{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=1440\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=1439\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=1441\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":1440,"next_page":1441,"prev_page":1439,"total_pages":65767,"limit_value":10,"offset_value":14390,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"8030186565dd6cea11cc22bc_aspace_64b87afb15a5dda82991a5897e628aaa","type":"Item","attributes":{"title":"466 M, 2012 01 25","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_64b87afb15a5dda82991a5897e628aaa#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSubject: -Warchant.com's \"2004 Recruits\" Preview -Thank-You T.K. 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Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. 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For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. 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The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. 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Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford."],"names_ssim":["USF Libraries - Tampa Special Collections","Zewadski, William Knight"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Zewadski, William Knight"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873942720913866752,"_root_":"a0a65b28104bce9cf5ed2e36","timestamp":"2026-08-19T09:17:23.247Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_167379"}},{"id":"8030186565dd6cea11cc22bc_aspace_c7f646f8a598feb4f3a0e2c8c6335571","type":"Item","attributes":{"title":"467, 1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_c7f646f8a598feb4f3a0e2c8c6335571#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSubject: Val Richards Notes: Arts Type: IV\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_c7f646f8a598feb4f3a0e2c8c6335571#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c7f646f8a598feb4f3a0e2c8c6335571","ref_ssm":["aspace_c7f646f8a598feb4f3a0e2c8c6335571","aspace_c7f646f8a598feb4f3a0e2c8c6335571"],"id":"8030186565dd6cea11cc22bc_aspace_c7f646f8a598feb4f3a0e2c8c6335571","title_filing_ssi":"467","title_ssm":["467"],"title_tesim":["467"],"unitdate_other_ssim":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["467, 1992"],"text":["467, 1992","University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999","180","/repositories/10/archival_objects/203058","Beta","box 13","case 21","Subject: \nVal Richards\nNotes: \nArts\nType: \nIV"],"component_level_isim":[3],"parent_ids_ssim":["8030186565dd6cea11cc22bc","8030186565dd6cea11cc22bc_aspace_e9c2167f77306ca8fd4f60a8ad6bed8a","8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66"],"parent_unittitles_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_unittitles_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["180","/repositories/10/archival_objects/203058"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"physdesc_tesim":["Beta"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":235,"parent_access_restrict_tesm":["Contents of this collection are restricted. 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Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 13","case 21"],"scopecontent_html_tesm":["\u003cp\u003eSubject: \nVal Richards\nNotes: \nArts\nType: \nIV\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subject: \nVal Richards\nNotes: \nArts\nType: \nIV"],"_nest_path_":"/components#0/components#1/components#179","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. 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The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872306257437655040,"_root_":"8030186565dd6cea11cc22bc","timestamp":"2026-08-01T07:46:30.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_c7f646f8a598feb4f3a0e2c8c6335571"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_168324","type":"Item","attributes":{"title":"46-75","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168324#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. 20th Century-Fox presents The 300 Spartans. Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Maté. Written by George St. George. Copyright 1962, 20th Century-Fox. All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in the U.S.A.) \"Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 62/325\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168324#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_168324","ref_ssm":["aspace_168324","aspace_168324"],"id":"a0a65b28104bce9cf5ed2e36_aspace_168324","title_filing_ssi":"46-75","title_ssm":["46-75"],"title_tesim":["46-75"],"normalized_title_ssm":["46-75"],"text":["46-75","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","[Untitled - Steve Reeves]","300 Spartans, 1962","Item 16","/repositories/2/archival_objects/17140","Black and white photograph. 20th Century-Fox presents The 300 Spartans. Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Maté. Written by George St. George. Copyright 1962, 20th Century-Fox. All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in the U.S.A.) \"Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 62/325"],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_168136","a0a65b28104bce9cf5ed2e36_aspace_168308"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","[Untitled - Steve Reeves]","300 Spartans, 1962"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","[Untitled - Steve Reeves]","300 Spartans, 1962"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 16","/repositories/2/archival_objects/17140"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4418,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. 20th Century-Fox presents The 300 Spartans. Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Mat\u0026#xE9;. Written by George St. George. Copyright 1962, 20th Century-Fox. All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in the U.S.A.) \"Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 62/325\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. 20th Century-Fox presents The 300 Spartans. Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Maté. Written by George St. George. Copyright 1962, 20th Century-Fox. All rights reserved. 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The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. 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The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. 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The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Maté. Written by George St. George. Copyright 1962, 20th Century-Fox. All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in the U.S.A.) \"Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 62/325\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168325#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_168325","ref_ssm":["aspace_168325","aspace_168325"],"id":"a0a65b28104bce9cf5ed2e36_aspace_168325","title_filing_ssi":"46-76","title_ssm":["46-76"],"title_tesim":["46-76"],"normalized_title_ssm":["46-76"],"text":["46-76","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","[Untitled - Steve Reeves]","300 Spartans, 1962","Item 17","/repositories/2/archival_objects/17141","Black and white photograph. 20th Century-Fox presents The 300 Spartans. Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Maté. Written by George St. George. 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Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Mat\u0026#xE9;. Written by George St. George. Copyright 1962, 20th Century-Fox. All rights reserved. Permission granted for Newspaper and Magazine reproduction. (Made in the U.S.A.) \"Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter.\" 62/325\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. 20th Century-Fox presents The 300 Spartans. Starring Richard Egan, Sir Ralph Richardson, Diane Baker, Barry Coe, David Farrar, Donald Houston, Anna Synodinou. Cinemascope. Color be De Luxe. Produced by Rudolph Maté. Written by George St. George. Copyright 1962, 20th Century-Fox. All rights reserved. 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The donor's original order is maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford."],"names_ssim":["USF Libraries - Tampa Special Collections","Zewadski, William Knight"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Zewadski, William Knight"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873942720913866752,"_root_":"a0a65b28104bce9cf5ed2e36","timestamp":"2026-08-19T09:17:23.247Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168325"}},{"id":"8030186565dd6cea11cc22bc_aspace_926af7d32de25990d3ee056dd0e8ea46","type":"Item","attributes":{"title":"467 D, 2005 05 03","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_926af7d32de25990d3ee056dd0e8ea46#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSubject: Credit Card Monster Type: Master\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_926af7d32de25990d3ee056dd0e8ea46#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_926af7d32de25990d3ee056dd0e8ea46","ref_ssm":["aspace_926af7d32de25990d3ee056dd0e8ea46","aspace_926af7d32de25990d3ee056dd0e8ea46"],"id":"8030186565dd6cea11cc22bc_aspace_926af7d32de25990d3ee056dd0e8ea46","title_filing_ssi":"467 D","title_ssm":["467 D"],"title_tesim":["467 D"],"unitdate_other_ssim":["2005 05 03"],"normalized_date_ssm":["2005 05 03"],"normalized_title_ssm":["467 D, 2005 05 03"],"text":["467 D, 2005 05 03","University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","2000-2009, 2000-2009","1022","/repositories/10/archival_objects/205049","DVCPRO","box 68","case 13","Subject: \nCredit Card Monster\nType: \nMaster"],"component_level_isim":[3],"parent_ids_ssim":["8030186565dd6cea11cc22bc","8030186565dd6cea11cc22bc_aspace_e9c2167f77306ca8fd4f60a8ad6bed8a","8030186565dd6cea11cc22bc_aspace_b795b38e194b2303dbec0cde11bb3a9d"],"parent_unittitles_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","2000-2009, 2000-2009"],"parent_unittitles_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","2000-2009, 2000-2009"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["1022","/repositories/10/archival_objects/205049"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"physdesc_tesim":["DVCPRO"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2226,"parent_access_restrict_tesm":["Contents of this collection are restricted. 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Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 68","case 13"],"scopecontent_html_tesm":["\u003cp\u003eSubject: \nCredit Card Monster\nType: \nMaster\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subject: \nCredit Card Monster\nType: \nMaster"],"_nest_path_":"/components#0/components#2/components#1021","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_b795b38e194b2303dbec0cde11bb3a9d","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized, or are born-digital materials, and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huauniversitycommunications\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872306257437655040,"_root_":"8030186565dd6cea11cc22bc","timestamp":"2026-08-01T07:46:30.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_926af7d32de25990d3ee056dd0e8ea46"}},{"id":"8030186565dd6cea11cc22bc_aspace_cc215afacd551805d173f41120580974","type":"Item","attributes":{"title":"467 M, 2012 01 25","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_cc215afacd551805d173f41120580974#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eLocation: Westcott Plaza Type: B-roll\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_cc215afacd551805d173f41120580974#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cc215afacd551805d173f41120580974","ref_ssm":["aspace_cc215afacd551805d173f41120580974","aspace_cc215afacd551805d173f41120580974"],"id":"8030186565dd6cea11cc22bc_aspace_cc215afacd551805d173f41120580974","title_filing_ssi":"467 M","title_ssm":["467 M"],"title_tesim":["467 M"],"unitdate_other_ssim":["2012 01 25"],"normalized_date_ssm":["2012 01 25"],"normalized_title_ssm":["467 M, 2012 01 25"],"text":["467 M, 2012 01 25","University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","After 2009, 2010-2013","871","/repositories/10/archival_objects/206763","Mini DV","box 72","case 209","Location: \nWestcott Plaza\nType: \nB-roll"],"component_level_isim":[3],"parent_ids_ssim":["8030186565dd6cea11cc22bc","8030186565dd6cea11cc22bc_aspace_e9c2167f77306ca8fd4f60a8ad6bed8a","8030186565dd6cea11cc22bc_aspace_1a290e20be01d70836057758ad6c7924"],"parent_unittitles_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","After 2009, 2010-2013"],"parent_unittitles_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","After 2009, 2010-2013"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["871","/repositories/10/archival_objects/206763"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"physdesc_tesim":["Mini DV"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3940,"parent_access_restrict_tesm":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 72","case 209"],"scopecontent_html_tesm":["\u003cp\u003eLocation: \nWestcott Plaza\nType: \nB-roll\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Location: \nWestcott Plaza\nType: \nB-roll"],"_nest_path_":"/components#0/components#3/components#870","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_1a290e20be01d70836057758ad6c7924","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized, or are born-digital materials, and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huauniversitycommunications\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872306257437655040,"_root_":"8030186565dd6cea11cc22bc","timestamp":"2026-08-01T07:46:30.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_cc215afacd551805d173f41120580974"}},{"id":"18ce43a3c782b797db9fa781_aspace_178267","type":"Item","attributes":{"title":"46 7th Regiment Armory","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178267#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. By T.H McAllister, Manufacturing Optician.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178267#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178267","ref_ssm":["aspace_178267","aspace_178267"],"id":"18ce43a3c782b797db9fa781_aspace_178267","title_filing_ssi":"46 7th Regiment Armory","title_ssm":["46 7th Regiment Armory"],"title_tesim":["46 7th Regiment Armory"],"normalized_title_ssm":["46 7th Regiment Armory"],"text":["46 7th Regiment Armory","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York","Item 5","/repositories/2/archival_objects/81973","Black and white photograph. By T.H McAllister, Manufacturing Optician."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179826","18ce43a3c782b797db9fa781_aspace_178262"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 5","/repositories/2/archival_objects/81973"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1332,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. By T.H McAllister, Manufacturing Optician.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. By T.H McAllister, Manufacturing Optician."],"_nest_path_":"/components#23/components#2/components#4","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178262","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178267"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_168326","type":"Item","attributes":{"title":"46-80","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168326#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. The 300 Spartans. Seven Arts Release. Printed in U.S.A.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168326#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_168326","ref_ssm":["aspace_168326","aspace_168326"],"id":"a0a65b28104bce9cf5ed2e36_aspace_168326","title_filing_ssi":"46-80","title_ssm":["46-80"],"title_tesim":["46-80"],"normalized_title_ssm":["46-80"],"text":["46-80","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","[Untitled - Steve Reeves]","300 Spartans, 1962","Item 18","/repositories/2/archival_objects/17142","Black and white photograph. The 300 Spartans. Seven Arts Release. Printed in U.S.A."],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_168136","a0a65b28104bce9cf5ed2e36_aspace_168308"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","[Untitled - Steve Reeves]","300 Spartans, 1962"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","[Untitled - Steve Reeves]","300 Spartans, 1962"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 18","/repositories/2/archival_objects/17142"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4420,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. The 300 Spartans. Seven Arts Release. Printed in U.S.A.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. The 300 Spartans. Seven Arts Release. 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The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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The donor's original order is maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford."],"names_ssim":["USF Libraries - Tampa Special Collections","Zewadski, William Knight"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Zewadski, William Knight"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873942720913866752,"_root_":"a0a65b28104bce9cf5ed2e36","timestamp":"2026-08-19T09:17:23.247Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_168326"}},{"id":"8030186565dd6cea11cc22bc_aspace_48eb24587a296c17d3beb0bada785653","type":"Item","attributes":{"title":"468, 1990","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_48eb24587a296c17d3beb0bada785653#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSubject: Visual Arts: Watercolor Class; Painting Class Notes: Arts Type: B-Roll\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_48eb24587a296c17d3beb0bada785653#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_48eb24587a296c17d3beb0bada785653","ref_ssm":["aspace_48eb24587a296c17d3beb0bada785653","aspace_48eb24587a296c17d3beb0bada785653"],"id":"8030186565dd6cea11cc22bc_aspace_48eb24587a296c17d3beb0bada785653","title_filing_ssi":"468","title_ssm":["468"],"title_tesim":["468"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["468, 1990"],"text":["468, 1990","University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999","40","/repositories/10/archival_objects/202918","Beta","box 13","case 22","Subject: \nVisual Arts: Watercolor Class; Painting Class\nNotes: \nArts\nType: \nB-Roll"],"component_level_isim":[3],"parent_ids_ssim":["8030186565dd6cea11cc22bc","8030186565dd6cea11cc22bc_aspace_e9c2167f77306ca8fd4f60a8ad6bed8a","8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66"],"parent_unittitles_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_unittitles_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["40","/repositories/10/archival_objects/202918"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"physdesc_tesim":["Beta"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":95,"parent_access_restrict_tesm":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 13","case 22"],"scopecontent_html_tesm":["\u003cp\u003eSubject: \nVisual Arts: Watercolor Class; Painting Class\nNotes: \nArts\nType: \nB-Roll\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subject: \nVisual Arts: Watercolor Class; Painting Class\nNotes: \nArts\nType: \nB-Roll"],"_nest_path_":"/components#0/components#1/components#39","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized, or are born-digital materials, and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huauniversitycommunications\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. 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Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. 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