJ (Television Station : Miami, Fla.)"],"persname_ssim":["González-Pando, Miguel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":443,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844607502221312,"_root_":"3574dbfb2eaa0487e5083bae","timestamp":"2026-07-16T04:34:12.153Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3574dbfb2eaa0487e5083bae_aspace_1146"}},{"id":"1271f5e59391a5ad8f79a42f_aspace_68554","type":"Item","attributes":{"title":"A Cuba. Sobre la visita de Irísela.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1271f5e59391a5ad8f79a42f_aspace_68554#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_68554","ref_ssm":["aspace_68554","aspace_68554"],"id":"1271f5e59391a5ad8f79a42f_aspace_68554","title_filing_ssi":"A Cuba. Sobre la visita de Irísela.","title_ssm":["A Cuba. Sobre la visita de Irísela."],"title_tesim":["A Cuba. Sobre la visita de Irísela."],"normalized_title_ssm":["A Cuba. Sobre la visita de Irísela."],"text":["A Cuba. Sobre la visita de Irísela.","The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","Audio/Visual Material","Box 29","Item 29","/repositories/2/archival_objects/1080"],"component_level_isim":[3],"parent_ids_ssim":["1271f5e59391a5ad8f79a42f","1271f5e59391a5ad8f79a42f_aspace_64842","1271f5e59391a5ad8f79a42f_aspace_67456"],"parent_unittitles_ssm":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","Audio/Visual Material","Box 29"],"parent_unittitles_tesim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","Audio/Visual Material","Box 29"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["Item 29","/repositories/2/archival_objects/1080"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1539,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"_nest_path_":"/components#2/components#5/components#28","_nest_parent_":"1271f5e59391a5ad8f79a42f_aspace_67456","_root_":"1271f5e59391a5ad8f79a42f","_version_":1870844668378349568,"timestamp":"2026-07-16T04:35:09.961Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1271f5e59391a5ad8f79a42f","title_ssm":["The Cuban Human Rights Collection"],"title_tesim":["The Cuban Human Rights Collection"],"ead_ssi":"1271f5e59391a5ad8f79a42f","unitdate_ssm":["1983-2004","1990-1999","Date acquired: 2005"],"unitdate_bulk_ssim":["1990-1999"],"unitdate_inclusive_ssm":["1983-2004"],"unitdate_other_ssim":["Date acquired: 2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7035","/repositories/2/resources/2"],"text":["SPC7035","/repositories/2/resources/2","The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","The collection is open for research.","The collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name.","Ariel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  (Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.","Note written by Annia Gonzalez","The Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in  The Miami Herald ,  El Nuevo Herald,  and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from  Cuba en vivo y en directo,  the first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Hidalgo, Ariel","English Spanish; Castilian"],"unitid_tesim":["SPC7035","/repositories/2/resources/2"],"normalized_date_ssm":["1983-2004, Date acquired: 2005, bulk 1990-1999"],"normalized_title_ssm":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_title_tesim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_ssim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_persname_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creators_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["30.00 boxes"],"extent_tesim":["30.00 boxes"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name."],"bioghist_html_tesm":["\u003cp\u003eAriel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published \u003cemph render=\"italic\"\u003eOr\u0026#xED;genes del Movimiento Obrero y del Pensamiento Socialista en Cuba\u003c/emph\u003e (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of \u003cemph render=\"italic\"\u003eCuba, El Estado Marxista y La Nueva Clase\u003c/emph\u003e (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called \u003cemph render=\"italic\"\u003eRect\u0026#xE1;ngulo de la muerte \u003c/emph\u003e(Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.\u003c/p\u003e\n","\u003cp\u003eReleased from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga C\u0026#xED;vica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded \u003cemph render=\"italic\"\u003eCuba en Vivo y en Directo \u003c/emph\u003e(Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published \u003cemph render=\"italic\"\u003eDisidencia: Segunda revolucion cubana? \u003c/emph\u003e(Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.\u003c/p\u003e\n","\u003cp\u003eNote written by Annia Gonzalez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ariel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  (Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.","Note written by Annia Gonzalez"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in \u003cemph render=\"italic\"\u003eThe Miami Herald\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eEl Nuevo Herald,\u003c/emph\u003e and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from \u003cemph render=\"italic\"\u003eCuba en vivo y en directo, \u003c/emph\u003ethe first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in  The Miami Herald ,  El Nuevo Herald,  and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from  Cuba en vivo y en directo,  the first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Hidalgo, Ariel"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Hidalgo, Ariel"],"persname_ssim":["Hidalgo, Ariel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1887,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844668378349568,"_root_":"1271f5e59391a5ad8f79a42f","timestamp":"2026-07-16T04:35:09.961Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1271f5e59391a5ad8f79a42f_aspace_68554"}},{"id":"2326334e5e159c8d459e96a3_aspace_37630","type":"Item","attributes":{"title":"Acuerdo sobre Puertos (George W. Bush) = Port Agreements (George W. Bush), February 26, 2006.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37630#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_37630","ref_ssm":["aspace_37630","aspace_37630"],"id":"2326334e5e159c8d459e96a3_aspace_37630","title_filing_ssi":"Acuerdo sobre Puertos (George W. Bush) = Port Agreements (George W. Bush)","title_ssm":["Acuerdo sobre Puertos (George W. Bush) = Port Agreements (George W. Bush)"],"title_tesim":["Acuerdo sobre Puertos (George W. Bush) = Port Agreements (George W. Bush)"],"unitdate_other_ssim":["February 26, 2006."],"normalized_date_ssm":["February 26, 2006."],"normalized_title_ssm":["Acuerdo sobre Puertos (George W. Bush) = Port Agreements (George W. Bush), February 26, 2006."],"text":["Acuerdo sobre Puertos (George W. Bush) = Port Agreements (George W. Bush), February 26, 2006.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","La Prensa, 2000-2008.","Cartoon Artwork (Black \u0026 White), 2000-2008.","Item 6","/repositories/4/archival_objects/3292","box 5","folder 5"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37102","2326334e5e159c8d459e96a3_aspace_37326","2326334e5e159c8d459e96a3_aspace_37327"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","La Prensa, 2000-2008.","Cartoon Artwork (Black \u0026 White), 2000-2008."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Published Cartoons.","La Prensa, 2000-2008.","Cartoon Artwork (Black \u0026 White), 2000-2008."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 6","/repositories/4/archival_objects/3292"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":493,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 5","folder 5"],"_nest_path_":"/components#0/components#0/components#5/components#0/components#290","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_37327","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_37630"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=compact"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=compact"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=compact"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=compact"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=compact"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=compact"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=compact"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=compact"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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