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Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by ","In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. 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University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. 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While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. 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University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. (1938-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2403,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877838338632712192,"_root_":"d52d92af1bf73915192489ed","timestamp":"2026-10-01T09:16:33.829Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed_aspace_96180"}},{"id":"1ac4ca82cbf9f71c689e9408_aspace_156895","type":"File","attributes":{"title":"Yellow Taxi","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408_aspace_156895#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_156895","ref_ssm":["aspace_156895","aspace_156895"],"id":"1ac4ca82cbf9f71c689e9408_aspace_156895","title_filing_ssi":"Yellow Taxi","title_ssm":["Yellow Taxi"],"title_tesim":["Yellow Taxi"],"normalized_title_ssm":["Yellow Taxi"],"text":["Yellow Taxi","Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Digital Dreams","Digital Dreams: Art","Digital Dreams Collection","Folder 29","/repositories/2/archival_objects/8641","box 1","folder 29"],"component_level_isim":[4],"parent_ids_ssim":["1ac4ca82cbf9f71c689e9408","1ac4ca82cbf9f71c689e9408_aspace_156854","1ac4ca82cbf9f71c689e9408_aspace_156855","1ac4ca82cbf9f71c689e9408_aspace_156866"],"parent_unittitles_ssm":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Digital Dreams","Digital Dreams: Art","Digital Dreams Collection"],"parent_unittitles_tesim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Digital Dreams","Digital Dreams: Art","Digital Dreams Collection"],"parent_levels_ssm":["collection","Box","Item","Series"],"unitid_ssm":["Folder 29","/repositories/2/archival_objects/8641"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":41,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 1","folder 29"],"_nest_path_":"/components#0/components#0/components#1/components#28","_nest_parent_":"1ac4ca82cbf9f71c689e9408_aspace_156866","_root_":"1ac4ca82cbf9f71c689e9408","timestamp":"2026-07-10T04:34:20.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1ac4ca82cbf9f71c689e9408","title_ssm":["Randy Jones Digital Dreams"],"title_tesim":["Randy Jones Digital Dreams"],"ead_ssi":"1ac4ca82cbf9f71c689e9408","unitdate_ssm":["2013-2017","2017","Date acquired: 00/00/2017"],"unitdate_bulk_ssim":["2017"],"unitdate_inclusive_ssm":["2013-2017"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-03","/repositories/2/resources/46"],"text":["MS-2017-03","/repositories/2/resources/46","Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists","These items are bound collections maintained in the original arrangment.","Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.","Note written by Randy Jones","published","processed","This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\"","USF Libraries - Tampa Special Collections","Jones, Randy","English"],"unitid_tesim":["MS-2017-03","/repositories/2/resources/46"],"normalized_date_ssm":["2013-2017, Date acquired: 00/00/2017, bulk 2017"],"normalized_title_ssm":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"collection_title_tesim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"collection_ssim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Jones, Randy"],"creator_ssim":["Jones, Randy"],"creator_persname_ssim":["Jones, Randy"],"creators_ssim":["Jones, Randy"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Randy Jones","Donation."],"access_subjects_ssim":["Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists"],"access_subjects_ssm":["Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.21 Linear Feet","1 boxes"],"extent_tesim":["0.21 Linear Feet","1 boxes"],"date_range_isim":[2013,2014,2015,2016,2017],"arrangement_html_tesm":["\u003cp\u003eThese items are bound collections maintained in the original arrangment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["These items are bound collections maintained in the original arrangment."],"bioghist_html_tesm":["\u003cp\u003eRandy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026amp; Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.\u003c/p\u003e\n","\u003cp\u003eNote written by Randy Jones\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.","Note written by Randy Jones"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_afb433d2040bf3f2d68e9fd799b1a54f\" label=\"Abstract\"\u003eThis collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\"\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\""],"names_ssim":["USF Libraries - Tampa Special Collections","Jones, Randy"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Jones, Randy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1ac4ca82cbf9f71c689e9408","timestamp":"2026-07-10T04:34:20.107Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408_aspace_156895"}},{"id":"bec408ef355489ed2515918e_aspace_10177","type":"File","attributes":{"title":"Yellow ticket invitation to U.N.I.A meeting featuring Thos. W. Hardy, 1941","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10177#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_10177","ref_ssm":["aspace_10177","aspace_10177"],"id":"bec408ef355489ed2515918e_aspace_10177","title_filing_ssi":"Yellow ticket invitation to U.N.I.A meeting featuring Thos. W. Hardy","title_ssm":["Yellow ticket invitation to U.N.I.A meeting featuring Thos. W. Hardy"],"title_tesim":["Yellow ticket invitation to U.N.I.A meeting featuring Thos. W. Hardy"],"unitdate_other_ssim":["1941"],"normalized_date_ssm":["1941"],"normalized_title_ssm":["Yellow ticket invitation to U.N.I.A meeting featuring Thos. W. Hardy, 1941"],"text":["Yellow ticket invitation to U.N.I.A meeting featuring Thos. W. Hardy, 1941","African American Legacy: The Carol Mundy collection, 1791-2003","Visual and Derogatory Material, 1800s-1969, Undated","Folder 53","/repositories/4/archival_objects/25106","box 22","folder 53"],"component_level_isim":[2],"parent_ids_ssim":["bec408ef355489ed2515918e","bec408ef355489ed2515918e_aspace_10054"],"parent_unittitles_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003","Visual and Derogatory Material, 1800s-1969, Undated"],"parent_unittitles_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003","Visual and Derogatory Material, 1800s-1969, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 53","/repositories/4/archival_objects/25106"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1265,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1941],"containers_ssim":["box 22","folder 53"],"_nest_path_":"/components#6/components#120","_nest_parent_":"bec408ef355489ed2515918e_aspace_10054","_root_":"bec408ef355489ed2515918e","_version_":1879192534963453952,"timestamp":"2026-10-16T08:00:56.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bec408ef355489ed2515918e","title_ssm":["African American Legacy: The Carol Mundy collection"],"title_tesim":["African American Legacy: The Carol Mundy collection"],"ead_ssi":"bec408ef355489ed2515918e","unitdate_ssm":["1791-2003"],"unitdate_inclusive_ssm":["1791-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC085","/repositories/4/resources/106"],"text":["SC085","/repositories/4/resources/106","African American Legacy: The Carol Mundy collection, 1791-2003","Apopka (Fla.)--History","African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs","The entire collection is open for research.","Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"","Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog .","This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.","UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-","English"],"unitid_tesim":["SC085","/repositories/4/resources/106"],"normalized_date_ssm":["1791-2003"],"normalized_title_ssm":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_title_tesim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"collection_ssim":["African American Legacy: The Carol Mundy collection, 1791-2003"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Apopka (Fla.)--History"],"geogname_ssim":["Apopka (Fla.)--History"],"creator_ssm":["Mundy, Carol"],"creator_ssim":["Mundy, Carol"],"creator_persname_ssim":["Mundy, Carol"],"creators_ssim":["Mundy, Carol"],"places_ssim":["Apopka (Fla.)--History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Most of these materials were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Carol Mundy in 2009 (CFM2009_02). Additional materials were donated in 2010/2012 (CFM2012_02) and 2019 (CFM2019_01)."],"access_subjects_ssim":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"access_subjects_ssm":["African Americans -- History","African American photographers","African Americans -- Florida","African Americans -- Photography","Civil Rights","Civil War","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 36 boxes and 73 flat files"],"extent_tesim":["26 Linear Feet 36 boxes and 73 flat files"],"genreform_ssim":["photographs"],"date_range_isim":[1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eCarol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Carol Mundy has been an avid collector of African American memorabilia since the early 1990s when she purchased a copy of the 1901 edition of The Complete Life of William McKinley and Story of His Assassination. Included in the book was an 1880 correspondence from the U.S. army to the 10th Cavalry of \"Buffalo Soldiers.\" This discovery was the first step in a journey that would take her around the country in a quest to preserve African American culture. This quest ultimately led to the acquisition of more than 1,500 artifacts and documents that range from 1794 to 2010. Ms. Mundy also founded her own non-profit organization, African American History Education and Culture Society, and has curated a traveling exhibit entitled, \"The African American Legacy: The Carol Mundy Collection.\" Further, Ms. Mundy has partnered with the University of Central Florida's Department of African American Studies to found the \"Carol E. Mundy African American Cultural and Diasporic Research Center\" using artifacts from the collection. According to their website, \"The Center will be fostered through research, dissemination of historical information and social traditions, educational programs, exhibits, conferences and related activities.\""],"prefercite_html_tesm":["\u003cp\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Venecek, Sandra Varry, and Erica England; finding aid created by Nadeen Kiwan. Additional materials added to the collection by Antonice L. Morin in 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Carol Mundy Library\" in the  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Early America \u0026amp; Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.\u003c/p\u003e\n","\u003cp\u003eSeries IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of over 1,500 items related to the African American experience in the following formats: monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera. These materials are divided into six topical series:","\nSeries I: Apopka Documents, 1892-1950, consists mostly of the personal papers of local businessmen, George Oden (1862-1939) and Michael Gladden, executor of Oden's estate. Also significant are a number of documents from Ella Wall, an Apopka resident who was the inspiration for a character in Zora Neale Hurston's Mules and Men. Mrs. Wall ran an Orange Grove, and was a close friend and confidant of Michael Gladden, Jr. until her death. Materials in this series largely consist of purchase receipts, tax forms, and other legal documents.","\nSeries II: Civil Rights-era, 1950-1997, consists of ephemera including magazines, sheet music, pamphlets, posters, and post cards. Not all the items in this series pertain directly to the Civil Rights Movement per se; rather they are grouped together because they fall within a specific date range.","\nSeries III: Dolls, circa 1930-1949, includes hand-made Caribbean island dolls, puppets and marionettes originating from the Caribbean.","\nSeries IV: Early America \u0026 Civil War-era, 1794-1892, contains the oldest materials in the collection that bookend the Civil War. Materials include magazines, newspapers, pamphlets, photographs and illustrations. Of particular interest is an original Buffalo Soldier muster roll signed by Colonel Abner Doubleday, discharge papers from 1874, and an authentic slave bill of sale.","\nSeries V: An oversized 19th century bible, 1857-1890, in a protective cloth clamshell and 11 black and white photographs that were originally stored inside the bible. The photographs vary both in subject and format, but do include several tintypes as well as portraits taken by notable African American photographer, James Presley (J.P.) Ball.","\nSeries VI: Photographs, 1860s - 1960s, includes a large collection of photographs that range from the 1860s - the 1960s. The \"assorted\" photographs in this collection are arranged chronologically, but there are several thematic sub-series as well. Those subseries include Bishop College, Civil Rights Movement, Civil Rights-era, South Dakota, and William T. Vernon photographs.","\nSeries VII: Visual Material, 1800s - 1969, consists of advertisements, postcards, product packaging, illustrations from magazines and newspapers, and other assorted \"visual\" ephemera. Much of the material in this series is considered racist or \"derogatory.\"","\nSeries VIII: Miscellaneous, 1880s - 1989, contains a small collection of materials that didn't fit into one of the other series. These materials include booklets, documents, pamphlets, and objects such as pins and medallions.","Series IX: Additional Materials, 1791 - 1990, consists of audio and visual items. In this series there are letters with envelopes and telegraphs. Letters delivered were most commonly with the family members of Blanche Kalfus and James Brasswell. There are official government documents and business documents consisting of receipts, deeds, contracts, notary public certificates, and justice of the peace certificates. This series also includes postcards, greeting, birthday and holiday cards, and invitations. There is memorabilia such as military buttons, pins, and patches, and a Civil War Veterans Metal. The photographs in this series consist of African American men, women, and children along with stereographs consisting of places and group photos. There are many different newsclippings, articles, programs, and advertisements."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cf0eb7fc38bbc5bdebff00649325802\" label=\"Abstract\"\u003eCollector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Collector, Ms. Carol Mundy amassed this collection of monographs, manuscripts, sheet music, pamphlets, journals, newspapers, broadsides, posters, photographs, and rare ephemera focusing on the African American history. While the collection is comprehensive both nationally and internationally, it also contains materials that pertain to the African American experience in central Florida."],"names_ssim":["UCF Special Collections","Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"persname_ssim":["Mundy, Carol","Ball, James Presley, 1825-1904","Willis, Deborah, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1675,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879192534963453952,"_root_":"bec408ef355489ed2515918e","timestamp":"2026-10-16T08:00:56.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bec408ef355489ed2515918e_aspace_10177"}},{"id":"c535959967939890c4a30b27_aspace_6d676bca2d508c51805cccc30b7d4db4","type":"Item","attributes":{"title":"Yelvington, Kevin","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_6d676bca2d508c51805cccc30b7d4db4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6d676bca2d508c51805cccc30b7d4db4","ref_ssm":["aspace_6d676bca2d508c51805cccc30b7d4db4","aspace_6d676bca2d508c51805cccc30b7d4db4"],"id":"c535959967939890c4a30b27_aspace_6d676bca2d508c51805cccc30b7d4db4","title_filing_ssi":"Yelvington, Kevin ","title_ssm":["Yelvington, Kevin "],"title_tesim":["Yelvington, Kevin "],"normalized_title_ssm":["Yelvington, Kevin"],"text":["Yelvington, Kevin","Vertical files, 1900-2005","Biographical Index","Y","/repositories/2/archival_objects/197884"],"component_level_isim":[3],"parent_ids_ssim":["c535959967939890c4a30b27","c535959967939890c4a30b27_aspace_e24dde343949547256f92be295beae4d","c535959967939890c4a30b27_aspace_5cd39a8d136619b961b4b715f769978d"],"parent_unittitles_ssm":["Vertical files, 1900-2005","Biographical Index","Y"],"parent_unittitles_tesim":["Vertical files, 1900-2005","Biographical Index","Y"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/197884"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Vertical files, 1900-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4876,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#0/components#23/components#9","_nest_parent_":"c535959967939890c4a30b27_aspace_5cd39a8d136619b961b4b715f769978d","_root_":"c535959967939890c4a30b27","_version_":1881465993006415872,"timestamp":"2026-11-10T10:16:34.681Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c535959967939890c4a30b27","title_ssm":["Vertical files"],"title_tesim":["Vertical files"],"ead_ssi":"c535959967939890c4a30b27","unitdate_ssm":["1900-2005"],"unitdate_inclusive_ssm":["1900-2005"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["RD-1960-01","/repositories/2/resources/612"],"text":["RD-1960-01","/repositories/2/resources/612","Vertical files, 1900-2005","Florida -- Biography","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)","Catts, Sidney Johnston, 1863-1936","English"],"unitid_tesim":["RD-1960-01","/repositories/2/resources/612"],"normalized_date_ssm":["1900-2005"],"normalized_title_ssm":["Vertical files, 1900-2005"],"collection_title_tesim":["Vertical files, 1900-2005"],"collection_ssim":["Vertical files, 1900-2005"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Florida -- Biography"],"access_subjects_ssm":["Florida -- Biography"],"has_online_content_ssim":["false"],"extent_ssm":["39 Cubic Feet"],"extent_tesim":["39 Cubic Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"userestrict_html_tesm":["\u003cp\u003eNone.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b751902f9471baf1c338df56dba5bba1\"\u003eThe biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.\u003c/abstract\u003e"],"abstract_tesim":["The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)","Catts, Sidney Johnston, 1863-1936"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. Governor (1917-1921 : Catts)"],"persname_ssim":["Catts, Sidney Johnston, 1863-1936"],"language_ssim":["English"],"total_component_count_is":4914,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881465993006415872,"_root_":"c535959967939890c4a30b27","timestamp":"2026-11-10T10:16:34.681Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_6d676bca2d508c51805cccc30b7d4db4"}},{"id":"8805ef84fb1af022156339dc_aspace_56699","type":"File","attributes":{"title":"Yelvington, Kevin- Trinidad Ethnicity","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8805ef84fb1af022156339dc_aspace_56699#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_56699","ref_ssm":["aspace_56699","aspace_56699"],"id":"8805ef84fb1af022156339dc_aspace_56699","title_filing_ssi":"Yelvington, Kevin- Trinidad Ethnicity","title_ssm":["Yelvington, Kevin- Trinidad Ethnicity"],"title_tesim":["Yelvington, Kevin- Trinidad Ethnicity"],"normalized_title_ssm":["Yelvington, Kevin- Trinidad Ethnicity"],"text":["Yelvington, Kevin- Trinidad Ethnicity","Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998","Series X: General","Folder ","/repositories/2/archival_objects/10413","box 9","folder 47"],"component_level_isim":[2],"parent_ids_ssim":["8805ef84fb1af022156339dc","8805ef84fb1af022156339dc_aspace_f7aec3e4e5742685892fcfeb51c8f40e"],"parent_unittitles_ssm":["Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998","Series X: General"],"parent_unittitles_tesim":["Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998","Series X: General"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder ","/repositories/2/archival_objects/10413"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":205,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"containers_ssim":["box 9","folder 47"],"_nest_path_":"/components#9/components#89","_nest_parent_":"8805ef84fb1af022156339dc_aspace_f7aec3e4e5742685892fcfeb51c8f40e","_root_":"8805ef84fb1af022156339dc","timestamp":"2026-04-21T02:18:11.749Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8805ef84fb1af022156339dc","title_ssm":["Alex and Carol Stepick Collection"],"title_tesim":["Alex and Carol Stepick Collection"],"ead_ssi":"8805ef84fb1af022156339dc","unitdate_ssm":["1976-2003","1981-1998","Date acquired: 2012"],"unitdate_bulk_ssim":["1981-1998"],"unitdate_inclusive_ssm":["1976-2003"],"unitdate_other_ssim":["Date acquired: 2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6015","/repositories/2/resources/38"],"text":["SPC6015","/repositories/2/resources/38","Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998","Miami-Dade County (Fla.)","Cuba--Relations--Florida","Cuba--Relations--United States","Cuba--Social conditions--20th century","Haiti--Social Conditions--20th century","Haiti--Relations--United States","Inmigration \u0026 society","Mariel Boatlift, 1980","Miami (Fla.)--History--20th century.","Miami(Fla.)--Social conditions.","Political atrocities--History--20th century.","Refugees--Florida--Miami","Refugees--Florida--Statistics.","Refugees--Goverment policy--United States--History--20th century.","Refugees--Legal status, laws, ect.--United States--Congress.","United States. House of Representatives","The collection is open for research use.","The collection is arranged into ten series: 1. Awards and Grants, 2. Miami, 3. National Immigration Politics and Awareness, 4. News Articles, 5. Notebooks, 6. Portes Publications, 7. Research-related Publications, 8. Stepick Publications, 9. University Publications and Studies, and 10. General. Each series is further divided in subseries, and are arranged either alphabetically or chronologically, depending on content. Each series will have a corresponding note on its arrangement.","Dr. Alex Stepick was Director of the Immigration and Ethnicity Institute and Professor of Anthropology \u0026 Sociology at Florida International University (FIU) in Miami, Florida. Dr. Stepick received his B.A. in Anthropology at the University of California at Santa Cruz, and his Ph.D. in Social Sciences at the University of California at Irvine.","Dr. Stepick first came to FIU in 1981 and witnessed the influx of Haitian and Cuban refugees in Miami in the 1980s. Dr. Stepick was active in researching and lobbying for Haitian refugee rights, and increasing awareness about their situation and living conditions. Dr. Stepick has since been conducting research on the impact of immigration in Miami for the past twenty years. His co-authored book focusing on Miami,  City on the Edge , has won the Robert Park Award for the best book in Urban Sociology and the Anthony Leeds Award for the best book in Urban Anthropology. Dr. Stepick was also granted the Margaret Mead Award by the American Anthropological Association and the Society for Applied Anthropology for his work with Haitian refugees.","Dr. Stepick continues to be a dominant figure in his field. He recently served on the National Academy of Sciences Committee on Immigrant Children and Health the Cultural Anthropology Panel of the National Science Foundation. Dr. Stepick has also testified before the United Nations High Commissioner for Refugee Affairs and his work has been used by the British House of Commons.","For more information, please visit  http://www2.fiu.edu/~stepick/vitae.htm .","Note written by ","There are no restrictions","There are no restrictions","The Alex and Carol Stepick Collection consists of materials depicting the plight of the Cuban and Haitian refugees in the 1980s in Miami, Florida. The documents detail the treatment of refugees once on American soil and the condition in the countries they were escaping from; highlighting the contrasting experiences of Cuban and Haitian refugees. The collection demonstrates the work of Dr. Alex Stepick, Florida International University Professor of Anthropology and Sociology, in emphasizing the refugee situation on a local and national level. Materials also detail political lobbying on behalf of the Haitian refugees, and increasing awareness of their situation. The collection contains scholarly research, studies, and publications relating to the Cuban and Haitian refugees. The collection includes census-related materials, congressional records, economic reports, letters, newspaper articles, political materials, press releases, professional publications, research notes, surveys, etc.","Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.","FIU Special Collections","Stepick, Alex","Stepick, Alex, 1948-","Castro, Fidel, 1926","Duvalier, Francois, 1907-1971","Duvalier, Jean-Claude, 1951","English"],"unitid_tesim":["SPC6015","/repositories/2/resources/38"],"normalized_date_ssm":["1976-2003, Date acquired: 2012, bulk 1981-1998"],"normalized_title_ssm":["Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998"],"collection_title_tesim":["Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998"],"collection_ssim":["Alex and Carol Stepick Collection, 1976-2003, Date acquired: 2012, bulk 1981-1998"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Miami-Dade County (Fla.)"],"geogname_ssim":["Miami-Dade County (Fla.)"],"creator_ssm":["Stepick, Alex"],"creator_ssim":["Stepick, Alex"],"creator_persname_ssim":["Stepick, Alex"],"creators_ssim":["Stepick, Alex"],"places_ssim":["Miami-Dade County (Fla.)"],"access_terms_ssm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"acqinfo_ssim":["Alex Stepick","Donation"],"access_subjects_ssim":["Cuba--Relations--Florida","Cuba--Relations--United States","Cuba--Social conditions--20th century","Haiti--Social Conditions--20th century","Haiti--Relations--United States","Inmigration \u0026 society","Mariel Boatlift, 1980","Miami (Fla.)--History--20th century.","Miami(Fla.)--Social conditions.","Political atrocities--History--20th century.","Refugees--Florida--Miami","Refugees--Florida--Statistics.","Refugees--Goverment policy--United States--History--20th century.","Refugees--Legal status, laws, ect.--United States--Congress.","United States. House of Representatives"],"access_subjects_ssm":["Cuba--Relations--Florida","Cuba--Relations--United States","Cuba--Social conditions--20th century","Haiti--Social Conditions--20th century","Haiti--Relations--United States","Inmigration \u0026 society","Mariel Boatlift, 1980","Miami (Fla.)--History--20th century.","Miami(Fla.)--Social conditions.","Political atrocities--History--20th century.","Refugees--Florida--Miami","Refugees--Florida--Statistics.","Refugees--Goverment policy--United States--History--20th century.","Refugees--Legal status, laws, ect.--United States--Congress.","United States. House of Representatives"],"has_online_content_ssim":["false"],"extent_ssm":["14.00 boxes"],"extent_tesim":["14.00 boxes"],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: 1. Awards and Grants, 2. Miami, 3. National Immigration Politics and Awareness, 4. News Articles, 5. Notebooks, 6. Portes Publications, 7. Research-related Publications, 8. Stepick Publications, 9. University Publications and Studies, and 10. General. Each series is further divided in subseries, and are arranged either alphabetically or chronologically, depending on content. Each series will have a corresponding note on its arrangement.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: 1. Awards and Grants, 2. Miami, 3. National Immigration Politics and Awareness, 4. News Articles, 5. Notebooks, 6. Portes Publications, 7. Research-related Publications, 8. Stepick Publications, 9. University Publications and Studies, and 10. General. Each series is further divided in subseries, and are arranged either alphabetically or chronologically, depending on content. Each series will have a corresponding note on its arrangement."],"bioghist_html_tesm":["\u003cp\u003eDr. Alex Stepick was Director of the Immigration and Ethnicity Institute and Professor of Anthropology \u0026amp; Sociology at Florida International University (FIU) in Miami, Florida. Dr. Stepick received his B.A. in Anthropology at the University of California at Santa Cruz, and his Ph.D. in Social Sciences at the University of California at Irvine.\u003c/p\u003e\n","\u003cp\u003eDr. Stepick first came to FIU in 1981 and witnessed the influx of Haitian and Cuban refugees in Miami in the 1980s. Dr. Stepick was active in researching and lobbying for Haitian refugee rights, and increasing awareness about their situation and living conditions. Dr. Stepick has since been conducting research on the impact of immigration in Miami for the past twenty years. His co-authored book focusing on Miami, \u003cemph render=\"italic\"\u003eCity on the Edge\u003c/emph\u003e, has won the Robert Park Award for the best book in Urban Sociology and the Anthony Leeds Award for the best book in Urban Anthropology. Dr. Stepick was also granted the Margaret Mead Award by the American Anthropological Association and the Society for Applied Anthropology for his work with Haitian refugees.\u003c/p\u003e\n","\u003cp\u003eDr. Stepick continues to be a dominant figure in his field. He recently served on the National Academy of Sciences Committee on Immigrant Children and Health the Cultural Anthropology Panel of the National Science Foundation. Dr. Stepick has also testified before the United Nations High Commissioner for Refugee Affairs and his work has been used by the British House of Commons.\u003c/p\u003e\n","\u003cp\u003eFor more information, please visit \u003cextref href=\"http://www2.fiu.edu/%7Estepick/vitae.htm\"\u003ehttp://www2.fiu.edu/~stepick/vitae.htm\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Alex Stepick was Director of the Immigration and Ethnicity Institute and Professor of Anthropology \u0026 Sociology at Florida International University (FIU) in Miami, Florida. Dr. Stepick received his B.A. in Anthropology at the University of California at Santa Cruz, and his Ph.D. in Social Sciences at the University of California at Irvine.","Dr. Stepick first came to FIU in 1981 and witnessed the influx of Haitian and Cuban refugees in Miami in the 1980s. Dr. Stepick was active in researching and lobbying for Haitian refugee rights, and increasing awareness about their situation and living conditions. Dr. Stepick has since been conducting research on the impact of immigration in Miami for the past twenty years. His co-authored book focusing on Miami,  City on the Edge , has won the Robert Park Award for the best book in Urban Sociology and the Anthony Leeds Award for the best book in Urban Anthropology. Dr. Stepick was also granted the Margaret Mead Award by the American Anthropological Association and the Society for Applied Anthropology for his work with Haitian refugees.","Dr. Stepick continues to be a dominant figure in his field. He recently served on the National Academy of Sciences Committee on Immigrant Children and Health the Cultural Anthropology Panel of the National Science Foundation. Dr. Stepick has also testified before the United Nations High Commissioner for Refugee Affairs and his work has been used by the British House of Commons.","For more information, please visit  http://www2.fiu.edu/~stepick/vitae.htm .","Note written by "],"phystech_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are no restrictions","There are no restrictions"],"scopecontent_html_tesm":["\u003cp\u003eThe Alex and Carol Stepick Collection consists of materials depicting the plight of the Cuban and Haitian refugees in the 1980s in Miami, Florida. The documents detail the treatment of refugees once on American soil and the condition in the countries they were escaping from; highlighting the contrasting experiences of Cuban and Haitian refugees. The collection demonstrates the work of Dr. Alex Stepick, Florida International University Professor of Anthropology and Sociology, in emphasizing the refugee situation on a local and national level. Materials also detail political lobbying on behalf of the Haitian refugees, and increasing awareness of their situation. The collection contains scholarly research, studies, and publications relating to the Cuban and Haitian refugees. The collection includes census-related materials, congressional records, economic reports, letters, newspaper articles, political materials, press releases, professional publications, research notes, surveys, etc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex and Carol Stepick Collection consists of materials depicting the plight of the Cuban and Haitian refugees in the 1980s in Miami, Florida. The documents detail the treatment of refugees once on American soil and the condition in the countries they were escaping from; highlighting the contrasting experiences of Cuban and Haitian refugees. The collection demonstrates the work of Dr. Alex Stepick, Florida International University Professor of Anthropology and Sociology, in emphasizing the refugee situation on a local and national level. Materials also detail political lobbying on behalf of the Haitian refugees, and increasing awareness of their situation. The collection contains scholarly research, studies, and publications relating to the Cuban and Haitian refugees. The collection includes census-related materials, congressional records, economic reports, letters, newspaper articles, political materials, press releases, professional publications, research notes, surveys, etc."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. 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Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"names_ssim":["FIU Special Collections","Stepick, Alex","Stepick, Alex, 1948-","Castro, Fidel, 1926","Duvalier, Francois, 1907-1971","Duvalier, Jean-Claude, 1951"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Stepick, Alex, 1948-","Castro, Fidel, 1926","Duvalier, Francois, 1907-1971","Duvalier, Jean-Claude, 1951"],"persname_ssim":["Stepick, Alex","Stepick, Alex, 1948-","Castro, Fidel, 1926","Duvalier, Francois, 1907-1971","Duvalier, Jean-Claude, 1951"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8805ef84fb1af022156339dc","timestamp":"2026-04-21T02:18:11.749Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8805ef84fb1af022156339dc_aspace_56699"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?facet.sort=count"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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