{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=1978\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=1977\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=1979\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":1978,"next_page":1979,"prev_page":1977,"total_pages":65767,"limit_value":10,"offset_value":19770,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"236a3c88b766327883b2e155_aspace_fda6a202e2498f3c894f0fd1331528e0","type":"Item","attributes":{"title":"\"A Bit of Florida\", fish underwater, Oklahawa [Ocklawaha], FL, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_fda6a202e2498f3c894f0fd1331528e0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fda6a202e2498f3c894f0fd1331528e0","ref_ssm":["aspace_fda6a202e2498f3c894f0fd1331528e0","aspace_fda6a202e2498f3c894f0fd1331528e0"],"id":"236a3c88b766327883b2e155_aspace_fda6a202e2498f3c894f0fd1331528e0","title_filing_ssi":"\"A Bit of Florida\", fish underwater, Oklahawa [Ocklawaha], FL","title_ssm":["\"A Bit of Florida\", fish underwater, Oklahawa [Ocklawaha], FL"],"title_tesim":["\"A Bit of Florida\", fish underwater, Oklahawa [Ocklawaha], FL"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["\"A Bit of Florida\", fish underwater, Oklahawa [Ocklawaha], FL, undated"],"text":["\"A Bit of Florida\", fish underwater, Oklahawa [Ocklawaha], FL, undated","Joy Postle papers, 1910-2015","Art, 1921","Watercolors with Acrylic","/repositories/4/archival_objects/88003","/repositories/4/archival_objects/91200","box 3","folder 31"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_e0792c1233e5f9b8797fa1ac6b8f9274"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors with Acrylic"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors with Acrylic"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/88003","/repositories/4/archival_objects/91200"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":288,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 3","folder 31"],"_nest_path_":"/components#0/components#5/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_e0792c1233e5f9b8797fa1ac6b8f9274","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_fda6a202e2498f3c894f0fd1331528e0"}},{"id":"236a3c88b766327883b2e155_aspace_b1562e97165cf643b5f4fb1608985d99","type":"Item","attributes":{"title":"\"A Bit of Florida\", sunrise on lake, Oklahawa [Ocklawaha], FL, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_b1562e97165cf643b5f4fb1608985d99#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1562e97165cf643b5f4fb1608985d99","ref_ssm":["aspace_b1562e97165cf643b5f4fb1608985d99","aspace_b1562e97165cf643b5f4fb1608985d99"],"id":"236a3c88b766327883b2e155_aspace_b1562e97165cf643b5f4fb1608985d99","title_filing_ssi":"\"A Bit of Florida\", sunrise on lake, Oklahawa [Ocklawaha], FL","title_ssm":["\"A Bit of Florida\", sunrise on lake, Oklahawa [Ocklawaha], FL"],"title_tesim":["\"A Bit of Florida\", sunrise on lake, Oklahawa [Ocklawaha], FL"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["\"A Bit of Florida\", sunrise on lake, Oklahawa [Ocklawaha], FL, undated"],"text":["\"A Bit of Florida\", sunrise on lake, Oklahawa [Ocklawaha], FL, undated","Joy Postle papers, 1910-2015","Art, 1921","Watercolors with Acrylic","/repositories/4/archival_objects/88004","/repositories/4/archival_objects/91201","box 3","folder 31"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_e0792c1233e5f9b8797fa1ac6b8f9274"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors with Acrylic"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Watercolors with Acrylic"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/88004","/repositories/4/archival_objects/91201"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":289,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 3","folder 31"],"_nest_path_":"/components#0/components#5/components#1","_nest_parent_":"236a3c88b766327883b2e155_aspace_e0792c1233e5f9b8797fa1ac6b8f9274","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_b1562e97165cf643b5f4fb1608985d99"}},{"id":"6ac060ebe532c478a41bd8e2_aspace_173856","type":"Item","attributes":{"title":"A Bit of Lake Butler","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6ac060ebe532c478a41bd8e2_aspace_173856#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eNo. 52. Views along the route of the Plant System of Railways, Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6ac060ebe532c478a41bd8e2_aspace_173856#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_173856","ref_ssm":["aspace_173856","aspace_173856"],"id":"6ac060ebe532c478a41bd8e2_aspace_173856","title_filing_ssi":"A Bit of Lake Butler","title_ssm":["A Bit of Lake Butler"],"title_tesim":["A Bit of Lake Butler"],"normalized_title_ssm":["A Bit of Lake Butler"],"text":["A Bit of Lake Butler","Stokes Collection of Florida Plant Railway photographs, 1893-1895","Box 1","Item 39","/repositories/2/archival_objects/49202","box 1","No. 52. Views along the route of the Plant System of Railways, Florida."],"component_level_isim":[2],"parent_ids_ssim":["6ac060ebe532c478a41bd8e2","6ac060ebe532c478a41bd8e2_aspace_173817"],"parent_unittitles_ssm":["Stokes Collection of Florida Plant Railway photographs, 1893-1895","Box 1"],"parent_unittitles_tesim":["Stokes Collection of Florida Plant Railway photographs, 1893-1895","Box 1"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 39","/repositories/2/archival_objects/49202"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Stokes Collection of Florida Plant Railway photographs, 1893-1895"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":40,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003eNo. 52. Views along the route of the Plant System of Railways, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["No. 52. Views along the route of the Plant System of Railways, Florida."],"_nest_path_":"/components#0/components#38","_nest_parent_":"6ac060ebe532c478a41bd8e2_aspace_173817","_root_":"6ac060ebe532c478a41bd8e2","timestamp":"2026-07-10T03:54:28.121Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6ac060ebe532c478a41bd8e2","title_ssm":["Stokes Collection of Florida Plant Railway photographs"],"title_tesim":["Stokes Collection of Florida Plant Railway photographs"],"ead_ssi":"6ac060ebe532c478a41bd8e2","unitdate_ssm":["1893-1895"],"unitdate_inclusive_ssm":["1893-1895"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2018-11","/repositories/2/resources/296"],"text":["MS-2018-11","/repositories/2/resources/296","Stokes Collection of Florida Plant Railway photographs, 1893-1895","Florida -- History","Railroads -- Florida","Photographs","Tourism -- Florida","Photographs are preserved in individual sleeves and are described at the item level.","Charles H. Stokes (1864-1953) was originally from Lee Center, New York, and moved to Florida in 1888. He settled in Clermont and first established a post office from his living room on Plum Lake in a town he called Mohawk. Later he established the Jolly Palms Hunting Lodge. In 1887, the Orange Belt Railroad came to Mohawk and Stokes was later called on to photograph scenes along the lines for publicity and marketing.","This collection consists of 100 black and white photographs of Florida railway construction, flora, landscapes, and attractions.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection contains photographs taken in Florida in the 1890s by professional photographer Charles H. Stokes along the route of the Orange Belt Railway (later the Sanford \u0026 St. Petersburg Railway), which became part of the Plant System of Railways. The photos were used by the railway companies to promote tourism and development.","USF Libraries - Tampa Special Collections","Stokes, Charles H., 1864-1953","English"],"unitid_tesim":["MS-2018-11","/repositories/2/resources/296"],"normalized_date_ssm":["1893-1895"],"normalized_title_ssm":["Stokes Collection of Florida Plant Railway photographs, 1893-1895"],"collection_title_tesim":["Stokes Collection of Florida Plant Railway photographs, 1893-1895"],"collection_ssim":["Stokes Collection of Florida Plant Railway photographs, 1893-1895"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- History"],"geogname_ssim":["Florida -- History"],"creator_ssm":["Stokes, Charles H., 1864-1953"],"creator_ssim":["Stokes, Charles H., 1864-1953"],"creator_persname_ssim":["Stokes, Charles H., 1864-1953"],"creators_ssim":["Stokes, Charles H., 1864-1953"],"places_ssim":["Florida -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Railroads -- Florida","Photographs","Tourism -- Florida"],"access_subjects_ssm":["Railroads -- Florida","Photographs","Tourism -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1.96 Linear Feet","2 boxes other_unmapped"],"extent_tesim":["1.96 Linear Feet","2 boxes other_unmapped"],"date_range_isim":[1893,1894,1895],"arrangement_html_tesm":["\u003cp\u003ePhotographs are preserved in individual sleeves and are described at the item level.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Photographs are preserved in individual sleeves and are described at the item level."],"bioghist_html_tesm":["\u003cp\u003eCharles H. Stokes (1864-1953) was originally from Lee Center, New York, and moved to Florida in 1888. He settled in Clermont and first established a post office from his living room on Plum Lake in a town he called Mohawk. Later he established the Jolly Palms Hunting Lodge. In 1887, the Orange Belt Railroad came to Mohawk and Stokes was later called on to photograph scenes along the lines for publicity and marketing.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Charles H. Stokes (1864-1953) was originally from Lee Center, New York, and moved to Florida in 1888. He settled in Clermont and first established a post office from his living room on Plum Lake in a town he called Mohawk. Later he established the Jolly Palms Hunting Lodge. In 1887, the Orange Belt Railroad came to Mohawk and Stokes was later called on to photograph scenes along the lines for publicity and marketing."],"prefercite_html_tesm":["\u003cp\u003eStokes Collection of Florida Plant Railway Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Stokes Collection of Florida Plant Railway Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 100 black and white photographs of Florida railway construction, flora, landscapes, and attractions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 100 black and white photographs of Florida railway construction, flora, landscapes, and attractions."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45eb81caf7e09e102ef472effcc44f3c\" label=\"Abstract\"\u003eThis collection contains photographs taken in Florida in the 1890s by professional photographer Charles H. Stokes along the route of the Orange Belt Railway (later the Sanford \u0026amp; St. Petersburg Railway), which became part of the Plant System of Railways. The photos were used by the railway companies to promote tourism and development.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains photographs taken in Florida in the 1890s by professional photographer Charles H. Stokes along the route of the Orange Belt Railway (later the Sanford \u0026 St. Petersburg Railway), which became part of the Plant System of Railways. The photos were used by the railway companies to promote tourism and development."],"names_ssim":["USF Libraries - Tampa Special Collections","Stokes, Charles H., 1864-1953"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Stokes, Charles H., 1864-1953"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":103,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6ac060ebe532c478a41bd8e2","timestamp":"2026-07-10T03:54:28.121Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6ac060ebe532c478a41bd8e2_aspace_173856"}},{"id":"494d175c32d55745f7fddbc7_aspace_5548","type":"Item","attributes":{"title":"\"A bit of scenery\", Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5548#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5548","ref_ssm":["aspace_5548","aspace_5548"],"id":"494d175c32d55745f7fddbc7_aspace_5548","title_filing_ssi":"\"A bit of scenery\"","title_ssm":["\"A bit of scenery\""],"title_tesim":["\"A bit of scenery\""],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["\"A bit of scenery\", Undated"],"text":["\"A bit of scenery\", Undated","Florida Image Collection, 1884-2002","Picture Books (Souvenir Albums), 1884-1969, Undated","St. Petersburg Florida Souvenir Album, \"The Sunshine City\", Undated","Folder 1","/repositories/4/archival_objects/12459","box 2","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["494d175c32d55745f7fddbc7","494d175c32d55745f7fddbc7_aspace_5163","494d175c32d55745f7fddbc7_aspace_5511"],"parent_unittitles_ssm":["Florida Image Collection, 1884-2002","Picture Books (Souvenir Albums), 1884-1969, Undated","St. Petersburg Florida Souvenir Album, \"The Sunshine City\", Undated"],"parent_unittitles_tesim":["Florida Image Collection, 1884-2002","Picture Books (Souvenir Albums), 1884-1969, Undated","St. Petersburg Florida Souvenir Album, \"The Sunshine City\", Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Folder 1","/repositories/4/archival_objects/12459"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Florida Image Collection, 1884-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1219,"parent_access_restrict_tesm":["The entire collection is open for research."],"containers_ssim":["box 2","folder 1"],"_nest_path_":"/components#5/components#18/components#35","_nest_parent_":"494d175c32d55745f7fddbc7_aspace_5511","_root_":"494d175c32d55745f7fddbc7","_version_":1870858026892656640,"timestamp":"2026-07-16T08:07:29.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"494d175c32d55745f7fddbc7","title_ssm":["Florida Image Collection"],"title_tesim":["Florida Image Collection"],"ead_ssi":"494d175c32d55745f7fddbc7","unitdate_ssm":["1884-2002"],"unitdate_inclusive_ssm":["1884-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.067","/repositories/4/resources/58"],"text":["SC.067","/repositories/4/resources/58","Florida Image Collection, 1884-2002","Florida","photographs","The entire collection is open for research.","The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.","Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.","Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes.","More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.","Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection.","The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.","UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998","English"],"unitid_tesim":["SC.067","/repositories/4/resources/58"],"normalized_date_ssm":["1884-2002"],"normalized_title_ssm":["Florida Image Collection, 1884-2002"],"collection_title_tesim":["Florida Image Collection, 1884-2002"],"collection_ssim":["Florida Image Collection, 1884-2002"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"creator_ssm":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creator_persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"creators_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"places_ssim":["Florida"],"acqinfo_ssim":["Photographs used in the collection were taken from the Thomas and Georgine Mickler Collection, the UCF Libraries, Special Collections vertical file,as well as, other purchases and acessions.","This collection was a mixture of purchased and donated from the Mickler Estate and other sources in 2006 (CFM2006_08)."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["1.65 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["photographs"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida Image collection contains images and picture postcards obtained from other UCF Archives collections, as well as purchases and donations. The majority come from the The Thomas and Georgine Mickler Collection. The Mickler collection was partly purchased and donated to the University. Other photos within the collection originated in the Special Collections Vertical File. The Vertical File contains a variety of collected materials on University of Central Florida, local history, typography and book arts, and the West Indies, subjects relating to the collections held by Special Collections. Also included in the collection are images from the Children's Home Society of Florida collection."],"custodhist_html_tesm":["\u003cp\u003eMany of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Many of the images were previously included in the Thomas and Georgine Mickler Collection and the Florida Ephemera collection. Both of these collections are housed in the University of Central Florida Archives."],"prefercite_html_tesm":["\u003cp\u003eFlorida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Florida Image Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Alexandra Olson; finding aid created by Alexandra Olson.\u003c/p\u003e","\u003cp\u003eThe photographs and postcards were sleeved and placed in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Alexandra Olson; finding aid created by Alexandra Olson.","The photographs and postcards were sleeved and placed in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More photographs may be found in the papers of individual University Presidents, as well as the Univeristy Photograph Collection. All these materials may be accessed in the Special Collections Reading Room."],"scopecontent_html_tesm":["\u003cp\u003eGenerally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject\u003c/p\u003e\n","\u003cp\u003e\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: Negatives, Undated contains all the negatives of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Generally, images of individuals arranged alphabetically begin each subseries followed by groups of people and ending with unidentified images. The collection includes postcard images of scenes and places in Florida. Many of the photographs were originally part of the Thomas and Georgine Mickler Collection. The photos are arranged by series according to the type of image. The prints are mostly black and white, but a few are in color. The photographs and postcards have been arranged in nine series by subject","\nSeries I: People, 1913-1987, Undated contains photographic prints of individuals and groups that have been arranged in subseries from identifiable people and families to albums and ending with individuals and groups. Images, in this series, like those of the Pope family are significant to Florida because Dick Pope was the creator of Cypress Gardens, Florida's first theme park. Images of the Roper family are important because of this family's link to the Florida Citrus Industry and the Winter Garden area.","\nSeries II: Places, 1903-1988, Undated holds photographs of places and localities from around Florida arranged alphabetically. Disney forms the first subseries, followed by the John F. Kennedy Space Center, general localities and ending with a colleciton of photographs of Orange Blossom Trail in South Orlando.","\nSeries III: Environment, 1899-1999, Undated contains images of native wildlife, plants of Florida, ending with photographs of hurricanes.","\nSeries IV: Miscellaneous Images, 2002, Undated contains photographs and images that do not fit within any other series, but are still important to the memory of Florida.","\nSeries V: Photo Postcards, 1898-1988, Undated holds postcards that have either a genuine photograph or a printed image on one side. The printed postcards are divided into subseries by subject. The nine subjects include: Churches, hotels, localities, native plants, native wildlife, people, tourism, transportation and miscellaneous.","\nSeries VI: Picture Books (Souvenir Albums), 1884-1969, Undated contains albums and postcard books with many different images of Florida. The series is arranged alphabetically by title of book, and spans from Railroads to Locales.","\nSeries VII: Caribbean Postcards, 1954, Undated contains postcards with different images of Carribbean life.","\nSeries VIII: Color Plates and Oversized Postcards, 1960, Undated holds all the oversized postcards from the collection as well as a collection of color plates. Plates are whole-sheet illustrations, printed separately from text. The images in this series cover a wide variety of Florida scenery and locales.","\nSeries IX: Negatives, Undated contains all the negatives of the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c1764512ad44520b697525a0abb48530\" label=\"Abstract\"\u003eThe images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960.\u003c/abstract\u003e"],"abstract_tesim":["The images document all aspects of Central Florida history including people, such as prominent people and families, places around Florida, Florida wildlife and plantlife, as well as, images from the Kennedy Space Center and Disney. The majority of the collection dates from about 1900-1960."],"names_ssim":["UCF Special Collections","Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Mickler, Thomas, 1912-1997","Mickler, Georgine, 1914-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1301,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858026892656640,"_root_":"494d175c32d55745f7fddbc7","timestamp":"2026-07-16T08:07:29.876Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/494d175c32d55745f7fddbc7_aspace_5548"}},{"id":"022e496e4cf2baa955c5aab4_aspace_111351","type":"File","attributes":{"title":"A-B, Jan, 1911 - May, 1911","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/022e496e4cf2baa955c5aab4_aspace_111351#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_111351","ref_ssm":["aspace_111351","aspace_111351"],"id":"022e496e4cf2baa955c5aab4_aspace_111351","title_filing_ssi":"A-B","title_ssm":["A-B"],"title_tesim":["A-B"],"unitdate_other_ssim":["Jan, 1911 - May, 1911"],"normalized_date_ssm":["Jan, 1911 - May, 1911"],"normalized_title_ssm":["A-B, Jan, 1911 - May, 1911"],"text":["A-B, Jan, 1911 - May, 1911","German-American Lumber Company Records, 1887-1927, bulk 1906-1920","Correspondence, 1890-1920","Folder 1","/repositories/10/archival_objects/66758","box 12","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["022e496e4cf2baa955c5aab4","022e496e4cf2baa955c5aab4_aspace_169119"],"parent_unittitles_ssm":["German-American Lumber Company Records, 1887-1927, bulk 1906-1920","Correspondence, 1890-1920"],"parent_unittitles_tesim":["German-American Lumber Company Records, 1887-1927, bulk 1906-1920","Correspondence, 1890-1920"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 1","/repositories/10/archival_objects/66758"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["German-American Lumber Company Records, 1887-1927, bulk 1906-1920"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":92,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 12","folder 1"],"_nest_path_":"/components#0/components#90","_nest_parent_":"022e496e4cf2baa955c5aab4_aspace_169119","_root_":"022e496e4cf2baa955c5aab4","_version_":1870859053015498752,"timestamp":"2026-07-16T08:23:48.189Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"022e496e4cf2baa955c5aab4","title_ssm":["German-American Lumber Company Records"],"title_tesim":["German-American Lumber Company Records"],"ead_ssi":"022e496e4cf2baa955c5aab4","unitdate_ssm":["1887-1927","1906-1920"],"unitdate_bulk_ssim":["1906-1920"],"unitdate_inclusive_ssm":["1887-1927"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1986-27","/repositories/10/resources/604"],"text":["MSS 1986-27","/repositories/10/resources/604","German-American Lumber Company Records, 1887-1927, bulk 1906-1920","Florida--Economic conditions--20th Century","Pensacola (Fla.)--History","Saint Andrews Bay (Fla.)--History.","Economics and Society: Post-Civil War Florida, 1865-1913","World War I, 1914-1918--Florida","The Florida Boom and Bust, 1919-1929","Lumber trade--Florida--Pensacola","Lumber trade--Florida--Millville.","Shipbuilding--Florida","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1898, Henry Bovis, a French Canadian with ties to Bagdad, Florida, discovered the vast forests surrounding St. Andrews Bay and realized that the area would be the perfect port for a lumber operation. Bovis and his business partners built the St. Andrews Lumber Company sawmill on the east side of the bayou.\n Bovis and his partners sold their mill in 1901 to a German organization which renamed the business the German-American Lumber Company. J. R. Saunders served as president of the German-American Lumber Company when it was organized in Pensacola. This large company eventually owned over 200,000 acres around St. Andrews Bay and 125 miles of logging roads. It became one of the largest lumber companies in the country.\n The stock in the company was principally owned by the Emperor of Germany, Kaiser Wilhelm, whose nephew, H.G. Kulenkampff, frequently visited the mill. In 1906, Millville was selected as the site of operations for the sawmill owned by the German-American Lumber Company. At this time, the company owned 75,000 acres of land and employed 1500 people. It also supplied electric power for the entire community of Millville. According to an amendment of the German-American Lumber Company charter in 1911, the officers of the company were: H.G. Kulenkampff, president; H.H. Boyer, vice-president; Fr. Julius Schreyer, second vice-president; and G. Rolfs, secretary-treasurer.\n During World War I, after pro-German literature and a hidden gun emplacement were reportedly discovered in the mill, the U.S. Government seized the German-American Lumber Company. Newspapers around the country gave accounts of \"a spy center on St. Andrews Bay\" after the federal government's takeover of the mill under the Trading with the Enemy Act. From that point on, the mill continued to operate under the name of the American Lumber Company.\n In 1919, multimillionaire Minor C. Keith of New York and sawmill owner Walter C. Sherman bought the conglomerate known as the American Lumber Company (including subsidiary Bates \u0026 Rogers Construction Co.) from the government for 1.25 million dollars. They renamed it the St. Andrews Bay Lumber Company. This organization prospered during the 1920s. In a surprise move by the State Legislature, Millville became part of greater Panama City along with St. Andrews on March 12, 1926. The St. Andrews Bay Lumber Company continued to operate until 1930 when it was forced to close because most of the good timber was gone from the forests. The mill burned on March 22, 1931.","Portions of collection available online?: No","The German-American Lumber Company Records were transferred to the National Archives by the Office of the United States Alien Property Custodian prior to 1942 - possibly in the late 1930s or early 1940s. Assistant Archivist Robert Lando, an archival employee of the then Justice Division of the National Archives, processed the records. Lando prepared summary descriptive slips for each record series. V.L. Bedsole, Associate Archivist of the Archives' Justice Division at that time, reviewed the slips. Bedsole revised and annotated the slips and prepared rough record series entries. Completion of the work was prevented by the close of World War II and the reassignment of some members of the National Archives staff to new work assignments after the war.\nIn 1956, the Collection was transferred to Florida State University's Southern Business History Center. In 1957, Mr. Bedsole, who was now Head of Louisiana State University's Department of Archives and Manuscripts, noted in his letter (February 28, 1957) to Florida State University (recipient unknown), that if many of the rough inventory slips were not transferred to Florida State University (FSU) in 1956 as part of the files of the German-American Lumber Company, they may have been retained by the National Archives.\nThe Collection was later given to the FSU Libraries. Processing resumed in 1986, when Special Collections staff rehoused the materials in archival folders and boxes and created a temporary box list. Since that time, additional German-American Lumber Company materials were identified and processed.","Blount \u0026 Blount \u0026 Carter Papers, Beggs and Lane Collection, M1985-20, Special Collections, University of West Florida.","Veverka, T. (1957).  Scars of civilization: A progress-sketch biography of Walter Colquitt Sherman . Montgomery, Ala.: Paragon Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS023750506","The German-American Lumber Company Records cover the years 1887-1922, and consist of correspondence, accounting records, ledgers, journals, cash books, time books, contracts and deeds, and other company records. In 1898, Henry Bovis and his partners built the St. Andrews Lumber Company sawmill on the St. Andrews Bay in Florida. He sold the mill in 1901 to a German organization which renamed the business the German-American Lumber Company. Following a period during World War I in which the mill was seized and held by the federal government, Minor C. Keith and Walter C. Sherman bought the company and renamed it the St. Andrews Bay Lumber Company. This organization operated until 1930 when it was forced to close because of timber depletion in the forests. The company records are organized into the following series: Correspondence; Financial Records; Legal Records; and Personnel Records.\n The Correspondence series, 1890-1920, comprises the most significant portion of the records and consists of business correspondence reflecting southern business interests, the economic history of Florida, especially the lumber trade business in Millville and Pensacola. Much of the correspondence relates to the orders of lumber to be shipped, delay of orders, payments of orders, ship construction, and other topics. One of the most prominent correspondents is H.H. Boyer, vice president of the company. This series also includes letters from various businesses and banks such as Donaldson Lumber Company, C.T. Patterson Company, American National Bank, Citizens and Southern Bank, Robert L. Merwin \u0026 Company, and others.\n The Financial Records series, 1887-1922, includes various accounting records, cash books, invoices, inventory records, shipping records, bank statements, and others. Cash books contain records of money received and paid out, showing dates of transactions, names of clients, descriptions of the transactions, and amounts received and expended. Ledgers contain postings to accounts receivable and accounts payable. Sales ledgers show logs of customer sales. This series also includes gold bonds of various amounts of money for the company. This series reflects the accounting system and financial history of the company over approximately twenty years.\n The Legal Records series, 1901-1919, consists of various abstracts, contracts, and deeds. Abstracts contain the copies of the abstracts to lands of the German-American Lumber Company, as well as the J.S. Betts Company in Jackson County, Florida.\n The Personnel Records series, 1902-1919, includes accident reports for employees of the company, personnel time records, and payroll memos. The series also includes time books contained in four bound volumes.","Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The collection includes correspondence, deeds, accounting records, bills and debt letters, contracts, invoices, shipping records, and various ledgers. The majority of the collection consists of correspondence, 1890-1920, concerning orders of lumber to be shipped, shipping status, and payments. A large portion of the collection is comprised of shipping records, 1904-1919, contained in 12 boxes.  It also contains 115 bound volumes including various ledgers, letter books, cash books, sales records, log books, shipping records, cash reports, and accounting journals.","FSU Special Collections \u0026 Archives","American Lumber Company","American National Bank","Citizens and Southern National Bank","C.T. Patterson Company","Donaldson Lumber Company","German-American Lumber Company","St. Andrews Lumber Company","Bovis, Henry","William II, German Emperor, 1959-1941","English"],"unitid_tesim":["MSS 1986-27","/repositories/10/resources/604"],"normalized_date_ssm":["1887-1927, bulk 1906-1920"],"normalized_title_ssm":["German-American Lumber Company Records, 1887-1927, bulk 1906-1920"],"collection_title_tesim":["German-American Lumber Company Records, 1887-1927, bulk 1906-1920"],"collection_ssim":["German-American Lumber Company Records, 1887-1927, bulk 1906-1920"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["According to a letter (February 28, 1957) from V.L. Bedsole, Head of Louisiana State University's Department of Archives and Manuscripts, to Florida State University (recipient unknown), the German-American Lumber Company Records were acquired by the National Archives in Washington, D.C. by transfer to that agency from the Office of the Alien Property Custodian. That transfer was made prior to 1942.\nIn a letter from Wayne C. Grover (December 28, 1955), Archivist of the United States, to Dr. M.M. Vance, Director of the Southern Business History Center at FSU, the German-American Lumber Company Records for 1890-1921 were offered for deposit with the Center. Grover noted in this letter that the Office of Alien Property Custodian did not regard these records as federal records, and therefore had no objection to their release to a public institution.\nNorman L. Kilpatrick, Director of Libraries at FSU and Secretary of the Southern Business History Center, acknowledged in a letter (January 11, 1956) to Wayne C. Grover that the Center would gladly accept this collection. The Collection was subsequently given to the FSU Libraries, although the date of this transfer has not been determined."],"access_subjects_ssim":["Florida--Economic conditions--20th Century","Pensacola (Fla.)--History","Saint Andrews Bay (Fla.)--History.","Economics and Society: Post-Civil War Florida, 1865-1913","World War I, 1914-1918--Florida","The Florida Boom and Bust, 1919-1929","Lumber trade--Florida--Pensacola","Lumber trade--Florida--Millville.","Shipbuilding--Florida"],"access_subjects_ssm":["Florida--Economic conditions--20th Century","Pensacola (Fla.)--History","Saint Andrews Bay (Fla.)--History.","Economics and Society: Post-Civil War Florida, 1865-1913","World War I, 1914-1918--Florida","The Florida Boom and Bust, 1919-1929","Lumber trade--Florida--Pensacola","Lumber trade--Florida--Millville.","Shipbuilding--Florida"],"has_online_content_ssim":["false"],"extent_ssm":["163.36 Linear Feet"],"extent_tesim":["163.36 Linear Feet"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1898, Henry Bovis, a French Canadian with ties to Bagdad, Florida, discovered the vast forests surrounding St. Andrews Bay and realized that the area would be the perfect port for a lumber operation. Bovis and his business partners built the St. Andrews Lumber Company sawmill on the east side of the bayou.\n\u003cbr\u003e\u003cbr\u003eBovis and his partners sold their mill in 1901 to a German organization which renamed the business the German-American Lumber Company. J. R. Saunders served as president of the German-American Lumber Company when it was organized in Pensacola. This large company eventually owned over 200,000 acres around St. Andrews Bay and 125 miles of logging roads. It became one of the largest lumber companies in the country.\n\u003cbr\u003e\u003cbr\u003eThe stock in the company was principally owned by the Emperor of Germany, Kaiser Wilhelm, whose nephew, H.G. Kulenkampff, frequently visited the mill. In 1906, Millville was selected as the site of operations for the sawmill owned by the German-American Lumber Company. At this time, the company owned 75,000 acres of land and employed 1500 people. It also supplied electric power for the entire community of Millville. According to an amendment of the German-American Lumber Company charter in 1911, the officers of the company were: H.G. Kulenkampff, president; H.H. Boyer, vice-president; Fr. Julius Schreyer, second vice-president; and G. Rolfs, secretary-treasurer.\n\u003cbr\u003e\u003cbr\u003eDuring World War I, after pro-German literature and a hidden gun emplacement were reportedly discovered in the mill, the U.S. Government seized the German-American Lumber Company. Newspapers around the country gave accounts of \"a spy center on St. Andrews Bay\" after the federal government's takeover of the mill under the Trading with the Enemy Act. From that point on, the mill continued to operate under the name of the American Lumber Company.\n\u003cbr\u003e\u003cbr\u003eIn 1919, multimillionaire Minor C. Keith of New York and sawmill owner Walter C. Sherman bought the conglomerate known as the American Lumber Company (including subsidiary Bates \u0026amp; Rogers Construction Co.) from the government for 1.25 million dollars. They renamed it the St. Andrews Bay Lumber Company. This organization prospered during the 1920s. In a surprise move by the State Legislature, Millville became part of greater Panama City along with St. Andrews on March 12, 1926. The St. Andrews Bay Lumber Company continued to operate until 1930 when it was forced to close because most of the good timber was gone from the forests. The mill burned on March 22, 1931.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1898, Henry Bovis, a French Canadian with ties to Bagdad, Florida, discovered the vast forests surrounding St. Andrews Bay and realized that the area would be the perfect port for a lumber operation. Bovis and his business partners built the St. Andrews Lumber Company sawmill on the east side of the bayou.\n Bovis and his partners sold their mill in 1901 to a German organization which renamed the business the German-American Lumber Company. J. R. Saunders served as president of the German-American Lumber Company when it was organized in Pensacola. This large company eventually owned over 200,000 acres around St. Andrews Bay and 125 miles of logging roads. It became one of the largest lumber companies in the country.\n The stock in the company was principally owned by the Emperor of Germany, Kaiser Wilhelm, whose nephew, H.G. Kulenkampff, frequently visited the mill. In 1906, Millville was selected as the site of operations for the sawmill owned by the German-American Lumber Company. At this time, the company owned 75,000 acres of land and employed 1500 people. It also supplied electric power for the entire community of Millville. According to an amendment of the German-American Lumber Company charter in 1911, the officers of the company were: H.G. Kulenkampff, president; H.H. Boyer, vice-president; Fr. Julius Schreyer, second vice-president; and G. Rolfs, secretary-treasurer.\n During World War I, after pro-German literature and a hidden gun emplacement were reportedly discovered in the mill, the U.S. Government seized the German-American Lumber Company. Newspapers around the country gave accounts of \"a spy center on St. Andrews Bay\" after the federal government's takeover of the mill under the Trading with the Enemy Act. From that point on, the mill continued to operate under the name of the American Lumber Company.\n In 1919, multimillionaire Minor C. Keith of New York and sawmill owner Walter C. Sherman bought the conglomerate known as the American Lumber Company (including subsidiary Bates \u0026 Rogers Construction Co.) from the government for 1.25 million dollars. They renamed it the St. Andrews Bay Lumber Company. This organization prospered during the 1920s. In a surprise move by the State Legislature, Millville became part of greater Panama City along with St. Andrews on March 12, 1926. The St. Andrews Bay Lumber Company continued to operate until 1930 when it was forced to close because most of the good timber was gone from the forests. The mill burned on March 22, 1931."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eGerman-American Lumber Company Records, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-1986-27\u003c/p\u003e"],"prefercite_tesim":["German-American Lumber Company Records, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-1986-27"],"processinfo_html_tesm":["\u003cp\u003eThe German-American Lumber Company Records were transferred to the National Archives by the Office of the United States Alien Property Custodian prior to 1942 - possibly in the late 1930s or early 1940s. Assistant Archivist Robert Lando, an archival employee of the then Justice Division of the National Archives, processed the records. Lando prepared summary descriptive slips for each record series. V.L. Bedsole, Associate Archivist of the Archives' Justice Division at that time, reviewed the slips. Bedsole revised and annotated the slips and prepared rough record series entries. Completion of the work was prevented by the close of World War II and the reassignment of some members of the National Archives staff to new work assignments after the war.\nIn 1956, the Collection was transferred to Florida State University's Southern Business History Center. In 1957, Mr. Bedsole, who was now Head of Louisiana State University's Department of Archives and Manuscripts, noted in his letter (February 28, 1957) to Florida State University (recipient unknown), that if many of the rough inventory slips were not transferred to Florida State University (FSU) in 1956 as part of the files of the German-American Lumber Company, they may have been retained by the National Archives.\nThe Collection was later given to the FSU Libraries. Processing resumed in 1986, when Special Collections staff rehoused the materials in archival folders and boxes and created a temporary box list. Since that time, additional German-American Lumber Company materials were identified and processed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The German-American Lumber Company Records were transferred to the National Archives by the Office of the United States Alien Property Custodian prior to 1942 - possibly in the late 1930s or early 1940s. Assistant Archivist Robert Lando, an archival employee of the then Justice Division of the National Archives, processed the records. Lando prepared summary descriptive slips for each record series. V.L. Bedsole, Associate Archivist of the Archives' Justice Division at that time, reviewed the slips. Bedsole revised and annotated the slips and prepared rough record series entries. Completion of the work was prevented by the close of World War II and the reassignment of some members of the National Archives staff to new work assignments after the war.\nIn 1956, the Collection was transferred to Florida State University's Southern Business History Center. In 1957, Mr. Bedsole, who was now Head of Louisiana State University's Department of Archives and Manuscripts, noted in his letter (February 28, 1957) to Florida State University (recipient unknown), that if many of the rough inventory slips were not transferred to Florida State University (FSU) in 1956 as part of the files of the German-American Lumber Company, they may have been retained by the National Archives.\nThe Collection was later given to the FSU Libraries. Processing resumed in 1986, when Special Collections staff rehoused the materials in archival folders and boxes and created a temporary box list. Since that time, additional German-American Lumber Company materials were identified and processed."],"relatedmaterial_html_tesm":["\u003cp\u003eBlount \u0026amp; Blount \u0026amp; Carter Papers, Beggs and Lane Collection, M1985-20, Special Collections, University of West Florida.\u003c/p\u003e\n","\u003cp\u003eVeverka, T. (1957). \u003cemph render=\"italic\"\u003eScars of civilization: A progress-sketch biography of Walter Colquitt Sherman\u003c/emph\u003e. Montgomery, Ala.: Paragon Press. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS023750506\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS023750506\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blount \u0026 Blount \u0026 Carter Papers, Beggs and Lane Collection, M1985-20, Special Collections, University of West Florida.","Veverka, T. (1957).  Scars of civilization: A progress-sketch biography of Walter Colquitt Sherman . Montgomery, Ala.: Paragon Press.  http://fsu.catalog.fcla.edu/permalink.jsp?23FS023750506"],"scopecontent_html_tesm":["\u003cp\u003eThe German-American Lumber Company Records cover the years 1887-1922, and consist of correspondence, accounting records, ledgers, journals, cash books, time books, contracts and deeds, and other company records. In 1898, Henry Bovis and his partners built the St. Andrews Lumber Company sawmill on the St. Andrews Bay in Florida. He sold the mill in 1901 to a German organization which renamed the business the German-American Lumber Company. Following a period during World War I in which the mill was seized and held by the federal government, Minor C. Keith and Walter C. Sherman bought the company and renamed it the St. Andrews Bay Lumber Company. This organization operated until 1930 when it was forced to close because of timber depletion in the forests. The company records are organized into the following series: Correspondence; Financial Records; Legal Records; and Personnel Records.\n\u003cbr\u003e\u003cbr\u003eThe Correspondence series, 1890-1920, comprises the most significant portion of the records and consists of business correspondence reflecting southern business interests, the economic history of Florida, especially the lumber trade business in Millville and Pensacola. Much of the correspondence relates to the orders of lumber to be shipped, delay of orders, payments of orders, ship construction, and other topics. One of the most prominent correspondents is H.H. Boyer, vice president of the company. This series also includes letters from various businesses and banks such as Donaldson Lumber Company, C.T. Patterson Company, American National Bank, Citizens and Southern Bank, Robert L. Merwin \u0026amp; Company, and others.\n\u003cbr\u003e\u003cbr\u003eThe Financial Records series, 1887-1922, includes various accounting records, cash books, invoices, inventory records, shipping records, bank statements, and others. Cash books contain records of money received and paid out, showing dates of transactions, names of clients, descriptions of the transactions, and amounts received and expended. Ledgers contain postings to accounts receivable and accounts payable. Sales ledgers show logs of customer sales. This series also includes gold bonds of various amounts of money for the company. This series reflects the accounting system and financial history of the company over approximately twenty years.\n\u003cbr\u003e\u003cbr\u003eThe Legal Records series, 1901-1919, consists of various abstracts, contracts, and deeds. Abstracts contain the copies of the abstracts to lands of the German-American Lumber Company, as well as the J.S. Betts Company in Jackson County, Florida.\n\u003cbr\u003e\u003cbr\u003eThe Personnel Records series, 1902-1919, includes accident reports for employees of the company, personnel time records, and payroll memos. The series also includes time books contained in four bound volumes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The German-American Lumber Company Records cover the years 1887-1922, and consist of correspondence, accounting records, ledgers, journals, cash books, time books, contracts and deeds, and other company records. In 1898, Henry Bovis and his partners built the St. Andrews Lumber Company sawmill on the St. Andrews Bay in Florida. He sold the mill in 1901 to a German organization which renamed the business the German-American Lumber Company. Following a period during World War I in which the mill was seized and held by the federal government, Minor C. Keith and Walter C. Sherman bought the company and renamed it the St. Andrews Bay Lumber Company. This organization operated until 1930 when it was forced to close because of timber depletion in the forests. The company records are organized into the following series: Correspondence; Financial Records; Legal Records; and Personnel Records.\n The Correspondence series, 1890-1920, comprises the most significant portion of the records and consists of business correspondence reflecting southern business interests, the economic history of Florida, especially the lumber trade business in Millville and Pensacola. Much of the correspondence relates to the orders of lumber to be shipped, delay of orders, payments of orders, ship construction, and other topics. One of the most prominent correspondents is H.H. Boyer, vice president of the company. This series also includes letters from various businesses and banks such as Donaldson Lumber Company, C.T. Patterson Company, American National Bank, Citizens and Southern Bank, Robert L. Merwin \u0026 Company, and others.\n The Financial Records series, 1887-1922, includes various accounting records, cash books, invoices, inventory records, shipping records, bank statements, and others. Cash books contain records of money received and paid out, showing dates of transactions, names of clients, descriptions of the transactions, and amounts received and expended. Ledgers contain postings to accounts receivable and accounts payable. Sales ledgers show logs of customer sales. This series also includes gold bonds of various amounts of money for the company. This series reflects the accounting system and financial history of the company over approximately twenty years.\n The Legal Records series, 1901-1919, consists of various abstracts, contracts, and deeds. Abstracts contain the copies of the abstracts to lands of the German-American Lumber Company, as well as the J.S. Betts Company in Jackson County, Florida.\n The Personnel Records series, 1902-1919, includes accident reports for employees of the company, personnel time records, and payroll memos. The series also includes time books contained in four bound volumes."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been transferred to the Florida State University Libraries.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d4bb66ce4cf91e7b6e90c9159d1298d\" label=\"Abstract\"\u003eThe collection includes correspondence, deeds, accounting records, bills and debt letters, contracts, invoices, shipping records, and various ledgers. The majority of the collection consists of correspondence, 1890-1920, concerning orders of lumber to be shipped, shipping status, and payments. A large portion of the collection is comprised of shipping records, 1904-1919, contained in 12 boxes.\u0026#xA0; It also contains 115 bound volumes including various ledgers, letter books, cash books, sales records, log books, shipping records, cash reports, and accounting journals.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes correspondence, deeds, accounting records, bills and debt letters, contracts, invoices, shipping records, and various ledgers. The majority of the collection consists of correspondence, 1890-1920, concerning orders of lumber to be shipped, shipping status, and payments. A large portion of the collection is comprised of shipping records, 1904-1919, contained in 12 boxes.  It also contains 115 bound volumes including various ledgers, letter books, cash books, sales records, log books, shipping records, cash reports, and accounting journals."],"names_coll_ssim":["American Lumber Company","American National Bank","Citizens and Southern National Bank","C.T. Patterson Company","Donaldson Lumber Company","German-American Lumber Company","St. Andrews Lumber Company","Bovis, Henry","William II, German Emperor, 1959-1941"],"names_ssim":["FSU Special Collections \u0026 Archives","American Lumber Company","American National Bank","Citizens and Southern National Bank","C.T. Patterson Company","Donaldson Lumber Company","German-American Lumber Company","St. Andrews Lumber Company","Bovis, Henry","William II, German Emperor, 1959-1941"],"corpname_ssim":["FSU Special Collections \u0026 Archives","American Lumber Company","American National Bank","Citizens and Southern National Bank","C.T. Patterson Company","Donaldson Lumber Company","German-American Lumber Company","St. Andrews Lumber Company"],"persname_ssim":["Bovis, Henry","William II, German Emperor, 1959-1941"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1733,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859053015498752,"_root_":"022e496e4cf2baa955c5aab4","timestamp":"2026-07-16T08:23:48.189Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/022e496e4cf2baa955c5aab4_aspace_111351"}},{"id":"aa3b3b662cf8277b809c735f_aspace_136583","type":"File","attributes":{"title":"A.B. Judd Speech Delivered in Connecticut State Legislature, 1862","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aa3b3b662cf8277b809c735f_aspace_136583#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eMostly-stained cover pamphlet containing Mr. Judd's speech on the state of the Country, entitled: Union for the Sake of the Union, delivered July 9, 1862\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aa3b3b662cf8277b809c735f_aspace_136583#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_136583","ref_ssm":["aspace_136583","aspace_136583"],"id":"aa3b3b662cf8277b809c735f_aspace_136583","title_filing_ssi":"A.B. Judd Speech Delivered in Connecticut State Legislature","title_ssm":["A.B. Judd Speech Delivered in Connecticut State Legislature"],"title_tesim":["A.B. Judd Speech Delivered in Connecticut State Legislature"],"unitdate_other_ssim":["1862"],"normalized_date_ssm":["1862"],"normalized_title_ssm":["A.B. Judd Speech Delivered in Connecticut State Legislature, 1862"],"text":["A.B. Judd Speech Delivered in Connecticut State Legislature, 1862","Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932","Speeches","Folder 2","/repositories/2/archival_objects/38309","box 20","folder 2","Mostly-stained cover pamphlet containing Mr. Judd's speech on the state of the Country, entitled: Union for the Sake of the Union, delivered July 9, 1862"],"component_level_isim":[2],"parent_ids_ssim":["aa3b3b662cf8277b809c735f","aa3b3b662cf8277b809c735f_aspace_136024"],"parent_unittitles_ssm":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932","Speeches"],"parent_unittitles_tesim":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932","Speeches"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 2","/repositories/2/archival_objects/38309"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":541,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 20","folder 2"],"scopecontent_html_tesm":["\u003cp\u003eMostly-stained cover pamphlet containing Mr. Judd's speech on the state of the Country, entitled: Union for the Sake of the Union, delivered July 9, 1862\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Mostly-stained cover pamphlet containing Mr. Judd's speech on the state of the Country, entitled: Union for the Sake of the Union, delivered July 9, 1862"],"_nest_path_":"/components#0/components#539","_nest_parent_":"aa3b3b662cf8277b809c735f_aspace_136024","_root_":"aa3b3b662cf8277b809c735f","timestamp":"2026-07-10T01:49:11.665Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aa3b3b662cf8277b809c735f","title_ssm":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches"],"title_tesim":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches"],"ead_ssi":"aa3b3b662cf8277b809c735f","unitdate_ssm":["1746-1932"],"unitdate_inclusive_ssm":["1746-1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPCW0006","/repositories/2/resources/101"],"text":["SPCW0006","/repositories/2/resources/101","Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932","Weiner","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","In 2013, Teresa Van Dyke, and Rick Cullen processed this collection. Annaleah Morse updated this collection in 2016.","The Marvin \u0026 Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents.","The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, sermons, and letters covering the years 1746 through 1912.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPCW0006","/repositories/2/resources/101"],"normalized_date_ssm":["1746-1932"],"normalized_title_ssm":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932"],"collection_title_tesim":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932"],"collection_ssim":["Marvin \u0026 Sybil Weiner Spirit of America Collection Pamphlets -- Speeches, 1746-1932"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Weiner"],"access_subjects_ssm":["Weiner"],"has_online_content_ssim":["false"],"extent_ssm":["33.00 Linear Feet","24 document boxes other_unmapped"],"extent_tesim":["33.00 Linear Feet","24 document boxes other_unmapped"],"date_range_isim":[1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, Teresa Van Dyke, and Rick Cullen processed this collection. Annaleah Morse updated this collection in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, Teresa Van Dyke, and Rick Cullen processed this collection. Annaleah Morse updated this collection in 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe Marvin \u0026amp; Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents.\u003c/p\u003e\n","\u003cp\u003eThe pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, sermons, and letters covering the years 1746 through 1912.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marvin \u0026 Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents.","The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, sermons, and letters covering the years 1746 through 1912."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":735,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aa3b3b662cf8277b809c735f","timestamp":"2026-07-10T01:49:11.665Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aa3b3b662cf8277b809c735f_aspace_136583"}},{"id":"8ad8f4097d070dbd4757b69a_aspace_109174","type":"Item","attributes":{"title":"A Black Chapter, December 15, 1961","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8ad8f4097d070dbd4757b69a_aspace_109174#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eText in cartoon: Man's inhumanity to man- Adolf Eichmann.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8ad8f4097d070dbd4757b69a_aspace_109174#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_109174","ref_ssm":["aspace_109174","aspace_109174"],"id":"8ad8f4097d070dbd4757b69a_aspace_109174","title_filing_ssi":"A Black Chapter","title_ssm":["A Black Chapter"],"title_tesim":["A Black Chapter"],"unitdate_other_ssim":["December 15, 1961"],"normalized_date_ssm":["December 15, 1961"],"normalized_title_ssm":["A Black Chapter, December 15, 1961"],"text":["A Black Chapter, December 15, 1961","George White Political Cartoons collection, 1938-1969, bulk 1940-1960","Item 12","/repositories/2/archival_objects/91892","box 2","Text in cartoon: Man's inhumanity to man- Adolf Eichmann."],"component_level_isim":[1],"parent_ids_ssim":["8ad8f4097d070dbd4757b69a"],"parent_unittitles_ssm":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"parent_unittitles_tesim":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"parent_levels_ssm":["collection"],"unitid_ssm":["Item 12","/repositories/2/archival_objects/91892"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["George White Political Cartoons collection, 1938-1969, bulk 1940-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":139,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 2"],"scopecontent_html_tesm":["\u003cp\u003eText in cartoon: Man's inhumanity to man- Adolf Eichmann.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Text in cartoon: Man's inhumanity to man- Adolf Eichmann."],"_nest_path_":"/components#138","_nest_parent_":"8ad8f4097d070dbd4757b69a","_root_":"8ad8f4097d070dbd4757b69a","_version_":1881194207760089088,"timestamp":"2026-11-07T10:16:40.100Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8ad8f4097d070dbd4757b69a","title_ssm":["George White Political Cartoons collection"],"title_tesim":["George White Political Cartoons collection"],"ead_ssi":"8ad8f4097d070dbd4757b69a","unitdate_ssm":["1938-1969","1940-1960"],"unitdate_bulk_ssim":["1940-1960"],"unitdate_inclusive_ssm":["1938-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["W08","/repositories/2/resources/418"],"text":["W08","/repositories/2/resources/418","George White Political Cartoons collection, 1938-1969, bulk 1940-1960","Caricatures and cartoons -- United States","Artists -- Florida","Unarranged","George Robert White was born in Grand Rapids, Michigan on January 7, 1901. 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Stephens in a book entitled,  The War in Black With White , a follow up was released in 1944.","Editorial cartoons from the  Tampa Morning Tribune , which became the  Tampa Tribune,  ranging from the 1940s to the 1960s.  Topics covered World War Two, national politics, Florida politics, and Tampa culture.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","White, Geo. 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(George), 1901-1964","Tampa Tribune (1895-2016) (Tampa, Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Purchased"],"access_subjects_ssim":["Caricatures and cartoons -- United States","Artists -- Florida"],"access_subjects_ssm":["Caricatures and cartoons -- United States","Artists -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["4.00 Linear Feet","2 boxes"],"extent_tesim":["4.00 Linear Feet","2 boxes"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"arrangement_html_tesm":["\u003cp\u003eUnarranged\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Unarranged"],"bioghist_html_tesm":["\u003cp\u003eGeorge Robert White was born in Grand Rapids, Michigan on January 7, 1901. In 1915 White and his family relocated to Tampa, Florida.\u0026#xA0; After completing a correspondence course in drawing, White studied art under Tampa artist Walter Collins.\u0026#xA0; In 1928 White began working for the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e as a commercial artist; a year later White was hired as a regular member of the staff. On May 6, 1934, White became a regular cartoonist at the \u003cemph render=\"italic\"\u003eTribune, \u003c/emph\u003ewhere his cartoons were featured on the front page.\u0026#xA0; These cartoons became a staple of the paper until his death on March 7, 1964. Through the course of his career White provided a witty, comical and analytical perspective to such topics as: World War Two, national politics, Florida politics, Tampa culture and politics. In 1943 a compilation of his World War Two cartoons were compiled and edited by Byron S. Stephens in a book entitled, \u003cemph render=\"italic\"\u003eThe War in Black With White\u003c/emph\u003e, a follow up was released in 1944.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Robert White was born in Grand Rapids, Michigan on January 7, 1901. In 1915 White and his family relocated to Tampa, Florida.  After completing a correspondence course in drawing, White studied art under Tampa artist Walter Collins.  In 1928 White began working for the  Tampa Morning Tribune  as a commercial artist; a year later White was hired as a regular member of the staff. On May 6, 1934, White became a regular cartoonist at the  Tribune,  where his cartoons were featured on the front page.  These cartoons became a staple of the paper until his death on March 7, 1964. Through the course of his career White provided a witty, comical and analytical perspective to such topics as: World War Two, national politics, Florida politics, Tampa culture and politics. In 1943 a compilation of his World War Two cartoons were compiled and edited by Byron S. Stephens in a book entitled,  The War in Black With White , a follow up was released in 1944."],"prefercite_html_tesm":["\u003cp\u003eGeorge White Political Cartoons Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["George White Political Cartoons Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eEditorial cartoons from the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e, which became the \u003cemph render=\"italic\"\u003eTampa Tribune,\u003c/emph\u003e ranging from the 1940s to the 1960s.\u0026#xA0; Topics covered World War Two, national politics, Florida politics, and Tampa culture.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Editorial cartoons from the  Tampa Morning Tribune , which became the  Tampa Tribune,  ranging from the 1940s to the 1960s.  Topics covered World War Two, national politics, Florida politics, and Tampa culture."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","White, Geo. (George), 1901-1964"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)"],"persname_ssim":["White, Geo. 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The project, which included a study of Central Avenue, Tampa's historic, African American business district, led to a number of public events and activities beginning in October 1994. The project was funded by the Florida Humanities Council, with additional support provided by the Tampa Bay History Center. USF Professors Susan Greenbaum, Ph.D. and Cheryl Rodriguez, Ph.D. contributed significantly to the project, along with former USF Anthropology student Geoffrey Mohlman, independent researcher Beverly Ward, and Ginger Barber. ","The majority of materials compiled for the project originally were created by and collected for the Black History of Tampa Project (1977-1978), a collaboration of the Urban League of Hillsborough County and the Hillsborough County Museum. A federally funded initiative sponsored by the Comprehensive Employment and Training Act (CETA), project was directed by Otis R. Anthony. 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","The majority of materials compiled for the project originally were created by and collected for the Black History of Tampa Project (1977-1978), a collaboration of the Urban League of Hillsborough County and the Hillsborough County Museum. A federally funded initiative sponsored by the Comprehensive Employment and Training Act (CETA), project was directed by Otis R. Anthony. 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Anthony African Americans in Florida Oral History Project, USF Libraries Digital Collections, University of South Florida, Tampa, FL. ","Jack B. Moore papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Raper, Arthur Franklin. A study of Negro life in Tampa: Made at the request of the Tampa Welfare League, the Tampa Urban League and the Tampa Young Men's Christian Association. Tampa, FL: 1927. [Also referred to as the \"Raper report\" or \"Mays report\"]"],"scopecontent_html_tesm":["\u003cp\u003eContains oral histories, photographs, newspaper clippings, and research materials focusing on African American history in Florida between 1930 and 1980, with an emphasis on Tampa, FL.\u0026#xA0; Such topics as African American-owned businesses in Tampa, Reconstruction, segregation, and the Civil Rights era are covered.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains oral histories, photographs, newspaper clippings, and research materials focusing on African American history in Florida between 1930 and 1980, with an emphasis on Tampa, FL.  Such topics as African American-owned businesses in Tampa, Reconstruction, segregation, and the Civil Rights era are covered."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec01ca4df3d9a85533c49f326118798a\" label=\"Abstract\"\u003eResearch materials, including photographs, newspaper clippings, and oral history interviews, compiled by the University of South Florida (USF) Department of Anthropology to support its African Americans in Florida research project (1993-1994).\u003c/abstract\u003e"],"abstract_tesim":["Research materials, including photographs, newspaper clippings, and oral history interviews, compiled by the University of South Florida (USF) Department of Anthropology to support its African Americans in Florida research project (1993-1994)."],"names_coll_ssim":["University of South Florida. 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Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["box 15","folder 43"],"_nest_path_":"/components#1/components#5/components#42","_nest_parent_":"1300e443f1854d95867cecb5_aspace_683a731a4fa7afb39e6ae0d0e0c1b64c","_root_":"1300e443f1854d95867cecb5","_version_":1870844655421095936,"timestamp":"2026-07-16T04:34:57.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1300e443f1854d95867cecb5","title_ssm":["Marvin Dunn Collection"],"title_tesim":["Marvin Dunn Collection"],"ead_ssi":"1300e443f1854d95867cecb5","unitdate_ssm":["1843-2009"],"unitdate_bulk_ssim":["1843-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5080","/repositories/2/resources/44"],"text":["SPC5080","/repositories/2/resources/44","Marvin Dunn Collection, bulk 1843-2009","The collection is open for research.","Marvin Dunn is a former professor of psychology at Florida International University whose primary research was the identification of effective instructional and behavioral strategies and programs for students at risk and in race relations. His research examines the characteristics of effective schooling practices and intervention strategies for motivating the disinterested and disruptive learner.","This collection contains photographs, manuscripts, newspaper articles, audio-interviews and journal articles dating back to the mid-19th century depicting life for African Americans in South Florida all the way to the present. This addresses racial relations amongst increasing Hispanic emigration, evolution in the legal system and local court houses, demands for fairer educational standards, and acknowledgment of racial bias for crimes against African Americans done by whites.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Dunn, Marvin","English"],"unitid_tesim":["SPC5080","/repositories/2/resources/44"],"normalized_date_ssm":["bulk 1843-2009"],"normalized_title_ssm":["Marvin Dunn Collection, bulk 1843-2009"],"collection_title_tesim":["Marvin Dunn Collection, bulk 1843-2009"],"collection_ssim":["Marvin Dunn Collection, bulk 1843-2009"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Dunn, Marvin"],"creator_ssim":["Dunn, Marvin"],"creator_persname_ssim":["Dunn, Marvin"],"creators_ssim":["Dunn, Marvin"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet"],"extent_tesim":["0.00 Linear Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMarvin Dunn is a former professor of psychology at Florida International University whose primary research was the identification of effective instructional and behavioral strategies and programs for students at risk and in race relations. His research examines the characteristics of effective schooling practices and intervention strategies for motivating the disinterested and disruptive learner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Marvin Dunn is a former professor of psychology at Florida International University whose primary research was the identification of effective instructional and behavioral strategies and programs for students at risk and in race relations. His research examines the characteristics of effective schooling practices and intervention strategies for motivating the disinterested and disruptive learner."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, manuscripts, newspaper articles, audio-interviews and journal articles dating back to the mid-19th century depicting life for African Americans in South Florida all the way to the present. This addresses racial relations amongst increasing Hispanic emigration, evolution in the legal system and local court houses, demands for fairer educational standards, and acknowledgment of racial bias for crimes against African Americans done by whites.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographs, manuscripts, newspaper articles, audio-interviews and journal articles dating back to the mid-19th century depicting life for African Americans in South Florida all the way to the present. This addresses racial relations amongst increasing Hispanic emigration, evolution in the legal system and local court houses, demands for fairer educational standards, and acknowledgment of racial bias for crimes against African Americans done by whites."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Dunn, Marvin"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Dunn, Marvin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":815,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844655421095936,"_root_":"1300e443f1854d95867cecb5","timestamp":"2026-07-16T04:34:57.771Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1300e443f1854d95867cecb5_aspace_10a9d0bd561d804e658c30937ac5b662"}},{"id":"edc1f8792c912192f7c15d4d_aspace_f32d581ee2140322f4627ab0cd280462","type":"File","attributes":{"title":"A Black New York Newspaperman's Impressions of Boston by John H. Hewitt in The Massachusetts Review, Fall 1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d_aspace_f32d581ee2140322f4627ab0cd280462#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f32d581ee2140322f4627ab0cd280462","ref_ssm":["aspace_f32d581ee2140322f4627ab0cd280462","aspace_f32d581ee2140322f4627ab0cd280462"],"id":"edc1f8792c912192f7c15d4d_aspace_f32d581ee2140322f4627ab0cd280462","title_filing_ssi":"A Black New York Newspaperman's Impressions of Boston by John H. Hewitt in The Massachusetts Review","title_ssm":["A Black New York Newspaperman's Impressions of Boston by John H. Hewitt in The Massachusetts Review"],"title_tesim":["A Black New York Newspaperman's Impressions of Boston by John H. Hewitt in The Massachusetts Review"],"unitdate_other_ssim":["Fall 1991"],"normalized_date_ssm":["Fall 1991"],"normalized_title_ssm":["A Black New York Newspaperman's Impressions of Boston by John H. Hewitt in The Massachusetts Review, Fall 1991"],"text":["A Black New York Newspaperman's Impressions of Boston by John H. Hewitt in The Massachusetts Review, Fall 1991","Vivian D. and John H. Hewitt Collection, 1942-2020","Publications","Articles","/repositories/2/archival_objects/1909","box 1","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["edc1f8792c912192f7c15d4d","edc1f8792c912192f7c15d4d_aspace_65f8fc97259a5246dc596fb4e2c2dd6c","edc1f8792c912192f7c15d4d_aspace_980f432ee976db7a3bd4d35199eab3a9"],"parent_unittitles_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020","Publications","Articles"],"parent_unittitles_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020","Publications","Articles"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/1909"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_restrict_tesm":["The Vivian D. and John H. Hewitt Collection is open for research."],"containers_ssim":["box 1","folder 9"],"_nest_path_":"/components#1/components#0/components#1","_nest_parent_":"edc1f8792c912192f7c15d4d_aspace_980f432ee976db7a3bd4d35199eab3a9","_root_":"edc1f8792c912192f7c15d4d","_version_":1876455832185470976,"timestamp":"2026-09-16T03:02:13.023Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. 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