{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=1405\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=1404\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?page=1406\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=compact"},"meta":{"pages":{"current_page":1405,"next_page":1406,"prev_page":1404,"total_pages":65767,"limit_value":10,"offset_value":14040,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"bec408ef355489ed2515918e_aspace_9383","type":"File","attributes":{"title":"4.2 - Studio portrait of woman in shirt with ruffled collar and long blue bow, [Tintype], 1857-1861","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9383#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9383","ref_ssm":["aspace_9383","aspace_9383"],"id":"bec408ef355489ed2515918e_aspace_9383","title_filing_ssi":"4.2 - Studio portrait of woman in shirt with ruffled collar and long blue bow, [Tintype]","title_ssm":["4.2 - Studio portrait of woman in shirt with ruffled collar and long blue bow, [Tintype]"],"title_tesim":["4.2 - Studio portrait of woman in shirt with ruffled collar and long blue bow, [Tintype]"],"unitdate_inclusive_ssm":["1857-1861"],"normalized_date_ssm":["1857-1861"],"normalized_title_ssm":["4.2 - Studio portrait of woman in shirt with ruffled collar and long blue bow, [Tintype], 1857-1861"],"text":["4.2 - Studio portrait of woman in shirt with ruffled collar and long blue bow, [Tintype], 1857-1861","African American Legacy: The Carol Mundy collection, 1791-2003","John Smith Bible \u0026 Photographs, 1857-1890","Folder 11","/repositories/4/archival_objects/24239","box 10","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_9371"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","John Smith Bible \u0026 Photographs, 1857-1890"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","John Smith Bible \u0026 Photographs, 1857-1890"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 11","/repositories/4/archival_objects/24239"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":481,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1857,1858,1859,1860,1861],"containers_ssim":["box 10","folder 11"],"_nest_path_":"/components#4/components#10","_nest_parent_":"bec408ef355489ed2515918e_aspace_9371","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_9383"}},{"id":"eb53faa6c8dfd3603af82489_aspace_62683","type":"File","attributes":{"title":"42. The Mosaic of Discretion: Criminal Justice Policy, Policy Studies Journal, Spring 1980, Vol. 8, No. 5, 1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eb53faa6c8dfd3603af82489_aspace_62683#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62683","ref_ssm":["aspace_62683","aspace_62683"],"id":"eb53faa6c8dfd3603af82489_aspace_62683","title_filing_ssi":"42. The Mosaic of Discretion: Criminal Justice Policy, Policy Studies Journal, Spring 1980, Vol. 8, No. 5","title_ssm":["42. The Mosaic of Discretion: Criminal Justice Policy, Policy Studies Journal, Spring 1980, Vol. 8, No. 5"],"title_tesim":["42. The Mosaic of Discretion: Criminal Justice Policy, Policy Studies Journal, Spring 1980, Vol. 8, No. 5"],"unitdate_other_ssim":["1980"],"normalized_date_ssm":["1980"],"normalized_title_ssm":["42. The Mosaic of Discretion: Criminal Justice Policy, Policy Studies Journal, Spring 1980, Vol. 8, No. 5, 1980"],"text":["42. The Mosaic of Discretion: Criminal Justice Policy, Policy Studies Journal, Spring 1980, Vol. 8, No. 5, 1980","University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998","Publications, 1972-1998","Folder 30","/repositories/2/archival_objects/46354","box 3","folder 30"],"component_level_isim":[2],"parent_ids_ssim":["eb53faa6c8dfd3603af82489","eb53faa6c8dfd3603af82489_aspace_62652"],"parent_unittitles_ssm":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998","Publications, 1972-1998"],"parent_unittitles_tesim":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998","Publications, 1972-1998"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 30","/repositories/2/archival_objects/46354"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":128,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 3","folder 30"],"_nest_path_":"/components#1/components#29","_nest_parent_":"eb53faa6c8dfd3603af82489_aspace_62652","_root_":"eb53faa6c8dfd3603af82489","_version_":1870858675175817216,"timestamp":"2026-07-16T08:17:48.137Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eb53faa6c8dfd3603af82489","title_ssm":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers"],"title_tesim":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers"],"ead_ssi":"eb53faa6c8dfd3603af82489","unitdate_ssm":["1972-1999","1975-1998"],"unitdate_bulk_ssim":["1975-1998"],"unitdate_inclusive_ssm":["1972-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21A","/repositories/2/resources/184"],"text":["UA21A","/repositories/2/resources/184","University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998","Criminal Justice, Administration of","Education, Higher -- United States","Judges","Law enforcement","Political Science","Science","Sheriffs","Technology","Universities and colleges -- Florida","Universities and colleges -- Faculty","Sentences (Criminal procedure)","Space flight","Universities and colleges -- Florida -- Orlando -- Faculty","Wildlife management","The entire collection is open for research.","Collection Identifier: CFU2011_01; Additions: CFU2013_24","This collection is divided into four series by type of document. The first two series retain the numbering system established by Dr. Handberg.","Dr. Roger Handberg is the former chair of the University of Central Florida's Political Science Department (2003-2011), Associate Dean of Graduate Studies (1981-1990) and Acting Assistant Dean (1978-1981), and was involved in the University's first doctoral programs. He specializes in space policy, defense policy, the U.S. Supreme Court and judicial politics. Dr. Handberg also focuses on global energy politics, the mass media and politics, government policies in science and technology and American security policy, particularly military space policy and ballistic missile defense.","Dr. Handberg has worked as a political science professor at University of Central Florida since 1972. He has published nine books and more than 150 articles and book chapters. His recent books include Chinese Space Policy: A Study in Domestic and International Politics (2007), International Space Commerce: Building from Scratch (2006), and Reinventing NASA and the Quest for Outer Space: Human Spaceflight, Bureaucratic Agendas and National Politics (2003).","Handberg previously served for three years in the United States Army (1969-1971). He earned his doctorate in Political Science from the University of North Carolina (1970). He has been interviewed by The Wall Street Journal, The New York Times, NPR, BBC, Los Angeles Times, Time Magazine and Space News.","Collection processed by and finding aid prepared by John Settle in 2016. Documents were removed from green hanging folders and rehoused in acid-free archival folders, all staples and paperclips were removed, and plastic clips were used to replace all metals fasteners. Materials were also rehoused in archival quality boxes. Accession CFU2011_01 was received as 7 boxes (6.5 linear feet) and accession CFU2013_24 was received as 2 boxes (1.5 linear feet) and both were combined and condensed to 5 boxes (5.0 linear feet). The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information about university history please see our  website . Further information about this collection may be found in the University of Central Florida Office of the President Records. Some Student Government documents have been catalogued and may be found by searching the [url=https://ucf.catalog.fcla.edu/cf.jsp]library catalog[/url].","Series I: Conference Papers, 1975-1999 contains essays presented at various political science conferences and annual meetings, the most numerous of which being the varied Political Science Associations, at which Dr. Handberg made presentations virtually every year. Some folders arrived labeled with titles but without the actual documents. The last entry in this series is an empty folder inventory list which details the missing items.","Series II: Published Articles, 1972-1998 contains original published articles that appeared in various publications, the most numerous of which being Spaceflight, Technology in Society, and the Florida Scientist. Some folders arrived labeled with titles but without the actual documents. The last entry in this series is an empty folder inventory list which details the missing items.","Series III: Research Reports, 1982-1990 contains reports on topics such as Florida's sentencing guidelines and criminal justice system, state wildlife management, and county sheriffs in the South.","Series IV: Interdepartmental Memorandums, 1973-1996 contains correspondence and memos relating to topics such as faculty meetings, Academic Standards Committee meetings, faculty annual reports, student evaluations, UCF Foundation Awards for Excellence, research grants, faculty newsletters, and departmental procedures and policies.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Dr. Roger Handberg is a Political Science professor as well as the former chair of the Political Science Department. This collection of his papers contains essays presented at conferences, published articles, research reports, and interdepartmental memorandums. The arrangement of the materials, including the numbering system of the folders, was established by the office of Dr. Handberg.","UCF University Archives","United States. National Aeronautics and Space Administration","Space Policy Advisory Board (U.S.)","United States. Supreme Court","University of Central Florida","Florida Technological University","United States. Department of Defense","Handberg, Roger","English"],"unitid_tesim":["UA21A","/repositories/2/resources/184"],"normalized_date_ssm":["1972-1999, bulk 1975-1998"],"normalized_title_ssm":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998"],"collection_title_tesim":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998"],"collection_ssim":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers, 1972-1999, bulk 1975-1998"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Handberg, Roger"],"creator_ssim":["Handberg, Roger"],"creator_persname_ssim":["Handberg, Roger"],"creators_ssim":["Handberg, Roger"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Roger Handberg transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2011 (CFU2011_01) and in 2013 (CFU2013_24)."],"access_subjects_ssim":["Criminal Justice, Administration of","Education, Higher -- United States","Judges","Law enforcement","Political Science","Science","Sheriffs","Technology","Universities and colleges -- Florida","Universities and colleges -- Faculty","Sentences (Criminal procedure)","Space flight","Universities and colleges -- Florida -- Orlando -- Faculty","Wildlife management"],"access_subjects_ssm":["Criminal Justice, Administration of","Education, Higher -- United States","Judges","Law enforcement","Political Science","Science","Sheriffs","Technology","Universities and colleges -- Florida","Universities and colleges -- Faculty","Sentences (Criminal procedure)","Space flight","Universities and colleges -- Florida -- Orlando -- Faculty","Wildlife management"],"has_online_content_ssim":["false"],"extent_ssm":["5 boxes 5.0 Linear Feet"],"extent_tesim":["5 boxes 5.0 Linear Feet"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2011_01; Additions: CFU2013_24\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2011_01; Additions: CFU2013_24"],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series by type of document. The first two series retain the numbering system established by Dr. Handberg.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into four series by type of document. The first two series retain the numbering system established by Dr. Handberg."],"bioghist_html_tesm":["\u003cp\u003eDr. Roger Handberg is the former chair of the University of Central Florida's Political Science Department (2003-2011), Associate Dean of Graduate Studies (1981-1990) and Acting Assistant Dean (1978-1981), and was involved in the University's first doctoral programs. He specializes in space policy, defense policy, the U.S. Supreme Court and judicial politics. Dr. Handberg also focuses on global energy politics, the mass media and politics, government policies in science and technology and American security policy, particularly military space policy and ballistic missile defense.\u003c/p\u003e\n","\u003cp\u003eDr. Handberg has worked as a political science professor at University of Central Florida since 1972. He has published nine books and more than 150 articles and book chapters. His recent books include Chinese Space Policy: A Study in Domestic and International Politics (2007), International Space Commerce: Building from Scratch (2006), and Reinventing NASA and the Quest for Outer Space: Human Spaceflight, Bureaucratic Agendas and National Politics (2003).\u003c/p\u003e\n","\u003cp\u003eHandberg previously served for three years in the United States Army (1969-1971). He earned his doctorate in Political Science from the University of North Carolina (1970). He has been interviewed by The Wall Street Journal, The New York Times, NPR, BBC, Los Angeles Times, Time Magazine and Space News.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Roger Handberg is the former chair of the University of Central Florida's Political Science Department (2003-2011), Associate Dean of Graduate Studies (1981-1990) and Acting Assistant Dean (1978-1981), and was involved in the University's first doctoral programs. He specializes in space policy, defense policy, the U.S. Supreme Court and judicial politics. Dr. Handberg also focuses on global energy politics, the mass media and politics, government policies in science and technology and American security policy, particularly military space policy and ballistic missile defense.","Dr. Handberg has worked as a political science professor at University of Central Florida since 1972. He has published nine books and more than 150 articles and book chapters. His recent books include Chinese Space Policy: A Study in Domestic and International Politics (2007), International Space Commerce: Building from Scratch (2006), and Reinventing NASA and the Quest for Outer Space: Human Spaceflight, Bureaucratic Agendas and National Politics (2003).","Handberg previously served for three years in the United States Army (1969-1971). He earned his doctorate in Political Science from the University of North Carolina (1970). He has been interviewed by The Wall Street Journal, The New York Times, NPR, BBC, Los Angeles Times, Time Magazine and Space News."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Political Science Department: Dr. Roger Handberg Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Political Science Department: Dr. Roger Handberg Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by John Settle in 2016. Documents were removed from green hanging folders and rehoused in acid-free archival folders, all staples and paperclips were removed, and plastic clips were used to replace all metals fasteners. Materials were also rehoused in archival quality boxes. Accession CFU2011_01 was received as 7 boxes (6.5 linear feet) and accession CFU2013_24 was received as 2 boxes (1.5 linear feet) and both were combined and condensed to 5 boxes (5.0 linear feet). The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by John Settle in 2016. Documents were removed from green hanging folders and rehoused in acid-free archival folders, all staples and paperclips were removed, and plastic clips were used to replace all metals fasteners. Materials were also rehoused in archival quality boxes. Accession CFU2011_01 was received as 7 boxes (6.5 linear feet) and accession CFU2013_24 was received as 2 boxes (1.5 linear feet) and both were combined and condensed to 5 boxes (5.0 linear feet). The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information about university history please see our \u003cextref href=\"http://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003ewebsite\u003c/extref\u003e. Further information about this collection may be found in the University of Central Florida Office of the President Records. Some Student Government documents have been catalogued and may be found by searching the [url=https://ucf.catalog.fcla.edu/cf.jsp]library catalog[/url].\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information about university history please see our  website . Further information about this collection may be found in the University of Central Florida Office of the President Records. Some Student Government documents have been catalogued and may be found by searching the [url=https://ucf.catalog.fcla.edu/cf.jsp]library catalog[/url]."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Conference Papers, 1975-1999 contains essays presented at various political science conferences and annual meetings, the most numerous of which being the varied Political Science Associations, at which Dr. Handberg made presentations virtually every year. Some folders arrived labeled with titles but without the actual documents. The last entry in this series is an empty folder inventory list which details the missing items.\u003c/p\u003e\n","\u003cp\u003eSeries II: Published Articles, 1972-1998 contains original published articles that appeared in various publications, the most numerous of which being Spaceflight, Technology in Society, and the Florida Scientist. Some folders arrived labeled with titles but without the actual documents. The last entry in this series is an empty folder inventory list which details the missing items.\u003c/p\u003e\n","\u003cp\u003eSeries III: Research Reports, 1982-1990 contains reports on topics such as Florida's sentencing guidelines and criminal justice system, state wildlife management, and county sheriffs in the South.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Interdepartmental Memorandums, 1973-1996 contains correspondence and memos relating to topics such as faculty meetings, Academic Standards Committee meetings, faculty annual reports, student evaluations, UCF Foundation Awards for Excellence, research grants, faculty newsletters, and departmental procedures and policies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Conference Papers, 1975-1999 contains essays presented at various political science conferences and annual meetings, the most numerous of which being the varied Political Science Associations, at which Dr. Handberg made presentations virtually every year. Some folders arrived labeled with titles but without the actual documents. The last entry in this series is an empty folder inventory list which details the missing items.","Series II: Published Articles, 1972-1998 contains original published articles that appeared in various publications, the most numerous of which being Spaceflight, Technology in Society, and the Florida Scientist. Some folders arrived labeled with titles but without the actual documents. The last entry in this series is an empty folder inventory list which details the missing items.","Series III: Research Reports, 1982-1990 contains reports on topics such as Florida's sentencing guidelines and criminal justice system, state wildlife management, and county sheriffs in the South.","Series IV: Interdepartmental Memorandums, 1973-1996 contains correspondence and memos relating to topics such as faculty meetings, Academic Standards Committee meetings, faculty annual reports, student evaluations, UCF Foundation Awards for Excellence, research grants, faculty newsletters, and departmental procedures and policies."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9d671399b5a5e7a3a0f7ad4f64954af1\" label=\"Abstract\"\u003eDr. Roger Handberg is a Political Science professor as well as the former chair of the Political Science Department. This collection of his papers contains essays presented at conferences, published articles, research reports, and interdepartmental memorandums. The arrangement of the materials, including the numbering system of the folders, was established by the office of Dr. Handberg.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Roger Handberg is a Political Science professor as well as the former chair of the Political Science Department. This collection of his papers contains essays presented at conferences, published articles, research reports, and interdepartmental memorandums. The arrangement of the materials, including the numbering system of the folders, was established by the office of Dr. Handberg."],"names_coll_ssim":["United States. National Aeronautics and Space Administration","Space Policy Advisory Board (U.S.)","United States. Supreme Court","University of Central Florida","Florida Technological University","United States. Department of Defense","Handberg, Roger"],"names_ssim":["UCF University Archives","United States. National Aeronautics and Space Administration","Space Policy Advisory Board (U.S.)","United States. Supreme Court","University of Central Florida","Florida Technological University","United States. Department of Defense","Handberg, Roger"],"corpname_ssim":["UCF University Archives","United States. National Aeronautics and Space Administration","Space Policy Advisory Board (U.S.)","United States. Supreme Court","University of Central Florida","Florida Technological University","United States. Department of Defense"],"persname_ssim":["Handberg, Roger"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858675175817216,"_root_":"eb53faa6c8dfd3603af82489","timestamp":"2026-07-16T08:17:48.137Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eb53faa6c8dfd3603af82489_aspace_62683"}},{"id":"18ce43a3c782b797db9fa781_aspace_178265","type":"Item","attributes":{"title":"42 Vanderbilt Houses","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178265#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. By T.H McAllister, Manufacturing Optician.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178265#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178265","ref_ssm":["aspace_178265","aspace_178265"],"id":"18ce43a3c782b797db9fa781_aspace_178265","title_filing_ssi":"42 Vanderbilt Houses","title_ssm":["42 Vanderbilt Houses"],"title_tesim":["42 Vanderbilt Houses"],"normalized_title_ssm":["42 Vanderbilt Houses"],"text":["42 Vanderbilt Houses","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York","Item 3","/repositories/2/archival_objects/81872","Black and white photograph. By T.H McAllister, Manufacturing Optician."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179826","18ce43a3c782b797db9fa781_aspace_178262"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel - New York"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 3","/repositories/2/archival_objects/81872"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1330,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. By T.H McAllister, Manufacturing Optician.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. By T.H McAllister, Manufacturing Optician."],"_nest_path_":"/components#23/components#2/components#2","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178262","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178265"}},{"id":"72deb24cd94ab58efde27fe0_aspace_1d9e604dc083a64271adfc638e1e078a","type":"File","attributes":{"title":"43","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_1d9e604dc083a64271adfc638e1e078a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1d9e604dc083a64271adfc638e1e078a","ref_ssm":["aspace_1d9e604dc083a64271adfc638e1e078a","aspace_1d9e604dc083a64271adfc638e1e078a"],"id":"72deb24cd94ab58efde27fe0_aspace_1d9e604dc083a64271adfc638e1e078a","title_filing_ssi":"43","title_ssm":["43"],"title_tesim":["43"],"normalized_title_ssm":["43"],"text":["43","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 25-48","/repositories/2/archival_objects/180998","box 84","folder 19"],"component_level_isim":[3],"parent_ids_ssim":["72deb24cd94ab58efde27fe0","72deb24cd94ab58efde27fe0_aspace_2d9b104ebf7440c2bfc40a074a9a843f","72deb24cd94ab58efde27fe0_aspace_72422cd0a1ef4225af3387b0bd6d4bf2"],"parent_unittitles_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 25-48"],"parent_unittitles_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 25-48"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/180998"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5980,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 84","folder 19"],"_nest_path_":"/components#3/components#1/components#18","_nest_parent_":"72deb24cd94ab58efde27fe0_aspace_72422cd0a1ef4225af3387b0bd6d4bf2","_root_":"72deb24cd94ab58efde27fe0","_version_":1877023012303142912,"timestamp":"2026-09-22T09:17:18.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72deb24cd94ab58efde27fe0","title_ssm":["Gandy Commercial and Aerial Photography collection"],"title_tesim":["Gandy Commercial and Aerial Photography collection"],"ead_ssi":"72deb24cd94ab58efde27fe0","unitdate_ssm":["1950-2010","Date acquired: 12/01/2010"],"unitdate_inclusive_ssm":["1950-2010"],"unitdate_other_ssim":["Date acquired: 12/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-02","/repositories/2/resources/390"],"text":["MS-2010-02","/repositories/2/resources/390","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Boats and boating -- Florida","Photograph collections","No restrictions.","Arranged alphabetically in two series (aerial and commercial photography).","Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.","Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/","The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed.","Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/","USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)","English"],"unitid_tesim":["MS-2010-02","/repositories/2/resources/390"],"normalized_date_ssm":["1950-2010, Date acquired: 12/01/2010"],"normalized_title_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_title_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creators_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Skip Gandy","Donation"],"access_subjects_ssim":["Boats and boating -- Florida","Photograph collections"],"access_subjects_ssm":["Boats and boating -- Florida","Photograph collections"],"has_online_content_ssim":["false"],"extent_ssm":["43.33 Linear Feet","80 boxes"],"extent_tesim":["43.33 Linear Feet","80 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically in two series (aerial and commercial photography).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically in two series (aerial and commercial photography)."],"bioghist_html_tesm":["\u003cp\u003eSkip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer.\u0026#xA0;With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010."],"prefercite_html_tesm":["\u003cp\u003eSkip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Skip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBay Study Group Collection.\u003c/p\u003e\n","\u003cp\u003ehttp://scholarcommons.usf.edu/basgp/\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/"],"scopecontent_html_tesm":["\u003cp\u003eThe negatives are from the years 1970-2010, documenting Skip Gandy's activities.\u0026#xA0; A few of the prints are from his father, Sandy Gandy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f0829ee87f156f9d8e1500edac814ac3\" label=\"Abstract\"\u003eThe Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.\u0026#xA0; Only the negatives, which comprise the bulk of the materials, have been fully processed.\u003c/abstract\u003e"],"abstract_tesim":["The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06412a435727cb367b88f193b6659b9d\"\u003ePhotographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877023012303142912,"_root_":"72deb24cd94ab58efde27fe0","timestamp":"2026-09-22T09:17:18.046Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_1d9e604dc083a64271adfc638e1e078a"}},{"id":"8030186565dd6cea11cc22bc_aspace_5f677da32e91e0795cc3a6f44b27926a","type":"Item","attributes":{"title":"430, 1994","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_5f677da32e91e0795cc3a6f44b27926a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSubject: Tape #2: Mag Lab: rolling shot, welding Notes: Mag Lab Type: B-Roll\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_5f677da32e91e0795cc3a6f44b27926a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5f677da32e91e0795cc3a6f44b27926a","ref_ssm":["aspace_5f677da32e91e0795cc3a6f44b27926a","aspace_5f677da32e91e0795cc3a6f44b27926a"],"id":"8030186565dd6cea11cc22bc_aspace_5f677da32e91e0795cc3a6f44b27926a","title_filing_ssi":"430","title_ssm":["430"],"title_tesim":["430"],"unitdate_other_ssim":["1994"],"normalized_date_ssm":["1994"],"normalized_title_ssm":["430, 1994"],"text":["430, 1994","University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999","310","/repositories/10/archival_objects/203188","Beta","box 12","case 20","Subject: \nTape #2: Mag Lab: rolling shot, welding\nNotes: \nMag Lab\nType: \nB-Roll"],"component_level_isim":[3],"parent_ids_ssim":["8030186565dd6cea11cc22bc","8030186565dd6cea11cc22bc_aspace_e9c2167f77306ca8fd4f60a8ad6bed8a","8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66"],"parent_unittitles_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_unittitles_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","1990-1999, 1990-1999"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["310","/repositories/10/archival_objects/203188"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"physdesc_tesim":["Beta"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":365,"parent_access_restrict_tesm":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 12","case 20"],"scopecontent_html_tesm":["\u003cp\u003eSubject: \nTape #2: Mag Lab: rolling shot, welding\nNotes: \nMag Lab\nType: \nB-Roll\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subject: \nTape #2: Mag Lab: rolling shot, welding\nNotes: \nMag Lab\nType: \nB-Roll"],"_nest_path_":"/components#0/components#1/components#309","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_2e9945b89ecac0a7d6d1f2bf57158b66","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. 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The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872306257437655040,"_root_":"8030186565dd6cea11cc22bc","timestamp":"2026-08-01T07:46:30.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_5f677da32e91e0795cc3a6f44b27926a"}},{"id":"59327c0abe5aee857a5586d7_aspace_021aeb4c72e5110290b35c280a2d8440","type":"File","attributes":{"title":"430-Acre Quadrant Development. Fresno, California., 29-Aug-1985.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_021aeb4c72e5110290b35c280a2d8440#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_021aeb4c72e5110290b35c280a2d8440","ref_ssm":["aspace_021aeb4c72e5110290b35c280a2d8440","aspace_021aeb4c72e5110290b35c280a2d8440"],"id":"59327c0abe5aee857a5586d7_aspace_021aeb4c72e5110290b35c280a2d8440","title_filing_ssi":"430-Acre Quadrant Development. Fresno, California.","title_ssm":["430-Acre Quadrant Development. Fresno, California."],"title_tesim":["430-Acre Quadrant Development. Fresno, California."],"unitdate_inclusive_ssm":["29-Aug-1985."],"normalized_date_ssm":["29-Aug-1985."],"normalized_title_ssm":["430-Acre Quadrant Development. Fresno, California., 29-Aug-1985."],"text":["430-Acre Quadrant Development. Fresno, California., 29-Aug-1985.","Harrison \"Buzz\" Price papers, 1948-2006","Proposals, 1976-2001","Highest and Best Use (Property Development)., 1980-1991","/repositories/4/archival_objects/70884","box 151","folder 46"],"component_level_isim":[3],"parent_ids_ssim":["59327c0abe5aee857a5586d7","59327c0abe5aee857a5586d7_aspace_bf16fb2111a42ce7ac9d68ac44b15411","59327c0abe5aee857a5586d7_aspace_0015a5033e66391a0ed6091138c3de52"],"parent_unittitles_ssm":["Harrison \"Buzz\" Price papers, 1948-2006","Proposals, 1976-2001","Highest and Best Use (Property Development)., 1980-1991"],"parent_unittitles_tesim":["Harrison \"Buzz\" Price papers, 1948-2006","Proposals, 1976-2001","Highest and Best Use (Property Development)., 1980-1991"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/70884"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1981,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 151","folder 46"],"_nest_path_":"/components#1/components#40/components#3","_nest_parent_":"59327c0abe5aee857a5586d7_aspace_0015a5033e66391a0ed6091138c3de52","_root_":"59327c0abe5aee857a5586d7","_version_":1870858054322356224,"timestamp":"2026-07-16T08:07:55.983Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 047","/repositories/4/resources/299"],"text":["SC 047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC 047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858054322356224,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-07-16T08:07:55.983Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_021aeb4c72e5110290b35c280a2d8440"}},{"id":"8030186565dd6cea11cc22bc_aspace_81379682080de976d44abaf53eba8840","type":"Item","attributes":{"title":"430 D, 2005 02 02","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_81379682080de976d44abaf53eba8840#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eType: Master\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_81379682080de976d44abaf53eba8840#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_81379682080de976d44abaf53eba8840","ref_ssm":["aspace_81379682080de976d44abaf53eba8840","aspace_81379682080de976d44abaf53eba8840"],"id":"8030186565dd6cea11cc22bc_aspace_81379682080de976d44abaf53eba8840","title_filing_ssi":"430 D","title_ssm":["430 D"],"title_tesim":["430 D"],"unitdate_other_ssim":["2005 02 02"],"normalized_date_ssm":["2005 02 02"],"normalized_title_ssm":["430 D, 2005 02 02"],"text":["430 D, 2005 02 02","University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","2000-2009, 2000-2009","982","/repositories/10/archival_objects/205009","DVCPRO","box 67","case 121","Type: \nMaster"],"component_level_isim":[3],"parent_ids_ssim":["8030186565dd6cea11cc22bc","8030186565dd6cea11cc22bc_aspace_e9c2167f77306ca8fd4f60a8ad6bed8a","8030186565dd6cea11cc22bc_aspace_b795b38e194b2303dbec0cde11bb3a9d"],"parent_unittitles_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","2000-2009, 2000-2009"],"parent_unittitles_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013","Tapes","2000-2009, 2000-2009"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["982","/repositories/10/archival_objects/205009"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"physdesc_tesim":["DVCPRO"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2186,"parent_access_restrict_tesm":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 67","case 121"],"scopecontent_html_tesm":["\u003cp\u003eType: \nMaster\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Type: \nMaster"],"_nest_path_":"/components#0/components#2/components#981","_nest_parent_":"8030186565dd6cea11cc22bc_aspace_b795b38e194b2303dbec0cde11bb3a9d","_root_":"8030186565dd6cea11cc22bc","_version_":1872306257437655040,"timestamp":"2026-08-01T07:46:30.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8030186565dd6cea11cc22bc","title_ssm":["University Communications Collection"],"title_tesim":["University Communications Collection"],"ead_ssi":"8030186565dd6cea11cc22bc","unitdate_ssm":["1940-2013","1990-2013"],"unitdate_bulk_ssim":["1990-2013"],"unitdate_inclusive_ssm":["1940-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-009","/repositories/10/resources/1899"],"text":["HUA 2016-009","/repositories/10/resources/1899","University Communications Collection, 1940-2013, bulk 1990-2013","Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.","Date accessioned: 2016/07/22","Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","HUA 2016-098","This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-009","/repositories/10/resources/1899"],"normalized_date_ssm":["1940-2013, bulk 1990-2013"],"normalized_title_ssm":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_title_tesim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"collection_ssim":["University Communications Collection, 1940-2013, bulk 1990-2013"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"extent_tesim":["76 boxes","76 Linear Feet","2254 Cassettes","881 Cassettes","765 items","462 Cassettes","40 Cassettes","28 items","24 Cassettes","5 Cassettes","2 Cassettes","2 items","2 items","1 Cassettes","1 items","75 boxes","75 Linear Feet","151 boxes"],"physfacet_tesim":["76 boxes of audiovisual material","76 linear feet of audiovisual material","Betacam","DVCPRO","DVD","Mini DV","U-Matic 3/4","CD-R","VHS","DVCPRO L","DVCAM","Mini DVD","MiniDisc","Audio Cassette","Box of slides","75 boxes of subject files","75 linear feet of subject files"],"accessrestrict_html_tesm":["\u003cp\u003eContents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Access note below. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Contents of this collection are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","See also Technical Access note below. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Office of University Communications supports Florida State University by maximizing awareness and appreciation for the university's mission and impact while highlighting its distinctiveness and advancing the university's reputation."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/07/22\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/07/22"],"phystech_html_tesm":["\u003cp\u003eContent of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access"],"phystech_tesim":["Content of audiovisual media may not be immediately accessible to researchers. For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized, or are born-digital materials, and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huauniversitycommunications\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. 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