{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=1588\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=1587\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=1589\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":1588,"next_page":1589,"prev_page":1587,"total_pages":65767,"limit_value":10,"offset_value":15870,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"c56aab442b34ccc24cb98200_aspace_218559","type":"Item","attributes":{"title":"5th of July / [theatre program]., 1983","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c56aab442b34ccc24cb98200_aspace_218559#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTitle devised by library staff.|Cast: David Fouts, Timothy Newell, Terri Hicks, Frank P. 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Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The John A. Degen Resource Room collection is only open to Florida State University School of Theatre Faculty, Staff and Students."],"prefercite_html_tesm":["\u003cp\u003e[Title of work], [Date of work], Degen Playbill Collection, School of Theatre, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/DEGEN001\"\u003ehttp://purl.fcla.edu/fsu/DEGEN001\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of work], [Date of work], Degen Playbill Collection, School of Theatre, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/DEGEN001 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Degen Resource Room has an extensive historic playbill collection. The collection consists of playbills of productions from all over the world beginning in 1873. The Degen Resource Room is continuing to catalog this massive collection, so the entire scope of this collection cannot yet be assessed. However, it is estimated that we hold one of the premiere playbill collections in the nation. As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection."],"names_ssim":["The John A. Degen Resource Room at FSU"],"corpname_ssim":["The John A. 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Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Administrative Files, 1985-1994","Folder 7","/repositories/10/archival_objects/120307","box 191","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["b7ddc964c6f13a7e308f2280","b7ddc964c6f13a7e308f2280_aspace_127417"],"parent_unittitles_ssm":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Administrative Files, 1985-1994"],"parent_unittitles_tesim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Administrative Files, 1985-1994"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 7","/repositories/10/archival_objects/120307"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2488,"parent_access_restrict_tesm":["This collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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Papers"],"ead_ssi":"b7ddc964c6f13a7e308f2280","unitdate_ssm":["1959-1997","1990-1994"],"unitdate_bulk_ssim":["1990-1994"],"unitdate_inclusive_ssm":["1959-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-001","/repositories/10/resources/728"],"text":["MSS 2004-001","/repositories/10/resources/728","Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Discrimination in employment--United States--Case studies","Discrimination in restaurants--United States--Case studies","Race discrimination--United States","Shoney's Inc.--Personnel management","Interviews.","African Americans--Employment","Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes.","This collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","On April 4, 1989, Tallahassee (FL) attorney Tommy Warren and nine named plaintiffs, all former Shoneys and Captain Ds employees or job applicants, served Shoneys CEO, Ray Danner, and Shoneys, Inc. with a class-action suit alleging racial discrimination. The plaintiffs, represented by Warren and his co-counsel, civil rights attorney Barry Goldstein, sought more than half a billion dollars in back pay and punitive damages, in addition to a court-ordered affirmative action plan, to counteract claims of years of racially discriminatory company policy. Witnesses, such as Josephine Haynes, included tens of thousands of workers, former workers, and frustrated job applicants, who said they lost jobs, were denied jobs, or were not given opportunities at Shoneys for even the lowest-paying jobs because they were African-Americans. Other witnesses included lower level white managers, who testified that they were fired because they wouldnt follow company orders to reduce the number of African-Americans. Many said they were instructed to carry out a corporate strategy that was directed by the Companys founder and CEO, Ray Danner, not found in any Shoneys procedure manuals. During the course of the litigation, which lasted from 1989-1993, many allegations were made under oath, and entered into the court record that race discrimination at Shoneys was standard operating procedure and had existed during the entire time Ray Danner ran the company. Danner continually denied these allegations throughout the case.\nBy the time the case concluded in 1993, the total cost of the Shoneys settlement was $132.5 million, which was the plaintiffs final compromise figure and the largest ever in a racial discrimination case. In addition, Ray Danner personally contributed approximately $65 million to the settlement. This payment by an individual defendant was unprecedented in U.S. race discrimination cases. According to Steve Watkins The Black O, a book that documents the entire case, 28, 994 claims were submitted in the settlement. At Warren and Goldsteins insistence, that number was expanded beyond the scope of the class of discriminated individuals to include all of Shoneys divisions, except for the franchise stores, for the period from 1985 through November 3, 1992. Based on a complex formula approved by Judge Roger Vinson to determine the validity of those claims and the amount due each legitimate claimant, 20,909 people ultimately received money from the $105 million settlement pool. The plaintiffs attorneys spent nearly $2 million to notify these claimants about the settlement, an effort that the judge said was unmatched by any he had ever seen in a class-action case. Approximately $5 million from the settlement pool was designated for a special class of claimants, those who had been witnesses and named plaintiffs in the case. $10 million was earmarked for African-American former job applicants, and the bulk of the settlement, $90 million, went to incumbent African-American employees. Money left over when the settlement was completed, and after Shoneys final payment in 1998, was divided among five organizations: the United Negro College Fund, the Southern Poverty Law Center, the Lawyers Committee for Civil Rights Under Law, the Washington Lawyers Committee for Civil Rights Under Law, and Inroads, a group that works to increase management opportunities for minorities.\nIn the aftermath of the case, Shoneys complied with the affirmative action plan and significantly increased its hiring of restaurant managers, dining room supervisors, and servers of color. In 1995, the company brought in a new management team which greatly improved its position financially, and in hiring, promotion, and business opportunities for minoritized communities.\nNote written by","Partially funded by a National Publications and Records Commission grant, the collection was processed by Chad Underwood from March 2005 to October 2006.","The Haynes v. Shoneys Papers documents the largest racial discrimination class-action suit against a private employer in the history of civil rights law. The collection has significant historical and research value for American legal history and civil rights scholars. Some topics include the admissibility of prior discrimination as evidence, adverse witnesses, affirmative action, allegations of recent discrimination, class certification, defendants contacts with plaintiffs' witnesses and clients, deceased claimants notes, destruction of evidence, jury selection, Raymond Danner's claim to fight race discrimination, and the Southern Christian Leadership Conferences covenant with Shoneys, in which the corporation promised that it would do business with minority-owned firms and target management jobs and franchise ownership opportunities for African-Americans. Among the materials included are all court pleadings and filings in the case, affidavits and declarations, challenges, consent decrees, correspondence, depositions, discovery documents, expert witness files, interrogatories, investigative files, newspaper and magazine articles, notebooks, orders, policies, press releases, questionnaires, reports, research materials, right-to-sue requests, settlement documents, shopper reports, surveys, visitation reports, and the deposition transcripts of over 150 witnesses, who document the history of the alleged discrimination of Shoneys, Inc and Ray Danner.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library.","FSU Special Collections \u0026 Archives","Thomas A. Warren Law Offices (Tallahassee, Fla.)","Danner, Raymond L.","English"],"unitid_tesim":["MSS 2004-001","/repositories/10/resources/728"],"normalized_date_ssm":["1959-1997, bulk 1990-1994"],"normalized_title_ssm":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"collection_title_tesim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"collection_ssim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"creator_ssim":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"creator_corpname_ssim":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"creators_ssim":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The collection was given by Thomas Warren, attorney, in 2003."],"access_subjects_ssim":["Discrimination in employment--United States--Case studies","Discrimination in restaurants--United States--Case studies","Race discrimination--United States","Shoney's Inc.--Personnel management","Interviews.","African Americans--Employment","Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes."],"access_subjects_ssm":["Discrimination in employment--United States--Case studies","Discrimination in restaurants--United States--Case studies","Race discrimination--United States","Shoney's Inc.--Personnel management","Interviews.","African Americans--Employment","Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["1,040 boxes","415.60 Linear Feet"],"extent_tesim":["1,040 boxes","415.60 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOn April 4, 1989, Tallahassee (FL) attorney Tommy Warren and nine named plaintiffs, all former Shoneys and Captain Ds employees or job applicants, served Shoneys CEO, Ray Danner, and Shoneys, Inc. with a class-action suit alleging racial discrimination. 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At Warren and Goldsteins insistence, that number was expanded beyond the scope of the class of discriminated individuals to include all of Shoneys divisions, except for the franchise stores, for the period from 1985 through November 3, 1992. Based on a complex formula approved by Judge Roger Vinson to determine the validity of those claims and the amount due each legitimate claimant, 20,909 people ultimately received money from the $105 million settlement pool. The plaintiffs attorneys spent nearly $2 million to notify these claimants about the settlement, an effort that the judge said was unmatched by any he had ever seen in a class-action case. Approximately $5 million from the settlement pool was designated for a special class of claimants, those who had been witnesses and named plaintiffs in the case. $10 million was earmarked for African-American former job applicants, and the bulk of the settlement, $90 million, went to incumbent African-American employees. Money left over when the settlement was completed, and after Shoneys final payment in 1998, was divided among five organizations: the United Negro College Fund, the Southern Poverty Law Center, the Lawyers Committee for Civil Rights Under Law, the Washington Lawyers Committee for Civil Rights Under Law, and Inroads, a group that works to increase management opportunities for minorities.\nIn the aftermath of the case, Shoneys complied with the affirmative action plan and significantly increased its hiring of restaurant managers, dining room supervisors, and servers of color. In 1995, the company brought in a new management team which greatly improved its position financially, and in hiring, promotion, and business opportunities for minoritized communities.\nNote written by\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["On April 4, 1989, Tallahassee (FL) attorney Tommy Warren and nine named plaintiffs, all former Shoneys and Captain Ds employees or job applicants, served Shoneys CEO, Ray Danner, and Shoneys, Inc. with a class-action suit alleging racial discrimination. The plaintiffs, represented by Warren and his co-counsel, civil rights attorney Barry Goldstein, sought more than half a billion dollars in back pay and punitive damages, in addition to a court-ordered affirmative action plan, to counteract claims of years of racially discriminatory company policy. Witnesses, such as Josephine Haynes, included tens of thousands of workers, former workers, and frustrated job applicants, who said they lost jobs, were denied jobs, or were not given opportunities at Shoneys for even the lowest-paying jobs because they were African-Americans. Other witnesses included lower level white managers, who testified that they were fired because they wouldnt follow company orders to reduce the number of African-Americans. Many said they were instructed to carry out a corporate strategy that was directed by the Companys founder and CEO, Ray Danner, not found in any Shoneys procedure manuals. During the course of the litigation, which lasted from 1989-1993, many allegations were made under oath, and entered into the court record that race discrimination at Shoneys was standard operating procedure and had existed during the entire time Ray Danner ran the company. Danner continually denied these allegations throughout the case.\nBy the time the case concluded in 1993, the total cost of the Shoneys settlement was $132.5 million, which was the plaintiffs final compromise figure and the largest ever in a racial discrimination case. In addition, Ray Danner personally contributed approximately $65 million to the settlement. This payment by an individual defendant was unprecedented in U.S. race discrimination cases. According to Steve Watkins The Black O, a book that documents the entire case, 28, 994 claims were submitted in the settlement. At Warren and Goldsteins insistence, that number was expanded beyond the scope of the class of discriminated individuals to include all of Shoneys divisions, except for the franchise stores, for the period from 1985 through November 3, 1992. Based on a complex formula approved by Judge Roger Vinson to determine the validity of those claims and the amount due each legitimate claimant, 20,909 people ultimately received money from the $105 million settlement pool. The plaintiffs attorneys spent nearly $2 million to notify these claimants about the settlement, an effort that the judge said was unmatched by any he had ever seen in a class-action case. Approximately $5 million from the settlement pool was designated for a special class of claimants, those who had been witnesses and named plaintiffs in the case. $10 million was earmarked for African-American former job applicants, and the bulk of the settlement, $90 million, went to incumbent African-American employees. Money left over when the settlement was completed, and after Shoneys final payment in 1998, was divided among five organizations: the United Negro College Fund, the Southern Poverty Law Center, the Lawyers Committee for Civil Rights Under Law, the Washington Lawyers Committee for Civil Rights Under Law, and Inroads, a group that works to increase management opportunities for minorities.\nIn the aftermath of the case, Shoneys complied with the affirmative action plan and significantly increased its hiring of restaurant managers, dining room supervisors, and servers of color. In 1995, the company brought in a new management team which greatly improved its position financially, and in hiring, promotion, and business opportunities for minoritized communities.\nNote written by"],"prefercite_html_tesm":["\u003cp\u003eHaynes et al. v. Shoney's, Inc. 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The collection has significant historical and research value for American legal history and civil rights scholars. Some topics include the admissibility of prior discrimination as evidence, adverse witnesses, affirmative action, allegations of recent discrimination, class certification, defendants contacts with plaintiffs' witnesses and clients, deceased claimants notes, destruction of evidence, jury selection, Raymond Danner's claim to fight race discrimination, and the Southern Christian Leadership Conferences covenant with Shoneys, in which the corporation promised that it would do business with minority-owned firms and target management jobs and franchise ownership opportunities for African-Americans. Among the materials included are all court pleadings and filings in the case, affidavits and declarations, challenges, consent decrees, correspondence, depositions, discovery documents, expert witness files, interrogatories, investigative files, newspaper and magazine articles, notebooks, orders, policies, press releases, questionnaires, reports, research materials, right-to-sue requests, settlement documents, shopper reports, surveys, visitation reports, and the deposition transcripts of over 150 witnesses, who document the history of the alleged discrimination of Shoneys, Inc and Ray Danner.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Haynes v. Shoneys Papers documents the largest racial discrimination class-action suit against a private employer in the history of civil rights law. The collection has significant historical and research value for American legal history and civil rights scholars. 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Among the materials included are all court pleadings and filings in the case, affidavits and declarations, challenges, consent decrees, correspondence, depositions, discovery documents, expert witness files, interrogatories, investigative files, newspaper and magazine articles, notebooks, orders, policies, press releases, questionnaires, reports, research materials, right-to-sue requests, settlement documents, shopper reports, surveys, visitation reports, and the deposition transcripts of over 150 witnesses, who document the history of the alleged discrimination of Shoneys, Inc and Ray Danner."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.","Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.","The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók","Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. 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During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer B\u0026#xE9;la Bart\u0026#xF3;k, for whose estate he served as a curator and trustee. He has written numerous books and articles on B\u0026#xE9;la Bart\u0026#xF3;k, as well as on topics in Ethnomusicology. 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He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eBenjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Benjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eAntokoletz, Elliott, and Paolo Susanni. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Research and Information Guide\u003c/emph\u003e. New York: Routledge, 2011. Internet resource.\u003c/p\u003e\n","\u003cp\u003ehttp://www.usf.eblib.com/patron/FullRecord.aspx?p=668794\u003c/p\u003e","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eRhythmic Form in Three of Barto\u0026#x301;k's String Quartets\u003c/emph\u003e. , 1970. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003ePrinciples of Pitch Organization in Barto\u0026#x301;k's Fourth String Quartet\u003c/emph\u003e. , 1980. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Guide to Research\u003c/emph\u003e. New York: Garland Pub, 1988. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eThe Music of Be\u0026#x301;la Barto\u0026#x301;k: A Study of Tonality and Progression in Twentieth-Century Music\u003c/emph\u003e. Berkeley: University of California Press, 1989. Print.\u003c/p\u003e\n","\u003cp\u003eBarto\u0026#x301;k, Be\u0026#x301;la, and Benjamin Suchoff. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k Essays\u003c/emph\u003e. Lincoln: University of Nebraska Press, 1993. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k and a Guide to the Mikrokosmos\u003c/emph\u003e. , 1956. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBarto\u0026#x301;k, Concerto for Orchestra: Understanding Barto\u0026#x301;k's World\u003c/emph\u003e. New York: Schirmer Books, 1995. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: Life and Work\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2001. Print\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Celebration\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2004. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBackground and Sources of Barto\u0026#x301;k's Concerto for Orchestra\u003c/emph\u003e. Frankfurt-am-Main: Peter Lang, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains research, manuscripts, interviews, articles, and letters concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881\u0026#x2013;1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of B\u0026#xE9;la Bart\u0026#xF3;k and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on B\u0026#xE9;la Bart\u0026#xF3;k and his research for his book \u003cemph render=\"italic\"\u003eMusical Symbolism in the Operas of Debussy and Bart\u0026#xF3;k.\u003c/emph\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bca246a4a4ab1d71cf129cab0ccd4011\" label=\"Abstract\"\u003eA collection of research and other documents concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881-1945).\u003c/abstract\u003e"],"abstract_tesim":["A collection of research and other documents concerning composer Béla Bartók (1881-1945)."],"names_ssim":["USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Bartok, Bela (1881-1945)"],"persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863055208841216,"_root_":"889b65a67fe6306550dd539e","timestamp":"2026-07-16T09:27:25.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e_aspace_114758"}},{"id":"889b65a67fe6306550dd539e_aspace_114290","type":"File","attributes":{"title":"5th String Quartet","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e_aspace_114290#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_114290","ref_ssm":["aspace_114290","aspace_114290"],"id":"889b65a67fe6306550dd539e_aspace_114290","title_filing_ssi":"5th String Quartet","title_ssm":["5th String Quartet"],"title_tesim":["5th String Quartet"],"normalized_title_ssm":["5th String Quartet"],"text":["5th String Quartet","Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs","Folder 2","/repositories/2/archival_objects/92457","box 33","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["889b65a67fe6306550dd539e","889b65a67fe6306550dd539e_aspace_114754","889b65a67fe6306550dd539e_aspace_114288"],"parent_unittitles_ssm":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs"],"parent_unittitles_tesim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 2","/repositories/2/archival_objects/92457"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":574,"parent_access_restrict_tesm":["Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 33","folder 2"],"_nest_path_":"/components#3/components#7/components#1","_nest_parent_":"889b65a67fe6306550dd539e_aspace_114288","_root_":"889b65a67fe6306550dd539e","_version_":1870863055208841216,"timestamp":"2026-07-16T09:27:25.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"889b65a67fe6306550dd539e","title_ssm":["Suchoff-Antokoletz collection of Bartokiana"],"title_tesim":["Suchoff-Antokoletz collection of Bartokiana"],"ead_ssi":"889b65a67fe6306550dd539e","unitdate_ssm":["1945-2002","Date acquired: 07/25/2001"],"unitdate_inclusive_ssm":["1945-2002"],"unitdate_other_ssim":["Date acquired: 07/25/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2001-06","/repositories/2/resources/420"],"text":["MS-2001-06","/repositories/2/resources/420","Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers","Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.","Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.","The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók","Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013","Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . 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Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of research and other documents concerning composer Béla Bartók (1881-1945).","USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)","English"],"unitid_tesim":["MS-2001-06","/repositories/2/resources/420"],"normalized_date_ssm":["1945-2002, Date acquired: 07/25/2001"],"normalized_title_ssm":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_title_tesim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_ssim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creators_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Benjamin Suchoff","Donation."],"access_subjects_ssim":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"access_subjects_ssm":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"has_online_content_ssim":["false"],"extent_ssm":["24.8 Linear Feet","57 boxes"],"extent_tesim":["24.8 Linear Feet","57 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eSuchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews."],"accruals_html_tesm":["\u003cp\u003eBenjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in series by subject:\u003c/p\u003e\n","\u003cp\u003e1.\u0026#xA0; Bart\u0026#xF3;k Estate Records\u003c/p\u003e\n","\u003cp\u003e2.\u0026#xA0; Suchoff Research on Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e3.\u0026#xA0; Works of B\u0026#xE9;la Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e4.\u0026#xA0; Antokoletz Research on Bart\u0026#xF3;k\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók"],"bioghist_html_tesm":["\u003cp\u003eDr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer B\u0026#xE9;la Bart\u0026#xF3;k, for whose estate he served as a curator and trustee. He has written numerous books and articles on B\u0026#xE9;la Bart\u0026#xF3;k, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.\u003c/p\u003e\n","\u003cp\u003eObituary, \u003cemph render=\"italic\"\u003ePalm Beach Post, \u003c/emph\u003eMarch 15, 2011.\u0026#xA0; http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026amp;pid=149133562#fbLoggedOut\u003c/p\u003e\n","\u003cp\u003eNote written by Kevin Arms, 2013\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eBenjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Benjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eAntokoletz, Elliott, and Paolo Susanni. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Research and Information Guide\u003c/emph\u003e. New York: Routledge, 2011. Internet resource.\u003c/p\u003e\n","\u003cp\u003ehttp://www.usf.eblib.com/patron/FullRecord.aspx?p=668794\u003c/p\u003e","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eRhythmic Form in Three of Barto\u0026#x301;k's String Quartets\u003c/emph\u003e. , 1970. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003ePrinciples of Pitch Organization in Barto\u0026#x301;k's Fourth String Quartet\u003c/emph\u003e. , 1980. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Guide to Research\u003c/emph\u003e. New York: Garland Pub, 1988. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eThe Music of Be\u0026#x301;la Barto\u0026#x301;k: A Study of Tonality and Progression in Twentieth-Century Music\u003c/emph\u003e. Berkeley: University of California Press, 1989. Print.\u003c/p\u003e\n","\u003cp\u003eBarto\u0026#x301;k, Be\u0026#x301;la, and Benjamin Suchoff. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k Essays\u003c/emph\u003e. Lincoln: University of Nebraska Press, 1993. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k and a Guide to the Mikrokosmos\u003c/emph\u003e. , 1956. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBarto\u0026#x301;k, Concerto for Orchestra: Understanding Barto\u0026#x301;k's World\u003c/emph\u003e. New York: Schirmer Books, 1995. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: Life and Work\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2001. Print\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Celebration\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2004. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBackground and Sources of Barto\u0026#x301;k's Concerto for Orchestra\u003c/emph\u003e. Frankfurt-am-Main: Peter Lang, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains research, manuscripts, interviews, articles, and letters concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881\u0026#x2013;1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of B\u0026#xE9;la Bart\u0026#xF3;k and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on B\u0026#xE9;la Bart\u0026#xF3;k and his research for his book \u003cemph render=\"italic\"\u003eMusical Symbolism in the Operas of Debussy and Bart\u0026#xF3;k.\u003c/emph\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bca246a4a4ab1d71cf129cab0ccd4011\" label=\"Abstract\"\u003eA collection of research and other documents concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881-1945).\u003c/abstract\u003e"],"abstract_tesim":["A collection of research and other documents concerning composer Béla Bartók (1881-1945)."],"names_ssim":["USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Bartok, Bela (1881-1945)"],"persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863055208841216,"_root_":"889b65a67fe6306550dd539e","timestamp":"2026-07-16T09:27:25.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e_aspace_114290"}},{"id":"889b65a67fe6306550dd539e_aspace_114291","type":"File","attributes":{"title":"5th String Quartet - Notes","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e_aspace_114291#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_114291","ref_ssm":["aspace_114291","aspace_114291"],"id":"889b65a67fe6306550dd539e_aspace_114291","title_filing_ssi":"5th String Quartet - Notes","title_ssm":["5th String Quartet - Notes"],"title_tesim":["5th String Quartet - Notes"],"normalized_title_ssm":["5th String Quartet - Notes"],"text":["5th String Quartet - Notes","Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs","Folder 3","/repositories/2/archival_objects/92458","box 33","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["889b65a67fe6306550dd539e","889b65a67fe6306550dd539e_aspace_114754","889b65a67fe6306550dd539e_aspace_114288"],"parent_unittitles_ssm":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs"],"parent_unittitles_tesim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Selected Works of Béla Bartók","Selected Works of Béla Bartók - 2nd Piano Concerto, 5th String Quartet, 44 Violin Duos, Székely Songs"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 3","/repositories/2/archival_objects/92458"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":575,"parent_access_restrict_tesm":["Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 33","folder 3"],"_nest_path_":"/components#3/components#7/components#2","_nest_parent_":"889b65a67fe6306550dd539e_aspace_114288","_root_":"889b65a67fe6306550dd539e","_version_":1870863055208841216,"timestamp":"2026-07-16T09:27:25.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"889b65a67fe6306550dd539e","title_ssm":["Suchoff-Antokoletz collection of Bartokiana"],"title_tesim":["Suchoff-Antokoletz collection of Bartokiana"],"ead_ssi":"889b65a67fe6306550dd539e","unitdate_ssm":["1945-2002","Date acquired: 07/25/2001"],"unitdate_inclusive_ssm":["1945-2002"],"unitdate_other_ssim":["Date acquired: 07/25/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2001-06","/repositories/2/resources/420"],"text":["MS-2001-06","/repositories/2/resources/420","Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers","Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.","Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.","The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók","Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013","Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print.","This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of research and other documents concerning composer Béla Bartók (1881-1945).","USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)","English"],"unitid_tesim":["MS-2001-06","/repositories/2/resources/420"],"normalized_date_ssm":["1945-2002, Date acquired: 07/25/2001"],"normalized_title_ssm":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_title_tesim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_ssim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creators_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Benjamin Suchoff","Donation."],"access_subjects_ssim":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"access_subjects_ssm":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"has_online_content_ssim":["false"],"extent_ssm":["24.8 Linear Feet","57 boxes"],"extent_tesim":["24.8 Linear Feet","57 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eSuchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews."],"accruals_html_tesm":["\u003cp\u003eBenjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in series by subject:\u003c/p\u003e\n","\u003cp\u003e1.\u0026#xA0; Bart\u0026#xF3;k Estate Records\u003c/p\u003e\n","\u003cp\u003e2.\u0026#xA0; Suchoff Research on Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e3.\u0026#xA0; Works of B\u0026#xE9;la Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e4.\u0026#xA0; Antokoletz Research on Bart\u0026#xF3;k\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók"],"bioghist_html_tesm":["\u003cp\u003eDr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer B\u0026#xE9;la Bart\u0026#xF3;k, for whose estate he served as a curator and trustee. He has written numerous books and articles on B\u0026#xE9;la Bart\u0026#xF3;k, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.\u003c/p\u003e\n","\u003cp\u003eObituary, \u003cemph render=\"italic\"\u003ePalm Beach Post, \u003c/emph\u003eMarch 15, 2011.\u0026#xA0; http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026amp;pid=149133562#fbLoggedOut\u003c/p\u003e\n","\u003cp\u003eNote written by Kevin Arms, 2013\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eBenjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Benjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eAntokoletz, Elliott, and Paolo Susanni. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Research and Information Guide\u003c/emph\u003e. New York: Routledge, 2011. Internet resource.\u003c/p\u003e\n","\u003cp\u003ehttp://www.usf.eblib.com/patron/FullRecord.aspx?p=668794\u003c/p\u003e","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eRhythmic Form in Three of Barto\u0026#x301;k's String Quartets\u003c/emph\u003e. , 1970. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003ePrinciples of Pitch Organization in Barto\u0026#x301;k's Fourth String Quartet\u003c/emph\u003e. , 1980. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Guide to Research\u003c/emph\u003e. New York: Garland Pub, 1988. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eThe Music of Be\u0026#x301;la Barto\u0026#x301;k: A Study of Tonality and Progression in Twentieth-Century Music\u003c/emph\u003e. Berkeley: University of California Press, 1989. Print.\u003c/p\u003e\n","\u003cp\u003eBarto\u0026#x301;k, Be\u0026#x301;la, and Benjamin Suchoff. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k Essays\u003c/emph\u003e. Lincoln: University of Nebraska Press, 1993. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k and a Guide to the Mikrokosmos\u003c/emph\u003e. , 1956. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBarto\u0026#x301;k, Concerto for Orchestra: Understanding Barto\u0026#x301;k's World\u003c/emph\u003e. New York: Schirmer Books, 1995. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: Life and Work\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2001. Print\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Celebration\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2004. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBackground and Sources of Barto\u0026#x301;k's Concerto for Orchestra\u003c/emph\u003e. Frankfurt-am-Main: Peter Lang, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains research, manuscripts, interviews, articles, and letters concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881\u0026#x2013;1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of B\u0026#xE9;la Bart\u0026#xF3;k and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on B\u0026#xE9;la Bart\u0026#xF3;k and his research for his book \u003cemph render=\"italic\"\u003eMusical Symbolism in the Operas of Debussy and Bart\u0026#xF3;k.\u003c/emph\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bca246a4a4ab1d71cf129cab0ccd4011\" label=\"Abstract\"\u003eA collection of research and other documents concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881-1945).\u003c/abstract\u003e"],"abstract_tesim":["A collection of research and other documents concerning composer Béla Bartók (1881-1945)."],"names_ssim":["USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Bartok, Bela (1881-1945)"],"persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863055208841216,"_root_":"889b65a67fe6306550dd539e","timestamp":"2026-07-16T09:27:25.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e_aspace_114291"}},{"id":"cd47e6ad97695fdc678be0a9_aspace_13112","type":"Item","attributes":{"title":"$5 Tickets and Single Tickets on Sale Now, 1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_13112#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eExtent: 2 p. Note: Asolo Center News press release.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_13112#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_13112","ref_ssm":["aspace_13112","aspace_13112"],"id":"cd47e6ad97695fdc678be0a9_aspace_13112","title_filing_ssi":"$5 Tickets and Single Tickets on Sale Now","title_ssm":["$5 Tickets and Single Tickets on Sale Now"],"title_tesim":["$5 Tickets and Single Tickets on Sale Now"],"unitdate_other_ssim":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["$5 Tickets and Single Tickets on Sale Now, 1992"],"text":["$5 Tickets and Single Tickets on Sale Now, 1992","Florida State University Media Relations Files, 1969-1995","Asolo Theatre Company, 1980-1993","Asolo Theatre, 1992-1993","Item 109","/repositories/10/archival_objects/159273","Extent: 2 p. Note: Asolo Center News press release."],"component_level_isim":[3],"parent_ids_ssim":["cd47e6ad97695fdc678be0a9","cd47e6ad97695fdc678be0a9_aspace_4618","cd47e6ad97695fdc678be0a9_aspace_4630"],"parent_unittitles_ssm":["Florida State University Media Relations Files, 1969-1995","Asolo Theatre Company, 1980-1993","Asolo Theatre, 1992-1993"],"parent_unittitles_tesim":["Florida State University Media Relations Files, 1969-1995","Asolo Theatre Company, 1980-1993","Asolo Theatre, 1992-1993"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 109","/repositories/10/archival_objects/159273"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Florida State University Media Relations Files, 1969-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":685,"parent_access_restrict_tesm":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"scopecontent_html_tesm":["\u003cp\u003eExtent: 2 p. Note: Asolo Center News press release.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Extent: 2 p. Note: Asolo Center News press release."],"_nest_path_":"/components#1/components#8/components#108","_nest_parent_":"cd47e6ad97695fdc678be0a9_aspace_4630","_root_":"cd47e6ad97695fdc678be0a9","_version_":1873846371912515584,"timestamp":"2026-08-18T07:45:57.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cd47e6ad97695fdc678be0a9","title_ssm":["Florida State University Media Relations Files"],"title_tesim":["Florida State University Media Relations Files"],"ead_ssi":"cd47e6ad97695fdc678be0a9","unitdate_ssm":["1969-1995"],"unitdate_inclusive_ssm":["1969-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2003-019","/repositories/10/resources/1253"],"text":["MSS 2003-019","/repositories/10/resources/1253","Florida State University Media Relations Files, 1969-1995","Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre","Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.","The MSS 2003-019 accession was processed in September 2003 by Delia Tam.","The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N.","English"],"unitid_tesim":["MSS 2003-019","/repositories/10/resources/1253"],"normalized_date_ssm":["1969-1995"],"normalized_title_ssm":["Florida State University Media Relations Files, 1969-1995"],"collection_title_tesim":["Florida State University Media Relations Files, 1969-1995"],"collection_ssim":["Florida State University Media Relations Files, 1969-1995"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Florida State University Media Relations Department"],"creator_ssim":["Florida State University Media Relations Department"],"creator_corpname_ssim":["Florida State University Media Relations Department"],"creators_ssim":["Florida State University Media Relations Department"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["The MSS 2003-019 accession of the FSU Media Relations Files was given to the Special Collections Department by the FSU Media Relations Office in 1999."],"access_subjects_ssim":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"access_subjects_ssm":["Commencement Ceremony","Homecoming.","Media relations","Florida State University. Commencement","Florida State University. Homecoming","Florida State University. Media Relations","Florida State University. School of Theatre"],"has_online_content_ssim":["false"],"extent_ssm":["4.80 Linear Feet"],"extent_tesim":["4.80 Linear Feet"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.  Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.  It is staffed by professional journalists and public relations experts who promote the university.\n APPLETON MUSEUM OF ART\n The Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n Considered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n ASOLO THEATRE COMPANY\n The Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.  In 1930, the old wooden theater was taken down and its components were stored in Venice.  In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.  Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n Recognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.  Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.  During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.  The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.  This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n THE COLLEGE OF BUSINESS\n The School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n Among Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n When Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.  Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n Following his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n THE FSU FLYING HIGH CIRCUS\n The Florida State University Flying High Circus is the country's only collegiate circus.  It was organized in 1947 by Jack Haskin.  The first circus show on campus  was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.  The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.  Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n The Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.  Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n HOMECOMING\n Homecoming is an alumni program.  Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.  During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.  The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n THE FSU SCHOOL OF THEATRE\n The Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.  Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.  The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.  The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n Three theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.  Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.  The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.  The School has a successful cooperative program with the School of Music and the Department of Dance at FSU."],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Florida State University Media Relations Files, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2003-019"],"processinfo_html_tesm":["\u003cp\u003eThe MSS 2003-019 accession was processed in September 2003 by Delia Tam.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The MSS 2003-019 accession was processed in September 2003 by Delia Tam."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n\u003cbr\u003e\u003cbr\u003eAppleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n\u003cbr\u003e\u003cbr\u003eThe College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.\u0026#xA0; Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.\u0026#xA0; The press releases publicize the successes and achievements of the Business students.\u0026#xA0; Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n\u003cbr\u003e\u003cbr\u003eThe FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n\u003cbr\u003e\u003cbr\u003eThe Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.\u0026#xA0; Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n\u003cbr\u003e\u003cbr\u003eThe Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.\u0026#xA0; Subjects include the pep rally, parade, alumni class reunions,\u0026#xA0; banquet, faculty concert, alumni breakfast, Grads Made Good\u0026#xA0; presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n\u003cbr\u003e\u003cbr\u003eThe School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.\u0026#xA0; These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida State University (FSU) Media Relations files contain press releases, photos, programs, brochures, newspapers, newsletters and letters documenting the activities of the Appleton Museum of Art, Asolo Theatre, the College of Business, the FSU Circus, Graduation, Homecoming, and the School of Theatre.\n Appleton Museum of Art materials include articles about gifts to the Museum, the Florida Arts Recognition Award to the Appletons, funding for the Appleton Eminent Scholar's Chair, and the 1990 merger of the Appleton Museum of Art with Central Florida Community College and Florida State University.\n The Asolo Theatre files includes articles, playbills, play reviews, and press releases. Topics include the dedication of the Asolo Center in 1990, gifts received, the Burt Reynolds Institute and Theater Project, and the Hoffman Eminent Scholar's Chair.\n The College of Business files highlight its projects, programs, proposed courses, classes taught by closed-circuit television, grants, scholarships, lectures, conferences, seminars, workshops, lectures and services to the community, e.g. free help sessions in preparing tax returns.  Several of these activities include Credit Institute Courses for government employees, Review Seminars for CPA examinations, the Judicial Management Program, and the \"Jobs for Older Americans\" project.  The press releases publicize the successes and achievements of the Business students.  Interface, the newsletter of the College of Business and another newsletter, Feedback, are also featured. In these files, there is a gap in 1984.\n The FSU Flying High Circus materials include programs, articles about the Circus, other Circus publications, and press releases documenting its history and activities. Subjects include the 25th anniversary of the Circus in 1972 and other anniversaries, stories about its performers, animal acts, highwire acts, circus ballets, and the history of the Flying High Circus.\n The Graduation files include press releases about Florida State University's graduation ceremonies in daily and weekly newspapers, radio and television stations and the Capitol Press Corps.  Topics include the College of Law graduation, College of Nursing pinning ceremony, undergraduate and graduate ceremonies, the Joint Army, Navy and Air Force ROTC commissioning ceremony, the first graduation held in the Tallahassee-Leon County Civic Center in 1982, the presentation of the Robert O. Lawton Distinguished Professor award, the highest faculty award given by FSU, and Virgil Conner, the oldest graduate at 92 to ever receive a doctorate from a major college.\n The Homecoming files contain press releases, programs, brochures, flyers, post cards, newspapers, magazines, homecoming ticket information and order forms, lists of events, and parade lists.  Subjects include the pep rally, parade, alumni class reunions,  banquet, faculty concert, alumni breakfast, Grads Made Good  presentations, the Ross Oglesby Man of the Year Award with special coverage on these honorees, baseball games, alumni barbecues, festivals and entertainment after the Saturday football game, and the homecoming \"Pow Wow.\" From 1983-84, there is a gap in the collection.\n The School of Theatre files contain press releases, announcements, newspapers, brochures, playbills, programs, and several photographs. Individuals cited in these materials include Burt Reynolds, Robert Ulrich, Fay Dunaway, Joseph Papp, Helen Hayes, Lee Strasberg, and Susan Strasberg.  These papers also describe the Schubert Fellowship in playwriting which is awarded annually to a student, the Charles MacArthur national playwriting competition, top honors gained by students in theater festival competitions, grants received, the Florida State Fine Arts Festival, \"Adventures in Theater\", the School's new touring company, \"The Countryside Theater\", a unique program to bring live theater to rural communities, and plans to establish an American Theatre Library-Museum on campus in 1970, the first and only one of its concept in the country."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus","Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida State University Media Relations Department","Asolo Theater (Sarasota, Fla.)","Appleton Museum of Art (Ocala, Fla.)","Florida State University. College of Business","Florida State University. Flying High Circus"],"persname_ssim":["Reynolds, Burt","Urich, Robert","Dunaway, Faye","Papp, Joseph","Hayes, Helen","Rovetta, Charles A.","Solomon, E. Ray","Stith, Melvin","Strasberg, Lee","Strasberg, Susan","Lazier, Gilbert N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3222,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873846371912515584,"_root_":"cd47e6ad97695fdc678be0a9","timestamp":"2026-08-18T07:45:57.747Z","bioghist_html_tesm":["\u003cp\u003eThe Florida State University (FSU) Media Relations Office is the official news, information and public affairs office of Florida State University.\u0026#xA0; Media Relations produces and distributes news about FSU to the campus community, the state, the nation and the world.\u0026#xA0; It is staffed by professional journalists and public relations experts who promote the university.\n\u003cbr\u003e\u003cbr\u003eAPPLETON MUSEUM OF ART\n\u003cbr\u003e\u003cbr\u003eThe Appleton Museum of Art in Ocala, Florida was originally built to display and preserve the collection of Arthur I. Appleton, retired president of Appleton Electric Company of Chicago, avid art collector, and owner of Bridlewood Farm, a Marion County (Florida) thoroughbred operation. Appleton, together with a group of community leaders, persuaded the City of Ocala to donate land for the museum. Arthur, his wife, Martha and his sister, Edith-Marie Appleton donated funds to build the museum structure\n\u003cbr\u003e\u003cbr\u003eConsidered one of the South's premier art repositories and education centers, the Appleton is the focal point of the Appleton Cultural Center, a 44-acre complex which also includes the Ocala Civic Theatre and the Pioneer Garden Club. The museum opened to the public in December 1987. Since July 1, 1990, the Appleton Museum of Art has been jointly owned by Florida State University and Central Florida Community College.\n\u003cbr\u003e\u003cbr\u003eASOLO THEATRE COMPANY\n\u003cbr\u003e\u003cbr\u003eThe Asolo Theatre was originally built in 1798 in the town of Asolo, Italy.\u0026#xA0; In 1930, the old wooden theater was taken down and its components were stored in Venice.\u0026#xA0; In 1949, the State of Florida purchased the 300-seat theater for the Ringling Museums, and in 1957, it was transferred to its own building on the Museum's grounds in Sarasota. The theatre was restored with its lamps, horseshoe plan, tiers of boxes, and gold decorations as it was in 18th century Italy.\u0026#xA0; Florida State University founded the Asolo Theater Company in 1960 in conjunction with the Ringling Museums.\n\u003cbr\u003e\u003cbr\u003eRecognized nationally and internationally as one of the outstanding professional theater groups now playing, Asolo, the official State Theater Company of Florida, operates year-round on both entertainment and education levels.\u0026#xA0; Beginning in mid-February, the Company plays seven months of rotating repertory in the Ringling Museums' Asolo Theater in Sarasota, where it also conducts college and graduate level programs for the University System of Florida.\u0026#xA0; During the fall and early winter months, the Equity troupe tours Florida high schools with a unique theater-education program.\u0026#xA0; The Company also conducts a continually expanding Children's Theater program, and is one of the few groups in North America that alternates as many as ten shows in repertory each season including some Shakespeare, a Restoration piece, an American classic, contemporary works, and new plays.\u0026#xA0; This varied program attracts audiences, critics, and the finest of theatrical talent to the Company year after year.\n\u003cbr\u003e\u003cbr\u003eTHE COLLEGE OF BUSINESS\n\u003cbr\u003e\u003cbr\u003eThe School of Business was established in 1950, three years after Florida State College for Women became Florida State University and began admitting men to accommodate the large number of World War II veterans seeking an education. In 1974, the school of Business became the College of Business. The school, then college, expanded rapidly during the administrations of former Deans Charles A. Rovetta and E. Ray Solomon, moving into new facilities, adding programs and increasing enrollment.\n\u003cbr\u003e\u003cbr\u003eAmong Rovetta's earliest priorities were accreditation of the School of Business, which he accomplished in 1962, and setting up the first health insurance program for faculty members at FSU. Under Rovetta's prodding, the 1955 Legislature appropriated $1 million to build a new home for the School of Business, which opened in 1958. The building, which underwent a $9 million expansion and renovation starting in 1982, today bears Rovetta's name. During Rovetta's 20-year tenure as dean, the school added master's and doctoral programs in business administration and set up an off-campus program at Cape Kennedy to train space scientists in management.\n\u003cbr\u003e\u003cbr\u003eWhen Rovetta retired as dean in 1973, Solomon was named his successor. Solomon served as dean until June of 1991. During his tenure, Solomon established an alumni association and set up the college's first fund-raising program, created endowed chairs, raised salaries and increased research funding. Another highlight of his 17-year tenure as dean was the decision in 1982 to raise academic standards. Over a period of time, he increased the grade point average required for admission to the college to 2.6.\u0026#xA0; Solomon also established the Small Business Institute, offering the expertise of the college's faculty and students to small businesses.\n\u003cbr\u003e\u003cbr\u003eFollowing his retirement, Melvin Stith, chairman of the marketing department, was promoted to dean. He will retire at the end of the Fall 2004 semester. Stith' accomplishments included a 12,000-square-foot technology center offering students access to the latest high-tech equipment, the opening of the Jim Moran Institute for Global Entrepreneurship, the Executive Management Program to train mid-level managers, and the Distinguished Speaker Series, which brings business leaders to campus to interact with students.\n\u003cbr\u003e\u003cbr\u003eTHE FSU FLYING HIGH CIRCUS\n\u003cbr\u003e\u003cbr\u003eThe Florida State University Flying High Circus is the country's only collegiate circus.\u0026#xA0; It was organized in 1947 by Jack Haskin.\u0026#xA0; The first circus show on campus\u0026#xA0; was held in 1948 with 45 performers in an old Army gymnasium. During the 1950s, circus performances were held outdoors at night, without a tent, in the campus football stadium.\u0026#xA0; The first performance under a tent came in 1960 when the circus rented a tent from Sarasota High School for the annual May campus homeshows. The following year, the Circus obtained its own three-ring tent with a seating capacity of 3,000. Since 1962, the circus has had hours of nation-wide television coverage by participating in the CBS \"Sports Spectacular\" series.\u0026#xA0; Under the direction of Ad Gilbert, the Circus spent four weeks touring major cities of Europe in the Spring of 1964.\n\u003cbr\u003e\u003cbr\u003eThe Flying High Circus is a self-supporting activity. No student activity fees, tuition payments, university or state funds go towards circus activities. Unlike many other athletic endeavors, the students receive no tuition waivers or university scholarships for their long hours of practice or the nationally famous shows that bring credit to FSU. The acts in the Flying High Circus have evolved from \"circus activity\" to \"circus professionalism\". Performances are often of so high a caliber that professional contracts are sometimes offered to student performers, especially on the flying trapeze.\u0026#xA0; Examples include the triple somersault on the flying trapeze (accomplished by two performers at FSU), the seven-man pyramid on the high wire (which has only been performed by two other groups), double back somersaults on the skypole and many more. Some acts are unique to the FSU Circus or are only done rarely elsewhere such as triple aerial high casting and the three-lane breakaway. Other acts are traditional circus classics. There are no animal acts in the Circus.\n\u003cbr\u003e\u003cbr\u003eHOMECOMING\n\u003cbr\u003e\u003cbr\u003eHomecoming is an alumni program.\u0026#xA0; Spanning a three-day period, it includes a pep rally, parade, alumni class reunions, a banquet, a free faculty concert, the Pow Wow, a student entertainment attraction, alumni breakfast, the ODK \"Grads Made Good\" presentations, awards presented by Garnet and Gold Key honoraries, a baseball game, the alumni barbecue, the naming of the Homecoming Seminole Chief and Process, and entertainment after the Saturday football game.\u0026#xA0; During the Homecoming parade, the Florida State Marching Chiefs lead the area high school bands, floats and campus organizations through the streets of downtown Tallahassee.\u0026#xA0; The University Homecoming Pow Wow, a large outdoor student entertainment attraction, is open to students, townspeople, alumni and their families.\n\u003cbr\u003e\u003cbr\u003eTHE FSU SCHOOL OF THEATRE\n\u003cbr\u003e\u003cbr\u003eThe Florida State University School of Theatre is consistently recognized as one of the finest theatre programs in the nation.\u0026#xA0; Alumni of the School are working in theatre and other related fields throughout the United States and in many foreign countries. Its distinguished national reputation has been recognized in the gifts of two million-dollar Eminent Scholar Chairs.\u0026#xA0; The Burt Reynolds Chair for Professional and Regional Theatre serves to develop and enhance the School's professional programs throughout the State.\u0026#xA0; The Marion O. Hoffman Chair enables the School to bring to the campus internationally-respected theatre artists and teachers for short-term residences to work with students and to practice their creative art.\n\u003cbr\u003e\u003cbr\u003eThree theatres --- the Mainstage, the Studio Theatre, and the Lab Theatre, a \"black box\" theatre --- enable students to participate in the widest possible range of productions.\u0026#xA0; Productions of masterpieces of dramatic literature and musical theatre regularly highlight the offerings of the School of Theatre in the three theatres.\u0026#xA0; The Mainstage Season consists of 4 major productions, while 10 shows annually are produced in the Studio Theatre or in the Lab. Internships are available through the School's ongoing cooperative relationship with professional theatres around the nation.\u0026#xA0; The School has a successful cooperative program with the School of Music and the Department of Dance at FSU.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cd47e6ad97695fdc678be0a9_aspace_13112"}},{"id":"017ffe6dc656d61d4bc03ca6_aspace_e864c50032131c75dbedec952e624a88","type":"Series","attributes":{"title":"#5 to #10 (test); Precis and Introduction to a Humanist's Diary by Gordon Morris - 26 Minutes, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/017ffe6dc656d61d4bc03ca6_aspace_e864c50032131c75dbedec952e624a88#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e864c50032131c75dbedec952e624a88","ref_ssm":["aspace_e864c50032131c75dbedec952e624a88","aspace_e864c50032131c75dbedec952e624a88"],"id":"017ffe6dc656d61d4bc03ca6_aspace_e864c50032131c75dbedec952e624a88","title_filing_ssi":"#5 to #10 (test); Precis and Introduction to a Humanist's Diary by Gordon Morris - 26 Minutes","title_ssm":["#5 to #10 (test); Precis and Introduction to a Humanist's Diary by Gordon Morris - 26 Minutes"],"title_tesim":["#5 to #10 (test); Precis and Introduction to a Humanist's Diary by Gordon Morris - 26 Minutes"],"unitdate_other_ssim":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["#5 to #10 (test); Precis and Introduction to a Humanist's Diary by Gordon Morris - 26 Minutes, undated"],"text":["#5 to #10 (test); Precis and Introduction to a Humanist's Diary by Gordon Morris - 26 Minutes, undated","William R. Jones Papers, 1953-2009","Sound Recordings, 1953-2005","20","/repositories/10/archival_objects/214890","box 103"],"component_level_isim":[2],"parent_ids_ssim":["017ffe6dc656d61d4bc03ca6","017ffe6dc656d61d4bc03ca6_aspace_169f31382535eae43475743bf4383309"],"parent_unittitles_ssm":["William R. Jones Papers, 1953-2009","Sound Recordings, 1953-2005"],"parent_unittitles_tesim":["William R. Jones Papers, 1953-2009","Sound Recordings, 1953-2005"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["20","/repositories/10/archival_objects/214890"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["William R. Jones Papers, 1953-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2276,"parent_access_restrict_tesm":["Most paper files are still arranged as-received and difficult to handle routinely.","See also Technical Access note below.","Contact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. ","Users may access this collection at the Claude Pepper Library."],"parent_access_terms_tesm":["Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 103"],"_nest_path_":"/components#1/components#145","_nest_parent_":"017ffe6dc656d61d4bc03ca6_aspace_169f31382535eae43475743bf4383309","_root_":"017ffe6dc656d61d4bc03ca6","timestamp":"2026-07-10T05:18:33.704Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"017ffe6dc656d61d4bc03ca6","title_filing_ssi":"Jones, William R. Papers","title_ssm":["William R. Jones Papers"],"title_tesim":["William R. Jones Papers"],"ead_ssi":"017ffe6dc656d61d4bc03ca6","unitdate_ssm":["1953-2009"],"unitdate_inclusive_ssm":["1953-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2020-001","/repositories/10/resources/1781"],"text":["MSS 2020-001","/repositories/10/resources/1781","William R. Jones Papers, 1953-2009","Most paper files are still arranged as-received and difficult to handle routinely.","See also Technical Access note below.","Contact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. ","Users may access this collection at the Claude Pepper Library.","unarranged","Rev. Dr. William Ronald \"Bill\" Jones (1933-2012) was an African American philosopher, scholar, and professor. His scholarly interests included philosophy, Blacks in the field of philosophy, racism, theodicy and Christian theism, Black theology, and especially the operation of oppressive structures in American society. Jones is well-known for his 1973 monograph  Is God A White Racist? , as well as the oppression investigation tools the Jones Analytic Model (JAM) and Jones Oppression Grid (JOG).","Jones was born July 17, 1933 in Louisville, Kentucky. He was one of six children born to to Henry W. Jones and Lannie (Brogsdale) Jones.","Jones attended Howard University, where he initially majored in engineering before transferring to philosophy. He recieved a BA in philosophy, magna cum laude, from Howard in 1955. Jones earned a Masters of Divinity from Harvard University in 1958.","Jones was ordained by the Unitarian Society of Wellesley Hills, MA on June 15, 1958, and served from 1958-1960 as Assistant Minister and Director of Religious Education at the all-white First Unitarian Church in Providence, Rhode Island.","He was a visiting professor at Howard from 1964-1969 while concurrently working on a PhD in Religious Studies at Brown University, completed in 1969. Jones taught at Yale Divinity School from 1969-1977, and was coordinator of Black Studies there from 1974-1976. ","He became Professor of Religion and the founding director of Black Studies at Florida State University (FSU) in 1977. He served as a community minister at FSU as well.","Jones authored articles regarding oppression and the church's role in social change. In 1973, Beacon Press published Jones's controversial piece,  Is God A White Racist? A Preamble to Black Theology , and in 1978, he co-edited and contributed to the monograph  Black Theology II .","Jones retired from Florida State University in 1999 as Professor Emeritus. He died in Tallahassee, Florida on Friday, July 13, 2012.","Jones was recipient of many awards, including: the African American Studies and Research Center Award for Outstanding Contribution to Philosophy and the African American Community from Purdue University; Distinguished Visiting Professor in Afro-American Studies at Lafayette College in 1983–84; first recipient of the William R. Jones Most Valuable Mentor Award, established by the Florida Endowment Fund for Higher Education to recognize the contribution of faculty members in the state of Florida university system to McKnight Black doctoral students; Florida State University Faculty Teaching Award in 1989 and 1994; state of Florida Ida S. Baker Black Distinguished Educator Recognition Award; Richard Allen Award from Yale Divinity School; Bragg Humanist of the Year; American Humanist Association Humanist Pioneer of the Year; and the first recipient of the Martin Luther King Jr. Distinguished Scholar Award. In 2008, at the Fifteenth Annual Philosophy Born of Struggle Conference, Jones received its first William R. Jones Award, established in his honor for a lifetime of achievement. ","\nSources:","American Philosophical Association. (Spring 2013).  APA Newsletters .  https://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf","Harper, Daniel. \"William R. Jones: a brief appreciation.\"  https://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/","Unitarian Universalist Ministers Association. \"In Memory of . . . William R. Jones (1933-2012).\"  https://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012","Moved by FSU Libraries and Meek-Eaton Black Archives from Jones home in Tallahassee to Meek-Eaton Black Archives Research Center and Museum November 29, 2013.\nMoved from Meek-Eaton to Strozier Library in October and November 2020.","Content of sound recordings, videocassettes, and computer media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Jones, William R. (1998).  Is God a white racist? : a preamble to Black theology . Beacon Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588","Jones, William R. (1978).  Black theology II: essays on the formation and outreach of contemporary Black theology . Bucknell University Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090","\"Jones, Williams - Black Studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126350a1.sid","\"Jones, William Dr. - Black studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126348a1.sid","American Humanist Association Records, Library \u0026 Archives, Meadville Lombard Theological Seminary, Chicago, Illinois.  https://www.meadville.edu/library-and-archives","Correspondence, subject files, publications, course materials, sound recordings, videocassettes, and digital media documenting the scholarship, instruction, and faculty service of Rev. Dr. William R. Jones. Major subjects include racism and oppression in the United States, Black liberation theology, and Florida State University units including the Department of Religion and the African American Studies program.","Select born-digital materials from this collection are available through  PASS .","Select materials from the William R. Jones Papers have been digitized and are available through the  FSU Digital Library .","William R. Jones Book Collection, Meek-Eaton Black Archives Research Center and Museum.","Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2020-001","/repositories/10/resources/1781"],"normalized_date_ssm":["1953-2009"],"normalized_title_ssm":["William R. Jones Papers, 1953-2009"],"collection_title_tesim":["William R. Jones Papers, 1953-2009"],"collection_ssim":["William R. Jones Papers, 1953-2009"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["138 Linear Feet 136 boxes, 2 items","69 Linear Feet 69 boxes","918 Cassettes 23 boxes","5 Cassettes","920 Cassettes 20 boxes","5 Reels","1188 items 13 boxes, 1 item","3.5 Linear Feet 3 boxes, 1 item","3 Linear Feet 2 boxes"],"extent_tesim":["138 Linear Feet 136 boxes, 2 items","69 Linear Feet 69 boxes","918 Cassettes 23 boxes","5 Cassettes","920 Cassettes 20 boxes","5 Reels","1188 items 13 boxes, 1 item","3.5 Linear Feet 3 boxes, 1 item","3 Linear Feet 2 boxes"],"physfacet_tesim":["Total collection extent","Paper documents","VHS videocassettes. 420 cassettes are unlabeled.","VHS-C videocassettes","Compact audiocassettes. 297 cassettes are unlabeled.","1/4-inch audiotape","Computer media: 3.5 inch disks, 5.25 inch disks, Zip disks, external drives, WinBook laptop computer, iomega jaz disk, Colorado DT-250 minicassette, DVD-R, DC-2120 mini cartridge, adapters","plaques, framed items, keepsakes","Books"],"dimensions_tesim":["7-inch reels"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eMost paper files are still arranged as-received and difficult to handle routinely.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below.\u003c/p\u003e\n","\u003cp\u003eContact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. \u003c/p\u003e\n","\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Most paper files are still arranged as-received and difficult to handle routinely.","See also Technical Access note below.","Contact SCA staff at lib-specialcollections@fsu.edu for more information about access to this collection. ","Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eunarranged\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["unarranged"],"bioghist_html_tesm":["\u003cp\u003eRev. Dr. William Ronald \"Bill\" Jones (1933-2012) was an African American philosopher, scholar, and professor. His scholarly interests included philosophy, Blacks in the field of philosophy, racism, theodicy and Christian theism, Black theology, and especially the operation of oppressive structures in American society. Jones is well-known for his 1973 monograph \u003cemph render=\"italic\"\u003eIs God A White Racist?\u003c/emph\u003e, as well as the oppression investigation tools the Jones Analytic Model (JAM) and Jones Oppression Grid (JOG).\u003c/p\u003e\n","\u003cp\u003eJones was born July 17, 1933 in Louisville, Kentucky. He was one of six children born to to Henry W. Jones and Lannie (Brogsdale) Jones.\u003c/p\u003e\n","\u003cp\u003eJones attended Howard University, where he initially majored in engineering before transferring to philosophy. He recieved a BA in philosophy, magna cum laude, from Howard in 1955. Jones earned a Masters of Divinity from Harvard University in 1958.\u003c/p\u003e\n","\u003cp\u003eJones was ordained by the Unitarian Society of Wellesley Hills, MA on June 15, 1958, and served from 1958-1960 as Assistant Minister and Director of Religious Education at the all-white First Unitarian Church in Providence, Rhode Island.\u003c/p\u003e\n","\u003cp\u003eHe was a visiting professor at Howard from 1964-1969 while concurrently working on a PhD in Religious Studies at Brown University, completed in 1969. Jones taught at Yale Divinity School from 1969-1977, and was coordinator of Black Studies there from 1974-1976. \u003c/p\u003e\n","\u003cp\u003eHe became Professor of Religion and the founding director of Black Studies at Florida State University (FSU) in 1977. He served as a community minister at FSU as well.\u003c/p\u003e\n","\u003cp\u003eJones authored articles regarding oppression and the church's role in social change. In 1973, Beacon Press published Jones's controversial piece, \u003cemph render=\"italic\"\u003eIs God A White Racist? A Preamble to Black Theology\u003c/emph\u003e, and in 1978, he co-edited and contributed to the monograph \u003cemph render=\"italic\"\u003eBlack Theology II\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eJones retired from Florida State University in 1999 as Professor Emeritus. He died in Tallahassee, Florida on Friday, July 13, 2012.\u003c/p\u003e\n","\u003cp\u003eJones was recipient of many awards, including: the African American Studies and Research Center Award for Outstanding Contribution to Philosophy and the African American Community from Purdue University; Distinguished Visiting Professor in Afro-American Studies at Lafayette College in 1983\u0026#x2013;84; first recipient of the William R. Jones Most Valuable Mentor Award, established by the Florida Endowment Fund for Higher Education to recognize the contribution of faculty members in the state of Florida university system to McKnight Black doctoral students; Florida State University Faculty Teaching Award in 1989 and 1994; state of Florida Ida S. Baker Black Distinguished Educator Recognition Award; Richard Allen Award from Yale Divinity School; Bragg Humanist of the Year; American Humanist Association Humanist Pioneer of the Year; and the first recipient of the Martin Luther King Jr. Distinguished Scholar Award. In 2008, at the Fifteenth Annual Philosophy Born of Struggle Conference, Jones received its first William R. Jones Award, established in his honor for a lifetime of achievement. \u003c/p\u003e\n","\u003cp\u003e\nSources:\u003c/p\u003e\n","\u003cp\u003eAmerican Philosophical Association. (Spring 2013). \u003cemph render=\"italic\"\u003eAPA Newsletters\u003c/emph\u003e. \u003cextref href=\"https://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf\"\u003ehttps://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHarper, Daniel. \"William R. Jones: a brief appreciation.\" \u003cextref href=\"https://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/\"\u003ehttps://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eUnitarian Universalist Ministers Association. \"In Memory of . . . William R. Jones (1933-2012).\" \u003cextref href=\"https://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012\"\u003ehttps://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Rev. Dr. William Ronald \"Bill\" Jones (1933-2012) was an African American philosopher, scholar, and professor. His scholarly interests included philosophy, Blacks in the field of philosophy, racism, theodicy and Christian theism, Black theology, and especially the operation of oppressive structures in American society. Jones is well-known for his 1973 monograph  Is God A White Racist? , as well as the oppression investigation tools the Jones Analytic Model (JAM) and Jones Oppression Grid (JOG).","Jones was born July 17, 1933 in Louisville, Kentucky. He was one of six children born to to Henry W. Jones and Lannie (Brogsdale) Jones.","Jones attended Howard University, where he initially majored in engineering before transferring to philosophy. He recieved a BA in philosophy, magna cum laude, from Howard in 1955. Jones earned a Masters of Divinity from Harvard University in 1958.","Jones was ordained by the Unitarian Society of Wellesley Hills, MA on June 15, 1958, and served from 1958-1960 as Assistant Minister and Director of Religious Education at the all-white First Unitarian Church in Providence, Rhode Island.","He was a visiting professor at Howard from 1964-1969 while concurrently working on a PhD in Religious Studies at Brown University, completed in 1969. Jones taught at Yale Divinity School from 1969-1977, and was coordinator of Black Studies there from 1974-1976. ","He became Professor of Religion and the founding director of Black Studies at Florida State University (FSU) in 1977. He served as a community minister at FSU as well.","Jones authored articles regarding oppression and the church's role in social change. In 1973, Beacon Press published Jones's controversial piece,  Is God A White Racist? A Preamble to Black Theology , and in 1978, he co-edited and contributed to the monograph  Black Theology II .","Jones retired from Florida State University in 1999 as Professor Emeritus. He died in Tallahassee, Florida on Friday, July 13, 2012.","Jones was recipient of many awards, including: the African American Studies and Research Center Award for Outstanding Contribution to Philosophy and the African American Community from Purdue University; Distinguished Visiting Professor in Afro-American Studies at Lafayette College in 1983–84; first recipient of the William R. Jones Most Valuable Mentor Award, established by the Florida Endowment Fund for Higher Education to recognize the contribution of faculty members in the state of Florida university system to McKnight Black doctoral students; Florida State University Faculty Teaching Award in 1989 and 1994; state of Florida Ida S. Baker Black Distinguished Educator Recognition Award; Richard Allen Award from Yale Divinity School; Bragg Humanist of the Year; American Humanist Association Humanist Pioneer of the Year; and the first recipient of the Martin Luther King Jr. Distinguished Scholar Award. In 2008, at the Fifteenth Annual Philosophy Born of Struggle Conference, Jones received its first William R. Jones Award, established in his honor for a lifetime of achievement. ","\nSources:","American Philosophical Association. (Spring 2013).  APA Newsletters .  https://cdn.ymaws.com/www.apaonline.org/resource/collection/950518C1-3421-484C-8153-CDA6ED737182/V12n2Black.pdf","Harper, Daniel. \"William R. Jones: a brief appreciation.\"  https://www.danielharper.org/yauu/2012/08/william-r-jones-a-brief-appreciation/","Unitarian Universalist Ministers Association. \"In Memory of . . . William R. Jones (1933-2012).\"  https://www.uuma.org/blogpost/569858/147952/In-Memory-of----William-R-Jones-1933-2012"],"custodhist_html_tesm":["\u003cp\u003eMoved by FSU Libraries and Meek-Eaton Black Archives from Jones home in Tallahassee to Meek-Eaton Black Archives Research Center and Museum November 29, 2013.\nMoved from Meek-Eaton to Strozier Library in October and November 2020.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Moved by FSU Libraries and Meek-Eaton Black Archives from Jones home in Tallahassee to Meek-Eaton Black Archives Research Center and Museum November 29, 2013.\nMoved from Meek-Eaton to Strozier Library in October and November 2020."],"phystech_html_tesm":["\u003cp\u003eContent of sound recordings, videocassettes, and computer media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of sound recordings, videocassettes, and computer media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder Number], William R. Jones Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2020-001\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2020-001\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder Number], William R. Jones Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2020-001"],"relatedmaterial_html_tesm":["\u003cp\u003eJones, William R. (1998). \u003cemph render=\"italic\"\u003eIs God a white racist? : a preamble to Black theology\u003c/emph\u003e. Beacon Press. \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eJones, William R. (1978). \u003cemph render=\"italic\"\u003eBlack theology II: essays on the formation and outreach of contemporary Black theology\u003c/emph\u003e. Bucknell University Press. \u003cextref href=\"https://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090\"\u003ehttps://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\"Jones, Williams - Black Studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026amp; University Archives. \u003cextref href=\"http://purl.flvc.org/fcla/herb/126350a1.sid\"\u003ehttp://purl.flvc.org/fcla/herb/126350a1.sid\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\"Jones, William Dr. - Black studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026amp; University Archives. \u003cextref href=\"http://purl.flvc.org/fcla/herb/126348a1.sid\"\u003ehttp://purl.flvc.org/fcla/herb/126348a1.sid\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eAmerican Humanist Association Records, Library \u0026amp; Archives, Meadville Lombard Theological Seminary, Chicago, Illinois. \u003cextref href=\"https://www.meadville.edu/library-and-archives/\"\u003ehttps://www.meadville.edu/library-and-archives\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Works By William R. Jones At FSU Libraries","Related Materials - FSU Special Collections \u0026 Archives","Related Materials - Beyond FSU Libraries"],"relatedmaterial_tesim":["Jones, William R. (1998).  Is God a white racist? : a preamble to Black theology . Beacon Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS022184588","Jones, William R. (1978).  Black theology II: essays on the formation and outreach of contemporary Black theology . Bucknell University Press.  https://fsu.catalog.fcla.edu/permalink.jsp?23FS024391090","\"Jones, Williams - Black Studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126350a1.sid","\"Jones, William Dr. - Black studies\" [Photograph]. Florida State University Historical Photograph Collection, Heritage \u0026 University Archives.  http://purl.flvc.org/fcla/herb/126348a1.sid","American Humanist Association Records, Library \u0026 Archives, Meadville Lombard Theological Seminary, Chicago, Illinois.  https://www.meadville.edu/library-and-archives"],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, subject files, publications, course materials, sound recordings, videocassettes, and digital media documenting the scholarship, instruction, and faculty service of Rev. Dr. William R. Jones. Major subjects include racism and oppression in the United States, Black liberation theology, and Florida State University units including the Department of Religion and the African American Studies program.\u003c/p\u003e","\u003cp\u003eSelect born-digital materials from this collection are available through \u003cextref href=\"http://pass.lib.fsu.edu/#Jones-MSS_2020-001/\"\u003ePASS\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eSelect materials from the William R. Jones Papers have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:williamrjonespapers\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available","Online Copies Available"],"scopecontent_tesim":["Correspondence, subject files, publications, course materials, sound recordings, videocassettes, and digital media documenting the scholarship, instruction, and faculty service of Rev. Dr. William R. Jones. Major subjects include racism and oppression in the United States, Black liberation theology, and Florida State University units including the Department of Religion and the African American Studies program.","Select born-digital materials from this collection are available through  PASS .","Select materials from the William R. 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Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyrights in works by William R. Jones in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright terms for unpublished works by William R. Jones will expire on January 1, 2083.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2768,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"017ffe6dc656d61d4bc03ca6","timestamp":"2026-07-10T05:18:33.704Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/017ffe6dc656d61d4bc03ca6_aspace_e864c50032131c75dbedec952e624a88"}},{"id":"d1ea106fa8cbccd8c648e8d4_aspace_24427","type":"Item","attributes":{"title":"\"5. - Verdun bombarde. - La Cathedrale\", n.d.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d1ea106fa8cbccd8c648e8d4_aspace_24427#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24427","ref_ssm":["aspace_24427","aspace_24427"],"id":"d1ea106fa8cbccd8c648e8d4_aspace_24427","title_filing_ssi":"\"5. - Verdun bombarde. - La Cathedrale\"","title_ssm":["\"5. - Verdun bombarde. - La Cathedrale\""],"title_tesim":["\"5. - Verdun bombarde. - La Cathedrale\""],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["\"5. - Verdun bombarde. - La Cathedrale\", n.d."],"text":["\"5. - Verdun bombarde. - La Cathedrale\", n.d.","William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards","Item 75","/repositories/2/archival_objects/51616","3.5\"X5.5\" - Black And White Postcard","box 3"],"component_level_isim":[3],"parent_ids_ssim":["d1ea106fa8cbccd8c648e8d4","d1ea106fa8cbccd8c648e8d4_aspace_24256","d1ea106fa8cbccd8c648e8d4_aspace_24410"],"parent_unittitles_ssm":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards"],"parent_unittitles_tesim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 75","/repositories/2/archival_objects/51616"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"physdesc_tesim":["3.5\"X5.5\" - Black And White Postcard"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":167,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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