{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=967\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=966\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=968\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65767\u0026view=compact"},"meta":{"pages":{"current_page":967,"next_page":968,"prev_page":966,"total_pages":65767,"limit_value":10,"offset_value":9660,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d","type":"Item","attributes":{"title":"1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two), 1976","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6096066a6a1db9922e1ceb96a2b5b25d","ref_ssm":["aspace_6096066a6a1db9922e1ceb96a2b5b25d","aspace_6096066a6a1db9922e1ceb96a2b5b25d"],"id":"f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d","title_filing_ssi":"1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two) \n","title_ssm":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two) \n"],"title_tesim":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two) \n"],"unitdate_other_ssim":["1976"],"normalized_date_ssm":["1976"],"normalized_title_ssm":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two), 1976"],"text":["1 Crown, Isle of Man Elizabeth II Bicentenary of American Independence (Level Two), 1976","Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51","/repositories/2/archival_objects/84360","box 51"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_a308da9abfe60688dc214708af939a17","f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/84360"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":868,"date_range_isim":[1976],"containers_ssim":["box 51"],"_nest_path_":"/components#13/components#8/components#5","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.","The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC9026","/repositories/2/resources/123"],"normalized_date_ssm":["1805-2006"],"normalized_title_ssm":["Ramiro Casañas Collection, 1805-2006"],"collection_title_tesim":["Ramiro Casañas Collection, 1805-2006"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["69 boxes"],"extent_tesim":["69 boxes"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. They would spend the next fifty years buying and selling in fairs and clubs, as well as in the Coral Gables gallery and bookstore he and Lina had opened back in Miami, Florida. \nFor all the collecting the Casanas Family did, they felt it was equally important to give back, dedicating themselves to many philanthropic projects over the years. At the end of his life, Casanas shared his life's accumulation of artifacts among various universities. \nHe spent his last years in the company of Linamelia, traveling and exploring."],"scopecontent_html_tesm":["\u003cp\u003eThe Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_6096066a6a1db9922e1ceb96a2b5b25d"}},{"id":"6761a506162d88e3b0374f0f_aspace_162646","type":"Item","attributes":{"title":"1 Custom House, New York City, New York., 1925","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162646#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_162646","ref_ssm":["aspace_162646","aspace_162646"],"id":"6761a506162d88e3b0374f0f_aspace_162646","title_filing_ssi":"1 Custom House, New York City, New York.","title_ssm":["1 Custom House, New York City, New York."],"title_tesim":["1 Custom House, New York City, New York."],"unitdate_other_ssim":["1925"],"normalized_date_ssm":["1925"],"normalized_title_ssm":["1 Custom House, New York City, New York., 1925"],"text":["1 Custom House, New York City, New York., 1925","George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925","Item 1","/repositories/2/archival_objects/12577"],"component_level_isim":[3],"parent_ids_ssim":["6761a506162d88e3b0374f0f","6761a506162d88e3b0374f0f_aspace_163074","6761a506162d88e3b0374f0f_aspace_162645"],"parent_unittitles_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925"],"parent_unittitles_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","A.C. Co., 1925"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/12577"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0/components#0/components#0","_nest_parent_":"6761a506162d88e3b0374f0f_aspace_162645","_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6761a506162d88e3b0374f0f","title_ssm":["George G. Morgan stereograph collection"],"title_tesim":["George G. 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When applicable, images are ordered numerically within each series.","This collection consists of 380 stereoscopic image cards and a stereoscopic viewer.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.","USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)","English"],"unitid_tesim":["MS-2018-08","/repositories/2/resources/81"],"normalized_date_ssm":["1894-1925, Date acquired: 00/00/2018"],"normalized_title_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_title_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Morgan, George G. (1952-)"],"creator_ssim":["Morgan, George G. (1952-)"],"creator_persname_ssim":["Morgan, George G. (1952-)"],"creators_ssim":["Morgan, George G. (1952-)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["George G. Morgan, Drew Smith","Donation."],"access_subjects_ssim":["Stereoscope","Photography"],"access_subjects_ssm":["Stereoscope","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["1.38 Linear Feet","3 boxes"],"extent_tesim":["1.38 Linear Feet","3 boxes"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"arrangement_html_tesm":["\u003cp\u003eStereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Stereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series."],"prefercite_html_tesm":["\u003cp\u003eGeorge G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["George G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 380 stereoscopic image cards and a stereoscopic viewer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 380 stereoscopic image cards and a stereoscopic viewer."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a78128125148d19eb3a41fc899acdbce\" label=\"Abstract\"\u003eThis collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026amp; Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026amp; Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations."],"names_ssim":["USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Morgan, George G. (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":408,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162646"}},{"id":"a0a65b28104bce9cf5ed2e36_aspace_169666","type":"Item","attributes":{"title":"1. – Daphnis et Chloe—LL.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_169666#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white postcard. L'Imprimerie Nouvelle Photographique.--Paris. Recto: Je ne sais pas le langage des villes, Belle Chloé, ces fleurs te parleront, Garde ces fleurs, bijoux des champs fertites / Et vois quell trouble a fait rougir mon front.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0a65b28104bce9cf5ed2e36_aspace_169666#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_169666","ref_ssm":["aspace_169666","aspace_169666"],"id":"a0a65b28104bce9cf5ed2e36_aspace_169666","title_filing_ssi":"1. – Daphnis et Chloe—LL.","title_ssm":["1. – Daphnis et Chloe—LL."],"title_tesim":["1. – Daphnis et Chloe—LL."],"normalized_title_ssm":["1. – Daphnis et Chloe—LL."],"text":["1. – Daphnis et Chloe—LL.","William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Miscellaneous Stills","Classic Theater - Classic Performances","Item 21","/repositories/2/archival_objects/17806","Black and white postcard. L'Imprimerie Nouvelle Photographique.--Paris. Recto: Je ne sais pas le langage des villes, Belle Chloé, ces fleurs te parleront, Garde ces fleurs, bijoux des champs fertites / Et vois quell trouble a fait rougir mon front.\""],"component_level_isim":[3],"parent_ids_ssim":["a0a65b28104bce9cf5ed2e36","a0a65b28104bce9cf5ed2e36_aspace_169631","a0a65b28104bce9cf5ed2e36_aspace_169645"],"parent_unittitles_ssm":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Miscellaneous Stills","Classic Theater - Classic Performances"],"parent_unittitles_tesim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","Miscellaneous Stills","Classic Theater - Classic Performances"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 21","/repositories/2/archival_objects/17806"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":5757,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white postcard. L'Imprimerie Nouvelle Photographique.--Paris. Recto: Je ne sais pas le langage des villes, Belle Chlo\u0026#xE9;, ces fleurs te parleront, Garde ces fleurs, bijoux des champs fertites / Et vois quell trouble a fait rougir mon front.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white postcard. L'Imprimerie Nouvelle Photographique.--Paris. 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The donor's original order is maintained.","William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.","This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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The donor's original order is maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The materials in this collection are arranged topically and according to chronology. The donor's original order is maintained."],"prefercite_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["William Knight Zewadski Classical movie stills collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["William Knight Zewadski Collection, Special Collections, University of South Florida Tampa Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes Classically-themed movie, stage, and dance stills. Items in this collection consist primarily of photographs and postcards, both black and white and color. Also included are posters, advertising materials, and other imagery."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_29d0ed2c6181e76e6bffccd78dcc4ce6\" label=\"Abstract\"\u003eThis collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th\u0026#x2013;early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera.\u0026#xA0; Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford.\u003c/abstract\u003e"],"abstract_tesim":["This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th–early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. 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Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera."],"bioghist_html_tesm":["\u003cp\u003eRamiro O. 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Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. They had a daughter named Linamelia, and lived happily in Cuba until The Cuban Revolution prompted them to escape to America in 1960, where they received immediate residency.\nThe Casanas Family welcomed a son named Rami Jr before relocating to California. It was in California, with its access to public art galleries, museums, and libraries, that Casanas developed his passion for collecting. The family frequented antique shops, flea markets, and tag sales to begin the work of gathering artifacts of value, such as art, coins, and stamps. 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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"containers_ssim":["folder 8"],"scopecontent_html_tesm":["\u003cp\u003ePrincipal Committee Reports--Institutional Self Study  [1 piece]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Principal Committee Reports--Institutional Self Study  [1 piece]"],"_nest_path_":"/components#0/components#7","_nest_parent_":"fc3ffdcb2f2da54027ea6913_aspace_4326","_root_":"fc3ffdcb2f2da54027ea6913","_version_":1870863807462506496,"timestamp":"2026-07-16T09:39:22.670Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fc3ffdcb2f2da54027ea6913","title_ssm":["University of West Florida. Self Study Records (1985)"],"title_tesim":["University of West Florida. 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Includes self-study reports of each academic and administrative department and college, with the visiting committee's final report and University responses.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Transferred from Self-Study Office, February 1986"],"access_subjects_ssim":["Universities and colleges--Accreditation--Florida--Pensacola."],"access_subjects_ssm":["Universities and colleges--Accreditation--Florida--Pensacola."],"has_online_content_ssim":["false"],"extent_ssm":["128.00 items"],"extent_tesim":["128.00 items"],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["University of West Florida--Accreditation.","Southern Association of Colleges and Schools.","University of West Florida--Self-Study, 1985."],"names_ssim":["UWF University Archives and West Florida History Center","University of West Florida","University of West Florida--Accreditation.","Southern Association of Colleges and Schools.","University of West Florida--Self-Study, 1985."],"corpname_ssim":["UWF University Archives and West Florida History Center","University of West Florida","University of West Florida--Accreditation.","Southern Association of Colleges and Schools.","University of West Florida--Self-Study, 1985."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":94,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863807462506496,"_root_":"fc3ffdcb2f2da54027ea6913","timestamp":"2026-07-16T09:39:22.670Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fc3ffdcb2f2da54027ea6913_aspace_4339"}},{"id":"19ccdd4435a2926a9437d20e_aspace_150444","type":"File","attributes":{"title":"1. 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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["University of West Florida--Accreditation.","Southern Association of Colleges and Schools.","University of West Florida--Self-Study, 1985."],"names_ssim":["UWF University Archives and West Florida History Center","University of West Florida","University of West Florida--Accreditation.","Southern Association of Colleges and Schools.","University of West Florida--Self-Study, 1985."],"corpname_ssim":["UWF University Archives and West Florida History Center","University of West Florida","University of West Florida--Accreditation.","Southern Association of Colleges and Schools.","University of West Florida--Self-Study, 1985."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":94,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863807462506496,"_root_":"fc3ffdcb2f2da54027ea6913","timestamp":"2026-07-16T09:39:22.670Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fc3ffdcb2f2da54027ea6913_aspace_4340"}},{"id":"f927b9df25ec0aef2ec17101_aspace_95135b3acd3b0abad581676a0235dbc8","type":"Item","attributes":{"title":"1 El Roi-Tan 10 cent Round Cigar Container (Level Three)","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_95135b3acd3b0abad581676a0235dbc8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_95135b3acd3b0abad581676a0235dbc8","ref_ssm":["aspace_95135b3acd3b0abad581676a0235dbc8","aspace_95135b3acd3b0abad581676a0235dbc8"],"id":"f927b9df25ec0aef2ec17101_aspace_95135b3acd3b0abad581676a0235dbc8","title_filing_ssi":"1 El Roi-Tan 10 cent Round Cigar Container (Level Three) \n","title_ssm":["1 El Roi-Tan 10 cent Round Cigar Container (Level Three) \n"],"title_tesim":["1 El Roi-Tan 10 cent Round Cigar Container (Level Three) \n"],"normalized_title_ssm":["1 El Roi-Tan 10 cent Round Cigar Container (Level Three)"],"text":["1 El Roi-Tan 10 cent Round Cigar Container (Level Three)","Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51","/repositories/2/archival_objects/84366","box 51"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_a308da9abfe60688dc214708af939a17","f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","3D Objects","Box 51"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/84366"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":874,"containers_ssim":["box 51"],"_nest_path_":"/components#13/components#8/components#11","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_745418b919b5980319397bab02fba045","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. Some subjects may appear in other series; for example, Photographs will appear in Sports if the dominant subject of the photograph pertains to Sports. \nOversized Materials feature Photographs, Business and Cigar Signs, Art, Maps, Documents, Genealogical Charts, and Cuban Election Ephemera.","Ramiro O. Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. 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Casanas was born in Cuba in 1929 to his mother Amelia, who died during his childhood from a heart attack at home before she could travel from Havana to New York, New York for a procedure concerning a pre-existing heart condition. Casanas remained in Cuba under the care of his father, along with his two brothers, Roberto and Luis. \nCasanas grew up playing baseball, and attempted to pursue a career in the sport, but was forced to reconsider when he developed a chronic illness. Instead, he dedicated himself to his studies, attending formal school to further his education and becoming devoted to the study of Cuba's history and its figures. \nHe married his wife Lina, and became the General Manager of a Sulfuric Reclamation Plant, the first of its kind in the Southern Hemisphere. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. 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