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He served in Europe with the 100th Infantry Division until the end of the war."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Abraham Lifschitz collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-10-2016\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Abraham Lifschitz collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-10-2016"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Abraham Lifschitz, a Polish native, who served in the U.S. Army from 1942-1945 with the 100th Infantry Division in the European Theater. This collection contains military service records, wartime publications, religious items, and brief correspondence with his niece, Roberta, who donated this collection. Additionally, this collection contains a veteran hat and handkerchief from an unknown relative who served in World War I, as well as Lifschitz's unit patch, cigarette case, marksmanship badge, bracelet of French francs, dog-tags, and a banner commemorating his unit's history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Abraham Lifschitz, a Polish native, who served in the U.S. Army from 1942-1945 with the 100th Infantry Division in the European Theater. This collection contains military service records, wartime publications, religious items, and brief correspondence with his niece, Roberta, who donated this collection. Additionally, this collection contains a veteran hat and handkerchief from an unknown relative who served in World War I, as well as Lifschitz's unit patch, cigarette case, marksmanship badge, bracelet of French francs, dog-tags, and a banner commemorating his unit's history."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army. Infantry Division, 100th"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 100th","Lifschitz, Abraham"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 100th"],"persname_ssim":["Lifschitz, Abraham"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c74491d09b57c9ce267fe2a9","timestamp":"2026-04-21T13:00:15.861Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c74491d09b57c9ce267fe2a9"}},{"id":"18ce43a3c782b797db9fa781_aspace_176276","type":"Item","attributes":{"title":"Abraham Lincoln","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176276#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white illustration. By T.H. McAllister, Manufacturing Optician.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176276#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_176276","ref_ssm":["aspace_176276","aspace_176276"],"id":"18ce43a3c782b797db9fa781_aspace_176276","title_filing_ssi":"Abraham Lincoln","title_ssm":["Abraham Lincoln"],"title_tesim":["Abraham Lincoln"],"normalized_title_ssm":["Abraham Lincoln"],"text":["Abraham Lincoln","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","Historical Figures","Item 12","/repositories/2/archival_objects/82462","Black and white illustration. By T.H. McAllister, Manufacturing Optician."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179818","18ce43a3c782b797db9fa781_aspace_176264"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","Historical Figures"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","Historical Figures"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 12","/repositories/2/archival_objects/82462"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":668,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white illustration. By T.H. McAllister, Manufacturing Optician.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white illustration. By T.H. McAllister, Manufacturing Optician."],"_nest_path_":"/components#16/components#4/components#11","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_176264","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176276"}},{"id":"6378a2e74be866086178916b_aspace_88544","type":"Series","attributes":{"title":"Abraham Lincoln","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6378a2e74be866086178916b_aspace_88544#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_88544","ref_ssm":["aspace_88544","aspace_88544"],"id":"6378a2e74be866086178916b_aspace_88544","title_filing_ssi":"Abraham Lincoln","title_ssm":["Abraham Lincoln"],"title_tesim":["Abraham Lincoln"],"normalized_title_ssm":["Abraham Lincoln"],"text":["Abraham Lincoln","Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888","Series 7","/repositories/2/archival_objects/17769"],"component_level_isim":[1],"parent_ids_ssim":["6378a2e74be866086178916b"],"parent_unittitles_ssm":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"parent_unittitles_tesim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 7","/repositories/2/archival_objects/17769"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":251,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"_nest_path_":"/components#6","_nest_parent_":"6378a2e74be866086178916b","_root_":"6378a2e74be866086178916b","_version_":1870841971275202560,"timestamp":"2026-07-16T03:52:17.980Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6378a2e74be866086178916b","title_ssm":["Elliot Cross and James A. Cross Civil War Collection"],"title_tesim":["Elliot Cross and James A. Cross Civil War Collection"],"ead_ssi":"6378a2e74be866086178916b","unitdate_ssm":["1861-2008","1861-1888"],"unitdate_bulk_ssim":["1861-1888"],"unitdate_inclusive_ssm":["1861-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00012","/repositories/2/resources/41"],"text":["SPC00012","/repositories/2/resources/41","Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Elliot Cross and James A. Cross Civil War Collection documents the Southern perspective of the American Civil War. As FAU's largest collection dedicated solely to the Civil War, the Cross collection contains hundreds of manuscript and published items including personal correspondence from Jefferson Davis, Alexander Stephens, Robert E. Lee and many other Confederate military and government leaders. Also included are Confederate government documents and general orders pertaining to the war as well as photographs and illustrations from the period.\t\tThe Cross Collection was donated by Elliot Cross' son James A. Cross in the early 1970s, following his father's death. Elliot Cross, a life-long aficionado of the Confederacy, purchased papers, lithographs and prints, currency, published and unpublished letters and memorabilia over a period of forty years. FAU Libraries received the collection mounted in four custom-made maroon leather scrapbooks. The items have been removed from these scrapbooks for preservation purposes.\t\tThe publication of several articles about the collection in 1988 led to research by Civil War scholars that culminated in ground-breaking publication. One such breakthrough identified pneumonia as T. J. \"Stonewall\" Jackson's cause of death; a thesis supported by documents in the Cross Collection and published in Robert K. Krick's, The Smoothbore Volley that Doomed the Confederacy: the Death of Stonewall Jackson and other Chapters on the Army of Northern Virginia. (Baton Rouge: Louisiana State University Press, 2002).","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00012","/repositories/2/resources/41"],"normalized_date_ssm":["1861-2008, bulk 1861-1888"],"normalized_title_ssm":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"collection_title_tesim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"collection_ssim":["Elliot Cross and James A. Cross Civil War Collection, 1861-2008, bulk 1861-1888"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet"],"extent_tesim":["6.00 Linear Feet"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Elliot Cross and James A. Cross Civil War Collection documents the Southern perspective of the American Civil War. As FAU's largest collection dedicated solely to the Civil War, the Cross collection contains hundreds of manuscript and published items including personal correspondence from Jefferson Davis, Alexander Stephens, Robert E. Lee and many other Confederate military and government leaders. Also included are Confederate government documents and general orders pertaining to the war as well as photographs and illustrations from the period.\t\tThe Cross Collection was donated by Elliot Cross' son James A. Cross in the early 1970s, following his father's death. Elliot Cross, a life-long aficionado of the Confederacy, purchased papers, lithographs and prints, currency, published and unpublished letters and memorabilia over a period of forty years. FAU Libraries received the collection mounted in four custom-made maroon leather scrapbooks. The items have been removed from these scrapbooks for preservation purposes.\t\tThe publication of several articles about the collection in 1988 led to research by Civil War scholars that culminated in ground-breaking publication. One such breakthrough identified pneumonia as T. J. \"Stonewall\" Jackson's cause of death; a thesis supported by documents in the Cross Collection and published in Robert K. Krick's, The Smoothbore Volley that Doomed the Confederacy: the Death of Stonewall Jackson and other Chapters on the Army of Northern Virginia. (Baton Rouge: Louisiana State University Press, 2002).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Elliot Cross and James A. Cross Civil War Collection documents the Southern perspective of the American Civil War. As FAU's largest collection dedicated solely to the Civil War, the Cross collection contains hundreds of manuscript and published items including personal correspondence from Jefferson Davis, Alexander Stephens, Robert E. Lee and many other Confederate military and government leaders. Also included are Confederate government documents and general orders pertaining to the war as well as photographs and illustrations from the period.\t\tThe Cross Collection was donated by Elliot Cross' son James A. Cross in the early 1970s, following his father's death. Elliot Cross, a life-long aficionado of the Confederacy, purchased papers, lithographs and prints, currency, published and unpublished letters and memorabilia over a period of forty years. FAU Libraries received the collection mounted in four custom-made maroon leather scrapbooks. The items have been removed from these scrapbooks for preservation purposes.\t\tThe publication of several articles about the collection in 1988 led to research by Civil War scholars that culminated in ground-breaking publication. One such breakthrough identified pneumonia as T. J. \"Stonewall\" Jackson's cause of death; a thesis supported by documents in the Cross Collection and published in Robert K. Krick's, The Smoothbore Volley that Doomed the Confederacy: the Death of Stonewall Jackson and other Chapters on the Army of Northern Virginia. (Baton Rouge: Louisiana State University Press, 2002)."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841971275202560,"_root_":"6378a2e74be866086178916b","timestamp":"2026-07-16T03:52:17.980Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6378a2e74be866086178916b_aspace_88544"}},{"id":"908d27d5c28211cfe05e56b4_aspace_17414","type":"Item","attributes":{"title":"Abraham Lincoln, 1860","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/908d27d5c28211cfe05e56b4_aspace_17414#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePostcard of engraving of Lincoln by Thomas Johnson\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/908d27d5c28211cfe05e56b4_aspace_17414#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17414","ref_ssm":["aspace_17414","aspace_17414"],"id":"908d27d5c28211cfe05e56b4_aspace_17414","title_filing_ssi":"Abraham Lincoln","title_ssm":["Abraham Lincoln"],"title_tesim":["Abraham Lincoln"],"unitdate_other_ssim":["1860"],"normalized_date_ssm":["1860"],"normalized_title_ssm":["Abraham Lincoln, 1860"],"text":["Abraham Lincoln, 1860","Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865","Arlyn Austin Katims","Postcards","Item 34","/repositories/2/archival_objects/60858","box 17","Postcard of engraving of Lincoln by Thomas Johnson"],"component_level_isim":[3],"parent_ids_ssim":["908d27d5c28211cfe05e56b4","908d27d5c28211cfe05e56b4_aspace_17325","908d27d5c28211cfe05e56b4_aspace_17379"],"parent_unittitles_ssm":["Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865","Arlyn Austin Katims","Postcards"],"parent_unittitles_tesim":["Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865","Arlyn Austin Katims","Postcards"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 34","/repositories/2/archival_objects/60858"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":289,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 17"],"scopecontent_html_tesm":["\u003cp\u003ePostcard of engraving of Lincoln by Thomas Johnson\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Postcard of engraving of Lincoln by Thomas Johnson"],"_nest_path_":"/components#2/components#6/components#33","_nest_parent_":"908d27d5c28211cfe05e56b4_aspace_17379","_root_":"908d27d5c28211cfe05e56b4","_version_":1870841756739698688,"timestamp":"2026-07-16T03:48:53.376Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"908d27d5c28211cfe05e56b4","title_ssm":["Arlyn Austin Katims Civil War Collection"],"title_tesim":["Arlyn Austin Katims Civil War Collection"],"ead_ssi":"908d27d5c28211cfe05e56b4","unitdate_ssm":["1861-1992","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1861-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00013","/repositories/2/resources/156"],"text":["SPC00013","/repositories/2/resources/156","Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Jaclyn M. Nowak, Kerline Dameus, and Victoria Thur processed this collection. Annaleah Morse updated this collection in 2018.","The Arlyn Austin Katims Civil War Collection focuses upon the Civil War from the Union position. Within the collection are illustrations, currency, and a number of artifacts from the era. Items of special interest include an authentic mourning card from Abraham Lincoln's funeral and newspapers reporting Lincoln's death.","In 1995, Dr. Robert B. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"access_subjects_ssm":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet","17 boxes other_unmapped"],"extent_tesim":["15.00 Linear Feet","17 boxes other_unmapped"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Nowak, Kerline Dameus, and Victoria Thur processed this collection. Annaleah Morse updated this collection in 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe Arlyn Austin Katims Civil War Collection focuses upon the Civil War from the Union position. Within the collection are illustrations, currency, and a number of artifacts from the era. Items of special interest include an authentic mourning card from Abraham Lincoln's funeral and newspapers reporting Lincoln's death.\u003c/p\u003e\n","\u003cp\u003eIn 1995, Dr. Robert B. Katims donated more than 345 books, 337 periodical issues, and 304 artifacts to FAU Special Collections upon the death of his wife, Arlyn Austin Katims. Included among these items are documents, a tintype of a Union soldier, hand-colored illustrations from contemporaneous journals, and soldiers' accessories \u0026#x2013; a musket belt, veterans' cane and medic's cap.\u003c/p\u003e\n","\u003cp\u003eArlyn Austin Katims, Civil War enthusiast, lecturer and re-enactor, was president of the South Florida Civil War Roundtable, and director of the Lincoln Society of South Florida. She was also involved with several national organizations dedicated to battlefield and historical artifact preservation, including the Civil War Society and the Blue and Gray Society. Mrs. Katims was an important contributor in the field of learning disabilities, and helped found the Early Childhood Development Center of the Department of Pediatrics at John Hopkins Hospital in Baltimore. 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Included among these items are documents, a tintype of a Union soldier, hand-colored illustrations from contemporaneous journals, and soldiers' accessories – a musket belt, veterans' cane and medic's cap.","Arlyn Austin Katims, Civil War enthusiast, lecturer and re-enactor, was president of the South Florida Civil War Roundtable, and director of the Lincoln Society of South Florida. She was also involved with several national organizations dedicated to battlefield and historical artifact preservation, including the Civil War Society and the Blue and Gray Society. Mrs. Katims was an important contributor in the field of learning disabilities, and helped found the Early Childhood Development Center of the Department of Pediatrics at John Hopkins Hospital in Baltimore. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","Annaleah Morse updated this collection in 2015. In 2013-2014 Teresa Van Dyke, Rick Cullen, Kate Dahlstrand, Victoria Thur, and Dakota Merchant processed this collection.","The Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents. The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, and letters covering the years 1745 through 1983.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPCW0010","/repositories/2/resources/147"],"normalized_date_ssm":["1745-1983"],"normalized_title_ssm":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983"],"collection_title_tesim":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983"],"collection_ssim":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Weiner"],"access_subjects_ssm":["Weiner"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 Linear Feet","22 document boxes other_unmapped"],"extent_tesim":["12.00 Linear Feet","22 document boxes other_unmapped"],"date_range_isim":[1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eAnnaleah Morse updated this collection in 2015. In 2013-2014 Teresa Van Dyke, Rick Cullen, Kate Dahlstrand, Victoria Thur, and Dakota Merchant processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Annaleah Morse updated this collection in 2015. In 2013-2014 Teresa Van Dyke, Rick Cullen, Kate Dahlstrand, Victoria Thur, and Dakota Merchant processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents. The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, and letters covering the years 1745 through 1983.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents. The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, and letters covering the years 1745 through 1983."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":659,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"272e0ee1994c210ad3695a1a","timestamp":"2026-07-08T02:01:00.118Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/272e0ee1994c210ad3695a1a_aspace_68296"}},{"id":"c687da92e79a41f63f445906_aspace_16232","type":"File","attributes":{"title":"Abraham Lincoln., 1916.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c687da92e79a41f63f445906_aspace_16232#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16232","ref_ssm":["aspace_16232","aspace_16232"],"id":"c687da92e79a41f63f445906_aspace_16232","title_filing_ssi":"Abraham Lincoln.","title_ssm":["Abraham Lincoln."],"title_tesim":["Abraham Lincoln."],"unitdate_other_ssim":["1916."],"normalized_date_ssm":["1916."],"normalized_title_ssm":["Abraham Lincoln., 1916."],"text":["Abraham Lincoln., 1916.","Thomas and Georgine Mickler Sermon Collection, 1880-1933","Eulogies, Speeches, and Personal Papers, 1881-1933.","Speeches, Addresses and Orations., 1891.","Folder 80","/repositories/4/archival_objects/36418","box 3","folder 80"],"component_level_isim":[3],"parent_ids_ssim":["c687da92e79a41f63f445906","c687da92e79a41f63f445906_aspace_16208","c687da92e79a41f63f445906_aspace_16216"],"parent_unittitles_ssm":["Thomas and Georgine Mickler Sermon Collection, 1880-1933","Eulogies, Speeches, and Personal Papers, 1881-1933.","Speeches, Addresses and Orations., 1891."],"parent_unittitles_tesim":["Thomas and Georgine Mickler Sermon Collection, 1880-1933","Eulogies, Speeches, and Personal Papers, 1881-1933.","Speeches, Addresses and Orations., 1891."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 80","/repositories/4/archival_objects/36418"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas and Georgine Mickler Sermon Collection, 1880-1933"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":264,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 3","folder 80"],"_nest_path_":"/components#1/components#1/components#14","_nest_parent_":"c687da92e79a41f63f445906_aspace_16216","_root_":"c687da92e79a41f63f445906","timestamp":"2026-07-09T03:02:45.344Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c687da92e79a41f63f445906","title_ssm":["Thomas and Georgine Mickler Sermon Collection"],"title_tesim":["Thomas and Georgine Mickler Sermon Collection"],"ead_ssi":"c687da92e79a41f63f445906","unitdate_ssm":["1880-1933"],"unitdate_inclusive_ssm":["1880-1933"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.030","/repositories/4/resources/152"],"text":["SC.030","/repositories/4/resources/152","Thomas and Georgine Mickler Sermon Collection, 1880-1933","Florida","Congregational churches -- Sermons","Congregational churches -- Clergy","Congregationalists -- United States","Sermons, American","funeral sermons","The entire collection is open for research.","Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. Called Florida Breeze, it was built by Henry Flagler's Florida East Coast Railroad in 1913. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler, a native Floridian, was 84 when he died in 1997. Georgine, his wife of 35 years, died the following year. 84 at the time of her death, Georgine was born in Chicago and had moved to Orlando in 1961. The Mickler's shared a love of Florida and its history with each other and the librarians, historians and professors, who were invited to Florida Breeze each month to browse through the Mickler's collection.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\t ","The diaries are housed in acid-free boxes.","Other Florida materials may be found in  Florida Ephemera Collection ,  Henry Nehrling Papers , Thomas and Georgine Estate Collection,  Sol \u0026 Sadie Malkoff Papers  and  Walter and Dorothy Donnelly Family Collection .","A collection of over 200 sermons dating from the late 19th and early 20th Century. The sermons are possibly all the work of one person, a Congregationalist Reverend George Loring Hanscom. In addition to the sermons, there is a small collection of funeral sermons and eulogies; speeches, addresses and orations; correspondence; manuscripts and typescripts; and other miscellanea also believed to be authored by Reverend Hanscom.","\nThe documents are primarily hand-written and are are divided by subject matter. They are contained in individual, numbered archival envelopes and housed in acid-free boxes.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","A collection of over 200 sermons, eulogies, speeches, addresses, orations and correspondence dating from the late 19th and early 20th Century. The sermons are possibly all the work of one person, Congregationalist Reverend George Loring Hanscom.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.030","/repositories/4/resources/152"],"normalized_date_ssm":["1880-1933"],"normalized_title_ssm":["Thomas and Georgine Mickler Sermon Collection, 1880-1933"],"collection_title_tesim":["Thomas and Georgine Mickler Sermon Collection, 1880-1933"],"collection_ssim":["Thomas and Georgine Mickler Sermon Collection, 1880-1933"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["UCF was one of six state university libraries that arranged to purchase materials on Florida from the Estate of Georgine Mickler, founder and owner, with her husband Thomas, of Mickler's Antiquarian Books. In 1999 (CFM1999_04), the UCF Library entered into a purchase/donation arrangement in which the library received a remarkable collection of books, maps, diaries, sermons, postcards, photographs, and ephemera from the Mickler Estate."],"access_subjects_ssim":["Congregational churches -- Sermons","Congregational churches -- Clergy","Congregationalists -- United States","Sermons, American","funeral sermons"],"access_subjects_ssm":["Congregational churches -- Sermons","Congregational churches -- Clergy","Congregationalists -- United States","Sermons, American","funeral sermons"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 3 Boxes"],"extent_tesim":["3 Linear Feet 3 Boxes"],"genreform_ssim":["funeral sermons"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. Called Florida Breeze, it was built by Henry Flagler's Florida East Coast Railroad in 1913. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler, a native Floridian, was 84 when he died in 1997. Georgine, his wife of 35 years, died the following year. 84 at the time of her death, Georgine was born in Chicago and had moved to Orlando in 1961. The Mickler's shared a love of Florida and its history with each other and the librarians, historians and professors, who were invited to Florida Breeze each month to browse through the Mickler's collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas and Georgine Mickler ran a small publishing company, Mickler House, and a thriving mail-order business, Mickler's Antiquarian Books, out of their Chuluota home for almost 40 years. Called Florida Breeze, it was built by Henry Flagler's Florida East Coast Railroad in 1913. The Mickler's focused on tracing out-of-print publications about Florida and ultimately collected more than 40,000 books and other historical pieces of paper memorabilia that filled their home. Thomas Mickler, a native Floridian, was 84 when he died in 1997. Georgine, his wife of 35 years, died the following year. 84 at the time of her death, Georgine was born in Chicago and had moved to Orlando in 1961. The Mickler's shared a love of Florida and its history with each other and the librarians, historians and professors, who were invited to Florida Breeze each month to browse through the Mickler's collection."],"prefercite_html_tesm":["\u003cp\u003eThomas and Georgine Mickler Sermon Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas and Georgine Mickler Sermon Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\t \u003c/p\u003e","\u003cp\u003eThe diaries are housed in acid-free boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\t ","The diaries are housed in acid-free boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther Florida materials may be found in \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-06\"\u003eFlorida Ephemera Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e, Thomas and Georgine Estate Collection, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-01\"\u003eSol \u0026amp; Sadie Malkoff Papers\u003c/extref\u003e and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-08\"\u003eWalter and Dorothy Donnelly Family Collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other Florida materials may be found in  Florida Ephemera Collection ,  Henry Nehrling Papers , Thomas and Georgine Estate Collection,  Sol \u0026 Sadie Malkoff Papers  and  Walter and Dorothy Donnelly Family Collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of over 200 sermons dating from the late 19th and early 20th Century. The sermons are possibly all the work of one person, a Congregationalist Reverend George Loring Hanscom. In addition to the sermons, there is a small collection of funeral sermons and eulogies; speeches, addresses and orations; correspondence; manuscripts and typescripts; and other miscellanea also believed to be authored by Reverend Hanscom.\u003c/p\u003e\n","\u003cp\u003e\nThe documents are primarily hand-written and are are divided by subject matter. They are contained in individual, numbered archival envelopes and housed in acid-free boxes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A collection of over 200 sermons dating from the late 19th and early 20th Century. The sermons are possibly all the work of one person, a Congregationalist Reverend George Loring Hanscom. In addition to the sermons, there is a small collection of funeral sermons and eulogies; speeches, addresses and orations; correspondence; manuscripts and typescripts; and other miscellanea also believed to be authored by Reverend Hanscom.","\nThe documents are primarily hand-written and are are divided by subject matter. They are contained in individual, numbered archival envelopes and housed in acid-free boxes."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2691a014481b016893de411bcc51fc6a\" label=\"Abstract\"\u003eA collection of over 200 sermons, eulogies, speeches, addresses, orations and correspondence dating from the late 19th and early 20th Century. The sermons are possibly all the work of one person, Congregationalist Reverend George Loring Hanscom.\u003c/abstract\u003e"],"abstract_tesim":["A collection of over 200 sermons, eulogies, speeches, addresses, orations and correspondence dating from the late 19th and early 20th Century. The sermons are possibly all the work of one person, Congregationalist Reverend George Loring Hanscom."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":298,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c687da92e79a41f63f445906","timestamp":"2026-07-09T03:02:45.344Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c687da92e79a41f63f445906_aspace_16232"}},{"id":"5167012c6d8c6eaab607a48f_aspace_ac871d81a46f3a8d84c1955b0b554e31","type":"File","attributes":{"title":"Abraham Lincoln Brigade","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5167012c6d8c6eaab607a48f_aspace_ac871d81a46f3a8d84c1955b0b554e31#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ac871d81a46f3a8d84c1955b0b554e31","ref_ssm":["aspace_ac871d81a46f3a8d84c1955b0b554e31","aspace_ac871d81a46f3a8d84c1955b0b554e31"],"id":"5167012c6d8c6eaab607a48f_aspace_ac871d81a46f3a8d84c1955b0b554e31","title_filing_ssi":"Abraham Lincoln Brigade","title_ssm":["Abraham Lincoln Brigade"],"title_tesim":["Abraham Lincoln Brigade"],"normalized_title_ssm":["Abraham Lincoln Brigade"],"text":["Abraham Lincoln Brigade","William F. \"Willie\" Garcia papers, 1940-2008","Personal Papers","Spanish-American Heritage and History","Folder 3","/repositories/2/archival_objects/200438","box 5","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["5167012c6d8c6eaab607a48f","5167012c6d8c6eaab607a48f_aspace_79c94ceaa7ff9bb55812208c10795307","5167012c6d8c6eaab607a48f_aspace_2ecf123993566e8f2979a0d40e9aa0cd"],"parent_unittitles_ssm":["William F. \"Willie\" Garcia papers, 1940-2008","Personal Papers","Spanish-American Heritage and History"],"parent_unittitles_tesim":["William F. \"Willie\" Garcia papers, 1940-2008","Personal Papers","Spanish-American Heritage and History"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 3","/repositories/2/archival_objects/200438"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William F. \"Willie\" Garcia papers, 1940-2008"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":48,"parent_access_restrict_tesm":["None."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 5","folder 3"],"_nest_path_":"/components#1/components#2/components#2","_nest_parent_":"5167012c6d8c6eaab607a48f_aspace_2ecf123993566e8f2979a0d40e9aa0cd","_root_":"5167012c6d8c6eaab607a48f","_version_":1874758041186861056,"timestamp":"2026-08-28T09:16:33.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5167012c6d8c6eaab607a48f","title_ssm":["William F. \"Willie\" Garcia papers"],"title_tesim":["William F. \"Willie\" Garcia papers"],"ead_ssi":"5167012c6d8c6eaab607a48f","unitdate_ssm":["1940-2008"],"unitdate_inclusive_ssm":["1940-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2025-02","/repositories/2/resources/741"],"text":["MS-2025-02","/repositories/2/resources/741","William F. \"Willie\" Garcia papers, 1940-2008","Florida -- Politics and government","Cigar industry -- Florida -- Tampa","Spanish Americans -- Florida -- Tampa","Spanish Civil War, Spain, 1936-1939","Political campaigns -- United States","Lawyers","None.","The records are arranged into six series, including (1). Professional Papers (2). Personal Papers (3). Photographs, (4). Artifacts (5). Oversized Items, and (6). Cataloged Books.","William F. \"Willie\" Garcia was born June 3, 1931, and passed away on September 19, 2008, at 77 years of age. He was a man of many accomplishments, and after earning his law degree at the University of Florida, held membership at the American Bar, Hillsborough County Bar, and Florida Bar Associations for fifty years. In addition to owning his own law firm with William H. Frecker, Garcia served as Judge Advocate General in the U.S. Airforce Reserve for thirty years, achieving the rank of Lieutenant Colonel. He was a staunch advocate of the Democratic Party, as well a board member for the Centro Asturiano de Tampa, the Harvard Club of the West Coast of Florida, and president of the Young Democratic Clubs of Florida. He was married to his wife, Elvira \"Vera\" Tamargo Garcia, for fifty-one years, and had two sons, William T. Garcia and Louis Joseph Garcia. The William F. \"Willie\" Garcia Papers primarily document his professional achievements, such as his key participation in the Clinton campaign and lengthy military service.  It also contains many records that highlight his deep love of Beach Street, Spanish culture, and his family.   ","References:   ","\"William Garcia Obituary (2008).\" Legacy: Tampa Bay Times. September 25, 2008,    ","https://www.legacy.com/us/obituaries/tampabaytimes/name/william-garcia-obituary?id=10767665  ","The papers are comprised of materials related to Willie Garcia's professional and personal life from 1940-2008. Of particular focus is Garcia's political involvement on local, state, and national levels, including items from the Clinton-Gore campaign of 1996, the Young Democratic Club of Florida, and John F. Kennedy's visit to Tampa, FL. In addition to politics, the collection reflects Garcia's robust interest in Spanish-American history and culture, noted in many documents related to Asturias, the Abraham Lincoln Brigade, the Spanish Civil War, and Ybor City.","6 boxes of separated books to be catalogued, 2 oversized framed photos and 5 oversized political posters stored separately.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","William F. \"Willie\" Garcia (1931-2008) was a key figure in twentieth-century Tampa, Florida. Known as \"Mr. Democrat,\" Willie Garcia was highly involved in politics and had a successful career as a Judge Advocate General. Alongside his wife, Elvira Garcia, Willie was also instrumental to the preservation of Spanish-American history in Tampa, FL.","USF Libraries - Tampa Special Collections","Garcia,  William F. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Donation by William T. Garcia, Personal Representative of the Estate of Elvira \"Vera\" Garcia"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Spanish Americans -- Florida -- Tampa","Spanish Civil War, Spain, 1936-1939","Political campaigns -- United States","Lawyers"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Spanish Americans -- Florida -- Tampa","Spanish Civil War, Spain, 1936-1939","Political campaigns -- United States","Lawyers"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet","11 boxes"],"extent_tesim":["7.3 Linear Feet","11 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged into six series, including (1). Professional Papers (2). Personal Papers (3). Photographs, (4). Artifacts (5). Oversized Items, and (6). Cataloged Books.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The records are arranged into six series, including (1). Professional Papers (2). Personal Papers (3). Photographs, (4). Artifacts (5). Oversized Items, and (6). Cataloged Books."],"bioghist_html_tesm":["\u003cp\u003eWilliam F. \"Willie\" Garcia was born June 3, 1931, and passed away on September 19, 2008, at 77 years of age. He was a man of many accomplishments, and after earning his law degree at the University of Florida, held membership at the American Bar, Hillsborough County Bar, and Florida Bar Associations for fifty years. In addition to owning his own law firm with William H. Frecker, Garcia served as Judge Advocate General in the U.S. Airforce Reserve for thirty years, achieving the rank of Lieutenant Colonel. He was a staunch advocate of the Democratic Party, as well a board member for the Centro Asturiano de Tampa, the Harvard Club of the West Coast of Florida, and president of the Young Democratic Clubs of Florida. He was married to his wife, Elvira \"Vera\" Tamargo Garcia, for fifty-one years, and had two sons, William T. Garcia and Louis Joseph Garcia. The William F. \"Willie\" Garcia Papers primarily document his professional achievements, such as his key participation in the Clinton campaign and lengthy military service.  It also contains many records that highlight his deep love of Beach Street, Spanish culture, and his family.\u0026#x202F;  \u003c/p\u003e\n","\u003cp\u003eReferences:\u0026#x202F;  \u003c/p\u003e\n","\u003cp\u003e\"William Garcia Obituary (2008).\" Legacy: Tampa Bay Times. September 25, 2008,\u0026#x202F;\u0026#x202F;  \u003c/p\u003e\n","\u003cp\u003ehttps://www.legacy.com/us/obituaries/tampabaytimes/name/william-garcia-obituary?id=10767665\u0026#x202F; \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["William F. \"Willie\" Garcia was born June 3, 1931, and passed away on September 19, 2008, at 77 years of age. He was a man of many accomplishments, and after earning his law degree at the University of Florida, held membership at the American Bar, Hillsborough County Bar, and Florida Bar Associations for fifty years. In addition to owning his own law firm with William H. Frecker, Garcia served as Judge Advocate General in the U.S. Airforce Reserve for thirty years, achieving the rank of Lieutenant Colonel. He was a staunch advocate of the Democratic Party, as well a board member for the Centro Asturiano de Tampa, the Harvard Club of the West Coast of Florida, and president of the Young Democratic Clubs of Florida. He was married to his wife, Elvira \"Vera\" Tamargo Garcia, for fifty-one years, and had two sons, William T. Garcia and Louis Joseph Garcia. The William F. \"Willie\" Garcia Papers primarily document his professional achievements, such as his key participation in the Clinton campaign and lengthy military service.  It also contains many records that highlight his deep love of Beach Street, Spanish culture, and his family.   ","References:   ","\"William Garcia Obituary (2008).\" Legacy: Tampa Bay Times. September 25, 2008,    ","https://www.legacy.com/us/obituaries/tampabaytimes/name/william-garcia-obituary?id=10767665  "],"prefercite_html_tesm":["\u003cp\u003eWilliam F. \"Willie\" Garcia Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William F. \"Willie\" Garcia Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe papers are comprised of materials related to Willie Garcia's professional and personal life from 1940-2008. Of particular focus is Garcia's political involvement on local, state, and national levels, including items from the Clinton-Gore campaign of 1996, the Young Democratic Club of Florida, and John F. Kennedy's visit to Tampa, FL. In addition to politics, the collection reflects Garcia's robust interest in Spanish-American history and culture, noted in many documents related to Asturias, the Abraham Lincoln Brigade, the Spanish Civil War, and Ybor City.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers are comprised of materials related to Willie Garcia's professional and personal life from 1940-2008. Of particular focus is Garcia's political involvement on local, state, and national levels, including items from the Clinton-Gore campaign of 1996, the Young Democratic Club of Florida, and John F. Kennedy's visit to Tampa, FL. In addition to politics, the collection reflects Garcia's robust interest in Spanish-American history and culture, noted in many documents related to Asturias, the Abraham Lincoln Brigade, the Spanish Civil War, and Ybor City."],"separatedmaterial_html_tesm":["\u003cp\u003e6 boxes of separated books to be catalogued, 2 oversized framed photos and 5 oversized political posters stored separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Contents"],"separatedmaterial_tesim":["6 boxes of separated books to be catalogued, 2 oversized framed photos and 5 oversized political posters stored separately."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d40a60d8d69f36988ba4b966484b439d\" label=\"Abstract\"\u003eWilliam F. \"Willie\" Garcia (1931-2008) was a key figure in twentieth-century Tampa, Florida. Known as \"Mr. Democrat,\" Willie Garcia was highly involved in politics and had a successful career as a Judge Advocate General. Alongside his wife, Elvira Garcia, Willie was also instrumental to the preservation of Spanish-American history in Tampa, FL.\u003c/abstract\u003e"],"abstract_tesim":["William F. \"Willie\" Garcia (1931-2008) was a key figure in twentieth-century Tampa, Florida. Known as \"Mr. Democrat,\" Willie Garcia was highly involved in politics and had a successful career as a Judge Advocate General. Alongside his wife, Elvira Garcia, Willie was also instrumental to the preservation of Spanish-American history in Tampa, FL."],"names_ssim":["USF Libraries - Tampa Special Collections","Garcia,  William F. (1931-2008)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Garcia,  William F. 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According to the White House, \"Shortly before he won the nomination at the Republican Convention in Chicago, May 1860, Lincoln paid several visits to Volk's studio and gave the sculptor the opportunity to make his life mask as well as his portrait. Although a contemporary bronze cast of the latter was known to exist, its whereabouts were unknown until 1947, when it was discovered in an antique store in New York.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/908d27d5c28211cfe05e56b4_aspace_17127#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17127","ref_ssm":["aspace_17127","aspace_17127"],"id":"908d27d5c28211cfe05e56b4_aspace_17127","title_filing_ssi":"Abraham Lincoln bust","title_ssm":["Abraham Lincoln bust"],"title_tesim":["Abraham Lincoln bust"],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["Abraham Lincoln bust, n.d."],"text":["Abraham Lincoln bust, n.d.","Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865","Civil War","Realia","Item 1","/repositories/2/archival_objects/60744","box 7","One bust of Lincoln, 13\", Master Bronze Patina.  According to the White House, \"Shortly before he won the nomination at the Republican Convention in Chicago, May 1860, Lincoln paid several visits to Volk's studio and gave the sculptor the opportunity to make his life mask as well as his portrait. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 7"],"scopecontent_html_tesm":["\u003cp\u003eOne bust of Lincoln, 13\", Master Bronze Patina.  According to the White House, \"Shortly before he won the nomination at the Republican Convention in Chicago, May 1860, Lincoln paid several visits to Volk's studio and gave the sculptor the opportunity to make his life mask as well as his portrait. Although a contemporary bronze cast of the latter was known to exist, its whereabouts were unknown until 1947, when it was discovered in an antique store in New York.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["One bust of Lincoln, 13\", Master Bronze Patina.  According to the White House, \"Shortly before he won the nomination at the Republican Convention in Chicago, May 1860, Lincoln paid several visits to Volk's studio and gave the sculptor the opportunity to make his life mask as well as his portrait. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Jaclyn M. Nowak, Kerline Dameus, and Victoria Thur processed this collection. Annaleah Morse updated this collection in 2018.","The Arlyn Austin Katims Civil War Collection focuses upon the Civil War from the Union position. Within the collection are illustrations, currency, and a number of artifacts from the era. Items of special interest include an authentic mourning card from Abraham Lincoln's funeral and newspapers reporting Lincoln's death.","In 1995, Dr. Robert B. Katims donated more than 345 books, 337 periodical issues, and 304 artifacts to FAU Special Collections upon the death of his wife, Arlyn Austin Katims. Included among these items are documents, a tintype of a Union soldier, hand-colored illustrations from contemporaneous journals, and soldiers' accessories – a musket belt, veterans' cane and medic's cap.","Arlyn Austin Katims, Civil War enthusiast, lecturer and re-enactor, was president of the South Florida Civil War Roundtable, and director of the Lincoln Society of South Florida. She was also involved with several national organizations dedicated to battlefield and historical artifact preservation, including the Civil War Society and the Blue and Gray Society. Mrs. Katims was an important contributor in the field of learning disabilities, and helped found the Early Childhood Development Center of the Department of Pediatrics at John Hopkins Hospital in Baltimore. Deeply patriotic, her primary interest was Abraham Lincoln who exemplified \"integrity … the rise from humble beginnings and adversity, the ability to overcome not only family tragedies … and he was able to preserve the Union.\"","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00013","/repositories/2/resources/156"],"normalized_date_ssm":["1861-1992, bulk 1861-1865"],"normalized_title_ssm":["Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865"],"collection_title_tesim":["Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865"],"collection_ssim":["Arlyn Austin Katims Civil War Collection, 1861-1992, bulk 1861-1865"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"access_subjects_ssm":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet","17 boxes other_unmapped"],"extent_tesim":["15.00 Linear Feet","17 boxes other_unmapped"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Jaclyn M. Nowak, Kerline Dameus, and Victoria Thur processed this collection. Annaleah Morse updated this collection in 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Jaclyn M. Nowak, Kerline Dameus, and Victoria Thur processed this collection. Annaleah Morse updated this collection in 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe Arlyn Austin Katims Civil War Collection focuses upon the Civil War from the Union position. Within the collection are illustrations, currency, and a number of artifacts from the era. Items of special interest include an authentic mourning card from Abraham Lincoln's funeral and newspapers reporting Lincoln's death.\u003c/p\u003e\n","\u003cp\u003eIn 1995, Dr. Robert B. Katims donated more than 345 books, 337 periodical issues, and 304 artifacts to FAU Special Collections upon the death of his wife, Arlyn Austin Katims. Included among these items are documents, a tintype of a Union soldier, hand-colored illustrations from contemporaneous journals, and soldiers' accessories \u0026#x2013; a musket belt, veterans' cane and medic's cap.\u003c/p\u003e\n","\u003cp\u003eArlyn Austin Katims, Civil War enthusiast, lecturer and re-enactor, was president of the South Florida Civil War Roundtable, and director of the Lincoln Society of South Florida. She was also involved with several national organizations dedicated to battlefield and historical artifact preservation, including the Civil War Society and the Blue and Gray Society. Mrs. Katims was an important contributor in the field of learning disabilities, and helped found the Early Childhood Development Center of the Department of Pediatrics at John Hopkins Hospital in Baltimore. Deeply patriotic, her primary interest was Abraham Lincoln who exemplified \"integrity \u0026#x2026; the rise from humble beginnings and adversity, the ability to overcome not only family tragedies \u0026#x2026; and he was able to preserve the Union.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arlyn Austin Katims Civil War Collection focuses upon the Civil War from the Union position. Within the collection are illustrations, currency, and a number of artifacts from the era. Items of special interest include an authentic mourning card from Abraham Lincoln's funeral and newspapers reporting Lincoln's death.","In 1995, Dr. Robert B. Katims donated more than 345 books, 337 periodical issues, and 304 artifacts to FAU Special Collections upon the death of his wife, Arlyn Austin Katims. Included among these items are documents, a tintype of a Union soldier, hand-colored illustrations from contemporaneous journals, and soldiers' accessories – a musket belt, veterans' cane and medic's cap.","Arlyn Austin Katims, Civil War enthusiast, lecturer and re-enactor, was president of the South Florida Civil War Roundtable, and director of the Lincoln Society of South Florida. She was also involved with several national organizations dedicated to battlefield and historical artifact preservation, including the Civil War Society and the Blue and Gray Society. Mrs. Katims was an important contributor in the field of learning disabilities, and helped found the Early Childhood Development Center of the Department of Pediatrics at John Hopkins Hospital in Baltimore. Deeply patriotic, her primary interest was Abraham Lincoln who exemplified \"integrity … the rise from humble beginnings and adversity, the ability to overcome not only family tragedies … and he was able to preserve the Union.\""],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":313,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841756739698688,"_root_":"908d27d5c28211cfe05e56b4","timestamp":"2026-07-16T03:48:53.376Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/908d27d5c28211cfe05e56b4_aspace_17127"}},{"id":"cd8ed33a4bc1fa03258ea1d7_aspace_50680","type":"File","attributes":{"title":"Abraham Lincoln: From His Own Words, 1946","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cd8ed33a4bc1fa03258ea1d7_aspace_50680#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSource Book Series, Number Two; Pamphlet published by the U.S. Department of Interior, National Park Service; contains biographical content re: President Abraham Lincoln\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cd8ed33a4bc1fa03258ea1d7_aspace_50680#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_50680","ref_ssm":["aspace_50680","aspace_50680"],"id":"cd8ed33a4bc1fa03258ea1d7_aspace_50680","title_filing_ssi":"Abraham Lincoln: From His Own Words","title_ssm":["Abraham Lincoln: From His Own Words"],"title_tesim":["Abraham Lincoln: From His Own Words"],"unitdate_other_ssim":["1946"],"normalized_date_ssm":["1946"],"normalized_title_ssm":["Abraham Lincoln: From His Own Words, 1946"],"text":["Abraham Lincoln: From His Own Words, 1946","Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979","Folder 8","/repositories/2/archival_objects/13059","box 6","folder 8","Source Book Series, Number Two; Pamphlet published by the U.S. Department of Interior, National Park Service; contains biographical content re: President Abraham Lincoln"],"component_level_isim":[1],"parent_ids_ssim":["cd8ed33a4bc1fa03258ea1d7"],"parent_unittitles_ssm":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"parent_unittitles_tesim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 8","/repositories/2/archival_objects/13059"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":105,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 6","folder 8"],"scopecontent_html_tesm":["\u003cp\u003eSource Book Series, Number Two; Pamphlet published by the U.S. Department of Interior, National Park Service; contains biographical content re: President Abraham Lincoln\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Source Book Series, Number Two; Pamphlet published by the U.S. Department of Interior, National Park Service; contains biographical content re: President Abraham Lincoln"],"_nest_path_":"/components#102","_nest_parent_":"cd8ed33a4bc1fa03258ea1d7","_root_":"cd8ed33a4bc1fa03258ea1d7","timestamp":"2026-04-21T17:41:39.271Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cd8ed33a4bc1fa03258ea1d7","title_ssm":["Neulander Magazine Collection"],"title_tesim":["Neulander Magazine Collection"],"ead_ssi":"cd8ed33a4bc1fa03258ea1d7","unitdate_ssm":["1882-2002","1920-1929; 1950-1979","Date acquired: 12/11/1968"],"unitdate_bulk_ssim":["1920-1929; 1950-1979"],"unitdate_inclusive_ssm":["1882-2002"],"unitdate_other_ssim":["Date acquired: 12/11/1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00025","/repositories/2/resources/34"],"text":["SPC00025","/repositories/2/resources/34","Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2010, Rick Cullen processed this collection.","The Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off  magazine and newsprint publications. Mr. Neulander's magazines span over a century of time with the earliest publication bearing a copyright date of 1882. Of special note are publications issued in the decade, of the last century, often referred to as The Roaring Twenties (1920-1929). Most publications in this block of the collection are dedicated to presenting a forum for then-current literary and fine arts contributors. Some issues of Broom contain writings by several of the notable authors and poets of the day (e.g., John Dos Passos, William Carlos Williams, Gertrude Stein, E.E. Cummings, and Aldous Huxley). In addition, the collection is significant for the number of magazines (and some newspapers) that cover life in America during the mid-part of the 20th Century. These are of a more diverse nature and though many continue to focus on the arts, several are devoted to travel and tourism, while a large number of the magazines published during the 1960's are dedicated to remembering the centennial of the American Civil War.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00025","/repositories/2/resources/34"],"normalized_date_ssm":["1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"normalized_title_ssm":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"collection_title_tesim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"collection_ssim":["Neulander Magazine Collection, 1882-2002, Date acquired: 12/11/1968, bulk 1920-1929; 1950-1979"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["4.00 Linear Feet"],"extent_tesim":["4.00 Linear Feet"],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Rick Cullen processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Rick Cullen processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alan Neulander Magazine Collection consists of weekly, monthly, quarterly, special edition, and one-off\u0026#xA0; magazine and newsprint publications. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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