{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?page=1260\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?page=1259\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?page=1261\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?page=65767\u0026view=list"},"meta":{"pages":{"current_page":1260,"next_page":1261,"prev_page":1259,"total_pages":65767,"limit_value":10,"offset_value":12590,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"f927b9df25ec0aef2ec17101_aspace_5d58dcee2a5e85b513f5af0410a9fdc9","type":"Item","attributes":{"title":"2 Toneles Shot Glasses","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_5d58dcee2a5e85b513f5af0410a9fdc9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5d58dcee2a5e85b513f5af0410a9fdc9","ref_ssm":["aspace_5d58dcee2a5e85b513f5af0410a9fdc9","aspace_5d58dcee2a5e85b513f5af0410a9fdc9"],"id":"f927b9df25ec0aef2ec17101_aspace_5d58dcee2a5e85b513f5af0410a9fdc9","title_filing_ssi":"2 Toneles Shot Glasses \n","title_ssm":["2 Toneles Shot Glasses \n"],"title_tesim":["2 Toneles Shot Glasses \n"],"normalized_title_ssm":["2 Toneles Shot Glasses"],"text":["2 Toneles Shot Glasses","Ramiro Casañas Collection, 1805-2006","3D Objects","Box 46","/repositories/2/archival_objects/84410","box 46","object 7"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_a308da9abfe60688dc214708af939a17","f927b9df25ec0aef2ec17101_aspace_964eaf57ba9532acd3233b4fc8acffad"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 46"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 46"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/84410"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":800,"containers_ssim":["box 46","object 7"],"_nest_path_":"/components#13/components#3/components#6","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_964eaf57ba9532acd3233b4fc8acffad","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. 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Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. 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Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. 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Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_28b5872238c7bdcf820cbd55e39bbecf"}},{"id":"b51e8a72965b4eeabced34d8_aspace_d28db1e33cfd63a82b6be805486c65a7","type":"Item","attributes":{"title":"2 University of South Florida St. Petersburg College of Business rendering posters","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b51e8a72965b4eeabced34d8_aspace_d28db1e33cfd63a82b6be805486c65a7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d28db1e33cfd63a82b6be805486c65a7","ref_ssm":["aspace_d28db1e33cfd63a82b6be805486c65a7","aspace_d28db1e33cfd63a82b6be805486c65a7"],"id":"b51e8a72965b4eeabced34d8_aspace_d28db1e33cfd63a82b6be805486c65a7","title_filing_ssi":"2 University of South Florida St. Petersburg College of Business rendering posters ","title_ssm":["2 University of South Florida St. Petersburg College of Business rendering posters "],"title_tesim":["2 University of South Florida St. Petersburg College of Business rendering posters "],"normalized_title_ssm":["2 University of South Florida St. Petersburg College of Business rendering posters"],"text":["2 University of South Florida St. Petersburg College of Business rendering posters","Lynn Pippenger collection, 1963-2013","Oversized material","/repositories/3/archival_objects/217292"],"component_level_isim":[2],"parent_ids_ssim":["b51e8a72965b4eeabced34d8","b51e8a72965b4eeabced34d8_aspace_ffdc79caf88346cff5262537ecca6e6d"],"parent_unittitles_ssm":["Lynn Pippenger collection, 1963-2013","Oversized material"],"parent_unittitles_tesim":["Lynn Pippenger collection, 1963-2013","Oversized material"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/217292"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Lynn Pippenger collection, 1963-2013"],"extent_ssm":["2 items"],"extent_tesim":["2 items"],"dimensions_tesim":[""],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":90,"parent_access_restrict_tesm":["None"],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#4/components#6","_nest_parent_":"b51e8a72965b4eeabced34d8_aspace_ffdc79caf88346cff5262537ecca6e6d","_root_":"b51e8a72965b4eeabced34d8","_version_":1871676756313767936,"timestamp":"2026-07-25T09:00:51.111Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b51e8a72965b4eeabced34d8","title_ssm":["Lynn Pippenger collection"],"title_tesim":["Lynn Pippenger collection"],"ead_ssi":"b51e8a72965b4eeabced34d8","unitdate_ssm":["1963-2013"],"unitdate_inclusive_ssm":["1963-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2017-002","/repositories/3/resources/766"],"text":["SP-MS-2017-002","/repositories/3/resources/766","Lynn Pippenger collection, 1963-2013","Financial institutions","Business enterprises","Architectural rendering","Designs and plans","Administration buildings","Clippings (Books, newspapers, etc.)","St. Petersburg Times (St. Petersburg, Fla.)","None","Lynn Pippenger (1939-2026) was a business leader and philanthropist in the Tampa Bay area. She joined a small accounting firm in 1969 as a payroll clerk, eventually rising to the ranks of Chief Financial Officer and Treasurer of the company now known as Raymond James Financial, Inc. During her 43-year career at Raymond James, she developed the company's Learning and Development team, was involved in the company's transition to a publicly traded company, and established the Information Technology department. Lynn earned her Bachelor of Science in Accountancy over a 16-year period while taking night classes at St. Petersburg Junior College and the University of South Florida (USF) St. Petersburg. She earned her Executive Master of Business Administration, grauduating with honors from USF Tampa in 1988. Her philanthropic contributions to the Tampa Bay area supported education and local history. She funded scholarships, internships, study abroad opportunities, academic programs, and facilities across the USF system, including being the benefactor for Lynn Pippenger Hall on the USF St. Petersburg campus. She also helped establish the Geneaology Department at the Largo Public Library, underwrote the Lynn Pippenger St. Petersburg History Collection at the Nelson Poynter Memorial Library at USF St. Petersburg, and established the Pippenger Promise at the Osborne Academy in Willoughby, Ohio.","Collection divided into five series: Raymond James Financial, Lynn Pippenger Hall design, personal papers, newspaper clippings, and oversized materials. The Raymond James Financial series contains materials from Lynn Pippenger's tenure at the firm, including correspondence, reports, publications, marketing materials, and project documentation. The Lynn Pippenger Hall design series consists of materials created during the design and construction of the building from various architectural and construction firms. The personal papers series has materials related to Lynn's personal life and interests, like materials from Delta Sigma Phi sorority, certificates, invitations and letters, and materials from her travels. The newspaper clippings series has newspaper clippings that Lynn collected related to her interests and major events during her lifetime, such as sporting events, presidential elections, the Robert F. Kennedy assassination, the moon landing, the millenium celebration and Y2K, and 9/11. Finally, the oversized materials series contains materials related to the construction of Lynn Pippenger hall, including the architectural model of the building, posters, architectural renderings of the building.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection is sourced from Lynn Pippenger consisting of various Raymond James Financial material, architectural building designs for Lynn Pippenger Hall, personal papers, and newspapers.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","English"],"unitid_tesim":["SP-MS-2017-002","/repositories/3/resources/766"],"normalized_date_ssm":["1963-2013"],"normalized_title_ssm":["Lynn Pippenger collection, 1963-2013"],"collection_title_tesim":["Lynn Pippenger collection, 1963-2013"],"collection_ssim":["Lynn Pippenger collection, 1963-2013"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Financial institutions","Business enterprises","Architectural rendering","Designs and plans","Administration buildings","Clippings (Books, newspapers, etc.)","St. Petersburg Times (St. Petersburg, Fla.)"],"access_subjects_ssm":["Financial institutions","Business enterprises","Architectural rendering","Designs and plans","Administration buildings","Clippings (Books, newspapers, etc.)","St. Petersburg Times (St. Petersburg, Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["11 boxes"],"extent_tesim":["11 boxes"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None"],"bioghist_html_tesm":["\u003cp\u003eLynn Pippenger (1939-2026) was a business leader and philanthropist in the Tampa Bay area. She joined a small accounting firm in 1969 as a payroll clerk, eventually rising to the ranks of Chief Financial Officer and Treasurer of the company now known as Raymond James Financial, Inc. During her 43-year career at Raymond James, she developed the company's Learning and Development team, was involved in the company's transition to a publicly traded company, and established the Information Technology department. Lynn earned her Bachelor of Science in Accountancy over a 16-year period while taking night classes at St. Petersburg Junior College and the University of South Florida (USF) St. Petersburg. She earned her Executive Master of Business Administration, grauduating with honors from USF Tampa in 1988. Her philanthropic contributions to the Tampa Bay area supported education and local history. She funded scholarships, internships, study abroad opportunities, academic programs, and facilities across the USF system, including being the benefactor for Lynn Pippenger Hall on the USF St. Petersburg campus. She also helped establish the Geneaology Department at the Largo Public Library, underwrote the Lynn Pippenger St. Petersburg History Collection at the Nelson Poynter Memorial Library at USF St. Petersburg, and established the Pippenger Promise at the Osborne Academy in Willoughby, Ohio.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lynn Pippenger (1939-2026) was a business leader and philanthropist in the Tampa Bay area. She joined a small accounting firm in 1969 as a payroll clerk, eventually rising to the ranks of Chief Financial Officer and Treasurer of the company now known as Raymond James Financial, Inc. During her 43-year career at Raymond James, she developed the company's Learning and Development team, was involved in the company's transition to a publicly traded company, and established the Information Technology department. Lynn earned her Bachelor of Science in Accountancy over a 16-year period while taking night classes at St. Petersburg Junior College and the University of South Florida (USF) St. Petersburg. She earned her Executive Master of Business Administration, grauduating with honors from USF Tampa in 1988. Her philanthropic contributions to the Tampa Bay area supported education and local history. She funded scholarships, internships, study abroad opportunities, academic programs, and facilities across the USF system, including being the benefactor for Lynn Pippenger Hall on the USF St. Petersburg campus. She also helped establish the Geneaology Department at the Largo Public Library, underwrote the Lynn Pippenger St. Petersburg History Collection at the Nelson Poynter Memorial Library at USF St. Petersburg, and established the Pippenger Promise at the Osborne Academy in Willoughby, Ohio."],"prefercite_html_tesm":["\u003cp\u003eLynn Pippenger collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Lynn Pippenger collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eCollection divided into five series: Raymond James Financial, Lynn Pippenger Hall design, personal papers, newspaper clippings, and oversized materials. The Raymond James Financial series contains materials from Lynn Pippenger's tenure at the firm, including correspondence, reports, publications, marketing materials, and project documentation. The Lynn Pippenger Hall design series consists of materials created during the design and construction of the building from various architectural and construction firms. The personal papers series has materials related to Lynn's personal life and interests, like materials from Delta Sigma Phi sorority, certificates, invitations and letters, and materials from her travels. The newspaper clippings series has newspaper clippings that Lynn collected related to her interests and major events during her lifetime, such as sporting events, presidential elections, the Robert F. Kennedy assassination, the moon landing, the millenium celebration and Y2K, and 9/11. Finally, the oversized materials series contains materials related to the construction of Lynn Pippenger hall, including the architectural model of the building, posters, architectural renderings of the building.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection divided into five series: Raymond James Financial, Lynn Pippenger Hall design, personal papers, newspaper clippings, and oversized materials. The Raymond James Financial series contains materials from Lynn Pippenger's tenure at the firm, including correspondence, reports, publications, marketing materials, and project documentation. The Lynn Pippenger Hall design series consists of materials created during the design and construction of the building from various architectural and construction firms. The personal papers series has materials related to Lynn's personal life and interests, like materials from Delta Sigma Phi sorority, certificates, invitations and letters, and materials from her travels. The newspaper clippings series has newspaper clippings that Lynn collected related to her interests and major events during her lifetime, such as sporting events, presidential elections, the Robert F. Kennedy assassination, the moon landing, the millenium celebration and Y2K, and 9/11. Finally, the oversized materials series contains materials related to the construction of Lynn Pippenger hall, including the architectural model of the building, posters, architectural renderings of the building."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d78f078d69a941912042af9f6302cda7\"\u003eCollection is sourced from Lynn Pippenger consisting of various Raymond James Financial material, architectural building designs for Lynn Pippenger Hall, personal papers, and newspapers.\u003c/abstract\u003e"],"abstract_tesim":["Collection is sourced from Lynn Pippenger consisting of various Raymond James Financial material, architectural building designs for Lynn Pippenger Hall, personal papers, and newspapers."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"language_ssim":["English"],"total_component_count_is":90,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871676756313767936,"_root_":"b51e8a72965b4eeabced34d8","timestamp":"2026-07-25T09:00:51.111Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b51e8a72965b4eeabced34d8_aspace_d28db1e33cfd63a82b6be805486c65a7"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_169178","type":"Item","attributes":{"title":"2-up","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_169178#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph. Part Three. With a cruel determination to bring down the fortress of freedom at any cost, the Romans begin using their catapult to hurl Jewish slaves – including the father of one of the rebel patriots – against the fortress walls when General Silva loses command in Part III of \"Masada,\" the ABC Television Network's historical drama which continues Tuesday, April 7 (9:00-11:00 p.m., EST). The \"ABC Novel for Television\" presentation reaches its powerful conclusion Wednesday, April 8 (9:00-11:00 p.m., EST). Subjects: Romans preparing to catapult slaves to their death. Program: \"ABC Novel for Television\" – \"Masada – Part III.\" On Air: Tuesday, April 7 (9:00-11:00 p.m., EST). JSP 3/10/81. For editorial use only. All rights reserved.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_169178#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_169178","ref_ssm":["aspace_169178","aspace_169178"],"id":"a0a65b28104bce9cf5ed2e36_aspace_169178","title_filing_ssi":"2-up","title_ssm":["2-up"],"title_tesim":["2-up"],"normalized_title_ssm":["2-up"],"text":["2-up","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Classic Television","Masada, 1981","Item 15","/repositories/2/archival_objects/17867","Black and white photograph. Part Three. With a cruel determination to bring down the fortress of freedom at any cost, the Romans begin using their catapult to hurl Jewish slaves – including the father of one of the rebel patriots – against the fortress walls when General Silva loses command in Part III of \"Masada,\" the ABC Television Network's historical drama which continues Tuesday, April 7 (9:00-11:00 p.m., EST). The \"ABC Novel for Television\" presentation reaches its powerful conclusion Wednesday, April 8 (9:00-11:00 p.m., EST). Subjects: Romans preparing to catapult slaves to their death. Program: \"ABC Novel for Television\" – \"Masada – Part III.\" On Air: Tuesday, April 7 (9:00-11:00 p.m., EST). JSP 3/10/81. For editorial use only. All rights reserved."],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_169053","a0a65b28104bce9cf5ed2e36_aspace_169163"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Classic Television","Masada, 1981"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Classic Television","Masada, 1981"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 15","/repositories/2/archival_objects/17867"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":5249,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph. Part Three. With a cruel determination to bring down the fortress of freedom at any cost, the Romans begin using their catapult to hurl Jewish slaves \u0026#x2013; including the father of one of the rebel patriots \u0026#x2013; against the fortress walls when General Silva loses command in Part III of \"Masada,\" the ABC Television Network's historical drama which continues Tuesday, April 7 (9:00-11:00 p.m., EST). The \"ABC Novel for Television\" presentation reaches its powerful conclusion Wednesday, April 8 (9:00-11:00 p.m., EST). Subjects: Romans preparing to catapult slaves to their death. Program: \"ABC Novel for Television\" \u0026#x2013; \"Masada \u0026#x2013; Part III.\" On Air: Tuesday, April 7 (9:00-11:00 p.m., EST). JSP 3/10/81. For editorial use only. All rights reserved.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. Part Three. With a cruel determination to bring down the fortress of freedom at any cost, the Romans begin using their catapult to hurl Jewish slaves – including the father of one of the rebel patriots – against the fortress walls when General Silva loses command in Part III of \"Masada,\" the ABC Television Network's historical drama which continues Tuesday, April 7 (9:00-11:00 p.m., EST). The \"ABC Novel for Television\" presentation reaches its powerful conclusion Wednesday, April 8 (9:00-11:00 p.m., EST). Subjects: Romans preparing to catapult slaves to their death. Program: \"ABC Novel for Television\" – \"Masada – Part III.\" On Air: Tuesday, April 7 (9:00-11:00 p.m., EST). JSP 3/10/81. For editorial use only. All rights reserved."],"_nest_path_":"/components#22/components#21/components#14","_nest_parent_":"a0a65b28104bce9cf5ed2e36_aspace_169163","_root_":"a0a65b28104bce9cf5ed2e36","_version_":1873942720913866752,"timestamp":"2026-08-19T09:17:23.247Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0a65b28104bce9cf5ed2e36","title_ssm":["William Knight Zewadski Classical movie stills collection"],"title_tesim":["William Knight Zewadski Classical movie stills collection"],"ead_ssi":"a0a65b28104bce9cf5ed2e36","unitdate_ssm":["1860-2007","Date acquired: 00/00/2018"],"unitdate_inclusive_ssm":["1860-2007"],"unitdate_other_ssim":["Date acquired: 00/00/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Z11","/repositories/2/resources/82"],"text":["Z11","/repositories/2/resources/82","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume","The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.","USF Libraries - Tampa Special Collections","Zewadski, William Knight","English"],"unitid_tesim":["Z11","/repositories/2/resources/82"],"normalized_date_ssm":["1860-2007, Date acquired: 00/00/2018"],"normalized_title_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"collection_title_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Zewadski, William Knight"],"creator_ssim":["Zewadski, William Knight"],"creator_persname_ssim":["Zewadski, William Knight"],"creators_ssim":["Zewadski, William Knight"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["William Knight Zewadski","Donation."],"access_subjects_ssim":["Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume"],"access_subjects_ssm":["Film and TV studies","Photography","Photographs","Postcards","Greek drama","Ballet","Theater","Art and opera","Costume"],"has_online_content_ssim":["false"],"extent_ssm":["11.42 Linear Feet","28 boxes"],"extent_tesim":["11.42 Linear Feet","28 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged topically and according to chronology. The donor's original order is maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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The Conclusion. Peter Strauss (bottom, center) gathers his forces for a final, defiant battle as the Roman army assaults their walls with the aid of a giant ramp (top) in the startling conclusion of the ABC Television Network's \"Masada\" Wednesday, April 8 (9:00-11:00 p.m. EST). Subjects: (Top) Romans and Zealots (Bottom-center) Peter Strauss. Program: \"ABC Novel for Television\" \u0026#x2013; \"Masada \u0026#x2013; Part III.\" On Air: Tuesday, April 7 (9:00-11:00 p.m., EST). JSP 3/10/81. For editorial use only. All rights reserved.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph. The Conclusion. Peter Strauss (bottom, center) gathers his forces for a final, defiant battle as the Roman army assaults their walls with the aid of a giant ramp (top) in the startling conclusion of the ABC Television Network's \"Masada\" Wednesday, April 8 (9:00-11:00 p.m. EST). Subjects: (Top) Romans and Zealots (Bottom-center) Peter Strauss. Program: \"ABC Novel for Television\" – \"Masada – Part III.\" On Air: Tuesday, April 7 (9:00-11:00 p.m., EST). JSP 3/10/81. For editorial use only. 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The donor's original order is maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.  Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford."],"names_ssim":["USF Libraries - Tampa Special Collections","Zewadski, William Knight"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Zewadski, William Knight"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6120,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873942720913866752,"_root_":"a0a65b28104bce9cf5ed2e36","timestamp":"2026-08-19T09:17:23.247Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_169179"}},{"id":"f8f446b15f81524e15fa326b_aspace_135344","type":"Item","attributes":{"title":"(2) U.S. Army 'dog' tags","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_135344#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDonor: Hoop, Philip\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_135344#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_135344","ref_ssm":["aspace_135344","aspace_135344"],"id":"f8f446b15f81524e15fa326b_aspace_135344","title_filing_ssi":"(2) U.S. Army 'dog' tags","title_ssm":["(2) U.S. Army 'dog' tags"],"title_tesim":["(2) U.S. Army 'dog' tags"],"normalized_title_ssm":["(2) U.S. Army 'dog' tags"],"text":["(2) U.S. Army 'dog' tags","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Artifacts","Oversize 13","Item 9","/repositories/10/archival_objects/8881","Donor: Hoop, Philip","Branch: U.S. Army","Theater: European","Other: Identification tags belonging to Philip Hoop. Present on the chain along with the tags is one British penny."],"component_level_isim":[3],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_133747","f8f446b15f81524e15fa326b_aspace_134514"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Artifacts","Oversize 13"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Artifacts","Oversize 13"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["Item 9","/repositories/10/archival_objects/8881"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":8535,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"scopecontent_html_tesm":["\u003cp\u003eDonor: Hoop, Philip\u003c/p\u003e","\u003cp\u003eBranch: U.S. Army\u003c/p\u003e","\u003cp\u003eTheater: European\u003c/p\u003e","\u003cp\u003eOther: Identification tags belonging to Philip Hoop. Present on the chain along with the tags is one British penny.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Donor: Hoop, Philip","Branch: U.S. Army","Theater: European","Other: Identification tags belonging to Philip Hoop. 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Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_135344"}},{"id":"d1ea106fa8cbccd8c648e8d4_aspace_24424","type":"Item","attributes":{"title":"\"2. - Verdun bombarde. - Rue Sainte-Pierre\", n.d.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d1ea106fa8cbccd8c648e8d4_aspace_24424#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_24424","ref_ssm":["aspace_24424","aspace_24424"],"id":"d1ea106fa8cbccd8c648e8d4_aspace_24424","title_filing_ssi":"\"2. - Verdun bombarde. - Rue Sainte-Pierre\"","title_ssm":["\"2. - Verdun bombarde. - Rue Sainte-Pierre\""],"title_tesim":["\"2. - Verdun bombarde. - Rue Sainte-Pierre\""],"unitdate_other_ssim":["n.d."],"normalized_date_ssm":["n.d."],"normalized_title_ssm":["\"2. - Verdun bombarde. - Rue Sainte-Pierre\", n.d."],"text":["\"2. - Verdun bombarde. - Rue Sainte-Pierre\", n.d.","William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards","Item 72","/repositories/2/archival_objects/51607","3.5\"X5.5\" - Black And White Postcard","box 3"],"component_level_isim":[3],"parent_ids_ssim":["d1ea106fa8cbccd8c648e8d4","d1ea106fa8cbccd8c648e8d4_aspace_24256","d1ea106fa8cbccd8c648e8d4_aspace_24410"],"parent_unittitles_ssm":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards"],"parent_unittitles_tesim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944","WW II Photographs","Postcards"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 72","/repositories/2/archival_objects/51607"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["William Rosenblatt Photography Collection, 1944-1945, bulk 1944"],"physdesc_tesim":["3.5\"X5.5\" - Black And White Postcard"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":164,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3"],"_nest_path_":"/components#0/components#2/components#12","_nest_parent_":"d1ea106fa8cbccd8c648e8d4_aspace_24410","_root_":"d1ea106fa8cbccd8c648e8d4","_version_":1870841708719112192,"timestamp":"2026-07-16T03:48:07.664Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d1ea106fa8cbccd8c648e8d4","title_ssm":["William Rosenblatt Photography Collection"],"title_tesim":["William Rosenblatt Photography Collection"],"ead_ssi":"d1ea106fa8cbccd8c648e8d4","unitdate_ssm":["1944-1945","1944"],"unitdate_bulk_ssim":["1944"],"unitdate_inclusive_ssm":["1944-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00020","/repositories/2/resources/148"],"text":["SPC00020","/repositories/2/resources/148","William Rosenblatt Photography Collection, 1944-1945, bulk 1944","World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Teresa Van Dyke processed this collection.","William Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. Most of the photographs depict various members of the United States Army and relief organization workers in France and Belgium. The collection also contains some personal photographs of William Rosenblatt in Paris during that time and some postcards from Laval and Verdun France.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945"],"access_subjects_ssm":["World War, 1939-1945 -- Photography","\tWar photographers -- United States","United States -- Army -- Photographers","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet","173 items other_unmapped"],"extent_tesim":["2.50 Linear Feet","173 items other_unmapped"],"date_range_isim":[1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eWilliam Rosenblatt Collection contains black and white photographs taken by the United States Army Signal Corps during World War II. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","William Rosenblatt"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["William Rosenblatt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":177,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841708719112192,"_root_":"d1ea106fa8cbccd8c648e8d4","timestamp":"2026-07-16T03:48:07.664Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d1ea106fa8cbccd8c648e8d4_aspace_24424"}},{"id":"9b6c5cac15ddfe0d7dfc030e_aspace_141529","type":"File","attributes":{"title":"2 volumes of the Jean-Pierre Osenat's auction collections of Napoleonic materials., 2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b6c5cac15ddfe0d7dfc030e_aspace_141529#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_141529","ref_ssm":["aspace_141529","aspace_141529"],"id":"9b6c5cac15ddfe0d7dfc030e_aspace_141529","title_filing_ssi":"2 volumes of the Jean-Pierre Osenat's auction collections of Napoleonic materials.","title_ssm":["2 volumes of the Jean-Pierre Osenat's auction collections of Napoleonic materials."],"title_tesim":["2 volumes of the Jean-Pierre Osenat's auction collections of Napoleonic materials."],"unitdate_other_ssim":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["2 volumes of the Jean-Pierre Osenat's auction collections of Napoleonic materials., 2013"],"text":["2 volumes of the Jean-Pierre Osenat's auction collections of Napoleonic materials., 2013","Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","Publications and other writings","Catalogs","Folder 4","/repositories/10/archival_objects/114901","box 33","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["9b6c5cac15ddfe0d7dfc030e","9b6c5cac15ddfe0d7dfc030e_aspace_39467","9b6c5cac15ddfe0d7dfc030e_aspace_98840"],"parent_unittitles_ssm":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","Publications and other writings","Catalogs"],"parent_unittitles_tesim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","Publications and other writings","Catalogs"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 4","/repositories/10/archival_objects/114901"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":313,"parent_access_restrict_tesm":["This collections is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 33","folder 4"],"_nest_path_":"/components#3/components#0/components#1","_nest_parent_":"9b6c5cac15ddfe0d7dfc030e_aspace_98840","_root_":"9b6c5cac15ddfe0d7dfc030e","_version_":1870859098529988608,"timestamp":"2026-07-16T08:24:31.877Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b6c5cac15ddfe0d7dfc030e","title_ssm":["Donald D. Horward Papers"],"title_tesim":["Donald D. Horward Papers"],"ead_ssi":"9b6c5cac15ddfe0d7dfc030e","unitdate_ssm":["1961-2011","Date acquired: 05/26/2011"],"unitdate_inclusive_ssm":["1961-2011"],"unitdate_other_ssim":["Date acquired: 05/26/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2011-0415","/repositories/10/resources/681"],"text":["MSS 2011-0415","/repositories/10/resources/681","Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011","This collections is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Additions to collections:","May 26 and June 6, 2011","June 20, 2012","July 24 and December 19, 2013","The Donald D. Horward Papers are organized in four series:","Series 1. Professional Files. Arranged alphabetically by subject, then chronologically within subject.","                  Sub-Series 1.  Addresses and Papers","                  Sub-Series 2. Awards","                  Sub-Series 3. Committees","                  Sub-Series 4. Correspondence","                  Sub-Series 5. Writings","                  Sub-Series 6. Teaching Materials","                  Sub-Series 7. Research Materials","Series 2. Institute on Napoleon and the French Revolution. Each sub-series arranged chronologically.","                  Sub-Series 1. General Files","                  Sub-Series 2. Financial Records","                  Sub-Series 3. Project Files","Series 3. Consortia and Conference Files","                 Sub-Series 1. Consortia. Arranged chronologically.","                 Sub-Series 2. Congresses. Arranged alphabetically by Congress, then chronologically within each Congress.","                 Sub-Series 3. Conferences and Symposia. Arranged alphabetically by conference or symposia, then chronologically within each Congress.","Series 4. Publications.  All sub-series arranged alphabetically by publication.","                 Sub-Series 1. Catalogs","                 Sub-Series 2. Napoleonic Journals","                 Sub-Series 3. Monographs","Dr. Donald Horward, a native of Pennsylvania, received his B.A. at Waynesburg College, his M.A. from Ohio University, and his Ph.D. from the University of Minnesota.  He joined the faculty at Florida State University (FSU) in 1961.  Since his arrival on campus, over 16,000 students have been introduced to Napoleon and the French Revolution in his classes through the Institute on Napoleon and the French Revolution.  Graduate students were quickly attracted to the field and by 1963 the first master's degree was awarded. Three years later, the first Ph.D. graduated in Napoleonic history from FSU.\n  Dr. Horward was awarded the Distinguished Professorship in Military History at West Point and  taught  over  6,000  cadets  there. He also held  the  Edwin Conquest  Eminent Scholar Chair at Virginia Military Institute and taught hundreds of cadets in Lexington.He has written or contributed over  twenty  volumes  and  almost  sixty articles in scholarly journals, delivered  over 200  papers  and  throughout  the  U.S.and  Europe,  and  his contributions have been recognized by decorations from six countries.\n  A total of 101 doctorates and M.A. theses were completed under Dr. Horward's direction, making FSU the most prolific center for the study of Napoleon in the U.S. A unique aspect of the Institute program has been its relationship with the U.S. Military Academy at West Point.  Seventeen officers, destined for the history faculty at West Point, have been trained in the Napoleonic period at the Institute.  This is particularly appropriate since a large segment of the Military Art Course, required of all cadets, focuses on Napoleon and his system of operations.\n  Dr. Horward was the recipient of the first university-wide teaching award, and received five additional awards for excellence in teaching, including the title of Distinguished Teaching Professor.  He lectured at universities throughout the U.S., the Smithsonian on several occasions, and gave presentations in Europe at such universities as Frederick Schiller University in Germany, Charles University and Masaryk Universities in the Czech Republic, Cambridge University and Southampton University in England, the University of Budapest in Hungary, and the Borodino/Mazajsk Center, Russia.\n  In 1998, Dr. Ben Weider established at Florida State University the first chair devoted to the Napoleonic period in the U.S. and Dr. Horward was designated as the first chair holder. Dr. Weider also established a chair in the French Revolution and four scholarships for the study of Napoleon  at  FSU.  Soon thereafter, Baron  Roger Jomini,  descendent  of Napoleon's famous strategist, contributed funds  for  student scholarships. Dr. Proctor Jones provided substantial support for student grants to do research in Paris,and generous scholarships were established by Dr.Skip Vichnessand  Dr.George  Knight, graduatesof the Napoleonic program  at  FSU.\n  For  his  work  in  the  Napoleonic period,  Dr. Horward  was  decorated  by the  French, American,  and  Portuguese and recognized  by  the  Czech  Republic  and  Spanish governments.  He waselected to the  Portuguese Academy of History in1991 and named a Grand Officer of theOrder  of Infante  Dom Henrique (Prince Henry the Navigator).  In 2001, he was honored  by the  Napoleonic Alliance as the first John Elting Scholar \"for his extraordinary contributions to the study of Napoleonic History.\"  He received  the Renaissance  Francaise  Award in 2010, but his most distinguished award was given by France, The Legion of Honor,  in full ceremony at West  Point in 2002.\n  Much of the current research on Napoleon in the United States has been carried out by Dr. Horward's former students.This is closely related to his success in amassing the volumes of the Napoleon Collection at  FSU and his influential role in sustaining and expanding the Consortium on Revolutionary Europe. In addition to the thousands of  students he has taught in his graduate and  undergraduate classes at FSU,  the U.S.Military Academy at  West  Point, and other universities, his former students have introduced thousands of their students throughout the United States to the Napoleonic era.\n  After 44 years of distinguished service, Dr. Horward retired in 2005. The Institute and its students, the Napoleon and French Revolution Collection, the Ben Weider Endowment opportunities, and a series of other fellowships comprise a rich legacy - one that Florida State University is proud to share with its community of scholars.\n The Napoleon and French Revolution Collection at Florida State University \nThe creation and growth of the French Revolution and Napoleon Collection at Florida State University was a direct result of Dr. Horward's efforts. In 1961 there were some 250 volumes in the collection. As a result of his 28 trips to Europe doing research  and searching for books, as of late 2012 the collection includes over 20,000 volumes, some from collections as those of King Ernest August of Hanover and Achille Murat, King of Naples. It is among the most extensive in the country. The Collection attracts students and scholars from through the U.S. and Europe.\n  Of the 48 Ph.D.s and 52 M.A.s based primarily on the Napoleon and French Revolution Collection at FSU,as of late 2012, 42 books have been published and almost a thousand articles have been produced in scholarly journals.  Doctoral students who have completed their research in the Napoleon Collection have taught at scores of universities and colleges from California  to  New York.  Six of their volumes have been awarded the International  Book Prize of the International Napoleonic Society for the  best book published in Napoleonic history in a particular year.\n  The Collection has provided the basic research and degrees for fifteen officers who have taught Military Art and Napoleonic history at theUnited States Military Academy,West Point. Many have taught at the US Command and Staff College at Fort Levenworth, Kansas, the Army Command College at the Von BraunCenter, Huntsville, Alabama, the Naval Post Graduate School at Monterey, California, the Naval War College at Newport, Rhode Island, and the Air ForceCommand  and StaffCollege in Montgomery,  Alabama.  Others have occupied senior command positions in Rome, Afghanistan, Iraq,and South Korea as well as throughout the United States. In addition, the Napoleon Collection has proved to be a significant source of strategic, logistical, and tactical  information for officers who taught tens of thousandsof cadets at West Point.\n  Scholars from throughout the United States and Europe have traveled to FSU to work in the Napoleon Collection to complete their research, contributing to hundreds of publications. Inaddition, the Collection became the basis of  the  most  complete  bibliography on Napoleon and the French Revolution that exist in any language by one of our graduates. Oneof Dr. Horward's students, Major Mike Bonura, published a  volume with NYU Press in 2012 , Under theShadow of Napoleon , which traces  the extraordinary impact the Napoleonic system of  War has had upon the American military system, from President Thomas Jefferson to the onslaught of the Nazi Blitzkrieg in 1940.\n \nNote written by Burt Altman, C.A., University Librarian/Archivist","General Jean-Jacques-Germain Pelet-Clozeau Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_94-3","The Donald D. Horward Papers are composed primarily of the operational and financial records of the Institute on Napoleon and the French Revolution created by Dr. Horward in 1990, and the conference files of the Consortium on Revolutionary Europe, also founded by Dr. Horward, in 1971. The Institute Records comprise proposals for the Institute at Florida State University (including a proposal to the French government for Institute support); Institute Newsletters; International Napoleonic Society materials (Ben Weider Literary Awards); Ben Weider Student Scholarships, and files documenting Dr. Horward's involvement with Napoleon screenplay and television productions. The Consortia and Conference files include extensive correspondence with Dr. Horward and his colleagues about the various consortia and the Wellington Congresses and the International Congress on the Iberian Peninsula.\n \tThe collection also includes Dr. Horward's professional files, which comprise addresses, awards, committee files, correspondence, research materials, speeches, writings related to Dr. Horward's scholarship and that of his students, and publications related to the Napoleonic Era. Materials in his professional files include speeches he delivered at Florida State University, the Pelet Conference, Peninsular War Conference, VMI, and the War College at West Point; Florida State University Press Committee on which he served; starting the Napoleon and French Revolution Collection; Ben Weider's activities; teaching materials (slide transparencies) used by Dr. Horward in his West Point classes; and research materials concerning the Duke of Wellington from the British Museum and Public Record Office.\n \tPublications include catalogs used by Dr. Horward in building the Napoleon and the French Revolution collection; a selection of Napoleonic  journals, both popular and scholarly; and several scholarly monographic works, such as Dr. Jean Sarramon's  La Guerre de l'Independance de la peninsule Iberique contre Napoleon , which Dr Horward, collaborating with his colleague William R. Johnson in 1967, used in his research.","Select materials from the Horward Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Professional files of Dr. Donald D. Horward, including addresses and speeches, awards, committee files, correspondence, research materials, writings, operational and financial records of the Institute on Napoleon and the French Revolution, consortia, conference and congress files, and publications.","FSU Special Collections \u0026 Archives","Collection includes materials in English and French."],"unitid_tesim":["MSS 2011-0415","/repositories/10/resources/681"],"normalized_date_ssm":["1961-2011, Date acquired: 05/26/2011"],"normalized_title_ssm":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"collection_title_tesim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"collection_ssim":["Donald D. Horward Papers, 1961-2011, Date acquired: 05/26/2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Dr. Donald D. Horward","Gift"],"has_online_content_ssim":["false"],"extent_ssm":["19.50 Linear Feet"],"extent_tesim":["19.50 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collections is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collections is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"accruals_html_tesm":["\u003cp\u003eAdditions to collections:\u003c/p\u003e\n","\u003cp\u003eMay 26 and June 6, 2011\u003c/p\u003e\n","\u003cp\u003eJune 20, 2012\u003c/p\u003e\n","\u003cp\u003eJuly 24 and December 19, 2013\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additions to collections:","May 26 and June 6, 2011","June 20, 2012","July 24 and December 19, 2013"],"arrangement_html_tesm":["\u003cp\u003eThe Donald D. Horward Papers are organized in four series:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Professional Files. Arranged alphabetically by subject, then chronologically within subject.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 1.\u0026#xA0; Addresses and Papers\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 2. Awards\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 3. Committees\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 4. Correspondence\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 5. Writings\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 6. Teaching Materials\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 7. Research Materials\u003c/p\u003e\n","\u003cp\u003eSeries 2. Institute on Napoleon and the French Revolution. Each sub-series arranged chronologically.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 1. General Files\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 2. Financial Records\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; Sub-Series 3. Project Files\u003c/p\u003e\n","\u003cp\u003eSeries 3. Consortia and Conference Files\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 1. Consortia. Arranged chronologically.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 2. Congresses. Arranged alphabetically by Congress, then chronologically within each Congress.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 3. Conferences and Symposia. Arranged alphabetically by conference or symposia, then chronologically within each Congress.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Publications.\u0026#xA0; All sub-series arranged alphabetically by publication.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 1. Catalogs\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 2. Napoleonic Journals\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0; \u0026#xA0;\u0026#xA0; Sub-Series 3. Monographs\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Donald D. Horward Papers are organized in four series:","Series 1. Professional Files. Arranged alphabetically by subject, then chronologically within subject.","                  Sub-Series 1.  Addresses and Papers","                  Sub-Series 2. Awards","                  Sub-Series 3. Committees","                  Sub-Series 4. Correspondence","                  Sub-Series 5. Writings","                  Sub-Series 6. Teaching Materials","                  Sub-Series 7. Research Materials","Series 2. Institute on Napoleon and the French Revolution. Each sub-series arranged chronologically.","                  Sub-Series 1. General Files","                  Sub-Series 2. Financial Records","                  Sub-Series 3. Project Files","Series 3. Consortia and Conference Files","                 Sub-Series 1. Consortia. Arranged chronologically.","                 Sub-Series 2. Congresses. Arranged alphabetically by Congress, then chronologically within each Congress.","                 Sub-Series 3. Conferences and Symposia. Arranged alphabetically by conference or symposia, then chronologically within each Congress.","Series 4. Publications.  All sub-series arranged alphabetically by publication.","                 Sub-Series 1. Catalogs","                 Sub-Series 2. Napoleonic Journals","                 Sub-Series 3. Monographs"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Donald Horward, a native of Pennsylvania, received his B.A. at Waynesburg College, his M.A. from Ohio University, and his Ph.D. from the University of Minnesota.  He joined the faculty at Florida State University (FSU) in 1961.  Since his arrival on campus, over 16,000 students have been introduced to Napoleon and the French Revolution in his classes through the Institute on Napoleon and the French Revolution.  Graduate students were quickly attracted to the field and by 1963 the first master's degree was awarded. Three years later, the first Ph.D. graduated in Napoleonic history from FSU.\n  Dr. Horward was awarded the Distinguished Professorship in Military History at West Point and  taught  over  6,000  cadets  there. He also held  the  Edwin Conquest  Eminent Scholar Chair at Virginia Military Institute and taught hundreds of cadets in Lexington.He has written or contributed over  twenty  volumes  and  almost  sixty articles in scholarly journals, delivered  over 200  papers  and  throughout  the  U.S.and  Europe,  and  his contributions have been recognized by decorations from six countries.\n  A total of 101 doctorates and M.A. theses were completed under Dr. Horward's direction, making FSU the most prolific center for the study of Napoleon in the U.S. A unique aspect of the Institute program has been its relationship with the U.S. Military Academy at West Point.  Seventeen officers, destined for the history faculty at West Point, have been trained in the Napoleonic period at the Institute.  This is particularly appropriate since a large segment of the Military Art Course, required of all cadets, focuses on Napoleon and his system of operations.\n  Dr. Horward was the recipient of the first university-wide teaching award, and received five additional awards for excellence in teaching, including the title of Distinguished Teaching Professor.  He lectured at universities throughout the U.S., the Smithsonian on several occasions, and gave presentations in Europe at such universities as Frederick Schiller University in Germany, Charles University and Masaryk Universities in the Czech Republic, Cambridge University and Southampton University in England, the University of Budapest in Hungary, and the Borodino/Mazajsk Center, Russia.\n  In 1998, Dr. Ben Weider established at Florida State University the first chair devoted to the Napoleonic period in the U.S. and Dr. Horward was designated as the first chair holder. Dr. Weider also established a chair in the French Revolution and four scholarships for the study of Napoleon  at  FSU.  Soon thereafter, Baron  Roger Jomini,  descendent  of Napoleon's famous strategist, contributed funds  for  student scholarships. Dr. Proctor Jones provided substantial support for student grants to do research in Paris,and generous scholarships were established by Dr.Skip Vichnessand  Dr.George  Knight, graduatesof the Napoleonic program  at  FSU.\n  For  his  work  in  the  Napoleonic period,  Dr. Horward  was  decorated  by the  French, American,  and  Portuguese and recognized  by  the  Czech  Republic  and  Spanish governments.  He waselected to the  Portuguese Academy of History in1991 and named a Grand Officer of theOrder  of Infante  Dom Henrique (Prince Henry the Navigator).  In 2001, he was honored  by the  Napoleonic Alliance as the first John Elting Scholar \"for his extraordinary contributions to the study of Napoleonic History.\"  He received  the Renaissance  Francaise  Award in 2010, but his most distinguished award was given by France, The Legion of Honor,  in full ceremony at West  Point in 2002.\n  Much of the current research on Napoleon in the United States has been carried out by Dr. Horward's former students.This is closely related to his success in amassing the volumes of the Napoleon Collection at  FSU and his influential role in sustaining and expanding the Consortium on Revolutionary Europe. In addition to the thousands of  students he has taught in his graduate and  undergraduate classes at FSU,  the U.S.Military Academy at  West  Point, and other universities, his former students have introduced thousands of their students throughout the United States to the Napoleonic era.\n  After 44 years of distinguished service, Dr. Horward retired in 2005. The Institute and its students, the Napoleon and French Revolution Collection, the Ben Weider Endowment opportunities, and a series of other fellowships comprise a rich legacy - one that Florida State University is proud to share with its community of scholars.\n The Napoleon and French Revolution Collection at Florida State University \nThe creation and growth of the French Revolution and Napoleon Collection at Florida State University was a direct result of Dr. Horward's efforts. In 1961 there were some 250 volumes in the collection. As a result of his 28 trips to Europe doing research  and searching for books, as of late 2012 the collection includes over 20,000 volumes, some from collections as those of King Ernest August of Hanover and Achille Murat, King of Naples. It is among the most extensive in the country. The Collection attracts students and scholars from through the U.S. and Europe.\n  Of the 48 Ph.D.s and 52 M.A.s based primarily on the Napoleon and French Revolution Collection at FSU,as of late 2012, 42 books have been published and almost a thousand articles have been produced in scholarly journals.  Doctoral students who have completed their research in the Napoleon Collection have taught at scores of universities and colleges from California  to  New York.  Six of their volumes have been awarded the International  Book Prize of the International Napoleonic Society for the  best book published in Napoleonic history in a particular year.\n  The Collection has provided the basic research and degrees for fifteen officers who have taught Military Art and Napoleonic history at theUnited States Military Academy,West Point. Many have taught at the US Command and Staff College at Fort Levenworth, Kansas, the Army Command College at the Von BraunCenter, Huntsville, Alabama, the Naval Post Graduate School at Monterey, California, the Naval War College at Newport, Rhode Island, and the Air ForceCommand  and StaffCollege in Montgomery,  Alabama.  Others have occupied senior command positions in Rome, Afghanistan, Iraq,and South Korea as well as throughout the United States. In addition, the Napoleon Collection has proved to be a significant source of strategic, logistical, and tactical  information for officers who taught tens of thousandsof cadets at West Point.\n  Scholars from throughout the United States and Europe have traveled to FSU to work in the Napoleon Collection to complete their research, contributing to hundreds of publications. Inaddition, the Collection became the basis of  the  most  complete  bibliography on Napoleon and the French Revolution that exist in any language by one of our graduates. Oneof Dr. Horward's students, Major Mike Bonura, published a  volume with NYU Press in 2012 , Under theShadow of Napoleon , which traces  the extraordinary impact the Napoleonic system of  War has had upon the American military system, from President Thomas Jefferson to the onslaught of the Nazi Blitzkrieg in 1940.\n \nNote written by Burt Altman, C.A., University Librarian/Archivist"],"prefercite_html_tesm":["\u003cp\u003eDonald D. Horward Papers, Division of Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0415\u003c/p\u003e"],"prefercite_tesim":["Donald D. Horward Papers, Division of Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida\nhttps://purl.lib.fsu.edu/fa/MSS-2011-0415"],"relatedmaterial_html_tesm":["\u003cp\u003eGeneral Jean-Jacques-Germain Pelet-Clozeau Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_94-3\"\u003ehttp://purl.fcla.edu/fsu/MSS_94-3\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["General Jean-Jacques-Germain Pelet-Clozeau Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_94-3"],"scopecontent_html_tesm":["\u003cp\u003eThe Donald D. Horward Papers are composed primarily of the operational and financial records of the Institute on Napoleon and the French Revolution created by Dr. Horward in 1990, and the conference files of the Consortium on Revolutionary Europe, also founded by Dr. Horward, in 1971. The Institute Records comprise proposals for the Institute at Florida State University (including a proposal to the French government for Institute support); Institute Newsletters; International Napoleonic Society materials (Ben Weider Literary Awards); Ben Weider Student Scholarships, and files documenting Dr. Horward's involvement with Napoleon screenplay and television productions. The Consortia and Conference files include extensive correspondence with Dr. Horward and his colleagues about the various consortia and the Wellington Congresses and the International Congress on the Iberian Peninsula.\n\u003cbr\u003e\u003cbr\u003e\tThe collection also includes Dr. Horward's professional files, which comprise addresses, awards, committee files, correspondence, research materials, speeches, writings related to Dr. Horward's scholarship and that of his students, and publications related to the Napoleonic Era. Materials in his professional files include speeches he delivered at Florida State University, the Pelet Conference, Peninsular War Conference, VMI, and the War College at West Point; Florida State University Press Committee on which he served; starting the Napoleon and French Revolution Collection; Ben Weider's activities; teaching materials (slide transparencies) used by Dr. Horward in his West Point classes; and research materials concerning the Duke of Wellington from the British Museum and Public Record Office.\n\u003cbr\u003e\u003cbr\u003e\tPublications include catalogs used by Dr. Horward in building the Napoleon and the French Revolution collection; a selection of Napoleonic\u0026#xA0; journals, both popular and scholarly; and several scholarly monographic works, such as Dr. Jean Sarramon's \u003cemph render=\"italic\"\u003eLa Guerre de l'Independance\u003c/emph\u003e \u003cemph render=\"italic\"\u003ede la peninsule Iberique contre Napoleon\u003c/emph\u003e, which Dr Horward, collaborating with his colleague William R. Johnson in 1967, used in his research.\u003c/p\u003e","\u003cp\u003eSelect materials from the Horward Papers have been digitized and are available through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:naphorwardpapers\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Donald D. Horward Papers are composed primarily of the operational and financial records of the Institute on Napoleon and the French Revolution created by Dr. Horward in 1990, and the conference files of the Consortium on Revolutionary Europe, also founded by Dr. Horward, in 1971. The Institute Records comprise proposals for the Institute at Florida State University (including a proposal to the French government for Institute support); Institute Newsletters; International Napoleonic Society materials (Ben Weider Literary Awards); Ben Weider Student Scholarships, and files documenting Dr. Horward's involvement with Napoleon screenplay and television productions. The Consortia and Conference files include extensive correspondence with Dr. Horward and his colleagues about the various consortia and the Wellington Congresses and the International Congress on the Iberian Peninsula.\n \tThe collection also includes Dr. Horward's professional files, which comprise addresses, awards, committee files, correspondence, research materials, speeches, writings related to Dr. Horward's scholarship and that of his students, and publications related to the Napoleonic Era. Materials in his professional files include speeches he delivered at Florida State University, the Pelet Conference, Peninsular War Conference, VMI, and the War College at West Point; Florida State University Press Committee on which he served; starting the Napoleon and French Revolution Collection; Ben Weider's activities; teaching materials (slide transparencies) used by Dr. Horward in his West Point classes; and research materials concerning the Duke of Wellington from the British Museum and Public Record Office.\n \tPublications include catalogs used by Dr. Horward in building the Napoleon and the French Revolution collection; a selection of Napoleonic  journals, both popular and scholarly; and several scholarly monographic works, such as Dr. Jean Sarramon's  La Guerre de l'Independance de la peninsule Iberique contre Napoleon , which Dr Horward, collaborating with his colleague William R. Johnson in 1967, used in his research.","Select materials from the Horward Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.\u0026#xA0; Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast, or otherwise reproduce from manuscripts must be submitted in writing to the Director of University Libraries.  Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ce3645b0ff55e0b2d4fb04ae0d143c7e\" label=\"Abstract\"\u003eProfessional files of Dr. Donald D. Horward, including addresses and speeches, awards, committee files, correspondence, research materials, writings, operational and financial records of the Institute on Napoleon and the French Revolution, consortia, conference and congress files, and publications.\u003c/abstract\u003e"],"abstract_tesim":["Professional files of Dr. Donald D. Horward, including addresses and speeches, awards, committee files, correspondence, research materials, writings, operational and financial records of the Institute on Napoleon and the French Revolution, consortia, conference and congress files, and publications."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["Collection includes materials in English and French."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":334,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859098529988608,"_root_":"9b6c5cac15ddfe0d7dfc030e","timestamp":"2026-07-16T08:24:31.877Z","bioghist_html_tesm":["\u003cp\u003eDr. Donald Horward, a native of Pennsylvania, received his B.A. at Waynesburg College, his M.A. from Ohio University, and his Ph.D. from the University of Minnesota.\u0026#xA0; He joined the faculty at Florida State University (FSU) in 1961.\u0026#xA0; Since his arrival on campus, over 16,000 students have been introduced to Napoleon and the French Revolution in his classes through the Institute on Napoleon and the French Revolution.\u0026#xA0; Graduate students were quickly attracted to the field and by 1963 the first master's degree was awarded. Three years later, the first Ph.D. graduated in Napoleonic history from FSU.\n\u003cbr\u003e\u003cbr\u003e Dr. Horward was awarded the Distinguished Professorship in Military History at West Point and\u0026#xA0; taught\u0026#xA0; over\u0026#xA0; 6,000\u0026#xA0; cadets\u0026#xA0; there. He also held\u0026#xA0; the\u0026#xA0; Edwin Conquest\u0026#xA0; Eminent Scholar Chair at Virginia Military Institute and taught hundreds of cadets in Lexington.He has written or contributed over\u0026#xA0; twenty\u0026#xA0; volumes\u0026#xA0; and\u0026#xA0; almost\u0026#xA0; sixty articles in scholarly journals, delivered\u0026#xA0; over 200\u0026#xA0; papers\u0026#xA0; and\u0026#xA0; throughout\u0026#xA0; the\u0026#xA0; U.S.and\u0026#xA0; Europe,\u0026#xA0; and\u0026#xA0; his contributions have been recognized by decorations from six countries.\n\u003cbr\u003e\u003cbr\u003e A total of 101 doctorates and M.A. theses were completed under Dr. Horward's direction, making FSU the most prolific center for the study of Napoleon in the U.S. A unique aspect of the Institute program has been its relationship with the U.S. Military Academy at West Point.\u0026#xA0; Seventeen officers, destined for the history faculty at West Point, have been trained in the Napoleonic period at the Institute.\u0026#xA0; This is particularly appropriate since a large segment of the Military Art Course, required of all cadets, focuses on Napoleon and his system of operations.\n\u003cbr\u003e\u003cbr\u003e Dr. Horward was the recipient of the first university-wide teaching award, and received five additional awards for excellence in teaching, including the title of Distinguished Teaching Professor.\u0026#xA0; He lectured at universities throughout the U.S., the Smithsonian on several occasions, and gave presentations in Europe at such universities as Frederick Schiller University in Germany, Charles University and Masaryk Universities in the Czech Republic, Cambridge University and Southampton University in England, the University of Budapest in Hungary, and the Borodino/Mazajsk Center, Russia.\n\u003cbr\u003e\u003cbr\u003e In 1998, Dr. Ben Weider established at Florida State University the first chair devoted to the Napoleonic period in the U.S. and Dr. Horward was designated as the first chair holder. Dr. Weider also established a chair in the French Revolution and four scholarships for the study of Napoleon\u0026#xA0; at\u0026#xA0; FSU.\u0026#xA0; Soon thereafter, Baron\u0026#xA0; Roger Jomini,\u0026#xA0; descendent\u0026#xA0; of Napoleon's famous strategist, contributed funds\u0026#xA0; for\u0026#xA0; student scholarships. Dr. Proctor Jones provided substantial support for student grants to do research in Paris,and generous scholarships were established by Dr.Skip Vichnessand\u0026#xA0; Dr.George\u0026#xA0; Knight, graduatesof the Napoleonic program\u0026#xA0; at\u0026#xA0; FSU.\n\u003cbr\u003e\u003cbr\u003e For\u0026#xA0; his\u0026#xA0; work\u0026#xA0; in\u0026#xA0; the\u0026#xA0; Napoleonic period,\u0026#xA0; Dr. Horward\u0026#xA0; was\u0026#xA0; decorated\u0026#xA0; by the\u0026#xA0; French, American,\u0026#xA0; and\u0026#xA0; Portuguese and recognized\u0026#xA0; by\u0026#xA0; the\u0026#xA0; Czech\u0026#xA0; Republic\u0026#xA0; and\u0026#xA0; Spanish governments.\u0026#xA0; He waselected to the\u0026#xA0; Portuguese Academy of History in1991 and named a Grand Officer of theOrder\u0026#xA0; of Infante\u0026#xA0; Dom Henrique (Prince Henry the Navigator).\u0026#xA0; In 2001, he was honored\u0026#xA0; by the\u0026#xA0; Napoleonic Alliance as the first John Elting Scholar \"for his extraordinary contributions to the study of Napoleonic History.\"\u0026#xA0; He received\u0026#xA0; the Renaissance\u0026#xA0; Francaise\u0026#xA0; Award in 2010, but his most distinguished award was given by France, The Legion of Honor,\u0026#xA0; in full ceremony at West\u0026#xA0; Point in 2002.\n\u003cbr\u003e\u003cbr\u003e Much of the current research on Napoleon in the United States has been carried out by Dr. Horward's former students.This is closely related to his success in amassing the volumes of the Napoleon Collection at\u0026#xA0; FSU and his influential role in sustaining and expanding the Consortium on Revolutionary Europe. In addition to the thousands of\u0026#xA0; students he has taught in his graduate and\u0026#xA0; undergraduate classes at FSU,\u0026#xA0; the U.S.Military Academy at\u0026#xA0; West\u0026#xA0; Point, and other universities, his former students have introduced thousands of their students throughout the United States to the Napoleonic era.\n\u003cbr\u003e\u003cbr\u003e After 44 years of distinguished service, Dr. Horward retired in 2005. The Institute and its students, the Napoleon and French Revolution Collection, the Ben Weider Endowment opportunities, and a series of other fellowships comprise a rich legacy - one that Florida State University is proud to share with its community of scholars.\n\u003cbr\u003e\u003cbr\u003e \u003cemph render=\"bold\"\u003eThe Napoleon and French Revolution Collection at Florida State University\u003c/emph\u003e\u003cbr\u003e\u003cbr\u003e\nThe creation and growth of the French Revolution and Napoleon Collection at Florida State University was a direct result of Dr. Horward's efforts. In 1961 there were some 250 volumes in the collection. As a result of his 28 trips to Europe doing research\u0026#xA0; and searching for books, as of late 2012 the collection includes over 20,000 volumes, some from collections as those of King Ernest August of Hanover and Achille Murat, King of Naples. It is among the most extensive in the country. The Collection attracts students and scholars from through the U.S. and Europe.\n\u003cbr\u003e\u003cbr\u003e Of the 48 Ph.D.s and 52 M.A.s based primarily on the Napoleon and French Revolution Collection at FSU,as of late 2012, 42 books have been published and almost a thousand articles have been produced in scholarly journals.\u0026#xA0; Doctoral students who have completed their research in the Napoleon Collection have taught at scores of universities and colleges from California\u0026#xA0; to\u0026#xA0; New York.\u0026#xA0; Six of their volumes have been awarded the International\u0026#xA0; Book Prize of the International Napoleonic Society for the\u0026#xA0; best book published in Napoleonic history in a particular year.\n\u003cbr\u003e\u003cbr\u003e The Collection has provided the basic research and degrees for fifteen officers who have taught Military Art and Napoleonic history at theUnited States Military Academy,West Point. Many have taught at the US Command and Staff College at Fort Levenworth, Kansas, the Army Command College at the Von BraunCenter, Huntsville, Alabama, the Naval Post Graduate School at Monterey, California, the Naval War College at Newport, Rhode Island, and the Air ForceCommand\u0026#xA0; and StaffCollege in Montgomery,\u0026#xA0; Alabama.\u0026#xA0; Others have occupied senior command positions in Rome, Afghanistan, Iraq,and South Korea as well as throughout the United States. In addition, the Napoleon Collection has proved to be a significant source of strategic, logistical, and tactical\u0026#xA0; information for officers who taught tens of thousandsof cadets at West Point.\n\u003cbr\u003e\u003cbr\u003e Scholars from throughout the United States and Europe have traveled to FSU to work in the Napoleon Collection to complete their research, contributing to hundreds of publications. Inaddition, the Collection became the basis of\u0026#xA0; the\u0026#xA0; most\u0026#xA0; complete\u0026#xA0; bibliography on Napoleon and the French Revolution that exist in any language by one of our graduates. Oneof Dr. Horward's students, Major Mike Bonura, published a\u0026#xA0; volume with NYU Press in 2012\u003cemph render=\"italic\"\u003e, Under theShadow of Napoleon\u003c/emph\u003e, which traces\u0026#xA0; the extraordinary impact the Napoleonic system of\u0026#xA0; War has had upon the American military system, from President Thomas Jefferson to the onslaught of the Nazi Blitzkrieg in 1940.\n\u003cbr\u003e\u003cbr\u003e\nNote written by Burt Altman, C.A., University Librarian/Archivist\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b6c5cac15ddfe0d7dfc030e_aspace_141529"}},{"id":"085cdf111f574f3d1d8dd845_aspace_157736","type":"Item","attributes":{"title":"2-Way Freak, 2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_157736#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA personal account of the author's time working in the phone sex industry. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_157736#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_157736","ref_ssm":["aspace_157736","aspace_157736"],"id":"085cdf111f574f3d1d8dd845_aspace_157736","title_filing_ssi":"2-Way Freak","title_ssm":["2-Way Freak"],"title_tesim":["2-Way Freak"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["2-Way Freak, 2002"],"text":["2-Way Freak, 2002","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Gender and Women's Studies \u0026 LGBTQIA+ Zines","Gender \u0026 Women's Studies Zines","Item 1","/repositories/2/archival_objects/8904","A personal account of the author's time working in the phone sex industry. ","This is issue #49 of 50, print run #1.","[Robin J., auth.]"],"component_level_isim":[3],"parent_ids_ssim":["085cdf111f574f3d1d8dd845","085cdf111f574f3d1d8dd845_aspace_157735","085cdf111f574f3d1d8dd845_aspace_158110"],"parent_unittitles_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Gender and Women's Studies \u0026 LGBTQIA+ Zines","Gender \u0026 Women's Studies Zines"],"parent_unittitles_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Gender and Women's Studies \u0026 LGBTQIA+ Zines","Gender \u0026 Women's Studies Zines"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/8904"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":541,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eA personal account of the author's time working in the phone sex industry. \u003c/p\u003e","\u003cp\u003eThis is issue #49 of 50, print run #1.\u003c/p\u003e","\u003cp\u003e[Robin J., auth.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A personal account of the author's time working in the phone sex industry. ","This is issue #49 of 50, print run #1.","[Robin J., auth.]"],"_nest_path_":"/components#16/components#0/components#0","_nest_parent_":"085cdf111f574f3d1d8dd845_aspace_158110","_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"085cdf111f574f3d1d8dd845","title_ssm":["Tampa Zine Fest Public Library"],"title_tesim":["Tampa Zine Fest Public Library"],"ead_ssi":"085cdf111f574f3d1d8dd845","unitdate_ssm":["1980-2016","Date acquired: 00/00/2017"],"unitdate_inclusive_ssm":["1980-2016"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-08","/repositories/2/resources/47"],"text":["MS-2017-08","/repositories/2/resources/47","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines","Accrual integrated 2026-02; CC","The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.","Processed","The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.","USF Libraries - Tampa Special Collections","Bloom, Philip","English"],"unitid_tesim":["MS-2017-08","/repositories/2/resources/47"],"normalized_date_ssm":["1980-2016, Date acquired: 00/00/2017"],"normalized_title_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_title_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bloom, Philip"],"creator_ssim":["Bloom, Philip"],"creator_persname_ssim":["Bloom, Philip"],"creators_ssim":["Bloom, Philip"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Philip Bloom","Donation."],"access_subjects_ssim":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"access_subjects_ssm":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","18 boxes"],"extent_tesim":["6.00 Linear Feet","18 boxes"],"genreform_ssim":["Zines","LGBTQ+ zines"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accruals_html_tesm":["\u003cp\u003eAccrual integrated 2026-02; CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual integrated 2026-02; CC"],"arrangement_html_tesm":["\u003cp\u003eThe zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine."],"prefercite_html_tesm":["\u003cp\u003eTampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThe majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.\u003c/p\u003e\n","\u003cp\u003eThis finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_330acc9f5dfb8f75036aa56087852cfe\" label=\"Abstract\"\u003eZine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.\u003c/abstract\u003e"],"abstract_tesim":["Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest."],"names_ssim":["USF Libraries - Tampa Special Collections","Bloom, Philip"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bloom, Philip"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":739,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_157736"}},{"id":"484ea96d464d6f20e243421a_aspace_64492","type":"Item","attributes":{"title":"2 Women's Golf Awardees with coach, 1998","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/484ea96d464d6f20e243421a_aspace_64492#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_64492","ref_ssm":["aspace_64492","aspace_64492"],"id":"484ea96d464d6f20e243421a_aspace_64492","title_filing_ssi":"2 Women's Golf Awardees with coach","title_ssm":["2 Women's Golf Awardees with coach"],"title_tesim":["2 Women's Golf Awardees with coach"],"unitdate_other_ssim":["1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["2 Women's Golf Awardees with coach, 1998"],"text":["2 Women's Golf Awardees with coach, 1998","FAU Golf Team Photograph Collection, 1968-2002","FAU Golf Team, men and women","Item 7","/repositories/2/archival_objects/42978","4x6 Color Photograph","box 2"],"component_level_isim":[2],"parent_ids_ssim":["484ea96d464d6f20e243421a","484ea96d464d6f20e243421a_aspace_64473"],"parent_unittitles_ssm":["FAU Golf Team Photograph Collection, 1968-2002","FAU Golf Team, men and women"],"parent_unittitles_tesim":["FAU Golf Team Photograph Collection, 1968-2002","FAU Golf Team, men and women"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 7","/repositories/2/archival_objects/42978"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Golf Team Photograph Collection, 1968-2002"],"physdesc_tesim":["4x6 Color Photograph"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":18,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 2"],"_nest_path_":"/components#0/components#16","_nest_parent_":"484ea96d464d6f20e243421a_aspace_64473","_root_":"484ea96d464d6f20e243421a","timestamp":"2026-07-11T01:50:57.672Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"484ea96d464d6f20e243421a","title_ssm":["FAU Golf Team Photograph Collection"],"title_tesim":["FAU Golf Team Photograph Collection"],"ead_ssi":"484ea96d464d6f20e243421a","unitdate_ssm":["1968-2002"],"unitdate_inclusive_ssm":["1968-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAP00028","/repositories/2/resources/127"],"text":["UAP00028","/repositories/2/resources/127","FAU Golf Team Photograph Collection, 1968-2002","University Archives -- Photography ","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013, Sarah Brown and Victoria Thur processed the collection.","http://purl.fcla.edu/fau/teamphotos","Photographic Collection of Fau's Men and Women's Team Golf Team.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAP00028","/repositories/2/resources/127"],"normalized_date_ssm":["1968-2002"],"normalized_title_ssm":["FAU Golf Team Photograph Collection, 1968-2002"],"collection_title_tesim":["FAU Golf Team Photograph Collection, 1968-2002"],"collection_ssim":["FAU Golf Team Photograph Collection, 1968-2002"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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