{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65098\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65097\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65099\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65767\u0026view=compact"},"meta":{"pages":{"current_page":65098,"next_page":65099,"prev_page":65097,"total_pages":65767,"limit_value":10,"offset_value":650970,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"2e02eaf59ede96fa84ff4688_aspace_113447","type":"Box","attributes":{"title":"Women's World Notebooks","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2e02eaf59ede96fa84ff4688_aspace_113447#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_113447","ref_ssm":["aspace_113447","aspace_113447"],"id":"2e02eaf59ede96fa84ff4688_aspace_113447","title_filing_ssi":"Women's World Notebooks","title_ssm":["Women's World Notebooks"],"title_tesim":["Women's World Notebooks"],"normalized_title_ssm":["Women's World Notebooks"],"text":["Women's World Notebooks","Lucy and Michael O'Brien papers, 1920-1985, Date acquired: 00/00/1962","8","/repositories/2/archival_objects/39879","box 8"],"component_level_isim":[1],"parent_ids_ssim":["2e02eaf59ede96fa84ff4688"],"parent_unittitles_ssm":["Lucy and Michael O'Brien papers, 1920-1985, Date acquired: 00/00/1962"],"parent_unittitles_tesim":["Lucy and Michael O'Brien papers, 1920-1985, Date acquired: 00/00/1962"],"parent_levels_ssm":["collection"],"unitid_ssm":["8","/repositories/2/archival_objects/39879"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Lucy and Michael O'Brien papers, 1920-1985, Date acquired: 00/00/1962"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":82,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 8"],"_nest_path_":"/components#7","_nest_parent_":"2e02eaf59ede96fa84ff4688","_root_":"2e02eaf59ede96fa84ff4688","_version_":1870862620156755968,"timestamp":"2026-07-16T09:20:30.366Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2e02eaf59ede96fa84ff4688","title_ssm":["Lucy and Michael O'Brien papers"],"title_tesim":["Lucy and Michael O'Brien papers"],"ead_ssi":"2e02eaf59ede96fa84ff4688","unitdate_ssm":["1920-1985","Date acquired: 00/00/1962"],"unitdate_inclusive_ssm":["1920-1985"],"unitdate_other_ssim":["Date acquired: 00/00/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1965-04","/repositories/2/resources/228"],"text":["MS-1965-04","/repositories/2/resources/228","Lucy and Michael O'Brien papers, 1920-1985, Date acquired: 00/00/1962","Tampa (Fla.) -- History -- 20th century","Journalists -- Florida","Journalists -- Florida -- Tampa","O'Brien, Lucy Fulghum -- Correspondence","This collection is arranged by material type:","1.  Correspondence: Letters to and from Jack Wilson, as well as a myriad of book publishers and personal friends. 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Originally located in the Hyde Park district of Tampa, Florida, the store eventually moved to Ybor City and became the first retain tenant in Ybor Square.","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eLucy \u0026amp; Michael O'Brien Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Lucy \u0026 Michael O'Brien Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eO'Brien, Lucy F. \u003cemph render=\"italic\"\u003eThe Tribune's First Woman Reporter. \u003c/emph\u003eIn \u003cemph render=\"italic\"\u003eTampa Bay history\u003c/emph\u003e, Vol 4. 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Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, newspaper clippings, photographs, publications, notebooks, speeches and manuscripts.\u0026#xA0; Additionally, the collection contains research materials on Tampa history from the 1930s to the mid-1960s, and a substantial amount of information on Katherine Mansfield. Manuscripts included in the collection are \u003cemph render=\"italic\"\u003eThe Woman at the Opposite Table\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eThe Chuch and the Domination of Darkness\u003c/emph\u003e. Also included are manuscripts of Michael O'Brien's short stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, newspaper clippings, photographs, publications, notebooks, speeches and manuscripts.  Additionally, the collection contains research materials on Tampa history from the 1930s to the mid-1960s, and a substantial amount of information on Katherine Mansfield. Manuscripts included in the collection are  The Woman at the Opposite Table , and  The Chuch and the Domination of Darkness . Also included are manuscripts of Michael O'Brien's short stories."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8edebcc5bd2a26fca5a0c736e0cc21ee\" label=\"Abstract\"\u003eA collection of personal correspondence, writings, and research.\u003c/abstract\u003e"],"abstract_tesim":["A collection of personal correspondence, writings, and research."],"names_ssim":["USF Libraries - Tampa Special Collections","O'Brien, Lucy Fulghum","O'Brien, Michael (1909-1980)","Mansfield, Katherine (1888-1923)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Mansfield, Katherine (1888-1923)"],"persname_ssim":["O'Brien, Lucy Fulghum","O'Brien, Michael (1909-1980)","Mansfield, Katherine (1888-1923)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":135,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862620156755968,"_root_":"2e02eaf59ede96fa84ff4688","timestamp":"2026-07-16T09:20:30.366Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2e02eaf59ede96fa84ff4688_aspace_113447"}},{"id":"2868ee54af3563fe2f0377c1_aspace_123398","type":"Item","attributes":{"title":"Women: The Ferocious Few/ The Noncombatant Many, 1987","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123398#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePhotocopy, discusses how war makes men seems more important than women socially\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123398#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123398","ref_ssm":["aspace_123398","aspace_123398"],"id":"2868ee54af3563fe2f0377c1_aspace_123398","title_filing_ssi":"Women: The Ferocious Few/ The Noncombatant Many","title_ssm":["Women: The Ferocious Few/ The Noncombatant Many"],"title_tesim":["Women: The Ferocious Few/ The Noncombatant Many"],"unitdate_other_ssim":["1987"],"normalized_date_ssm":["1987"],"normalized_title_ssm":["Women: The Ferocious Few/ The Noncombatant Many, 1987"],"text":["Women: The Ferocious Few/ The Noncombatant Many, 1987","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Book Chapters--Women's History","Folder 3","Item 4","/repositories/2/archival_objects/30132","Photocopy, discusses how war makes men seems more important than women socially"],"component_level_isim":[4],"parent_ids_ssim":["2868ee54af3563fe2f0377c1","2868ee54af3563fe2f0377c1_aspace_123039","2868ee54af3563fe2f0377c1_aspace_123376","2868ee54af3563fe2f0377c1_aspace_123394"],"parent_unittitles_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Book Chapters--Women's History","Folder 3"],"parent_unittitles_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Book Chapters--Women's History","Folder 3"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 4","/repositories/2/archival_objects/30132"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":552,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"scopecontent_html_tesm":["\u003cp\u003ePhotocopy, discusses how war makes men seems more important than women socially\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photocopy, discusses how war makes men seems more important than women socially"],"_nest_path_":"/components#1/components#8/components#2/components#3","_nest_parent_":"2868ee54af3563fe2f0377c1_aspace_123394","_root_":"2868ee54af3563fe2f0377c1","_version_":1870842163975159808,"timestamp":"2026-07-16T03:55:21.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2868ee54af3563fe2f0377c1","title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection"],"title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection"],"ead_ssi":"2868ee54af3563fe2f0377c1","unitdate_ssm":["1971-2006","1980 - 2000","Date acquired: 01/15/2017"],"unitdate_bulk_ssim":["1980 - 2000"],"unitdate_inclusive_ssm":["1971-2006"],"unitdate_other_ssim":["Date acquired: 01/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0008","/repositories/2/resources/79"],"text":["UAFP0008","/repositories/2/resources/79","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Topical","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","Heather Frazer","English"],"unitid_tesim":["UAFP0008","/repositories/2/resources/79"],"normalized_date_ssm":["1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"normalized_title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_ssim":["Dr. Heather T. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Frazer Faculty Papers Collection"],"ead_ssi":"2868ee54af3563fe2f0377c1","unitdate_ssm":["1971-2006","1980 - 2000","Date acquired: 01/15/2017"],"unitdate_bulk_ssim":["1980 - 2000"],"unitdate_inclusive_ssm":["1971-2006"],"unitdate_other_ssim":["Date acquired: 01/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0008","/repositories/2/resources/79"],"text":["UAFP0008","/repositories/2/resources/79","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Topical","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","Heather Frazer","English"],"unitid_tesim":["UAFP0008","/repositories/2/resources/79"],"normalized_date_ssm":["1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"normalized_title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Heather Frazer"],"creator_ssim":["Heather Frazer"],"creator_persname_ssim":["Heather Frazer"],"creators_ssim":["Heather Frazer"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["21.00 Linear Feet","38 boxes other_unmapped"],"extent_tesim":["21.00 Linear Feet","38 boxes other_unmapped"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eTopical\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Topical"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan, \u003cemph render=\"italic\"\u003eWe Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II\u003c/emph\u003e (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries","Heather Frazer"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Heather Frazer"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2918,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842163975159808,"_root_":"2868ee54af3563fe2f0377c1","timestamp":"2026-07-16T03:55:21.784Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_122994"}},{"id":"b4713b3bb39465ebcca2e829_aspace_76909","type":"File","attributes":{"title":"Women Try to Equal the Playing Field, 1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b4713b3bb39465ebcca2e829_aspace_76909#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_76909","ref_ssm":["aspace_76909","aspace_76909"],"id":"b4713b3bb39465ebcca2e829_aspace_76909","title_filing_ssi":"Women Try to Equal the Playing Field","title_ssm":["Women Try to Equal the Playing Field"],"title_tesim":["Women Try to Equal the Playing Field"],"unitdate_other_ssim":["1997"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["Women Try to Equal the Playing Field, 1997"],"text":["Women Try to Equal the Playing Field, 1997","University of Central Florida Audio, Visual, and Multi-Media collection, 1967-2007","News, 1973-2005","Video, 1973-2005","Folder 56","Folder 1","/repositories/2/archival_objects/15368","folder 56","box 2","folder 1"],"component_level_isim":[4],"parent_ids_ssim":["b4713b3bb39465ebcca2e829","b4713b3bb39465ebcca2e829_aspace_76576","b4713b3bb39465ebcca2e829_aspace_76577","b4713b3bb39465ebcca2e829_aspace_76907"],"parent_unittitles_ssm":["University of Central Florida Audio, Visual, and Multi-Media collection, 1967-2007","News, 1973-2005","Video, 1973-2005","Folder 56"],"parent_unittitles_tesim":["University of Central Florida Audio, Visual, and Multi-Media collection, 1967-2007","News, 1973-2005","Video, 1973-2005","Folder 56"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Folder 1","/repositories/2/archival_objects/15368"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Audio, Visual, and Multi-Media collection, 1967-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":473,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Equipment is not available for playing media in some formats."],"containers_ssim":["folder 56","box 2","folder 1"],"_nest_path_":"/components#1/components#0/components#104/components#0","_nest_parent_":"b4713b3bb39465ebcca2e829_aspace_76907","_root_":"b4713b3bb39465ebcca2e829","_version_":1870858801325801472,"timestamp":"2026-07-16T08:19:48.429Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b4713b3bb39465ebcca2e829","title_ssm":["University of Central Florida Audio, Visual, and Multi-Media collection"],"title_tesim":["University of Central Florida Audio, Visual, and Multi-Media collection"],"ead_ssi":"b4713b3bb39465ebcca2e829","unitdate_ssm":["1967-2007"],"unitdate_inclusive_ssm":["1967-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA27A","/repositories/2/resources/64"],"text":["UA27A","/repositories/2/resources/64","University of Central Florida Audio, Visual, and Multi-Media collection, 1967-2007","Advertising","College Sports","Marketing","Multi-media Presentations","Universities and colleges -- Florida","audiocassettes","videocassettes","The entire collection is open for research.","Collection Identifier: CFU2006_04; Additions: Additions: CFU19XX_11,CFU19XX_12, CFU2005_04, CFU2005_24B, CFU2006_07, CFU2006_15*, CFU2006_32*, CFU2006_39*, CFU2007_20*, CFU2007_21*, CFU2008_02*, CFU2008_14*; *Transfer numbers that are indicated with an asterisk are add-ons and the material from these collections might still be in unprocessed. The CFU numbers were added from the Accession and Transfer Records in October 2010.","The collection is arranged in five series by a subject heading and then by media type. Some items have been cataloged and are listed with their catalog number.","Advertising is a key ingredient to the promotion of any college or university. Highlighting the achievements and activities of the university population to attract potential students and gain notoriety in the community is a strategy that the University of Central Florida has relied on since the day it opened. While several UCF departments outsource their media production, the majority of marketing and advertising done at UCF is handled through the University Marketing Office. A client-based service that operates for both the administration and colleges on campus, the University Marketing Office is responsible for the marketing of the university both to potential students and to the general public. In addition, the mission is to create and protect the brand image of the University. The Office of News and Information is the primary media relations office for UCF and is responsible for producing and managing university related news media. The Office of News and Information not only works with local, regional and national media sources but is the primary content provider for the UCF channel, a digital television channel. Marketing, along with News and Information fall under the umbrella of UCF Marketing, Communications and Admissions.","Collection processed by and finding aid prepared by April Karlene Anderson and Jonathon Teasley in 2006. DVDs as well as CDs are stored in protective cases. All materials have been placed into acid free archival containers. Each piece of media has been given a number and is stored in numerical order. Each edition of the finding aid reflects additions to the collection and improvements to the finding aid. The finding aid was updated to 4th edition in 2009-2011 by unknown and updated to 5th edition by Harrison Dunnett in 2014. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 6, by Mary Rubin in 2019. Items in the finding aid that were located on the 'shelf' were confirmed to have catalog records, were linked in the related materials section, and were removed from the finding aid. Items in the finding aid that had 'removed' as a location were removed from the finding aid. They were: 'Cert Video Programs, undated' (no #), 'UCF Commencement Channel 9, 1996' (no #), 'Conversation with Peggy Kay, undated' (no #), 'Dr. Gerry Ferris Commencement Address, 2004 (2 copies)' (no #), 'Librarian/Researcher/Teacher of the Year Award, 1985' (no #), and 'UCF vs. Presbyterian S.C. Original Footage, 1979'. It is unknown where those items were placed.","For more information on university archives, please see our website. Further information about this collection may be found in the  Scrapbook Collection  and the Office of the President Collection as well as at the following websites: [url=https://osi.ucf.edu/]Office of Student Involvement[/url] and  Office of the President .\nItems removed from the collection and catalogued are:  UCF ascendant: 1997 president's appreciation dinner, February 5, 1997  (previously #184 \u0026 #607),  A burning new: fire in the Florida landscape  (previously #187),  Paula and H. L. (Buddy) Eidel study room dedication ceremony  (previously #211),  Struggle for excellence: the golden years  (previously #328 \u0026 #612),  25th Anniversary Events  (previously #329),  1996 homecoming, University of Central Florida: bit city Knights  (previously #333),  Distinguished author series: Grace Paley  (previously #334),  The Leadership Difference  (previously #335),  Curse of the Blair Witch  (previously #336),  Rita Dove  (previously #337),  The dedication of the Flame of Hope and Genesis: Wednesday, September 9, 1987, University Library.  (previously #338),  Despues de un sueno = After a dream  (previously #339),  UCF: our home team, library commercial  (previously #340),  An evening with C. Everett Koop, Surgeon General of the United States  (previously #343), and  Applied nursing process  (previously #598, #599, #600),","Series I: Academics, 1974-2007 holds media dealing with various University colleges, schools, institutes, centers, and organizations as well as any research stories and academic events.","Series II: News, 1973-2005 primarily holds media that was produced outside of the university but focused on university events and issues. In several cases, the media was produced on campus but was used to report to the local and national media rather than document a university event.","Series III: People, 1968-2006 holds media that focuses on people who are or have been in the past affiliated with the University. Speakers can be found here as well as news stories and events produced by or for the students.","Series IV: Sports, 1978-2007 contains media produced by or for the University Athletics department both as a way to advertise the various University sports teams and document school sporting events.","Series V: University Relations, 1967-2005 is comprised of a collection of advertising segments that promote the University and various University programs. Much of the media was produced as television programing to be aired on local television stations such as PBS.","Equipment is not available for playing media in some formats.","This collection contains a wide variety of media used to document, promote, or analyze the University of Central Florida. While the bulk of the collection is video, the collection also contains audio and multi-media. News footage from around Central Florida pertaining to the University can be found here as well as historic media that chronicles the growth of both FTU and UCF. University advertising campaigns as well as University produced media highlight the many academic and athletic organizations that can be found on campus.","UCF University Archives","University of Central Florida. 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Some items have been cataloged and are listed with their catalog number."],"bioghist_html_tesm":["\u003cp\u003eAdvertising is a key ingredient to the promotion of any college or university. Highlighting the achievements and activities of the university population to attract potential students and gain notoriety in the community is a strategy that the University of Central Florida has relied on since the day it opened. While several UCF departments outsource their media production, the majority of marketing and advertising done at UCF is handled through the University Marketing Office. A client-based service that operates for both the administration and colleges on campus, the University Marketing Office is responsible for the marketing of the university both to potential students and to the general public. In addition, the mission is to create and protect the brand image of the University. The Office of News and Information is the primary media relations office for UCF and is responsible for producing and managing university related news media. The Office of News and Information not only works with local, regional and national media sources but is the primary content provider for the UCF channel, a digital television channel. Marketing, along with News and Information fall under the umbrella of UCF Marketing, Communications and Admissions.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Advertising is a key ingredient to the promotion of any college or university. Highlighting the achievements and activities of the university population to attract potential students and gain notoriety in the community is a strategy that the University of Central Florida has relied on since the day it opened. While several UCF departments outsource their media production, the majority of marketing and advertising done at UCF is handled through the University Marketing Office. A client-based service that operates for both the administration and colleges on campus, the University Marketing Office is responsible for the marketing of the university both to potential students and to the general public. In addition, the mission is to create and protect the brand image of the University. The Office of News and Information is the primary media relations office for UCF and is responsible for producing and managing university related news media. The Office of News and Information not only works with local, regional and national media sources but is the primary content provider for the UCF channel, a digital television channel. Marketing, along with News and Information fall under the umbrella of UCF Marketing, Communications and Admissions."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Audio, Visual, and Multi-Media Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Audio, Visual, and Multi-Media Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by April Karlene Anderson and Jonathon Teasley in 2006. DVDs as well as CDs are stored in protective cases. All materials have been placed into acid free archival containers. Each piece of media has been given a number and is stored in numerical order. Each edition of the finding aid reflects additions to the collection and improvements to the finding aid. The finding aid was updated to 4th edition in 2009-2011 by unknown and updated to 5th edition by Harrison Dunnett in 2014. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 6, by Mary Rubin in 2019. Items in the finding aid that were located on the 'shelf' were confirmed to have catalog records, were linked in the related materials section, and were removed from the finding aid. Items in the finding aid that had 'removed' as a location were removed from the finding aid. They were: 'Cert Video Programs, undated' (no #), 'UCF Commencement Channel 9, 1996' (no #), 'Conversation with Peggy Kay, undated' (no #), 'Dr. Gerry Ferris Commencement Address, 2004 (2 copies)' (no #), 'Librarian/Researcher/Teacher of the Year Award, 1985' (no #), and 'UCF vs. Presbyterian S.C. Original Footage, 1979'. It is unknown where those items were placed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by April Karlene Anderson and Jonathon Teasley in 2006. DVDs as well as CDs are stored in protective cases. All materials have been placed into acid free archival containers. Each piece of media has been given a number and is stored in numerical order. Each edition of the finding aid reflects additions to the collection and improvements to the finding aid. The finding aid was updated to 4th edition in 2009-2011 by unknown and updated to 5th edition by Harrison Dunnett in 2014. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 6, by Mary Rubin in 2019. Items in the finding aid that were located on the 'shelf' were confirmed to have catalog records, were linked in the related materials section, and were removed from the finding aid. Items in the finding aid that had 'removed' as a location were removed from the finding aid. They were: 'Cert Video Programs, undated' (no #), 'UCF Commencement Channel 9, 1996' (no #), 'Conversation with Peggy Kay, undated' (no #), 'Dr. Gerry Ferris Commencement Address, 2004 (2 copies)' (no #), 'Librarian/Researcher/Teacher of the Year Award, 1985' (no #), and 'UCF vs. Presbyterian S.C. Original Footage, 1979'. It is unknown where those items were placed."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about this collection may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFScrapbook\"\u003eScrapbook Collection\u003c/extref\u003e and the Office of the President Collection as well as at the following websites: [url=https://osi.ucf.edu/]Office of Student Involvement[/url] and \u003cextref href=\"http://www.ucf.edu/leadership/president\"\u003eOffice of the President\u003c/extref\u003e.\nItems removed from the collection and catalogued are: \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF024239986\"\u003eUCF ascendant: 1997 president's appreciation dinner, February 5, 1997\u003c/extref\u003e (previously #184 \u0026amp; #607), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29FL029959002\"\u003eA burning new: fire in the Florida landscape\u003c/extref\u003e (previously #187), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF029068982\"\u003ePaula and H. L. (Buddy) Eidel study room dedication ceremony\u003c/extref\u003e (previously #211), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF029824956\"\u003eStruggle for excellence: the golden years\u003c/extref\u003e (previously #328 \u0026amp; #612), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF029068967\"\u003e25th Anniversary Events\u003c/extref\u003e (previously #329), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29FL023869503\"\u003e1996 homecoming, University of Central Florida: bit city Knights\u003c/extref\u003e (previously #333), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF021006055\"\u003eDistinguished author series: Grace Paley\u003c/extref\u003e (previously #334), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29FL028985782\"\u003eThe Leadership Difference\u003c/extref\u003e (previously #335), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29FL028336634\"\u003eCurse of the Blair Witch\u003c/extref\u003e (previously #336), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF021006034\"\u003eRita Dove\u003c/extref\u003e (previously #337), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF027365238\"\u003eThe dedication of the Flame of Hope and Genesis: Wednesday, September 9, 1987, University Library.\u003c/extref\u003e (previously #338), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF022144426\"\u003eDespues de un sueno = After a dream\u003c/extref\u003e (previously #339), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF028711251\"\u003eUCF: our home team, library commercial\u003c/extref\u003e (previously #340), \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF029068973\"\u003eAn evening with C. Everett Koop, Surgeon General of the United States\u003c/extref\u003e (previously #343), and \u003cextref href=\"http://ucf.catalog.fcla.edu/permalink.jsp?29CF026656661\"\u003eApplied nursing process\u003c/extref\u003e (previously #598, #599, #600),\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about this collection may be found in the  Scrapbook Collection  and the Office of the President Collection as well as at the following websites: [url=https://osi.ucf.edu/]Office of Student Involvement[/url] and  Office of the President .\nItems removed from the collection and catalogued are:  UCF ascendant: 1997 president's appreciation dinner, February 5, 1997  (previously #184 \u0026 #607),  A burning new: fire in the Florida landscape  (previously #187),  Paula and H. L. (Buddy) Eidel study room dedication ceremony  (previously #211),  Struggle for excellence: the golden years  (previously #328 \u0026 #612),  25th Anniversary Events  (previously #329),  1996 homecoming, University of Central Florida: bit city Knights  (previously #333),  Distinguished author series: Grace Paley  (previously #334),  The Leadership Difference  (previously #335),  Curse of the Blair Witch  (previously #336),  Rita Dove  (previously #337),  The dedication of the Flame of Hope and Genesis: Wednesday, September 9, 1987, University Library.  (previously #338),  Despues de un sueno = After a dream  (previously #339),  UCF: our home team, library commercial  (previously #340),  An evening with C. Everett Koop, Surgeon General of the United States  (previously #343), and  Applied nursing process  (previously #598, #599, #600),"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Academics, 1974-2007 holds media dealing with various University colleges, schools, institutes, centers, and organizations as well as any research stories and academic events.\u003c/p\u003e\n","\u003cp\u003eSeries II: News, 1973-2005 primarily holds media that was produced outside of the university but focused on university events and issues. In several cases, the media was produced on campus but was used to report to the local and national media rather than document a university event.\u003c/p\u003e\n","\u003cp\u003eSeries III: People, 1968-2006 holds media that focuses on people who are or have been in the past affiliated with the University. Speakers can be found here as well as news stories and events produced by or for the students.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Sports, 1978-2007 contains media produced by or for the University Athletics department both as a way to advertise the various University sports teams and document school sporting events.\u003c/p\u003e\n","\u003cp\u003eSeries V: University Relations, 1967-2005 is comprised of a collection of advertising segments that promote the University and various University programs. Much of the media was produced as television programing to be aired on local television stations such as PBS.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Academics, 1974-2007 holds media dealing with various University colleges, schools, institutes, centers, and organizations as well as any research stories and academic events.","Series II: News, 1973-2005 primarily holds media that was produced outside of the university but focused on university events and issues. In several cases, the media was produced on campus but was used to report to the local and national media rather than document a university event.","Series III: People, 1968-2006 holds media that focuses on people who are or have been in the past affiliated with the University. Speakers can be found here as well as news stories and events produced by or for the students.","Series IV: Sports, 1978-2007 contains media produced by or for the University Athletics department both as a way to advertise the various University sports teams and document school sporting events.","Series V: University Relations, 1967-2005 is comprised of a collection of advertising segments that promote the University and various University programs. Much of the media was produced as television programing to be aired on local television stations such as PBS."],"userestrict_html_tesm":["\u003cp\u003eEquipment is not available for playing media in some formats.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Equipment is not available for playing media in some formats."],"abstract_html_tesm":["\u003cabstract id=\"aspace_44eb13f6cc256e337242dd667422b457\" label=\"Abstract\"\u003eThis collection contains a wide variety of media used to document, promote, or analyze the University of Central Florida. While the bulk of the collection is video, the collection also contains audio and multi-media. News footage from around Central Florida pertaining to the University can be found here as well as historic media that chronicles the growth of both FTU and UCF. University advertising campaigns as well as University produced media highlight the many academic and athletic organizations that can be found on campus.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains a wide variety of media used to document, promote, or analyze the University of Central Florida. While the bulk of the collection is video, the collection also contains audio and multi-media. News footage from around Central Florida pertaining to the University can be found here as well as historic media that chronicles the growth of both FTU and UCF. University advertising campaigns as well as University produced media highlight the many academic and athletic organizations that can be found on campus."],"names_coll_ssim":["Valencia Community College","Florida Solar Energy Center","University of Central Florida","Florida Technological University"],"names_ssim":["UCF University Archives","University of Central Florida. Office of News and Information","Valencia Community College","Florida Solar Energy Center","University of Central Florida","Florida Technological University"],"corpname_ssim":["UCF University Archives","University of Central Florida. Office of News and Information","Valencia Community College","Florida Solar Energy Center","University of Central Florida","Florida Technological University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1023,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858801325801472,"_root_":"b4713b3bb39465ebcca2e829","timestamp":"2026-07-16T08:19:48.429Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b4713b3bb39465ebcca2e829_aspace_76909"}},{"id":"af523c30b90933b50a837e53_aspace_b0cb972464c6d18345e3182f1e5fabef","type":"Item","attributes":{"title":"Women using automated machinery to make cigars at the Hav-A-Tampa Cigar Company","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_b0cb972464c6d18345e3182f1e5fabef#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b0cb972464c6d18345e3182f1e5fabef","ref_ssm":["aspace_b0cb972464c6d18345e3182f1e5fabef","aspace_b0cb972464c6d18345e3182f1e5fabef"],"id":"af523c30b90933b50a837e53_aspace_b0cb972464c6d18345e3182f1e5fabef","title_filing_ssi":"Women using automated machinery to make cigars at the Hav-A-Tampa Cigar Company","title_ssm":["Women using automated machinery to make cigars at the Hav-A-Tampa Cigar Company"],"title_tesim":["Women using automated machinery to make cigars at the Hav-A-Tampa Cigar Company"],"normalized_title_ssm":["Women using automated machinery to make cigars at the Hav-A-Tampa Cigar Company"],"text":["Women using automated machinery to make cigars at the Hav-A-Tampa Cigar Company","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","42269-51441","4","/repositories/2/archival_objects/146216","box 9"],"component_level_isim":[2],"parent_ids_ssim":["af523c30b90933b50a837e53","af523c30b90933b50a837e53_aspace_fde947ad8caabd064c3a85e449036f84"],"parent_unittitles_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","42269-51441"],"parent_unittitles_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","42269-51441"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["4","/repositories/2/archival_objects/146216"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":318,"parent_access_restrict_tesm":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 9"],"_nest_path_":"/components#8/components#3","_nest_parent_":"af523c30b90933b50a837e53_aspace_fde947ad8caabd064c3a85e449036f84","_root_":"af523c30b90933b50a837e53","_version_":1879740859650408448,"timestamp":"2026-10-22T09:16:19.330Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af523c30b90933b50a837e53","title_ssm":["Burgert Brothers collection of Tampa photographs"],"title_tesim":["Burgert Brothers collection of Tampa photographs"],"ead_ssi":"af523c30b90933b50a837e53","unitdate_ssm":["1890-1960"],"unitdate_bulk_ssim":["1890-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-03","/repositories/2/resources/458"],"text":["MS-2000-03","/repositories/2/resources/458","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.","This collection is currently unprocessed.","Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992.","The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers","English"],"unitid_tesim":["MS-2000-03","/repositories/2/resources/458"],"normalized_date_ssm":["bulk 1890-1960"],"normalized_title_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_title_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Burgert Brothers Commercial Photographers"],"creator_ssim":["Burgert Brothers Commercial Photographers"],"creator_corpname_ssim":["Burgert Brothers Commercial Photographers"],"creators_ssim":["Burgert Brothers Commercial Photographers"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["4.39 Linear Feet","21 boxes"],"extent_tesim":["4.39 Linear Feet","21 boxes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"arrangement_html_tesm":["\u003cp\u003eThis collection is currently unprocessed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is currently unprocessed."],"bioghist_html_tesm":["\u003cp\u003eSamuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. \u003c/p\u003e\n","\u003cp\u003eSynder, Robert E. and Jack B. Morre, \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e , 16 (November 1990) pp. 19-26.\u003c/p\u003e\n","\u003cp\u003eFor further reading see: Synder, Robert B. and Jack B. Moore, \u003cemph render=\"italic\"\u003ePioneer Commercial Photography- The Burgert Brothers\u003c/emph\u003e, Tampa, Florida, University Press of Flordia: Gainesville, 1992.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992."],"prefercite_html_tesm":["\u003cp\u003eBurgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Burgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.\u0026#xA0; The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":774,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879740859650408448,"_root_":"af523c30b90933b50a837e53","timestamp":"2026-10-22T09:16:19.330Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_b0cb972464c6d18345e3182f1e5fabef"}},{"id":"18ce43a3c782b797db9fa781_aspace_178224","type":"Item","attributes":{"title":"[Women using horse-drawn transportation]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178224#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178224#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178224","ref_ssm":["aspace_178224","aspace_178224"],"id":"18ce43a3c782b797db9fa781_aspace_178224","title_filing_ssi":"[Women using horse-drawn transportation]","title_ssm":["[Women using horse-drawn transportation]"],"title_tesim":["[Women using horse-drawn transportation]"],"normalized_title_ssm":["[Women using horse-drawn transportation]"],"text":["[Women using horse-drawn transportation]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - San Bernardino","Item 5","/repositories/2/archival_objects/82225","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179824","18ce43a3c782b797db9fa781_aspace_178219"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - San Bernardino"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Travel Pictures","Travel Pictures - San Bernardino"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 5","/repositories/2/archival_objects/82225"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1123,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#21/components#8/components#4","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178219","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178224"}},{"id":"53f642d51ae3f1367537126d_aspace_d45c4cf920a5242991d9016ad4e292ba","type":"Item","attributes":{"title":"Women Visit Sanibel, 1908","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_d45c4cf920a5242991d9016ad4e292ba#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA grouping of women, visitors to Sanibel in 1908, perhaps coming from church services at the Casa Ybel church.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_d45c4cf920a5242991d9016ad4e292ba#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d45c4cf920a5242991d9016ad4e292ba","ref_ssm":["aspace_d45c4cf920a5242991d9016ad4e292ba","aspace_d45c4cf920a5242991d9016ad4e292ba"],"id":"53f642d51ae3f1367537126d_aspace_d45c4cf920a5242991d9016ad4e292ba","title_filing_ssi":"Women Visit Sanibel","title_ssm":["Women Visit Sanibel"],"title_tesim":["Women Visit Sanibel"],"unitdate_other_ssim":["1908"],"normalized_date_ssm":["1908"],"normalized_title_ssm":["Women Visit Sanibel, 1908"],"text":["Women Visit Sanibel, 1908","Sanibel Island Collection, 1574-1998","/repositories/2/archival_objects/49005","Fashion","Sanibel (Fla.)","Captiva Island (Fla.)","A grouping of women, visitors to Sanibel in 1908, perhaps coming from church services at the Casa Ybel church."],"component_level_isim":[1],"parent_ids_ssim":["53f642d51ae3f1367537126d"],"parent_unittitles_ssm":["Sanibel Island Collection, 1574-1998"],"parent_unittitles_tesim":["Sanibel Island Collection, 1574-1998"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/49005"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Sanibel Island Collection, 1574-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":465,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1908],"geogname_ssim":["Fashion","Sanibel (Fla.)","Captiva Island (Fla.)"],"geogname_ssm":["Fashion","Sanibel (Fla.)","Captiva Island (Fla.)"],"places_ssim":["Fashion","Sanibel (Fla.)","Captiva Island (Fla.)"],"scopecontent_html_tesm":["\u003cp\u003eA grouping of women, visitors to Sanibel in 1908, perhaps coming from church services at the Casa Ybel church.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A grouping of women, visitors to Sanibel in 1908, perhaps coming from church services at the Casa Ybel church."],"_nest_path_":"/components#464","_nest_parent_":"53f642d51ae3f1367537126d","_root_":"53f642d51ae3f1367537126d","_version_":1870843512966086656,"timestamp":"2026-07-16T04:16:48.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"53f642d51ae3f1367537126d","title_ssm":["Sanibel Island Collection"],"title_tesim":["Sanibel Island Collection"],"ead_ssi":"53f642d51ae3f1367537126d","unitdate_ssm":["1574-1998"],"unitdate_inclusive_ssm":["1574-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019.SC.10","/repositories/2/resources/104"],"text":["2019.SC.10","/repositories/2/resources/104","Sanibel Island Collection, 1574-1998","The collection is open for research use.","Sanibel Island is a barrier island off the coast of Florida in Lee County. It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation.","The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.","The Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022.","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["2019.SC.10","/repositories/2/resources/104"],"normalized_date_ssm":["1574-1998"],"normalized_title_ssm":["Sanibel Island Collection, 1574-1998"],"collection_title_tesim":["Sanibel Island Collection, 1574-1998"],"collection_ssim":["Sanibel Island Collection, 1574-1998"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["649 Megabytes"],"extent_tesim":["649 Megabytes"],"date_range_isim":[1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eSanibel Island is a barrier island off the coast of Florida in Lee County. It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanibel Island is a barrier island off the coast of Florida in Lee County. It became an incorporated city in 1974 and has steadily become a top Florida tourist destination since the construction of the Sanibel Causeway, which replaced the ferry as Sanibel's main form of transportation."],"originalsloc_html_tesm":["\u003cp\u003eThe University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The University Archives and Special Collections do not own some of the original material in this collection, as materials were originally digitized by Southwest Florida Library Network as part of the Digitizing Southwest Florida Heritage Project and PALMM Project, 2004 in collaboration with the Sanibel Public Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sanibel Island Collection consists of photographs that highlight the geographical, environmental, social, and civic aspects of Sanibel Island. There are also letters, telegrams, and newspaper articles that highlight the social and community life on Sanibel Island. All materials in this collection are prior to the damage caused by Hurricane Ian in 2022."],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":649,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843512966086656,"_root_":"53f642d51ae3f1367537126d","timestamp":"2026-07-16T04:16:48.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/53f642d51ae3f1367537126d_aspace_d45c4cf920a5242991d9016ad4e292ba"}},{"id":"4b1b011e59287a46abc92172_aspace_44393","type":"File","attributes":{"title":"Women Voters, 1950","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4b1b011e59287a46abc92172_aspace_44393#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_44393","ref_ssm":["aspace_44393","aspace_44393"],"id":"4b1b011e59287a46abc92172_aspace_44393","title_filing_ssi":"Women Voters","title_ssm":["Women Voters"],"title_tesim":["Women Voters"],"unitdate_other_ssim":["1950"],"normalized_date_ssm":["1950"],"normalized_title_ssm":["Women Voters, 1950"],"text":["Women Voters, 1950","Claude Pepper Papers, 1900-1989","U.S. Senate","U.S. Senate - Campaign Correspondence","Folder 9","/repositories/10/archival_objects/94987","204A - Box 70","folder 09"],"component_level_isim":[3],"parent_ids_ssim":["4b1b011e59287a46abc92172","4b1b011e59287a46abc92172_aspace_e9613bdf4ecffa7912f2074524dab2d0","4b1b011e59287a46abc92172_aspace_43254"],"parent_unittitles_ssm":["Claude Pepper Papers, 1900-1989","U.S. Senate","U.S. Senate - Campaign Correspondence"],"parent_unittitles_tesim":["Claude Pepper Papers, 1900-1989","U.S. Senate","U.S. Senate - Campaign Correspondence"],"parent_levels_ssm":["collection","Record Group","Series"],"unitid_ssm":["Folder 9","/repositories/10/archival_objects/94987"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Claude Pepper Papers, 1900-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3330,"parent_access_restrict_tesm":["Collection is open to all researchers. Users may access this collection at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["204A - Box 70","folder 09"],"_nest_path_":"/components#1/components#3/components#1060","_nest_parent_":"4b1b011e59287a46abc92172_aspace_43254","_root_":"4b1b011e59287a46abc92172","_version_":1870947473700159488,"timestamp":"2026-07-17T07:49:12.052Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4b1b011e59287a46abc92172","title_ssm":["Claude Pepper Papers"],"title_tesim":["Claude Pepper Papers"],"ead_ssi":"4b1b011e59287a46abc92172","unitdate_ssm":["1900-1989"],"unitdate_inclusive_ssm":["1900-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1979-01","/repositories/10/resources/640"],"text":["MSS 1979-01","/repositories/10/resources/640","Claude Pepper Papers, 1900-1989","Florida--Politics and government","Florida--History","United States. Congress. House","United States--Politics and government--1933-1945","United States--Politics and government--1945-1953","United States--Politics and government--1953-1961","Collection is open to all researchers. Users may access this collection at the Claude Pepper Library.","During the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.","As is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:","Record Group 300 - U.S. House of Representatives:","~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings","To insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred.","Claude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n Much later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n Prior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars.","The Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building.","Peter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.","Claude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.","Roosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.","Patricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)","Containing over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.","These materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.","Select materials from the Claude Pepper Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library","FSU Special Collections \u0026 Archives","United States. Congress. Senate","Pepper, Claude D.","Pepper, Claude, 1900-1989","English"],"unitid_tesim":["MSS 1979-01","/repositories/10/resources/640"],"normalized_date_ssm":["1900-1989"],"normalized_title_ssm":["Claude Pepper Papers, 1900-1989"],"collection_title_tesim":["Claude Pepper Papers, 1900-1989"],"collection_ssim":["Claude Pepper Papers, 1900-1989"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Pepper, Claude D."],"creator_ssim":["Pepper, Claude D."],"creator_famname_ssim":["Pepper, Claude D."],"creators_ssim":["Pepper, Claude D."],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Claude and Mildred Pepper"],"access_subjects_ssim":["Florida--Politics and government","Florida--History","United States. Congress. House","United States--Politics and government--1933-1945","United States--Politics and government--1945-1953","United States--Politics and government--1953-1961"],"access_subjects_ssm":["Florida--Politics and government","Florida--History","United States. Congress. House","United States--Politics and government--1933-1945","United States--Politics and government--1945-1953","United States--Politics and government--1953-1961"],"has_online_content_ssim":["false"],"extent_ssm":["1200.00 Linear Feet"],"extent_tesim":["1200.00 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Users may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Users may access this collection at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eDuring the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003eAs is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:\u003c/p\u003e\n","\u003cp\u003eRecord Group 300 - U.S. House of Representatives:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003e~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTo insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["During the processing of this collection, the original order of the files, as reflected in the filing series in his Washington, D.C. and Miami, Florida offices, were preserved as closely as possible. The order of files within most series generally follows an alphabetical sequence by subject and/or folder. Many campaign materials and official itineraries are arranged chronologically. Within a file folder, the material was retained in its original state (usually reverse chronological order) as much as possible, unless the arrangement presented access problems to researchers. Two or more file folders with the same title were usually arranged in chronological order.","As is typical of Congressional collections, material related to any one topic may be found in several places according to the use of the information, the creator of the folders, the history of department name changes, or the filing practices of different office staff members. For example, information about Social Security may be found in the following areas:","Record Group 300 - U.S. House of Representatives:","~Series 301 Correspondence ~Subseries 302A Aging Committee ~Subseries 302H National Committee on Social Security Reform ~Subseries 303A Congressional Speeches ~Subseries 303B Speeches (Other Groups) ~Series 305 News Clippings","To insure the preservation of the materials and their accessibility to researchers, photographs, negatives, memorabilia, and recordings were removed from the papers and transferred to their appropriate series. Separation sheets were placed in all folders from which these items were removed as well as in folders to which the items were transferred."],"bioghist_html_tesm":["\u003cp\u003eClaude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n\u003cbr\u003e\u003cbr\u003eMuch later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n\u003cbr\u003e\u003cbr\u003ePrior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Claude Pepper was a devoted public servant who served over 40 years in public office first as a Member of the Florida House of Representatives (1929-1930), then as a U.S. Senator (1936-1950), and then as a Member of the U.S. House of Representatives (1962-1989). Early in his career, Pepper was a progressive minded liberal who sponsored legislation to promote equal rights, civil rights, workers' rights and the Lend-Lease Act. During and after World War II, Pepper became a driving force for the establishment of the National Institutes of Health, a system of government-sponsored medical research facilities.\n Much later in his life and career, he gained international fame as an advocate of older persons rights, health care, and for strengthening and protecting Social Security, Medicare, Medicaid, and other government sponsored programs on behalf of millions of Americans.\n Prior to his death, Pepper donated the bulk of his vast collection of official and personal papers to the Florida State University. It was his express wish that his collection is made available to researchers and scholars."],"custodhist_html_tesm":["\u003cp\u003eThe Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The Mildred and Claude Pepper Collection was donated by Congressman Claude Pepper to the Florida State University Libraries in 1979. Subsequent donations were made during the 1980s, and additional materials were acquired following his death in 1989. Initially, the Pepper Collection was housed at Dodd Hall on the Florida State University campus but was relocated in 1998 to a new state-of-the-art archival space located on the first floor of the Claude Pepper Center Building."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Claude Pepper Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_1979-01\"\u003ehttp://purl.fcla.edu/fsu/MSS_1979-01\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Claude Pepper Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_1979-01 ."],"relatedmaterial_html_tesm":["\u003cp\u003ePeter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.\u003c/p\u003e\n","\u003cp\u003eClaude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.\u003c/p\u003e\n","\u003cp\u003eRoosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.\u003c/p\u003e\n","\u003cp\u003ePatricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Peter A. Corning, Social Security Project, Reminiscences of Claude Denson Pepper : Oral History, 1967. Oral History Research Office, Columbia University.","Claude Pepper, Scrapbooks. Department of Special Collections, University of Florida Libraries.","Roosevelt, Franklin D., President's alphabetical file, 1933-1945. Franklin D. Roosevelt Library.","Patricia Sullivan, Progressive Party Oral History Interviews. Special Collections Department, Robert W. Woodruff Library, Emory University. (Includes oral history interview with Claude Pepper)"],"scopecontent_html_tesm":["\u003cp\u003eContaining over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.\u003c/p\u003e\n","\u003cp\u003eThese materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.\u003c/p\u003e","\u003cp\u003eSelect materials from the Claude Pepper Papers have been digitized and are available through the \u003cextref href=\"http://diginole.lib.fsu.edu/islandora/object/fsu%3Aclaudepeppermaincollection\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["Containing over two million pages, the Claude Pepper Papers includes his official correspondence, speeches, legislative, committee, and campaign files. In addition, there are files of his personal correspondence, speeches, photographs, recordings, and memorabilia. Also included are the personal papers, photographs, recordings, and memorabilia of his wife, Mildred Irene Webster Pepper. Mrs. Pepper always took a deep interest in public affairs and in helping her husband in his political career. She vigorously supported medical research, urban beautification, conservation, and actively participated in charitable and humanitarian organizations. There are also personal papers of the Pepper/Webster family, largely consisting of correspondence from parents, brothers, sisters, and other family members.","These materials document the political and personal life of one of the most politically active individuals throughout most of this century, and in terms of size, content, and national significance, they have been compared to prestigious presidential collections, including the Papers of President Franklin D. Roosevelt. In addition to its value to historical research, these materials will enable current policy makers to build upon Claude Pepper's achievements as they continue to focus on his unfinished work. Because of his legacy, it is vital that the Claude Pepper Collection should always be accessible and preserved for future generations of scholars and researchers. Personal letters from Winston Churchill, Franklin D. and Eleanor Roosevelt, Harry S. Truman, and John F. Kennedy are among the treasures to be found here. The photographs include many individuals of historical significance, such as Pope Paul VI, Albert Einstein, and Martin Luther King, Jr. There are also recordings of such political notables as Lyndon Johnson, Tip O'Neill, and Hubert Humphrey. The Pepper Collection not only documents the career of one of the most politically active individuals of this century, it reflects the changes that have taken place in every area of American life. It contains a wealth of material on a variety of topics. Research using the Pepper Collection has focused on topics as diverse as the World War II \"Mother's Movement,\" American Indian land claims, national health care, Social Security, the Vietnamese conflict, and organized labor. Currently, the collection is being digitized to provide researchers with the opportunity to study his collection from anywhere around the world.","Select materials from the Claude Pepper Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59cdc344ccbf964b456e94c25aa79f8c\"\u003eClaude Pepper Library\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library"],"names_coll_ssim":["United States. Congress. 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The organization established the Wilma B. Hogan Foundation in 1999 to provide funds for services, programs, and projects that fulfill the needs of the Tampa Bay community. Today, Altrusa Tampa is dedicated to providing community service, developing leadership, and encouraging fellowship.","published","Some materials are fragile.","This collection consists of historical reports, yearbooks, meeting minutes, newsletters, awards, member lists, photographs, and scrapbooks.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Organizational records of Altrusa International of Tampa Bay, Inc.","USF Libraries - Tampa Special Collections","Altrusa International of Tampa Bay, Inc.","English"],"unitid_tesim":["MS-2019-01","/repositories/2/resources/28"],"normalized_date_ssm":["1950-2019, Date acquired: 05/31/2019"],"normalized_title_ssm":["Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019"],"collection_title_tesim":["Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019"],"collection_ssim":["Altrusa International of Tampa Bay, Inc., 1950-2019, Date acquired: 05/31/2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Altrusa International of Tampa Bay, Inc.","Altrusa International of Tampa Bay, Inc."],"creator_ssim":["Altrusa International of Tampa Bay, Inc.","Altrusa International of Tampa Bay, Inc."],"creator_corpname_ssim":["Altrusa International of Tampa Bay, Inc.","Altrusa International of Tampa Bay, Inc."],"creators_ssim":["Altrusa International of Tampa Bay, Inc.","Altrusa International of Tampa Bay, Inc."],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Eileen Hines, for Altrusa International of Tampa Bay, FL.","Donation"],"access_subjects_ssim":["Women -- Societies and clubs"],"access_subjects_ssm":["Women -- Societies and clubs"],"has_online_content_ssim":["false"],"extent_ssm":["7.6 Linear Feet","15 boxes"],"extent_tesim":["7.6 Linear Feet","15 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accruals_html_tesm":["\u003cp\u003eAdditional materials added June 2019 and September 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additional materials added June 2019 and September 2023."],"arrangement_html_tesm":["\u003cp\u003eOriginal order\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Original order"],"bioghist_html_tesm":["\u003cp\u003eAltrusa International of Tampa Bay was formed as a local affiliate of the International Organization by a group of businesses and professional women during a charter banquet at the Floridan Hotel on December 12, 1953. 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Today, Altrusa Tampa is dedicated to providing community service, developing leadership, and encouraging fellowship."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"phystech_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements"],"phystech_tesim":["Some materials are fragile."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of historical reports, yearbooks, meeting minutes, newsletters, awards, member lists, photographs, and scrapbooks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of historical reports, yearbooks, meeting minutes, newsletters, awards, member lists, photographs, and scrapbooks."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4dadde4fe20738afdf2980dac4009e2d\" label=\"Abstract\"\u003eOrganizational records of Altrusa International of Tampa Bay, Inc.\u003c/abstract\u003e"],"abstract_tesim":["Organizational records of Altrusa International of Tampa Bay, Inc."],"names_coll_ssim":["Altrusa International of Tampa Bay, Inc."],"names_ssim":["USF Libraries - 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