{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=1823\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=1822\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=1824\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":1823,"next_page":1824,"prev_page":1822,"total_pages":65767,"limit_value":10,"offset_value":18220,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"2d920f17dde733c1cf36099d_aspace_66965","type":"Item","attributes":{"title":"8th World Bromeliad Conference, Invitation, May 20-22, 1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_66965#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66965","ref_ssm":["aspace_66965","aspace_66965"],"id":"2d920f17dde733c1cf36099d_aspace_66965","title_filing_ssi":"8th World Bromeliad Conference, Invitation","title_ssm":["8th World Bromeliad Conference, Invitation"],"title_tesim":["8th World Bromeliad Conference, Invitation"],"unitdate_other_ssim":["May 20-22, 1988"],"normalized_date_ssm":["May 20-22, 1988"],"normalized_title_ssm":["8th World Bromeliad Conference, Invitation, May 20-22, 1988"],"text":["8th World Bromeliad Conference, Invitation, May 20-22, 1988","Bromeliad Society International (BSI) Archive, 1911-2018","Additional Materials, 1911-2018, Undated","Accession no: CFM2016_06, 1946-2012, Undated","Records, 1946-2008, Undated","Conferences \u0026 Symposium, 1980-2008","Item 5","/repositories/4/archival_objects/17442","box 7","folder 1"],"component_level_isim":[5],"parent_ids_ssim":["2d920f17dde733c1cf36099d","2d920f17dde733c1cf36099d_aspace_58713","2d920f17dde733c1cf36099d_aspace_66956","2d920f17dde733c1cf36099d_aspace_66957","2d920f17dde733c1cf36099d_aspace_66959"],"parent_unittitles_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018","Additional Materials, 1911-2018, Undated","Accession no: CFM2016_06, 1946-2012, Undated","Records, 1946-2008, Undated","Conferences \u0026 Symposium, 1980-2008"],"parent_unittitles_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018","Additional Materials, 1911-2018, Undated","Accession no: CFM2016_06, 1946-2012, Undated","Records, 1946-2008, Undated","Conferences \u0026 Symposium, 1980-2008"],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 5","/repositories/4/archival_objects/17442"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1192,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 7","folder 1"],"_nest_path_":"/components#5/components#1/components#0/components#0/components#4","_nest_parent_":"2d920f17dde733c1cf36099d_aspace_66959","_root_":"2d920f17dde733c1cf36099d","_version_":1870858035398705152,"timestamp":"2026-07-16T08:07:37.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d920f17dde733c1cf36099d","title_ssm":["Bromeliad Society International (BSI) Archive"],"title_tesim":["Bromeliad Society International (BSI) Archive"],"ead_ssi":"2d920f17dde733c1cf36099d","unitdate_ssm":["1911-2018"],"unitdate_inclusive_ssm":["1911-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.097","/repositories/4/resources/78"],"text":["SC.097","/repositories/4/resources/78","Bromeliad Society International (BSI) Archive, 1911-2018","Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)","Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)","The entire collection is open for research.","For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\"","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.","The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies","Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.","UCF Special Collections","Bromeliad Society International","English"],"unitid_tesim":["SC.097","/repositories/4/resources/78"],"normalized_date_ssm":["1911-2018"],"normalized_title_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_title_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"geogname_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"places_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department acquired these materials from Jay Thurrott in 2014 (CFM2014_04). Additional materials were donated in 2015 (CFM2015_08), 2016 (CFM2016_06), 2018 (CFM2018_11) and 2022 (CFM2022_17)."],"access_subjects_ssim":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"access_subjects_ssm":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"extent_tesim":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"genreform_ssim":["Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eFor many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.\u003c/p\u003e\n","\u003cp\u003eOther adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.\u003c/p\u003e\n","\u003cp\u003eThe September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.\u003c/p\u003e\n","\u003cp\u003eThis meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.\u003c/p\u003e\n","\u003cp\u003eIn November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.\u003c/p\u003e\n","\u003cp\u003eIn the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.\u003c/p\u003e\n","\u003cp\u003eIn the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.\u003c/p\u003e\n","\u003cp\u003eList of past Bromeliad World Conferences:\u003c/p\u003e\n","\u003cp\u003e\n1972 Houston, Texas - First acknowledged Bromeliad Conference\u003c/p\u003e\n","\u003cp\u003e\n1975 25th Anniversary Celebration, Buena Park, California\u003c/p\u003e\n","\u003cp\u003e\n1977 New Orleans, Louisiana\u003c/p\u003e\n","\u003cp\u003e\n1980 Orlando, Florida - 30th Birthday celebration\u003c/p\u003e\n","\u003cp\u003e\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"\u003c/p\u003e\n","\u003cp\u003e\n1984 Los Angeles, California - \"Bromelympics\"\u003c/p\u003e\n","\u003cp\u003e\n1986 New Orleans, Louisiana - \"One Mo' Time\"\u003c/p\u003e\n","\u003cp\u003e\n1988 Miami, Florida - \"Miami Magic\"\u003c/p\u003e\n","\u003cp\u003e\n1990 Houston, Texas - Bromeliads in Space\"\u003c/p\u003e\n","\u003cp\u003e\n1992 Tampa, Florida - \"Bromeliad Safari\"\u003c/p\u003e\n","\u003cp\u003e\n1994 San Diego, California - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n1996 Orlando, Florida - \"Orlandiana '96\"\u003c/p\u003e\n","\u003cp\u003e\n1998 Houston, Texas - \"Bromeliad Roundup\"\u003c/p\u003e\n","\u003cp\u003e\n2000 San Francisco, California - \"50th Birthday Celebration\"\u003c/p\u003e\n","\u003cp\u003e\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"\u003c/p\u003e\n","\u003cp\u003e\n2004 Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003e\n2006 San Diego, California - \"Bromeliads on the Border\"\u003c/p\u003e\n","\u003cp\u003e\n2008 Cairns, Australia - \"Bromeliads Down Under\"\u003c/p\u003e\n","\u003cp\u003e\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"\u003c/p\u003e\n","\u003cp\u003e2012 Orlando, Florida - \"Orlandiana '12\"\u003c/p\u003e\n","\u003cp\u003e\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n2018 San Diego, California - \"Fiesta de las Bromelias\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\""],"prefercite_html_tesm":["\u003cp\u003eBromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eThe Michael A. Spencer Bromeliad Research Collection\u003c/extref\u003e. Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eThe Michael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e. Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e. These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e. Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn\u003c/extref\u003e. These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/new/\"\u003eBromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/bsi_info/affiliates/?bylocation\"\u003eAffiliated Societies of Bromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.fcbs.org\"\u003eFlorida Council of Affiliated Societies\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026amp; symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026amp; standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ae065e663a8566449eee07dbeca3db9\" label=\"Abstract\"\u003eThe Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.\u003c/abstract\u003e"],"abstract_tesim":["The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world."],"names_coll_ssim":["Bromeliad Society International"],"names_ssim":["UCF Special Collections","Bromeliad Society International"],"corpname_ssim":["UCF Special Collections","Bromeliad Society International"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1613,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858035398705152,"_root_":"2d920f17dde733c1cf36099d","timestamp":"2026-07-16T08:07:37.887Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_66965"}},{"id":"a2a4f653385013d7eb9dc5f7_aspace_57272","type":"Item","attributes":{"title":"8 Track has no information. Location Box 12.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a2a4f653385013d7eb9dc5f7_aspace_57272#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57272","ref_ssm":["aspace_57272","aspace_57272"],"id":"a2a4f653385013d7eb9dc5f7_aspace_57272","title_filing_ssi":"8 Track has no information. Location Box 12.","title_ssm":["8 Track has no information. Location Box 12."],"title_tesim":["8 Track has no information. Location Box 12."],"normalized_title_ssm":["8 Track has no information. Location Box 12."],"text":["8 Track has no information. Location Box 12.","Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés.","8 Tracks","Item 2","/repositories/2/archival_objects/55298"],"component_level_isim":[3],"parent_ids_ssim":["a2a4f653385013d7eb9dc5f7","a2a4f653385013d7eb9dc5f7_aspace_57052","a2a4f653385013d7eb9dc5f7_aspace_57270"],"parent_unittitles_ssm":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés.","8 Tracks"],"parent_unittitles_tesim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés.","8 Tracks"],"parent_levels_ssm":["collection","Other level","Other level"],"unitid_ssm":["Item 2","/repositories/2/archival_objects/55298"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":126,"parent_access_restrict_tesm":["In library use only."],"parent_access_terms_tesm":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"_nest_path_":"/components#11/components#3/components#1","_nest_parent_":"a2a4f653385013d7eb9dc5f7_aspace_57270","_root_":"a2a4f653385013d7eb9dc5f7","_version_":1870844629846327296,"timestamp":"2026-07-16T04:34:33.469Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a2a4f653385013d7eb9dc5f7","title_ssm":["Vicentico Valdés Collection"],"title_tesim":["Vicentico Valdés Collection"],"ead_ssi":"a2a4f653385013d7eb9dc5f7","unitdate_ssm":["1959-1995","1965","Date acquired: 00/00/2012"],"unitdate_bulk_ssim":["1965"],"unitdate_inclusive_ssm":["1959-1995"],"unitdate_other_ssim":["Date acquired: 00/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["DAC6020","/repositories/2/resources/56"],"text":["DAC6020","/repositories/2/resources/56","Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","Boleros (Music)","Popular music--Cuba.","In library use only.","The collection consists of 13 boxes and one photo album. The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11.","Note written by Valdés, Vicentico","https://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898","There are no physical restrictions on this collection.","There are no technical restrictions on this collection.","http://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html","Copyright is held by Florida International University by Dayana Valdés (deed of gift).","Vicentico Valdés was born on December 10, 1919 in Havana, and died on June 26, 1995 in New York. His career began as a singer of \"El Nacional\". Later on, he became a member of \"El Sexteto Jabón Candado\" and \"La Orquesta de Cheo Belén Puig y Cosmopolita\". In the 40's he integrated the sextet of \"Los Leones\" in Cuba and he also recorded with \"El Conjunto Tropical de Humberto Cané\" in México. Upon moving to New York he sang at the Hispanic Theater, the Million Dollar, the Park Plaza, the Palladium, and Puerto Rico. Moreover, he joined the orchestras of famous artists such as Noro Morales, Tito Puente, and Bobby Valentine multiple times. Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. He was known as one of the best \"Bolero\" singers from all times, which earned him the popular title of \"La voz romántica de Cuba\" and \"La voz elástica de Cuba\".","FIU Special Collections","Valdés, Vicentico","Valdés, Vicentico","English"],"unitid_tesim":["DAC6020","/repositories/2/resources/56"],"normalized_date_ssm":["1959-1995, Date acquired: 00/00/2012, bulk 1965"],"normalized_title_ssm":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"collection_title_tesim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"collection_ssim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Valdés, Vicentico"],"creator_ssim":["Valdés, Vicentico"],"creator_persname_ssim":["Valdés, Vicentico"],"creators_ssim":["Valdés, Vicentico"],"access_terms_ssm":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"acqinfo_ssim":["Donated by Diana Valdés to Diaz Ayala Collection"],"access_subjects_ssim":["Boleros (Music)","Popular music--Cuba."],"access_subjects_ssm":["Boleros (Music)","Popular music--Cuba."],"has_online_content_ssim":["false"],"extent_ssm":["13.00 boxes"],"extent_tesim":["13.00 boxes"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eIn library use only.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["In library use only."],"arrangement_html_tesm":["\u003cp\u003eThe collection consists of 13 boxes and one photo album. The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection consists of 13 boxes and one photo album. The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11."],"bioghist_html_tesm":["\u003cp\u003eNote written by Vald\u0026#xE9;s, Vicentico\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Note written by Valdés, Vicentico"],"odd_html_tesm":["\u003cp\u003ehttps://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["https://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898"],"phystech_html_tesm":["\u003cp\u003eThere are no physical restrictions on this collection.\u003c/p\u003e","\u003cp\u003eThere are no technical restrictions on this collection.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are no physical restrictions on this collection.","There are no technical restrictions on this collection."],"relatedmaterial_html_tesm":["\u003cp\u003ehttp://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["http://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html"],"userestrict_html_tesm":["\u003cp\u003eCopyright is held by Florida International University by Dayana Vald\u0026#xE9;s (deed of gift).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e9f7044b1c3e214bbe4a8c41235a25fd\" label=\"Abstract\"\u003eVicentico Vald\u0026#xE9;s was born on December 10, 1919 in Havana, and died on June 26, 1995 in New York. His career began as a singer of \"El Nacional\". Later on, he became a member of \"El Sexteto Jab\u0026#xF3;n Candado\" and \"La Orquesta de Cheo Bel\u0026#xE9;n Puig y Cosmopolita\". In the 40's he integrated the sextet of \"Los Leones\" in Cuba and he also recorded with \"El Conjunto Tropical de Humberto Can\u0026#xE9;\" in M\u0026#xE9;xico. Upon moving to New York he sang at the Hispanic Theater, the Million Dollar, the Park Plaza, the Palladium, and Puerto Rico. Moreover, he joined the orchestras of famous artists such as Noro Morales, Tito Puente, and Bobby Valentine multiple times. Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. He was known as one of the best \"Bolero\" singers from all times, which earned him the popular title of \"La voz rom\u0026#xE1;ntica de Cuba\" and \"La voz el\u0026#xE1;stica de Cuba\".\u003c/abstract\u003e"],"abstract_tesim":["Vicentico Valdés was born on December 10, 1919 in Havana, and died on June 26, 1995 in New York. His career began as a singer of \"El Nacional\". Later on, he became a member of \"El Sexteto Jabón Candado\" and \"La Orquesta de Cheo Belén Puig y Cosmopolita\". In the 40's he integrated the sextet of \"Los Leones\" in Cuba and he also recorded with \"El Conjunto Tropical de Humberto Cané\" in México. Upon moving to New York he sang at the Hispanic Theater, the Million Dollar, the Park Plaza, the Palladium, and Puerto Rico. Moreover, he joined the orchestras of famous artists such as Noro Morales, Tito Puente, and Bobby Valentine multiple times. Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. He was known as one of the best \"Bolero\" singers from all times, which earned him the popular title of \"La voz romántica de Cuba\" and \"La voz elástica de Cuba\"."],"names_ssim":["FIU Special Collections","Valdés, Vicentico","Valdés, Vicentico"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Valdés, Vicentico"],"persname_ssim":["Valdés, Vicentico","Valdés, Vicentico"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":128,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844629846327296,"_root_":"a2a4f653385013d7eb9dc5f7","timestamp":"2026-07-16T04:34:33.469Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a2a4f653385013d7eb9dc5f7_aspace_57272"}},{"id":"a2a4f653385013d7eb9dc5f7_aspace_57270","type":"Other level","attributes":{"title":"8 Tracks","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a2a4f653385013d7eb9dc5f7_aspace_57270#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57270","ref_ssm":["aspace_57270","aspace_57270"],"id":"a2a4f653385013d7eb9dc5f7_aspace_57270","title_filing_ssi":"8 Tracks","title_ssm":["8 Tracks"],"title_tesim":["8 Tracks"],"normalized_title_ssm":["8 Tracks"],"text":["8 Tracks","Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés.","Group 4","/repositories/2/archival_objects/55296"],"component_level_isim":[2],"parent_ids_ssim":["a2a4f653385013d7eb9dc5f7","a2a4f653385013d7eb9dc5f7_aspace_57052"],"parent_unittitles_ssm":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés."],"parent_unittitles_tesim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","45' rpm sound recoding from Vicentico Valdés."],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Group 4","/repositories/2/archival_objects/55296"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Other level"],"level_ssim":["Other level"],"sort_isi":124,"parent_access_restrict_tesm":["In library use only."],"parent_access_terms_tesm":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"_nest_path_":"/components#11/components#3","_nest_parent_":"a2a4f653385013d7eb9dc5f7_aspace_57052","_root_":"a2a4f653385013d7eb9dc5f7","_version_":1870844629846327296,"timestamp":"2026-07-16T04:34:33.469Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a2a4f653385013d7eb9dc5f7","title_ssm":["Vicentico Valdés Collection"],"title_tesim":["Vicentico Valdés Collection"],"ead_ssi":"a2a4f653385013d7eb9dc5f7","unitdate_ssm":["1959-1995","1965","Date acquired: 00/00/2012"],"unitdate_bulk_ssim":["1965"],"unitdate_inclusive_ssm":["1959-1995"],"unitdate_other_ssim":["Date acquired: 00/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["DAC6020","/repositories/2/resources/56"],"text":["DAC6020","/repositories/2/resources/56","Vicentico Valdés Collection, 1959-1995, Date acquired: 00/00/2012, bulk 1965","Boleros (Music)","Popular music--Cuba.","In library use only.","The collection consists of 13 boxes and one photo album. 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The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection consists of 13 boxes and one photo album. The information contained in each box is organized by correlative numbers, except box 1 which is organized by folders 1 through 11."],"bioghist_html_tesm":["\u003cp\u003eNote written by Vald\u0026#xE9;s, Vicentico\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Note written by Valdés, Vicentico"],"odd_html_tesm":["\u003cp\u003ehttps://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["https://www.facebook.com/pages/Diaz-Ayala-Cuban-and-Latin-American-Music-Collection/534773596559898"],"phystech_html_tesm":["\u003cp\u003eThere are no physical restrictions on this collection.\u003c/p\u003e","\u003cp\u003eThere are no technical restrictions on this collection.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are no physical restrictions on this collection.","There are no technical restrictions on this collection."],"relatedmaterial_html_tesm":["\u003cp\u003ehttp://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["http://taniaquintero.blogspot.com/2013/02/recordando-vicentico-valdes.html"],"userestrict_html_tesm":["\u003cp\u003eCopyright is held by Florida International University by Dayana Vald\u0026#xE9;s (deed of gift).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is held by Florida International University by Dayana Valdés (deed of gift)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e9f7044b1c3e214bbe4a8c41235a25fd\" label=\"Abstract\"\u003eVicentico Vald\u0026#xE9;s was born on December 10, 1919 in Havana, and died on June 26, 1995 in New York. His career began as a singer of \"El Nacional\". Later on, he became a member of \"El Sexteto Jab\u0026#xF3;n Candado\" and \"La Orquesta de Cheo Bel\u0026#xE9;n Puig y Cosmopolita\". In the 40's he integrated the sextet of \"Los Leones\" in Cuba and he also recorded with \"El Conjunto Tropical de Humberto Can\u0026#xE9;\" in M\u0026#xE9;xico. Upon moving to New York he sang at the Hispanic Theater, the Million Dollar, the Park Plaza, the Palladium, and Puerto Rico. Moreover, he joined the orchestras of famous artists such as Noro Morales, Tito Puente, and Bobby Valentine multiple times. Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. 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Vicentico also recorded in Havana with \"La Sonora Matancera\" and years later he formed his own orchestra, which was directed by different artists until he finally decided to sing a solo and spread his music throughout different nations of Europe and Latin America. 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The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860599051681792,"_root_":"b3e4025e67698b63bebebf69","timestamp":"2026-07-16T08:48:22.881Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_591fc2af0fc68fe8c10e4fa04d5408d7"}},{"id":"d1ea106fa8cbccd8c648e8d4_aspace_24430","type":"Item","attributes":{"title":"\"8. - Verdun (1918). - Rue Mazel\", n.d.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d1ea106fa8cbccd8c648e8d4_aspace_24430#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24430","ref_ssm":["aspace_24430","aspace_24430"],"id":"d1ea106fa8cbccd8c648e8d4_aspace_24430","title_filing_ssi":"\"8. - Verdun (1918). - Rue Mazel\"","title_ssm":["\"8. - Verdun (1918). - Rue Mazel\""],"title_tesim":["\"8. - Verdun (1918). - Rue Mazel\""],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["\"8. - Verdun (1918). - Rue Mazel\", n.d."],"text":["\"8. - Verdun (1918). - Rue Mazel\", n.d.","William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards","Item 78","/repositories/2/archival_objects/51628","3.5\"X5.5\" - Black And White Postcard","box 3"],"component_level_isim":[3],"parent_ids_ssim":["d1ea106fa8cbccd8c648e8d4","d1ea106fa8cbccd8c648e8d4_aspace_24256","d1ea106fa8cbccd8c648e8d4_aspace_24410"],"parent_unittitles_ssm":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards"],"parent_unittitles_tesim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 78","/repositories/2/archival_objects/51628"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"physdesc_tesim":["3.5\"X5.5\" - Black And White Postcard"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":170,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#2/components#18","_nest_parent_":"d1ea106fa8cbccd8c648e8d4_aspace_24410","_root_":"d1ea106fa8cbccd8c648e8d4","_version_":1870841708719112192,"timestamp":"2026-07-16T03:48:07.664Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d1ea106fa8cbccd8c648e8d4","title_ssm":["William Rosenblatt Photography Collection"],"title_tesim":["William Rosenblatt Photography Collection"],"ead_ssi":"d1ea106fa8cbccd8c648e8d4","unitdate_ssm":["1944-1945","1944"],"unitdate_bulk_ssim":["1944"],"unitdate_inclusive_ssm":["1944-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00020","/repositories/2/resources/148"],"text":["SPC00020","/repositories/2/resources/148","William Rosenblatt Photography Collection, 1944-1945, bulk 1944","World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Teresa Van Dyke processed this collection.","William Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. Most of the photographs depict various members of the United States Army and relief organization workers in France and Belgium. The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","William Rosenblatt","English"],"unitid_tesim":["SPC00020","/repositories/2/resources/148"],"normalized_date_ssm":["1944-1945, bulk 1944"],"normalized_title_ssm":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"collection_title_tesim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"collection_ssim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["William Rosenblatt"],"creator_ssim":["William Rosenblatt"],"creator_persname_ssim":["William Rosenblatt"],"creators_ssim":["William Rosenblatt"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945"],"access_subjects_ssm":["World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet","173 items other_unmapped"],"extent_tesim":["2.50 Linear Feet","173 items other_unmapped"],"date_range_isim":[1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eWilliam Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. Most of the photographs depict various members of the United States Army and relief organization workers in France and Belgium. The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["William Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. Most of the photographs depict various members of the United States Army and relief organization workers in France and Belgium. The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","William Rosenblatt"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["William Rosenblatt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":177,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841708719112192,"_root_":"d1ea106fa8cbccd8c648e8d4","timestamp":"2026-07-16T03:48:07.664Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d1ea106fa8cbccd8c648e8d4_aspace_24430"}},{"id":"6761a506162d88e3b0374f0f_aspace_162649","type":"Item","attributes":{"title":"8 Washington Tomb, Mount Vernon, Virginia., 1925","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162649#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_162649","ref_ssm":["aspace_162649","aspace_162649"],"id":"6761a506162d88e3b0374f0f_aspace_162649","title_filing_ssi":"8 Washington Tomb, Mount Vernon, Virginia.","title_ssm":["8 Washington Tomb, Mount Vernon, Virginia."],"title_tesim":["8 Washington Tomb, Mount Vernon, Virginia."],"unitdate_other_ssim":["1925"],"normalized_date_ssm":["1925"],"normalized_title_ssm":["8 Washington Tomb, Mount Vernon, Virginia., 1925"],"text":["8 Washington Tomb, Mount Vernon, Virginia., 1925","George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925","Item 4","/repositories/2/archival_objects/12607"],"component_level_isim":[3],"parent_ids_ssim":["6761a506162d88e3b0374f0f","6761a506162d88e3b0374f0f_aspace_163074","6761a506162d88e3b0374f0f_aspace_162645"],"parent_unittitles_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925"],"parent_unittitles_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 4","/repositories/2/archival_objects/12607"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":6,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0/components#0/components#3","_nest_parent_":"6761a506162d88e3b0374f0f_aspace_162645","_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6761a506162d88e3b0374f0f","title_ssm":["George G. Morgan stereograph collection"],"title_tesim":["George G. 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When applicable, images are ordered numerically within each series.","This collection consists of 380 stereoscopic image cards and a stereoscopic viewer.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.","USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)","English"],"unitid_tesim":["MS-2018-08","/repositories/2/resources/81"],"normalized_date_ssm":["1894-1925, Date acquired: 00/00/2018"],"normalized_title_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_title_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Morgan, George G. (1952-)"],"creator_ssim":["Morgan, George G. (1952-)"],"creator_persname_ssim":["Morgan, George G. (1952-)"],"creators_ssim":["Morgan, George G. (1952-)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["George G. Morgan, Drew Smith","Donation."],"access_subjects_ssim":["Stereoscope","Photography"],"access_subjects_ssm":["Stereoscope","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["1.38 Linear Feet","3 boxes"],"extent_tesim":["1.38 Linear Feet","3 boxes"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"arrangement_html_tesm":["\u003cp\u003eStereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Stereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series."],"prefercite_html_tesm":["\u003cp\u003eGeorge G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["George G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 380 stereoscopic image cards and a stereoscopic viewer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 380 stereoscopic image cards and a stereoscopic viewer."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a78128125148d19eb3a41fc899acdbce\" label=\"Abstract\"\u003eThis collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026amp; Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026amp; Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations."],"names_ssim":["USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Morgan, George G. (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":408,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162649"}},{"id":"08b8fd63db2b52fae240f8c8_aspace_6b062a168ef106de80d978cb89e7e012","type":"Item","attributes":{"title":"8 workers on the construction site in the foreground. Item #27, Circa 1947-1948","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/08b8fd63db2b52fae240f8c8_aspace_6b062a168ef106de80d978cb89e7e012#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6b062a168ef106de80d978cb89e7e012","ref_ssm":["aspace_6b062a168ef106de80d978cb89e7e012","aspace_6b062a168ef106de80d978cb89e7e012"],"id":"08b8fd63db2b52fae240f8c8_aspace_6b062a168ef106de80d978cb89e7e012","title_filing_ssi":"8 workers on the construction site in the foreground. Item #27","title_ssm":["8 workers on the construction site in the foreground. Item #27"],"title_tesim":["8 workers on the construction site in the foreground. Item #27"],"unitdate_inclusive_ssm":["Circa 1947-1948"],"normalized_date_ssm":["Circa 1947-1948"],"normalized_title_ssm":["8 workers on the construction site in the foreground. Item #27, Circa 1947-1948"],"text":["8 workers on the construction site in the foreground. Item #27, Circa 1947-1948","Herbert C. Davis Collection, 1920-1949","North Andrews Avenue Bridge, 1947-1949","Photographs of the North Andrews Avenue Bridge construction, 1947-1949","27","/repositories/4/archival_objects/11632"],"component_level_isim":[3],"parent_ids_ssim":["08b8fd63db2b52fae240f8c8","08b8fd63db2b52fae240f8c8_aspace_c5e5d62ecc92a525f4ef265943befad7","08b8fd63db2b52fae240f8c8_aspace_bff638c00a470483f1700960f887ab86"],"parent_unittitles_ssm":["Herbert C. Davis Collection, 1920-1949","North Andrews Avenue Bridge, 1947-1949","Photographs of the North Andrews Avenue Bridge construction, 1947-1949"],"parent_unittitles_tesim":["Herbert C. Davis Collection, 1920-1949","North Andrews Avenue Bridge, 1947-1949","Photographs of the North Andrews Avenue Bridge construction, 1947-1949"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["27","/repositories/4/archival_objects/11632"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Herbert C. Davis Collection, 1920-1949"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":36,"parent_access_restrict_tesm":["Herbert C. Davis Collection is open for research."],"_nest_path_":"/components#1/components#0/components#26","_nest_parent_":"08b8fd63db2b52fae240f8c8_aspace_bff638c00a470483f1700960f887ab86","_root_":"08b8fd63db2b52fae240f8c8","timestamp":"2026-07-09T02:07:04.070Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"08b8fd63db2b52fae240f8c8","title_filing_ssi":"Davis, Herbert C. Collection","title_ssm":["Herbert C. Davis Collection"],"title_tesim":["Herbert C. Davis Collection"],"ead_ssi":"08b8fd63db2b52fae240f8c8","unitdate_ssm":["1920-1949"],"unitdate_inclusive_ssm":["1920-1949"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1976.15","/repositories/4/resources/27"],"text":["BCHA.1976.15","/repositories/4/resources/27","Herbert C. Davis Collection, 1920-1949","Andrews Ave. Bridge (Ft. Lauderdale, Fla.)","Fort Lauderdale (Fla.)","Broward County (Fla.)","Buildings","Photographs","Correspondence","Certificates","Herbert C. Davis Collection is open for research.","The Herbert C. Davis Collection is organized in two series: Series I. Professional Papers, Series II. North Andrews Avenue Bridge.","Herbert Charles Davis (1879-1957)  was a civil engineer. He was born in London, England, and later became a US citizen \"by father's naturalization before registration majority\". He married Pearl A. Ross (1881-1951), probably before the First World War. The couple remained married until Pearl died in 1951. They had 3 children: Cyril H. Davis, John L. Davis, and Pearl L. Heynes. ","In 1915, Herbert C. Davis became the first Broward County Engineer when the county was created. He was also a land surveyor for the county and a civil engineer for the City of Fort Lauderdale. Between 1947 and 1949, he conducted the construction of the North Andrews Avenue bridge on New River. In his honor, the bridge was officially named \"H. C. Davis Memorial Bridge\" by the county clerk Ted Cabot.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Herbert C. Davis Collection consists of documents related to the career of Herbert C. Davis, including Davis' engineering activities, and photographs of the N. Andrews Avenue Bridge construction, between 1947 and 1949."," Broward County Historical Archives","Davis, Herbert Charles (Herbert Charles Davis), 1879-1957","English"],"unitid_tesim":["BCHA.1976.15","/repositories/4/resources/27"],"normalized_date_ssm":["1920-1949"],"normalized_title_ssm":["Herbert C. Davis Collection, 1920-1949"],"collection_title_tesim":["Herbert C. Davis Collection, 1920-1949"],"collection_ssim":["Herbert C. Davis Collection, 1920-1949"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Andrews Ave. Bridge (Ft. Lauderdale, Fla.)","Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Andrews Ave. Bridge (Ft. Lauderdale, Fla.)","Fort Lauderdale (Fla.)","Broward County (Fla.)"],"creator_ssm":["Davis, Herbert Charles (Herbert Charles Davis), 1879-1957"],"creator_ssim":["Davis, Herbert Charles (Herbert Charles Davis), 1879-1957"],"creator_persname_ssim":["Davis, Herbert Charles (Herbert Charles Davis), 1879-1957"],"creators_ssim":["Davis, Herbert Charles (Herbert Charles Davis), 1879-1957"],"places_ssim":["Andrews Ave. Bridge (Ft. Lauderdale, Fla.)","Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["Buildings","Photographs","Correspondence","Certificates"],"access_subjects_ssm":["Buildings","Photographs","Correspondence","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["1 Hollinger Box"],"extent_tesim":["1 Hollinger Box"],"genreform_ssim":["Photographs","Correspondence","Certificates"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949],"accessrestrict_html_tesm":["\u003cp\u003eHerbert C. Davis Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Herbert C. Davis Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Herbert C. Davis Collection is organized in two series: Series I. Professional Papers, Series II. North Andrews Avenue Bridge.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Herbert C. Davis Collection is organized in two series: Series I. Professional Papers, Series II. North Andrews Avenue Bridge."],"bioghist_html_tesm":["\u003cp\u003eHerbert Charles Davis (1879-1957)  was a civil engineer. He was born in London, England, and later became a US citizen \"by father's naturalization before registration majority\". He married Pearl A. Ross (1881-1951), probably before the First World War. The couple remained married until Pearl died in 1951. They had 3 children: Cyril H. Davis, John L. Davis, and Pearl L. Heynes. \u003c/p\u003e\n","\u003cp\u003eIn 1915, Herbert C. Davis became the first Broward County Engineer when the county was created. He was also a land surveyor for the county and a civil engineer for the City of Fort Lauderdale. Between 1947 and 1949, he conducted the construction of the North Andrews Avenue bridge on New River. In his honor, the bridge was officially named \"H. C. Davis Memorial Bridge\" by the county clerk Ted Cabot.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Herbert Charles Davis (1879-1957)  was a civil engineer. He was born in London, England, and later became a US citizen \"by father's naturalization before registration majority\". He married Pearl A. Ross (1881-1951), probably before the First World War. The couple remained married until Pearl died in 1951. They had 3 children: Cyril H. Davis, John L. Davis, and Pearl L. Heynes. ","In 1915, Herbert C. Davis became the first Broward County Engineer when the county was created. He was also a land surveyor for the county and a civil engineer for the City of Fort Lauderdale. Between 1947 and 1949, he conducted the construction of the North Andrews Avenue bridge on New River. In his honor, the bridge was officially named \"H. C. Davis Memorial Bridge\" by the county clerk Ted Cabot."],"prefercite_html_tesm":["\u003cp\u003eHerbert C. Davis Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Herbert C. Davis Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Herbert C. Davis Collection consists of documents related to the career of Herbert C. Davis, including Davis' engineering activities, and photographs of the N. Andrews Avenue Bridge construction, between 1947 and 1949.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Herbert C. Davis Collection consists of documents related to the career of Herbert C. Davis, including Davis' engineering activities, and photographs of the N. Andrews Avenue Bridge construction, between 1947 and 1949."],"names_ssim":[" Broward County Historical Archives","Davis, Herbert Charles (Herbert Charles Davis), 1879-1957"],"corpname_ssim":[" Broward County Historical Archives"],"persname_ssim":["Davis, Herbert Charles (Herbert Charles Davis), 1879-1957"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"08b8fd63db2b52fae240f8c8","timestamp":"2026-07-09T02:07:04.070Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/08b8fd63db2b52fae240f8c8_aspace_6b062a168ef106de80d978cb89e7e012"}},{"id":"bec408ef355489ed2515918e_aspace_6fcc29a7eb90c7d16fe6e4721bf2ad60","type":"Item","attributes":{"title":"8 Young African Americans, 1 White, 5 Young Men, 2 Young Women, in Graduation Gown and Cap, Black and White, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_6fcc29a7eb90c7d16fe6e4721bf2ad60#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6fcc29a7eb90c7d16fe6e4721bf2ad60","ref_ssm":["aspace_6fcc29a7eb90c7d16fe6e4721bf2ad60","aspace_6fcc29a7eb90c7d16fe6e4721bf2ad60"],"id":"bec408ef355489ed2515918e_aspace_6fcc29a7eb90c7d16fe6e4721bf2ad60","title_filing_ssi":"8 Young African Americans, 1 White, 5 Young Men, 2 Young Women, in Graduation Gown and Cap, Black and White","title_ssm":["8 Young African Americans, 1 White, 5 Young Men, 2 Young Women, in Graduation Gown and Cap, Black and White"],"title_tesim":["8 Young African Americans, 1 White, 5 Young Men, 2 Young Women, in Graduation Gown and Cap, Black and White"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["8 Young African Americans, 1 White, 5 Young Men, 2 Young Women, in Graduation Gown and Cap, Black and White, Undated"],"text":["8 Young African Americans, 1 White, 5 Young Men, 2 Young Women, in Graduation Gown and Cap, Black and White, Undated","African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Photographs, 1860-1970, Undated","Group, 1880-1970, Undated","Folder 26","/repositories/4/archival_objects/57267","box 31","folder 26"],"component_level_isim":[4],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_8d9756e691c528284ff3578409880ec9","bec408ef355489ed2515918e_aspace_76e21af1947a6fa46c9729ae6aa29a89","bec408ef355489ed2515918e_aspace_434ed2f9ae2705c5b43a21d70d3f01c8"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Photographs, 1860-1970, Undated","Group, 1880-1970, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Additional Materials, 1791-1990, Undated","Photographs, 1860-1970, Undated","Group, 1880-1970, Undated"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 26","/repositories/4/archival_objects/57267"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1497,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 31","folder 26"],"_nest_path_":"/components#8/components#5/components#2/components#25","_nest_parent_":"bec408ef355489ed2515918e_aspace_434ed2f9ae2705c5b43a21d70d3f01c8","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_6fcc29a7eb90c7d16fe6e4721bf2ad60"}},{"id":"72deb24cd94ab58efde27fe0_aspace_d9ee9e43178ba7d565808ce1921ff1d9","type":"File","attributes":{"title":"9","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_d9ee9e43178ba7d565808ce1921ff1d9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d9ee9e43178ba7d565808ce1921ff1d9","ref_ssm":["aspace_d9ee9e43178ba7d565808ce1921ff1d9","aspace_d9ee9e43178ba7d565808ce1921ff1d9"],"id":"72deb24cd94ab58efde27fe0_aspace_d9ee9e43178ba7d565808ce1921ff1d9","title_filing_ssi":"9","title_ssm":["9"],"title_tesim":["9"],"normalized_title_ssm":["9"],"text":["9","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 1-24","/repositories/2/archival_objects/180963","box 83","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["72deb24cd94ab58efde27fe0","72deb24cd94ab58efde27fe0_aspace_2d9b104ebf7440c2bfc40a074a9a843f","72deb24cd94ab58efde27fe0_aspace_83e8e43713b39a8b1cfbfa126a623f84"],"parent_unittitles_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 1-24"],"parent_unittitles_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 1-24"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/180963"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5945,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 83","folder 9"],"_nest_path_":"/components#3/components#0/components#8","_nest_parent_":"72deb24cd94ab58efde27fe0_aspace_83e8e43713b39a8b1cfbfa126a623f84","_root_":"72deb24cd94ab58efde27fe0","_version_":1877023012303142912,"timestamp":"2026-09-22T09:17:18.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72deb24cd94ab58efde27fe0","title_ssm":["Gandy Commercial and Aerial Photography collection"],"title_tesim":["Gandy Commercial and Aerial Photography collection"],"ead_ssi":"72deb24cd94ab58efde27fe0","unitdate_ssm":["1950-2010","Date acquired: 12/01/2010"],"unitdate_inclusive_ssm":["1950-2010"],"unitdate_other_ssim":["Date acquired: 12/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-02","/repositories/2/resources/390"],"text":["MS-2010-02","/repositories/2/resources/390","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Boats and boating -- Florida","Photograph collections","No restrictions.","Arranged alphabetically in two series (aerial and commercial photography).","Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.","Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/","The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed.","Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/","USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)","English"],"unitid_tesim":["MS-2010-02","/repositories/2/resources/390"],"normalized_date_ssm":["1950-2010, Date acquired: 12/01/2010"],"normalized_title_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_title_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creators_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Skip Gandy","Donation"],"access_subjects_ssim":["Boats and boating -- Florida","Photograph collections"],"access_subjects_ssm":["Boats and boating -- Florida","Photograph collections"],"has_online_content_ssim":["false"],"extent_ssm":["43.33 Linear Feet","80 boxes"],"extent_tesim":["43.33 Linear Feet","80 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically in two series (aerial and commercial photography).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically in two series (aerial and commercial photography)."],"bioghist_html_tesm":["\u003cp\u003eSkip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer.\u0026#xA0;With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010."],"prefercite_html_tesm":["\u003cp\u003eSkip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Skip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBay Study Group Collection.\u003c/p\u003e\n","\u003cp\u003ehttp://scholarcommons.usf.edu/basgp/\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/"],"scopecontent_html_tesm":["\u003cp\u003eThe negatives are from the years 1970-2010, documenting Skip Gandy's activities.\u0026#xA0; A few of the prints are from his father, Sandy Gandy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f0829ee87f156f9d8e1500edac814ac3\" label=\"Abstract\"\u003eThe Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.\u0026#xA0; Only the negatives, which comprise the bulk of the materials, have been fully processed.\u003c/abstract\u003e"],"abstract_tesim":["The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06412a435727cb367b88f193b6659b9d\"\u003ePhotographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877023012303142912,"_root_":"72deb24cd94ab58efde27fe0","timestamp":"2026-09-22T09:17:18.046Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_d9ee9e43178ba7d565808ce1921ff1d9"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_173600","type":"Item","attributes":{"title":"9","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_173600#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eColor photograph. Warner Bros. present \"Helen of Troy.\" Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this pictures at your theatre. Must be returned immediately thereafter. Copyright 1956 Warner Bros. Pictures Distributing Corporation. Permission granted for newspaper and magazine reproduction. Made in U.S.A. 56/52 Fighting in a palace.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_173600#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_173600","ref_ssm":["aspace_173600","aspace_173600"],"id":"a0a65b28104bce9cf5ed2e36_aspace_173600","title_filing_ssi":"9","title_ssm":["9"],"title_tesim":["9"],"normalized_title_ssm":["9"],"text":["9","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Greek, Roman and Biblical Themes in the Cinema","Helen of Troy, 1955","Item 24","/repositories/2/archival_objects/17365","Color photograph. Warner Bros. present \"Helen of Troy.\" Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this pictures at your theatre. Must be returned immediately thereafter. Copyright 1956 Warner Bros. Pictures Distributing Corporation. Permission granted for newspaper and magazine reproduction. Made in U.S.A. 56/52 Fighting in a palace."],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_165319","a0a65b28104bce9cf5ed2e36_aspace_165358"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Greek, Roman and Biblical Themes in the Cinema","Helen of Troy, 1955"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Greek, Roman and Biblical Themes in the Cinema","Helen of Troy, 1955"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 24","/repositories/2/archival_objects/17365"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1482,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eColor photograph. Warner Bros. present \"Helen of Troy.\" Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this pictures at your theatre. Must be returned immediately thereafter. Copyright 1956 Warner Bros. Pictures Distributing Corporation. Permission granted for newspaper and magazine reproduction. Made in U.S.A. 56/52 Fighting in a palace.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Color photograph. Warner Bros. present \"Helen of Troy.\" Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this pictures at your theatre. Must be returned immediately thereafter. Copyright 1956 Warner Bros. Pictures Distributing Corporation. Permission granted for newspaper and magazine reproduction. Made in U.S.A. 56/52 Fighting in a palace."],"_nest_path_":"/components#6/components#2/components#23","_nest_parent_":"a0a65b28104bce9cf5ed2e36_aspace_165358","_root_":"a0a65b28104bce9cf5ed2e36","_version_":1873942720913866752,"timestamp":"2026-08-19T09:17:23.247Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0a65b28104bce9cf5ed2e36","title_ssm":["William Knight Zewadski Classical movie stills collection"],"title_tesim":["William Knight Zewadski Classical movie stills collection"],"ead_ssi":"a0a65b28104bce9cf5ed2e36","unitdate_ssm":["1860-2007","Date acquired: 00/00/2018"],"unitdate_inclusive_ssm":["1860-2007"],"unitdate_other_ssim":["Date acquired: 00/00/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Z11","/repositories/2/resources/82"],"text":["Z11","/repositories/2/resources/82","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume","The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. 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