{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65516\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65518\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65773\u0026view=list"},"meta":{"pages":{"current_page":65517,"next_page":65518,"prev_page":65516,"total_pages":65773,"limit_value":10,"offset_value":655160,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"2326334e5e159c8d459e96a3_aspace_38201","type":"Item","attributes":{"title":"Yeh Marge, I knew it was over when I caught Harold in his Secretary's cacoon....\", June 12, 1989.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38201#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38201","ref_ssm":["aspace_38201","aspace_38201"],"id":"2326334e5e159c8d459e96a3_aspace_38201","title_filing_ssi":"Yeh Marge, I knew it was over when I caught Harold in his Secretary's cacoon....\"","title_ssm":["Yeh Marge, I knew it was over when I caught Harold in his Secretary's cacoon....\""],"title_tesim":["Yeh Marge, I knew it was over when I caught Harold in his Secretary's cacoon....\""],"unitdate_other_ssim":["June 12, 1989."],"normalized_date_ssm":["June 12, 1989."],"normalized_title_ssm":["Yeh Marge, I knew it was over when I caught Harold in his Secretary's cacoon....\", June 12, 1989."],"text":["Yeh Marge, I knew it was over when I caught Harold in his Secretary's cacoon....\", June 12, 1989.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings), 1989, Undated.","Item 34","/repositories/4/archival_objects/3317","box 10","folder 1"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38164","2326334e5e159c8d459e96a3_aspace_38165"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings), 1989, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings), 1989, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 34","/repositories/4/archival_objects/3317"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1013,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 10","folder 1"],"_nest_path_":"/components#0/components#1/components#4/components#0/components#33","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38165","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38201"}},{"id":"2326334e5e159c8d459e96a3_aspace_38227","type":"Item","attributes":{"title":"\"Yeh Marge, I knew it was over when I caught Harold in his secretary's cacoon....\", November 5, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38227#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38227","ref_ssm":["aspace_38227","aspace_38227"],"id":"2326334e5e159c8d459e96a3_aspace_38227","title_filing_ssi":"\"Yeh Marge, I knew it was over when I caught Harold in his secretary's cacoon....\"","title_ssm":["\"Yeh Marge, I knew it was over when I caught Harold in his secretary's cacoon....\""],"title_tesim":["\"Yeh Marge, I knew it was over when I caught Harold in his secretary's cacoon....\""],"unitdate_other_ssim":["November 5, 1988."],"normalized_date_ssm":["November 5, 1988."],"normalized_title_ssm":["\"Yeh Marge, I knew it was over when I caught Harold in his secretary's cacoon....\", November 5, 1988."],"text":["\"Yeh Marge, I knew it was over when I caught Harold in his secretary's cacoon....\", November 5, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings that are Rejected, Unfinished and Re-Done), 1987-1988, Undated.","Item 10","/repositories/4/archival_objects/2585","box 10","folder 2"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38164","2326334e5e159c8d459e96a3_aspace_38215"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings that are Rejected, Unfinished and Re-Done), 1987-1988, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings that are Rejected, Unfinished and Re-Done), 1987-1988, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 10","/repositories/4/archival_objects/2585"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1037,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 10","folder 2"],"_nest_path_":"/components#0/components#1/components#4/components#1/components#9","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38215","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38227"}},{"id":"6f279300082fc5f031dcaf3f_aspace_49953","type":"File","attributes":{"title":"Yehuda Bauer, 1987","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6f279300082fc5f031dcaf3f_aspace_49953#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_49953","ref_ssm":["aspace_49953","aspace_49953"],"id":"6f279300082fc5f031dcaf3f_aspace_49953","title_filing_ssi":"Yehuda Bauer","title_ssm":["Yehuda Bauer"],"title_tesim":["Yehuda Bauer"],"unitdate_other_ssim":["1987"],"normalized_date_ssm":["1987"],"normalized_title_ssm":["Yehuda Bauer, 1987"],"text":["Yehuda Bauer, 1987","University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995","Lectures, 1985-2004","Folder 12","/repositories/2/archival_objects/29500","box 1","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["6f279300082fc5f031dcaf3f","6f279300082fc5f031dcaf3f_aspace_49940"],"parent_unittitles_ssm":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995","Lectures, 1985-2004"],"parent_unittitles_tesim":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995","Lectures, 1985-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 12","/repositories/2/archival_objects/29500"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 12"],"_nest_path_":"/components#0/components#11","_nest_parent_":"6f279300082fc5f031dcaf3f_aspace_49940","_root_":"6f279300082fc5f031dcaf3f","timestamp":"2026-07-09T02:58:18.564Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6f279300082fc5f031dcaf3f","title_ssm":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records"],"title_tesim":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records"],"ead_ssi":"6f279300082fc5f031dcaf3f","unitdate_ssm":["1985-2004","1985-1995"],"unitdate_bulk_ssim":["1985-1995"],"unitdate_inclusive_ssm":["1985-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA18D","/repositories/2/resources/118"],"text":["UA18D","/repositories/2/resources/118","University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995","Universities and colleges -- Florida","Jews","Lectures and lecturing","Photographic prints","The entire collection is open for research.","Collection Identifier: CFU2007_14","This collection is arrange in one series in chronological order.","Established in 1984 under the Interdisciplinary Minor Program at the University of Central Florida, the Judaic Studies minor created a series entitled \"Distinguished Lecturers\". In the early 1990's, the Judaic Studies minor separated from the Interdisciplinary Minor Program to become its own Judaic Studies Program at UCF. Distinguished Lecturers series is still continuing in 2008.","Collection processed by and finding aid prepared by Nava Cohen in 2008. The collection was in rough chronological order and some folders were rearranged to be placed correctly in this order. Photographs in various folders were housed in polyester sleeves. Removed metal paper clips and attached with plastic paper clips. Additionally, newspaper articles were protected with pH neutral paper. Folders were rehoused in pH neutral folders and placed into pH neutral cartons for storage.The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3.","For more information on university archives, please see our website.","Series I: Lectures, 1985-2004 contains correspondence, newspaper clippings, photographs, and advertisements for the Distinguished Lecturers Series sponsored by UCF's Judaic Studies Program. The Distinguished Lecturers Series is held annually.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Correspondences, news clippings, photographs and advertisements document the Distinguished Lecturers series sponsored by the Judaic Studies Program. Lecture subjects range from the Holocaust to Modern Israeli issues.","UCF University Archives","University of Central Florida. Judaic Studies Program","Florida Technological University","University of Central Florida","English"],"unitid_tesim":["UA18D","/repositories/2/resources/118"],"normalized_date_ssm":["1985-2004, bulk 1985-1995"],"normalized_title_ssm":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995"],"collection_title_tesim":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995"],"collection_ssim":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, 1985-2004, bulk 1985-1995"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Judaic Studies Program"],"creator_ssim":["University of Central Florida. Judaic Studies Program"],"creator_corpname_ssim":["University of Central Florida. Judaic Studies Program"],"creators_ssim":["University of Central Florida. Judaic Studies Program"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Moshe Pelli transferred  these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2007 (CFU2007_14)."],"access_subjects_ssim":["Universities and colleges -- Florida","Jews","Lectures and lecturing","Photographic prints"],"access_subjects_ssm":["Universities and colleges -- Florida","Jews","Lectures and lecturing","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1.0 Linear Foot"],"extent_tesim":["1 boxes 1.0 Linear Foot"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2007_14\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2007_14"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arrange in one series in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arrange in one series in chronological order."],"bioghist_html_tesm":["\u003cp\u003eEstablished in 1984 under the Interdisciplinary Minor Program at the University of Central Florida, the Judaic Studies minor created a series entitled \"Distinguished Lecturers\". In the early 1990's, the Judaic Studies minor separated from the Interdisciplinary Minor Program to become its own Judaic Studies Program at UCF. Distinguished Lecturers series is still continuing in 2008.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Established in 1984 under the Interdisciplinary Minor Program at the University of Central Florida, the Judaic Studies minor created a series entitled \"Distinguished Lecturers\". In the early 1990's, the Judaic Studies minor separated from the Interdisciplinary Minor Program to become its own Judaic Studies Program at UCF. Distinguished Lecturers series is still continuing in 2008."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Judaic Studies Program, Distinguished Lecturers Series Records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Nava Cohen in 2008. The collection was in rough chronological order and some folders were rearranged to be placed correctly in this order. Photographs in various folders were housed in polyester sleeves. Removed metal paper clips and attached with plastic paper clips. Additionally, newspaper articles were protected with pH neutral paper. Folders were rehoused in pH neutral folders and placed into pH neutral cartons for storage.The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Nava Cohen in 2008. The collection was in rough chronological order and some folders were rearranged to be placed correctly in this order. Photographs in various folders were housed in polyester sleeves. Removed metal paper clips and attached with plastic paper clips. Additionally, newspaper articles were protected with pH neutral paper. Folders were rehoused in pH neutral folders and placed into pH neutral cartons for storage.The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Lectures, 1985-2004 contains correspondence, newspaper clippings, photographs, and advertisements for the Distinguished Lecturers Series sponsored by UCF's Judaic Studies Program. The Distinguished Lecturers Series is held annually.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Lectures, 1985-2004 contains correspondence, newspaper clippings, photographs, and advertisements for the Distinguished Lecturers Series sponsored by UCF's Judaic Studies Program. The Distinguished Lecturers Series is held annually."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_754c53efa880b73f7c83fdfa735a4e86\" label=\"Abstract\"\u003eCorrespondences, news clippings, photographs and advertisements document the Distinguished Lecturers series sponsored by the Judaic Studies Program. Lecture subjects range from the Holocaust to Modern Israeli issues.\u003c/abstract\u003e"],"abstract_tesim":["Correspondences, news clippings, photographs and advertisements document the Distinguished Lecturers series sponsored by the Judaic Studies Program. Lecture subjects range from the Holocaust to Modern Israeli issues."],"names_coll_ssim":["University of Central Florida. Judaic Studies Program","Florida Technological University","University of Central Florida"],"names_ssim":["UCF University Archives","University of Central Florida. Judaic Studies Program","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF University Archives","University of Central Florida. Judaic Studies Program","Florida Technological University","University of Central Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":66,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6f279300082fc5f031dcaf3f","timestamp":"2026-07-09T02:58:18.564Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6f279300082fc5f031dcaf3f_aspace_49953"}},{"id":"3018d7acc866cce1e2f00be2_aspace_9680ecf02fb372068347307b8a109dc7","type":"File","attributes":{"title":"Yehudi Menuhin","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_9680ecf02fb372068347307b8a109dc7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9680ecf02fb372068347307b8a109dc7","ref_ssm":["aspace_9680ecf02fb372068347307b8a109dc7","aspace_9680ecf02fb372068347307b8a109dc7"],"id":"3018d7acc866cce1e2f00be2_aspace_9680ecf02fb372068347307b8a109dc7","title_filing_ssi":"Yehudi Menuhin","title_ssm":["Yehudi Menuhin"],"title_tesim":["Yehudi Menuhin"],"normalized_title_ssm":["Yehudi Menuhin"],"text":["Yehudi Menuhin","Mickey Wolfson Theater Collection, 1946-2015","Box 11","European Arts","/repositories/2/archival_objects/74266","box 11","folder 15"],"component_level_isim":[3],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_903e7a30f3e6ad11d404e6c42615425c","3018d7acc866cce1e2f00be2_aspace_ce5ec40a404fb356f4605a6c4a165d20"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 11","European Arts"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 11","European Arts"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/74266"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":370,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["box 11","folder 15"],"_nest_path_":"/components#10/components#0/components#15","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_ce5ec40a404fb356f4605a6c4a165d20","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_7e877df1254b1c8344c609e6bb627e19\"\u003eLanguage of materials is in English unless otherwise noted.\u003c/materialspec\u003e"],"materialspec_tesim":["Language of materials is in English unless otherwise noted."],"names_ssim":["FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"language_ssim":["Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1292,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_9680ecf02fb372068347307b8a109dc7"}},{"id":"ac1fdfd302702d7c750004d6_aspace_57594","type":"File","attributes":{"title":"Yeladim, Let's Sing!, 1960","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ac1fdfd302702d7c750004d6_aspace_57594#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_57594","ref_ssm":["aspace_57594","aspace_57594"],"id":"ac1fdfd302702d7c750004d6_aspace_57594","title_filing_ssi":"Yeladim, Let's Sing!","title_ssm":["Yeladim, Let's Sing!"],"title_tesim":["Yeladim, Let's Sing!"],"unitdate_other_ssim":["1960"],"normalized_date_ssm":["1960"],"normalized_title_ssm":["Yeladim, Let's Sing!, 1960"],"text":["Yeladim, Let's Sing!, 1960","Cantor Ackerman Collection, 1902-2004, bulk 1954-1990","Print Music (Anthology)","Folder 23","/repositories/2/archival_objects/25276","18","box 7","folder 23","Bloch Publishing Company","New York","Barkan, Emanuel J.","Ten songs for children, book two. Decorative cover. 2 copies.","Hebrew, English","Piano, Voice"],"component_level_isim":[2],"parent_ids_ssim":["ac1fdfd302702d7c750004d6","ac1fdfd302702d7c750004d6_aspace_57567"],"parent_unittitles_ssm":["Cantor Ackerman Collection, 1902-2004, bulk 1954-1990","Print Music (Anthology)"],"parent_unittitles_tesim":["Cantor Ackerman Collection, 1902-2004, bulk 1954-1990","Print Music (Anthology)"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 23","/repositories/2/archival_objects/25276"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Cantor Ackerman Collection, 1902-2004, bulk 1954-1990"],"physdesc_tesim":["18"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":490,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 7","folder 23"],"odd_html_tesm":["\u003cp\u003eBloch Publishing Company\u003c/p\u003e","\u003cp\u003eNew York\u003c/p\u003e","\u003cp\u003eBarkan, Emanuel J.\u003c/p\u003e","\u003cp\u003eTen songs for children, book two. Decorative cover. 2 copies.\u003c/p\u003e"],"odd_heading_ssm":["Publisher","Place","Composer","Note"],"odd_tesim":["Bloch Publishing Company","New York","Barkan, Emanuel J.","Ten songs for children, book two. Decorative cover. 2 copies."],"separatedmaterial_html_tesm":["\u003cp\u003eHebrew, English\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["Hebrew, English"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_f1b4eee143033927a00367ddca33f336\"\u003ePiano, Voice\u003c/materialspec\u003e"],"materialspec_tesim":["Piano, Voice"],"_nest_path_":"/components#3/components#22","_nest_parent_":"ac1fdfd302702d7c750004d6_aspace_57567","_root_":"ac1fdfd302702d7c750004d6","_version_":1870842099745685504,"timestamp":"2026-07-16T03:54:20.569Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ac1fdfd302702d7c750004d6","title_ssm":["Cantor Ackerman Collection"],"title_tesim":["Cantor Ackerman Collection"],"ead_ssi":"ac1fdfd302702d7c750004d6","unitdate_ssm":["1902-2004","1954-1990"],"unitdate_bulk_ssim":["1954-1990"],"unitdate_inclusive_ssm":["1902-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00010","/repositories/2/resources/63"],"text":["PMC00010","/repositories/2/resources/63","Cantor Ackerman Collection, 1902-2004, bulk 1954-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012 this collection was processed by Elizabeth Fairall, Anand Daibee, and Victoria Thur.","The collection of Cantor Shabtai Ackerman consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Ackerman was a world-renowned cantor with a powerful dramatic tenor voice. He was wounded by the Nazis in World War II and chanted services in the great Moscow Synagogue as a refugee in 1945. After the War, he was appointed permanent Cantor of the Baron De Rothschild and Ahavas Achim (Fraterna) Synagogue in Bucharest. He also served as Chief Cantor for the Great Synagogue of Tel-Aviv, Congregation Beth Abraham Hillel Moses in West Bloomfield, Michigan, and Temple Beth Israel in Deerfield Beach, Florida. He received an honorary doctoral degree in music from the Jewish Theological Seminary of America, where scholarships in his name have since been established. Cantor Ackerman received two Kavod awards from the Cantors Assembly of America. He passed away on July 27, 2007.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00010","/repositories/2/resources/63"],"normalized_date_ssm":["1902-2004, bulk 1954-1990"],"normalized_title_ssm":["Cantor Ackerman Collection, 1902-2004, bulk 1954-1990"],"collection_title_tesim":["Cantor Ackerman Collection, 1902-2004, bulk 1954-1990"],"collection_ssim":["Cantor Ackerman Collection, 1902-2004, bulk 1954-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["5.50 Linear Feet"],"extent_tesim":["5.50 Linear Feet"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012 this collection was processed by Elizabeth Fairall, Anand Daibee, and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012 this collection was processed by Elizabeth Fairall, Anand Daibee, and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Cantor Shabtai Ackerman consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Ackerman was a world-renowned cantor with a powerful dramatic tenor voice. He was wounded by the Nazis in World War II and chanted services in the great Moscow Synagogue as a refugee in 1945. After the War, he was appointed permanent Cantor of the Baron De Rothschild and Ahavas Achim (Fraterna) Synagogue in Bucharest. He also served as Chief Cantor for the Great Synagogue of Tel-Aviv, Congregation Beth Abraham Hillel Moses in West Bloomfield, Michigan, and Temple Beth Israel in Deerfield Beach, Florida. He received an honorary doctoral degree in music from the Jewish Theological Seminary of America, where scholarships in his name have since been established. Cantor Ackerman received two Kavod awards from the Cantors Assembly of America. He passed away on July 27, 2007.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Cantor Shabtai Ackerman consists of manuscript music, print music, personal songbooks, personal papers, programs, and pictures relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Audio recordings have been relocated to Judaica Sound Archives. Cantor Ackerman was a world-renowned cantor with a powerful dramatic tenor voice. He was wounded by the Nazis in World War II and chanted services in the great Moscow Synagogue as a refugee in 1945. After the War, he was appointed permanent Cantor of the Baron De Rothschild and Ahavas Achim (Fraterna) Synagogue in Bucharest. He also served as Chief Cantor for the Great Synagogue of Tel-Aviv, Congregation Beth Abraham Hillel Moses in West Bloomfield, Michigan, and Temple Beth Israel in Deerfield Beach, Florida. He received an honorary doctoral degree in music from the Jewish Theological Seminary of America, where scholarships in his name have since been established. Cantor Ackerman received two Kavod awards from the Cantors Assembly of America. He passed away on July 27, 2007."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":549,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842099745685504,"_root_":"ac1fdfd302702d7c750004d6","timestamp":"2026-07-16T03:54:20.569Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ac1fdfd302702d7c750004d6_aspace_57594"}},{"id":"f3e8d364d52ea1edeca7f6e6_aspace_71156","type":"File","attributes":{"title":"Yela, Max, 1999, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3e8d364d52ea1edeca7f6e6_aspace_71156#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71156","ref_ssm":["aspace_71156","aspace_71156"],"id":"f3e8d364d52ea1edeca7f6e6_aspace_71156","title_filing_ssi":"Yela, Max","title_ssm":["Yela, Max"],"title_tesim":["Yela, Max"],"unitdate_other_ssim":["1999, 2004"],"normalized_date_ssm":["1999, 2004"],"normalized_title_ssm":["Yela, Max, 1999, 2004"],"text":["Yela, Max, 1999, 2004","Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","Correspondence, 1944-2009, Undated.","Individuals.","Folder 23","/repositories/4/archival_objects/5709","box 7","folder 23"],"component_level_isim":[3],"parent_ids_ssim":["f3e8d364d52ea1edeca7f6e6","f3e8d364d52ea1edeca7f6e6_aspace_70882","f3e8d364d52ea1edeca7f6e6_aspace_70883"],"parent_unittitles_ssm":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","Correspondence, 1944-2009, Undated.","Individuals."],"parent_unittitles_tesim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","Correspondence, 1944-2009, Undated.","Individuals."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 23","/repositories/4/archival_objects/5709"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":270,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 7","folder 23"],"_nest_path_":"/components#0/components#0/components#267","_nest_parent_":"f3e8d364d52ea1edeca7f6e6_aspace_70883","_root_":"f3e8d364d52ea1edeca7f6e6","_version_":1870857853659512832,"timestamp":"2026-07-16T08:04:44.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3e8d364d52ea1edeca7f6e6","title_ssm":["Susan King and Paradise Press Collection"],"title_tesim":["Susan King and Paradise Press Collection"],"ead_ssi":"f3e8d364d52ea1edeca7f6e6","unitdate_ssm":["1908-2009","1967-2009"],"unitdate_bulk_ssim":["1967-2009"],"unitdate_inclusive_ssm":["1908-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.059","/repositories/4/resources/23"],"text":["SC.059","/repositories/4/resources/23","Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","The entire collection is open for research.","The collection is divided into five series and is organized by type of materials, most of which relate to book arts.","Susan Elizabeth King was born in Lexington, Kentucky, in 1947. She received her BA in Sculpture from the University of Kentucky in 1971, and earned her MA in Ceramics from New Mexico State University in 1973. King moved to Los Angeles and continued her studies at the Feminist Studio Workshop, 1973-1975, where she began to make books. She founded Paradise Press in 1975, where she published her own artist books, as well as the works of others. King has also lectured, taught workshops, and has been an artist-in-residence at numerous universities and art centers around the country. She has been a prolific author and artist, having received numerous grants and awards, with her work featured extensively in art collections and exhibitions across the U.S. and Europe. One of her most well-received books, \"Treading the Maze: An Artist's Journey Through Breast Cancer,\" details her personal experience and triumph over the awful disease. King now divides her time between Los Angeles and rural Kentucky.","Processed by John Settle; finding aid prepared by John Settle.","Folder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, transparencies, and some artwork have been individually sleeved.","Books collected by Susan E. King can also be found by performing a series search for \"Susan King Library\" in the   Online Catalog .","\nSusan E. King's personal website can be found by clicking  here .","\nOther collections concerning book arts include  Book Arts Ephemera Collection ,  Sol \u0026 Sadie Malkoff Papers , and  Walter and Dorothy Donnelly Family Collection.","Series I: Correspondence, 1944-2009, Undated, contains mostly letters and postcards sent between King and her many colleagues, clients, and friends.","\nSeries II: Publications, 1976-2006, Undated, contains working drafts, binding trials, printing plates, and other materials directly related to King's published work.","\nSeries III: Papers, 1908-2009, Undated, contains materials related to King's Paradise Press printing company, her personal documents, such as journals, scrapbooks, and financial records, as well as files on organizations, research, and teaching materials.","\nSeries IV: Exhibits, 1977-2009, Undated, contains materials related to the exhibition of King's work at various locations.","\nSeries V: Over-Sized Items, 1972-2009, Undated, contains posters, broadsides, artwork, and some materials related to King's published work.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Susan E. King, the collection contains a wide variety of materials, primarily related to her career as a book artist, including manuscripts, printing materials, and correspondence.","UCF Special Collections","English"],"unitid_tesim":["SC.059","/repositories/4/resources/23"],"normalized_date_ssm":["1908-2009, bulk 1967-2009"],"normalized_title_ssm":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"collection_title_tesim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"collection_ssim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Susan King donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2005 (CFM2005_07)."],"has_online_content_ssim":["false"],"extent_ssm":["34.75 Linear Feet 30 Boxes, 27 Flat Files"],"extent_tesim":["34.75 Linear Feet 30 Boxes, 27 Flat Files"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into five series and is organized by type of materials, most of which relate to book arts.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into five series and is organized by type of materials, most of which relate to book arts."],"bioghist_html_tesm":["\u003cp\u003eSusan Elizabeth King was born in Lexington, Kentucky, in 1947. She received her BA in Sculpture from the University of Kentucky in 1971, and earned her MA in Ceramics from New Mexico State University in 1973. King moved to Los Angeles and continued her studies at the Feminist Studio Workshop, 1973-1975, where she began to make books. She founded Paradise Press in 1975, where she published her own artist books, as well as the works of others. King has also lectured, taught workshops, and has been an artist-in-residence at numerous universities and art centers around the country. She has been a prolific author and artist, having received numerous grants and awards, with her work featured extensively in art collections and exhibitions across the U.S. and Europe. One of her most well-received books, \"Treading the Maze: An Artist's Journey Through Breast Cancer,\" details her personal experience and triumph over the awful disease. King now divides her time between Los Angeles and rural Kentucky.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Susan Elizabeth King was born in Lexington, Kentucky, in 1947. She received her BA in Sculpture from the University of Kentucky in 1971, and earned her MA in Ceramics from New Mexico State University in 1973. King moved to Los Angeles and continued her studies at the Feminist Studio Workshop, 1973-1975, where she began to make books. She founded Paradise Press in 1975, where she published her own artist books, as well as the works of others. King has also lectured, taught workshops, and has been an artist-in-residence at numerous universities and art centers around the country. She has been a prolific author and artist, having received numerous grants and awards, with her work featured extensively in art collections and exhibitions across the U.S. and Europe. One of her most well-received books, \"Treading the Maze: An Artist's Journey Through Breast Cancer,\" details her personal experience and triumph over the awful disease. King now divides her time between Los Angeles and rural Kentucky."],"prefercite_html_tesm":["\u003cp\u003eSusan King and Paradise Press Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Susan King and Paradise Press Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Settle; finding aid prepared by John Settle.\u003c/p\u003e","\u003cp\u003eFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, transparencies, and some artwork have been individually sleeved.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Settle; finding aid prepared by John Settle.","Folder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, transparencies, and some artwork have been individually sleeved."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Susan E. King can also be found by performing a series search for \"Susan King Library\" in the  \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nSusan E. King's personal website can be found by clicking \u003cextref href=\"http://susankingart.work/\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nOther collections concerning book arts include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-07\"\u003eBook Arts Ephemera Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-01\"\u003eSol \u0026amp; Sadie Malkoff Papers\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-08\"\u003eWalter and Dorothy Donnelly Family Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by Susan E. King can also be found by performing a series search for \"Susan King Library\" in the   Online Catalog .","\nSusan E. King's personal website can be found by clicking  here .","\nOther collections concerning book arts include  Book Arts Ephemera Collection ,  Sol \u0026 Sadie Malkoff Papers , and  Walter and Dorothy Donnelly Family Collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Correspondence, 1944-2009, Undated, contains mostly letters and postcards sent between King and her many colleagues, clients, and friends.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Publications, 1976-2006, Undated, contains working drafts, binding trials, printing plates, and other materials directly related to King's published work.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Papers, 1908-2009, Undated, contains materials related to King's Paradise Press printing company, her personal documents, such as journals, scrapbooks, and financial records, as well as files on organizations, research, and teaching materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Exhibits, 1977-2009, Undated, contains materials related to the exhibition of King's work at various locations.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Over-Sized Items, 1972-2009, Undated, contains posters, broadsides, artwork, and some materials related to King's published work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Correspondence, 1944-2009, Undated, contains mostly letters and postcards sent between King and her many colleagues, clients, and friends.","\nSeries II: Publications, 1976-2006, Undated, contains working drafts, binding trials, printing plates, and other materials directly related to King's published work.","\nSeries III: Papers, 1908-2009, Undated, contains materials related to King's Paradise Press printing company, her personal documents, such as journals, scrapbooks, and financial records, as well as files on organizations, research, and teaching materials.","\nSeries IV: Exhibits, 1977-2009, Undated, contains materials related to the exhibition of King's work at various locations.","\nSeries V: Over-Sized Items, 1972-2009, Undated, contains posters, broadsides, artwork, and some materials related to King's published work."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e285770c776a9a331dd80559ae1171e\" label=\"Abstract\"\u003eCreated by Susan E. King, the collection contains a wide variety of materials, primarily related to her career as a book artist, including manuscripts, printing materials, and correspondence.\u003c/abstract\u003e"],"abstract_tesim":["Created by Susan E. King, the collection contains a wide variety of materials, primarily related to her career as a book artist, including manuscripts, printing materials, and correspondence."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":693,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857853659512832,"_root_":"f3e8d364d52ea1edeca7f6e6","timestamp":"2026-07-16T08:04:44.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3e8d364d52ea1edeca7f6e6_aspace_71156"}},{"id":"f8f446b15f81524e15fa326b_aspace_120224","type":"File","attributes":{"title":"Yelenik, Gayle","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_120224#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_120224","ref_ssm":["aspace_120224","aspace_120224"],"id":"f8f446b15f81524e15fa326b_aspace_120224","title_filing_ssi":"Yelenik, Gayle","title_ssm":["Yelenik, Gayle"],"title_tesim":["Yelenik, Gayle"],"normalized_title_ssm":["Yelenik, Gayle"],"text":["Yelenik, Gayle","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","General Fanmail","Folder 43","/repositories/10/archival_objects/13073","box 176","folder 43"],"component_level_isim":[3],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_113497","f8f446b15f81524e15fa326b_aspace_113499"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","General Fanmail"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","General Fanmail"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 43","/repositories/10/archival_objects/13073"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7617,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 176","folder 43"],"_nest_path_":"/components#6/components#1/components#657","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_113499","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_120224"}},{"id":"4b1b011e59287a46abc92172_aspace_101997","type":"File","attributes":{"title":"Yelensky","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4b1b011e59287a46abc92172_aspace_101997#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_101997","ref_ssm":["aspace_101997","aspace_101997"],"id":"4b1b011e59287a46abc92172_aspace_101997","title_filing_ssi":"Yelensky","title_ssm":["Yelensky"],"title_tesim":["Yelensky"],"normalized_title_ssm":["Yelensky"],"text":["Yelensky","Claude Pepper Papers, 1900-1989","U.S. House","U.S. House - Case Files","Folder 52","/repositories/10/archival_objects/94648","307 - Box 30","folder 52"],"component_level_isim":[3],"parent_ids_ssim":["4b1b011e59287a46abc92172","4b1b011e59287a46abc92172_aspace_90d5fc28931abbf58f09941a28fa2e3b","4b1b011e59287a46abc92172_aspace_59054"],"parent_unittitles_ssm":["Claude Pepper Papers, 1900-1989","U.S. House","U.S. House - Case Files"],"parent_unittitles_tesim":["Claude Pepper Papers, 1900-1989","U.S. House","U.S. House - Case Files"],"parent_levels_ssm":["collection","Record Group","Series"],"unitid_ssm":["Folder 52","/repositories/10/archival_objects/94648"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Claude Pepper Papers, 1900-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":17662,"parent_access_restrict_tesm":["Collection is open to all researchers. Users may access this collection at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["307 - Box 30","folder 52"],"_nest_path_":"/components#2/components#21/components#1195","_nest_parent_":"4b1b011e59287a46abc92172_aspace_59054","_root_":"4b1b011e59287a46abc92172","_version_":1870947473700159488,"timestamp":"2026-07-17T07:49:12.052Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4b1b011e59287a46abc92172","title_ssm":["Claude Pepper Papers"],"title_tesim":["Claude Pepper Papers"],"ead_ssi":"4b1b011e59287a46abc92172","unitdate_ssm":["1900-1989"],"unitdate_inclusive_ssm":["1900-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1979-01","/repositories/10/resources/640"],"text":["MSS 1979-01","/repositories/10/resources/640","Claude Pepper Papers, 1900-1989","Florida--Politics and government","Florida--History","United States. Congress. House","United States--Politics and government--1933-1945","United States--Politics and government--1945-1953","United States--Politics and government--1953-1961","Collection is open to all researchers. Users may access this collection at the Claude Pepper Library.","During the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.","As is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:","Record Group 300 - U.S. House of Representatives:","~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings","To insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred.","Claude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n Much later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n Prior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars.","The Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building.","Peter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.","Claude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.","Roosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.","Patricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)","Containing over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.","These materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.","Select materials from the Claude Pepper Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library","FSU Special Collections \u0026 Archives","United States. Congress. Senate","Pepper, Claude D.","Pepper, Claude, 1900-1989","English"],"unitid_tesim":["MSS 1979-01","/repositories/10/resources/640"],"normalized_date_ssm":["1900-1989"],"normalized_title_ssm":["Claude Pepper Papers, 1900-1989"],"collection_title_tesim":["Claude Pepper Papers, 1900-1989"],"collection_ssim":["Claude Pepper Papers, 1900-1989"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Pepper, Claude D."],"creator_ssim":["Pepper, Claude D."],"creator_famname_ssim":["Pepper, Claude D."],"creators_ssim":["Pepper, Claude D."],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Claude and Mildred Pepper"],"access_subjects_ssim":["Florida--Politics and government","Florida--History","United States. Congress. House","United States--Politics and government--1933-1945","United States--Politics and government--1945-1953","United States--Politics and government--1953-1961"],"access_subjects_ssm":["Florida--Politics and government","Florida--History","United States. Congress. House","United States--Politics and government--1933-1945","United States--Politics and government--1945-1953","United States--Politics and government--1953-1961"],"has_online_content_ssim":["false"],"extent_ssm":["1200.00 Linear Feet"],"extent_tesim":["1200.00 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Users may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eDuring the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003eAs is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:\u003c/p\u003e\n","\u003cp\u003eRecord Group 300 - U.S. House of Representatives:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003e~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTo insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["During the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.","As is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:","Record Group 300 - U.S. House of Representatives:","~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings","To insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred."],"bioghist_html_tesm":["\u003cp\u003eClaude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n\u003cbr\u003e\u003cbr\u003eMuch later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n\u003cbr\u003e\u003cbr\u003ePrior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Claude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n Much later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n Prior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars."],"custodhist_html_tesm":["\u003cp\u003eThe Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Claude Pepper Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_1979-01\"\u003ehttp://purl.fcla.edu/fsu/MSS_1979-01\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Claude Pepper Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1979-01 ."],"relatedmaterial_html_tesm":["\u003cp\u003ePeter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.\u003c/p\u003e\n","\u003cp\u003eClaude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.\u003c/p\u003e\n","\u003cp\u003eRoosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.\u003c/p\u003e\n","\u003cp\u003ePatricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Peter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.","Claude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.","Roosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.","Patricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)"],"scopecontent_html_tesm":["\u003cp\u003eContaining over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.\u003c/p\u003e\n","\u003cp\u003eThese materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.\u003c/p\u003e","\u003cp\u003eSelect materials from the Claude Pepper Papers have been digitized and are available through the \u003cextref href=\"http://diginole.lib.fsu.edu/islandora/object/fsu%3Aclaudepeppermaincollection\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Containing over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.","These materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.","Select materials from the Claude Pepper Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59cdc344ccbf964b456e94c25aa79f8c\"\u003eClaude Pepper Library\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library"],"names_coll_ssim":["United States. Congress. Senate","Pepper, Claude, 1900-1989"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Congress. Senate","Pepper, Claude D.","Pepper, Claude, 1900-1989"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Congress. Senate"],"famname_ssim":["Pepper, Claude D."],"persname_ssim":["Pepper, Claude, 1900-1989"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38465,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870947473700159488,"_root_":"4b1b011e59287a46abc92172","timestamp":"2026-07-17T07:49:12.052Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4b1b011e59287a46abc92172_aspace_101997"}},{"id":"453ba4ab46a034217423fd9c_aspace_741000f6ba48565f239908c3e3799a19","type":"File","attributes":{"title":"Ye, Linda \"Yun\", 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/453ba4ab46a034217423fd9c_aspace_741000f6ba48565f239908c3e3799a19#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_741000f6ba48565f239908c3e3799a19","ref_ssm":["aspace_741000f6ba48565f239908c3e3799a19","aspace_741000f6ba48565f239908c3e3799a19"],"id":"453ba4ab46a034217423fd9c_aspace_741000f6ba48565f239908c3e3799a19","title_filing_ssi":"Ye, Linda \"Yun\"","title_ssm":["Ye, Linda \"Yun\""],"title_tesim":["Ye, Linda \"Yun\""],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Ye, Linda \"Yun\", 2000"],"text":["Ye, Linda \"Yun\", 2000","Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Photographs, 2000","Prints, 2000","/repositories/4/archival_objects/55872","Box 1","Folder 1"],"component_level_isim":[3],"parent_ids_ssim":["453ba4ab46a034217423fd9c","453ba4ab46a034217423fd9c_aspace_seriesI","453ba4ab46a034217423fd9c_aspace_5df711e702b59121daca1d2a26e2dd1c"],"parent_unittitles_ssm":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Photographs, 2000","Prints, 2000"],"parent_unittitles_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Photographs, 2000","Prints, 2000"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55872"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":14,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2000],"containers_ssim":["Box 1","Folder 1"],"_nest_path_":"/components#0/components#0/components#11","_nest_parent_":"453ba4ab46a034217423fd9c_aspace_5df711e702b59121daca1d2a26e2dd1c","_root_":"453ba4ab46a034217423fd9c","_version_":1870857774396604416,"timestamp":"2026-07-16T08:03:29.090Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"453ba4ab46a034217423fd9c","title_ssm":["Identity and Home as Interpreted by Central Florida Asian-American Women"],"title_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women"],"ead_ssi":"453ba4ab46a034217423fd9c","unitdate_ssm":["1998-2000"],"unitdate_inclusive_ssm":["1998-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.122","/repositories/4/resources/219"],"text":["SC.122","/repositories/4/resources/219","Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Women immigrants -- United States","Transnationalism","Asian American women -- Social conditions","The entire collection is open for research.","This collection is divided into two series and the materials are arranged in alphabetical order.","Linda T. Carpenter is a retired faculty member of the Department of Photography at the Crealdé School of Art. Linda received a B.A. in English in 1965 from Florida State University, and a master's degree in Liberal Studies from Rollins College in 1995. Over the years she has created a variety of exhibits that have broad-ranging subject matter and critical appeal. She was fascinated by the rapid growth of immigration in Central Florida throughout the years, especially regarding Asian immigrants. In her studies, she found that the 1970s' saw a massive influx of Vietnamese immigrants. Moreover, the Asian minority group in Central Florida grew 42 percent in the 1990s'. She acquired a Florida Humanities Council grant in 1999 to pursue this project. Linda interviewed ten different Asian-American women to find out why they decided to immigrate to the United States, the clash of their Asian and American values and lifestyles, and how their lives had changed since. The Asian American women interviewed immigrated to the United States between the years 1954-1992.","Collection processed by and finding aid prepared by Brandon Lynch in 2020. Staples and metal paperclips were removed. All materials were placed into acid free folders and boxes.","For more information on Special Collections, please see our website.","This collection is arranged in two series:","Series I, Photographs, 2000, contains photographs of the Asian-American women interviewed. Subseries I contains black and white prints. Some of these photographs have multiple copies. Subseries II contains exhibition display boards with black and white photographs and interviews.","Series II, Personal Files, 1998-2000, undated, includes correspondence, news articles, research, programs, resumes, profiles, and digital files. There are multiple copies of news articles, resumes, and programs. The CD contains research information that Linda T. Carpenter accumulated for her project.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collected by Linda T. Carpenter, this collection includes many sources of information on the impact and increase of Asian American immigration to Central Florida. This collection contains photographs, interviews, digital files, and research that display how the lives of ten Asian American women changed since they immigrated to Central Florida. These women had mixed experiences since they left their respective countries, and the clash between their family values and the American lifestyle persisted.","UCF Special Collections","The materials are written in English"],"unitid_tesim":["SC.122","/repositories/4/resources/219"],"normalized_date_ssm":["1998-2000"],"normalized_title_ssm":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"collection_title_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"collection_ssim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Linda T. Carpenter donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2020 (CFM2020_08)."],"access_subjects_ssim":["Women immigrants -- United States","Transnationalism","Asian American women -- Social conditions"],"access_subjects_ssm":["Women immigrants -- United States","Transnationalism","Asian American women -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 2 Boxes"],"extent_tesim":["1.75 Linear Feet 2 Boxes"],"date_range_isim":[1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series and the materials are arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into two series and the materials are arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eLinda T. Carpenter is a retired faculty member of the Department of Photography at the Creald\u0026#xE9; School of Art. Linda received a B.A. in English in 1965 from Florida State University, and a master's degree in Liberal Studies from Rollins College in 1995. Over the years she has created a variety of exhibits that have broad-ranging subject matter and critical appeal. She was fascinated by the rapid growth of immigration in Central Florida throughout the years, especially regarding Asian immigrants. In her studies, she found that the 1970s' saw a massive influx of Vietnamese immigrants. Moreover, the Asian minority group in Central Florida grew 42 percent in the 1990s'. She acquired a Florida Humanities Council grant in 1999 to pursue this project. Linda interviewed ten different Asian-American women to find out why they decided to immigrate to the United States, the clash of their Asian and American values and lifestyles, and how their lives had changed since. The Asian American women interviewed immigrated to the United States between the years 1954-1992.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Linda T. Carpenter is a retired faculty member of the Department of Photography at the Crealdé School of Art. Linda received a B.A. in English in 1965 from Florida State University, and a master's degree in Liberal Studies from Rollins College in 1995. Over the years she has created a variety of exhibits that have broad-ranging subject matter and critical appeal. She was fascinated by the rapid growth of immigration in Central Florida throughout the years, especially regarding Asian immigrants. In her studies, she found that the 1970s' saw a massive influx of Vietnamese immigrants. Moreover, the Asian minority group in Central Florida grew 42 percent in the 1990s'. She acquired a Florida Humanities Council grant in 1999 to pursue this project. Linda interviewed ten different Asian-American women to find out why they decided to immigrate to the United States, the clash of their Asian and American values and lifestyles, and how their lives had changed since. The Asian American women interviewed immigrated to the United States between the years 1954-1992."],"prefercite_html_tesm":["\u003cp\u003eIdentity and Home as Interpreted by Central Florida Asian-American Women, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Brandon Lynch in 2020. Staples and metal paperclips were removed. All materials were placed into acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Collection processed by and finding aid prepared by Brandon Lynch in 2020. Staples and metal paperclips were removed. All materials were placed into acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is arranged in two series:\u003c/p\u003e\n","\u003cp\u003eSeries I, Photographs, 2000, contains photographs of the Asian-American women interviewed. Subseries I contains black and white prints. Some of these photographs have multiple copies. Subseries II contains exhibition display boards with black and white photographs and interviews.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1998-2000, undated, includes correspondence, news articles, research, programs, resumes, profiles, and digital files. There are multiple copies of news articles, resumes, and programs. The CD contains research information that Linda T. Carpenter accumulated for her project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is arranged in two series:","Series I, Photographs, 2000, contains photographs of the Asian-American women interviewed. Subseries I contains black and white prints. Some of these photographs have multiple copies. Subseries II contains exhibition display boards with black and white photographs and interviews.","Series II, Personal Files, 1998-2000, undated, includes correspondence, news articles, research, programs, resumes, profiles, and digital files. There are multiple copies of news articles, resumes, and programs. The CD contains research information that Linda T. Carpenter accumulated for her project."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aa648d5dad8ef86d374cbe2537477511\"\u003eCollected by Linda T. Carpenter, this collection includes many sources of information on the impact and increase of Asian American immigration to Central Florida. This collection contains photographs, interviews, digital files, and research that display how the lives of ten Asian American women changed since they immigrated to Central Florida. These women had mixed experiences since they left their respective countries, and the clash between their family values and the American lifestyle persisted.\u003c/abstract\u003e"],"abstract_tesim":["Collected by Linda T. Carpenter, this collection includes many sources of information on the impact and increase of Asian American immigration to Central Florida. This collection contains photographs, interviews, digital files, and research that display how the lives of ten Asian American women changed since they immigrated to Central Florida. These women had mixed experiences since they left their respective countries, and the clash between their family values and the American lifestyle persisted."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857774396604416,"_root_":"453ba4ab46a034217423fd9c","timestamp":"2026-07-16T08:03:29.090Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/453ba4ab46a034217423fd9c_aspace_741000f6ba48565f239908c3e3799a19"}},{"id":"453ba4ab46a034217423fd9c_aspace_ec00264cfa050ec1cc5a7cd161724124","type":"File","attributes":{"title":"Ye, Linda \"Yun\", 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/453ba4ab46a034217423fd9c_aspace_ec00264cfa050ec1cc5a7cd161724124#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ec00264cfa050ec1cc5a7cd161724124","ref_ssm":["aspace_ec00264cfa050ec1cc5a7cd161724124","aspace_ec00264cfa050ec1cc5a7cd161724124"],"id":"453ba4ab46a034217423fd9c_aspace_ec00264cfa050ec1cc5a7cd161724124","title_filing_ssi":"Ye, Linda \"Yun\"","title_ssm":["Ye, Linda \"Yun\""],"title_tesim":["Ye, Linda \"Yun\""],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Ye, Linda \"Yun\", 2000"],"text":["Ye, Linda \"Yun\", 2000","Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Photographs, 2000","Exhibition Display Boards, 2000","/repositories/4/archival_objects/55883","Box 2","Folder 1"],"component_level_isim":[3],"parent_ids_ssim":["453ba4ab46a034217423fd9c","453ba4ab46a034217423fd9c_aspace_seriesI","453ba4ab46a034217423fd9c_aspace_ffad5599a38af8c9fd40c66a7d14d265"],"parent_unittitles_ssm":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Photographs, 2000","Exhibition Display Boards, 2000"],"parent_unittitles_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Photographs, 2000","Exhibition Display Boards, 2000"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55883"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":26,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2000],"containers_ssim":["Box 2","Folder 1"],"_nest_path_":"/components#0/components#1/components#8","_nest_parent_":"453ba4ab46a034217423fd9c_aspace_ffad5599a38af8c9fd40c66a7d14d265","_root_":"453ba4ab46a034217423fd9c","_version_":1870857774396604416,"timestamp":"2026-07-16T08:03:29.090Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"453ba4ab46a034217423fd9c","title_ssm":["Identity and Home as Interpreted by Central Florida Asian-American Women"],"title_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women"],"ead_ssi":"453ba4ab46a034217423fd9c","unitdate_ssm":["1998-2000"],"unitdate_inclusive_ssm":["1998-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.122","/repositories/4/resources/219"],"text":["SC.122","/repositories/4/resources/219","Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000","Women immigrants -- United States","Transnationalism","Asian American women -- Social conditions","The entire collection is open for research.","This collection is divided into two series and the materials are arranged in alphabetical order.","Linda T. Carpenter is a retired faculty member of the Department of Photography at the Crealdé School of Art. Linda received a B.A. in English in 1965 from Florida State University, and a master's degree in Liberal Studies from Rollins College in 1995. Over the years she has created a variety of exhibits that have broad-ranging subject matter and critical appeal. She was fascinated by the rapid growth of immigration in Central Florida throughout the years, especially regarding Asian immigrants. In her studies, she found that the 1970s' saw a massive influx of Vietnamese immigrants. Moreover, the Asian minority group in Central Florida grew 42 percent in the 1990s'. She acquired a Florida Humanities Council grant in 1999 to pursue this project. Linda interviewed ten different Asian-American women to find out why they decided to immigrate to the United States, the clash of their Asian and American values and lifestyles, and how their lives had changed since. The Asian American women interviewed immigrated to the United States between the years 1954-1992.","Collection processed by and finding aid prepared by Brandon Lynch in 2020. Staples and metal paperclips were removed. All materials were placed into acid free folders and boxes.","For more information on Special Collections, please see our website.","This collection is arranged in two series:","Series I, Photographs, 2000, contains photographs of the Asian-American women interviewed. Subseries I contains black and white prints. Some of these photographs have multiple copies. Subseries II contains exhibition display boards with black and white photographs and interviews.","Series II, Personal Files, 1998-2000, undated, includes correspondence, news articles, research, programs, resumes, profiles, and digital files. There are multiple copies of news articles, resumes, and programs. The CD contains research information that Linda T. Carpenter accumulated for her project.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collected by Linda T. Carpenter, this collection includes many sources of information on the impact and increase of Asian American immigration to Central Florida. This collection contains photographs, interviews, digital files, and research that display how the lives of ten Asian American women changed since they immigrated to Central Florida. These women had mixed experiences since they left their respective countries, and the clash between their family values and the American lifestyle persisted.","UCF Special Collections","The materials are written in English"],"unitid_tesim":["SC.122","/repositories/4/resources/219"],"normalized_date_ssm":["1998-2000"],"normalized_title_ssm":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"collection_title_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"collection_ssim":["Identity and Home as Interpreted by Central Florida Asian-American Women, 1998-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Linda T. Carpenter donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2020 (CFM2020_08)."],"access_subjects_ssim":["Women immigrants -- United States","Transnationalism","Asian American women -- Social conditions"],"access_subjects_ssm":["Women immigrants -- United States","Transnationalism","Asian American women -- Social conditions"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 2 Boxes"],"extent_tesim":["1.75 Linear Feet 2 Boxes"],"date_range_isim":[1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series and the materials are arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into two series and the materials are arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eLinda T. Carpenter is a retired faculty member of the Department of Photography at the Creald\u0026#xE9; School of Art. Linda received a B.A. in English in 1965 from Florida State University, and a master's degree in Liberal Studies from Rollins College in 1995. Over the years she has created a variety of exhibits that have broad-ranging subject matter and critical appeal. She was fascinated by the rapid growth of immigration in Central Florida throughout the years, especially regarding Asian immigrants. In her studies, she found that the 1970s' saw a massive influx of Vietnamese immigrants. Moreover, the Asian minority group in Central Florida grew 42 percent in the 1990s'. She acquired a Florida Humanities Council grant in 1999 to pursue this project. Linda interviewed ten different Asian-American women to find out why they decided to immigrate to the United States, the clash of their Asian and American values and lifestyles, and how their lives had changed since. The Asian American women interviewed immigrated to the United States between the years 1954-1992.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Linda T. Carpenter is a retired faculty member of the Department of Photography at the Crealdé School of Art. Linda received a B.A. in English in 1965 from Florida State University, and a master's degree in Liberal Studies from Rollins College in 1995. Over the years she has created a variety of exhibits that have broad-ranging subject matter and critical appeal. She was fascinated by the rapid growth of immigration in Central Florida throughout the years, especially regarding Asian immigrants. In her studies, she found that the 1970s' saw a massive influx of Vietnamese immigrants. Moreover, the Asian minority group in Central Florida grew 42 percent in the 1990s'. She acquired a Florida Humanities Council grant in 1999 to pursue this project. Linda interviewed ten different Asian-American women to find out why they decided to immigrate to the United States, the clash of their Asian and American values and lifestyles, and how their lives had changed since. The Asian American women interviewed immigrated to the United States between the years 1954-1992."],"prefercite_html_tesm":["\u003cp\u003eIdentity and Home as Interpreted by Central Florida Asian-American Women, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Identity and Home as Interpreted by Central Florida Asian-American Women, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Brandon Lynch in 2020. Staples and metal paperclips were removed. All materials were placed into acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Collection processed by and finding aid prepared by Brandon Lynch in 2020. Staples and metal paperclips were removed. All materials were placed into acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is arranged in two series:\u003c/p\u003e\n","\u003cp\u003eSeries I, Photographs, 2000, contains photographs of the Asian-American women interviewed. Subseries I contains black and white prints. Some of these photographs have multiple copies. Subseries II contains exhibition display boards with black and white photographs and interviews.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1998-2000, undated, includes correspondence, news articles, research, programs, resumes, profiles, and digital files. There are multiple copies of news articles, resumes, and programs. The CD contains research information that Linda T. Carpenter accumulated for her project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is arranged in two series:","Series I, Photographs, 2000, contains photographs of the Asian-American women interviewed. Subseries I contains black and white prints. Some of these photographs have multiple copies. Subseries II contains exhibition display boards with black and white photographs and interviews.","Series II, Personal Files, 1998-2000, undated, includes correspondence, news articles, research, programs, resumes, profiles, and digital files. There are multiple copies of news articles, resumes, and programs. The CD contains research information that Linda T. Carpenter accumulated for her project."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aa648d5dad8ef86d374cbe2537477511\"\u003eCollected by Linda T. Carpenter, this collection includes many sources of information on the impact and increase of Asian American immigration to Central Florida. This collection contains photographs, interviews, digital files, and research that display how the lives of ten Asian American women changed since they immigrated to Central Florida. These women had mixed experiences since they left their respective countries, and the clash between their family values and the American lifestyle persisted.\u003c/abstract\u003e"],"abstract_tesim":["Collected by Linda T. Carpenter, this collection includes many sources of information on the impact and increase of Asian American immigration to Central Florida. This collection contains photographs, interviews, digital files, and research that display how the lives of ten Asian American women changed since they immigrated to Central Florida. These women had mixed experiences since they left their respective countries, and the clash between their family values and the American lifestyle persisted."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857774396604416,"_root_":"453ba4ab46a034217423fd9c","timestamp":"2026-07-16T08:03:29.090Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/453ba4ab46a034217423fd9c_aspace_ec00264cfa050ec1cc5a7cd161724124"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=list"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=list"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=list"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=list"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=list"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=list"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=list"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=list"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=list"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=list"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":262},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=list"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":152},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Stecher%2C+Jo\u0026view=list"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":145},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=list"}},{"attributes":{"label":"Holman, Bill (Willis Leonard) (1927-05-21)","value":"Holman, Bill (Willis Leonard) (1927-05-21)","hits":115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Holman%2C+Bill+%28Willis+Leonard%29+%281927-05-21%29\u0026view=list"}},{"attributes":{"label":"Eastman Kodak Company","value":"Eastman Kodak Company","hits":114},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Eastman+Kodak+Company\u0026view=list"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":73},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026view=list"}},{"attributes":{"label":"Nestico, Sammy (1924-02-06-2021-01-17)","value":"Nestico, Sammy (1924-02-06-2021-01-17)","hits":70},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Nestico%2C+Sammy+%281924-02-06-2021-01-17%29\u0026view=list"}},{"attributes":{"label":"Levine, Seymour","value":"Levine, Seymour","hits":62},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Levine%2C+Seymour\u0026view=list"}},{"attributes":{"label":"Jones, Thad (1923-03-28-1986-08-20)","value":"Jones, Thad (1923-03-28-1986-08-20)","hits":57},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Jones%2C+Thad+%281923-03-28-1986-08-20%29\u0026view=list"}},{"attributes":{"label":"Morey, Brad","value":"Morey, Brad","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Morey%2C+Brad\u0026view=list"}},{"attributes":{"label":"Wagner, Richard, 1813-1883","value":"Wagner, Richard, 1813-1883","hits":45},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Wagner%2C+Richard%2C+1813-1883\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1990","value":"1990","hits":6652},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026view=list"}},{"attributes":{"label":"1945","value":"1945","hits":6569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1945\u0026view=list"}},{"attributes":{"label":"1987","value":"1987","hits":6549},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026view=list"}},{"attributes":{"label":"1986","value":"1986","hits":6489},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026view=list"}},{"attributes":{"label":"1989","value":"1989","hits":6487},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026view=list"}},{"attributes":{"label":"1985","value":"1985","hits":6394},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026view=list"}},{"attributes":{"label":"1988","value":"1988","hits":6361},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026view=list"}},{"attributes":{"label":"1984","value":"1984","hits":6130},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026view=list"}},{"attributes":{"label":"1944","value":"1944","hits":6115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026view=list"}},{"attributes":{"label":"1983","value":"1983","hits":6046},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026view=list"}},{"attributes":{"label":"1997","value":"1997","hits":6023},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026view=list"}},{"attributes":{"label":"1991","value":"1991","hits":5994},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026view=list"}},{"attributes":{"label":"1996","value":"1996","hits":5979},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026view=list"}},{"attributes":{"label":"1992","value":"1992","hits":5931},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026view=list"}},{"attributes":{"label":"1995","value":"1995","hits":5889},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026view=list"}},{"attributes":{"label":"1982","value":"1982","hits":5882},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026view=list"}},{"attributes":{"label":"1993","value":"1993","hits":5831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026view=list"}},{"attributes":{"label":"1994","value":"1994","hits":5792},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026view=list"}},{"attributes":{"label":"1998","value":"1998","hits":5765},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026view=list"}},{"attributes":{"label":"1980","value":"1980","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026view=list"}},{"attributes":{"label":"1981","value":"1981","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026view=list"}},{"attributes":{"label":"1999","value":"1999","hits":5648},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026view=list"}},{"attributes":{"label":"1979","value":"1979","hits":5612},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026view=list"}},{"attributes":{"label":"1978","value":"1978","hits":5538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026view=list"}},{"attributes":{"label":"1976","value":"1976","hits":5526},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=list"}},{"attributes":{"label":"1943","value":"1943","hits":5405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1943\u0026view=list"}},{"attributes":{"label":"1977","value":"1977","hits":5348},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026view=list"}},{"attributes":{"label":"1975","value":"1975","hits":5327},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026view=list"}},{"attributes":{"label":"1974","value":"1974","hits":5252},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026view=list"}},{"attributes":{"label":"1973","value":"1973","hits":5221},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026view=list"}},{"attributes":{"label":"2000","value":"2000","hits":5154},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026view=list"}},{"attributes":{"label":"1970","value":"1970","hits":5100},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026view=list"}},{"attributes":{"label":"1972","value":"1972","hits":5047},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026view=list"}},{"attributes":{"label":"1971","value":"1971","hits":4973},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026view=list"}},{"attributes":{"label":"1969","value":"1969","hits":4844},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026view=list"}},{"attributes":{"label":"1968","value":"1968","hits":4675},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026view=list"}},{"attributes":{"label":"2001","value":"2001","hits":4639},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026view=list"}},{"attributes":{"label":"1967","value":"1967","hits":4528},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026view=list"}},{"attributes":{"label":"1942","value":"1942","hits":4470},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026view=list"}},{"attributes":{"label":"1946","value":"1946","hits":4455},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026view=list"}},{"attributes":{"label":"1966","value":"1966","hits":4430},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026view=list"}},{"attributes":{"label":"1965","value":"1965","hits":4376},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026view=list"}},{"attributes":{"label":"1950","value":"1950","hits":4338},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1950\u0026view=list"}},{"attributes":{"label":"1964","value":"1964","hits":4307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026view=list"}},{"attributes":{"label":"1956","value":"1956","hits":4281},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026view=list"}},{"attributes":{"label":"2002","value":"2002","hits":4270},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026view=list"}},{"attributes":{"label":"1960","value":"1960","hits":4266},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026view=list"}},{"attributes":{"label":"1957","value":"1957","hits":4263},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026view=list"}},{"attributes":{"label":"1955","value":"1955","hits":4223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026view=list"}},{"attributes":{"label":"1963","value":"1963","hits":4194},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026view=list"}},{"attributes":{"label":"1962","value":"1962","hits":4187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026view=list"}},{"attributes":{"label":"1954","value":"1954","hits":4165},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026view=list"}},{"attributes":{"label":"1953","value":"1953","hits":4133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026view=list"}},{"attributes":{"label":"1952","value":"1952","hits":4111},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026view=list"}},{"attributes":{"label":"1948","value":"1948","hits":4110},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026view=list"}},{"attributes":{"label":"1951","value":"1951","hits":4101},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026view=list"}},{"attributes":{"label":"1958","value":"1958","hits":4094},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026view=list"}},{"attributes":{"label":"1947","value":"1947","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026view=list"}},{"attributes":{"label":"1961","value":"1961","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026view=list"}},{"attributes":{"label":"1949","value":"1949","hits":4058},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026view=list"}},{"attributes":{"label":"2003","value":"2003","hits":3981},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026view=list"}},{"attributes":{"label":"1959","value":"1959","hits":3944},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026view=list"}},{"attributes":{"label":"1941","value":"1941","hits":3800},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026view=list"}},{"attributes":{"label":"2004","value":"2004","hits":3678},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026view=list"}},{"attributes":{"label":"2005","value":"2005","hits":3664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026view=list"}},{"attributes":{"label":"2007","value":"2007","hits":3627},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026view=list"}},{"attributes":{"label":"2006","value":"2006","hits":3607},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026view=list"}},{"attributes":{"label":"1940","value":"1940","hits":3567},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026view=list"}},{"attributes":{"label":"1939","value":"1939","hits":3187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026view=list"}},{"attributes":{"label":"2008","value":"2008","hits":3056},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026view=list"}},{"attributes":{"label":"1938","value":"1938","hits":2998},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026view=list"}},{"attributes":{"label":"1937","value":"1937","hits":2799},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026view=list"}},{"attributes":{"label":"2009","value":"2009","hits":2676},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026view=list"}},{"attributes":{"label":"1936","value":"1936","hits":2625},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026view=list"}},{"attributes":{"label":"1935","value":"1935","hits":2538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1935\u0026view=list"}},{"attributes":{"label":"2010","value":"2010","hits":2491},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026view=list"}},{"attributes":{"label":"1932","value":"1932","hits":2463},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026view=list"}},{"attributes":{"label":"1934","value":"1934","hits":2423},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026view=list"}},{"attributes":{"label":"1933","value":"1933","hits":2395},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026view=list"}},{"attributes":{"label":"1925","value":"1925","hits":2337},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026view=list"}},{"attributes":{"label":"1930","value":"1930","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1930\u0026view=list"}},{"attributes":{"label":"1931","value":"1931","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1931\u0026view=list"}},{"attributes":{"label":"1926","value":"1926","hits":2213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1926\u0026view=list"}},{"attributes":{"label":"1929","value":"1929","hits":2158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026view=list"}},{"attributes":{"label":"1928","value":"1928","hits":2108},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026view=list"}},{"attributes":{"label":"1927","value":"1927","hits":2076},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1927\u0026view=list"}},{"attributes":{"label":"2011","value":"2011","hits":1988},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026view=list"}},{"attributes":{"label":"2012","value":"2012","hits":1831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026view=list"}},{"attributes":{"label":"2013","value":"2013","hits":1750},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=list"}},{"attributes":{"label":"1920","value":"1920","hits":1725},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1920\u0026view=list"}},{"attributes":{"label":"1924","value":"1924","hits":1714},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026view=list"}},{"attributes":{"label":"1923","value":"1923","hits":1664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026view=list"}},{"attributes":{"label":"1922","value":"1922","hits":1603},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1922\u0026view=list"}},{"attributes":{"label":"2014","value":"2014","hits":1579},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026view=list"}},{"attributes":{"label":"1921","value":"1921","hits":1553},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026view=list"}},{"attributes":{"label":"1919","value":"1919","hits":1381},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1919\u0026view=list"}},{"attributes":{"label":"1918","value":"1918","hits":1367},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026view=list"}},{"attributes":{"label":"1917","value":"1917","hits":1335},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026view=list"}},{"attributes":{"label":"1916","value":"1916","hits":1316},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026view=list"}},{"attributes":{"label":"1915","value":"1915","hits":1290},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":422858},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026view=list"}},{"attributes":{"label":"Item","value":"Item","hits":193001},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026view=list"}},{"attributes":{"label":"Box","value":"Box","hits":9618},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026view=list"}},{"attributes":{"label":"Series","value":"Series","hits":8556},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026view=list"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":6594},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026view=list"}},{"attributes":{"label":"Collection","value":"Collection","hits":5009},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026view=list"}},{"attributes":{"label":"Folder","value":"Folder","hits":4717},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Folder\u0026view=list"}},{"attributes":{"label":"Other level","value":"Other level","hits":2771},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026view=list"}},{"attributes":{"label":"Sub-sub-series","value":"Sub-sub-series","hits":939},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Sub-sub-series\u0026view=list"}},{"attributes":{"label":"Container","value":"Container","hits":633},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Container\u0026view=list"}},{"attributes":{"label":"Drawer","value":"Drawer","hits":412},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Drawer\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":2617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=list"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":534},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=list"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=list"}},{"attributes":{"label":" Broward County Historical Archives","value":" Broward County Historical Archives","hits":299},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=+Broward+County+Historical+Archives\u0026view=list"}},{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=list"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=list"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":174},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UCF+Special+Collections\u0026view=list"}},{"attributes":{"label":"Florida State College for Women","value":"Florida State College for Women","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+College+for+Women\u0026view=list"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Stecher%2C+Jo\u0026view=list"}},{"attributes":{"label":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","value":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","hits":150},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+University+Libraries.+Heritage+Protocol+%26+University+Archives\u0026view=list"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":148},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":209708},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=list"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":163506},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=list"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":66602},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=list"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":44227},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+Special+Collections\u0026view=list"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":35613},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FIU+Special+Collections\u0026view=list"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":23064},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+University+Archives\u0026view=list"}},{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":18653},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections\u0026view=list"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":13020},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=list"}},{"attributes":{"label":"Florida Gulf Coast University Archives","value":"Florida Gulf Coast University Archives","hits":12777},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Archives\u0026view=list"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":12495},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections\u0026view=list"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":11405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=AARLCC+Special+Collections\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Captiva Island (Fla.)","value":"Captiva Island (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Captiva+Island+%28Fla.%29\u0026view=list"}},{"attributes":{"label":"Sanibel (Fla.)","value":"Sanibel (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Sanibel+%28Fla.%29\u0026view=list"}},{"attributes":{"label":"Zines.","value":"Zines.","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Zines.\u0026view=list"}},{"attributes":{"label":"Community organization.","value":"Community organization.","hits":189},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Community+organization.\u0026view=list"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":164},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29\u0026view=list"}},{"attributes":{"label":"Feminism.","value":"Feminism.","hits":143},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Feminism.\u0026view=list"}},{"attributes":{"label":"Art.","value":"Art.","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Art.\u0026view=list"}},{"attributes":{"label":"Fort Myers (Fla.)--History.","value":"Fort Myers (Fla.)--History.","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Fort+Myers+%28Fla.%29--History.\u0026view=list"}},{"attributes":{"label":"Kodak camera.","value":"Kodak camera.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Kodak+camera.\u0026view=list"}},{"attributes":{"label":"Photography.","value":"Photography.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Photography.\u0026view=list"}},{"attributes":{"label":"Punk culture.","value":"Punk culture.","hits":93},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Punk+culture.\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Maps","value":"Maps","hits":4265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Maps\u0026view=list"}},{"attributes":{"label":"Sheet music","value":"Sheet music","hits":1647},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sheet+music\u0026view=list"}},{"attributes":{"label":"Jazz","value":"Jazz","hits":1631},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz\u0026view=list"}},{"attributes":{"label":"Jazz musicians","value":"Jazz musicians","hits":1624},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz+musicians\u0026view=list"}},{"attributes":{"label":"Popular music -- Lead sheets","value":"Popular music -- Lead sheets","hits":1617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Popular+music+--+Lead+sheets\u0026view=list"}},{"attributes":{"label":"Developmental Regional Impact (DRI)","value":"Developmental Regional Impact (DRI)","hits":1247},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Developmental+Regional+Impact+%28DRI%29\u0026view=list"}},{"attributes":{"label":"Report and studies","value":"Report and studies","hits":636},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Report+and+studies\u0026view=list"}},{"attributes":{"label":"World War, 1939-1945","value":"World War, 1939-1945","hits":379},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945\u0026view=list"}},{"attributes":{"label":"Sufficiency","value":"Sufficiency","hits":350},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sufficiency\u0026view=list"}},{"attributes":{"label":"Legal documents","value":"Legal documents","hits":330},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Legal+documents\u0026view=list"}},{"attributes":{"label":"Clippings (Books, newspapers, etc.)","value":"Clippings (Books, newspapers, etc.)","hits":322},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Clippings+%28Books%2C+newspapers%2C+etc.%29\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?facet.sort=count\u0026view=list"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=all_fields\u0026view=list"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=keyword\u0026view=list"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=name\u0026view=list"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=place\u0026view=list"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=subject\u0026view=list"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=title\u0026view=list"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=container\u0026view=list"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026search_field=identifier\u0026view=list"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026sort=score+desc%2C+title_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026sort=date_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026sort=date_sort+desc\u0026view=list"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026sort=creator_sort+asc\u0026view=list"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026sort=creator_sort+desc\u0026view=list"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026sort=title_sort+asc\u0026view=list"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65517\u0026sort=title_sort+desc\u0026view=list"}}]}