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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013, this collection was processed by Elizabeth Fairall and Victoria Thur.","In 2004, the family of Joseph Schrogin donated his collection of original manuscripts. Joseph Schrogin was a Lithuanian composer immigrated to the United States in 1921 and lived between New York and Chicago, establishing his home with his wife Manya Schrogin (nee Ptashe) and their two children in Los Angeles. While Mr. Schrogin was not a formally trained musician, he learned to play the piano and mandolin. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.\u0026#xA0; In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. 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Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859629991297024,"_root_":"2adc31a30bfcd724088cd673","timestamp":"2026-07-16T08:32:58.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_198252"}},{"id":"2326334e5e159c8d459e96a3_aspace_38262","type":"Item","attributes":{"title":"\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\", September 13, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38262#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38262","ref_ssm":["aspace_38262","aspace_38262"],"id":"2326334e5e159c8d459e96a3_aspace_38262","title_filing_ssi":"\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\"","title_ssm":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\""],"title_tesim":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\""],"unitdate_other_ssim":["September 13, 1988."],"normalized_date_ssm":["September 13, 1988."],"normalized_title_ssm":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\", September 13, 1988."],"text":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\", September 13, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated.","Item 23","/repositories/4/archival_objects/3069","box 10","folder 3"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38164","2326334e5e159c8d459e96a3_aspace_38237"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 23","/repositories/4/archival_objects/3069"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1070,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 10","folder 3"],"_nest_path_":"/components#0/components#1/components#4/components#2/components#22","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38237","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38262"}},{"id":"a33cb88ff8cc6c0b350c22be_aspace_67437","type":"Item","attributes":{"title":"Zingiber \u0026 'Darceyi', 16\" x 10\"., Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a33cb88ff8cc6c0b350c22be_aspace_67437#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67437","ref_ssm":["aspace_67437","aspace_67437"],"id":"a33cb88ff8cc6c0b350c22be_aspace_67437","title_filing_ssi":"Zingiber \u0026 'Darceyi', 16\" x 10\".","title_ssm":["Zingiber \u0026 'Darceyi', 16\" x 10\"."],"title_tesim":["Zingiber \u0026 'Darceyi', 16\" x 10\"."],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Zingiber \u0026 'Darceyi', 16\" x 10\"., Undated"],"text":["Zingiber \u0026 'Darceyi', 16\" x 10\"., Undated","Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Arts, 1935-1966, Undated.","Oil paintings (unframed)., Undated","Item 1","/repositories/4/archival_objects/50635","box 2","folder 15"],"component_level_isim":[3],"parent_ids_ssim":["a33cb88ff8cc6c0b350c22be","a33cb88ff8cc6c0b350c22be_aspace_67420","a33cb88ff8cc6c0b350c22be_aspace_67432"],"parent_unittitles_ssm":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Arts, 1935-1966, Undated.","Oil paintings (unframed)., Undated"],"parent_unittitles_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Arts, 1935-1966, Undated.","Oil paintings (unframed)., Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/50635"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":57,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 2","folder 15"],"_nest_path_":"/components#1/components#7/components#1","_nest_parent_":"a33cb88ff8cc6c0b350c22be_aspace_67432","_root_":"a33cb88ff8cc6c0b350c22be","timestamp":"2026-07-11T02:57:48.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a33cb88ff8cc6c0b350c22be","title_ssm":["Grant Groves Collection on Mulford B. Foster Collection"],"title_tesim":["Grant Groves Collection on Mulford B. Foster Collection"],"ead_ssi":"a33cb88ff8cc6c0b350c22be","unitdate_ssm":["Circa 1920's-1979"],"unitdate_inclusive_ssm":["Circa 1920's-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.103","/repositories/4/resources/192"],"text":["SC.103","/repositories/4/resources/192","Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations","The entire collection is open for research.","Collection is arranged in three parts: Personal files, arts, and photographs:","Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.","Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"","UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC.103","/repositories/4/resources/192"],"normalized_date_ssm":["Circa 1920's-1979"],"normalized_title_ssm":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_title_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_ssim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Groves, Grant"],"creator_ssim":["Groves, Grant"],"creator_persname_ssim":["Groves, Grant"],"creators_ssim":["Groves, Grant"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Grant Groves donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2016 (CFM2016_07). Additional Materials were donated in 2018 (CFM2018_04)."],"access_subjects_ssim":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"access_subjects_ssm":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["botanical illustrations"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged in three parts: Personal files, arts, and photographs:\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is arranged in three parts: Personal files, arts, and photographs:"],"bioghist_html_tesm":["\u003cp\u003eMulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.\u003c/p\u003e\n","\u003cp\u003e\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world."],"prefercite_html_tesm":["\u003cp\u003eGrant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-04\"\u003eThe Bromeliad Society International (BSI) Archive, 1942-2012\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eMichael A. Spencer Bromeliad Research Collection, 1754-2014\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026amp; Bernard N. and Mulford \u0026amp; Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026amp; Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026amp; Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026amp; Testimony\" blue folders which lacks materials inside.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia \u0026#x96; Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera\u0026#x97;Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_548f80ce4014d98f8905382f700e1008\" label=\"Abstract\"\u003eGrant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026amp; white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"\u003c/abstract\u003e"],"abstract_tesim":["Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\""],"names_ssim":["UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"persname_ssim":["Groves, Grant","Foster, Mulford B. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","James Drayton processed this collection in 2018.","The collection consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eJames Drayton processed this collection in 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["James Drayton processed this collection in 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures. Music books have been cataloged and relocated to Rare Books. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003e\nPhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access Policies","Collections are available for supervised use in the University Archives during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","\nPhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library, and through PALMM."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eJames Drayton processed this collection in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["James Drayton processed this collection in 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Cantor Stuart Kanas mainly consists of manuscript music and print sheet music relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. 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Not only remembered for being a great Cantor in both Pennsylvania and New York,  Cantor Stuart Kanas is also remembered for a legal decision that helped define the Cantor as a co-officiate in Jewish services of worship when it comes to draft deferment (1967). Cantor Stuart Kanas passed away on September 28, 2002."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Due to copyright restrictions, items in this collection may not be photographed or scanned."],"names_ssim":["Harpin, Jon"],"persname_ssim":["Harpin, Jon"],"access_subjects_ssim":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"access_subjects_ssm":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e","\u003cp\u003eSax: 2 alto, 2 tenor, 1 bari\nTrumpet: 4\nTrombone: 4 \nBass: 1\nPiano: 1\nGuitar: 1\nPercussion: 1\nConductor: 1\nVocal: 1\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari\nTrumpet: 4\nTrombone: 4 \nBass: 1\nPiano: 1\nGuitar: 1\nPercussion: 1\nConductor: 1\nVocal: 1"],"_nest_path_":"/components#0/components#23/components#29","_nest_parent_":"3a691bb3ebf7b743485425f4_aspace_44c80b8a1d6fda188e98fa10ae928946","_root_":"3a691bb3ebf7b743485425f4","_version_":1870852924015378432,"timestamp":"2026-07-16T06:46:23.350Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a691bb3ebf7b743485425f4","title_ssm":["Robert H. 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Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.","This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned.","Allen Music Library Special Collections","London Orchestration","Albam, Manny (1922-06-24-2001-10-02)","Ayoub, Nick, 1926-1991","Dee Barton","Barone, Mike, 1936-","Bellson, Lou ","Berg, Curt","Blumberg, Dave","Boice, John","Boland, Francy (19291106-20050812)","Briggs, Bill, (Composer)","Bryant, Bobby (1934-05-19-1998-06)","Burns, Ralph (1922-06-29-2001-11-21)","Byers, Billy, 1927-1996","Carisi, John","Casagrande, Al ","Catingub, Matt","Chase, Bill","Childers, Buddy, 1926-2007","Caiazza, Igor","Cicchetti, Charles \"Chick\"","Clausen, Alf (19410328)","Coccia, Joe","Cohn, Al (1925-11-24-1988-02-15)","Colombier, Michel (19390523-20041114)","Comstock, Frank (1922-09-22-2013-05-21)","Costa, Don (1925-06-10-1983-01-19)","Dameron, Tadd, 1917-1965","Davis, Wild Bill, 1918-1995","Davis, Rick ","Dimmick, Don ","Eklund, Bernt","Ellington, Duke, 1899-1974","Evans, Gil, 1912-1988","Evans, Marion (1926-05-01)","Farnon, Robert (1917-07-24-2005-04-23)","Ferenturo, Ken","Florence, Bob, 1932-2008","Flory, Med, 1926-2014","Foster, Frank (Frank Benjamin), 1928-2011","Galliard, John Ernest, -1747","Gibbs, Michael (Michael Clement Irving), 1937-","Gray, Jerry, 1915-1976","Grove, Dick, 1927-1998","Haerle, Dan","Hampton, Slide (1932-04-21-2021-11-20)","Hanna, Ken, jazz trumpeter","Hartley, Lanny  ","Heath, Ted, 1902-1969","Heathman, Mike","Hefti, Neal (Neal Paul) (19221029-20081011)","Hensel, Wes, 1917-1982","Hill, Jay","Hodges, Tommy ","Holman, Bill (Willis Leonard) (1927-05-21)","Johnstone, Bruce","Jones, Jimmy, 1930-","Jones, Quincy (Quincy Delight), 1933-","Jones, Thad (1923-03-28-1986-08-20)","Kelly, Phil, 1937-","Kennedy, Jay, 1951-","Kenton, Stan (1911-12-15-1979-08-25)","King, Joe, (Trumpet player)","Kubis, Tom","LaParta, John ","Maiden, Willie, 1928-1976","Mandel, Johnny (1925-11-23-2020-06-29)","Manone, Jimmy","Mantooth, Frank","Mardin, Adrif ","Martin, Skip, 1957-","Mathieu, W. 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Carey.\u003c/p\u003e\n","\u003cp\u003eBob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989."],"userestrict_html_tesm":["\u003cp\u003eThis collection is available for viewing in person. 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