{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=2205\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=2204\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=2206\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":2205,"next_page":2206,"prev_page":2204,"total_pages":65767,"limit_value":10,"offset_value":22040,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"69f1ab5e669dd4ddd8f68ec6_aspace_59524","type":"Item","attributes":{"title":"Accu-Weather Advertisement (Ft. 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She was a successful sales woman at a chic dress shop. Feinman had a previous marriage that soon ended in divorce, but she remarried around 1949 to Jerome Saul Feinman. They had two daughters Lynne and Mindy. Since Feinman became a first time mother late in life she didn't start truly living for herself until her children left home. Feinman did volunteer work for over a decade for the Cerebral Palsy Association. She started pursuing her acting career around the age of 65, she started off by looking for small acting gigs in the New York Theater. Feinman also wrote and directed plays as well as acted in many places such as Yiddish plays at a Yiddish club. Feinman debuted on many TV commercials and Ads as well. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.).","\nSoon after moving to Orlando, Feinman wanted to test out her comedic skills on an open-mic night at a comedy club on International Drive, she had told her husband that she wished she could just go and do it; but, she was very self-critical and doubted herself. Her husband encouraged her and told her she had nothing to lose. Feinman ended up winning the open-mic contest that night. Feinman also received great reviews that night, the judges loved her and told her that she was ready to take her act on the road. Feinman later started doing stand-up comedy on cruise ships, comedy clubs, and even at some theme parks. Rose and Jerome purchased annual passes to Disney as well as a few other theme parks. A few years after she had started doing stand-up comedy her husband developed Alzheimers, which led to her giving up a lot of her free time in order to help care for him. She could no longer travel long distances for fear of something happening to him. When she finally had a chance to leave the house for a few hours she would go to the comedy club. She enjoyed going on stage; hearing the laughter made everything feel better at the time. Feinman later passed away on December 7, 2012 at the age of 100. Her funeral was held at the Farone \u0026 Son, Inc., Funeral Home in Syracuse, New York.","Collection processed by Karen J. Delacruz, Braneisha Smith, and Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","The collection was processed in 2016. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Photographs, frames, and negatives were placed in polyester sleeves. Files in Binders were put into pH neutral folders. 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Collection also includes three cassettee tapes, Jerry Feinman doing a radio advertisement for Queensboro Dodge dealership in New York, a sound recording from a comedy club, and another cassettee where she does a stand-up.","Rose Feinman was an actress and comedienne who only began performing professionally in her 70s. After performing many stand-up comedy shows, writing plays, and working for movies and theaters, she and her husband, Jerome Saul Feinman, decided to retire and moved to Orlando from New York City. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.). Rose Feinman, 100, passed away at the Jewish Home on December 7, 2012. Her funeral was held at the Farone \u0026 Son Inc., Funeral Home in Syracause, New York. The collection includes family and professional photos, scripts, ephemera, correspondence, news clippings, audio and video tapes. 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Her funeral was held at the Farone \u0026 Son, Inc., Funeral Home in Syracuse, New York."],"prefercite_html_tesm":["\u003cp\u003eRose Feinman Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Rose Feinman Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Karen J. Delacruz, Braneisha Smith, and Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eThe collection was processed in 2016. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Photographs, frames, and negatives were placed in polyester sleeves. Files in Binders were put into pH neutral folders. Metal clips and staples have been removed and replaced with plastic clips. Tape on the photographs was removed. 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Series II includes her business activities such as acting photos, news clippings, publications, scripts, songs and poems. Series III contains total of five scrapbooks she created from 1978 to 1997. Series IV consists of her audio and video collection includes Accu-weather and Heinz Ketchup commmercial advertisements, stand-up comedy shows, and Channel 10: The Best Years of Rose Feinman video recording. Collection also includes three cassettee tapes, Jerry Feinman doing a radio advertisement for Queensboro Dodge dealership in New York, a sound recording from a comedy club, and another cassettee where she does a stand-up.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Rose Feinman Papers organized in four series; Series I contains personal files such as address books, correspondence, certificates, family photos, daily planners, and medical records. Series II includes her business activities such as acting photos, news clippings, publications, scripts, songs and poems. Series III contains total of five scrapbooks she created from 1978 to 1997. Series IV consists of her audio and video collection includes Accu-weather and Heinz Ketchup commmercial advertisements, stand-up comedy shows, and Channel 10: The Best Years of Rose Feinman video recording. Collection also includes three cassettee tapes, Jerry Feinman doing a radio advertisement for Queensboro Dodge dealership in New York, a sound recording from a comedy club, and another cassettee where she does a stand-up."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170bf66874db42e2a701c6e61ace5d3d\" label=\"Abstract\"\u003eRose Feinman was an actress and comedienne who only began performing professionally in her 70s. After performing many stand-up comedy shows, writing plays, and working for movies and theaters, she and her husband, Jerome Saul Feinman, decided to retire and moved to Orlando from New York City. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.). Rose Feinman, 100, passed away at the Jewish Home on December 7, 2012. Her funeral was held at the Farone \u0026amp; Son Inc., Funeral Home in Syracause, New York. The collection includes family and professional photos, scripts, ephemera, correspondence, news clippings, audio and video tapes. Most of the collection is on scripts, poems, and ad music written by Feinman dating from 1938 to 2002.\u003c/abstract\u003e"],"abstract_tesim":["Rose Feinman was an actress and comedienne who only began performing professionally in her 70s. After performing many stand-up comedy shows, writing plays, and working for movies and theaters, she and her husband, Jerome Saul Feinman, decided to retire and moved to Orlando from New York City. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.). Rose Feinman, 100, passed away at the Jewish Home on December 7, 2012. Her funeral was held at the Farone \u0026 Son Inc., Funeral Home in Syracause, New York. The collection includes family and professional photos, scripts, ephemera, correspondence, news clippings, audio and video tapes. Most of the collection is on scripts, poems, and ad music written by Feinman dating from 1938 to 2002."],"names_ssim":["UCF Special Collections","Feinman, Rose, 1912-2012"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Feinman, Rose, 1912-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857971935739904,"_root_":"69f1ab5e669dd4ddd8f68ec6","timestamp":"2026-07-16T08:06:37.478Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/69f1ab5e669dd4ddd8f68ec6_aspace_59524"}},{"id":"69f1ab5e669dd4ddd8f68ec6_aspace_59523","type":"Item","attributes":{"title":"Accu-Weather Advertisement (Ft. 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A few years after she had started doing stand-up comedy her husband developed Alzheimers, which led to her giving up a lot of her free time in order to help care for him. She could no longer travel long distances for fear of something happening to him. When she finally had a chance to leave the house for a few hours she would go to the comedy club. She enjoyed going on stage; hearing the laughter made everything feel better at the time. Feinman later passed away on December 7, 2012 at the age of 100. Her funeral was held at the Farone \u0026 Son, Inc., Funeral Home in Syracuse, New York.","Collection processed by Karen J. Delacruz, Braneisha Smith, and Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","The collection was processed in 2016. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Photographs, frames, and negatives were placed in polyester sleeves. Files in Binders were put into pH neutral folders. 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She was a successful sales woman at a chic dress shop. Feinman had a previous marriage that soon ended in divorce, but she remarried around 1949 to Jerome Saul Feinman. They had two daughters Lynne and Mindy. Since Feinman became a first time mother late in life she didn't start truly living for herself until her children left home. Feinman did volunteer work for over a decade for the Cerebral Palsy Association. She started pursuing her acting career around the age of 65, she started off by looking for small acting gigs in the New York Theater. Feinman also wrote and directed plays as well as acted in many places such as Yiddish plays at a Yiddish club. Feinman debuted on many TV commercials and Ads as well. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.).\u003c/p\u003e\n","\u003cp\u003e\nSoon after moving to Orlando, Feinman wanted to test out her comedic skills on an open-mic night at a comedy club on International Drive, she had told her husband that she wished she could just go and do it; but, she was very self-critical and doubted herself. Her husband encouraged her and told her she had nothing to lose. Feinman ended up winning the open-mic contest that night. Feinman also received great reviews that night, the judges loved her and told her that she was ready to take her act on the road. Feinman later started doing stand-up comedy on cruise ships, comedy clubs, and even at some theme parks. Rose and Jerome purchased annual passes to Disney as well as a few other theme parks. A few years after she had started doing stand-up comedy her husband developed Alzheimers, which led to her giving up a lot of her free time in order to help care for him. She could no longer travel long distances for fear of something happening to him. When she finally had a chance to leave the house for a few hours she would go to the comedy club. She enjoyed going on stage; hearing the laughter made everything feel better at the time. Feinman later passed away on December 7, 2012 at the age of 100. Her funeral was held at the Farone \u0026amp; Son, Inc., Funeral Home in Syracuse, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rose Feinman, daughter of Benjamin Grossman and Lina Grossman, was born on November 18, 1912. She was a successful sales woman at a chic dress shop. Feinman had a previous marriage that soon ended in divorce, but she remarried around 1949 to Jerome Saul Feinman. They had two daughters Lynne and Mindy. Since Feinman became a first time mother late in life she didn't start truly living for herself until her children left home. Feinman did volunteer work for over a decade for the Cerebral Palsy Association. She started pursuing her acting career around the age of 65, she started off by looking for small acting gigs in the New York Theater. Feinman also wrote and directed plays as well as acted in many places such as Yiddish plays at a Yiddish club. Feinman debuted on many TV commercials and Ads as well. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.).","\nSoon after moving to Orlando, Feinman wanted to test out her comedic skills on an open-mic night at a comedy club on International Drive, she had told her husband that she wished she could just go and do it; but, she was very self-critical and doubted herself. Her husband encouraged her and told her she had nothing to lose. Feinman ended up winning the open-mic contest that night. Feinman also received great reviews that night, the judges loved her and told her that she was ready to take her act on the road. Feinman later started doing stand-up comedy on cruise ships, comedy clubs, and even at some theme parks. Rose and Jerome purchased annual passes to Disney as well as a few other theme parks. A few years after she had started doing stand-up comedy her husband developed Alzheimers, which led to her giving up a lot of her free time in order to help care for him. She could no longer travel long distances for fear of something happening to him. When she finally had a chance to leave the house for a few hours she would go to the comedy club. She enjoyed going on stage; hearing the laughter made everything feel better at the time. Feinman later passed away on December 7, 2012 at the age of 100. Her funeral was held at the Farone \u0026 Son, Inc., Funeral Home in Syracuse, New York."],"prefercite_html_tesm":["\u003cp\u003eRose Feinman Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Rose Feinman Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Karen J. Delacruz, Braneisha Smith, and Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eThe collection was processed in 2016. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Photographs, frames, and negatives were placed in polyester sleeves. Files in Binders were put into pH neutral folders. Metal clips and staples have been removed and replaced with plastic clips. Tape on the photographs was removed. Audio and video cassettes were housed in new plastic cases.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Karen J. Delacruz, Braneisha Smith, and Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","The collection was processed in 2016. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Photographs, frames, and negatives were placed in polyester sleeves. Files in Binders were put into pH neutral folders. Metal clips and staples have been removed and replaced with plastic clips. Tape on the photographs was removed. Audio and video cassettes were housed in new plastic cases."],"scopecontent_html_tesm":["\u003cp\u003eRose Feinman Papers organized in four series; Series I contains personal files such as address books, correspondence, certificates, family photos, daily planners, and medical records. Series II includes her business activities such as acting photos, news clippings, publications, scripts, songs and poems. Series III contains total of five scrapbooks she created from 1978 to 1997. Series IV consists of her audio and video collection includes Accu-weather and Heinz Ketchup commmercial advertisements, stand-up comedy shows, and Channel 10: The Best Years of Rose Feinman video recording. Collection also includes three cassettee tapes, Jerry Feinman doing a radio advertisement for Queensboro Dodge dealership in New York, a sound recording from a comedy club, and another cassettee where she does a stand-up.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Rose Feinman Papers organized in four series; Series I contains personal files such as address books, correspondence, certificates, family photos, daily planners, and medical records. Series II includes her business activities such as acting photos, news clippings, publications, scripts, songs and poems. Series III contains total of five scrapbooks she created from 1978 to 1997. Series IV consists of her audio and video collection includes Accu-weather and Heinz Ketchup commmercial advertisements, stand-up comedy shows, and Channel 10: The Best Years of Rose Feinman video recording. Collection also includes three cassettee tapes, Jerry Feinman doing a radio advertisement for Queensboro Dodge dealership in New York, a sound recording from a comedy club, and another cassettee where she does a stand-up."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170bf66874db42e2a701c6e61ace5d3d\" label=\"Abstract\"\u003eRose Feinman was an actress and comedienne who only began performing professionally in her 70s. After performing many stand-up comedy shows, writing plays, and working for movies and theaters, she and her husband, Jerome Saul Feinman, decided to retire and moved to Orlando from New York City. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.). Rose Feinman, 100, passed away at the Jewish Home on December 7, 2012. Her funeral was held at the Farone \u0026amp; Son Inc., Funeral Home in Syracause, New York. The collection includes family and professional photos, scripts, ephemera, correspondence, news clippings, audio and video tapes. Most of the collection is on scripts, poems, and ad music written by Feinman dating from 1938 to 2002.\u003c/abstract\u003e"],"abstract_tesim":["Rose Feinman was an actress and comedienne who only began performing professionally in her 70s. After performing many stand-up comedy shows, writing plays, and working for movies and theaters, she and her husband, Jerome Saul Feinman, decided to retire and moved to Orlando from New York City. She was a member of the Screen Actors Guild (S.A.G.) and American Federation of Television and Radio Artists (A.F.T.R.A.). Rose Feinman, 100, passed away at the Jewish Home on December 7, 2012. Her funeral was held at the Farone \u0026 Son Inc., Funeral Home in Syracause, New York. The collection includes family and professional photos, scripts, ephemera, correspondence, news clippings, audio and video tapes. Most of the collection is on scripts, poems, and ad music written by Feinman dating from 1938 to 2002."],"names_ssim":["UCF Special Collections","Feinman, Rose, 1912-2012"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Feinman, Rose, 1912-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857971935739904,"_root_":"69f1ab5e669dd4ddd8f68ec6","timestamp":"2026-07-16T08:06:37.478Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/69f1ab5e669dd4ddd8f68ec6_aspace_59523"}},{"id":"97e4d3b1340682d4fcf1f735_aspace_ca0069926b8de20a2c5a2dea4bdf2dd6","type":"File","attributes":{"title":"ACC vs. SEC Comparisons, 2010","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/97e4d3b1340682d4fcf1f735_aspace_ca0069926b8de20a2c5a2dea4bdf2dd6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ca0069926b8de20a2c5a2dea4bdf2dd6","ref_ssm":["aspace_ca0069926b8de20a2c5a2dea4bdf2dd6","aspace_ca0069926b8de20a2c5a2dea4bdf2dd6"],"id":"97e4d3b1340682d4fcf1f735_aspace_ca0069926b8de20a2c5a2dea4bdf2dd6","title_filing_ssi":"ACC vs. SEC Comparisons","title_ssm":["ACC vs. SEC Comparisons"],"title_tesim":["ACC vs. SEC Comparisons"],"unitdate_other_ssim":["2010"],"normalized_date_ssm":["2010"],"normalized_title_ssm":["ACC vs. SEC Comparisons, 2010"],"text":["ACC vs. SEC Comparisons, 2010","Sally McRorie Papers, 1982-2021, bulk 2010-2020","/repositories/10/archival_objects/235090","box 1","folder 26"],"component_level_isim":[1],"parent_ids_ssim":["97e4d3b1340682d4fcf1f735"],"parent_unittitles_ssm":["Sally McRorie Papers, 1982-2021, bulk 2010-2020"],"parent_unittitles_tesim":["Sally McRorie Papers, 1982-2021, bulk 2010-2020"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/235090"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Sally McRorie Papers, 1982-2021, bulk 2010-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":26,"parent_access_restrict_tesm":["Boxes 1-9 and 11 of this collection are open to all researchers.","Box 10 is restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","Box 9, Folders 1-5 and 7-13 require review upon request until 2049. Box 9, Folder 6 requires review upon request until 2088.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 1","folder 26"],"_nest_path_":"/components#25","_nest_parent_":"97e4d3b1340682d4fcf1f735","_root_":"97e4d3b1340682d4fcf1f735","_version_":1875386509969850368,"timestamp":"2026-09-04T07:45:47.888Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"97e4d3b1340682d4fcf1f735","title_ssm":["Sally McRorie Papers"],"title_tesim":["Sally McRorie Papers"],"ead_ssi":"97e4d3b1340682d4fcf1f735","unitdate_ssm":["1982-2021","2010-2020"],"unitdate_bulk_ssim":["2010-2020"],"unitdate_inclusive_ssm":["1982-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2024-015","/repositories/10/resources/2677"],"text":["SCA 2024-015","/repositories/10/resources/2677","Sally McRorie Papers, 1982-2021, bulk 2010-2020","Boxes 1-9 and 11 of this collection are open to all researchers.","Box 10 is restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","Box 9, Folders 1-5 and 7-13 require review upon request until 2049. Box 9, Folder 6 requires review upon request until 2088.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Sally McRorie came to FSU in 1994 as a professor and chair of the Department of Art Education. In 2002 she became Dean of the School of Visual Arts and Dance, known as the College of Visual Arts, Theatre, and Dance after 2004. She served in this role until 2012 when she became the Vice President of the Office of Faculty Development and Advancement under President Eric Barron. In 2015, she served as interim Provost before becoming Provost, a position she held until 2021 when she returned to faculty status. In terms of professional service, McRorie served as President of the National Association of Schools of Art and Design (NASAD) from 2021-2023.","Throughout her career, McRorie was highly involved in the administration of the Ringling Museum of Art as well as the Asolo Conservatory in Sarasota. She oversaw the change in management after the State of Florida transferred responsibility over to FSU in 2002, hired new leadership, and was instrumental in the refurbishment of the property. In her first year as the Vice President of the Office of Faculty Development and Advancement, McRorie worked to ensure SACS (Southern Association of Colleges and Schools) reaccreditation and made improvements to the system for the future. As Provost, McRorie worked closely with the Panama City community and campus, working with President Thrasher to hire Dean Randy Hanna in 2016. McRorie considers her greatest accomplishment as Provost to be the improvement in student success and the university's rankings. When assuming the position as Provost in 2015, FSU was ranked 43rd among all public universities. By 2021, FSU was ranked in the top 25 among national public universities according to U.S. News \u0026 World Report rankings and the graduation rate was one of the highest in the country.","Date received: 2024/08/21\nDate accessioned: 2024/08/21","This collection primarily documents Sally McRorie's tenure as Provost of Florida State University. It contains correspondence, memoranda, meeting agendas and minutes, reports, committee files, and proposals for projects and programs. These materials document the university's accreditation through the Southern Association of Colleges and Schools (SACS), university advancement and fundraising campaigns, diversity and inclusion initiatives, strategic planning, E\u0026G allocations and budget planning, relations with the Ringling Museum and Asolo Theatre, and discussions regarding university membership in athletics conferences. Also documented are negotiations with the United Faculty of Florida and Graduate Assistants United, planning for a Veterans Center, the reorganization of the College of Arts \u0026 Sciences, President Barron's visits to university colleges and schools, and partnerships with the City of Tallahassee, Florida A\u0026M University, and the Mayo Clinic, among others. The collection also documents McRorie's service in the National Association of Schools of Art and Design and contains dissertations largely from the Department of Art Education.","Dissertations donated by Sally McRorie are available via the FSU Libraries Catalog: ","  Johnson, Margaret Hess. \"Dialogue \u0026 Dialectic : Developing Visual Art Concepts through Classroom Art Criticism.\" Thesis (Ph. D.)--Florida State University, 1988., 1988. Print.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2024-015","/repositories/10/resources/2677"],"normalized_date_ssm":["1982-2021, bulk 2010-2020"],"normalized_title_ssm":["Sally McRorie Papers, 1982-2021, bulk 2010-2020"],"collection_title_tesim":["Sally McRorie Papers, 1982-2021, bulk 2010-2020"],"collection_ssim":["Sally McRorie Papers, 1982-2021, bulk 2010-2020"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Sally McRorie"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 1-9 and 11 of this collection are open to all researchers.\u003c/p\u003e\n","\u003cp\u003eBox 10 is restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eBox 9, Folders 1-5 and 7-13 require review upon request until 2049. Box 9, Folder 6 requires review upon request until 2088.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Boxes 1-9 and 11 of this collection are open to all researchers.","Box 10 is restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","Box 9, Folders 1-5 and 7-13 require review upon request until 2049. Box 9, Folder 6 requires review upon request until 2088.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eSally McRorie came to FSU in 1994 as a professor and chair of the Department of Art Education. In 2002 she became Dean of the School of Visual Arts and Dance, known as the College of Visual Arts, Theatre, and Dance after 2004. She served in this role until 2012 when she became the Vice President of the Office of Faculty Development and Advancement under President Eric Barron. In 2015, she served as interim Provost before becoming Provost, a position she held until 2021 when she returned to faculty status. In terms of professional service, McRorie served as President of the National Association of Schools of Art and Design (NASAD) from 2021-2023.\u003c/p\u003e\n","\u003cp\u003eThroughout her career, McRorie was highly involved in the administration of the Ringling Museum of Art as well as the Asolo Conservatory in Sarasota. She oversaw the change in management after the State of Florida transferred responsibility over to FSU in 2002, hired new leadership, and was instrumental in the refurbishment of the property. In her first year as the Vice President of the Office of Faculty Development and Advancement, McRorie worked to ensure SACS (Southern Association of Colleges and Schools) reaccreditation and made improvements to the system for the future. As Provost, McRorie worked closely with the Panama City community and campus, working with President Thrasher to hire Dean Randy Hanna in 2016. McRorie considers her greatest accomplishment as Provost to be the improvement in student success and the university's rankings. When assuming the position as Provost in 2015, FSU was ranked 43rd among all public universities. By 2021, FSU was ranked in the top 25 among national public universities according to U.S. News \u0026amp; World Report rankings and the graduation rate was one of the highest in the country.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sally McRorie came to FSU in 1994 as a professor and chair of the Department of Art Education. In 2002 she became Dean of the School of Visual Arts and Dance, known as the College of Visual Arts, Theatre, and Dance after 2004. She served in this role until 2012 when she became the Vice President of the Office of Faculty Development and Advancement under President Eric Barron. In 2015, she served as interim Provost before becoming Provost, a position she held until 2021 when she returned to faculty status. In terms of professional service, McRorie served as President of the National Association of Schools of Art and Design (NASAD) from 2021-2023.","Throughout her career, McRorie was highly involved in the administration of the Ringling Museum of Art as well as the Asolo Conservatory in Sarasota. She oversaw the change in management after the State of Florida transferred responsibility over to FSU in 2002, hired new leadership, and was instrumental in the refurbishment of the property. In her first year as the Vice President of the Office of Faculty Development and Advancement, McRorie worked to ensure SACS (Southern Association of Colleges and Schools) reaccreditation and made improvements to the system for the future. As Provost, McRorie worked closely with the Panama City community and campus, working with President Thrasher to hire Dean Randy Hanna in 2016. McRorie considers her greatest accomplishment as Provost to be the improvement in student success and the university's rankings. When assuming the position as Provost in 2015, FSU was ranked 43rd among all public universities. By 2021, FSU was ranked in the top 25 among national public universities according to U.S. News \u0026 World Report rankings and the graduation rate was one of the highest in the country."],"custodhist_html_tesm":["\u003cp\u003eDate received: 2024/08/21\nDate accessioned: 2024/08/21\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date received: 2024/08/21\nDate accessioned: 2024/08/21"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Sally McRorie Papers, SCA 2024-015, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA-2024-015\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Sally McRorie Papers, SCA 2024-015, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA-2024-015"],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily documents Sally McRorie's tenure as Provost of Florida State University. It contains correspondence, memoranda, meeting agendas and minutes, reports, committee files, and proposals for projects and programs. These materials document the university's accreditation through the Southern Association of Colleges and Schools (SACS), university advancement and fundraising campaigns, diversity and inclusion initiatives, strategic planning, E\u0026amp;G allocations and budget planning, relations with the Ringling Museum and Asolo Theatre, and discussions regarding university membership in athletics conferences. Also documented are negotiations with the United Faculty of Florida and Graduate Assistants United, planning for a Veterans Center, the reorganization of the College of Arts \u0026amp; Sciences, President Barron's visits to university colleges and schools, and partnerships with the City of Tallahassee, Florida A\u0026amp;M University, and the Mayo Clinic, among others. The collection also documents McRorie's service in the National Association of Schools of Art and Design and contains dissertations largely from the Department of Art Education.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily documents Sally McRorie's tenure as Provost of Florida State University. It contains correspondence, memoranda, meeting agendas and minutes, reports, committee files, and proposals for projects and programs. These materials document the university's accreditation through the Southern Association of Colleges and Schools (SACS), university advancement and fundraising campaigns, diversity and inclusion initiatives, strategic planning, E\u0026G allocations and budget planning, relations with the Ringling Museum and Asolo Theatre, and discussions regarding university membership in athletics conferences. Also documented are negotiations with the United Faculty of Florida and Graduate Assistants United, planning for a Veterans Center, the reorganization of the College of Arts \u0026 Sciences, President Barron's visits to university colleges and schools, and partnerships with the City of Tallahassee, Florida A\u0026M University, and the Mayo Clinic, among others. The collection also documents McRorie's service in the National Association of Schools of Art and Design and contains dissertations largely from the Department of Art Education."],"separatedmaterial_html_tesm":["\u003cp\u003eDissertations donated by Sally McRorie are available via the FSU Libraries Catalog: \u003c/p\u003e\n","\u003cp\u003e  Johnson, Margaret Hess. \"Dialogue \u0026amp; Dialectic\u0026#x202F;: Developing Visual Art Concepts through Classroom Art Criticism.\" Thesis (Ph. D.)--Florida State University, 1988., 1988. Print.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Dissertations donated by Sally McRorie are available via the FSU Libraries Catalog: ","  Johnson, Margaret Hess. \"Dialogue \u0026 Dialectic : Developing Visual Art Concepts through Classroom Art Criticism.\" Thesis (Ph. D.)--Florida State University, 1988., 1988. Print."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":362,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875386509969850368,"_root_":"97e4d3b1340682d4fcf1f735","timestamp":"2026-09-04T07:45:47.888Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/97e4d3b1340682d4fcf1f735_aspace_ca0069926b8de20a2c5a2dea4bdf2dd6"}},{"id":"59327c0abe5aee857a5586d7_aspace_e794372fed6367bd0401feb26706c678","type":"File","attributes":{"title":"A CD-ROM Biography of Walt Disney. Katherine and Richard Greene., 15-Feb-1995.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_e794372fed6367bd0401feb26706c678#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e794372fed6367bd0401feb26706c678","ref_ssm":["aspace_e794372fed6367bd0401feb26706c678","aspace_e794372fed6367bd0401feb26706c678"],"id":"59327c0abe5aee857a5586d7_aspace_e794372fed6367bd0401feb26706c678","title_filing_ssi":"A CD-ROM Biography of Walt Disney. Katherine and Richard Greene.","title_ssm":["A CD-ROM Biography of Walt Disney. Katherine and Richard Greene."],"title_tesim":["A CD-ROM Biography of Walt Disney. Katherine and Richard Greene."],"unitdate_inclusive_ssm":["15-Feb-1995."],"normalized_date_ssm":["15-Feb-1995."],"normalized_title_ssm":["A CD-ROM Biography of Walt Disney. Katherine and Richard Greene., 15-Feb-1995."],"text":["A CD-ROM Biography of Walt Disney. Katherine and Richard Greene., 15-Feb-1995.","Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","Disney., 1953-2005.","Retlaw.","/repositories/4/archival_objects/74686","box 220","folder 7"],"component_level_isim":[5],"parent_ids_ssim":["59327c0abe5aee857a5586d7","59327c0abe5aee857a5586d7_aspace_75fd1a9aac41d2150339e31aea23f6f5","59327c0abe5aee857a5586d7_aspace_a7a22ae08c63f53e06d590e86c5ed46a","59327c0abe5aee857a5586d7_aspace_fabaf989e9ec4dfd700028951a40c5ab","59327c0abe5aee857a5586d7_aspace_ced7a984c110334f819934f6dd997b82"],"parent_unittitles_ssm":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","Disney., 1953-2005.","Retlaw."],"parent_unittitles_tesim":["Harrison \"Buzz\" Price papers, 1948-2006","Project Research Materials, 1948-2005","Project Research Materials, 1948-2005.","Disney., 1953-2005.","Retlaw."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/74686"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3260,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 220","folder 7"],"_nest_path_":"/components#6/components#0/components#113/components#63/components#0","_nest_parent_":"59327c0abe5aee857a5586d7_aspace_ced7a984c110334f819934f6dd997b82","_root_":"59327c0abe5aee857a5586d7","_version_":1881733164052774912,"timestamp":"2026-11-13T09:03:08.706Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC047","/repositories/4/resources/299"],"text":["SC047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881733164052774912,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-11-13T09:03:08.706Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_e794372fed6367bd0401feb26706c678"}},{"id":"797460c59d30f1b3116155be_aspace_56224","type":"Box","attributes":{"title":"Acebedo- Aviation","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/797460c59d30f1b3116155be_aspace_56224#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_56224","ref_ssm":["aspace_56224","aspace_56224"],"id":"797460c59d30f1b3116155be_aspace_56224","title_filing_ssi":"Acebedo- Aviation","title_ssm":["Acebedo- Aviation"],"title_tesim":["Acebedo- Aviation"],"normalized_title_ssm":["Acebedo- Aviation"],"text":["Acebedo- Aviation","Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004","Papers, 1982-2004","3","/repositories/2/archival_objects/73854","box 3"],"component_level_isim":[2],"parent_ids_ssim":["797460c59d30f1b3116155be","797460c59d30f1b3116155be_aspace_52504"],"parent_unittitles_ssm":["Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004","Papers, 1982-2004"],"parent_unittitles_tesim":["Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004","Papers, 1982-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["3","/repositories/2/archival_objects/73854"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":19,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":52,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#2","_nest_parent_":"797460c59d30f1b3116155be_aspace_52504","_root_":"797460c59d30f1b3116155be","_version_":1870863019045552128,"timestamp":"2026-07-16T09:26:50.763Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"797460c59d30f1b3116155be","title_ssm":["Leland Hawes collection"],"title_tesim":["Leland Hawes collection"],"ead_ssi":"797460c59d30f1b3116155be","unitdate_ssm":["1982-2004","1982-2004","Date acquired: 00/00/2010"],"unitdate_bulk_ssim":["1982-2004"],"unitdate_inclusive_ssm":["1982-2004"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-05","/repositories/2/resources/386"],"text":["MS-2010-05","/repositories/2/resources/386","Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004","Tampa (Fla.) -- History","Hillsborough County (Fla.)","Cities and towns -- Florida","Journalism -- Florida -- History","Alphabetically by subject.","Leland Hawes was born in September of 1929 at Tampa General Hospital and grew up in Thonotosassa, where his family engaged in the citrus business. From an early age Hawes showed interest in journalism and Florida history. By the age of 11, Hawes was writing and publishing his own newspaper,  The Flint Lake Driver,  which mostly chronicled the history and people of the area. After graduating from Plant High School in 1947, Hawes attended the University of Florida in Gainesville. While attending the university, Hawes was a campus correspondent for the  Tampa Daily Times  while working on his degree in journalism.","Upon completion of his degree, Hawes joined the  Times  staff in 1950. He then moved to the  Tampa Morning Tribune  two years later where he started as a police reporter. In 1960 he became the Sunday feature editor. In 1982 he was tasked with writing the  Tribune's  history and heritage page, an assignment that he would hold until his retirement in 2004.","Hawes'  Florida history page has earned him a devoted following among  Tribune  readers and has been awarded numerous awards and distinctions, including the  Tampa Historical Society's coveted D.B. McKay Award for \"significant contributions to area history.\" Hawes has served as director of the Tampa Historical Society and is a member of the Tampa Bay History Center advisory board. He has been a long supporter of the USF libraries and is a valued contributor to the Library's Special Collections Department.","Mr. Hawes has remained active in the community upon his retirement and continues to be a great resource of knowledge and inspiration to those interested in the \"history of Florida from an insider's perspective.\"","Note written by Joe Tamargo, 2011","Leland M. Hawes Jr, Florida Studies Center Oral History Program, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists primarily of research conducted by Hawes for articles that were published in the  Tampa Tribune.  The collection also includes some correspondence, newspaper articles, and items relating to the history of Tampa.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Hawes, Leland M. (1929-2013)","English"],"unitid_tesim":["MS-2010-05","/repositories/2/resources/386"],"normalized_date_ssm":["1982-2004, Date acquired: 00/00/2010, bulk 1982-2004"],"normalized_title_ssm":["Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004"],"collection_title_tesim":["Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004"],"collection_ssim":["Leland Hawes collection, 1982-2004, Date acquired: 00/00/2010, bulk 1982-2004"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History","Hillsborough County (Fla.)"],"geogname_ssim":["Tampa (Fla.) -- History","Hillsborough County (Fla.)"],"creator_ssm":["Hawes, Leland M. (1929-2013)"],"creator_ssim":["Hawes, Leland M. (1929-2013)"],"creator_persname_ssim":["Hawes, Leland M. (1929-2013)"],"creators_ssim":["Hawes, Leland M. (1929-2013)"],"places_ssim":["Tampa (Fla.) -- History","Hillsborough County (Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Leland Hawes","Donation"],"access_subjects_ssim":["Cities and towns -- Florida","Journalism -- Florida -- History"],"access_subjects_ssm":["Cities and towns -- Florida","Journalism -- Florida -- History"],"has_online_content_ssim":["false"],"extent_ssm":["25.50 Linear Feet","45 boxes"],"extent_tesim":["25.50 Linear Feet","45 boxes"],"genreform_ssim":["Journalism -- Florida -- History"],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eAlphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically by subject."],"bioghist_html_tesm":["\u003cp\u003eLeland Hawes was born in September of 1929 at Tampa General Hospital and grew up in Thonotosassa, where his family engaged in the citrus business. From an early age Hawes showed interest in journalism and Florida history. By the age of 11, Hawes was writing and publishing his own newspaper, \u003cemph render=\"italic\"\u003eThe Flint Lake Driver,\u003c/emph\u003e which mostly chronicled the history and people of the area. After graduating from Plant High School in 1947, Hawes attended the University of Florida in Gainesville. While attending the university, Hawes was a campus correspondent for the \u003cemph render=\"italic\"\u003eTampa Daily Times \u003c/emph\u003ewhile working on his degree in journalism.\u003c/p\u003e\n","\u003cp\u003eUpon completion of his degree, Hawes joined the \u003cemph render=\"italic\"\u003eTimes \u003c/emph\u003estaff in 1950. He then moved to the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e two years later where he started as a police reporter. In 1960 he became the Sunday feature editor. In 1982 he was tasked with writing the \u003cemph render=\"italic\"\u003eTribune's\u003c/emph\u003e history and heritage page, an assignment that he would hold until his retirement in 2004.\u003c/p\u003e\n","\u003cp\u003eHawes'\u0026#xA0; Florida history page has earned him a devoted following among \u003cemph render=\"italic\"\u003eTribune \u003c/emph\u003ereaders and has been awarded numerous awards and distinctions, including the\u0026#xA0; Tampa Historical Society's coveted D.B. McKay Award for \"significant contributions to area history.\" Hawes has served as director of the Tampa Historical Society and is a member of the Tampa Bay History Center advisory board. He has been a long supporter of the USF libraries and is a valued contributor to the Library's Special Collections Department.\u003c/p\u003e\n","\u003cp\u003eMr. Hawes has remained active in the community upon his retirement and continues to be a great resource of knowledge and inspiration to those interested in the \"history of Florida from an insider's perspective.\"\u003c/p\u003e\n","\u003cp\u003eNote written by Joe Tamargo, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Leland Hawes was born in September of 1929 at Tampa General Hospital and grew up in Thonotosassa, where his family engaged in the citrus business. From an early age Hawes showed interest in journalism and Florida history. By the age of 11, Hawes was writing and publishing his own newspaper,  The Flint Lake Driver,  which mostly chronicled the history and people of the area. After graduating from Plant High School in 1947, Hawes attended the University of Florida in Gainesville. While attending the university, Hawes was a campus correspondent for the  Tampa Daily Times  while working on his degree in journalism.","Upon completion of his degree, Hawes joined the  Times  staff in 1950. He then moved to the  Tampa Morning Tribune  two years later where he started as a police reporter. In 1960 he became the Sunday feature editor. In 1982 he was tasked with writing the  Tribune's  history and heritage page, an assignment that he would hold until his retirement in 2004.","Hawes'  Florida history page has earned him a devoted following among  Tribune  readers and has been awarded numerous awards and distinctions, including the  Tampa Historical Society's coveted D.B. McKay Award for \"significant contributions to area history.\" Hawes has served as director of the Tampa Historical Society and is a member of the Tampa Bay History Center advisory board. He has been a long supporter of the USF libraries and is a valued contributor to the Library's Special Collections Department.","Mr. Hawes has remained active in the community upon his retirement and continues to be a great resource of knowledge and inspiration to those interested in the \"history of Florida from an insider's perspective.\"","Note written by Joe Tamargo, 2011"],"prefercite_html_tesm":["\u003cp\u003eLeland M. Hawes Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Leland M. Hawes Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eLeland M. Hawes Jr, Florida Studies Center Oral History Program, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Leland M. Hawes Jr, Florida Studies Center Oral History Program, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists primarily of research conducted by Hawes for articles that were published in the \u003cemph render=\"italic\"\u003eTampa Tribune. \u003c/emph\u003eThe collection also includes some correspondence, newspaper articles, and items relating to the history of Tampa.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists primarily of research conducted by Hawes for articles that were published in the  Tampa Tribune.  The collection also includes some correspondence, newspaper articles, and items relating to the history of Tampa."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Tampa Tribune (1895-2016) (Tampa, Fla.)","Hawes, Leland M. (1929-2013)"],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Hawes, Leland M. 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In 1982 he was tasked with writing the  Tribune's  history and heritage page, an assignment that he would hold until his retirement in 2004.","Hawes'  Florida history page has earned him a devoted following among  Tribune  readers and has been awarded numerous awards and distinctions, including the  Tampa Historical Society's coveted D.B. McKay Award for \"significant contributions to area history.\" Hawes has served as director of the Tampa Historical Society and is a member of the Tampa Bay History Center advisory board. He has been a long supporter of the USF libraries and is a valued contributor to the Library's Special Collections Department.","Mr. Hawes has remained active in the community upon his retirement and continues to be a great resource of knowledge and inspiration to those interested in the \"history of Florida from an insider's perspective.\"","Note written by Joe Tamargo, 2011","Leland M. Hawes Jr, Florida Studies Center Oral History Program, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists primarily of research conducted by Hawes for articles that were published in the  Tampa Tribune.  The collection also includes some correspondence, newspaper articles, and items relating to the history of Tampa.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Hawes, Leland M. 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In 1982 he was tasked with writing the \u003cemph render=\"italic\"\u003eTribune's\u003c/emph\u003e history and heritage page, an assignment that he would hold until his retirement in 2004.\u003c/p\u003e\n","\u003cp\u003eHawes'\u0026#xA0; Florida history page has earned him a devoted following among \u003cemph render=\"italic\"\u003eTribune \u003c/emph\u003ereaders and has been awarded numerous awards and distinctions, including the\u0026#xA0; Tampa Historical Society's coveted D.B. McKay Award for \"significant contributions to area history.\" Hawes has served as director of the Tampa Historical Society and is a member of the Tampa Bay History Center advisory board. 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After graduating from Plant High School in 1947, Hawes attended the University of Florida in Gainesville. While attending the university, Hawes was a campus correspondent for the  Tampa Daily Times  while working on his degree in journalism.","Upon completion of his degree, Hawes joined the  Times  staff in 1950. He then moved to the  Tampa Morning Tribune  two years later where he started as a police reporter. In 1960 he became the Sunday feature editor. In 1982 he was tasked with writing the  Tribune's  history and heritage page, an assignment that he would hold until his retirement in 2004.","Hawes'  Florida history page has earned him a devoted following among  Tribune  readers and has been awarded numerous awards and distinctions, including the  Tampa Historical Society's coveted D.B. McKay Award for \"significant contributions to area history.\" Hawes has served as director of the Tampa Historical Society and is a member of the Tampa Bay History Center advisory board. He has been a long supporter of the USF libraries and is a valued contributor to the Library's Special Collections Department.","Mr. Hawes has remained active in the community upon his retirement and continues to be a great resource of knowledge and inspiration to those interested in the \"history of Florida from an insider's perspective.\"","Note written by Joe Tamargo, 2011"],"prefercite_html_tesm":["\u003cp\u003eLeland M. Hawes Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Leland M. Hawes Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eLeland M. Hawes Jr, Florida Studies Center Oral History Program, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Leland M. 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The collection also includes some correspondence, newspaper articles, and items relating to the history of Tampa."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Tampa Tribune (1895-2016) (Tampa, Fla.)","Hawes, Leland M. (1929-2013)"],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Hawes, Leland M. 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Today, membership in El C\u0026#xED;rculo Cubano is based on one's dedication to preserving Florida's Cuban heritage and culture, not Cuban ancestry. Initially, the club's headquarters was located on the corner of 14th Street and 9th Avenue in Ybor City. In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. 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In 1907, the organization relocated to 14th Street and 10th Avenue (later renamed Palm Avenue). A fire destroyed the building in 1916.The headquarters was rebuilt and opened to the club in 1918. The Círculo Cubano de Tampa clubhouse, located at 2010 Avenida Republica de Cuba, is listed on the National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eCuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cuban Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eCentro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e\n","\u003cp\u003eSociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Centro Espanol de Tampa, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Sociedad de la Union Marti-Maceo,USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.\u0026#xA0; Also includes theatrical playscripts which range in date from the mid-19\u003cemph render=\"super\"\u003eth\u003c/emph\u003e to early 20\u003cemph render=\"super\"\u003eth\u003c/emph\u003e century.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.  Also includes theatrical playscripts which range in date from the mid-19 th  to early 20 th  century."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Circulo Cubano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":674,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ef24c6bcc6e3eac7b082603c","timestamp":"2026-04-23T03:16:49.257Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c_aspace_136854"}},{"id":"5fe51b515a57c71958926f2d_aspace_185113","type":"File","attributes":{"title":"Acebo, Charles M.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5fe51b515a57c71958926f2d_aspace_185113#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSketch 01.0535.168.12\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5fe51b515a57c71958926f2d_aspace_185113#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_185113","ref_ssm":["aspace_185113","aspace_185113"],"id":"5fe51b515a57c71958926f2d_aspace_185113","title_filing_ssi":"Acebo, Charles M.","title_ssm":["Acebo, Charles M."],"title_tesim":["Acebo, Charles M."],"normalized_title_ssm":["Acebo, Charles M."],"text":["Acebo, Charles M.","Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001","274","/repositories/10/archival_objects/44149","01.0535 - Box 3","folder 274","Sketch 01.0535.168.12"],"component_level_isim":[1],"parent_ids_ssim":["5fe51b515a57c71958926f2d"],"parent_unittitles_ssm":["Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001"],"parent_unittitles_tesim":["Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001"],"parent_levels_ssm":["collection"],"unitid_ssm":["274","/repositories/10/archival_objects/44149"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":293,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["Permission to publish, exhibit, or broadcast works from the Institute on World War II and the Human Experience must be requested and granted in writing by the director of the Institute. Permission for publication is given on behalf of the Institute on World War II as the owner of the physical items and the copyright holder. Possession of a copy of an item does not constitute permission to publish, exhibit, or broadcast it. The Institute on World War II and the Human Experience reserves the right to refuse permission to individuals and publishers who have not complied with its policies. Permission fees must be paid before images are provided. Please contact the director of the Institute on World War II and the Human Experience for current publication and duplication rates."],"containers_ssim":["01.0535 - Box 3","folder 274"],"scopecontent_html_tesm":["\u003cp\u003eSketch 01.0535.168.12\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sketch 01.0535.168.12"],"_nest_path_":"/components#292","_nest_parent_":"5fe51b515a57c71958926f2d","_root_":"5fe51b515a57c71958926f2d","_version_":1870858748295118848,"timestamp":"2026-07-16T08:18:57.862Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5fe51b515a57c71958926f2d","title_filing_ssi":"Shearer, Mildred papers","title_ssm":["Mildred Shearer papers"],"title_tesim":["Mildred Shearer papers"],"ead_ssi":"5fe51b515a57c71958926f2d","unitdate_ssm":["1944-1953","Date acquired: 09/26/2001"],"unitdate_inclusive_ssm":["1944-1953"],"unitdate_other_ssim":["Date acquired: 09/26/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.01.0535","/repositories/10/resources/359"],"text":["02.01.0535","/repositories/10/resources/359","Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001","Los Angeles (Calif.)","Bataan (Philippines : Province)","Santa Ana Army Air Base (Calif.)","San Francisco (Calif.)","Brooklyn Bridge (New York, N.Y.)","Kolkata (India)","United States. Veterans Administration.","Military Hospitals, American","Medicine--Periodicals","Photostats--1920-1980.","World War, 1939-1945--Regimental histories--United States","United States. Navy--History","World War, 1939-1945--Campaigns--Philippines--Manila","World War, 1939-1945--Japan","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Radio--History","Publishers and publishing -- New York (State) -- New York -- History.","Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Motion pictures and the war","Guam--History, Military","Air mail service","Military intelligence--United States","Canada--History, Military--20th century.","Canadian Infantry Corps Petawawa, Ontario Canada","Kundu Pantheon, India","Maharatta Fort, India","Taj Mahal (Agra, India)","Afghanistan--History--20th century","B-29 (Bomber)","Douglas DC-4 (Transport plane)","World War, 1939-1945--Art and the war","Illustrators.","Iwo Jima, Battle of, Japan, 1945","World War, 1939-1945--Campaigns--Guam","Iwo Jima","Postcards","This collection is open to all researchers.","Mildred Shearer worked for the United Service Organization (USO) Camp Shows in military and Veteran's Administration (VA) Hospitals sketching servicemen from 1944-1947.  Born April 5, 1908, she was an artist from California and graduated from Stanford University. She also studied at Art Students League in New York and Otis Art Institute in Los Angeles, California. She was commissioned to do portrait sketches mainly on the west coast of California, Arizona, and New Mexico. Becoming somewhat of a local celebrity, she received many thank you notes and was written about in local newspapers. Her sketches are portraits of many different servicemen, which she describes the process in her 1945 radio interview. The original sketches and one copy were sent to the subjects and their families, while Shearer was able to keep a photostatic copy for her portfolio.","In 1943, she was a hostess at an Officers Lounge in California where she met a lieutenant in the United States Marine Corps (USMC) named R.H. Bennett. This appears to be her longest correspondence during the war and the letters appeared to be romantic in nature over the span of two years. Sadly, the letters come to an untimely end with two letters marked \"return to sender\" to Shearer. In one of those letters, she makes the assumption that Bennett was at Iwo Jima; this combined with the end of the correspondence most likely means that he died in the Pacific. Between her letters with friends and servicemen and the news articles written about her, it is clear that she was very popular, talented, and was a part of the great work of the USO helping servicemen recover from war. Mildred Dabney Shearer-Lacayo- Didot passed away February 24, 2001.","Revised 06/02/2016, Revised 05/31/2016, Entered 05/26/2016.","This collection contains personal papers including letters, notes, sketches, newspaper articles, and a radio interview of Mildred Shearer about her work with the United Service Organization (USO) sketching servicemen. Almost 600 photostatic copies and a few original portraits are included as well. The letters are mainly thank you notes in which servicemen and family members of servicemen commend her for her sketches.","However, there are a few personal letters from friends and in one case, an entire collection of correspondence with one man in the Marines named Lieutenant Ralph Hunter Bennett. Her letters from Bennett are romantic in nature, unfortunately, they are abruptly cut off, most likely by his death during the Battle of Iwo Jima on March 3, 1945.  The notes include addresses of her subjects. It appears that a scrapbook was created, perhaps by Shearer herself, filled with newspaper clippings from the 1940s advertising and describing Shearer's work with the USO. Photocopies of this scrapbook are also included with the collection. The radio interview of Mildred Shearer took place in Hollywood, California in November 1945. Her French, Italian, and Spanish language guides as well as her Soldier Art Infantry Journal, Fighting Forces Series book is included as well.","Permission to publish, exhibit, or broadcast works from the Institute on World War II and the Human Experience must be requested and granted in writing by the director of the Institute. Permission for publication is given on behalf of the Institute on World War II as the owner of the physical items and the copyright holder. Possession of a copy of an item does not constitute permission to publish, exhibit, or broadcast it. The Institute on World War II and the Human Experience reserves the right to refuse permission to individuals and publishers who have not complied with its policies. Permission fees must be paid before images are provided. Please contact the director of the Institute on World War II and the Human Experience for current publication and duplication rates.","FSU Special Collections \u0026 Archives","U.S. Naval Hospital (San Diego, Calif.)","The McCornack General Hospital (Los Angeles, Calif.)","Camp Shows, Inc.","V.A. Hospital (San Fernando, Calif)","Beaumont General Hospital (El Paso, Tex.)","Coconut Grove and the Ambassador (Los Angeles, Calif.)","Camp Pendleton (Calif.)","Veterans' Administration Medical Center (Phoenix, Ariz.)","Beverly-Wilshire Hotel -- History.","Corona Naval Hospital","Saturday evening post.","Hi-Po Newsletter (Phoenix, Arizona)","Clark Air Base (Philippines)","University of California, Los Angeles","New York herald tribune.","Birmingham General Hospital","Williams Air Force Base (Ariz.)","Stanford University","Art Students League (New York, N.Y.)","Otis Art Institute","Phoenix gazette, Phoenix, Ariz.","Great Britain. Royal Air Force.","Roosevelt Base, San Pedro","United States. Army Air Forces. Motion Picture Unit, 1st","United States. Marine Corps. Marine Division, 3rd","Armed Services Institute","Waite and Company -- History","Hotel Tudor, New York -- History","Empire State Building (New York, N.Y.)","Rockefeller Center","United Service Organizations (U.S.)","Didot, Mildred Shearer, 1908-2001","Bennett, Ralph Hunter, 1921-1945","Roosevelt, Theodore, 1887-1944.","Ghāndi, Mahātamā, 1869-1948","Goepner, William","Zissis, George J.","Ferguson, Wm.","Bailey, Eddie","Cleveland, Ed","Hoover, Bill","Detry, Donald","Root, Charlotte Crane","Heathcote, R.","Crawford, Wm. L.","Pennick, Joseph, Jr.","Smith, Leon F.","Hauser, Wick","Nathe, Leonard","Loomis, Neal M.","Horner, F.W.","Patterson, R.H.","Remaley, C.H.","Chas, Swanson","Spatz, J.J.","Sellers, Harold B.","Lindermuth, Samuel C.","Wilson, Warren","Fortes","Kallsen, Richard","Staley, Rey E.","Kennedy, Galvin B.","Hallahan, Richard J.","Riave, Lionel L.","Wyre, Larry","Boll, Robert E.","Lewis, Jackson W.","Concannon, Bart","Franklin, Ralph C.","Furber, Don","Ensler, Arthur S.","Finley, William E.","Matheny, J.D.","Norgaard, R.N.","Rorschach, Antoine","Kackley, Jack","Kaempfer, R.E.","Lips, Jack","Fischley, Paul M.","MacDowell, Robert","Macauley, Clyde","Nieto, Lucio","Pfiefer, Carl F.","Pearson, Gus","Polve, James H.","Pierce, F.W.","Segura, Wiltz","Stubbs, Gail L.","Taylor, James R.","Zalkan, George","Ret (K-9)","Thomas, Martin L.","Bradley, Clarence W.","Skidmore, Raymond D.","Gonzalez, Ruben S.","Johnson, Herman E.","Mitchell, Carl R.","Hall, James E.","Bates, Robert C.","Shepaard, Jene H.","Lindbergh, Lee","Moots, Clark D.","Friend, Joseph L.","Toledo, Mario","Olsen, Olaf W.","Reid, Bob","Radke, F.T.","Vorheis, Harold W.","Sullivan, Jim","Marsh, Wm. R.","Schneideau","Michael, Gordon","Kleine Hund von Effiejohein (K-9)","Brown, Walter","Zeller, Winn","Druehl, Bill","Norman, Irwin L.","Redwood, Miles A.","Walker, R.L.","Simmons, Verne","Crane, Jos H.","Hoffman, Dan","Ward, Robert C.","Mancuso, Anthony","Service, Antone W.","Robertson, W.M.C.","Scully, Ernest","Estrada, Joseph D.","McKelrer, Fred H.","Peterson, Theodore L.","Cleine, George E.","Barrigan, George","Solop, Sam M.","Gravelle, Maurice F.","Davis, Fred E.","Hermanson, Bill E.","Phillips, Willard N.","Weathers, Edward P.","Ishida, George","Spackman, Reed L.","Kusala, Raynold W.","Lilly, Philip C.","Burrell, Thomas B.","Klausman, Marian B.","Johnson, Roger L.","Langstaff, Robert M.","Getton, Ralph R.","Wright, Wayne W.","Pendergrass, Norris S.","Oberta, Joe P.","Truex, Roland W.","Rossi, Alexander","Durazo, Manuel","Shearing, Renee","Hontoo, Noel","Greeley, Francis","Noonan, T.F.","Bradley, Jack W.","McCafferty, James","Zupan, Mark D.","Peterson, Lyman","Farrior, James G.","Gallagher, Wm. J.","Roberts, Francis L.","Solano, Jose","Gay, Ulysses","Gernaat, Frank H.","Jones, Buster F.","Everett, Wm. P.","Burke, John Jo","Tafoua, Michael N.","Ryne, Maurice R.","Wettach, Charles","Rocha, Daniel","Culpepper, Millard","Cavagnaro, Joseph R.","Price, Lloyd G.","Paoley, Daniel, Jr.","Hofmann, Hugo H.","Jarvis, Robert","Stewart, Arnold A.","Cline, Harold R.","Coughey, Kenneth W.","Winterholler, John","Calloway, Wm.","Van Horn, Walter A.","Sancedo, Saro","Rorte, Paul R.","Peterson, M.L.","Keesel, Ivan R.","Smith, Noel L.","Kirby, Charles N.","Strom, Roy B.","Maldonado, Gabriel E.","Curinga, Rudolph","Mareety, Patrick J.","Haveety, Herman M.","Faircloth, Calvin","Titus, Roy Mearl","Siter, Les H.","Cummings, Marlin","De Fossett, Gorden","Furtner, Ted C.","Matro, Allfus A.","Kramer, Glen","Davis, Eugene G.","Yalencia, George C.","Pierce, Alvin O.","Greenway, H.N.","Vostka, Edward","White, Wm. H.","Hewlett, Carl","Hunter, Robert C.","Flood, Donald","Freeman, Charles R.","Walker, Walton G.","Wirt, John Louis","Witzsche, William G.","Curry, Wm. C., Jr.","Barry, Terry C.","Robinson, Charles L.","Papuga, Edward P.","Williams, Eugene L.","Thorem, C.A.","Moore, Floyd E.","Davies, Morgan R., Jr.","White, Fariss K.","Cartmill, Mav L.","Tsafous, Joseph N.","Bennett, W.C.","Green, Rex C.","Gallegos, Gilbert","Carter, Robert L.","Blanford, Milton","Catanaek, Jessie L.","Lovelady, Howard","Hill, Sam R.","Dunwiddie, Chas F.","Green, Elmer B.","Baed, Nick","Lucero, Daniel","Hill, Ralph S.","Lovato, John T.","Manda, Jack","Wallace, Leonard R.","Gould, Louis A.","Fuentes, Phillip","Bowen, Geo. W.","Hurlburt, Walter L.","Brooks, Sam L.","Rudd, Nathan","Caldwell, Charles A.","Bates, Dean O.","Drake, Alfred R.","Moulds, Jefferson D.","Yarbrough, John G.","Berens, James J.","Jones, Parker F.","Pope, Carlon R.","Neville, Joseph Michael","Sibley, Robert W.","Festner, F. Julius","Stone, Edna","Strickland, Marvin N.","Donithan, Kenneth L.","Sweazey, Jessie T.","Bricker, Lewis W.","Belcher, Willard H.","Sturgeon, C.E.","Yanez, Felipe V.","Marguez, Guadelupe E.","Shelton, Raymond","Williams, Jewell G.","Donnohue, Richard W.","Smallwood, James G.","Cheek, Granville","Long, Gilbert B.","Briehl, W.","Sutton, J.C.","White, Floyd","Liddell, Robert Wayne","McNerney, S.H.","Franklin, Oliver R.","Parsons, David W.","Baker, Orille","Sanchez, Ricardo","Roberts, Fred F.","Leigon, Barney L.","Forrell, Harvey J.","Smith, Edward F.","Niemiec, Edw. J.","Folson, Thomas","Gay, Alan","Nathan, Gerald D.","Mouton, Joseph","Scarborough, Gray A.","Dunkle, John A.","Gardner, E.E.","Hunter, Ullman A.","Glendis, Otto L.","Eastham, Donald","Taggart, Harry E.","Johnson, Robert","Cleveland, Wallace D.","Faulkner, George T.","Barela, Christobal C.","Jensen, Thomas A.","Rivera","Buell, C.E.","Buchanan, Jess F.","Montoya, Don C.","Mallette, Weldon B.","Edwards, W.M.F.","Santa Cruz, Peter","Green, Merrill","Wolter, Allan R.","Southard, Rupe","Jacobs, Charles S., Jr.","Nelsen, Marvin C.","Garfinkle, Paul","Shivel, Lee","Hogan, John J.","Sanchez, Jesus C.","Briscoe, James F.","Brann, B.B.","Ruiz, Alejandro S.","Gardner, Glenn G.","Van Dyke, Harles","Porter, Ralph","Portl, Gust D.","Marsteas, Lucas","Delaney, Richard","Letensky, Joseph","McClure, Donald F.","Mullens, James","Lanier, Walter R.","Cook, Lem C.","Herrera, Refael","Rose, John O.","Hutt, Murray E.","Ireton, John H.","McKendice, Wm. D.","Rodriguez, Jesus O.","Leathers, Thomas","Crow, Richard P.","H., Stanley A.","Burney, Ronald D.","Ketchell, George T.","Petters, Charles A.","Morrison, William E.","Frazier, Kenneth D.","Cooley, W.B.","Hutton, Tom R.","King, Larry","Corbett, Stratford","De Lisle, James F.","Turner, Grant","Ferguson, Albert","Robinson, H.","Terrell, Wm. A.","Zimmerman, Alan","English"],"unitid_tesim":["02.01.0535","/repositories/10/resources/359"],"normalized_date_ssm":["1944-1953, Date acquired: 09/26/2001"],"normalized_title_ssm":["Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001"],"collection_title_tesim":["Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001"],"collection_ssim":["Mildred Shearer papers, 1944-1953, Date acquired: 09/26/2001"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Los Angeles (Calif.)","Bataan (Philippines : Province)","Santa Ana Army Air Base (Calif.)","San Francisco (Calif.)","Brooklyn Bridge (New York, N.Y.)","Kolkata (India)"],"geogname_ssim":["Los Angeles (Calif.)","Bataan (Philippines : Province)","Santa Ana Army Air Base (Calif.)","San Francisco (Calif.)","Brooklyn Bridge (New York, N.Y.)","Kolkata (India)"],"creator_ssm":["Didot, Mildred Shearer, 1908-2001","Bennett, Ralph Hunter, 1921-1945"],"creator_ssim":["Didot, Mildred Shearer, 1908-2001","Bennett, Ralph Hunter, 1921-1945"],"creator_persname_ssim":["Didot, Mildred Shearer, 1908-2001","Bennett, Ralph Hunter, 1921-1945"],"creators_ssim":["Didot, Mildred Shearer, 1908-2001","Bennett, Ralph Hunter, 1921-1945"],"places_ssim":["Los Angeles (Calif.)","Bataan (Philippines : Province)","Santa Ana Army Air Base (Calif.)","San Francisco (Calif.)","Brooklyn Bridge (New York, N.Y.)","Kolkata (India)"],"access_terms_ssm":["Permission to publish, exhibit, or broadcast works from the Institute on World War II and the Human Experience must be requested and granted in writing by the director of the Institute. Permission for publication is given on behalf of the Institute on World War II as the owner of the physical items and the copyright holder. Possession of a copy of an item does not constitute permission to publish, exhibit, or broadcast it. The Institute on World War II and the Human Experience reserves the right to refuse permission to individuals and publishers who have not complied with its policies. Permission fees must be paid before images are provided. Please contact the director of the Institute on World War II and the Human Experience for current publication and duplication rates."],"acqinfo_ssim":["Audrey Oatley","Acquired through donation to the Institute on World War II and the Human Experience."],"access_subjects_ssim":["United States. Veterans Administration.","Military Hospitals, American","Medicine--Periodicals","Photostats--1920-1980.","World War, 1939-1945--Regimental histories--United States","United States. Navy--History","World War, 1939-1945--Campaigns--Philippines--Manila","World War, 1939-1945--Japan","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Radio--History","Publishers and publishing -- New York (State) -- New York -- History.","Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Motion pictures and the war","Guam--History, Military","Air mail service","Military intelligence--United States","Canada--History, Military--20th century.","Canadian Infantry Corps Petawawa, Ontario Canada","Kundu Pantheon, India","Maharatta Fort, India","Taj Mahal (Agra, India)","Afghanistan--History--20th century","B-29 (Bomber)","Douglas DC-4 (Transport plane)","World War, 1939-1945--Art and the war","Illustrators.","Iwo Jima, Battle of, Japan, 1945","World War, 1939-1945--Campaigns--Guam","Iwo Jima","Postcards"],"access_subjects_ssm":["United States. Veterans Administration.","Military Hospitals, American","Medicine--Periodicals","Photostats--1920-1980.","World War, 1939-1945--Regimental histories--United States","United States. Navy--History","World War, 1939-1945--Campaigns--Philippines--Manila","World War, 1939-1945--Japan","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Radio--History","Publishers and publishing -- New York (State) -- New York -- History.","Anzio, Battle of, Anzio, Italy, 1944","World War, 1939-1945--Motion pictures and the war","Guam--History, Military","Air mail service","Military intelligence--United States","Canada--History, Military--20th century.","Canadian Infantry Corps Petawawa, Ontario Canada","Kundu Pantheon, India","Maharatta Fort, India","Taj Mahal (Agra, India)","Afghanistan--History--20th century","B-29 (Bomber)","Douglas DC-4 (Transport plane)","World War, 1939-1945--Art and the war","Illustrators.","Iwo Jima, Battle of, Japan, 1945","World War, 1939-1945--Campaigns--Guam","Iwo Jima","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes 1/2 box; Oversize Gen Coll: 2 flat boxes; Gen Coll: Oversize Box 8;\nMap Drawer; Complete Listing of all sketches in Flat Box 1 \u0026 Master File"],"extent_tesim":["3 boxes 1/2 box; Oversize Gen Coll: 2 flat boxes; Gen Coll: Oversize Box 8;\nMap Drawer; Complete Listing of all sketches in Flat Box 1 \u0026 Master File"],"genreform_ssim":["Postcards"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,2001],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eMildred Shearer worked for the United Service Organization (USO) Camp Shows in military and Veteran's Administration (VA) Hospitals sketching servicemen from 1944-1947.  Born April 5, 1908, she was an artist from California and graduated from Stanford University. She also studied at Art Students League in New York and Otis Art Institute in Los Angeles, California. She was commissioned to do portrait sketches mainly on the west coast of California, Arizona, and New Mexico. Becoming somewhat of a local celebrity, she received many thank you notes and was written about in local newspapers. Her sketches are portraits of many different servicemen, which she describes the process in her 1945 radio interview. The original sketches and one copy were sent to the subjects and their families, while Shearer was able to keep a photostatic copy for her portfolio.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003eIn 1943, she was a hostess at an Officers Lounge in California where she met a lieutenant in the United States Marine Corps (USMC) named R.H. Bennett. This appears to be her longest correspondence during the war and the letters appeared to be romantic in nature over the span of two years. Sadly, the letters come to an untimely end with two letters marked \"return to sender\" to Shearer. In one of those letters, she makes the assumption that Bennett was at Iwo Jima; this combined with the end of the correspondence most likely means that he died in the Pacific. Between her letters with friends and servicemen and the news articles written about her, it is clear that she was very popular, talented, and was a part of the great work of the USO helping servicemen recover from war. Mildred Dabney Shearer-Lacayo- Didot passed away February 24, 2001.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mildred Shearer worked for the United Service Organization (USO) Camp Shows in military and Veteran's Administration (VA) Hospitals sketching servicemen from 1944-1947.  Born April 5, 1908, she was an artist from California and graduated from Stanford University. She also studied at Art Students League in New York and Otis Art Institute in Los Angeles, California. She was commissioned to do portrait sketches mainly on the west coast of California, Arizona, and New Mexico. Becoming somewhat of a local celebrity, she received many thank you notes and was written about in local newspapers. Her sketches are portraits of many different servicemen, which she describes the process in her 1945 radio interview. The original sketches and one copy were sent to the subjects and their families, while Shearer was able to keep a photostatic copy for her portfolio.","In 1943, she was a hostess at an Officers Lounge in California where she met a lieutenant in the United States Marine Corps (USMC) named R.H. Bennett. This appears to be her longest correspondence during the war and the letters appeared to be romantic in nature over the span of two years. Sadly, the letters come to an untimely end with two letters marked \"return to sender\" to Shearer. In one of those letters, she makes the assumption that Bennett was at Iwo Jima; this combined with the end of the correspondence most likely means that he died in the Pacific. Between her letters with friends and servicemen and the news articles written about her, it is clear that she was very popular, talented, and was a part of the great work of the USO helping servicemen recover from war. Mildred Dabney Shearer-Lacayo- Didot passed away February 24, 2001."],"prefercite_html_tesm":["\u003cp\u003eMildred Shearer papers, Institute on World War II and the Human Experience, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_01_0535\"\u003ehttp://purl.fcla.edu/fsu/WWII_01_0535\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["Mildred Shearer papers, Institute on World War II and the Human Experience, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_01_0535 ."],"processinfo_html_tesm":["\u003cp\u003eRevised 06/02/2016, Revised 05/31/2016, Entered 05/26/2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Revised 06/02/2016, Revised 05/31/2016, Entered 05/26/2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers including letters, notes, sketches, newspaper articles, and a radio interview of Mildred Shearer about her work with the United Service Organization (USO) sketching servicemen. Almost 600 photostatic copies and a few original portraits are included as well. The letters are mainly thank you notes in which servicemen and family members of servicemen commend her for her sketches.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003eHowever, there are a few personal letters from friends and in one case, an entire collection of correspondence with one man in the Marines named Lieutenant Ralph Hunter Bennett. Her letters from Bennett are romantic in nature, unfortunately, they are abruptly cut off, most likely by his death during the Battle of Iwo Jima on March 3, 1945.  The notes include addresses of her subjects. It appears that a scrapbook was created, perhaps by Shearer herself, filled with newspaper clippings from the 1940s advertising and describing Shearer's work with the USO. Photocopies of this scrapbook are also included with the collection. The radio interview of Mildred Shearer took place in Hollywood, California in November 1945. Her French, Italian, and Spanish language guides as well as her Soldier Art Infantry Journal, Fighting Forces Series book is included as well.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains personal papers including letters, notes, sketches, newspaper articles, and a radio interview of Mildred Shearer about her work with the United Service Organization (USO) sketching servicemen. Almost 600 photostatic copies and a few original portraits are included as well. The letters are mainly thank you notes in which servicemen and family members of servicemen commend her for her sketches.","However, there are a few personal letters from friends and in one case, an entire collection of correspondence with one man in the Marines named Lieutenant Ralph Hunter Bennett. Her letters from Bennett are romantic in nature, unfortunately, they are abruptly cut off, most likely by his death during the Battle of Iwo Jima on March 3, 1945.  The notes include addresses of her subjects. It appears that a scrapbook was created, perhaps by Shearer herself, filled with newspaper clippings from the 1940s advertising and describing Shearer's work with the USO. Photocopies of this scrapbook are also included with the collection. The radio interview of Mildred Shearer took place in Hollywood, California in November 1945. Her French, Italian, and Spanish language guides as well as her Soldier Art Infantry Journal, Fighting Forces Series book is included as well."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish, exhibit, or broadcast works from the Institute on World War II and the Human Experience must be requested and granted in writing by the director of the Institute. Permission for publication is given on behalf of the Institute on World War II as the owner of the physical items and the copyright holder. Possession of a copy of an item does not constitute permission to publish, exhibit, or broadcast it. The Institute on World War II and the Human Experience reserves the right to refuse permission to individuals and publishers who have not complied with its policies. Permission fees must be paid before images are provided. Please contact the director of the Institute on World War II and the Human Experience for current publication and duplication rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish, exhibit, or broadcast works from the Institute on World War II and the Human Experience must be requested and granted in writing by the director of the Institute. Permission for publication is given on behalf of the Institute on World War II as the owner of the physical items and the copyright holder. Possession of a copy of an item does not constitute permission to publish, exhibit, or broadcast it. The Institute on World War II and the Human Experience reserves the right to refuse permission to individuals and publishers who have not complied with its policies. Permission fees must be paid before images are provided. Please contact the director of the Institute on World War II and the Human Experience for current publication and duplication rates."],"names_coll_ssim":["U.S. Naval Hospital (San Diego, Calif.)","The McCornack General Hospital (Los Angeles, Calif.)","Camp Shows, Inc.","V.A. Hospital (San Fernando, Calif)","Beaumont General Hospital (El Paso, Tex.)","Coconut Grove and the Ambassador (Los Angeles, Calif.)","Camp Pendleton (Calif.)","Veterans' Administration Medical Center (Phoenix, Ariz.)","Beverly-Wilshire Hotel -- History.","Corona Naval Hospital","Saturday evening post.","Hi-Po Newsletter (Phoenix, Arizona)","Clark Air Base (Philippines)","University of California, Los Angeles","New York herald tribune.","Birmingham General Hospital","Williams Air Force Base (Ariz.)","Stanford University","Art Students League (New York, N.Y.)","Otis Art Institute","Phoenix gazette, Phoenix, Ariz.","Great Britain. Royal Air Force.","Roosevelt Base, San Pedro","United States. Army Air Forces. Motion Picture Unit, 1st","United States. Marine Corps. Marine Division, 3rd","Armed Services Institute","Waite and Company -- History","Hotel Tudor, New York -- History","Empire State Building (New York, N.Y.)","Rockefeller Center","United Service Organizations (U.S.)","Roosevelt, Theodore, 1887-1944.","Ghāndi, Mahātamā, 1869-1948","Goepner, William","Zissis, George J.","Ferguson, Wm.","Bailey, Eddie","Cleveland, Ed","Hoover, Bill","Detry, Donald","Root, Charlotte Crane","Heathcote, R.","Crawford, Wm. L.","Pennick, Joseph, Jr.","Smith, Leon F.","Hauser, Wick","Nathe, Leonard","Loomis, Neal M.","Horner, F.W.","Patterson, R.H.","Remaley, C.H.","Chas, Swanson","Spatz, J.J.","Sellers, Harold B.","Lindermuth, Samuel C.","Wilson, Warren","Fortes","Kallsen, Richard","Staley, Rey E.","Kennedy, Galvin B.","Hallahan, Richard J.","Riave, Lionel L.","Wyre, Larry","Boll, Robert E.","Lewis, Jackson W.","Concannon, Bart","Franklin, Ralph C.","Furber, Don","Ensler, Arthur S.","Finley, William E.","Matheny, J.D.","Norgaard, R.N.","Rorschach, Antoine","Kackley, Jack","Kaempfer, R.E.","Lips, Jack","Fischley, Paul M.","MacDowell, Robert","Macauley, Clyde","Nieto, Lucio","Pfiefer, Carl F.","Pearson, Gus","Polve, James H.","Pierce, F.W.","Segura, Wiltz","Stubbs, Gail L.","Taylor, James R.","Zalkan, George","Ret (K-9)","Thomas, Martin L.","Bradley, Clarence W.","Skidmore, Raymond D.","Gonzalez, Ruben S.","Johnson, Herman E.","Mitchell, Carl R.","Hall, James E.","Bates, Robert C.","Shepaard, Jene H.","Lindbergh, Lee","Moots, Clark D.","Friend, Joseph L.","Toledo, Mario","Olsen, Olaf W.","Reid, Bob","Radke, F.T.","Vorheis, Harold W.","Sullivan, Jim","Marsh, Wm. R.","Schneideau","Michael, Gordon","Kleine Hund von Effiejohein (K-9)","Brown, Walter","Zeller, Winn","Druehl, Bill","Norman, Irwin L.","Redwood, Miles A.","Walker, R.L.","Simmons, Verne","Crane, Jos H.","Hoffman, Dan","Ward, Robert C.","Mancuso, Anthony","Service, Antone W.","Robertson, W.M.C.","Scully, Ernest","Estrada, Joseph D.","McKelrer, Fred H.","Peterson, Theodore L.","Cleine, George E.","Barrigan, George","Solop, Sam M.","Gravelle, Maurice F.","Davis, Fred E.","Hermanson, Bill E.","Phillips, Willard N.","Weathers, Edward P.","Ishida, George","Spackman, Reed L.","Kusala, Raynold W.","Lilly, Philip C.","Burrell, Thomas B.","Klausman, Marian B.","Johnson, Roger L.","Langstaff, Robert M.","Getton, Ralph R.","Wright, Wayne W.","Pendergrass, Norris S.","Oberta, Joe P.","Truex, Roland W.","Rossi, Alexander","Durazo, Manuel","Shearing, Renee","Hontoo, Noel","Greeley, Francis","Noonan, T.F.","Bradley, Jack W.","McCafferty, James","Zupan, Mark D.","Peterson, Lyman","Farrior, James G.","Gallagher, Wm. J.","Roberts, Francis L.","Solano, Jose","Gay, Ulysses","Gernaat, Frank H.","Jones, Buster F.","Everett, Wm. P.","Burke, John Jo","Tafoua, Michael N.","Ryne, Maurice R.","Wettach, Charles","Rocha, Daniel","Culpepper, Millard","Cavagnaro, Joseph R.","Price, Lloyd G.","Paoley, Daniel, Jr.","Hofmann, Hugo H.","Jarvis, Robert","Stewart, Arnold A.","Cline, Harold R.","Coughey, Kenneth W.","Winterholler, John","Calloway, Wm.","Van Horn, Walter A.","Sancedo, Saro","Rorte, Paul R.","Peterson, M.L.","Keesel, Ivan R.","Smith, Noel L.","Kirby, Charles N.","Strom, Roy B.","Maldonado, Gabriel E.","Curinga, Rudolph","Mareety, Patrick J.","Haveety, Herman M.","Faircloth, Calvin","Titus, Roy Mearl","Siter, Les H.","Cummings, Marlin","De Fossett, Gorden","Furtner, Ted C.","Matro, Allfus A.","Kramer, Glen","Davis, Eugene G.","Yalencia, George C.","Pierce, Alvin O.","Greenway, H.N.","Vostka, Edward","White, Wm. H.","Hewlett, Carl","Hunter, Robert C.","Flood, Donald","Freeman, Charles R.","Walker, Walton G.","Wirt, John Louis","Witzsche, William G.","Curry, Wm. C., Jr.","Barry, Terry C.","Robinson, Charles L.","Papuga, Edward P.","Williams, Eugene L.","Thorem, C.A.","Moore, Floyd E.","Davies, Morgan R., Jr.","White, Fariss K.","Cartmill, Mav L.","Tsafous, Joseph N.","Bennett, W.C.","Green, Rex C.","Gallegos, Gilbert","Carter, Robert L.","Blanford, Milton","Catanaek, Jessie L.","Lovelady, Howard","Hill, Sam R.","Dunwiddie, Chas F.","Green, Elmer B.","Baed, Nick","Lucero, Daniel","Hill, Ralph S.","Lovato, John T.","Manda, Jack","Wallace, Leonard R.","Gould, Louis A.","Fuentes, Phillip","Bowen, Geo. W.","Hurlburt, Walter L.","Brooks, Sam L.","Rudd, Nathan","Caldwell, Charles A.","Bates, Dean O.","Drake, Alfred R.","Moulds, Jefferson D.","Yarbrough, John G.","Berens, James J.","Jones, Parker F.","Pope, Carlon R.","Neville, Joseph Michael","Sibley, Robert W.","Festner, F. Julius","Stone, Edna","Strickland, Marvin N.","Donithan, Kenneth L.","Sweazey, Jessie T.","Bricker, Lewis W.","Belcher, Willard H.","Sturgeon, C.E.","Yanez, Felipe V.","Marguez, Guadelupe E.","Shelton, Raymond","Williams, Jewell G.","Donnohue, Richard W.","Smallwood, James G.","Cheek, Granville","Long, Gilbert B.","Briehl, W.","Sutton, J.C.","White, Floyd","Liddell, Robert Wayne","McNerney, S.H.","Franklin, Oliver R.","Parsons, David W.","Baker, Orille","Sanchez, Ricardo","Roberts, Fred F.","Leigon, Barney L.","Forrell, Harvey J.","Smith, Edward F.","Niemiec, Edw. J.","Folson, Thomas","Gay, Alan","Nathan, Gerald D.","Mouton, Joseph","Scarborough, Gray A.","Dunkle, John A.","Gardner, E.E.","Hunter, Ullman A.","Glendis, Otto L.","Eastham, Donald","Taggart, Harry E.","Johnson, Robert","Cleveland, Wallace D.","Faulkner, George T.","Barela, Christobal C.","Jensen, Thomas A.","Rivera","Buell, C.E.","Buchanan, Jess F.","Montoya, Don C.","Mallette, Weldon B.","Edwards, W.M.F.","Santa Cruz, Peter","Green, Merrill","Wolter, Allan R.","Southard, Rupe","Jacobs, Charles S., Jr.","Nelsen, Marvin C.","Garfinkle, Paul","Shivel, Lee","Hogan, John J.","Sanchez, Jesus C.","Briscoe, James F.","Brann, B.B.","Ruiz, Alejandro S.","Gardner, Glenn G.","Van Dyke, Harles","Porter, Ralph","Portl, Gust D.","Marsteas, Lucas","Delaney, Richard","Letensky, Joseph","McClure, Donald F.","Mullens, James","Lanier, Walter R.","Cook, Lem C.","Herrera, Refael","Rose, John O.","Hutt, Murray E.","Ireton, John H.","McKendice, Wm. D.","Rodriguez, Jesus O.","Leathers, Thomas","Crow, Richard P.","H., Stanley A.","Burney, Ronald D.","Ketchell, George T.","Petters, Charles A.","Morrison, William E.","Frazier, Kenneth D.","Cooley, W.B.","Hutton, Tom R.","King, Larry","Didot, Mildred Shearer, 1908-2001","Corbett, Stratford","De Lisle, James F.","Turner, Grant","Ferguson, Albert","Robinson, H.","Terrell, Wm. A.","Zimmerman, Alan"],"names_ssim":["FSU Special Collections \u0026 Archives","U.S. Naval Hospital (San Diego, Calif.)","The McCornack General Hospital (Los Angeles, Calif.)","Camp Shows, Inc.","V.A. Hospital (San Fernando, Calif)","Beaumont General Hospital (El Paso, Tex.)","Coconut Grove and the Ambassador (Los Angeles, Calif.)","Camp Pendleton (Calif.)","Veterans' Administration Medical Center (Phoenix, Ariz.)","Beverly-Wilshire Hotel -- History.","Corona Naval Hospital","Saturday evening post.","Hi-Po Newsletter (Phoenix, Arizona)","Clark Air Base (Philippines)","University of California, Los Angeles","New York herald tribune.","Birmingham General Hospital","Williams Air Force Base (Ariz.)","Stanford University","Art Students League (New York, N.Y.)","Otis Art Institute","Phoenix gazette, Phoenix, Ariz.","Great Britain. Royal Air Force.","Roosevelt Base, San Pedro","United States. Army Air Forces. Motion Picture Unit, 1st","United States. Marine Corps. Marine Division, 3rd","Armed Services Institute","Waite and Company -- History","Hotel Tudor, New York -- History","Empire State Building (New York, N.Y.)","Rockefeller Center","United Service Organizations (U.S.)","Didot, Mildred Shearer, 1908-2001","Bennett, Ralph Hunter, 1921-1945","Roosevelt, Theodore, 1887-1944.","Ghāndi, Mahātamā, 1869-1948","Goepner, William","Zissis, George J.","Ferguson, Wm.","Bailey, Eddie","Cleveland, Ed","Hoover, Bill","Detry, Donald","Root, Charlotte Crane","Heathcote, R.","Crawford, Wm. L.","Pennick, Joseph, Jr.","Smith, Leon F.","Hauser, Wick","Nathe, Leonard","Loomis, Neal M.","Horner, F.W.","Patterson, R.H.","Remaley, C.H.","Chas, Swanson","Spatz, J.J.","Sellers, Harold B.","Lindermuth, Samuel C.","Wilson, Warren","Fortes","Kallsen, Richard","Staley, Rey E.","Kennedy, Galvin B.","Hallahan, Richard J.","Riave, Lionel L.","Wyre, Larry","Boll, Robert E.","Lewis, Jackson W.","Concannon, Bart","Franklin, Ralph C.","Furber, Don","Ensler, Arthur S.","Finley, William E.","Matheny, J.D.","Norgaard, R.N.","Rorschach, Antoine","Kackley, Jack","Kaempfer, R.E.","Lips, Jack","Fischley, Paul M.","MacDowell, Robert","Macauley, Clyde","Nieto, Lucio","Pfiefer, Carl F.","Pearson, Gus","Polve, James H.","Pierce, F.W.","Segura, Wiltz","Stubbs, Gail L.","Taylor, James R.","Zalkan, George","Ret (K-9)","Thomas, Martin L.","Bradley, Clarence W.","Skidmore, Raymond D.","Gonzalez, Ruben S.","Johnson, Herman E.","Mitchell, Carl R.","Hall, James E.","Bates, Robert C.","Shepaard, Jene H.","Lindbergh, Lee","Moots, Clark D.","Friend, Joseph L.","Toledo, Mario","Olsen, Olaf W.","Reid, Bob","Radke, F.T.","Vorheis, Harold W.","Sullivan, Jim","Marsh, Wm. R.","Schneideau","Michael, Gordon","Kleine Hund von Effiejohein (K-9)","Brown, Walter","Zeller, Winn","Druehl, Bill","Norman, Irwin L.","Redwood, Miles A.","Walker, R.L.","Simmons, Verne","Crane, Jos H.","Hoffman, Dan","Ward, Robert C.","Mancuso, Anthony","Service, Antone W.","Robertson, W.M.C.","Scully, Ernest","Estrada, Joseph D.","McKelrer, Fred H.","Peterson, Theodore L.","Cleine, George E.","Barrigan, George","Solop, Sam M.","Gravelle, Maurice F.","Davis, Fred E.","Hermanson, Bill E.","Phillips, Willard N.","Weathers, Edward P.","Ishida, George","Spackman, Reed L.","Kusala, Raynold W.","Lilly, Philip C.","Burrell, Thomas B.","Klausman, Marian B.","Johnson, Roger L.","Langstaff, Robert M.","Getton, Ralph R.","Wright, Wayne W.","Pendergrass, Norris S.","Oberta, Joe P.","Truex, Roland W.","Rossi, Alexander","Durazo, Manuel","Shearing, Renee","Hontoo, Noel","Greeley, Francis","Noonan, T.F.","Bradley, Jack W.","McCafferty, James","Zupan, Mark D.","Peterson, Lyman","Farrior, James G.","Gallagher, Wm. J.","Roberts, Francis L.","Solano, Jose","Gay, Ulysses","Gernaat, Frank H.","Jones, Buster F.","Everett, Wm. P.","Burke, John Jo","Tafoua, Michael N.","Ryne, Maurice R.","Wettach, Charles","Rocha, Daniel","Culpepper, Millard","Cavagnaro, Joseph R.","Price, Lloyd G.","Paoley, Daniel, Jr.","Hofmann, Hugo H.","Jarvis, Robert","Stewart, Arnold A.","Cline, Harold R.","Coughey, Kenneth W.","Winterholler, John","Calloway, Wm.","Van Horn, Walter A.","Sancedo, Saro","Rorte, Paul R.","Peterson, M.L.","Keesel, Ivan R.","Smith, Noel L.","Kirby, Charles N.","Strom, Roy B.","Maldonado, Gabriel E.","Curinga, Rudolph","Mareety, Patrick J.","Haveety, Herman M.","Faircloth, Calvin","Titus, Roy Mearl","Siter, Les H.","Cummings, Marlin","De Fossett, Gorden","Furtner, Ted C.","Matro, Allfus A.","Kramer, Glen","Davis, Eugene G.","Yalencia, George C.","Pierce, Alvin O.","Greenway, H.N.","Vostka, Edward","White, Wm. H.","Hewlett, Carl","Hunter, Robert C.","Flood, Donald","Freeman, Charles R.","Walker, Walton G.","Wirt, John Louis","Witzsche, William G.","Curry, Wm. C., Jr.","Barry, Terry C.","Robinson, Charles L.","Papuga, Edward P.","Williams, Eugene L.","Thorem, C.A.","Moore, Floyd E.","Davies, Morgan R., Jr.","White, Fariss K.","Cartmill, Mav L.","Tsafous, Joseph N.","Bennett, W.C.","Green, Rex C.","Gallegos, Gilbert","Carter, Robert L.","Blanford, Milton","Catanaek, Jessie L.","Lovelady, Howard","Hill, Sam R.","Dunwiddie, Chas F.","Green, Elmer B.","Baed, Nick","Lucero, Daniel","Hill, Ralph S.","Lovato, John T.","Manda, Jack","Wallace, Leonard R.","Gould, Louis A.","Fuentes, Phillip","Bowen, Geo. W.","Hurlburt, Walter L.","Brooks, Sam L.","Rudd, Nathan","Caldwell, Charles A.","Bates, Dean O.","Drake, Alfred R.","Moulds, Jefferson D.","Yarbrough, John G.","Berens, James J.","Jones, Parker F.","Pope, Carlon R.","Neville, Joseph Michael","Sibley, Robert W.","Festner, F. Julius","Stone, Edna","Strickland, Marvin N.","Donithan, Kenneth L.","Sweazey, Jessie T.","Bricker, Lewis W.","Belcher, Willard H.","Sturgeon, C.E.","Yanez, Felipe V.","Marguez, Guadelupe E.","Shelton, Raymond","Williams, Jewell G.","Donnohue, Richard W.","Smallwood, James G.","Cheek, Granville","Long, Gilbert B.","Briehl, W.","Sutton, J.C.","White, Floyd","Liddell, Robert Wayne","McNerney, S.H.","Franklin, Oliver R.","Parsons, David W.","Baker, Orille","Sanchez, Ricardo","Roberts, Fred F.","Leigon, Barney L.","Forrell, Harvey J.","Smith, Edward F.","Niemiec, Edw. J.","Folson, Thomas","Gay, Alan","Nathan, Gerald D.","Mouton, Joseph","Scarborough, Gray A.","Dunkle, John A.","Gardner, E.E.","Hunter, Ullman A.","Glendis, Otto L.","Eastham, Donald","Taggart, Harry E.","Johnson, Robert","Cleveland, Wallace D.","Faulkner, George T.","Barela, Christobal C.","Jensen, Thomas A.","Rivera","Buell, C.E.","Buchanan, Jess F.","Montoya, Don C.","Mallette, Weldon B.","Edwards, W.M.F.","Santa Cruz, Peter","Green, Merrill","Wolter, Allan R.","Southard, Rupe","Jacobs, Charles S., Jr.","Nelsen, Marvin C.","Garfinkle, Paul","Shivel, Lee","Hogan, John J.","Sanchez, Jesus C.","Briscoe, James F.","Brann, B.B.","Ruiz, Alejandro S.","Gardner, Glenn G.","Van Dyke, Harles","Porter, Ralph","Portl, Gust D.","Marsteas, Lucas","Delaney, Richard","Letensky, Joseph","McClure, Donald F.","Mullens, James","Lanier, Walter R.","Cook, Lem C.","Herrera, Refael","Rose, John O.","Hutt, Murray E.","Ireton, John H.","McKendice, Wm. D.","Rodriguez, Jesus O.","Leathers, Thomas","Crow, Richard P.","H., Stanley A.","Burney, Ronald D.","Ketchell, George T.","Petters, Charles A.","Morrison, William E.","Frazier, Kenneth D.","Cooley, W.B.","Hutton, Tom R.","King, Larry","Corbett, Stratford","De Lisle, James F.","Turner, Grant","Ferguson, Albert","Robinson, H.","Terrell, Wm. A.","Zimmerman, Alan"],"corpname_ssim":["FSU Special Collections \u0026 Archives","U.S. Naval Hospital (San Diego, Calif.)","The McCornack General Hospital (Los Angeles, Calif.)","Camp Shows, Inc.","V.A. Hospital (San Fernando, Calif)","Beaumont General Hospital (El Paso, Tex.)","Coconut Grove and the Ambassador (Los Angeles, Calif.)","Camp Pendleton (Calif.)","Veterans' Administration Medical Center (Phoenix, Ariz.)","Beverly-Wilshire Hotel -- History.","Corona Naval Hospital","Saturday evening post.","Hi-Po Newsletter (Phoenix, Arizona)","Clark Air Base (Philippines)","University of California, Los Angeles","New York herald tribune.","Birmingham General Hospital","Williams Air Force Base (Ariz.)","Stanford University","Art Students League (New York, N.Y.)","Otis Art Institute","Phoenix gazette, Phoenix, Ariz.","Great Britain. Royal Air Force.","Roosevelt Base, San Pedro","United States. Army Air Forces. Motion Picture Unit, 1st","United States. Marine Corps. Marine Division, 3rd","Armed Services Institute","Waite and Company -- History","Hotel Tudor, New York -- History","Empire State Building (New York, N.Y.)","Rockefeller Center","United Service Organizations (U.S.)"],"persname_ssim":["Didot, Mildred Shearer, 1908-2001","Bennett, Ralph Hunter, 1921-1945","Roosevelt, Theodore, 1887-1944.","Ghāndi, Mahātamā, 1869-1948","Goepner, William","Zissis, George J.","Ferguson, Wm.","Bailey, Eddie","Cleveland, Ed","Hoover, Bill","Detry, Donald","Root, Charlotte Crane","Heathcote, R.","Crawford, Wm. L.","Pennick, Joseph, Jr.","Smith, Leon F.","Hauser, Wick","Nathe, Leonard","Loomis, Neal M.","Horner, F.W.","Patterson, R.H.","Remaley, C.H.","Chas, Swanson","Spatz, J.J.","Sellers, Harold B.","Lindermuth, Samuel C.","Wilson, Warren","Fortes","Kallsen, Richard","Staley, Rey E.","Kennedy, Galvin B.","Hallahan, Richard J.","Riave, Lionel L.","Wyre, Larry","Boll, Robert E.","Lewis, Jackson W.","Concannon, Bart","Franklin, Ralph C.","Furber, Don","Ensler, Arthur S.","Finley, William E.","Matheny, J.D.","Norgaard, R.N.","Rorschach, Antoine","Kackley, Jack","Kaempfer, R.E.","Lips, Jack","Fischley, Paul M.","MacDowell, Robert","Macauley, Clyde","Nieto, Lucio","Pfiefer, Carl F.","Pearson, Gus","Polve, James H.","Pierce, F.W.","Segura, Wiltz","Stubbs, Gail L.","Taylor, James R.","Zalkan, George","Ret (K-9)","Thomas, Martin L.","Bradley, Clarence W.","Skidmore, Raymond D.","Gonzalez, Ruben S.","Johnson, Herman E.","Mitchell, Carl R.","Hall, James E.","Bates, Robert C.","Shepaard, Jene H.","Lindbergh, Lee","Moots, Clark D.","Friend, Joseph L.","Toledo, Mario","Olsen, Olaf W.","Reid, Bob","Radke, F.T.","Vorheis, Harold W.","Sullivan, Jim","Marsh, Wm. R.","Schneideau","Michael, Gordon","Kleine Hund von Effiejohein (K-9)","Brown, Walter","Zeller, Winn","Druehl, Bill","Norman, Irwin L.","Redwood, Miles A.","Walker, R.L.","Simmons, Verne","Crane, Jos H.","Hoffman, Dan","Ward, Robert C.","Mancuso, Anthony","Service, Antone W.","Robertson, W.M.C.","Scully, Ernest","Estrada, Joseph D.","McKelrer, Fred H.","Peterson, Theodore L.","Cleine, George E.","Barrigan, George","Solop, Sam M.","Gravelle, Maurice F.","Davis, Fred E.","Hermanson, Bill E.","Phillips, Willard N.","Weathers, Edward P.","Ishida, George","Spackman, Reed L.","Kusala, Raynold W.","Lilly, Philip C.","Burrell, Thomas B.","Klausman, Marian B.","Johnson, Roger L.","Langstaff, Robert M.","Getton, Ralph R.","Wright, Wayne W.","Pendergrass, Norris S.","Oberta, Joe P.","Truex, Roland W.","Rossi, Alexander","Durazo, Manuel","Shearing, Renee","Hontoo, Noel","Greeley, Francis","Noonan, T.F.","Bradley, Jack W.","McCafferty, James","Zupan, Mark D.","Peterson, Lyman","Farrior, James G.","Gallagher, Wm. J.","Roberts, Francis L.","Solano, Jose","Gay, Ulysses","Gernaat, Frank H.","Jones, Buster F.","Everett, Wm. P.","Burke, John Jo","Tafoua, Michael N.","Ryne, Maurice R.","Wettach, Charles","Rocha, Daniel","Culpepper, Millard","Cavagnaro, Joseph R.","Price, Lloyd G.","Paoley, Daniel, Jr.","Hofmann, Hugo H.","Jarvis, Robert","Stewart, Arnold A.","Cline, Harold R.","Coughey, Kenneth W.","Winterholler, John","Calloway, Wm.","Van Horn, Walter A.","Sancedo, Saro","Rorte, Paul R.","Peterson, M.L.","Keesel, Ivan R.","Smith, Noel L.","Kirby, Charles N.","Strom, Roy B.","Maldonado, Gabriel E.","Curinga, Rudolph","Mareety, Patrick J.","Haveety, Herman M.","Faircloth, Calvin","Titus, Roy Mearl","Siter, Les H.","Cummings, Marlin","De Fossett, Gorden","Furtner, Ted C.","Matro, Allfus A.","Kramer, Glen","Davis, Eugene G.","Yalencia, George C.","Pierce, Alvin O.","Greenway, H.N.","Vostka, Edward","White, Wm. 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J.","Folson, Thomas","Gay, Alan","Nathan, Gerald D.","Mouton, Joseph","Scarborough, Gray A.","Dunkle, John A.","Gardner, E.E.","Hunter, Ullman A.","Glendis, Otto L.","Eastham, Donald","Taggart, Harry E.","Johnson, Robert","Cleveland, Wallace D.","Faulkner, George T.","Barela, Christobal C.","Jensen, Thomas A.","Rivera","Buell, C.E.","Buchanan, Jess F.","Montoya, Don C.","Mallette, Weldon B.","Edwards, W.M.F.","Santa Cruz, Peter","Green, Merrill","Wolter, Allan R.","Southard, Rupe","Jacobs, Charles S., Jr.","Nelsen, Marvin C.","Garfinkle, Paul","Shivel, Lee","Hogan, John J.","Sanchez, Jesus C.","Briscoe, James F.","Brann, B.B.","Ruiz, Alejandro S.","Gardner, Glenn G.","Van Dyke, Harles","Porter, Ralph","Portl, Gust D.","Marsteas, Lucas","Delaney, Richard","Letensky, Joseph","McClure, Donald F.","Mullens, James","Lanier, Walter R.","Cook, Lem C.","Herrera, Refael","Rose, John O.","Hutt, Murray E.","Ireton, John H.","McKendice, Wm. 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","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"scopecontent_html_tesm":["\u003cp\u003eItems available: 1 press release\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Items available: 1 press release"],"_nest_path_":"/components#12/components#0","_nest_parent_":"f70dba2e4db85b9be660d412_aspace_167769","_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f70dba2e4db85b9be660d412","title_ssm":["Cinema Promotional Materials"],"title_tesim":["Cinema Promotional Materials"],"ead_ssi":"f70dba2e4db85b9be660d412","unitdate_ssm":["1957-1976","Date acquired: 08/01/1976"],"unitdate_inclusive_ssm":["1957-1976"],"unitdate_other_ssim":["Date acquired: 08/01/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 76-18","/repositories/10/resources/599"],"text":["MSS 76-18","/repositories/10/resources/599","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures.","This collection is open to all researchers. ","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library.","The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.","Processed November, 1977.","This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 76-18","/repositories/10/resources/599"],"normalized_date_ssm":["1957-1976, Date acquired: 08/01/1976"],"normalized_title_ssm":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_title_tesim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"collection_ssim":["Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Mr. Leslie W. Pendleton, District Supervisor, Kent Theatres, Inc.","Received August 1976 through the efforts of Dr. Ungurait."],"access_subjects_ssim":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"access_subjects_ssm":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"has_online_content_ssim":["false"],"extent_ssm":["5521.00 items"],"extent_tesim":["5521.00 items"],"genreform_ssim":["Motion pictures."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003ePortions of this collection are in an offsite storage location. 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With the titles, what materials (press book, record, tapes) are available are listed."],"prefercite_html_tesm":["\u003cp\u003eCinema Promotional Materials, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18\u003c/p\u003e"],"prefercite_tesim":["Cinema Promotional Materials, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18"],"processinfo_html_tesm":["\u003cp\u003eProcessed November, 1977.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed November, 1977."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n\u003cbr\u003e\u003cbr\u003eEach press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n\u003cbr\u003e\u003cbr\u003eThe records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. In size, the press books vary from a single page or sheet to a booklet of a dozen or more pages. Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412_aspace_167770"}},{"id":"456875eab9536e3707a4b04f_aspace_821ffc01f2db5bfd188fd9cb56dd432b","type":"File","attributes":{"title":"Ace Full","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_821ffc01f2db5bfd188fd9cb56dd432b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_821ffc01f2db5bfd188fd9cb56dd432b","ref_ssm":["aspace_821ffc01f2db5bfd188fd9cb56dd432b","aspace_821ffc01f2db5bfd188fd9cb56dd432b"],"id":"456875eab9536e3707a4b04f_aspace_821ffc01f2db5bfd188fd9cb56dd432b","title_filing_ssi":"Ace Full","title_ssm":["Ace Full"],"title_tesim":["Ace Full"],"normalized_title_ssm":["Ace Full"],"text":["Ace Full","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida","/repositories/3/archival_objects/44800","box 3","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["456875eab9536e3707a4b04f","456875eab9536e3707a4b04f_aspace_31dfdb7b037db2a1939ecf601f7ef540"],"parent_unittitles_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida"],"parent_unittitles_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Florida"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/44800"],"repository_ssim":["Thomas B. 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For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 3","folder 4"],"_nest_path_":"/components#3/components#3","_nest_parent_":"456875eab9536e3707a4b04f_aspace_31dfdb7b037db2a1939ecf601f7ef540","_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"456875eab9536e3707a4b04f","title_ssm":["Tom Mack Citrus and Vegetable Label Collection"],"title_tesim":["Tom Mack Citrus and Vegetable Label Collection"],"ead_ssi":"456875eab9536e3707a4b04f","unitdate_ssm":["1900-1970"],"unitdate_inclusive_ssm":["1900-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000-1","/repositories/3/resources/145"],"text":["CIT1000-1","/repositories/3/resources/145","Tom Mack Citrus and Vegetable Label Collection, 1900-1970","Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia","Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.","In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.","The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. ","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000-1","/repositories/3/resources/145"],"normalized_date_ssm":["1900-1970"],"normalized_title_ssm":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_title_tesim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"collection_ssim":["Tom Mack Citrus and Vegetable Label Collection, 1900-1970"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"geogname_ssm":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"geogname_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"places_ssim":["Citrus fruit industry - California","Citrus fruit industry — Texas","Citrus fruit industry — Arizona","Citrus fruit industry — Australia"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was created by Professor Tom Mack as part of his efforts to document the history of the citrus industry. It was transferred to the archives via the library upon his retirement."],"access_subjects_ssim":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"access_subjects_ssm":["Fruit Crate Labels","Citrus fruit industry","Vegetable trade","Commercial art","Advertising, Industrial","Lithography--20th century","Citrus fruit industry--Florida--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.3 Linear Feet"],"extent_tesim":["2.3 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eCitrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Citrus labels are arranged by alphabetical series that reflect their state of origin. Within the series, labels are also arraqnged alphabetical. Vegetable labels reflect multiple states of origin and are arranged alphabetically by brand name."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.\u003c/p\u003e\n","\u003cp\u003eTo ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.\u003c/p\u003e\n","\u003cp\u003eWhile all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.\u003c/p\u003e\n","\u003cp\u003eCalifornia was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.\u003c/p\u003e\n","\u003cp\u003eBecause the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.\u003c/p\u003e\n","\u003cp\u003eFlorida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.\u003c/p\u003e\n","\u003cp\u003eCommon motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de Le\u0026#xF3;n and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.\u003c/p\u003e\n","\u003cp\u003eThe Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.\u003c/p\u003e\n","\u003cp\u003eTexas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything\u0026#x2014;including the marketing\u0026#x2014;was bigger and bolder in Texas.\u003c/p\u003e\n","\u003cp\u003erizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.\u003c/p\u003e\n","\u003cp\u003eArizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.\u003c/p\u003e\n","\u003cp\u003eBy the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In the late 19th and early 20th centuries, America's agricultural landscape underwent a massive transformation. The expansion of railroads and the invention of the refrigerated boxcar (reefer) suddenly allowed fresh produce to travel thousands of miles from sun-drenched fields to chilly northern cities.","To ship these delicate goods, growers packed them into sturdy wooden crates. However, once those crates arrived at wholesale markets, they all looked identical. To stand out in crowded wholesale terminals, agricultural cooperatives and independent packers began pasting vibrant, lithographed paper labels onto the ends of their wooden crates. This gave rise to a golden era of graphic art that lasted from the late 1880s until the 1950s, when cheap, pre-printed cardboard boxes rendered the wooden crates and paper labels obsolete.","While all labels served as early forms of brand identity, the imagery varied dramatically by state, reflecting each region's unique geography, culture, and marketing strategy.","California was the undisputed pioneer of the crate label. Driven by the massive success of the Southern California Fruit Exchange (later renamed Sunkist in 1908), California labels set the industry standard for artistic quality.","Because the state was trying to attract tourists and settlers alongside selling fruit, its labels heavily romanticized the West. Artists depicted idyllic, sun-kissed groves nestled directly against snow-capped mountains, Spanish missions, beautiful women, and historical themes like the Gold Rush. The message was clear: purchasing California citrus was a bite of the healthy, prosperous, Mediterranean lifestyle.","Florida entered the game shortly after California, heavily influenced by the Florida Citrus Exchange (founded in 1909). Rather than focusing on majestic landscapes, Florida labels leaned into the state's lush, exotic, and sub-tropical climate.","Common motifs included flamingos, herons, alligators, palm trees, and pristine beaches. Florida growers also loved using historical themes centered on early explorers like Juan Ponce de León and the search for the Fountain of Youth, positioning their oranges and grapefruits as natural elixirs of life and vitality.","The Texas citrus and vegetable industry blossomed much later, finding its footing in the 1920s and 1930s in the fertile Rio Grande Valley. Because Texas entered a mature market dominated by California and Florida, state growers leaned aggressively into their most recognizable asset: Texas identity.","Texas labels are famous for cowboy imagery, longhorn cattle, oil derricks, Alamo imagery, and bold, patriotic colors. Brands like \"Texas Moon\" or \"Tex-Maid\" relied on regional pride and a rugged, western aesthetic to carve out shelf space, proving that everything—including the marketing—was bigger and bolder in Texas.","rizona's commercial citrus production emerged alongside massive irrigation projects in the Salt River Valley and Yuma Mesa during the early 1900s. Because its growing regions bordered California, Arizona labels often mirrored California's high-quality lithographic style but with distinct desert iconography.","Arizona labels leaned heavily into its striking desert geology, featuring Saguaro cacti, sweeping desert mesas, blazing sunsets, and romanticized depictions of Native American cultures. These labels framed Arizona as a miraculous agricultural oasis, emphasizing that their grapefruit and oranges were grown under intense desert sun, which heightened sweetness.","By the mid-1950s, the art form abruptly vanished. Flat-packed corrugated cardboard boxes with simple, cheap ink stamps took over because they were lighter to ship and far less labor-intensive than assembling wooden crates."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. \u003c/p\u003e\n","\u003cp\u003eThis collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.\u003c/p\u003e\n","\u003cp\u003eAlso notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.\u003c/p\u003e\n","\u003cp\u003eMost labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of citrus and vegetable crate labels through the early to mid-twentieth century. Most of the citrus labels were produced through the 1940s, with vegetable labels continuing through the early 1970s. ","This collection is notable in that it contains labels from the four major players in the U.S. citrus market: California, Florida, Arizona, and Texas. This allows one to compare the approaches each state took in the creation of their labels (size, layout, etc.) as well as shared themes and themes unique to each state.","Also notable is the handful of labels from Australia, which are the only known overseas citrus crate labels in our collections.","Most labels are authentic, although there are a few reproductions present within the collection. As an educator, Professor Mack's surmised intent was to demonstrate the historical design of the labels rather than collecting them for profit or hobby. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"456875eab9536e3707a4b04f","timestamp":"2026-06-30T02:21:32.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/456875eab9536e3707a4b04f_aspace_821ffc01f2db5bfd188fd9cb56dd432b"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=compact"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=compact"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=compact"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=compact"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=compact"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=compact"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=compact"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=compact"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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