{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=2035\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=2034\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=2036\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":2035,"next_page":2036,"prev_page":2034,"total_pages":65767,"limit_value":10,"offset_value":20340,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"c56aab442b34ccc24cb98200_aspace_219328","type":"Item","attributes":{"title":"A brown Christmas [theatre program]., 1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c56aab442b34ccc24cb98200_aspace_219328#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTitle devised by library staff.|Cast: Hapi Phace, Richard Move, Clark Render, David Ilku|Director: Richard Move\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c56aab442b34ccc24cb98200_aspace_219328#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_219328","ref_ssm":["aspace_219328","aspace_219328"],"id":"c56aab442b34ccc24cb98200_aspace_219328","title_filing_ssi":"A brown Christmas [theatre program].","title_ssm":["A brown Christmas [theatre program]."],"title_tesim":["A brown Christmas [theatre program]."],"unitdate_other_ssim":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["A brown Christmas [theatre program]., 1992"],"text":["A brown Christmas [theatre program]., 1992","Degen Playbill Collection, 1895-2023","Item 20","/repositories/8/archival_objects/29186","box 1992 VOL 1","Title devised by library staff.|Cast: Hapi Phace, Richard Move, Clark Render, David Ilku|Director: Richard Move"],"component_level_isim":[1],"parent_ids_ssim":["c56aab442b34ccc24cb98200"],"parent_unittitles_ssm":["Degen Playbill Collection, 1895-2023"],"parent_unittitles_tesim":["Degen Playbill Collection, 1895-2023"],"parent_levels_ssm":["collection"],"unitid_ssm":["Item 20","/repositories/8/archival_objects/29186"],"repository_ssim":["The John A. 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Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students.","The Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection.","The John A. 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The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection."],"names_ssim":["The John A. Degen Resource Room at FSU"],"corpname_ssim":["The John A. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"containers_ssim":["OS 3-4"],"_nest_path_":"/components#2","_nest_parent_":"3550a94219bdb08ec1ada0a2","_root_":"3550a94219bdb08ec1ada0a2","_version_":1870859117393870848,"timestamp":"2026-07-16T08:24:49.873Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3550a94219bdb08ec1ada0a2","title_ssm":["Florida State College for Women Student Record Books"],"title_tesim":["Florida State College for Women Student Record Books"],"ead_ssi":"3550a94219bdb08ec1ada0a2","unitdate_ssm":["1890-1927","1913-1927"],"unitdate_bulk_ssim":["1913-1927"],"unitdate_inclusive_ssm":["1890-1927"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2009-003","/repositories/10/resources/700"],"text":["MSS 2009-003","/repositories/10/resources/700","Florida State College for Women Student Record Books, 1890-1927, bulk 1913-1927","Florida State College--Courses of Study","Florida State College--History","Florida State College for Women--Courses of Study","Florida State College for Women--History","Florida State College for Women--Students","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Student Record Books were maintained by the Registrar's Office of the Florida State College for Women and its predecessor institutions Florida State College, and The State Seminary West of the Suwanee River.","Processed by Burt Altman in 2009. Originally processed in April 1993 under MSS 0-367.","The Student Record Books contain information about each student who attended the State Seminary West of the Suwanee River from 1890-1899, the Florida State College, from 1905-1909, and Florida State College for Women, from 1913-1927. Data includes student name, name of parent or guardian, city of residence, date of admittance and graduation, courses taken, and grades.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","West Florida Seminary (Tallahassee, Fla.)","Florida State College for Women","Florida State College","English"],"unitid_tesim":["MSS 2009-003","/repositories/10/resources/700"],"normalized_date_ssm":["1890-1927, bulk 1913-1927"],"normalized_title_ssm":["Florida State College for Women Student Record Books, 1890-1927, bulk 1913-1927"],"collection_title_tesim":["Florida State College for Women Student Record Books, 1890-1927, bulk 1913-1927"],"collection_ssim":["Florida State College for Women Student Record Books, 1890-1927, bulk 1913-1927"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"access_subjects_ssim":["Florida State College--Courses of Study","Florida State College--History","Florida State College for Women--Courses of Study","Florida State College for Women--History","Florida State College for Women--Students"],"access_subjects_ssm":["Florida State College--Courses of Study","Florida State College--History","Florida State College for Women--Courses of Study","Florida State College for Women--History","Florida State College for Women--Students"],"has_online_content_ssim":["false"],"extent_ssm":["15.60 Linear Feet"],"extent_tesim":["15.60 Linear Feet"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Student Record Books were maintained by the Registrar's Office of the Florida State College for Women and its predecessor institutions Florida State College, and The State Seminary West of the Suwanee River.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Student Record Books were maintained by the Registrar's Office of the Florida State College for Women and its predecessor institutions Florida State College, and The State Seminary West of the Suwanee River."],"prefercite_html_tesm":["\u003cp\u003eFlorida State College for Women Student Record Books, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2009-003\u003c/p\u003e"],"prefercite_tesim":["Florida State College for Women Student Record Books, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2009-003"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Burt Altman in 2009. Originally processed in April 1993 under MSS 0-367.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Burt Altman in 2009. Originally processed in April 1993 under MSS 0-367."],"scopecontent_html_tesm":["\u003cp\u003eThe Student Record Books contain information about each student who attended the State Seminary West of the Suwanee River from 1890-1899, the Florida State College, from 1905-1909, and Florida State College for Women, from 1913-1927. Data includes student name, name of parent or guardian, city of residence, date of admittance and graduation, courses taken, and grades.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Student Record Books contain information about each student who attended the State Seminary West of the Suwanee River from 1890-1899, the Florida State College, from 1905-1909, and Florida State College for Women, from 1913-1927. Data includes student name, name of parent or guardian, city of residence, date of admittance and graduation, courses taken, and grades."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["West Florida Seminary (Tallahassee, Fla.)","Florida State College for Women","Florida State College"],"names_ssim":["FSU Special Collections \u0026 Archives","West Florida Seminary (Tallahassee, Fla.)","Florida State College for Women","Florida State College"],"corpname_ssim":["FSU Special Collections \u0026 Archives","West Florida Seminary (Tallahassee, Fla.)","Florida State College for Women","Florida State College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859117393870848,"_root_":"3550a94219bdb08ec1ada0a2","timestamp":"2026-07-16T08:24:49.873Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3550a94219bdb08ec1ada0a2_aspace_124486"}},{"id":"18ce43a3c782b797db9fa781_aspace_150377","type":"Item","attributes":{"title":"Absalom's pillar, Lerusalem Valley and Jehisaphat","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_150377#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white slide. By Underwood \u0026amp; Underwood.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_150377#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_150377","ref_ssm":["aspace_150377","aspace_150377"],"id":"18ce43a3c782b797db9fa781_aspace_150377","title_filing_ssi":"Absalom's pillar, Lerusalem Valley and Jehisaphat ","title_ssm":["Absalom's pillar, Lerusalem Valley and Jehisaphat "],"title_tesim":["Absalom's pillar, Lerusalem Valley and Jehisaphat "],"normalized_title_ssm":["Absalom's pillar, Lerusalem Valley and Jehisaphat"],"text":["Absalom's pillar, Lerusalem Valley and Jehisaphat","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides 39-76","Item 7","/repositories/2/archival_objects/81222","Black and white slide. By Underwood \u0026 Underwood."],"component_level_isim":[2],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_107987"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides 39-76"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides 39-76"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 7","/repositories/2/archival_objects/81222"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":47,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white slide. By Underwood \u0026amp; Underwood.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white slide. By Underwood \u0026 Underwood."],"_nest_path_":"/components#1/components#6","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_107987","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_150377"}},{"id":"e99b2ffd043af285d65e7685_aspace_10405","type":"File","attributes":{"title":"Ab-Sattbaqua., 1974.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e99b2ffd043af285d65e7685_aspace_10405#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_10405","ref_ssm":["aspace_10405","aspace_10405"],"id":"e99b2ffd043af285d65e7685_aspace_10405","title_filing_ssi":"Ab-Sattbaqua.","title_ssm":["Ab-Sattbaqua."],"title_tesim":["Ab-Sattbaqua."],"unitdate_other_ssim":["1974."],"normalized_date_ssm":["1974."],"normalized_title_ssm":["Ab-Sattbaqua., 1974."],"text":["Ab-Sattbaqua., 1974.","Howard J. 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Duerr Collection contains horror fantasy literary publications from the first half of the twentieth century, containing contributors' original commentary, prose and verse celebrating the Cthulhu Mythos literary school typified by psychological horror masters H.P. Lovecraft, August Derleth and Clark Ashton Smith. The collection also incorporates Duerr's personal papers, including his correspondence and writings.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Personal Files, 1920-1978 contain the personal papers of Duerr. The series includes his academic and employment records; however, the bulk of the series is Duerr's personal and professional correspondence and his own writings. Of interest in this series is Duerr's correspondence with science fiction writers such as August Derleth, as well as bound copies of his thesis and dissertation.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Collected Materials, 1915-1977 consist mainly of Duerr's large science fiction literature collection. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_103a3a9ef634e7cdaa82238b63270ed7\" label=\"Abstract\"\u003eHoward J. Duerr was a writer and collector of horror fantasy and science fiction literature. This collection includes his own writings, his correspondence with authors and his large collection of horror fantasy fanzines and other literary works.\u003c/abstract\u003e"],"abstract_tesim":["Howard J. Duerr was a writer and collector of horror fantasy and science fiction literature. This collection includes his own writings, his correspondence with authors and his large collection of horror fantasy fanzines and other literary works."],"names_ssim":["UCF Special Collections","Duerr, Howard J., 1911-1978"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Duerr, Howard J., 1911-1978"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":351,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e99b2ffd043af285d65e7685","timestamp":"2026-07-11T02:50:58.750Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e99b2ffd043af285d65e7685_aspace_10405"}},{"id":"ed077e60eb73ac6816605368_aspace_916158e495d1f192bfd1c6095d55db7c","type":"Series","attributes":{"title":"Abscission Chemicals","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ed077e60eb73ac6816605368_aspace_916158e495d1f192bfd1c6095d55db7c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_916158e495d1f192bfd1c6095d55db7c","ref_ssm":["aspace_916158e495d1f192bfd1c6095d55db7c","aspace_916158e495d1f192bfd1c6095d55db7c"],"id":"ed077e60eb73ac6816605368_aspace_916158e495d1f192bfd1c6095d55db7c","title_filing_ssi":"Abscission Chemicals","title_ssm":["Abscission Chemicals"],"title_tesim":["Abscission Chemicals"],"normalized_title_ssm":["Abscission Chemicals"],"text":["Abscission Chemicals","Glenn Coppock Collection, 1949-2007","/repositories/3/archival_objects/25395","box 4"],"component_level_isim":[1],"parent_ids_ssim":["ed077e60eb73ac6816605368"],"parent_unittitles_ssm":["Glenn Coppock Collection, 1949-2007"],"parent_unittitles_tesim":["Glenn Coppock Collection, 1949-2007"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/25395"],"repository_ssim":["Thomas B. 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For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 4"],"_nest_path_":"/components#10","_nest_parent_":"ed077e60eb73ac6816605368","_root_":"ed077e60eb73ac6816605368","_version_":1870852009075146752,"timestamp":"2026-07-16T06:31:50.851Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ed077e60eb73ac6816605368","title_ssm":["Glenn Coppock Collection"],"title_tesim":["Glenn Coppock Collection"],"ead_ssi":"ed077e60eb73ac6816605368","unitdate_ssm":["1949-2007"],"unitdate_inclusive_ssm":["1949-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT5050","/repositories/3/resources/134"],"text":["CIT5050","/repositories/3/resources/134","Glenn Coppock Collection, 1949-2007","Citrus fruits--Harvesting--Florida","Citrus fruits--Harvesting--Florida","Agricultural chemicals--Florida","Citrus fruit industry--Florida--History.","Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings","This collection is open for research. 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It also contains photographs of machinery in use.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT5050","/repositories/3/resources/134"],"normalized_date_ssm":["1949-2007"],"normalized_title_ssm":["Glenn Coppock Collection, 1949-2007"],"collection_title_tesim":["Glenn Coppock Collection, 1949-2007"],"collection_ssim":["Glenn Coppock Collection, 1949-2007"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated by Debbie DeWitte in 2012."],"access_subjects_ssim":["Citrus fruits--Harvesting--Florida","Citrus fruits--Harvesting--Florida","Agricultural chemicals--Florida","Citrus fruit industry--Florida--History.","Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings"],"access_subjects_ssm":["Citrus fruits--Harvesting--Florida","Citrus fruits--Harvesting--Florida","Agricultural chemicals--Florida","Citrus fruit industry--Florida--History.","Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":[".92 Linear Feet 4 Legal Standard Archival Document Containers"],"extent_tesim":[".92 Linear Feet 4 Legal Standard Archival Document Containers"],"genreform_ssim":["Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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It also contains photographs of machinery in use.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains comprehensive information relating to the development of mechanical harvesting machinery and the process of invention and marketing.  It has detailed records of various designs for machinery, as well as the abscission chemicals used to make mechanical harvesting easier.  It also contains photographs of machinery in use."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Mack Florida Citrus Archives"],"collection_ssim":["Tom Oswalt Collection, 1960s-1970s"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in\nadvance for access to unprocessed born digital materials in this collection. Collection\nrestrictions, copyright limitations, or technical complications may hinder the archives' ability to\nprovide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Tom Oswalt Collection is owned by Florida Southern College. This collection is\nprotected by copyright and/or related rights. You are free to use this Item in any way that is\npermitted by the copyright and related rights legislation that applies to your use. For other uses\nyou need to obtain permission from the rights-holder(s)."],"date_range_isim":[1970,1971],"containers_ssim":["folder 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"0f267e1f2eae6175c38708fc_aspace_5c89541f7b9e0b183f8f8d87ddbea5b1","_root_":"0f267e1f2eae6175c38708fc","timestamp":"2026-07-11T02:35:14.477Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0f267e1f2eae6175c38708fc","title_ssm":["Tom Oswalt Collection"],"title_tesim":["Tom Oswalt Collection"],"ead_ssi":"0f267e1f2eae6175c38708fc","unitdate_ssm":["1960s-1970s"],"unitdate_inclusive_ssm":["1960s-1970s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT2055","/repositories/3/resources/71"],"text":["CIT2055","/repositories/3/resources/71","Tom Oswalt Collection, 1960s-1970s","Oswalt, Thomas 1935-","Agricultural extension work--Florida--Polk County","Citrus fruit industry--Florida--Polk County","Citrus fruits--Diseases and pests--Control","Citrus fruits--Marketing--Florida","Frost protection--Florida","Agricultural chemicals--Florida","Irrigation--Florida--Polk County","This collection is open for research. Researchers must contact McKay Archives in\nadvance for access to unprocessed born digital materials in this collection. Collection\nrestrictions, copyright limitations, or technical complications may hinder the archives' ability to\nprovide access to unprocessed born digital materials.","Thomas Oswalt enjoyed a 36-year career as an Extension agent for the Polk County,\nFlorida area. He was also involved with the Junior Citrus Institute. Unfortunately, not much\nadditional information was available. We hope to update this biography soon.","This collection has been processed at a basic level in an effort to make this\ncollection available in the shortest amount of time. Misfiled documents and other errors\nmay be present.","The materials in this collection reflect the subject's work as an Extension agent in Polk\nCounty, Florida during the 1960s and 1970s. The collection includes reports, correspondence,\nand reference material used in the course of the work.","The Tom Oswalt Collection is owned by Florida Southern College. This collection is\nprotected by copyright and/or related rights. You are free to use this Item in any way that is\npermitted by the copyright and related rights legislation that applies to your use. For other uses\nyou need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","Thomas Oswalt","English"],"unitid_tesim":["CIT2055","/repositories/3/resources/71"],"normalized_date_ssm":["1960s-1970s"],"normalized_title_ssm":["Tom Oswalt Collection, 1960s-1970s"],"collection_title_tesim":["Tom Oswalt Collection, 1960s-1970s"],"collection_ssim":["Tom Oswalt Collection, 1960s-1970s"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. 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For other uses\nyou need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["Materials were donated by the subject to Thomas Mack of the Florida Citrus Archives"],"access_subjects_ssim":["Oswalt, Thomas 1935-","Agricultural extension work--Florida--Polk County","Citrus fruit industry--Florida--Polk County","Citrus fruits--Diseases and pests--Control","Citrus fruits--Marketing--Florida","Frost protection--Florida","Agricultural chemicals--Florida","Irrigation--Florida--Polk County"],"access_subjects_ssm":["Oswalt, Thomas 1935-","Agricultural extension work--Florida--Polk County","Citrus fruit industry--Florida--Polk County","Citrus fruits--Diseases and pests--Control","Citrus fruits--Marketing--Florida","Frost protection--Florida","Agricultural chemicals--Florida","Irrigation--Florida--Polk County"],"has_online_content_ssim":["false"],"extent_ssm":[".83 Linear Feet"],"extent_tesim":[".83 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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Misfiled documents and other errors\nmay be present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's work as an Extension agent in Polk\nCounty, Florida during the 1960s and 1970s. The collection includes reports, correspondence,\nand reference material used in the course of the work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's work as an Extension agent in Polk\nCounty, Florida during the 1960s and 1970s. The collection includes reports, correspondence,\nand reference material used in the course of the work."],"userestrict_html_tesm":["\u003cp\u003eThe Tom Oswalt Collection is owned by Florida Southern College. This collection is\nprotected by copyright and/or related rights. You are free to use this Item in any way that is\npermitted by the copyright and related rights legislation that applies to your use. For other uses\nyou need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Tom Oswalt Collection is owned by Florida Southern College. This collection is\nprotected by copyright and/or related rights. You are free to use this Item in any way that is\npermitted by the copyright and related rights legislation that applies to your use. For other uses\nyou need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Thomas Oswalt"],"corpname_ssim":["Thomas B. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"language_ssim":["Two Chinese Lyrics"],"containers_ssim":["box 01","folder 04"],"odd_html_tesm":["\u003cp\u003eA recto print of a woodcut. Frederick Peterson\u003c/p\u003e","\u003cp\u003eG. 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Schirmer","New York","Ta-Shun, Pai","Rogers, James H."],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_209efaa052396fcee361deb61e19fcd7\"\u003ePiano, Voice\u003c/materialspec\u003e"],"materialspec_tesim":["Piano, Voice"],"_nest_path_":"/components#0/components#0/components#3","_nest_parent_":"0c6450679382733623a42e56_aspace_70311","_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0c6450679382733623a42e56","title_ssm":["Derna DePamphilis Music Collection"],"title_tesim":["Derna DePamphilis Music Collection"],"ead_ssi":"0c6450679382733623a42e56","unitdate_ssm":["1885-1962","1935-1950"],"unitdate_bulk_ssim":["1935-1950"],"unitdate_inclusive_ssm":["1885-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00011","/repositories/2/resources/5"],"text":["PMC00011","/repositories/2/resources/5","Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.","The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00011","/repositories/2/resources/5"],"normalized_date_ssm":["1885-1962, bulk 1935-1950"],"normalized_title_ssm":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_title_tesim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"collection_ssim":["Derna DePamphilis Music Collection, 1885-1962, bulk 1935-1950"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["10.50 Linear Feet","20 boxes other_unmapped"],"extent_tesim":["10.50 Linear Feet","20 boxes other_unmapped"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2014, Christie Riganati, Teresa Van Dyke, and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Derna DePamphilis Music Collection includes opera scores (many with her performance notations) and libretti. The libretti collection consists of late nineteenth and early twentieth century libretti from various publishers. The majority of the works are from Italian composers, but there are also some representations of French, German and English works."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1053,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"0c6450679382733623a42e56","timestamp":"2026-07-09T02:19:30.349Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0c6450679382733623a42e56_aspace_70316"}},{"id":"6c35a4c2e4d993bf54a36dbf_aspace_210171","type":"Item","attributes":{"title":"\"Absence Makes the Heart Grow Fonder\", February 2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6c35a4c2e4d993bf54a36dbf_aspace_210171#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\"Absence Makes the Heart Grow Fonder\" by Virginia R. Vandegriff. Vandegriff describes her daily activities as a civilian during WWII. During the war, she was married to her husband, Bob, who eventually became a POW in Austria. Her account chronicles her days as a university student, meeting her husband, and finally the declaration of war on Japan following the attack on Pearl Harbor.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6c35a4c2e4d993bf54a36dbf_aspace_210171#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_210171","ref_ssm":["aspace_210171","aspace_210171"],"id":"6c35a4c2e4d993bf54a36dbf_aspace_210171","title_filing_ssi":"\"Absence Makes the Heart Grow Fonder\"","title_ssm":["\"Absence Makes the Heart Grow Fonder\""],"title_tesim":["\"Absence Makes the Heart Grow Fonder\""],"unitdate_other_ssim":["February 2001"],"normalized_date_ssm":["February 2001"],"normalized_title_ssm":["\"Absence Makes the Heart Grow Fonder\", February 2001"],"text":["\"Absence Makes the Heart Grow Fonder\", February 2001","Clarke M. Brandt collection, 1939-2003, Date acquired: 10/29/2002, bulk 1943","Item 18","/repositories/10/archival_objects/128293","box 02.0458","object 018","\"Absence Makes the Heart Grow Fonder\" by Virginia R. Vandegriff. Vandegriff describes her daily activities as a civilian during WWII. During the war, she was married to her husband, Bob, who eventually became a POW in Austria. Her account chronicles her days as a university student, meeting her husband, and finally the declaration of war on Japan following the attack on Pearl Harbor."],"component_level_isim":[1],"parent_ids_ssim":["6c35a4c2e4d993bf54a36dbf"],"parent_unittitles_ssm":["Clarke M. Brandt collection, 1939-2003, Date acquired: 10/29/2002, bulk 1943"],"parent_unittitles_tesim":["Clarke M. 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Army Reserve and was called to active duty in 1940.  For the next nine years, Brandt followed his father from army duty station to duty station.  He received a Bachelor of Science degree in Biology from New Mexico Military Institute, Roswell, New Mexico.","Brandt was commissioned a second lieutenant in the U. S. Army on June 2, 1953.  He spent the next 28 years in the Army which included tours in Alaska, Korea, Vietnam, and West Germany.  He was awarded the Combat Medical Badge in Vietnam.  In 1972, the Army sent him to the University of Northern Colorado to obtain a master's degree in education.  He retired from active military duty on May 1, 1981, at which time he was awarded the Legion of Merit.  Since his retirement, he has been a full-time instructor at the Army Education Center, Fitzsimons Army Medical Center, Aurora, Colorado.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The collection of Clarke M. Brandt contains an oral history transcript and various publications about army life during World War II. In it are examples such as George (Bob) Caron who was a tail gunner on the \"Enola Gay\" B-29 Bomber. 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Army--Military life","Bombing, Aerial--Japan","Prisoners of war--United States","World War, 1939-1945--Pacific Ocean-- Naval operations, American"],"access_subjects_ssm":["Hiroshima-shi (Japan)--History--Bombardment, 1945","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Pacific Area","Air pilots, Military--United States","Air defenses--United States","Airplanes, Military--United States--History","United States. Air Force--History","United States. Army Air Forces--Military life","United States. Marine Corps--History--20th century","United States. Marine Corps--Military life","Dogs--War use","Prisoners of war--Germany--History--20th century","Prisoners of war--Austria--History--20th century","France--History--German occupation, 1940-1945","B-17 bomber","Atomic bomb--Japan--History--20th century","Japan--History, Military","Japan--History--1945-","Japan--History--Allied occupation, 1945-1952","World War, 1939-1945--Japan","World War, 1939-1945--Japan--Surrender","United States. Army--History","United States. Army--Military life","Bombing, Aerial--Japan","Prisoners of war--United States","World War, 1939-1945--Pacific Ocean-- Naval operations, American"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eCreator\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Creator"],"bioghist_html_tesm":["\u003cp\u003eClarke M. 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Army Reserve and was called to active duty in 1940.  For the next nine years, Brandt followed his father from army duty station to duty station.  He received a Bachelor of Science degree in Biology from New Mexico Military Institute, Roswell, New Mexico.","Brandt was commissioned a second lieutenant in the U. S. Army on June 2, 1953.  He spent the next 28 years in the Army which included tours in Alaska, Korea, Vietnam, and West Germany.  He was awarded the Combat Medical Badge in Vietnam.  In 1972, the Army sent him to the University of Northern Colorado to obtain a master's degree in education.  He retired from active military duty on May 1, 1981, at which time he was awarded the Legion of Merit.  Since his retirement, he has been a full-time instructor at the Army Education Center, Fitzsimons Army Medical Center, Aurora, Colorado."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Clarke M. 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Also included are pamphlets and newsletters including \"War Buddies,\" which covers the relationship between a soldier and his canine companion through his years as a member of the US Marine Corps. \"War Buddies\" is written by Earle Welch and Dick Roberts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Clarke M. Brandt contains an oral history transcript and various publications about army life during World War II. In it are examples such as George (Bob) Caron who was a tail gunner on the \"Enola Gay\" B-29 Bomber. The oral history includes Caron's eyewitness account of the bomb being dropped on Hiroshima. Also included are pamphlets and newsletters including \"War Buddies,\" which covers the relationship between a soldier and his canine companion through his years as a member of the US Marine Corps. \"War Buddies\" is written by Earle Welch and Dick Roberts."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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European Theater of Operations","United States. Army. Cavalry Division, 1st"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Air Force","United States. Army Air Forces","United States. Marine Corps","United States. Army Air Forces. Air Force, 8th","United States. Army. European Theater of Operations","United States. Army. Cavalry Division, 1st","Brandt, Clarke M."],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Air Force","United States. Army Air Forces","United States. Marine Corps","United States. Army Air Forces. Air Force, 8th","United States. Army. European Theater of Operations","United States. Army. 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W. (Hamish William)","Dillea, Herbert","Dance orchestra music","Florida State College for Women--Songs and music","Sheet music--United States--History","English","This folder contains the following parts: ","1st Violin, 1st Clarinet in Bb, Piano, Drums, 1st Cornet in Bb, Bass, 2nd Violin, Trombone, 2nd Cornet in Bb, Viola, and Flute (Piccolo)."],"component_level_isim":[2],"parent_ids_ssim":["62e70642a5088e39d98ef045","62e70642a5088e39d98ef045_aspace_7b2c47102a0088b10ee5233a28812e1f"],"parent_unittitles_ssm":["Early 20th Century Dance Band Music Collection, 1891-1922","Series One: Dance Band Arrangements"],"parent_unittitles_tesim":["Early 20th Century Dance Band Music Collection, 1891-1922","Series One: Dance Band Arrangements"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 129","/repositories/12/archival_objects/220966"],"repository_ssim":["Allen Music Library Special Collections"],"collection_ssim":["Early 20th Century Dance Band Music Collection, 1891-1922"],"creator_ssim":["Mackie, H. W. (Hamish William)","Dillea, Herbert"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":130,"parent_access_restrict_tesm":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"date_range_isim":[1900],"names_ssim":["Mackie, H. W. (Hamish William)","Dillea, Herbert"],"persname_ssim":["Mackie, H. W. (Hamish William)","Dillea, Herbert"],"access_subjects_ssim":["Dance orchestra music","Florida State College for Women--Songs and music","Sheet music--United States--History"],"access_subjects_ssm":["Dance orchestra music","Florida State College for Women--Songs and music","Sheet music--United States--History"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e","\u003cp\u003e1st Violin, 1st Clarinet in Bb, Piano, Drums, 1st Cornet in Bb, Bass, 2nd Violin, Trombone, 2nd Cornet in Bb, Viola, and Flute (Piccolo).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains the following parts: ","1st Violin, 1st Clarinet in Bb, Piano, Drums, 1st Cornet in Bb, Bass, 2nd Violin, Trombone, 2nd Cornet in Bb, Viola, and Flute (Piccolo)."],"_nest_path_":"/components#0/components#128","_nest_parent_":"62e70642a5088e39d98ef045_aspace_7b2c47102a0088b10ee5233a28812e1f","_root_":"62e70642a5088e39d98ef045","timestamp":"2026-07-11T02:32:34.404Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"62e70642a5088e39d98ef045","title_ssm":["Early 20th Century Dance Band Music Collection"],"title_tesim":["Early 20th Century Dance Band Music Collection"],"ead_ssi":"62e70642a5088e39d98ef045","unitdate_ssm":["1891-1922"],"unitdate_inclusive_ssm":["1891-1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2022-02","/repositories/12/resources/1935"],"text":["FSUML-2022-02","/repositories/12/resources/1935","Early 20th Century Dance Band Music Collection, 1891-1922","Sheet music--United States--History","Dance","Florida State College for Women--Songs and music","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","This collection is divided into 218 folders and two series. The first contains published scores and parts, the second contains folios with various scores.","This collection contains 218 popular music dance band selections from the late 19th and early 20th centuries. Composer represented here include: Spencer Adams; Russell Alexander; Harry L. Alford; Egbert van Alstyne; Will R. Anderson; Bert R. Anthony;  Fred T. Ashton;  Charles L. Van Baar;  Ernest R. Ball;  Ashley Ballou;  A.W. Bauer;  C.W. Bennet;  Irving Berlin; Leo E. Berliner;  Milton D. Blake, H.B. Blank and Schwartz;  N. Bousquet;  E.L. Bowman;  Edmund Braham; R.H. Brennen; Louise Breau;  G.B. Brigham;  Fred C. Brooks; Shelton Brooks; Will M.S. Brown;  Ernest Bucalossi;  Benjamin Burt;  Carl Carlton ; Ivan Caryll;  W.P. Chambers; James P. Conlin; Charles L. Cooke ; G.F. Daniels;  Denni; Herbert Dillea;  Will E. Dulmage; O.R. Farrar; Carl Fischer; Bayard E. Foote; A. Ford; Rudolf Friml;  Joseph Gearen; T. Mayo Geary;  Gilbert, Friedland and Morgan;  Gilbert and Muir; L. Wolfe Gilbert;  Vivian Grey (Mabel McKinley);  Gumble and Blake;  Fred W. Hager;  John T. Hall;  R.B. Hall;  Edward Hazel; Milt H. Hall;  H.L. Heartz;  J. Fred Helf; S.R. Henry;  Victor Herbert; Pierre Heyendal;  Williams Hill;  Louis H. Hirsche;  Abe Holzmann;  Joseph E. Howard;   Raymond Hubbell; Fred K. Huffer;  Herbert Ingraham;  Bob Irving;  Victor Jacobi;  Walter Jacobs (publisher);  Carrie Jacobs-Bond;  Jerome and Schwartz;  Ben M. Jerome;  Frank H. Jimerson;  Charles L. Johnson;  Archibald Joyce;  Ruby Kalmar;  Kapulè Kanoa;  Mel Kaufman;  F. Henri Klickmann; John N. Klohr; Clare Kummer;  J. Bodewalt Lampe;  L.P. Laurendeau;  Sidney Leroy;  John Leubrie Hill;  Harry J. Lincoln;  Edward Llewellyn; E.E. Loftis;  F.H. Losey;  Gustav Luders;  Cecil Mack and Chris Smith; W.H. Mackie;  Gifford Mellor;  J.W. Menges;  Roy O. Myers; Kerry Mills; E. Milok;  Neil Moret;  Theo F. Morse;  Theo Moses-Tobani;  Lewis F. Muri and Maurice Abrahams; Gilbert Muir; O'Donnell and Smith; William C. O'Hare; Lee Orean Smith; William Penn and Edward Hutchinson;  Clarence J. Penney;  William Frederick Peters;  Al Piantadosi;  Georg Porepp;  Arthur Pryor;  Add J. Ressegue;  Henry Restorff; F.R. Seltzer;  J. Lawrence Ritchie;  Charles J. Roberts;  Walter Rolfe;  Selden-Ingraham and Kendis-Payley;  Shannon and Johnson;  Albert Sirmay;  Arthur Sizemore and Egbert van Alstyne; Maurice F. Smith, Jack Snyder, Ted Snyder, Richard Stahl, B.H. Starks, George Stevens, G. Van Stone, John Stromberg, Thurban and Berger; Ludomir Thomas, Harry von Tilzer, George J. Trinkaus, C.E. Vadersloot, Paul Wachs, E. Waldteufel, Charles B. Ward, Freddy Watson, R.L. Weaver, Arthur Wellesly, Percy Wenrich, Wenrich and Blanke-Belcher, Wenrich and Dunlap, Werden and Gladdish, E.M. Wheatley, White and Lloyd, H. Lane Wilson, L.O. De Witt, L. Wolfe Gilbert and Robert E. Keiser Arthur Wood, Pedro de Zulueta, Wooster and Smith, Ellen Wright, Jack Yellen and Abe Olman, C.F. Zerbe and Harry Zickel. \n\nArrangers represented include: Harry L. Alford; Hilding Anderson; J.C. Arnold; Emile Asher; Fred T. Ashton; Frank E. Barry; C.F. Bauer; Robert Russell Bennett; J. Lampe Bodewalt; M.I. Brazil; Geo. F. Briegel; Charles F. Carey; Carl Carlton; J.W. Chattaway; Tom Clark; F.W. Clement; James P. Conlin; H.A. Dahlman; Ribé Danmark; Ivan L. Davis; S. Deshon; C. Dotzler; C.A. Egener; Everett J. Evans; Herman Friederich; John T. Hall; R. L. Halle; J.C. Heed; T.W. Hindley; S. Jergensen; Charles L. Johnson; Stephen Jones; Stephen O. Jones; Dave Kaplin; Louis Katzman; Carl Kiefert; F. Henri Klickmann; John N. Klohr; Arthur Lange; Otto Langey; L. P. Laurendeau; F.H. Losey; W.H. Mackie; James C. McCabe; McKee;  J. Messina; Charles Miller; Theo- Moses-Tobani; William C. O'Hare; D. Onivas Charles Puerner; Charles Quinn; William M. Redfield F.; Robert Recker; J. Ringleben Jr.; Charles J. Roberts; E. Rosales; Frank Saddler; 'La Salle;' Schaefer; E. R. Schremser; William Schul; Lee Orean Smith; Maurice S. Smith; Fred White; Carl F. Williams; L. O. Witt; and Arthur Wood. \n\n\nStatement on Potentially Harmful Content: \n\nMany of the items in our collections are reflective of the time period in which they were created, rather than the current beliefs and values of our institution. They may contain offensive or outdated language and imagery because of content relating to ability, gender, race, religion, sexuality, sexual orientation, and other categories. While some descriptions in our finding aids are written by staff, others reflect language that was used by the people and organizations that created the material. When we encounter problematic language that we believe a staff member created, we update it. Language that comes from the original archival material can provide information about the people who created it. In such cases, library staff members strive to provide additional context whenever possible.","Allen Music Library Special Collections","Adams, Spencer L. (Spencer Lionel), 1870-","Smith, Lee Orean, 1874-1942","Alford, Harry L. (Harry LaForest) (1875-08-19390304)","Van Alstyne, Egbert (Egbert Anson), 1882-1951","Anderson, Will R., -1927","O'Hare, William Christopher (1867-05-09-1946-10-22)","Odell, H. F. (Herbert Forrest), 1872-1926","Anthony, Bert R. (Herbert Ray) (18760908-1923)","Brazil, M. I.","Ashton, Fred T.","Van Baar, Chas. L. (Charles L.)","Hindley, T. W.","Ball, Ernest R., 1878-1927","Katzman, Louis","Ballou, Ashley","Davis, Ivan L.","Bauer, A.W. ","Bauer, C.W. ","Bennet, Charles William, 1849-1926","Berlin, Irving, 1888-1989","Schulz, Wm. (William), 1882 or 1883-1945","Snyder, Ted, 1881-1965","Berliner, Leo E.","Blake, Milton D. ","Carey, Chas. F. (Charles F.)","Blanke-Belcher, Henriette (18820216-1958-03)","Lampe, J. B. (Jens Bodewalt), 1869-1929","Schwartz, Jean, 1878-1956","Redfield, William M. (William Moore), 1867-1938","Bousquet, Narcisse (1800?-1869-08-29)","Bowman, Euday L. (Euday Louis), 1887-1949","Braham, Edmund","Hall, John T., (Composer)","Brennen, Robert H.","Puerner, Charles, 1849-1905","Brigham, G. B.","Brooks, Fred C.","Brooks, Shelton (18860504-19750906)","Thurban, T. W. (Thomas W.) (1874-1969)","Brown, Will M. S.","Bucalossi, Ernest, 1863-1933","Burt, Benjamin Hapgood, 1882-1950","Carlton, Carl","Caryll, Ivan, 1861-1921","Deshon, S.","Chambers, William Paris, 1854-1913","Sudds, W. F. (William F.), 1843-1920","Merkler, Andor, 1862-1922","Frey, E. H.","Laurendeau, L. P. (Louis Philippe), 1861-1916","Reeves, G. H.","Chattaway, Jay (Jay A.) (1946-07-08)","Chattaway, Thurland, 1872-1947","Mills, Kerry, 1869-1948","Coogan, Jack","Violinsky","Recker, Robert, (Arranger)","Cruger, Dox","Denni, Lucien, 1886-1947","Dulmage, Will E., 1883-1953","Fischer, Carl von, 1803-1889","Foote, Bayard E.","Ford, A.","Rosales, Eustasio, approximately 1870-1937","Friml, Rudolf, 1879-1972","Gearen, Joseph","Geary, T. Mayo","Evans, James E. ","Gilbert, L. Wolfe (Louis Wolfe), 1886-1970","Friedland, Anatol, 1881-1938","Morgan, Carey, 1885-1960","Onivas, D.","Henry, S. R., 1874-1966","Muir, Lewis F., 1884-1950","Jones, Stephen, 1880-1967","Smith, Chris","Grey, Vivian (Vivian Hoffman)","McKinley, Mabel, -1937","Gumble, Albert, 1883-1946","Hager, Frederick W. (Frederick Wallace), 1874-1958","Ringleben, J., Jr. ","Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. C.","Clement, F. W.","Halle, Roger","Harris, Sydney P.","Hartz, B.","Hatfield, Roy","Losey, F. H. (Frank Hoyt), 1870-1931","Hazel, Edward","Daniels, G. F. (George Fisher), 1821-","Heartz, H. L. (Harry Lawson)","Anderson, Hilding","Helf, J. Fred (1870)","Herbert, Victor (Victor August), 1859-1924","Langey, Otto, 1851-1922","Heyendal, Pierre","Hill, J. Leubrie (John Leubrie), -1916","McCabe, James C. (James C.) (19)","Klickmann, F. Henri (Frank Henri), 1885-1966","Hirsch, Louis A. (Louis Achille), 1881-1924","Jergensen, S.","Holzmann, Abe, 1874-1939","Mackie, H. W. (Hamish William)","Tobani, Theo. M. (Theodore Moses), 1855-1933","Howard, Joseph E. (Joseph Edgar), -1961","Hubbell, Raymond (John Raymond), 1879-1954","Huffer, Fred","Ingraham, Herbert, 1881-1910","Irving, Bob","White, Fred, (Composer)","Jacobi, Victor (Victor Friedrich Leopold), 1809-1892","Breau, Louis, 1893-1928","Bennett, Robert Russell, 1894-1981","Jacobs, Walter, 1868-1945","Jerome, William, active 1896","Jerome, Benjamin M., 1881-1938","Clark, Thomas, 1854-1943","Dahlman, H.A.","Jimerson, Frank H.","Johnson, Chas. L. (Charles Leslie), 1876-1950","Barry, Frank E. (Frank Edward) (1883-05-27-1937-12-13)","Joyce, Archibald, 1873-1963","Asher, Emile","Kalmar, Bert, 1884-1947","Ahlert, Fred E. (Fred Emil), 1892-1953","Ruby, Harry (1895-01-27-1974-02-23)","Lange, Arthur, 1889-1956","Kanoa, Kapulè","Kaufman, Mel B. (Melville Bernd), 1879-1932","Kaplan, Dave, (Pianist)","Savino, Domenico, 1882-1973","Keiser, Robert A., 1862-1932","Klohr, John N., 1869-1956","Hall, Milt. H.","Kummer, Clare Beecher, 1886-1958","Saddler, Frank (1864-09-09-1921-03-25)","Leroy, Sidney","Lincoln, Harry J., 1878-1937","Loftis, E. E.","Farrar, O. R.","Mack, Cecil, 1883-1944","Dillea, Herbert","Mellor Gifford, Composer","Trevor, Huntley","Menge, J. Wilmer (Joseph Wilmer), 1905-1987","Messina, J.","Conlin, James P.","Milok, E.","Lewis, W.","Moret, Neil, 1878-1943","Abrahams, Maurice, 1883-1931","Myers, Roy O.","O'Donnell, Charley ","Heath, Bobby, 1889-1952","Danmark, Ribé","Penn, William H.","Quinn, Charles","Hutchison, Edward, (Composer)","Egener, C. A.","Penney, Clarence J.","Piantadosi, Al, 1884-1955","Alexander, Russell, 1877-1915","Porepp, Georg (1875-1942)","Roberts, Charles J. (1868-07-25-1957-08-03)","Pryor, Arthur (Arthur Willard), 1870-1942","Ressegue, Addison J.","Restorff, Henry","Seltzer, F. R.","Ritchie, J. Lawrence","Rolfe, Walter, 1880-1944","Friedrich, Herman","Selden, Edgar","Kendis, James, 1883-1946","Paley, Herman, 1879-1955","Shannon, J. R. (James Royce), 1881-1946","Sirmay, Albert (1880-07-02-1967-01-15)","Higgs, H. M.","Wood, Arthur (Arthur Henry), 1875-1953","Sizemore, Arthur, 1891-1954","Smith, Maurice F., 1872-1925","Snyder, Jack, (Composer)","Briegel, George F. (George Frederick), 1890-1968","Stahl, Richard, 1860?-1899","Starks, B. H.","Stevens, George A. (George Alex), 1874-1954","Stone, G. Van","Stromberg, John, 1853-1902","Thomas, Ludomir","Von Tilzer, Harry, 1872-1946","Evans, Everett J.","Trinkaus, George J., 1878-1960","Vandersloot, Carl D., 1878-1937","Wachs, Paul, 1851-1915","Waldteufel, Emil, 1837-1915","Ward, Charles B.","De Witt, L. O.","Watson, Freddy","Weaver, R. L.","Hughes, Arthur Wellesley, approximately 1870-approximately 1950","Wenrich, Percy, 1887-1952","Dunlap","McKee","Werden, W. L. ","Gladdish, Frederick E.","Dotzler, C. ","Wheatley, E. M.","White and Lloyd","Zulueta, Pedro de, (Musician)","Wright, Ellen Riley (1859-1904)","Kiefert, Carl","Yellen, Jack, 1892-1991","Olman, Abe","La Salle, Victor","Zerbe, C. F.","Zickel, Harry H.","Schremser, E. R.","English"],"unitid_tesim":["FSUML-2022-02","/repositories/12/resources/1935"],"normalized_date_ssm":["1891-1922"],"normalized_title_ssm":["Early 20th Century Dance Band Music Collection, 1891-1922"],"collection_title_tesim":["Early 20th Century Dance Band Music Collection, 1891-1922"],"collection_ssim":["Early 20th Century Dance Band Music Collection, 1891-1922"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"acqinfo_ssim":["The provenance is unknown, but markings on these scores suggest that they belonged to students at the Florida State College for Women."],"access_subjects_ssim":["Sheet music--United States--History","Dance","Florida State College for Women--Songs and music"],"access_subjects_ssm":["Sheet music--United States--History","Dance","Florida State College for Women--Songs and music"],"has_online_content_ssim":["false"],"extent_ssm":["218 folders"],"extent_tesim":["218 folders"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 218 folders and two series. The first contains published scores and parts, the second contains folios with various scores.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 218 folders and two series. The first contains published scores and parts, the second contains folios with various scores."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Early 20th Century Dance Band Music Collection, Warren D. Allen Music Library, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Early 20th Century Dance Band Music Collection, Warren D. Allen Music Library, Tallahassee, Florida."],"abstract_tesim":["This collection contains 218 popular music dance band selections from the late 19th and early 20th centuries. Composer represented here include: Spencer Adams; Russell Alexander; Harry L. Alford; Egbert van Alstyne; Will R. Anderson; Bert R. Anthony;  Fred T. Ashton;  Charles L. Van Baar;  Ernest R. Ball;  Ashley Ballou;  A.W. Bauer;  C.W. Bennet;  Irving Berlin; Leo E. Berliner;  Milton D. Blake, H.B. Blank and Schwartz;  N. Bousquet;  E.L. Bowman;  Edmund Braham; R.H. Brennen; Louise Breau;  G.B. Brigham;  Fred C. Brooks; Shelton Brooks; Will M.S. Brown;  Ernest Bucalossi;  Benjamin Burt;  Carl Carlton ; Ivan Caryll;  W.P. Chambers; James P. Conlin; Charles L. Cooke ; G.F. Daniels;  Denni; Herbert Dillea;  Will E. Dulmage; O.R. Farrar; Carl Fischer; Bayard E. Foote; A. Ford; Rudolf Friml;  Joseph Gearen; T. Mayo Geary;  Gilbert, Friedland and Morgan;  Gilbert and Muir; L. Wolfe Gilbert;  Vivian Grey (Mabel McKinley);  Gumble and Blake;  Fred W. Hager;  John T. Hall;  R.B. Hall;  Edward Hazel; Milt H. Hall;  H.L. Heartz;  J. Fred Helf; S.R. Henry;  Victor Herbert; Pierre Heyendal;  Williams Hill;  Louis H. Hirsche;  Abe Holzmann;  Joseph E. Howard;   Raymond Hubbell; Fred K. Huffer;  Herbert Ingraham;  Bob Irving;  Victor Jacobi;  Walter Jacobs (publisher);  Carrie Jacobs-Bond;  Jerome and Schwartz;  Ben M. Jerome;  Frank H. Jimerson;  Charles L. Johnson;  Archibald Joyce;  Ruby Kalmar;  Kapulè Kanoa;  Mel Kaufman;  F. Henri Klickmann; John N. Klohr; Clare Kummer;  J. Bodewalt Lampe;  L.P. Laurendeau;  Sidney Leroy;  John Leubrie Hill;  Harry J. Lincoln;  Edward Llewellyn; E.E. Loftis;  F.H. Losey;  Gustav Luders;  Cecil Mack and Chris Smith; W.H. Mackie;  Gifford Mellor;  J.W. Menges;  Roy O. Myers; Kerry Mills; E. Milok;  Neil Moret;  Theo F. Morse;  Theo Moses-Tobani;  Lewis F. Muri and Maurice Abrahams; Gilbert Muir; O'Donnell and Smith; William C. O'Hare; Lee Orean Smith; William Penn and Edward Hutchinson;  Clarence J. Penney;  William Frederick Peters;  Al Piantadosi;  Georg Porepp;  Arthur Pryor;  Add J. Ressegue;  Henry Restorff; F.R. Seltzer;  J. Lawrence Ritchie;  Charles J. Roberts;  Walter Rolfe;  Selden-Ingraham and Kendis-Payley;  Shannon and Johnson;  Albert Sirmay;  Arthur Sizemore and Egbert van Alstyne; Maurice F. Smith, Jack Snyder, Ted Snyder, Richard Stahl, B.H. Starks, George Stevens, G. Van Stone, John Stromberg, Thurban and Berger; Ludomir Thomas, Harry von Tilzer, George J. Trinkaus, C.E. Vadersloot, Paul Wachs, E. Waldteufel, Charles B. Ward, Freddy Watson, R.L. Weaver, Arthur Wellesly, Percy Wenrich, Wenrich and Blanke-Belcher, Wenrich and Dunlap, Werden and Gladdish, E.M. Wheatley, White and Lloyd, H. Lane Wilson, L.O. De Witt, L. Wolfe Gilbert and Robert E. Keiser Arthur Wood, Pedro de Zulueta, Wooster and Smith, Ellen Wright, Jack Yellen and Abe Olman, C.F. Zerbe and Harry Zickel. \n\nArrangers represented include: Harry L. Alford; Hilding Anderson; J.C. Arnold; Emile Asher; Fred T. Ashton; Frank E. Barry; C.F. Bauer; Robert Russell Bennett; J. Lampe Bodewalt; M.I. Brazil; Geo. F. Briegel; Charles F. Carey; Carl Carlton; J.W. Chattaway; Tom Clark; F.W. Clement; James P. Conlin; H.A. Dahlman; Ribé Danmark; Ivan L. Davis; S. Deshon; C. Dotzler; C.A. Egener; Everett J. Evans; Herman Friederich; John T. Hall; R. L. Halle; J.C. Heed; T.W. Hindley; S. Jergensen; Charles L. Johnson; Stephen Jones; Stephen O. Jones; Dave Kaplin; Louis Katzman; Carl Kiefert; F. Henri Klickmann; John N. Klohr; Arthur Lange; Otto Langey; L. P. Laurendeau; F.H. Losey; W.H. Mackie; James C. McCabe; McKee;  J. Messina; Charles Miller; Theo- Moses-Tobani; William C. O'Hare; D. Onivas Charles Puerner; Charles Quinn; William M. Redfield F.; Robert Recker; J. Ringleben Jr.; Charles J. Roberts; E. Rosales; Frank Saddler; 'La Salle;' Schaefer; E. R. Schremser; William Schul; Lee Orean Smith; Maurice S. Smith; Fred White; Carl F. Williams; L. O. Witt; and Arthur Wood. \n\n\nStatement on Potentially Harmful Content: \n\nMany of the items in our collections are reflective of the time period in which they were created, rather than the current beliefs and values of our institution. They may contain offensive or outdated language and imagery because of content relating to ability, gender, race, religion, sexuality, sexual orientation, and other categories. While some descriptions in our finding aids are written by staff, others reflect language that was used by the people and organizations that created the material. When we encounter problematic language that we believe a staff member created, we update it. Language that comes from the original archival material can provide information about the people who created it. In such cases, library staff members strive to provide additional context whenever possible."],"names_ssim":["Allen Music Library Special Collections","Adams, Spencer L. (Spencer Lionel), 1870-","Smith, Lee Orean, 1874-1942","Alford, Harry L. (Harry LaForest) (1875-08-19390304)","Van Alstyne, Egbert (Egbert Anson), 1882-1951","Anderson, Will R., -1927","O'Hare, William Christopher (1867-05-09-1946-10-22)","Odell, H. F. (Herbert Forrest), 1872-1926","Anthony, Bert R. (Herbert Ray) (18760908-1923)","Brazil, M. I.","Ashton, Fred T.","Van Baar, Chas. L. (Charles L.)","Hindley, T. W.","Ball, Ernest R., 1878-1927","Katzman, Louis","Ballou, Ashley","Davis, Ivan L.","Bauer, A.W. ","Bauer, C.W. ","Bennet, Charles William, 1849-1926","Berlin, Irving, 1888-1989","Schulz, Wm. (William), 1882 or 1883-1945","Snyder, Ted, 1881-1965","Berliner, Leo E.","Blake, Milton D. ","Carey, Chas. F. (Charles F.)","Blanke-Belcher, Henriette (18820216-1958-03)","Lampe, J. B. (Jens Bodewalt), 1869-1929","Schwartz, Jean, 1878-1956","Redfield, William M. (William Moore), 1867-1938","Bousquet, Narcisse (1800?-1869-08-29)","Bowman, Euday L. (Euday Louis), 1887-1949","Braham, Edmund","Hall, John T., (Composer)","Brennen, Robert H.","Puerner, Charles, 1849-1905","Brigham, G. B.","Brooks, Fred C.","Brooks, Shelton (18860504-19750906)","Thurban, T. W. (Thomas W.) (1874-1969)","Brown, Will M. S.","Bucalossi, Ernest, 1863-1933","Burt, Benjamin Hapgood, 1882-1950","Carlton, Carl","Caryll, Ivan, 1861-1921","Deshon, S.","Chambers, William Paris, 1854-1913","Sudds, W. F. (William F.), 1843-1920","Merkler, Andor, 1862-1922","Frey, E. H.","Laurendeau, L. P. (Louis Philippe), 1861-1916","Reeves, G. H.","Chattaway, Jay (Jay A.) (1946-07-08)","Chattaway, Thurland, 1872-1947","Mills, Kerry, 1869-1948","Coogan, Jack","Violinsky","Recker, Robert, (Arranger)","Cruger, Dox","Denni, Lucien, 1886-1947","Dulmage, Will E., 1883-1953","Fischer, Carl von, 1803-1889","Foote, Bayard E.","Ford, A.","Rosales, Eustasio, approximately 1870-1937","Friml, Rudolf, 1879-1972","Gearen, Joseph","Geary, T. Mayo","Evans, James E. ","Gilbert, L. Wolfe (Louis Wolfe), 1886-1970","Friedland, Anatol, 1881-1938","Morgan, Carey, 1885-1960","Onivas, D.","Henry, S. R., 1874-1966","Muir, Lewis F., 1884-1950","Jones, Stephen, 1880-1967","Smith, Chris","Grey, Vivian (Vivian Hoffman)","McKinley, Mabel, -1937","Gumble, Albert, 1883-1946","Hager, Frederick W. (Frederick Wallace), 1874-1958","Ringleben, J., Jr. ","Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. C.","Clement, F. W.","Halle, Roger","Harris, Sydney P.","Hartz, B.","Hatfield, Roy","Losey, F. H. (Frank Hoyt), 1870-1931","Hazel, Edward","Daniels, G. F. (George Fisher), 1821-","Heartz, H. L. (Harry Lawson)","Anderson, Hilding","Helf, J. Fred (1870)","Herbert, Victor (Victor August), 1859-1924","Langey, Otto, 1851-1922","Heyendal, Pierre","Hill, J. Leubrie (John Leubrie), -1916","McCabe, James C. (James C.) (19)","Klickmann, F. Henri (Frank Henri), 1885-1966","Hirsch, Louis A. (Louis Achille), 1881-1924","Jergensen, S.","Holzmann, Abe, 1874-1939","Mackie, H. W. (Hamish William)","Tobani, Theo. M. (Theodore Moses), 1855-1933","Howard, Joseph E. (Joseph Edgar), -1961","Hubbell, Raymond (John Raymond), 1879-1954","Huffer, Fred","Ingraham, Herbert, 1881-1910","Irving, Bob","White, Fred, (Composer)","Jacobi, Victor (Victor Friedrich Leopold), 1809-1892","Breau, Louis, 1893-1928","Bennett, Robert Russell, 1894-1981","Jacobs, Walter, 1868-1945","Jerome, William, active 1896","Jerome, Benjamin M., 1881-1938","Clark, Thomas, 1854-1943","Dahlman, H.A.","Jimerson, Frank H.","Johnson, Chas. L. (Charles Leslie), 1876-1950","Barry, Frank E. (Frank Edward) (1883-05-27-1937-12-13)","Joyce, Archibald, 1873-1963","Asher, Emile","Kalmar, Bert, 1884-1947","Ahlert, Fred E. (Fred Emil), 1892-1953","Ruby, Harry (1895-01-27-1974-02-23)","Lange, Arthur, 1889-1956","Kanoa, Kapulè","Kaufman, Mel B. (Melville Bernd), 1879-1932","Kaplan, Dave, (Pianist)","Savino, Domenico, 1882-1973","Keiser, Robert A., 1862-1932","Klohr, John N., 1869-1956","Hall, Milt. H.","Kummer, Clare Beecher, 1886-1958","Saddler, Frank (1864-09-09-1921-03-25)","Leroy, Sidney","Lincoln, Harry J., 1878-1937","Loftis, E. E.","Farrar, O. R.","Mack, Cecil, 1883-1944","Dillea, Herbert","Mellor Gifford, Composer","Trevor, Huntley","Menge, J. Wilmer (Joseph Wilmer), 1905-1987","Messina, J.","Conlin, James P.","Milok, E.","Lewis, W.","Moret, Neil, 1878-1943","Abrahams, Maurice, 1883-1931","Myers, Roy O.","O'Donnell, Charley ","Heath, Bobby, 1889-1952","Danmark, Ribé","Penn, William H.","Quinn, Charles","Hutchison, Edward, (Composer)","Egener, C. A.","Penney, Clarence J.","Piantadosi, Al, 1884-1955","Alexander, Russell, 1877-1915","Porepp, Georg (1875-1942)","Roberts, Charles J. (1868-07-25-1957-08-03)","Pryor, Arthur (Arthur Willard), 1870-1942","Ressegue, Addison J.","Restorff, Henry","Seltzer, F. R.","Ritchie, J. Lawrence","Rolfe, Walter, 1880-1944","Friedrich, Herman","Selden, Edgar","Kendis, James, 1883-1946","Paley, Herman, 1879-1955","Shannon, J. R. (James Royce), 1881-1946","Sirmay, Albert (1880-07-02-1967-01-15)","Higgs, H. M.","Wood, Arthur (Arthur Henry), 1875-1953","Sizemore, Arthur, 1891-1954","Smith, Maurice F., 1872-1925","Snyder, Jack, (Composer)","Briegel, George F. (George Frederick), 1890-1968","Stahl, Richard, 1860?-1899","Starks, B. H.","Stevens, George A. (George Alex), 1874-1954","Stone, G. Van","Stromberg, John, 1853-1902","Thomas, Ludomir","Von Tilzer, Harry, 1872-1946","Evans, Everett J.","Trinkaus, George J., 1878-1960","Vandersloot, Carl D., 1878-1937","Wachs, Paul, 1851-1915","Waldteufel, Emil, 1837-1915","Ward, Charles B.","De Witt, L. O.","Watson, Freddy","Weaver, R. L.","Hughes, Arthur Wellesley, approximately 1870-approximately 1950","Wenrich, Percy, 1887-1952","Dunlap","McKee","Werden, W. L. ","Gladdish, Frederick E.","Dotzler, C. ","Wheatley, E. M.","White and Lloyd","Zulueta, Pedro de, (Musician)","Wright, Ellen Riley (1859-1904)","Kiefert, Carl","Yellen, Jack, 1892-1991","Olman, Abe","La Salle, Victor","Zerbe, C. F.","Zickel, Harry H.","Schremser, E. R."],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Adams, Spencer L. (Spencer Lionel), 1870-","Smith, Lee Orean, 1874-1942","Alford, Harry L. (Harry LaForest) (1875-08-19390304)","Van Alstyne, Egbert (Egbert Anson), 1882-1951","Anderson, Will R., -1927","O'Hare, William Christopher (1867-05-09-1946-10-22)","Odell, H. F. (Herbert Forrest), 1872-1926","Anthony, Bert R. (Herbert Ray) (18760908-1923)","Brazil, M. I.","Ashton, Fred T.","Van Baar, Chas. L. (Charles L.)","Hindley, T. W.","Ball, Ernest R., 1878-1927","Katzman, Louis","Ballou, Ashley","Davis, Ivan L.","Bauer, A.W. ","Bauer, C.W. ","Bennet, Charles William, 1849-1926","Berlin, Irving, 1888-1989","Schulz, Wm. (William), 1882 or 1883-1945","Snyder, Ted, 1881-1965","Berliner, Leo E.","Blake, Milton D. ","Carey, Chas. F. (Charles F.)","Blanke-Belcher, Henriette (18820216-1958-03)","Lampe, J. B. (Jens Bodewalt), 1869-1929","Schwartz, Jean, 1878-1956","Redfield, William M. (William Moore), 1867-1938","Bousquet, Narcisse (1800?-1869-08-29)","Bowman, Euday L. (Euday Louis), 1887-1949","Braham, Edmund","Hall, John T., (Composer)","Brennen, Robert H.","Puerner, Charles, 1849-1905","Brigham, G. B.","Brooks, Fred C.","Brooks, Shelton (18860504-19750906)","Thurban, T. W. (Thomas W.) (1874-1969)","Brown, Will M. S.","Bucalossi, Ernest, 1863-1933","Burt, Benjamin Hapgood, 1882-1950","Carlton, Carl","Caryll, Ivan, 1861-1921","Deshon, S.","Chambers, William Paris, 1854-1913","Sudds, W. F. (William F.), 1843-1920","Merkler, Andor, 1862-1922","Frey, E. H.","Laurendeau, L. P. (Louis Philippe), 1861-1916","Reeves, G. H.","Chattaway, Jay (Jay A.) (1946-07-08)","Chattaway, Thurland, 1872-1947","Mills, Kerry, 1869-1948","Coogan, Jack","Violinsky","Recker, Robert, (Arranger)","Cruger, Dox","Denni, Lucien, 1886-1947","Dulmage, Will E., 1883-1953","Fischer, Carl von, 1803-1889","Foote, Bayard E.","Ford, A.","Rosales, Eustasio, approximately 1870-1937","Friml, Rudolf, 1879-1972","Gearen, Joseph","Geary, T. Mayo","Evans, James E. ","Gilbert, L. Wolfe (Louis Wolfe), 1886-1970","Friedland, Anatol, 1881-1938","Morgan, Carey, 1885-1960","Onivas, D.","Henry, S. R., 1874-1966","Muir, Lewis F., 1884-1950","Jones, Stephen, 1880-1967","Smith, Chris","Grey, Vivian (Vivian Hoffman)","McKinley, Mabel, -1937","Gumble, Albert, 1883-1946","Hager, Frederick W. (Frederick Wallace), 1874-1958","Ringleben, J., Jr. ","Hall, Robert Browne, 1858-1907","Eilenberg, Richard, 1848-1927","Arnold, J. C.","Clement, F. W.","Halle, Roger","Harris, Sydney P.","Hartz, B.","Hatfield, Roy","Losey, F. H. (Frank Hoyt), 1870-1931","Hazel, Edward","Daniels, G. F. (George Fisher), 1821-","Heartz, H. L. (Harry Lawson)","Anderson, Hilding","Helf, J. Fred (1870)","Herbert, Victor (Victor August), 1859-1924","Langey, Otto, 1851-1922","Heyendal, Pierre","Hill, J. Leubrie (John Leubrie), -1916","McCabe, James C. (James C.) (19)","Klickmann, F. Henri (Frank Henri), 1885-1966","Hirsch, Louis A. (Louis Achille), 1881-1924","Jergensen, S.","Holzmann, Abe, 1874-1939","Mackie, H. W. (Hamish William)","Tobani, Theo. M. (Theodore Moses), 1855-1933","Howard, Joseph E. (Joseph Edgar), -1961","Hubbell, Raymond (John Raymond), 1879-1954","Huffer, Fred","Ingraham, Herbert, 1881-1910","Irving, Bob","White, Fred, (Composer)","Jacobi, Victor (Victor Friedrich Leopold), 1809-1892","Breau, Louis, 1893-1928","Bennett, Robert Russell, 1894-1981","Jacobs, Walter, 1868-1945","Jerome, William, active 1896","Jerome, Benjamin M., 1881-1938","Clark, Thomas, 1854-1943","Dahlman, H.A.","Jimerson, Frank H.","Johnson, Chas. L. (Charles Leslie), 1876-1950","Barry, Frank E. (Frank Edward) (1883-05-27-1937-12-13)","Joyce, Archibald, 1873-1963","Asher, Emile","Kalmar, Bert, 1884-1947","Ahlert, Fred E. (Fred Emil), 1892-1953","Ruby, Harry (1895-01-27-1974-02-23)","Lange, Arthur, 1889-1956","Kanoa, Kapulè","Kaufman, Mel B. (Melville Bernd), 1879-1932","Kaplan, Dave, (Pianist)","Savino, Domenico, 1882-1973","Keiser, Robert A., 1862-1932","Klohr, John N., 1869-1956","Hall, Milt. H.","Kummer, Clare Beecher, 1886-1958","Saddler, Frank (1864-09-09-1921-03-25)","Leroy, Sidney","Lincoln, Harry J., 1878-1937","Loftis, E. E.","Farrar, O. R.","Mack, Cecil, 1883-1944","Dillea, Herbert","Mellor Gifford, Composer","Trevor, Huntley","Menge, J. Wilmer (Joseph Wilmer), 1905-1987","Messina, J.","Conlin, James P.","Milok, E.","Lewis, W.","Moret, Neil, 1878-1943","Abrahams, Maurice, 1883-1931","Myers, Roy O.","O'Donnell, Charley ","Heath, Bobby, 1889-1952","Danmark, Ribé","Penn, William H.","Quinn, Charles","Hutchison, Edward, (Composer)","Egener, C. A.","Penney, Clarence J.","Piantadosi, Al, 1884-1955","Alexander, Russell, 1877-1915","Porepp, Georg (1875-1942)","Roberts, Charles J. (1868-07-25-1957-08-03)","Pryor, Arthur (Arthur Willard), 1870-1942","Ressegue, Addison J.","Restorff, Henry","Seltzer, F. R.","Ritchie, J. Lawrence","Rolfe, Walter, 1880-1944","Friedrich, Herman","Selden, Edgar","Kendis, James, 1883-1946","Paley, Herman, 1879-1955","Shannon, J. R. (James Royce), 1881-1946","Sirmay, Albert (1880-07-02-1967-01-15)","Higgs, H. M.","Wood, Arthur (Arthur Henry), 1875-1953","Sizemore, Arthur, 1891-1954","Smith, Maurice F., 1872-1925","Snyder, Jack, (Composer)","Briegel, George F. (George Frederick), 1890-1968","Stahl, Richard, 1860?-1899","Starks, B. H.","Stevens, George A. (George Alex), 1874-1954","Stone, G. Van","Stromberg, John, 1853-1902","Thomas, Ludomir","Von Tilzer, Harry, 1872-1946","Evans, Everett J.","Trinkaus, George J., 1878-1960","Vandersloot, Carl D., 1878-1937","Wachs, Paul, 1851-1915","Waldteufel, Emil, 1837-1915","Ward, Charles B.","De Witt, L. O.","Watson, Freddy","Weaver, R. L.","Hughes, Arthur Wellesley, approximately 1870-approximately 1950","Wenrich, Percy, 1887-1952","Dunlap","McKee","Werden, W. L. ","Gladdish, Frederick E.","Dotzler, C. ","Wheatley, E. M.","White and Lloyd","Zulueta, Pedro de, (Musician)","Wright, Ellen Riley (1859-1904)","Kiefert, Carl","Yellen, Jack, 1892-1991","Olman, Abe","La Salle, Victor","Zerbe, C. F.","Zickel, Harry H.","Schremser, E. R."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":219,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"62e70642a5088e39d98ef045","timestamp":"2026-07-11T02:32:34.404Z","abstract_html_tesm":["\u003cabstract id=\"aspace_3544181ffcc00c565587acd79a0919eb\"\u003eThis collection contains 218 popular music dance band selections from the late 19th and early 20th centuries. Composer represented here include: Spencer Adams; Russell Alexander; Harry L. Alford; Egbert van Alstyne; Will R. Anderson; Bert R. Anthony;  Fred T. Ashton;  Charles L. Van Baar;  Ernest R. Ball;  Ashley Ballou;  A.W. Bauer;  C.W. Bennet;  Irving Berlin; Leo E. Berliner;  Milton D. Blake, H.B. Blank and Schwartz;  N. Bousquet;  E.L. Bowman;  Edmund Braham; R.H. Brennen; Louise Breau;  G.B. Brigham;  Fred C. Brooks; Shelton Brooks; Will M.S. Brown;  Ernest Bucalossi;  Benjamin Burt;  Carl Carlton ; Ivan Caryll;  W.P. Chambers; James P. Conlin; Charles L. Cooke ; G.F. Daniels;  Denni; Herbert Dillea;  Will E. Dulmage; O.R. Farrar; Carl Fischer; Bayard E. Foote; A. Ford; Rudolf Friml;  Joseph Gearen; T. Mayo Geary;  Gilbert, Friedland and Morgan;  Gilbert and Muir; L. Wolfe Gilbert;  Vivian Grey (Mabel McKinley);  Gumble and Blake;  Fred W. Hager;  John T. Hall;  R.B. Hall;  Edward Hazel; Milt H. Hall;  H.L. Heartz;  J. Fred Helf; S.R. Henry;  Victor Herbert; Pierre Heyendal;  Williams Hill;  Louis H. Hirsche;  Abe Holzmann;  Joseph E. Howard;   Raymond Hubbell; Fred K. Huffer;  Herbert Ingraham;  Bob Irving;  Victor Jacobi;  Walter Jacobs (publisher);  Carrie Jacobs-Bond;  Jerome and Schwartz;  Ben M. Jerome;  Frank H. Jimerson;  Charles L. Johnson;  Archibald Joyce;  Ruby Kalmar;  Kapul\u0026#xE8; Kanoa;  Mel Kaufman;  F. Henri Klickmann; John N. Klohr; Clare Kummer;  J. Bodewalt Lampe;  L.P. Laurendeau;  Sidney Leroy;  John Leubrie Hill;  Harry J. Lincoln;  Edward Llewellyn; E.E. Loftis;  F.H. Losey;  Gustav Luders;  Cecil Mack and Chris Smith; W.H. Mackie;  Gifford Mellor;  J.W. Menges;  Roy O. Myers; Kerry Mills; E. Milok;  Neil Moret;  Theo F. Morse;  Theo Moses-Tobani;  Lewis F. Muri and Maurice Abrahams; Gilbert Muir; O'Donnell and Smith; William C. O'Hare; Lee Orean Smith; William Penn and Edward Hutchinson;  Clarence J. Penney;  William Frederick Peters;  Al Piantadosi;  Georg Porepp;  Arthur Pryor;  Add J. Ressegue;  Henry Restorff; F.R. Seltzer;  J. Lawrence Ritchie;  Charles J. Roberts;  Walter Rolfe;  Selden-Ingraham and Kendis-Payley;  Shannon and Johnson;  Albert Sirmay;  Arthur Sizemore and Egbert van Alstyne; Maurice F. Smith, Jack Snyder, Ted Snyder, Richard Stahl, B.H. Starks, George Stevens, G. Van Stone, John Stromberg, Thurban and Berger; Ludomir Thomas, Harry von Tilzer, George J. Trinkaus, C.E. Vadersloot, Paul Wachs, E. Waldteufel, Charles B. Ward, Freddy Watson, R.L. Weaver, Arthur Wellesly, Percy Wenrich, Wenrich and Blanke-Belcher, Wenrich and Dunlap, Werden and Gladdish, E.M. Wheatley, White and Lloyd, H. Lane Wilson, L.O. De Witt, L. Wolfe Gilbert and Robert E. Keiser Arthur Wood, Pedro de Zulueta, Wooster and Smith, Ellen Wright, Jack Yellen and Abe Olman, C.F. Zerbe and Harry Zickel. \n\nArrangers represented include: Harry L. Alford; Hilding Anderson; J.C. Arnold; Emile Asher; Fred T. Ashton; Frank E. Barry; C.F. Bauer; Robert Russell Bennett; J. Lampe Bodewalt; M.I. Brazil; Geo. F. Briegel; Charles F. Carey; Carl Carlton; J.W. Chattaway; Tom Clark; F.W. Clement; James P. Conlin; H.A. Dahlman; Rib\u0026#xE9; Danmark; Ivan L. Davis; S. Deshon; C. Dotzler; C.A. Egener; Everett J. Evans; Herman Friederich; John T. Hall; R. L. Halle; J.C. Heed; T.W. Hindley; S. Jergensen; Charles L. Johnson; Stephen Jones; Stephen O. Jones; Dave Kaplin; Louis Katzman; Carl Kiefert; F. Henri Klickmann; John N. Klohr; Arthur Lange; Otto Langey; L. P. Laurendeau; F.H. Losey; W.H. Mackie; James C. McCabe; McKee;  J. Messina; Charles Miller; Theo- Moses-Tobani; William C. O'Hare; D. Onivas Charles Puerner; Charles Quinn; William M. Redfield F.; Robert Recker; J. Ringleben Jr.; Charles J. Roberts; E. Rosales; Frank Saddler; 'La Salle;' Schaefer; E. R. Schremser; William Schul; Lee Orean Smith; Maurice S. Smith; Fred White; Carl F. Williams; L. O. Witt; and Arthur Wood. \n\n\nStatement on Potentially Harmful Content: \n\nMany of the items in our collections are reflective of the time period in which they were created, rather than the current beliefs and values of our institution. They may contain offensive or outdated language and imagery because of content relating to ability, gender, race, religion, sexuality, sexual orientation, and other categories. While some descriptions in our finding aids are written by staff, others reflect language that was used by the people and organizations that created the material. When we encounter problematic language that we believe a staff member created, we update it. Language that comes from the original archival material can provide information about the people who created it. In such cases, library staff members strive to provide additional context whenever possible.\u003c/abstract\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/62e70642a5088e39d98ef045_aspace_b14ef7fd8c19fe207ddcbb72649ca91e"}},{"id":"3fa0e62d67c09b92b7372299_aspace_5aec384de0eb48af824ee9d511ce0af4","type":"File","attributes":{"title":"Absence Of A Cello, 1969","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3fa0e62d67c09b92b7372299_aspace_5aec384de0eb48af824ee9d511ce0af4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5aec384de0eb48af824ee9d511ce0af4","ref_ssm":["aspace_5aec384de0eb48af824ee9d511ce0af4","aspace_5aec384de0eb48af824ee9d511ce0af4"],"id":"3fa0e62d67c09b92b7372299_aspace_5aec384de0eb48af824ee9d511ce0af4","title_filing_ssi":"Absence Of A Cello","title_ssm":["Absence Of A Cello"],"title_tesim":["Absence Of A Cello"],"unitdate_inclusive_ssm":["1969"],"normalized_date_ssm":["1969"],"normalized_title_ssm":["Absence Of A Cello, 1969"],"text":["Absence Of A Cello, 1969","University of Central Florida Theatre Program Collection, 1969-2018","Series I: Conservatory Theatre, 1969-2009","Performances, 1969-2009","/repositories/2/archival_objects/63749","Box 1","Folder 1"],"component_level_isim":[3],"parent_ids_ssim":["3fa0e62d67c09b92b7372299","3fa0e62d67c09b92b7372299_aspace_seriesI","3fa0e62d67c09b92b7372299_aspace_5369a1af82637f72b751ee9d8b73c96e"],"parent_unittitles_ssm":["University of Central Florida Theatre Program Collection, 1969-2018","Series I: Conservatory Theatre, 1969-2009","Performances, 1969-2009"],"parent_unittitles_tesim":["University of Central Florida Theatre Program Collection, 1969-2018","Series I: Conservatory Theatre, 1969-2009","Performances, 1969-2009"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/63749"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Theatre Program Collection, 1969-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3,"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Box 1","Folder 1"],"_nest_path_":"/components#0/components#0/components#0","_nest_parent_":"3fa0e62d67c09b92b7372299_aspace_5369a1af82637f72b751ee9d8b73c96e","_root_":"3fa0e62d67c09b92b7372299","_version_":1870858726856982528,"timestamp":"2026-07-16T08:18:37.424Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3fa0e62d67c09b92b7372299","title_ssm":["University of Central Florida Theatre Program Collection"],"title_tesim":["University of Central Florida Theatre Program Collection"],"ead_ssi":"3fa0e62d67c09b92b7372299","unitdate_ssm":["1969-2018"],"unitdate_inclusive_ssm":["1969-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA18E","/repositories/2/resources/243"],"text":["UA18E","/repositories/2/resources/243","University of Central Florida Theatre Program Collection, 1969-2018","Universities and colleges -- Florida","Photographic prints","Previous Collection Identifier: CFU2003_04; CFU2014_06","This collection is arranged in three series by subject and then chronologically.","The FTU/UCF Theatre Program started in Fall 1968 as a one-person unit in the Department of Communications in the College of Humanities and Social Sciences. Dr. David D. Mays, Associate Professor of Communications, was the first faculty member hired. The University's first established dramatics company started as a little theatre group on November 6, 1968. It was tentatively called Pegasus I (after the University emblem), but then became, \"Motha\", which stands for muddled orange (the color used to paint Shakespeare's theatre) and theatre (abbreviated to \"tha\"). Motha presented its first four major productions in the 1969/1970 school year. In 1970 the group was renamed the \"Village Players.\""," With the formation of the College of Arts and Sciences in 1981/82, Theatre became a separate department with its own director. Since its beginning, the Department had offered the BA degree, but the curriculum and programs were extensively revised in 1992 to include a professional BFA degree with specializations in performance and technical theatre/design. MA and MFA degrees were added in the Fall of 2001, and graduate students may specialize in Acting, Musical Theatre, Design, Theatre for Young Audiences, or Theatre Studies. In addition, the season of plays for 1993/94 was expanded to six main-stage productions and six student-directed one-act studio productions. During the summer of 1994, Theatre UCF initiated its first summer theatre program with a summer season of four productions produced by a company of theatre students, faculty, staff, and visiting guest artists."," An air-blown tent was acquired in October 1968 as the theatre's first home, but it was soon replaced as it was impractical. Classes and productions largely took place in a blue and yellow striped tent until 1972/73 when they were moved into the Science Auditorium. In 1983, following major renovations, the building was renamed the University Theatre. The University of Central Florida Theatre Department now includes the Stage One (Mainstage) Theatre and the Stage Two (Black Box) Theatre. The Mainstage Theatre seats 300 and is home to Theatre UCF, as well as the Theatre UCF Summer Company. The Stage Two Theatre seats 125. Beginning with the 2003-2004 season Theatre UCF, now known as UCF Conservatory Theatre, is presenting 14 plays. "," In August 2000 the UCF Theatre Program merged with the 73-year-old Civic Theatre of Central Florida to create the Orlando Repertory Theatre, which produces plays for children and families, specializing in dramatizations of children's literature and UCF student productions. It provides an opportunity for graduate students on the Theatre for Young Audiences track to gain valuable experience.","For more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Scrapbook Collection and the University of Central Florida Memorabilia Collection."," This collection is arranged in three series by subject and then chronologically.\n\n ","Conservatory Theatre, 1969-2009","Repertory Theatre, 1998-2009","Department, 1970-2018","Unpublished records are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Brochures, posters, news clippings, and photographs document the productions and activities of the UCF Theatre program.","UCF University Archives","University of Central Florida. Department of Theatre","Florida Technological University","University of Central Florida","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre","The materials are written in English"],"unitid_tesim":["UA18E","/repositories/2/resources/243"],"normalized_date_ssm":["1969-2018"],"normalized_title_ssm":["University of Central Florida Theatre Program Collection, 1969-2018"],"collection_title_tesim":["University of Central Florida Theatre Program Collection, 1969-2018"],"collection_ssim":["University of Central Florida Theatre Program Collection, 1969-2018"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre"],"creator_ssim":["University of Central Florida. Department of Theatre"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre"],"creators_ssim":["University of Central Florida. Department of Theatre"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was originally assembled in 2003 and donated to Special Collections by Kelly Clemens, Cheryl Mahan, Ellen Anderson, Harry Smith, and Tom Begley. 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Dr. David D. Mays, Associate Professor of Communications, was the first faculty member hired. The University's first established dramatics company started as a little theatre group on November 6, 1968. It was tentatively called Pegasus I (after the University emblem), but then became, \"Motha\", which stands for muddled orange (the color used to paint Shakespeare's theatre) and theatre (abbreviated to \"tha\"). Motha presented its first four major productions in the 1969/1970 school year. In 1970 the group was renamed the \"Village Players.\"\u003c/p\u003e\n","\u003cp\u003e With the formation of the College of Arts and Sciences in 1981/82, Theatre became a separate department with its own director. Since its beginning, the Department had offered the BA degree, but the curriculum and programs were extensively revised in 1992 to include a professional BFA degree with specializations in performance and technical theatre/design. MA and MFA degrees were added in the Fall of 2001, and graduate students may specialize in Acting, Musical Theatre, Design, Theatre for Young Audiences, or Theatre Studies. In addition, the season of plays for 1993/94 was expanded to six main-stage productions and six student-directed one-act studio productions. During the summer of 1994, Theatre UCF initiated its first summer theatre program with a summer season of four productions produced by a company of theatre students, faculty, staff, and visiting guest artists.\u003c/p\u003e\n","\u003cp\u003e An air-blown tent was acquired in October 1968 as the theatre's first home, but it was soon replaced as it was impractical. Classes and productions largely took place in a blue and yellow striped tent until 1972/73 when they were moved into the Science Auditorium. In 1983, following major renovations, the building was renamed the University Theatre. The University of Central Florida Theatre Department now includes the Stage One (Mainstage) Theatre and the Stage Two (Black Box) Theatre. The Mainstage Theatre seats 300 and is home to Theatre UCF, as well as the Theatre UCF Summer Company. The Stage Two Theatre seats 125. Beginning with the 2003-2004 season Theatre UCF, now known as UCF Conservatory Theatre, is presenting 14 plays. \u003c/p\u003e\n","\u003cp\u003e In August 2000 the UCF Theatre Program merged with the 73-year-old Civic Theatre of Central Florida to create the Orlando Repertory Theatre, which produces plays for children and families, specializing in dramatizations of children's literature and UCF student productions. It provides an opportunity for graduate students on the Theatre for Young Audiences track to gain valuable experience.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["The FTU/UCF Theatre Program started in Fall 1968 as a one-person unit in the Department of Communications in the College of Humanities and Social Sciences. Dr. David D. Mays, Associate Professor of Communications, was the first faculty member hired. The University's first established dramatics company started as a little theatre group on November 6, 1968. It was tentatively called Pegasus I (after the University emblem), but then became, \"Motha\", which stands for muddled orange (the color used to paint Shakespeare's theatre) and theatre (abbreviated to \"tha\"). Motha presented its first four major productions in the 1969/1970 school year. In 1970 the group was renamed the \"Village Players.\""," With the formation of the College of Arts and Sciences in 1981/82, Theatre became a separate department with its own director. Since its beginning, the Department had offered the BA degree, but the curriculum and programs were extensively revised in 1992 to include a professional BFA degree with specializations in performance and technical theatre/design. MA and MFA degrees were added in the Fall of 2001, and graduate students may specialize in Acting, Musical Theatre, Design, Theatre for Young Audiences, or Theatre Studies. In addition, the season of plays for 1993/94 was expanded to six main-stage productions and six student-directed one-act studio productions. During the summer of 1994, Theatre UCF initiated its first summer theatre program with a summer season of four productions produced by a company of theatre students, faculty, staff, and visiting guest artists."," An air-blown tent was acquired in October 1968 as the theatre's first home, but it was soon replaced as it was impractical. Classes and productions largely took place in a blue and yellow striped tent until 1972/73 when they were moved into the Science Auditorium. In 1983, following major renovations, the building was renamed the University Theatre. The University of Central Florida Theatre Department now includes the Stage One (Mainstage) Theatre and the Stage Two (Black Box) Theatre. The Mainstage Theatre seats 300 and is home to Theatre UCF, as well as the Theatre UCF Summer Company. The Stage Two Theatre seats 125. Beginning with the 2003-2004 season Theatre UCF, now known as UCF Conservatory Theatre, is presenting 14 plays. "," In August 2000 the UCF Theatre Program merged with the 73-year-old Civic Theatre of Central Florida to create the Orlando Repertory Theatre, which produces plays for children and families, specializing in dramatizations of children's literature and UCF student productions. It provides an opportunity for graduate students on the Theatre for Young Audiences track to gain valuable experience."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Theatre Program Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Theatre Program Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Scrapbook Collection and the University of Central Florida Memorabilia Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about this collection may be found in the University of Central Florida Scrapbook Collection and the University of Central Florida Memorabilia Collection."],"scopecontent_html_tesm":["\u003carrangement\u003e This collection is arranged in three series by subject and then chronologically.\n\n \u003c/arrangement\u003e","\u003cref target=\"b01\" show=\"new\" actuate=\"onrequest\"\u003eConservatory Theatre, 1969-2009\u003c/ref\u003e","\u003cref target=\"b02\" show=\"new\" actuate=\"onrequest\"\u003eRepertory Theatre, 1998-2009\u003c/ref\u003e","\u003cref target=\"b03\" show=\"new\" actuate=\"onrequest\"\u003eDepartment, 1970-2018\u003c/ref\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":[" This collection is arranged in three series by subject and then chronologically.\n\n ","Conservatory Theatre, 1969-2009","Repertory Theatre, 1998-2009","Department, 1970-2018"],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9da0eefe9ebf32dec06c6f9dd0fef876\"\u003eBrochures, posters, news clippings, and photographs document the productions and activities of the UCF Theatre program.\u003c/abstract\u003e"],"abstract_tesim":["Brochures, posters, news clippings, and photographs document the productions and activities of the UCF Theatre program."],"names_coll_ssim":["Florida Technological University","University of Central Florida","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Florida Technological University","University of Central Florida","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Florida Technological University","University of Central Florida","Orlando Repertory Theatre","University of Central Florida. Conservatory Theatre"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858726856982528,"_root_":"3fa0e62d67c09b92b7372299","timestamp":"2026-07-16T08:18:37.424Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3fa0e62d67c09b92b7372299_aspace_5aec384de0eb48af824ee9d511ce0af4"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=list"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=list"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=list"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=list"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=list"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=list"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=list"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=list"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=list"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=list"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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