{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=2039\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=2038\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=2040\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":2039,"next_page":2040,"prev_page":2038,"total_pages":65767,"limit_value":10,"offset_value":20380,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"200ddbe75be793c2914648c0_aspace_102147","type":"Item","attributes":{"title":"Abstract and Indexes, 1970","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/200ddbe75be793c2914648c0_aspace_102147#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA table that also shelves Abstracts and Indexes used in research; Written in blue ink on the front of the slide is \"INT. 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","Additional materials received and processed, 2026. CC","Materials are arranged according to type and chronology.","Suzanne Wadley Jaworski Rhodenbaugh, a Tampa native, graduated from University of South Florida in 1966, with a BA in English.  She earned an MPH in Medical Care Administration from University of Michigan in 1974, and an MFA in Creative Writing from Vermont College in 1987. 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CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional materials received and processed, 2020. ","Additional materials received and processed, 2026. CC"],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type and chronology.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged according to type and chronology."],"bioghist_html_tesm":["\u003cp\u003eSuzanne Wadley Jaworski Rhodenbaugh, a Tampa native, graduated from University of South Florida in 1966, with a BA in English.  She earned an MPH in Medical Care Administration from University of Michigan in 1974, and an MFA in Creative Writing from Vermont College in 1987. Rhodenbaugh maintains an active writing agenda and regularly publishes new works.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Suzanne Wadley Jaworski Rhodenbaugh, a Tampa native, graduated from University of South Florida in 1966, with a BA in English.  She earned an MPH in Medical Care Administration from University of Michigan in 1974, and an MFA in Creative Writing from Vermont College in 1987. Rhodenbaugh maintains an active writing agenda and regularly publishes new works."],"prefercite_html_tesm":["\u003cp\u003eSuzanne Wadley Jaworski Rhodenbaugh Papers, 1961-2017, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Suzanne Wadley Jaworski Rhodenbaugh Papers, 1961-2017, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of books, periodical and anthology publications, records of readings, personal and professional correspondence, unpublished writings, and audiovisual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of books, periodical and anthology publications, records of readings, personal and professional correspondence, unpublished writings, and audiovisual materials."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbebe2716a90b9f747a03581ec1ae550\" label=\"Abstract\"\u003eThis collection contains Suzanne Wadley Jaworski Rhodenbaugh's books, periodical and anthology publications, record of readings, and other written and aural records of her career as a writer of poems, essays, articles and reviews, as a poverty program and medical care administrator, and as a community activist.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains Suzanne Wadley Jaworski Rhodenbaugh's books, periodical and anthology publications, record of readings, and other written and aural records of her career as a writer of poems, essays, articles and reviews, as a poverty program and medical care administrator, and as a community activist."],"names_ssim":["USF Libraries - Tampa Special Collections","Rhodenbaugh, Suzanne  (Suzanne Wadley Jaworski Rhodenbaugh)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Rhodenbaugh, Suzanne  (Suzanne Wadley Jaworski Rhodenbaugh)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":309,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874486244745936896,"_root_":"f811e7a0b9dd84ba2727e2a8","timestamp":"2026-08-25T09:16:28.066Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f811e7a0b9dd84ba2727e2a8_aspace_8de456b0671bfe8ea030af80997f6d9d"}},{"id":"34ef34a6297dd55b432be819_aspace_66623","type":"Item","attributes":{"title":"\"Abstract\" by Marc Green., September 30, 1996.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66623#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66623","ref_ssm":["aspace_66623","aspace_66623"],"id":"34ef34a6297dd55b432be819_aspace_66623","title_filing_ssi":"\"Abstract\" by Marc Green.","title_ssm":["\"Abstract\" by Marc Green."],"title_tesim":["\"Abstract\" by Marc Green."],"unitdate_other_ssim":["September 30, 1996."],"normalized_date_ssm":["September 30, 1996."],"normalized_title_ssm":["\"Abstract\" by Marc Green., September 30, 1996."],"text":["\"Abstract\" by Marc Green., September 30, 1996.","John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Unpublished Papers by Others, 1941-2013.","Item 11","/repositories/4/archival_objects/47639","box 21","folder 11"],"component_level_isim":[3],"parent_ids_ssim":["34ef34a6297dd55b432be819","34ef34a6297dd55b432be819_aspace_64411","34ef34a6297dd55b432be819_aspace_66487"],"parent_unittitles_ssm":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Unpublished Papers by Others, 1941-2013."],"parent_unittitles_tesim":["John W. Senders Working Collection, 1880-2014","Research Files, 1880-2014, Undated.","Unpublished Papers by Others, 1941-2013."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 11","/repositories/4/archival_objects/47639"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["John W. 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Senders Working Collection"],"ead_ssi":"34ef34a6297dd55b432be819","unitdate_ssm":["1880-2014"],"unitdate_inclusive_ssm":["1880-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.096","/repositories/4/resources/188"],"text":["SC.096","/repositories/4/resources/188","John W. Senders Working Collection, 1880-2014","The entire collection is open for research.","This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.","John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. ","Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.","Related materials may be found in the UCF Library  Online Catalog .","Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.","UCF Special Collections","Senders, John W., 1920-","English"],"unitid_tesim":["SC.096","/repositories/4/resources/188"],"normalized_date_ssm":["1880-2014"],"normalized_title_ssm":["John W. Senders Working Collection, 1880-2014"],"collection_title_tesim":["John W. Senders Working Collection, 1880-2014"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Senders, John W., 1920-"],"creator_ssim":["Senders, John W., 1920-"],"creator_persname_ssim":["Senders, John W., 1920-"],"creators_ssim":["Senders, John W., 1920-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["John W. Senders donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2013 (CFM2013_07). Additional materials were donated in 2017 (CFM2017_08)."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 28 Boxes"],"extent_tesim":["25.25 Linear Feet 28 Boxes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eJohn W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.\u003c/p\u003e\n","\u003cp\u003e\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.\u003c/p\u003e\n","\u003cp\u003e\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.\u003c/p\u003e\n","\u003cp\u003e\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).\u003c/p\u003e\n","\u003cp\u003eComplications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. "],"prefercite_html_tesm":["\u003cp\u003eJohn W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["John W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.\u003c/p\u003e","\u003cp\u003eProcessed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials may be found in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials may be found in the UCF Library  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bddd1759a5977a490b31b5210006a678\" label=\"Abstract\"\u003eJohn W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.\u003c/abstract\u003e"],"abstract_tesim":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"names_ssim":["UCF Special Collections","Senders, John W., 1920-"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Senders, John W., 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2526,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857920658276352,"_root_":"34ef34a6297dd55b432be819","timestamp":"2026-07-16T08:05:48.372Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819_aspace_66623"}},{"id":"a56ba5058fa2d0e698bf6dcf_aspace_e20ddd033657fde46262551e786355eb","type":"Item","attributes":{"title":"\"Abstract\" by Ronald Mevs, 1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a56ba5058fa2d0e698bf6dcf_aspace_e20ddd033657fde46262551e786355eb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e20ddd033657fde46262551e786355eb","ref_ssm":["aspace_e20ddd033657fde46262551e786355eb","aspace_e20ddd033657fde46262551e786355eb"],"id":"a56ba5058fa2d0e698bf6dcf_aspace_e20ddd033657fde46262551e786355eb","title_filing_ssi":"\"Abstract\" by Ronald Mevs","title_ssm":["\"Abstract\" by Ronald Mevs"],"title_tesim":["\"Abstract\" by Ronald Mevs"],"unitdate_other_ssim":["1995"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["\"Abstract\" by Ronald Mevs, 1995"],"text":["\"Abstract\" by Ronald Mevs, 1995","Carol J. Horning Collection, Circa 1980-1996","/repositories/2/archival_objects/32610","Art, Haitian","Art"],"component_level_isim":[1],"parent_ids_ssim":["a56ba5058fa2d0e698bf6dcf"],"parent_unittitles_ssm":["Carol J. Horning Collection, Circa 1980-1996"],"parent_unittitles_tesim":["Carol J. Horning Collection, Circa 1980-1996"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/32610"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Carol J. 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Horning Collection, Circa 1980-1996"],"collection_title_tesim":["Carol J. Horning Collection, Circa 1980-1996"],"collection_ssim":["Carol J. Horning Collection, Circa 1980-1996"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Carol J. Horning donated the materials to the AARLCC Special Collections on December 2, 2025 (Accession AARLCC-2025.14)."],"access_subjects_ssim":["Art, Haitian","Art","Oil paintings","Acrylic paintings"],"access_subjects_ssm":["Art, Haitian","Art","Oil paintings","Acrylic paintings"],"has_online_content_ssim":["false"],"extent_ssm":["9 Artwork"],"extent_tesim":["9 Artwork"],"genreform_ssim":["Art","Oil paintings","Acrylic paintings"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eCarol J. Horning Collection, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Carol J. Horning Collection, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol J. Horning Collection contains nine Haitian paintings by artists including Jean-Pierre Therard, Sacha Thebaud, Galland Semerand, Louis Georges, and Ronald Mevs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carol J. Horning Collection contains nine Haitian paintings by artists including Jean-Pierre Therard, Sacha Thebaud, Galland Semerand, Louis Georges, and Ronald Mevs."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563597179518976,"_root_":"a56ba5058fa2d0e698bf6dcf","timestamp":"2026-07-24T03:02:14.151Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a56ba5058fa2d0e698bf6dcf_aspace_e20ddd033657fde46262551e786355eb"}},{"id":"0d889aea88c6ef151f30c897_aspace_7a91349facc75fb435ee059f0b8dbb4c","type":"File","attributes":{"title":"Abstract \u0026 Clear Title Document, 1961","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0d889aea88c6ef151f30c897_aspace_7a91349facc75fb435ee059f0b8dbb4c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7a91349facc75fb435ee059f0b8dbb4c","ref_ssm":["aspace_7a91349facc75fb435ee059f0b8dbb4c","aspace_7a91349facc75fb435ee059f0b8dbb4c"],"id":"0d889aea88c6ef151f30c897_aspace_7a91349facc75fb435ee059f0b8dbb4c","title_filing_ssi":"Abstract \u0026 Clear Title Document","title_ssm":["Abstract \u0026 Clear Title Document"],"title_tesim":["Abstract \u0026 Clear Title Document"],"unitdate_other_ssim":["1961"],"normalized_date_ssm":["1961"],"normalized_title_ssm":["Abstract \u0026 Clear Title Document, 1961"],"text":["Abstract \u0026 Clear Title Document, 1961","A.P. \"Pat\" Bolton Collection, 1936-1972","/repositories/2/archival_objects/18083","box 10","folder 6"],"component_level_isim":[1],"parent_ids_ssim":["0d889aea88c6ef151f30c897"],"parent_unittitles_ssm":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"parent_unittitles_tesim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/18083"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":86,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"date_range_isim":[1961],"containers_ssim":["box 10","folder 6"],"_nest_path_":"/components#85","_nest_parent_":"0d889aea88c6ef151f30c897","_root_":"0d889aea88c6ef151f30c897","_version_":1870851055798976512,"timestamp":"2026-07-16T06:16:41.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0d889aea88c6ef151f30c897","title_ssm":["A.P. \"Pat\" Bolton Collection"],"title_tesim":["A.P. \"Pat\" Bolton Collection"],"ead_ssi":"0d889aea88c6ef151f30c897","unitdate_ssm":["1936-1972"],"unitdate_inclusive_ssm":["1936-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1055","/repositories/2/resources/20"],"text":["MS1055","/repositories/2/resources/20","A.P. \"Pat\" Bolton Collection, 1936-1972","Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving","This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file","The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt ","English"],"unitid_tesim":["MS1055","/repositories/2/resources/20"],"normalized_date_ssm":["1936-1972"],"normalized_title_ssm":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_title_tesim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_ssim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Macasphalt "],"creator_ssim":["Macasphalt "],"creator_corpname_ssim":["Macasphalt "],"creators_ssim":["Macasphalt "],"access_terms_ssm":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"acqinfo_ssim":["Given to FSC Archives by Glenn C Thompson after his mother, Juanita Bolton, passed away, 2011"],"access_subjects_ssim":["Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"access_subjects_ssm":["Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"genreform_ssim":["World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eA.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving"],"scopecontent_html_tesm":["\u003cp\u003eThis collection spans the date range from 1936 \u0026#x2013; 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file"],"userestrict_html_tesm":["\u003cp\u003eThe A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt "],"corpname_ssim":["The Sarah D. and L. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 32","folder 11"],"scopecontent_html_tesm":["\u003cp\u003ephotographic slides\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["photographic slides"],"_nest_path_":"/components#0/components#309","_nest_parent_":"fbf633f326a970bc04506713_aspace_4484ebf5760f5f94751310fe8679f9d8","_root_":"fbf633f326a970bc04506713","_version_":1880459939778920448,"timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond","English"],"unitid_tesim":["HP 2013-009","/repositories/10/resources/1929"],"normalized_date_ssm":["1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"normalized_title_ssm":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_title_tesim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"collection_ssim":["FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_ssim":["Florida State University. School of Dance","Florida State University. School of Dance","Dickinson, Nellie-Bond"],"creator_persname_ssim":["Dickinson, Nellie-Bond"],"creator_corpname_ssim":["Florida State University. School of Dance","Florida State University. School of Dance"],"creators_ssim":["Dickinson, Nellie-Bond","Florida State University. School of Dance","Florida State University. School of Dance"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. 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She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. 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She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. 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FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_coll_ssim":["Florida State University. School of Dance","Florida State College for Women"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University. School of Dance","Florida State College for Women","Dickinson, Nellie-Bond"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University. 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Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 32","folder 13"],"scopecontent_html_tesm":["\u003cp\u003ephotographic slides\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["photographic slides"],"_nest_path_":"/components#0/components#311","_nest_parent_":"fbf633f326a970bc04506713_aspace_4484ebf5760f5f94751310fe8679f9d8","_root_":"fbf633f326a970bc04506713","_version_":1880459939778920448,"timestamp":"2026-10-30T07:45:47.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fbf633f326a970bc04506713","title_ssm":["FSU School of Dance Records"],"title_tesim":["FSU School of Dance Records"],"ead_ssi":"fbf633f326a970bc04506713","unitdate_ssm":["1911-1912, 1920, 1927-2006, 2011-2012","1960-2000"],"unitdate_bulk_ssim":["1960-2000"],"unitdate_inclusive_ssm":["1911-1912, 1920, 1927-2006, 2011-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2013-009","/repositories/10/resources/1929"],"text":["HP 2013-009","/repositories/10/resources/1929","FSU School of Dance Records, 1911-1912, 1920, 1927-2006, 2011-2012, bulk 1960-2000","Dance","Modern dance","Choreography","This collection is open to all researchers.","This collection is in a remote storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. Sub-Series 1: Faculty and Staff Biographical Files contain photographs and biographical information on individual faculty and staff members in the School of Dance. Sub-Series 2: Guest Biographical Files include similar records as Sub-Series 1 as well as news clippings, programs, and press books.","Series 4: Nellie-Bond Dickinson contains material created or collected by School of Dance faculty member Nellie-Bond Dickinson who is credited with bringing modern dance and creative movement to Florida State University. The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.","Select materials from the FSU School of Dance Records have been digitized and are available through the  FSU Digital Library .","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. 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In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.\u003c/p\u003e\n","\u003cp\u003eThe School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.\u003c/p\u003e","\u003cp\u003eNellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. 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She returned to live in Tallahassee in 2000 and passed away in 2003.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Nellie-Bond Dickinson"],"bioghist_tesim":["The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], FSU School of Dance Records, Special Collections and Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/HP_2013-009"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Biographical Files is split into two sub-series. 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The series includes performance programs, news clippings and magazines, photographs, choreography notes, correspondence, essays, and poems.\u003c/p\u003e","\u003cp\u003eSelect materials from the FSU School of Dance Records have been digitized and are available through the \u003cextref href=\"https://digital.lib.fsu.edu/collection/School%20of%20Dance?ln=en\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Online Copies Available "],"scopecontent_tesim":["The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University School of Dance started in 1927 with country, folk, and tap dance courses in the Physical Education department. With Nellie-Bond Dickinson's arrival in 1935 came a movement away from physical education and athleticism toward modern dance choreography and creative movement. By 1961, students could pursue a four-year curriculum in Dance, earning a Bachelor of Arts or Bachelor of Science degree in Education. ","In 1974, the Department of Dance was established under the direction of Nancy Fichter. As of 2024, the School of Dance is situated under the College of Fine Arts. The school has a reputation as a center for the creation, reconstruction, and production of dance repertory ranging from traditional classical choreography to contemporary original works. Several concerts are presented annually, including Days of Dance, Evening of Dance, and Masters Projects.","The core mission of the school is to combine exceptional artistic training with a liberal arts education. This dual dedication to art and learning has yielded graduates who are dancers, teachers, scholars, and leaders in companies, schools, universities, and art organizations in the United States and abroad. In addition to classes for dance majors, approximately 400 students are instructed each semester through the general studies in dance classes open to our university community dancers.","The School of Dance is also the home of the Maggie Allesee National Center for Choreography (MANCC). The mission of this unique research center is to encourage the creation, dissemination, and documentation of new knowledge in dance and choreography. FSU dance majors can observe professional artists as they engage in projects while in residence at MANCC.","Nellie-Bond Dickinson was born in 1912 in Wilson, North Carolina. She received her Bachelor's degree from the Woman's College at the University of North Carolina and a Master's degree from the Teacher's College at Columbia University. In 1935, Dickinson moved to Tallahassee to teach dance at Florida State University. During her thirty years on the faculty, the program was modernized, and more emphasis was placed on creative expression. She is known for establishing high artistic standards that influence the School of Dance today. ","Dickinson's emphasis in dance study was with Louis Horst and Martha Graham, whom she brought twice to campus. She was instrumental in bringing other renowned artists in modern dance to Tallahassee through events like the FSU Artist Series. Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. She returned to live in Tallahassee in 2000 and passed away in 2003.","The Florida State University School of Dance Records contain promotional materials, programs, news clippings, photographs, correspondence, scrapbooks, school publications, dance scores, and other material documenting the school's performances and pedagogy.The collection consists of four series.","Series 1: Photographs contains prints, contact sheets, photographic negatives, and photographic slides documenting School of Dance performances and rehearsals, as well as guest performances at the school.","Series 2: Promotional Materials, Publicity, and Administrative Records contains posters, flyers, programs for performances and events, news clippings and magazines regarding performances and the school, press releases, booklets, School of Dance newsletters, correspondence, and photographs of performances and rehearsals.","Series 3: Biographical Files is split into two sub-series. 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Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Accessioned May 2, 2013"],"access_subjects_ssim":["Dance","Modern dance","Choreography"],"access_subjects_ssm":["Dance","Modern dance","Choreography"],"has_online_content_ssim":["false"],"extent_ssm":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"extent_tesim":["36 Linear Feet 35 boxes [17 record boxes, 14 oversize boxes, 4 slide boxes]"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in a remote storage location. 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Dickinson also established the Theatre Dance Group for which she choreographed and toured in the southeastern United States. She planned and directed the first Evening of Dance with the group, which the School of Dance still performs annually. After retiring from FSU as professor emerita in 1963, Dickinson continued teaching at Marymount College in Arlington, Virginia. 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