{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65296\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65295\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65297\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65773\u0026view=compact"},"meta":{"pages":{"current_page":65296,"next_page":65297,"prev_page":65295,"total_pages":65773,"limit_value":10,"offset_value":652950,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"54df1999ee563a38cc81103b_aspace_175845","type":"Series","attributes":{"title":"Writer's War Board","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/54df1999ee563a38cc81103b_aspace_175845#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Writer's War Board, organized on December 8, 1941, served as a liaison between the writers of America and govern­ment departments that needed writing jobs done. They formed a committee which produced radio plays, pageants and plays on such subjects as general morale, salvage, rationing, etc.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/54df1999ee563a38cc81103b_aspace_175845#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_175845","ref_ssm":["aspace_175845","aspace_175845"],"id":"54df1999ee563a38cc81103b_aspace_175845","title_filing_ssi":"Writer's War Board","title_ssm":["Writer's War Board"],"title_tesim":["Writer's War Board"],"normalized_title_ssm":["Writer's War Board"],"text":["Writer's War Board","Radio Scripts, 1942-1955","Series 1","/repositories/10/archival_objects/145246","box 596","The Writer's War Board, organized on December 8, 1941, served as a liaison between the writers of America and govern­ment departments that needed writing jobs done. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 596"],"scopecontent_html_tesm":["\u003cp\u003eThe Writer's War Board, organized on December 8, 1941, served as a liaison between the writers of America and govern\u0026#xAD;ment departments that needed writing jobs done. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Processed March 1978.","This collection consists mostly of pre-television radio scripts. The war programs are particularly significant in any study of propaganda and give an aspect in the study of broadcasting of this period. The majority of the scripts are from the Writer's War Board, but there are also others by Mutual Life Insurance Company of New York, Broadcast Music Inc., R C A Victor Records, Thesarus Program Continuity Service, and an episode of Mr. Sycamore, a 30 minute radio comedy-drama produced during the 1940s. There are also program brochures prepared by the Educational Department of the Mutual Broadcasting System about programs for young people and public interest programs. Also included in the collection is a pageant script by Roger M. Busfield entitled, Land of plenty, regarding a program at Michigan State University.\n Other subjects covered by this collection include: book burning, Armistice Day, life in Stalingrad, America, Battle of Warsaw, atomic bomb, prejudice, writers, stereotypes, tetanus, head injuries, pedestrian safety, bicycle safety, home repair, job accidents, duodenal ulcers, common cold, functional heart trouble, rheumatic fever, diabetes, kidney diseases, poliomyelitis, and classical music.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 76-23","/repositories/10/resources/1096"],"normalized_date_ssm":["1942-1955"],"normalized_title_ssm":["Radio Scripts, 1942-1955"],"collection_title_tesim":["Radio Scripts, 1942-1955"],"collection_ssim":["Radio Scripts, 1942-1955"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Dr. J. Clark Weaver"],"access_subjects_ssim":["Public health.","Radio broadcasting--United States--History","Radio programs","Music","Radio scripts."],"access_subjects_ssm":["Public health.","Radio broadcasting--United States--History","Radio programs","Music","Radio scripts."],"has_online_content_ssim":["false"],"extent_ssm":["111.00 items"],"extent_tesim":["111.00 items"],"genreform_ssim":["Music","Radio scripts."],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"prefercite_html_tesm":["\u003cp\u003eRadio Scripts, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-76-23\u003c/p\u003e"],"prefercite_tesim":["Radio Scripts, Special Collections and Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-76-23"],"processinfo_html_tesm":["\u003cp\u003eProcessed March 1978.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed March 1978."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists mostly of pre-television radio scripts. The war programs are particularly significant in any study of propaganda and give an aspect in the study of broadcasting of this period. The majority of the scripts are from the Writer's War Board, but there are also others by Mutual Life Insurance Company of New York, Broadcast Music Inc., R C A Victor Records, Thesarus Program Continuity Service, and an episode of Mr. Sycamore, a 30 minute radio comedy-drama produced during the 1940s. There are also program brochures prepared by the Educational Department of the Mutual Broadcasting System about programs for young people and public interest programs. Also included in the collection is a pageant script by Roger M. Busfield entitled, Land of plenty, regarding a program at Michigan State University.\n\u003cbr\u003e\u003cbr\u003eOther subjects covered by this collection include: book burning, Armistice Day, life in Stalingrad, America, Battle of Warsaw, atomic bomb, prejudice, writers, stereotypes, tetanus, head injuries, pedestrian safety, bicycle safety, home repair, job accidents, duodenal ulcers, common cold, functional heart trouble, rheumatic fever, diabetes, kidney diseases, poliomyelitis, and classical music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists mostly of pre-television radio scripts. The war programs are particularly significant in any study of propaganda and give an aspect in the study of broadcasting of this period. The majority of the scripts are from the Writer's War Board, but there are also others by Mutual Life Insurance Company of New York, Broadcast Music Inc., R C A Victor Records, Thesarus Program Continuity Service, and an episode of Mr. Sycamore, a 30 minute radio comedy-drama produced during the 1940s. There are also program brochures prepared by the Educational Department of the Mutual Broadcasting System about programs for young people and public interest programs. Also included in the collection is a pageant script by Roger M. Busfield entitled, Land of plenty, regarding a program at Michigan State University.\n Other subjects covered by this collection include: book burning, Armistice Day, life in Stalingrad, America, Battle of Warsaw, atomic bomb, prejudice, writers, stereotypes, tetanus, head injuries, pedestrian safety, bicycle safety, home repair, job accidents, duodenal ulcers, common cold, functional heart trouble, rheumatic fever, diabetes, kidney diseases, poliomyelitis, and classical music."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870856837892407296,"_root_":"54df1999ee563a38cc81103b","timestamp":"2026-07-16T07:48:35.970Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/54df1999ee563a38cc81103b_aspace_175845"}},{"id":"63f85ee1ad3b0ea5b7bd3ffa_aspace_829757432d4cffd265f27eb2807f11d4","type":"File","attributes":{"title":"Writer's workshop, Circa 1980-1985","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/63f85ee1ad3b0ea5b7bd3ffa_aspace_829757432d4cffd265f27eb2807f11d4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_829757432d4cffd265f27eb2807f11d4","ref_ssm":["aspace_829757432d4cffd265f27eb2807f11d4","aspace_829757432d4cffd265f27eb2807f11d4"],"id":"63f85ee1ad3b0ea5b7bd3ffa_aspace_829757432d4cffd265f27eb2807f11d4","title_filing_ssi":"Writer's workshop","title_ssm":["Writer's workshop"],"title_tesim":["Writer's workshop"],"unitdate_inclusive_ssm":["Circa 1980-1985"],"normalized_date_ssm":["Circa 1980-1985"],"normalized_title_ssm":["Writer's workshop, Circa 1980-1985"],"text":["Writer's workshop, Circa 1980-1985","Library-In-Action Collection, Circa 1969-2002","Programming, 1976-2000","LIA-wide","/repositories/2/archival_objects/18758","box 23","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["63f85ee1ad3b0ea5b7bd3ffa","63f85ee1ad3b0ea5b7bd3ffa_aspace_e0b43361c4d90b3c1beeb902a0e615dc","63f85ee1ad3b0ea5b7bd3ffa_aspace_a3215a9fdfc0caffd1677a1bcff03fd1"],"parent_unittitles_ssm":["Library-In-Action Collection, Circa 1969-2002","Programming, 1976-2000","LIA-wide"],"parent_unittitles_tesim":["Library-In-Action Collection, Circa 1969-2002","Programming, 1976-2000","LIA-wide"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/18758"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Library-In-Action Collection, Circa 1969-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":343,"parent_access_restrict_tesm":["The Library-In-Action Collection is open for research."],"date_range_isim":[1980,1981,1982,1983,1984,1985],"containers_ssim":["box 23","folder 2"],"_nest_path_":"/components#3/components#5/components#32","_nest_parent_":"63f85ee1ad3b0ea5b7bd3ffa_aspace_a3215a9fdfc0caffd1677a1bcff03fd1","_root_":"63f85ee1ad3b0ea5b7bd3ffa","_version_":1876455833356730368,"timestamp":"2026-09-16T03:02:14.138Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"63f85ee1ad3b0ea5b7bd3ffa","title_filing_ssi":"Library-In-Action Collection","title_ssm":["Library-In-Action Collection"],"title_tesim":["Library-In-Action Collection"],"ead_ssi":"63f85ee1ad3b0ea5b7bd3ffa","unitdate_ssm":["Circa 1969-2002"],"unitdate_inclusive_ssm":["Circa 1969-2002"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2024.4","/repositories/2/resources/356"],"text":["AARLCC.2024.4","/repositories/2/resources/356","Library-In-Action Collection, Circa 1969-2002","Fort Lauderdale (Fla.)","Broward County (Fla.)","Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates","The Library-In-Action Collection is open for research.","View a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives.","The collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials.","Broward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.","The Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.","Broward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. ","From 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. ","The LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.","LIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.","The 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.","The LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Von D. Mizell Library Collection","The Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.","Materials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects.","AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988","English"],"unitid_tesim":["AARLCC.2024.4","/repositories/2/resources/356"],"normalized_date_ssm":["Circa 1969-2002"],"normalized_title_ssm":["Library-In-Action Collection, Circa 1969-2002"],"collection_title_tesim":["Library-In-Action Collection, Circa 1969-2002"],"collection_ssim":["Library-In-Action Collection, Circa 1969-2002"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"access_subjects_ssm":["Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","24.75 Linear Feet"],"extent_tesim":["45 Hollinger Boxes","24.75 Linear Feet"],"genreform_ssim":["Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe Library-In-Action Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Library-In-Action Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/libinaction/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eBroward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.\u003c/p\u003e\n","\u003cp\u003eThe Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.\u003c/p\u003e\n","\u003cp\u003eBroward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. \u003c/p\u003e\n","\u003cp\u003eFrom 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. \u003c/p\u003e\n","\u003cp\u003eThe LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.\u003c/p\u003e\n","\u003cp\u003eLIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.\u003c/p\u003e\n","\u003cp\u003eThe 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.\u003c/p\u003e\n","\u003cp\u003eThe LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Broward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.","The Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.","Broward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. ","From 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. ","The LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.","LIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.","The 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.","The LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988."],"prefercite_html_tesm":["\u003cp\u003eLibrary-In-Action Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Library-In-Action Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.lyrasistechnology.org/repositories/2/resources/185\" target=\"_blank\"\u003eVon D. Mizell Library Collection\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Von D. Mizell Library Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.\u003c/p\u003e\n","\u003cp\u003eMaterials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.","Materials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects."],"names_coll_ssim":["Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988"],"names_ssim":["AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 114","folder 17"],"scopecontent_html_tesm":["\u003cp\u003eOne 151 page periodical; No.41\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["One 151 page periodical; No.41"],"_nest_path_":"/components#5/components#4/components#77","_nest_parent_":"9b1a44caeacea9fdc5f72fbb_aspace_112646","_root_":"9b1a44caeacea9fdc5f72fbb","_version_":1870841986919956480,"timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. 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He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_112727"}},{"id":"f3e8d364d52ea1edeca7f6e6_aspace_71547","type":"File","attributes":{"title":"(W)rites of Spring, 1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3e8d364d52ea1edeca7f6e6_aspace_71547#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71547","ref_ssm":["aspace_71547","aspace_71547"],"id":"f3e8d364d52ea1edeca7f6e6_aspace_71547","title_filing_ssi":"(W)rites of Spring","title_ssm":["(W)rites of Spring"],"title_tesim":["(W)rites of Spring"],"unitdate_other_ssim":["1995"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["(W)rites of Spring, 1995"],"text":["(W)rites of Spring, 1995","Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","Papers, 1908-2009, Undated.","Teaching and Workshops, 1908-2006, Undated","Folder 33","/repositories/4/archival_objects/5483","box 24","folder 33"],"component_level_isim":[3],"parent_ids_ssim":["f3e8d364d52ea1edeca7f6e6","f3e8d364d52ea1edeca7f6e6_aspace_71293","f3e8d364d52ea1edeca7f6e6_aspace_71486"],"parent_unittitles_ssm":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","Papers, 1908-2009, Undated.","Teaching and Workshops, 1908-2006, Undated"],"parent_unittitles_tesim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","Papers, 1908-2009, Undated.","Teaching and Workshops, 1908-2006, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 33","/repositories/4/archival_objects/5483"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":613,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 24","folder 33"],"_nest_path_":"/components#2/components#25/components#40","_nest_parent_":"f3e8d364d52ea1edeca7f6e6_aspace_71486","_root_":"f3e8d364d52ea1edeca7f6e6","_version_":1870857853659512832,"timestamp":"2026-07-16T08:04:44.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3e8d364d52ea1edeca7f6e6","title_ssm":["Susan King and Paradise Press Collection"],"title_tesim":["Susan King and Paradise Press Collection"],"ead_ssi":"f3e8d364d52ea1edeca7f6e6","unitdate_ssm":["1908-2009","1967-2009"],"unitdate_bulk_ssim":["1967-2009"],"unitdate_inclusive_ssm":["1908-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.059","/repositories/4/resources/23"],"text":["SC.059","/repositories/4/resources/23","Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009","The entire collection is open for research.","The collection is divided into five series and is organized by type of materials, most of which relate to book arts.","Susan Elizabeth King was born in Lexington, Kentucky, in 1947. She received her BA in Sculpture from the University of Kentucky in 1971, and earned her MA in Ceramics from New Mexico State University in 1973. King moved to Los Angeles and continued her studies at the Feminist Studio Workshop, 1973-1975, where she began to make books. She founded Paradise Press in 1975, where she published her own artist books, as well as the works of others. King has also lectured, taught workshops, and has been an artist-in-residence at numerous universities and art centers around the country. She has been a prolific author and artist, having received numerous grants and awards, with her work featured extensively in art collections and exhibitions across the U.S. and Europe. One of her most well-received books, \"Treading the Maze: An Artist's Journey Through Breast Cancer,\" details her personal experience and triumph over the awful disease. King now divides her time between Los Angeles and rural Kentucky.","Processed by John Settle; finding aid prepared by John Settle.","Folder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, transparencies, and some artwork have been individually sleeved.","Books collected by Susan E. King can also be found by performing a series search for \"Susan King Library\" in the   Online Catalog .","\nSusan E. King's personal website can be found by clicking  here .","\nOther collections concerning book arts include  Book Arts Ephemera Collection ,  Sol \u0026 Sadie Malkoff Papers , and  Walter and Dorothy Donnelly Family Collection.","Series I: Correspondence, 1944-2009, Undated, contains mostly letters and postcards sent between King and her many colleagues, clients, and friends.","\nSeries II: Publications, 1976-2006, Undated, contains working drafts, binding trials, printing plates, and other materials directly related to King's published work.","\nSeries III: Papers, 1908-2009, Undated, contains materials related to King's Paradise Press printing company, her personal documents, such as journals, scrapbooks, and financial records, as well as files on organizations, research, and teaching materials.","\nSeries IV: Exhibits, 1977-2009, Undated, contains materials related to the exhibition of King's work at various locations.","\nSeries V: Over-Sized Items, 1972-2009, Undated, contains posters, broadsides, artwork, and some materials related to King's published work.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Susan E. King, the collection contains a wide variety of materials, primarily related to her career as a book artist, including manuscripts, printing materials, and correspondence.","UCF Special Collections","English"],"unitid_tesim":["SC.059","/repositories/4/resources/23"],"normalized_date_ssm":["1908-2009, bulk 1967-2009"],"normalized_title_ssm":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"collection_title_tesim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"collection_ssim":["Susan King and Paradise Press Collection, 1908-2009, bulk 1967-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Susan King donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2005 (CFM2005_07)."],"has_online_content_ssim":["false"],"extent_ssm":["34.75 Linear Feet 30 Boxes, 27 Flat Files"],"extent_tesim":["34.75 Linear Feet 30 Boxes, 27 Flat Files"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into five series and is organized by type of materials, most of which relate to book arts.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into five series and is organized by type of materials, most of which relate to book arts."],"bioghist_html_tesm":["\u003cp\u003eSusan Elizabeth King was born in Lexington, Kentucky, in 1947. She received her BA in Sculpture from the University of Kentucky in 1971, and earned her MA in Ceramics from New Mexico State University in 1973. King moved to Los Angeles and continued her studies at the Feminist Studio Workshop, 1973-1975, where she began to make books. She founded Paradise Press in 1975, where she published her own artist books, as well as the works of others. King has also lectured, taught workshops, and has been an artist-in-residence at numerous universities and art centers around the country. She has been a prolific author and artist, having received numerous grants and awards, with her work featured extensively in art collections and exhibitions across the U.S. and Europe. One of her most well-received books, \"Treading the Maze: An Artist's Journey Through Breast Cancer,\" details her personal experience and triumph over the awful disease. King now divides her time between Los Angeles and rural Kentucky.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Susan Elizabeth King was born in Lexington, Kentucky, in 1947. She received her BA in Sculpture from the University of Kentucky in 1971, and earned her MA in Ceramics from New Mexico State University in 1973. King moved to Los Angeles and continued her studies at the Feminist Studio Workshop, 1973-1975, where she began to make books. She founded Paradise Press in 1975, where she published her own artist books, as well as the works of others. King has also lectured, taught workshops, and has been an artist-in-residence at numerous universities and art centers around the country. She has been a prolific author and artist, having received numerous grants and awards, with her work featured extensively in art collections and exhibitions across the U.S. and Europe. One of her most well-received books, \"Treading the Maze: An Artist's Journey Through Breast Cancer,\" details her personal experience and triumph over the awful disease. King now divides her time between Los Angeles and rural Kentucky."],"prefercite_html_tesm":["\u003cp\u003eSusan King and Paradise Press Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Susan King and Paradise Press Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by John Settle; finding aid prepared by John Settle.\u003c/p\u003e","\u003cp\u003eFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, transparencies, and some artwork have been individually sleeved.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by John Settle; finding aid prepared by John Settle.","Folder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, transparencies, and some artwork have been individually sleeved."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Susan E. King can also be found by performing a series search for \"Susan King Library\" in the  \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nSusan E. King's personal website can be found by clicking \u003cextref href=\"http://susankingart.work/\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003e\nOther collections concerning book arts include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-07\"\u003eBook Arts Ephemera Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-01\"\u003eSol \u0026amp; Sadie Malkoff Papers\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-08\"\u003eWalter and Dorothy Donnelly Family Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by Susan E. King can also be found by performing a series search for \"Susan King Library\" in the   Online Catalog .","\nSusan E. King's personal website can be found by clicking  here .","\nOther collections concerning book arts include  Book Arts Ephemera Collection ,  Sol \u0026 Sadie Malkoff Papers , and  Walter and Dorothy Donnelly Family Collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Correspondence, 1944-2009, Undated, contains mostly letters and postcards sent between King and her many colleagues, clients, and friends.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Publications, 1976-2006, Undated, contains working drafts, binding trials, printing plates, and other materials directly related to King's published work.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Papers, 1908-2009, Undated, contains materials related to King's Paradise Press printing company, her personal documents, such as journals, scrapbooks, and financial records, as well as files on organizations, research, and teaching materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Exhibits, 1977-2009, Undated, contains materials related to the exhibition of King's work at various locations.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Over-Sized Items, 1972-2009, Undated, contains posters, broadsides, artwork, and some materials related to King's published work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Correspondence, 1944-2009, Undated, contains mostly letters and postcards sent between King and her many colleagues, clients, and friends.","\nSeries II: Publications, 1976-2006, Undated, contains working drafts, binding trials, printing plates, and other materials directly related to King's published work.","\nSeries III: Papers, 1908-2009, Undated, contains materials related to King's Paradise Press printing company, her personal documents, such as journals, scrapbooks, and financial records, as well as files on organizations, research, and teaching materials.","\nSeries IV: Exhibits, 1977-2009, Undated, contains materials related to the exhibition of King's work at various locations.","\nSeries V: Over-Sized Items, 1972-2009, Undated, contains posters, broadsides, artwork, and some materials related to King's published work."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e285770c776a9a331dd80559ae1171e\" label=\"Abstract\"\u003eCreated by Susan E. King, the collection contains a wide variety of materials, primarily related to her career as a book artist, including manuscripts, printing materials, and correspondence.\u003c/abstract\u003e"],"abstract_tesim":["Created by Susan E. King, the collection contains a wide variety of materials, primarily related to her career as a book artist, including manuscripts, printing materials, and correspondence."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":693,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857853659512832,"_root_":"f3e8d364d52ea1edeca7f6e6","timestamp":"2026-07-16T08:04:44.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3e8d364d52ea1edeca7f6e6_aspace_71547"}},{"id":"256e771e3cc0782aac349f80_aspace_c8d4b92a75fcac5da343d921aa8332a1","type":"File","attributes":{"title":"Write Your Name in Fancy Letters on This Page","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_c8d4b92a75fcac5da343d921aa8332a1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c8d4b92a75fcac5da343d921aa8332a1","ref_ssm":["aspace_c8d4b92a75fcac5da343d921aa8332a1","aspace_c8d4b92a75fcac5da343d921aa8332a1"],"id":"256e771e3cc0782aac349f80_aspace_c8d4b92a75fcac5da343d921aa8332a1","title_filing_ssi":"Write Your Name in Fancy Letters on This Page","title_ssm":["Write Your Name in Fancy Letters on This Page"],"title_tesim":["Write Your Name in Fancy Letters on This Page"],"normalized_title_ssm":["Write Your Name in Fancy Letters on This Page"],"text":["Write Your Name in Fancy Letters on This Page","Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present","/repositories/2/archival_objects/29312","Zines.","Survey.","Box: 6","folder 73"],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29312"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":430,"parent_access_restrict_tesm":["The collection is open for use."],"geogname_ssim":["Zines."],"geogname_ssm":["Zines."],"places_ssim":["Zines."],"access_subjects_ssim":["Survey."],"access_subjects_ssm":["Survey."],"containers_ssim":["Box: 6","folder 73"],"_nest_path_":"/components#5/components#72","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_c8d4b92a75fcac5da343d921aa8332a1"}},{"id":"447fec1457e486cb004ab68b_aspace_cf331a84e29aaa687f9635c0db3e9cb7","type":"File","attributes":{"title":"Writing","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/447fec1457e486cb004ab68b_aspace_cf331a84e29aaa687f9635c0db3e9cb7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cf331a84e29aaa687f9635c0db3e9cb7","ref_ssm":["aspace_cf331a84e29aaa687f9635c0db3e9cb7","aspace_cf331a84e29aaa687f9635c0db3e9cb7"],"id":"447fec1457e486cb004ab68b_aspace_cf331a84e29aaa687f9635c0db3e9cb7","title_filing_ssi":"Writing","title_ssm":["Writing"],"title_tesim":["Writing"],"normalized_title_ssm":["Writing"],"text":["Writing","Reno Family Papers, 1900-2000","Box 2","Jane Wood Reno","Personal","Folder 32","/repositories/2/archival_objects/77498","folder 32"],"component_level_isim":[4],"parent_ids_ssim":["447fec1457e486cb004ab68b","447fec1457e486cb004ab68b_aspace_9fffc0c4d1f7a347c429447fe06096a3","447fec1457e486cb004ab68b_aspace_33b9bcccc5d25dfb223ecd76c881c137","447fec1457e486cb004ab68b_aspace_9151f0c1bdf7816be4f91955ca0c9f4c"],"parent_unittitles_ssm":["Reno Family Papers, 1900-2000","Box 2","Jane Wood Reno","Personal"],"parent_unittitles_tesim":["Reno Family Papers, 1900-2000","Box 2","Jane Wood Reno","Personal"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["Folder 32","/repositories/2/archival_objects/77498"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Reno Family Papers, 1900-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":105,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 32"],"_nest_path_":"/components#1/components#0/components#0/components#31","_nest_parent_":"447fec1457e486cb004ab68b_aspace_9151f0c1bdf7816be4f91955ca0c9f4c","_root_":"447fec1457e486cb004ab68b","_version_":1870844441296633856,"timestamp":"2026-07-16T04:31:33.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"447fec1457e486cb004ab68b","title_ssm":["Reno Family Papers"],"title_tesim":["Reno Family Papers"],"ead_ssi":"447fec1457e486cb004ab68b","unitdate_ssm":["1900-2000"],"unitdate_inclusive_ssm":["1900-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9005","/repositories/2/resources/109"],"text":["SPC9005","/repositories/2/resources/109","Reno Family Papers, 1900-2000","Miami","correspondence","editorials","Miami Herald","Miami News","Newsday","Authorship","Journalism","Journalism--Regional","Journalists","Newspaper Employees","reporters and reporting","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:\nHenry Reno--Personal, Professional;\nJane Wood Reno--Personal, Professional;\nChildren of Henry and Jane Reno;\nFamily and Friends;\nFamily Photos;\nGeneral Photos;\nScrapbooks--Janet Reno European Trip;\nOversize Items;\nJane Reno Oversize Items;\nRobert Reno Oversize Items;\nRobert Reno \"The Liberal Opinions\" Newspaper Column","Henry Olaf Reno was a Danish-American journalist. Born in Denmark with the surname Rasmussen, Reno emigrated to the United States in 1912 and settled in Miami, Florida. After attending the University of Tennessee, he became a reporter for the Miami Herald, working there primarily as a crime reporter for 43 years. Henry Olaf Reno had 3 children. He passed away on 7 August 1967 in Miami, Miami-Dade, Florida, USA.","Jane Wood Reno worked as a reporter for the now-defunct Miami News. Jane Wood entered Lanier High School for Girls in Macon, Georgia, at age 11. In 1925, her family moved to Miami, Florida, and she entered Miami High School as a sophomore and graduated at age 15. Her father, a lawyer, had moved down during the Miami boom years. While she intially thought that Florida was dull and boring, the 1926 hurricane changed her mind. \"It had force, all that great power. It was something I could feel,\" she said. She then entered the University of Miami as an English major, but after two years took off to Greece to live with her Aunt Margaret Sloan (Hunter) Balfour and her husband, Dr. Marshall Balfour. In 1932 she returned to Florida and went back to UM but switched her major to physics. After graduating, she went to work as a social worker in Miami.","In high school, Jane Wood had been interested in journalism and even interviewed Marjorie Stoneman Douglas. In her first two years of college, though, her partying caused her to flunk journalism. After the 1935 Hurricane, she grew disenchanted with social work and went to work at the Miami Herald.","At the Herald, she met and later married its star police reporter, Henry Olaf Reno, and even managed to scoop him on a story which earned her \"The Big Story Award.\"Jane and Henry built their house \"way out by the Everglades\" in what is now the middle of suburban Kendall. In addition to her job as a reported, Jane managed the Miami Seaquarium account as a publicist and grabbed world attention when she sent a male porpoise--via ocean liner--to Italy to console a femal porpoise whose mate had died. All of her pet peacocks were named Horace. ","\nThe Children:","Janet Reno was the first female US Attorney General, appointed by Pressident Bill Clinton in 1993. This was fitting, as she had always been a pioneer. She attended Cornell University, where she majored in chemistry during a time when there were not many women in that field. While at Cornell she was a member of the Women's Student Government Association (WSGA). She graduated from Harvard Law School as one of only 16 women in a class of 500. She worked for the Dade County State Attorney's office, and subsequently became State Attorney for the 11th Judicial Circuit of Florida in 1978. ","After her tenure at US Attorney General, she returned to Florida and became involved in environmental and educational activism. She ran in the Democratic primary for Governor in 2002, though she was subsequently defeated. She passed away from Parkinson's Disease in 2016.","Maggy Reno Hurchalla was an actitivst and a Martin County (Florida) commissioner from 1974-1994, serving as a Democrat in a heavily Republican region. She was the county's first female county commissioner and was known for her strong environmentalist views, she served on the state board of the Nature Conservancy and on the Governor's Commission for a Sustainable South Florida. She passed away in 2022.","Robert Reno followed his parents into a career in journalism. He worked for the Miami Herald in both Miami and Key West, New Orleans Times-Picayune, and Newsday. According to his obituary in The Miami Herald: \"As a liberal columnist from the 1980s until his retirement in early 2003, Reno took on the National Rifle Association, conservatives, and the super rich, railed against poverty, social inequality and corrupt politicians, and delighted in deflating the outsized egos of the powerful.\" Robert passed away in 2012.","Mark Reno had a keen sense of adventure. According to a Miami Herald article after his death, it was noted that he \"worked as a game warden, a boat captain, an alligator wrestler, a scuba diver, a paratrooper, ran tugboats and an oil supply ship off the coast of Nigeria, and, primarily, worked as a carpenter. While in the Army he earned a commission as a 2nd Lieutenant, prompting Henry to dub him \"Lt. Fuzz\" (a nod to the \"Beetle Bailey\" comic stip character). In his last two months, he managed to carve benches out of tree remains he'd kept, left over from the devastation of Hurricane Andrew in 1992.\" Mark Reno also worked as a bailiff in Dade County. He passed away in 2014.","Extended Family Represented in this Collection:","George Wood, Jane's father, was an attorney in Macon, GA, and later in Miami. Included in these papers are some of his correspondence and dockets related to legal cases he worked on during the 1920s, especially during the Florida Land Boom. ","Winifried Wood: Jane's sister was a pilot and a member of the famed Women's Air Service Pilots (WASP) during World War II. She wrote a book about her adventures entitled \"We Were WASPS,\" a manuscript of which is maintained in this collection. ","Other family members are, of course, mentioned. Jane had started to work on family geneology and some of her notes are included herein. ","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the American South during the mid-20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","The materials in this collection represent the Reno family's service as journalists as well as their love of South Florida. These materials are the private and public writings, photographs, and ephemera of the family and provide biographical background and context to multiple figures, including Attorney General Janet Reno. \nReflecting the family's journalistic occupations, Henry, Jane, and Robert's newspaper articles and columns make up the bulk of the items in this collection.","The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Henry Olaf and Jane Wood Reno","English"],"unitid_tesim":["SPC9005","/repositories/2/resources/109"],"normalized_date_ssm":["1900-2000"],"normalized_title_ssm":["Reno Family Papers, 1900-2000"],"collection_title_tesim":["Reno Family Papers, 1900-2000"],"collection_ssim":["Reno Family Papers, 1900-2000"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Miami"],"geogname_ssim":["Miami"],"creator_ssm":["Henry Olaf and Jane Wood Reno"],"creator_ssim":["Henry Olaf and Jane Wood Reno"],"creator_famname_ssim":["Henry Olaf and Jane Wood Reno"],"creators_ssim":["Henry Olaf and Jane Wood Reno"],"places_ssim":["Miami"],"access_terms_ssm":["The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maggy (Reno) Hurchalla"],"access_subjects_ssim":["correspondence","editorials","Miami Herald","Miami News","Newsday","Authorship","Journalism","Journalism--Regional","Journalists","Newspaper Employees","reporters and reporting"],"access_subjects_ssm":["correspondence","editorials","Miami Herald","Miami News","Newsday","Authorship","Journalism","Journalism--Regional","Journalists","Newspaper Employees","reporters and reporting"],"has_online_content_ssim":["false"],"extent_ssm":["22.62 Linear Feet","14 boxes"],"extent_tesim":["22.62 Linear Feet","14 boxes"],"physfacet_tesim":["4 Banker Boxes; 7 Medium Flat Boxes; 3 Large Flat Boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\nHenry Reno--Personal, Professional;\nJane Wood Reno--Personal, Professional;\nChildren of Henry and Jane Reno;\nFamily and Friends;\nFamily Photos;\nGeneral Photos;\nScrapbooks--Janet Reno European Trip;\nOversize Items;\nJane Reno Oversize Items;\nRobert Reno Oversize Items;\nRobert Reno \"The Liberal Opinions\" Newspaper Column\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:\nHenry Reno--Personal, Professional;\nJane Wood Reno--Personal, Professional;\nChildren of Henry and Jane Reno;\nFamily and Friends;\nFamily Photos;\nGeneral Photos;\nScrapbooks--Janet Reno European Trip;\nOversize Items;\nJane Reno Oversize Items;\nRobert Reno Oversize Items;\nRobert Reno \"The Liberal Opinions\" Newspaper Column"],"bioghist_html_tesm":["\u003cp\u003eHenry Olaf Reno was a Danish-American journalist. Born in Denmark with the surname Rasmussen, Reno emigrated to the United States in 1912 and settled in Miami, Florida. After attending the University of Tennessee, he became a reporter for the Miami Herald, working there primarily as a crime reporter for 43 years. Henry Olaf Reno had 3 children. He passed away on 7 August 1967 in Miami, Miami-Dade, Florida, USA.\u003c/p\u003e\n","\u003cp\u003eJane Wood Reno worked as a reporter for the now-defunct Miami News. Jane Wood entered Lanier High School for Girls in Macon, Georgia, at age 11. In 1925, her family moved to Miami, Florida, and she entered Miami High School as a sophomore and graduated at age 15. Her father, a lawyer, had moved down during the Miami boom years. While she intially thought that Florida was dull and boring, the 1926 hurricane changed her mind. \"It had force, all that great power. It was something I could feel,\" she said. She then entered the University of Miami as an English major, but after two years took off to Greece to live with her Aunt Margaret Sloan (Hunter) Balfour and her husband, Dr. Marshall Balfour. In 1932 she returned to Florida and went back to UM but switched her major to physics. After graduating, she went to work as a social worker in Miami.\u003c/p\u003e\n","\u003cp\u003eIn high school, Jane Wood had been interested in journalism and even interviewed Marjorie Stoneman Douglas. In her first two years of college, though, her partying caused her to flunk journalism. After the 1935 Hurricane, she grew disenchanted with social work and went to work at the Miami Herald.\u003c/p\u003e\n","\u003cp\u003eAt the Herald, she met and later married its star police reporter, Henry Olaf Reno, and even managed to scoop him on a story which earned her \"The Big Story Award.\"Jane and Henry built their house \"way out by the Everglades\" in what is now the middle of suburban Kendall. In addition to her job as a reported, Jane managed the Miami Seaquarium account as a publicist and grabbed world attention when she sent a male porpoise--via ocean liner--to Italy to console a femal porpoise whose mate had died. All of her pet peacocks were named Horace. \u003c/p\u003e\n","\u003cp\u003e\nThe Children:\u003c/p\u003e\n","\u003cp\u003eJanet Reno was the first female US Attorney General, appointed by Pressident Bill Clinton in 1993. This was fitting, as she had always been a pioneer. She attended Cornell University, where she majored in chemistry during a time when there were not many women in that field. While at Cornell she was a member of the Women's Student Government Association (WSGA). She graduated from Harvard Law School as one of only 16 women in a class of 500. She worked for the Dade County State Attorney's office, and subsequently became State Attorney for the 11th Judicial Circuit of Florida in 1978. \u003c/p\u003e\n","\u003cp\u003eAfter her tenure at US Attorney General, she returned to Florida and became involved in environmental and educational activism. She ran in the Democratic primary for Governor in 2002, though she was subsequently defeated. She passed away from Parkinson's Disease in 2016.\u003c/p\u003e\n","\u003cp\u003eMaggy Reno Hurchalla was an actitivst and a Martin County (Florida) commissioner from 1974-1994, serving as a Democrat in a heavily Republican region. She was the county's first female county commissioner and was known for her strong environmentalist views, she served on the state board of the Nature Conservancy and on the Governor's Commission for a Sustainable South Florida. She passed away in 2022.\u003c/p\u003e\n","\u003cp\u003eRobert Reno followed his parents into a career in journalism. He worked for the Miami Herald in both Miami and Key West, New Orleans Times-Picayune, and Newsday. According to his obituary in The Miami Herald: \"As a liberal columnist from the 1980s until his retirement in early 2003, Reno took on the National Rifle Association, conservatives, and the super rich, railed against poverty, social inequality and corrupt politicians, and delighted in deflating the outsized egos of the powerful.\" Robert passed away in 2012.\u003c/p\u003e\n","\u003cp\u003eMark Reno had a keen sense of adventure. According to a Miami Herald article after his death, it was noted that he \"worked as a game warden, a boat captain, an alligator wrestler, a scuba diver, a paratrooper, ran tugboats and an oil supply ship off the coast of Nigeria, and, primarily, worked as a carpenter. While in the Army he earned a commission as a 2nd Lieutenant, prompting Henry to dub him \"Lt. Fuzz\" (a nod to the \"Beetle Bailey\" comic stip character). In his last two months, he managed to carve benches out of tree remains he'd kept, left over from the devastation of Hurricane Andrew in 1992.\" Mark Reno also worked as a bailiff in Dade County. He passed away in 2014.\u003c/p\u003e\n","\u003cp\u003eExtended Family Represented in this Collection:\u003c/p\u003e\n","\u003cp\u003eGeorge Wood, Jane's father, was an attorney in Macon, GA, and later in Miami. Included in these papers are some of his correspondence and dockets related to legal cases he worked on during the 1920s, especially during the Florida Land Boom. \u003c/p\u003e\n","\u003cp\u003eWinifried Wood: Jane's sister was a pilot and a member of the famed Women's Air Service Pilots (WASP) during World War II. She wrote a book about her adventures entitled \"We Were WASPS,\" a manuscript of which is maintained in this collection. \u003c/p\u003e\n","\u003cp\u003eOther family members are, of course, mentioned. Jane had started to work on family geneology and some of her notes are included herein. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Henry Olaf Reno was a Danish-American journalist. Born in Denmark with the surname Rasmussen, Reno emigrated to the United States in 1912 and settled in Miami, Florida. After attending the University of Tennessee, he became a reporter for the Miami Herald, working there primarily as a crime reporter for 43 years. Henry Olaf Reno had 3 children. He passed away on 7 August 1967 in Miami, Miami-Dade, Florida, USA.","Jane Wood Reno worked as a reporter for the now-defunct Miami News. Jane Wood entered Lanier High School for Girls in Macon, Georgia, at age 11. In 1925, her family moved to Miami, Florida, and she entered Miami High School as a sophomore and graduated at age 15. Her father, a lawyer, had moved down during the Miami boom years. While she intially thought that Florida was dull and boring, the 1926 hurricane changed her mind. \"It had force, all that great power. It was something I could feel,\" she said. She then entered the University of Miami as an English major, but after two years took off to Greece to live with her Aunt Margaret Sloan (Hunter) Balfour and her husband, Dr. Marshall Balfour. In 1932 she returned to Florida and went back to UM but switched her major to physics. After graduating, she went to work as a social worker in Miami.","In high school, Jane Wood had been interested in journalism and even interviewed Marjorie Stoneman Douglas. In her first two years of college, though, her partying caused her to flunk journalism. After the 1935 Hurricane, she grew disenchanted with social work and went to work at the Miami Herald.","At the Herald, she met and later married its star police reporter, Henry Olaf Reno, and even managed to scoop him on a story which earned her \"The Big Story Award.\"Jane and Henry built their house \"way out by the Everglades\" in what is now the middle of suburban Kendall. In addition to her job as a reported, Jane managed the Miami Seaquarium account as a publicist and grabbed world attention when she sent a male porpoise--via ocean liner--to Italy to console a femal porpoise whose mate had died. All of her pet peacocks were named Horace. ","\nThe Children:","Janet Reno was the first female US Attorney General, appointed by Pressident Bill Clinton in 1993. This was fitting, as she had always been a pioneer. She attended Cornell University, where she majored in chemistry during a time when there were not many women in that field. While at Cornell she was a member of the Women's Student Government Association (WSGA). She graduated from Harvard Law School as one of only 16 women in a class of 500. She worked for the Dade County State Attorney's office, and subsequently became State Attorney for the 11th Judicial Circuit of Florida in 1978. ","After her tenure at US Attorney General, she returned to Florida and became involved in environmental and educational activism. She ran in the Democratic primary for Governor in 2002, though she was subsequently defeated. She passed away from Parkinson's Disease in 2016.","Maggy Reno Hurchalla was an actitivst and a Martin County (Florida) commissioner from 1974-1994, serving as a Democrat in a heavily Republican region. She was the county's first female county commissioner and was known for her strong environmentalist views, she served on the state board of the Nature Conservancy and on the Governor's Commission for a Sustainable South Florida. She passed away in 2022.","Robert Reno followed his parents into a career in journalism. He worked for the Miami Herald in both Miami and Key West, New Orleans Times-Picayune, and Newsday. According to his obituary in The Miami Herald: \"As a liberal columnist from the 1980s until his retirement in early 2003, Reno took on the National Rifle Association, conservatives, and the super rich, railed against poverty, social inequality and corrupt politicians, and delighted in deflating the outsized egos of the powerful.\" Robert passed away in 2012.","Mark Reno had a keen sense of adventure. According to a Miami Herald article after his death, it was noted that he \"worked as a game warden, a boat captain, an alligator wrestler, a scuba diver, a paratrooper, ran tugboats and an oil supply ship off the coast of Nigeria, and, primarily, worked as a carpenter. While in the Army he earned a commission as a 2nd Lieutenant, prompting Henry to dub him \"Lt. Fuzz\" (a nod to the \"Beetle Bailey\" comic stip character). In his last two months, he managed to carve benches out of tree remains he'd kept, left over from the devastation of Hurricane Andrew in 1992.\" Mark Reno also worked as a bailiff in Dade County. He passed away in 2014.","Extended Family Represented in this Collection:","George Wood, Jane's father, was an attorney in Macon, GA, and later in Miami. Included in these papers are some of his correspondence and dockets related to legal cases he worked on during the 1920s, especially during the Florida Land Boom. ","Winifried Wood: Jane's sister was a pilot and a member of the famed Women's Air Service Pilots (WASP) during World War II. She wrote a book about her adventures entitled \"We Were WASPS,\" a manuscript of which is maintained in this collection. ","Other family members are, of course, mentioned. Jane had started to work on family geneology and some of her notes are included herein. "],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the American South during the mid-20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the American South during the mid-20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection represent the Reno family's service as journalists as well as their love of South Florida. These materials are the private and public writings, photographs, and ephemera of the family and provide biographical background and context to multiple figures, including Attorney General Janet Reno. \nReflecting the family's journalistic occupations, Henry, Jane, and Robert's newspaper articles and columns make up the bulk of the items in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection represent the Reno family's service as journalists as well as their love of South Florida. These materials are the private and public writings, photographs, and ephemera of the family and provide biographical background and context to multiple figures, including Attorney General Janet Reno. \nReflecting the family's journalistic occupations, Henry, Jane, and Robert's newspaper articles and columns make up the bulk of the items in this collection."],"userestrict_html_tesm":["\u003cp\u003eThe Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Reno Family Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110953"}},{"id":"8d964efa464c4f8b717f7b0a_aspace_0cec6e71a5eaf12ef4410f000263ad5d","type":"File","attributes":{"title":"Writing Abstracts Submitted for the 1994 Hurston Festival, 1994","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a_aspace_0cec6e71a5eaf12ef4410f000263ad5d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0cec6e71a5eaf12ef4410f000263ad5d","ref_ssm":["aspace_0cec6e71a5eaf12ef4410f000263ad5d","aspace_0cec6e71a5eaf12ef4410f000263ad5d"],"id":"8d964efa464c4f8b717f7b0a_aspace_0cec6e71a5eaf12ef4410f000263ad5d","title_filing_ssi":"Writing Abstracts Submitted for the 1994 Hurston Festival","title_ssm":["Writing Abstracts Submitted for the 1994 Hurston Festival"],"title_tesim":["Writing Abstracts Submitted for the 1994 Hurston Festival"],"unitdate_inclusive_ssm":["1994"],"normalized_date_ssm":["1994"],"normalized_title_ssm":["Writing Abstracts Submitted for the 1994 Hurston Festival, 1994"],"text":["Writing Abstracts Submitted for the 1994 Hurston Festival, 1994","University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004","/repositories/2/archival_objects/74987","box 1","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["8d964efa464c4f8b717f7b0a","8d964efa464c4f8b717f7b0a_aspace_7152d5670151662ec860a84df68fd790"],"parent_unittitles_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_unittitles_tesim":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/74987"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":8,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1994],"containers_ssim":["box 1","folder 7"],"_nest_path_":"/components#0/components#6","_nest_parent_":"8d964efa464c4f8b717f7b0a_aspace_7152d5670151662ec860a84df68fd790","_root_":"8d964efa464c4f8b717f7b0a","timestamp":"2026-07-10T03:11:41.409Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8d964efa464c4f8b717f7b0a","title_ssm":["University of Central Florida ZORA! Academic Conference records"],"title_tesim":["University of Central Florida ZORA! Academic Conference records"],"ead_ssi":"8d964efa464c4f8b717f7b0a","unitdate_ssm":["1988-2004"],"unitdate_inclusive_ssm":["1988-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA28G","/repositories/2/resources/303"],"text":["UA28G","/repositories/2/resources/303","University of Central Florida ZORA! Academic Conference records, 1988-2004","Eatonville (Fla.)","Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)","The entire collection is open for research.","The collection is arranged into one series, Planning, 1988-2004.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. ","Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.","Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.","UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G.","English"],"unitid_tesim":["UA28G","/repositories/2/resources/303"],"normalized_date_ssm":["1988-2004"],"normalized_title_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"collection_title_tesim":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"collection_ssim":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"geogname_ssm":["Eatonville (Fla.)"],"geogname_ssim":["Eatonville (Fla.)"],"creator_ssm":["University of Central Florida. College of Arts and Humanities"],"creator_ssim":["University of Central Florida. College of Arts and Humanities"],"creator_corpname_ssim":["University of Central Florida. College of Arts and Humanities"],"creators_ssim":["University of Central Florida. College of Arts and Humanities"],"places_ssim":["Eatonville (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred by Kristin Congdon (Accession No. CFU2006_47)."],"access_subjects_ssim":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"access_subjects_ssm":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["2.1 Linear Feet (1 box, 1 flat file)"],"extent_tesim":["2.1 Linear Feet (1 box, 1 flat file)"],"genreform_ssim":["reports","agendas (administrative records)","letters (correspondence)"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into one series, Planning, 1988-2004.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into one series, Planning, 1988-2004."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about the Zora Neale Hurston Festival of the Arts may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/44\"\u003e Collected Materials on the Zora Neale Hurston Festival.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  \u003c/p\u003e\n","\u003cp\u003eSeries I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)"],"persname_ssim":["Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8d964efa464c4f8b717f7b0a","timestamp":"2026-07-10T03:11:41.409Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a_aspace_0cec6e71a5eaf12ef4410f000263ad5d"}},{"id":"236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","type":"Series","attributes":{"title":"Writing and Composition, 1944–1976","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","ref_ssm":["aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"],"id":"236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0","title_filing_ssi":"Writing and Composition","title_ssm":["Writing and Composition"],"title_tesim":["Writing and Composition"],"unitdate_inclusive_ssm":["1944–1976"],"normalized_date_ssm":["1944–1976"],"normalized_title_ssm":["Writing and Composition, 1944–1976"],"text":["Writing and Composition, 1944–1976","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87632","/repositories/4/archival_objects/91129"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":353,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"scopecontent_html_tesm":["\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music."],"_nest_path_":"/components#1","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_847d0ffd3f697aaaf6e53a37f74ad9c0"}},{"id":"a6e7afb9e5b1bb5db9fa84c9_aspace_ada4996ece67dd9a644c3aa3af4c3dbf","type":"File","attributes":{"title":"Writing and Documents","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a6e7afb9e5b1bb5db9fa84c9_aspace_ada4996ece67dd9a644c3aa3af4c3dbf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ada4996ece67dd9a644c3aa3af4c3dbf","ref_ssm":["aspace_ada4996ece67dd9a644c3aa3af4c3dbf","aspace_ada4996ece67dd9a644c3aa3af4c3dbf"],"id":"a6e7afb9e5b1bb5db9fa84c9_aspace_ada4996ece67dd9a644c3aa3af4c3dbf","title_filing_ssi":"Writing and Documents","title_ssm":["Writing and Documents"],"title_tesim":["Writing and Documents"],"normalized_title_ssm":["Writing and Documents"],"text":["Writing and Documents","John Albright Collection on Paul Dirac, 1912-1990","8","/repositories/10/archival_objects/212787","box 1","folder 8"],"component_level_isim":[1],"parent_ids_ssim":["a6e7afb9e5b1bb5db9fa84c9"],"parent_unittitles_ssm":["John Albright Collection on Paul Dirac, 1912-1990"],"parent_unittitles_tesim":["John Albright Collection on Paul Dirac, 1912-1990"],"parent_levels_ssm":["collection"],"unitid_ssm":["8","/repositories/10/archival_objects/212787"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["John Albright Collection on Paul Dirac, 1912-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":8,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 1","folder 8"],"_nest_path_":"/components#7","_nest_parent_":"a6e7afb9e5b1bb5db9fa84c9","_root_":"a6e7afb9e5b1bb5db9fa84c9","timestamp":"2026-04-21T09:13:57.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a6e7afb9e5b1bb5db9fa84c9","title_ssm":["John Albright Collection on Paul Dirac"],"title_tesim":["John Albright Collection on Paul Dirac"],"ead_ssi":"a6e7afb9e5b1bb5db9fa84c9","unitdate_ssm":["1912-1990"],"unitdate_inclusive_ssm":["1912-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2022-007","/repositories/10/resources/2331"],"text":["MSS 2022-007","/repositories/10/resources/2331","John Albright Collection on Paul Dirac, 1912-1990","This collection is open to all researchers.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Materials collected and created by John Albright in researching the biography of Paul Dirac, including correspondence, photographs, monographs, scholarly publications, and a 1988 draft of Albright's biography of Dirac.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Albright, John","Dirac, P. A. M. (Paul Adrien Maurice), 1902-1984","English Russian"],"unitid_tesim":["MSS 2022-007","/repositories/10/resources/2331"],"normalized_date_ssm":["1912-1990"],"normalized_title_ssm":["John Albright Collection on Paul Dirac, 1912-1990"],"collection_title_tesim":["John Albright Collection on Paul Dirac, 1912-1990"],"collection_ssim":["John Albright Collection on Paul Dirac, 1912-1990"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Albright, John"],"creator_ssim":["Albright, John"],"creator_persname_ssim":["Albright, John"],"creators_ssim":["Albright, John"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Cathy Pottorff, daughter of John R. Albright. SCA Deed of Gift still pending as of November 2022."],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 2 boxes"],"extent_tesim":["2 Linear Feet 2 boxes"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection is in an offsite storage location. 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