{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=1456\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=1455\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=1457\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":1456,"next_page":1457,"prev_page":1455,"total_pages":65767,"limit_value":10,"offset_value":14550,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"18ce43a3c782b797db9fa781_aspace_178268","type":"Item","attributes":{"title":"48 Produce Exchange","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178268#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. By T.H McAllister, Manufacturing Optician.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178268#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178268","ref_ssm":["aspace_178268","aspace_178268"],"id":"18ce43a3c782b797db9fa781_aspace_178268","title_filing_ssi":"48 Produce Exchange","title_ssm":["48 Produce Exchange"],"title_tesim":["48 Produce Exchange"],"normalized_title_ssm":["48 Produce Exchange"],"text":["48 Produce Exchange","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York","Item 6","/repositories/2/archival_objects/82089","Black and white photograph. By T.H McAllister, Manufacturing Optician."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179826","18ce43a3c782b797db9fa781_aspace_178262"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 6","/repositories/2/archival_objects/82089"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1333,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. By T.H McAllister, Manufacturing Optician.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. By T.H McAllister, Manufacturing Optician."],"_nest_path_":"/components#23/components#2/components#5","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178262","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178268"}},{"id":"d21da94f812d00c0aaf95290_aspace_ccd03aa90ff19a01205a3d72033cb393","type":"File","attributes":{"title":"48 Star U.S. Flag, 1943","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d21da94f812d00c0aaf95290_aspace_ccd03aa90ff19a01205a3d72033cb393#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis is a 48 star flag.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d21da94f812d00c0aaf95290_aspace_ccd03aa90ff19a01205a3d72033cb393#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ccd03aa90ff19a01205a3d72033cb393","ref_ssm":["aspace_ccd03aa90ff19a01205a3d72033cb393","aspace_ccd03aa90ff19a01205a3d72033cb393"],"id":"d21da94f812d00c0aaf95290_aspace_ccd03aa90ff19a01205a3d72033cb393","title_filing_ssi":"48 Star U.S. Flag","title_ssm":["48 Star U.S. Flag"],"title_tesim":["48 Star U.S. Flag"],"unitdate_other_ssim":["1943"],"normalized_date_ssm":["1943"],"normalized_title_ssm":["48 Star U.S. Flag, 1943"],"text":["48 Star U.S. Flag, 1943","O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18","/repositories/10/archival_objects/178598","English","American Flags Box 1","object 001","This is a 48 star flag."],"component_level_isim":[1],"parent_ids_ssim":["d21da94f812d00c0aaf95290"],"parent_unittitles_ssm":["O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18"],"parent_unittitles_tesim":["O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/178598"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":14,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1943],"language_ssim":["English"],"containers_ssim":["American Flags Box 1","object 001"],"scopecontent_html_tesm":["\u003cp\u003eThis is a 48 star flag.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["This is a 48 star flag."],"_nest_path_":"/components#13","_nest_parent_":"d21da94f812d00c0aaf95290","_root_":"d21da94f812d00c0aaf95290","timestamp":"2026-04-21T05:17:48.745Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d21da94f812d00c0aaf95290","title_filing_ssi":"O'Leary Family collection","title_ssm":["O'Leary Family collection"],"title_tesim":["O'Leary Family collection"],"ead_ssi":"d21da94f812d00c0aaf95290","unitdate_ssm":["1942-1953","Date accessioned: 2019-06-18"],"unitdate_inclusive_ssm":["1942-1953"],"unitdate_other_ssim":["Date accessioned: 2019-06-18"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["19.0011","/repositories/10/resources/1439"],"text":["19.0011","/repositories/10/resources/1439","O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18","United States. Navy--Medical care.","World War, 1939-1945","World War, 1939-1945--Naval operations, American","This collection is open to all researchers.","John J. \"Jack\" O'Leary, Jr., M.D., was born January 4, 1923 in Olympia, Washington to John J. and Mary Louise O'Leary. He died April 12, 2003 in Tucson, Arizona. Jack graduated from Olympia High School in 1941, and then attended the University of Michigan. While in medical school, he met his roommate's sister, Mary, and they married in July of 1950. Jack received his medical degree in 1946, and served in the Navy from 1950 to 1954. He then returned to Olympia to start his Internal Medicine practice. In addition to his private practice, Jack served as Medical Director for Sunset Life Insurance Company from 1970 to 1982. He was an active member of the St. Peter Hospital staff, the Olympia Rotary Club, and an Olympia Investment club, He and his family enjoyed several foreign exchange students. In his spare time, he enjoyed gardening and following the Husky and Wolverine football teams. Jack retired in 1984 and moved with his wife to Green Valley, Arizona, where he enjoyed golf, hiking, genealogy, gardening, and local geology.\n \nSource: \"John J. \"Jack\" O'Leary Jr.\" The Olympian. https://www.legacy.com/obituaries/theolympian/obituary.aspx?n=john-j-oleary-jack\u0026pid=100119133.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Dr. John \"Jack\" J. O'Leary Sr. and Jr. Both men served in U.S. Navy during World War II, with Dr. O'Leary Senior working as Examining Physician. This collection contains various group photographs of Dr. O'Leary in various honor societies, military certificates for both Dr. O'Leary Senior and Jr., a framed portrait of Dr. O'Leary Jr., and a forty-eight-star flag.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","O'Leary, John J., Jr., 1923-2003","O'Leary, John J., Sr.","English"],"unitid_tesim":["19.0011","/repositories/10/resources/1439"],"normalized_date_ssm":["1942-1953, Date accessioned: 2019-06-18"],"normalized_title_ssm":["O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18"],"collection_title_tesim":["O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18"],"collection_ssim":["O'Leary Family collection, 1942-1953, Date accessioned: 2019-06-18"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["O'Leary, John J., Jr., 1923-2003","O'Leary, John J., Sr."],"creator_ssim":["O'Leary, John J., Jr., 1923-2003","O'Leary, John J., Sr."],"creator_persname_ssim":["O'Leary, John J., Jr., 1923-2003","O'Leary, John J., Sr."],"creators_ssim":["O'Leary, John J., Jr., 1923-2003","O'Leary, John J., Sr."],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Collection donated by a cousin of John J. O'Leary Jr., Theresa Brown."],"access_subjects_ssim":["United States. Navy--Medical care.","World War, 1939-1945","World War, 1939-1945--Naval operations, American"],"access_subjects_ssm":["United States. Navy--Medical care.","World War, 1939-1945","World War, 1939-1945--Naval operations, American"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders 1 folder located in oversize collection box 10","1 items 1 flag located in flag box 1"],"extent_tesim":["1 folders 1 folder located in oversize collection box 10","1 items 1 flag located in flag box 1"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access Note"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eJohn J. \"Jack\" O'Leary, Jr., M.D., was born January 4, 1923 in Olympia, Washington to John J. and Mary Louise O'Leary. He died April 12, 2003 in Tucson, Arizona. Jack graduated from Olympia High School in 1941, and then attended the University of Michigan. While in medical school, he met his roommate's sister, Mary, and they married in July of 1950. Jack received his medical degree in 1946, and served in the Navy from 1950 to 1954. He then returned to Olympia to start his Internal Medicine practice. In addition to his private practice, Jack served as Medical Director for Sunset Life Insurance Company from 1970 to 1982. He was an active member of the St. Peter Hospital staff, the Olympia Rotary Club, and an Olympia Investment club, He and his family enjoyed several foreign exchange students. In his spare time, he enjoyed gardening and following the Husky and Wolverine football teams. Jack retired in 1984 and moved with his wife to Green Valley, Arizona, where he enjoyed golf, hiking, genealogy, gardening, and local geology.\n\u003cbr\u003e\u003cbr\u003e\nSource: \"John J. \"Jack\" O'Leary Jr.\" The Olympian. https://www.legacy.com/obituaries/theolympian/obituary.aspx?n=john-j-oleary-jack\u0026amp;pid=100119133.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["John J. \"Jack\" O'Leary, Jr., M.D., was born January 4, 1923 in Olympia, Washington to John J. and Mary Louise O'Leary. He died April 12, 2003 in Tucson, Arizona. Jack graduated from Olympia High School in 1941, and then attended the University of Michigan. While in medical school, he met his roommate's sister, Mary, and they married in July of 1950. Jack received his medical degree in 1946, and served in the Navy from 1950 to 1954. He then returned to Olympia to start his Internal Medicine practice. In addition to his private practice, Jack served as Medical Director for Sunset Life Insurance Company from 1970 to 1982. He was an active member of the St. Peter Hospital staff, the Olympia Rotary Club, and an Olympia Investment club, He and his family enjoyed several foreign exchange students. In his spare time, he enjoyed gardening and following the Husky and Wolverine football teams. Jack retired in 1984 and moved with his wife to Green Valley, Arizona, where he enjoyed golf, hiking, genealogy, gardening, and local geology.\n \nSource: \"John J. \"Jack\" O'Leary Jr.\" The Olympian. https://www.legacy.com/obituaries/theolympian/obituary.aspx?n=john-j-oleary-jack\u0026pid=100119133."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], O'Leary Family collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/WWII_19_0011.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], O'Leary Family collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/WWII_19_0011."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Dr. John \"Jack\" J. O'Leary Sr. and Jr. Both men served in U.S. Navy during World War II, with Dr. O'Leary Senior working as Examining Physician. This collection contains various group photographs of Dr. O'Leary in various honor societies, military certificates for both Dr. O'Leary Senior and Jr., a framed portrait of Dr. O'Leary Jr., and a forty-eight-star flag.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Dr. John \"Jack\" J. O'Leary Sr. and Jr. Both men served in U.S. Navy during World War II, with Dr. O'Leary Senior working as Examining Physician. This collection contains various group photographs of Dr. O'Leary in various honor societies, military certificates for both Dr. O'Leary Senior and Jr., a framed portrait of Dr. O'Leary Jr., and a forty-eight-star flag."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use Note"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","O'Leary, John J., Jr., 1923-2003","O'Leary, John J., Sr."],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["O'Leary, John J., Jr., 1923-2003","O'Leary, John J., Sr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d21da94f812d00c0aaf95290","timestamp":"2026-04-21T05:17:48.745Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d21da94f812d00c0aaf95290_aspace_ccd03aa90ff19a01205a3d72033cb393"}},{"id":"fdcf202c95508ed06e6da8b6_aspace_207898","type":"File","attributes":{"title":"48 Star U.S. Flag, 1945","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fdcf202c95508ed06e6da8b6_aspace_207898#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eErler's burial flag\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fdcf202c95508ed06e6da8b6_aspace_207898#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_207898","ref_ssm":["aspace_207898","aspace_207898"],"id":"fdcf202c95508ed06e6da8b6_aspace_207898","title_filing_ssi":"48 Star U.S. Flag","title_ssm":["48 Star U.S. Flag"],"title_tesim":["48 Star U.S. Flag"],"unitdate_other_ssim":["1945"],"normalized_date_ssm":["1945"],"normalized_title_ssm":["48 Star U.S. Flag, 1945"],"text":["48 Star U.S. Flag, 1945","William C. Erler collection, 1941-1945, Date acquired: 10/02/1998","Folder 009","/repositories/10/archival_objects/35211","box 98.0745","folder 009","Erler's burial flag"],"component_level_isim":[1],"parent_ids_ssim":["fdcf202c95508ed06e6da8b6"],"parent_unittitles_ssm":["William C. Erler collection, 1941-1945, Date acquired: 10/02/1998"],"parent_unittitles_tesim":["William C. Erler collection, 1941-1945, Date acquired: 10/02/1998"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 009","/repositories/10/archival_objects/35211"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["William C. Erler collection, 1941-1945, Date acquired: 10/02/1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":14,"parent_access_restrict_tesm":["This collection is open to all researchers"],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 98.0745","folder 009"],"scopecontent_html_tesm":["\u003cp\u003eErler's burial flag\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Erler's burial flag"],"_nest_path_":"/components#9","_nest_parent_":"fdcf202c95508ed06e6da8b6","_root_":"fdcf202c95508ed06e6da8b6","_version_":1870858088203943936,"timestamp":"2026-07-16T08:08:28.361Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fdcf202c95508ed06e6da8b6","title_ssm":["William C. Erler collection"],"title_tesim":["William C. Erler collection"],"ead_ssi":"fdcf202c95508ed06e6da8b6","unitdate_ssm":["1941-1945","Date acquired: 10/02/1998"],"unitdate_inclusive_ssm":["1941-1945"],"unitdate_other_ssim":["Date acquired: 10/02/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0745","/repositories/10/resources/226"],"text":["98.0745","/repositories/10/resources/226","William C. Erler collection, 1941-1945, Date acquired: 10/02/1998","Iwo Jima, Battle of, 1945","Columbus (Ohio)","World War, 1939-1945","United States. Marine Corps--History--20th century","World War, 1939-1945--Amphibious operations","United States--Armed Forces--Parachute troops","World War, 1939-1945--Pacific Area","United States. Marine Corps. Marine Division, 5th","This collection is open to all researchers","PFC William C \"Chuck\" Erler was born on December 16, 1923, in Columbus, Ohio.  In 1941, Erler enlisted in the United States Marine Corps, and en route to basic became close friends with two brothers also from Columbus, Luther and Harold Crabtree. Photographs of the three together are included in the collection. What is remarkable about Erler's service is not just that he was a Marine on Iwo Jima (his first and last battle), but that he trained as a Marine  parachutist  and earned his wings. Erler apparently proved himself in training at Camp Kearny, where he earned several marksmanship badges and qualification as Expert Rifleman.","He was a member of the 4th battalion of the 1st Marine Parachute Regiment, an experimental group aimed at mirroring the roles filled by the Army parachute regiments. Though the regiment was ultimately dissolved as impractical for the Pacific theatre (the Marines did not have the numbers of transport planes required, compounded by the much larger distances in the Pacific and the lack of reliable airfields), Erler and his friends Luther and William were transferred to the 26th Marine Regiment, 5th US Marine Division. This Division was created solely for the upcoming landing at Iwo Jima. Newspaper clippings seem to suggest that he was a flamethrower operator during the battle, but these articles are the only information of his we have for the battle itself, and cannot be corroborated.","An astounding episode involving Erler is also recorded in these clippings: He and his friends Luther and Harold Crabtree were serving in the same company when Harold was killed by Japanese machine-gun fire on February 28, 1945. His brother Luther and Erler both ran under fire to retrieve his body. Erler sent a short letter to his parents during the battle on February 27.  He died in combat of unknown (at least unrecorded) causes on Iwo Jima on March 2, 1945. His remains were returned to the United States in 1948, and Erler is buried in Eastlawn Cemetery in his hometown of Columbus.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Find a Grave record provided Erler's birth and death/burial information.","https://www.findagrave.com/cgi-bin/fg.cgi?page=gr\u0026GSln=Erler\u0026GSfn=William\u0026GSmn=C\u0026GSby=1923\u0026GSbyrel=in\u0026GSdy=1945\u0026GSdyrel=in\u0026GSst=37\u0026GScnty=2064\u0026GScntry=4\u0026GSob=n\u0026GRid=150211005\u0026df=all\u0026","This collection relates to United States Marine Corps Private First Class William C. Erler who served as a Paramarine, and later with the 26th Marine Regiment, 5th Marine Division during World War II.  William C. Erler was killed in action at Iwo Jima on March 2, 1945.  The collection consists of photographs and several personal letters and papers, as well as artifacts, a parachute, gas mask, pins, marksmanship badges, and medals, including his posthumously awarded Purple Heart.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Marine Corps. Marine Regiment, 26th","Erler, William C.","English"],"unitid_tesim":["98.0745","/repositories/10/resources/226"],"normalized_date_ssm":["1941-1945, Date acquired: 10/02/1998"],"normalized_title_ssm":["William C. Erler collection, 1941-1945, Date acquired: 10/02/1998"],"collection_title_tesim":["William C. Erler collection, 1941-1945, Date acquired: 10/02/1998"],"collection_ssim":["William C. Erler collection, 1941-1945, Date acquired: 10/02/1998"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Iwo Jima, Battle of, 1945","Columbus (Ohio)"],"geogname_ssim":["Iwo Jima, Battle of, 1945","Columbus (Ohio)"],"creator_ssm":["Erler, William C."],"creator_ssim":["Erler, William C."],"creator_famname_ssim":["Erler, William C."],"creators_ssim":["Erler, William C."],"places_ssim":["Iwo Jima, Battle of, 1945","Columbus (Ohio)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Theodore Fuss","Donation"],"access_subjects_ssim":["World War, 1939-1945","United States. Marine Corps--History--20th century","World War, 1939-1945--Amphibious operations","United States--Armed Forces--Parachute troops","World War, 1939-1945--Pacific Area","United States. Marine Corps. Marine Division, 5th"],"access_subjects_ssm":["World War, 1939-1945","United States. Marine Corps--History--20th century","World War, 1939-1945--Amphibious operations","United States--Armed Forces--Parachute troops","World War, 1939-1945--Pacific Area","United States. Marine Corps. Marine Division, 5th"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 boxes"],"extent_tesim":["1.00 boxes"],"date_range_isim":[1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers"],"bioghist_html_tesm":["\u003cp\u003ePFC William C \"Chuck\" Erler was born on December 16, 1923, in Columbus, Ohio.\u0026#xA0; In 1941, Erler enlisted in the United States Marine Corps, and en route to basic became close friends with two brothers also from Columbus, Luther and Harold Crabtree. Photographs of the three together are included in the collection. What is remarkable about Erler's service is not just that he was a Marine on Iwo Jima (his first and last battle), but that he trained as a Marine \u003cemph render=\"italic\"\u003eparachutist\u003c/emph\u003e and earned his wings. Erler apparently proved himself in training at Camp Kearny, where he earned several marksmanship badges and qualification as Expert Rifleman.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eHe was a member of the 4th battalion of the 1st Marine Parachute Regiment, an experimental group aimed at mirroring the roles filled by the Army parachute regiments. Though the regiment was ultimately dissolved as impractical for the Pacific theatre (the Marines did not have the numbers of transport planes required, compounded by the much larger distances in the Pacific and the lack of reliable airfields), Erler and his friends Luther and William were transferred to the 26th Marine Regiment, 5th US Marine Division. This Division was created solely for the upcoming landing at Iwo Jima. Newspaper clippings seem to suggest that he was a flamethrower operator during the battle, but these articles are the only information of his we have for the battle itself, and cannot be corroborated.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eAn astounding episode involving Erler is also recorded in these clippings: He and his friends Luther and Harold Crabtree were serving in the same company when Harold was killed by Japanese machine-gun fire on February 28, 1945. His brother Luther and Erler both ran under fire to retrieve his body. Erler sent a short letter to his parents during the battle on February 27.\u0026#xA0; He died in combat of unknown (at least unrecorded) causes on Iwo Jima on March 2, 1945. His remains were returned to the United States in 1948, and Erler is buried in Eastlawn Cemetery in his hometown of Columbus.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["PFC William C \"Chuck\" Erler was born on December 16, 1923, in Columbus, Ohio.  In 1941, Erler enlisted in the United States Marine Corps, and en route to basic became close friends with two brothers also from Columbus, Luther and Harold Crabtree. Photographs of the three together are included in the collection. What is remarkable about Erler's service is not just that he was a Marine on Iwo Jima (his first and last battle), but that he trained as a Marine  parachutist  and earned his wings. Erler apparently proved himself in training at Camp Kearny, where he earned several marksmanship badges and qualification as Expert Rifleman.","He was a member of the 4th battalion of the 1st Marine Parachute Regiment, an experimental group aimed at mirroring the roles filled by the Army parachute regiments. Though the regiment was ultimately dissolved as impractical for the Pacific theatre (the Marines did not have the numbers of transport planes required, compounded by the much larger distances in the Pacific and the lack of reliable airfields), Erler and his friends Luther and William were transferred to the 26th Marine Regiment, 5th US Marine Division. This Division was created solely for the upcoming landing at Iwo Jima. Newspaper clippings seem to suggest that he was a flamethrower operator during the battle, but these articles are the only information of his we have for the battle itself, and cannot be corroborated.","An astounding episode involving Erler is also recorded in these clippings: He and his friends Luther and Harold Crabtree were serving in the same company when Harold was killed by Japanese machine-gun fire on February 28, 1945. His brother Luther and Erler both ran under fire to retrieve his body. Erler sent a short letter to his parents during the battle on February 27.  He died in combat of unknown (at least unrecorded) causes on Iwo Jima on March 2, 1945. His remains were returned to the United States in 1948, and Erler is buried in Eastlawn Cemetery in his hometown of Columbus."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], William C. Erler collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0745\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0745\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], William C. Erler collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0745 ."],"relatedmaterial_html_tesm":["\u003cp\u003eFind a Grave record provided Erler's birth and death/burial information.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://www.findagrave.com/cgi-bin/fg.cgi?page=gr\u0026amp;GSln=Erler\u0026amp;GSfn=William\u0026amp;GSmn=C\u0026amp;GSby=1923\u0026amp;GSbyrel=in\u0026amp;GSdy=1945\u0026amp;GSdyrel=in\u0026amp;GSst=37\u0026amp;GScnty=2064\u0026amp;GScntry=4\u0026amp;GSob=n\u0026amp;GRid=150211005\u0026amp;df=all\u0026amp;\"\u003ehttps://www.findagrave.com/cgi-bin/fg.cgi?page=gr\u0026amp;GSln=Erler\u0026amp;GSfn=William\u0026amp;GSmn=C\u0026amp;GSby=1923\u0026amp;GSbyrel=in\u0026amp;GSdy=1945\u0026amp;GSdyrel=in\u0026amp;GSst=37\u0026amp;GScnty=2064\u0026amp;GScntry=4\u0026amp;GSob=n\u0026amp;GRid=150211005\u0026amp;df=all\u0026amp;\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Find a Grave record provided Erler's birth and death/burial information.","https://www.findagrave.com/cgi-bin/fg.cgi?page=gr\u0026GSln=Erler\u0026GSfn=William\u0026GSmn=C\u0026GSby=1923\u0026GSbyrel=in\u0026GSdy=1945\u0026GSdyrel=in\u0026GSst=37\u0026GScnty=2064\u0026GScntry=4\u0026GSob=n\u0026GRid=150211005\u0026df=all\u0026"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to United States Marine Corps Private First Class William C. Erler who served as a Paramarine, and later with the 26th Marine Regiment, 5th Marine Division during World War II.\u0026#xA0; William C. Erler was killed in action at Iwo Jima on March 2, 1945.\u0026#xA0; The collection consists of photographs and several personal letters and papers, as well as artifacts, a parachute, gas mask, pins, marksmanship badges, and medals, including his posthumously awarded Purple Heart.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to United States Marine Corps Private First Class William C. Erler who served as a Paramarine, and later with the 26th Marine Regiment, 5th Marine Division during World War II.  William C. Erler was killed in action at Iwo Jima on March 2, 1945.  The collection consists of photographs and several personal letters and papers, as well as artifacts, a parachute, gas mask, pins, marksmanship badges, and medals, including his posthumously awarded Purple Heart."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Marine Corps. Marine Regiment, 26th"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Marine Corps. Marine Regiment, 26th","Erler, William C."],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Marine Corps. Marine Regiment, 26th"],"famname_ssim":["Erler, William C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858088203943936,"_root_":"fdcf202c95508ed06e6da8b6","timestamp":"2026-07-16T08:08:28.361Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fdcf202c95508ed06e6da8b6_aspace_207898"}},{"id":"edf49c84fcf6ff3400faf0de_aspace_170456","type":"Item","attributes":{"title":"48th Annual Mid-West National Band and Orchestra Clinic, 1994","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edf49c84fcf6ff3400faf0de_aspace_170456#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_170456","ref_ssm":["aspace_170456","aspace_170456"],"id":"edf49c84fcf6ff3400faf0de_aspace_170456","title_filing_ssi":"48th Annual Mid-West National Band and Orchestra Clinic","title_ssm":["48th Annual Mid-West National Band and Orchestra Clinic"],"title_tesim":["48th Annual Mid-West National Band and Orchestra Clinic"],"unitdate_other_ssim":["1994"],"normalized_date_ssm":["1994"],"normalized_title_ssm":["48th Annual Mid-West National Band and Orchestra Clinic, 1994"],"text":["48th Annual Mid-West National Band and Orchestra Clinic, 1994","John Carpenter collection, 1957-2018, Date acquired: 00/00/2018","Box 5","Mid-West National Band and Orchestra Clinic: An International Band and Orchestra Conference, 1951-2017","Item 9","/repositories/2/archival_objects/20386"],"component_level_isim":[3],"parent_ids_ssim":["edf49c84fcf6ff3400faf0de","edf49c84fcf6ff3400faf0de_aspace_170446","edf49c84fcf6ff3400faf0de_aspace_170447"],"parent_unittitles_ssm":["John Carpenter collection, 1957-2018, Date acquired: 00/00/2018","Box 5","Mid-West National Band and Orchestra Clinic: An International Band and Orchestra Conference, 1951-2017"],"parent_unittitles_tesim":["John Carpenter collection, 1957-2018, Date acquired: 00/00/2018","Box 5","Mid-West National Band and Orchestra Clinic: An International Band and Orchestra Conference, 1951-2017"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 9","/repositories/2/archival_objects/20386"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["John Carpenter collection, 1957-2018, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":453,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#4/components#0/components#8","_nest_parent_":"edf49c84fcf6ff3400faf0de_aspace_170447","_root_":"edf49c84fcf6ff3400faf0de","_version_":1870862478711193600,"timestamp":"2026-07-16T09:18:15.468Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edf49c84fcf6ff3400faf0de","title_ssm":["John Carpenter collection"],"title_tesim":["John Carpenter collection"],"ead_ssi":"edf49c84fcf6ff3400faf0de","unitdate_ssm":["1957-2018","Date acquired: 00/00/2018"],"unitdate_inclusive_ssm":["1957-2018"],"unitdate_other_ssim":["Date acquired: 00/00/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2018-03","/repositories/2/resources/135"],"text":["MS-2018-03","/repositories/2/resources/135","John Carpenter collection, 1957-2018, Date acquired: 00/00/2018","Music","Periodicals are grouped by title and are arranged chronologically within.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Carpenter, John","English"],"unitid_tesim":["MS-2018-03","/repositories/2/resources/135"],"normalized_date_ssm":["1957-2018, Date acquired: 00/00/2018"],"normalized_title_ssm":["John Carpenter collection, 1957-2018, Date acquired: 00/00/2018"],"collection_title_tesim":["John Carpenter collection, 1957-2018, Date acquired: 00/00/2018"],"collection_ssim":["John Carpenter collection, 1957-2018, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Carpenter, John"],"creator_ssim":["Carpenter, John"],"creator_persname_ssim":["Carpenter, John"],"creators_ssim":["Carpenter, John"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Dr. John Carpenter","Donation."],"access_subjects_ssim":["Music"],"access_subjects_ssm":["Music"],"has_online_content_ssim":["false"],"extent_ssm":["6.67 Linear Feet","5 boxes"],"extent_tesim":["6.67 Linear Feet","5 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"arrangement_html_tesm":["\u003cp\u003ePeriodicals are grouped by title and are arranged chronologically within.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Periodicals are grouped by title and are arranged chronologically within."],"prefercite_html_tesm":["\u003cp\u003eJohn Carpenter collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["John Carpenter collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Carpenter, John"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Carpenter, John"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":472,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862478711193600,"_root_":"edf49c84fcf6ff3400faf0de","timestamp":"2026-07-16T09:18:15.468Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/edf49c84fcf6ff3400faf0de_aspace_170456"}},{"id":"7625f821a1df1681fc51e579_aspace_138874","type":"Item","attributes":{"title":"48th Annual Sports Awards Banquet - The Sports Club of Tampa Bay, February 13, 2009","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7625f821a1df1681fc51e579_aspace_138874#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_138874","ref_ssm":["aspace_138874","aspace_138874"],"id":"7625f821a1df1681fc51e579_aspace_138874","title_filing_ssi":"48th Annual Sports Awards Banquet - The Sports Club of Tampa Bay","title_ssm":["48th Annual Sports Awards Banquet - The Sports Club of Tampa Bay"],"title_tesim":["48th Annual Sports Awards Banquet - The Sports Club of Tampa Bay"],"unitdate_other_ssim":["February 13, 2009"],"normalized_date_ssm":["February 13, 2009"],"normalized_title_ssm":["48th Annual Sports Awards Banquet - The Sports Club of Tampa Bay, February 13, 2009"],"text":["48th Annual Sports Awards Banquet - The Sports Club of Tampa Bay, February 13, 2009","Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014","Box 3","Ephemera - #3","Item 5","/repositories/2/archival_objects/70257"],"component_level_isim":[3],"parent_ids_ssim":["7625f821a1df1681fc51e579","7625f821a1df1681fc51e579_aspace_138848","7625f821a1df1681fc51e579_aspace_138861"],"parent_unittitles_ssm":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014","Box 3","Ephemera - #3"],"parent_unittitles_tesim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014","Box 3","Ephemera - #3"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 5","/repositories/2/archival_objects/70257"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":57,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#2/components#7/components#4","_nest_parent_":"7625f821a1df1681fc51e579_aspace_138861","_root_":"7625f821a1df1681fc51e579","_version_":1870862940925591552,"timestamp":"2026-07-16T09:25:36.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7625f821a1df1681fc51e579","title_ssm":["Tom and Linda McEwen sports collection"],"title_tesim":["Tom and Linda McEwen sports collection"],"ead_ssi":"7625f821a1df1681fc51e579","unitdate_ssm":["1962-2011","Date acquired: 00/00/2014"],"unitdate_inclusive_ssm":["1962-2011"],"unitdate_other_ssim":["Date acquired: 00/00/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2014-14","/repositories/2/resources/381"],"text":["MS-2014-14","/repositories/2/resources/381","Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014","Sports journalism -- Florida -- Tampa","News clippings are arranged chronologically. Ephemera is organized by format and then chronology.","Tom McEwen was an influential sports writer for the Tampa Tribune and later Tampa Bay Online. He was considered a facilitator in helping to bring major sports to the Tampa Bay area. He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection.","USF Libraries - Tampa Special Collections","McEwen, Tom (1923-2011)","English"],"unitid_tesim":["MS-2014-14","/repositories/2/resources/381"],"normalized_date_ssm":["1962-2011, Date acquired: 00/00/2014"],"normalized_title_ssm":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"collection_title_tesim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"collection_ssim":["Tom and Linda McEwen sports collection, 1962-2011, Date acquired: 00/00/2014"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Linda McEwen","Donation"],"access_subjects_ssim":["Sports journalism -- Florida -- Tampa"],"access_subjects_ssm":["Sports journalism -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet","4 boxes"],"extent_tesim":["1.67 Linear Feet","4 boxes"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"arrangement_html_tesm":["\u003cp\u003eNews clippings are arranged chronologically. Ephemera is organized by format and then chronology.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["News clippings are arranged chronologically. Ephemera is organized by format and then chronology."],"bioghist_html_tesm":["\u003cp\u003eTom McEwen was an influential sports writer for the Tampa Tribune and later Tampa Bay Online. He was considered a facilitator in helping to bring major sports to the Tampa Bay area. He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Tom McEwen was an influential sports writer for the Tampa Tribune and later Tampa Bay Online. He was considered a facilitator in helping to bring major sports to the Tampa Bay area. He also received numerous accolades for his writing, including Florida Sports Writer of the Year and the Red Smith Award."],"prefercite_html_tesm":["\u003cp\u003eTom and Linda McEwen sports collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tom and Linda McEwen sports collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aa68ebd13e3e32e79f52480c73905063\" label=\"Abstract\"\u003eThe Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Tom and Linda McEwen sports collection contains various sports articles written by Tom McEwen during his tenure as a sports journalist at the Tampa Tribune and beyond. Associated ephemera is also included in this collection."],"names_ssim":["USF Libraries - Tampa Special Collections","McEwen, Tom (1923-2011)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["McEwen, Tom (1923-2011)"],"persname_ssim":["McEwen, Tom (1923-2011)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862940925591552,"_root_":"7625f821a1df1681fc51e579","timestamp":"2026-07-16T09:25:36.276Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7625f821a1df1681fc51e579_aspace_138874"}},{"id":"a50a81922b17901958f7be95_aspace_31936","type":"File","attributes":{"title":"48  THE CHIEF THING","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a50a81922b17901958f7be95_aspace_31936#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_31936","ref_ssm":["aspace_31936","aspace_31936"],"id":"a50a81922b17901958f7be95_aspace_31936","title_filing_ssi":"48  THE CHIEF THING","title_ssm":["48  THE CHIEF THING"],"title_tesim":["48  THE CHIEF THING"],"normalized_title_ssm":["48  THE CHIEF THING"],"text":["48  THE CHIEF THING","Florida Labor: Union Memorabilia of Henry Petrel, date unknown","Box 11","Folder 49","/repositories/2/archival_objects/6393","folder 49"],"component_level_isim":[2],"parent_ids_ssim":["a50a81922b17901958f7be95","a50a81922b17901958f7be95_aspace_31887"],"parent_unittitles_ssm":["Florida Labor: Union Memorabilia of Henry Petrel, date unknown","Box 11"],"parent_unittitles_tesim":["Florida Labor: Union Memorabilia of Henry Petrel, date unknown","Box 11"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 49","/repositories/2/archival_objects/6393"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Florida Labor: Union Memorabilia of Henry Petrel, date unknown"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1258,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. 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Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. 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The Eiffel Tower, Paris.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162946#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_162946","ref_ssm":["aspace_162946","aspace_162946"],"id":"6761a506162d88e3b0374f0f_aspace_162946","title_filing_ssi":"48. The Eiffel Tower, Paris.","title_ssm":["48. The Eiffel Tower, Paris."],"title_tesim":["48. The Eiffel Tower, Paris."],"normalized_title_ssm":["48. The Eiffel Tower, Paris."],"text":["48. The Eiffel Tower, Paris.","George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","Manufacturer Unidentified - Numbered Series I","Item 45","/repositories/2/archival_objects/12908"],"component_level_isim":[3],"parent_ids_ssim":["6761a506162d88e3b0374f0f","6761a506162d88e3b0374f0f_aspace_162631","6761a506162d88e3b0374f0f_aspace_162901"],"parent_unittitles_ssm":["George G. 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Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 380 stereoscopic image cards and a stereoscopic viewer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 380 stereoscopic image cards and a stereoscopic viewer."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a78128125148d19eb3a41fc899acdbce\" label=\"Abstract\"\u003eThis collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026amp; Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026amp; Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations."],"names_ssim":["USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Morgan, George G. (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":408,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162946"}},{"id":"71b8a757b0f138dee122db24_aspace_e11a99719e275997db3f59c641b927e8","type":"File","attributes":{"title":"48th year, # 6, 1, 3, 4, 5, 2, 7, 1983-1984","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_e11a99719e275997db3f59c641b927e8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e11a99719e275997db3f59c641b927e8","ref_ssm":["aspace_e11a99719e275997db3f59c641b927e8","aspace_e11a99719e275997db3f59c641b927e8"],"id":"71b8a757b0f138dee122db24_aspace_e11a99719e275997db3f59c641b927e8","title_filing_ssi":"48th year, # 6, 1, 3, 4, 5, 2, 7","title_ssm":["48th year, # 6, 1, 3, 4, 5, 2, 7"],"title_tesim":["48th year, # 6, 1, 3, 4, 5, 2, 7"],"unitdate_inclusive_ssm":["1983-1984"],"normalized_date_ssm":["1983-1984"],"normalized_title_ssm":["48th year, # 6, 1, 3, 4, 5, 2, 7, 1983-1984"],"text":["48th year, # 6, 1, 3, 4, 5, 2, 7, 1983-1984","Florida Bandmasters Association Records, 1936-2010","Bulletins","State Bulletins","/repositories/2/archival_objects/38714","box 5","folder 6"],"component_level_isim":[3],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_b4b97215712bf23eb440a9556e731f9a","71b8a757b0f138dee122db24_aspace_ecd34b1c0f836fabfbd1ffbd37054406"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Bulletins","State Bulletins"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Bulletins","State Bulletins"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/38714"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":42,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1983,1984],"containers_ssim":["box 5","folder 6"],"_nest_path_":"/components#0/components#0/components#39","_nest_parent_":"71b8a757b0f138dee122db24_aspace_ecd34b1c0f836fabfbd1ffbd37054406","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_e11a99719e275997db3f59c641b927e8"}},{"id":"72deb24cd94ab58efde27fe0_aspace_5a498dc7436b8cd72102e2a08b04a968","type":"File","attributes":{"title":"49","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_5a498dc7436b8cd72102e2a08b04a968#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5a498dc7436b8cd72102e2a08b04a968","ref_ssm":["aspace_5a498dc7436b8cd72102e2a08b04a968","aspace_5a498dc7436b8cd72102e2a08b04a968"],"id":"72deb24cd94ab58efde27fe0_aspace_5a498dc7436b8cd72102e2a08b04a968","title_filing_ssi":"49","title_ssm":["49"],"title_tesim":["49"],"normalized_title_ssm":["49"],"text":["49","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 49-72","/repositories/2/archival_objects/181005","box 85","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["72deb24cd94ab58efde27fe0","72deb24cd94ab58efde27fe0_aspace_2d9b104ebf7440c2bfc40a074a9a843f","72deb24cd94ab58efde27fe0_aspace_95435ba432d35631a8f37d8137c076f5"],"parent_unittitles_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 49-72"],"parent_unittitles_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 49-72"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/181005"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5987,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 85","folder 1"],"_nest_path_":"/components#3/components#2/components#0","_nest_parent_":"72deb24cd94ab58efde27fe0_aspace_95435ba432d35631a8f37d8137c076f5","_root_":"72deb24cd94ab58efde27fe0","_version_":1877023012303142912,"timestamp":"2026-09-22T09:17:18.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72deb24cd94ab58efde27fe0","title_ssm":["Gandy Commercial and Aerial Photography collection"],"title_tesim":["Gandy Commercial and Aerial Photography collection"],"ead_ssi":"72deb24cd94ab58efde27fe0","unitdate_ssm":["1950-2010","Date acquired: 12/01/2010"],"unitdate_inclusive_ssm":["1950-2010"],"unitdate_other_ssim":["Date acquired: 12/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-02","/repositories/2/resources/390"],"text":["MS-2010-02","/repositories/2/resources/390","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Boats and boating -- Florida","Photograph collections","No restrictions.","Arranged alphabetically in two series (aerial and commercial photography).","Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.","Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/","The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed.","Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/","USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)","English"],"unitid_tesim":["MS-2010-02","/repositories/2/resources/390"],"normalized_date_ssm":["1950-2010, Date acquired: 12/01/2010"],"normalized_title_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_title_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creators_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Skip Gandy","Donation"],"access_subjects_ssim":["Boats and boating -- Florida","Photograph collections"],"access_subjects_ssm":["Boats and boating -- Florida","Photograph collections"],"has_online_content_ssim":["false"],"extent_ssm":["43.33 Linear Feet","80 boxes"],"extent_tesim":["43.33 Linear Feet","80 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically in two series (aerial and commercial photography).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically in two series (aerial and commercial photography)."],"bioghist_html_tesm":["\u003cp\u003eSkip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer.\u0026#xA0;With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010."],"prefercite_html_tesm":["\u003cp\u003eSkip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Skip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBay Study Group Collection.\u003c/p\u003e\n","\u003cp\u003ehttp://scholarcommons.usf.edu/basgp/\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/"],"scopecontent_html_tesm":["\u003cp\u003eThe negatives are from the years 1970-2010, documenting Skip Gandy's activities.\u0026#xA0; A few of the prints are from his father, Sandy Gandy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f0829ee87f156f9d8e1500edac814ac3\" label=\"Abstract\"\u003eThe Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.\u0026#xA0; Only the negatives, which comprise the bulk of the materials, have been fully processed.\u003c/abstract\u003e"],"abstract_tesim":["The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06412a435727cb367b88f193b6659b9d\"\u003ePhotographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877023012303142912,"_root_":"72deb24cd94ab58efde27fe0","timestamp":"2026-09-22T09:17:18.046Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_5a498dc7436b8cd72102e2a08b04a968"}},{"id":"8030186565dd6cea11cc22bc_aspace_833a8a2b8cbc75fd78b4141d0bba650c","type":"Item","attributes":{"title":"490, 1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_833a8a2b8cbc75fd78b4141d0bba650c#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSubject: Tape #1: School for Scandal Notes: Theater Type: B-Roll\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_833a8a2b8cbc75fd78b4141d0bba650c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_833a8a2b8cbc75fd78b4141d0bba650c","ref_ssm":["aspace_833a8a2b8cbc75fd78b4141d0bba650c","aspace_833a8a2b8cbc75fd78b4141d0bba650c"],"id":"8030186565dd6cea11cc22bc_aspace_833a8a2b8cbc75fd78b4141d0bba650c","title_filing_ssi":"490","title_ssm":["490"],"title_tesim":["490"],"unitdate_other_ssim":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["490, 1992"],"text":["490, 1992","University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999","157","/repositories/10/archival_objects/203035","Beta","box 14","case 11","Subject: \nTape #1: School for Scandal\nNotes: \nTheater\nType: \nB-Roll"],"component_level_isim":[3],"parent_ids_ssim":["8030186565dd6cea11cc22bc","8030186565dd6cea11cc22bc_aspace_e9c2167f77306ca8fd4f60a8ad6bed8a","8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66"],"parent_unittitles_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_unittitles_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["157","/repositories/10/archival_objects/203035"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"physdesc_tesim":["Beta"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":212,"parent_access_restrict_tesm":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 14","case 11"],"scopecontent_html_tesm":["\u003cp\u003eSubject: \nTape #1: School for Scandal\nNotes: \nTheater\nType: \nB-Roll\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subject: \nTape #1: School for Scandal\nNotes: \nTheater\nType: \nB-Roll"],"_nest_path_":"/components#0/components#1/components#156","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized, or are born-digital materials, and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huauniversitycommunications\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. 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