{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64971\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64973\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64972,"next_page":64973,"prev_page":64971,"total_pages":65767,"limit_value":10,"offset_value":649710,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"b8f5477bfb9165c54746c744_aspace_102886","type":"Item","attributes":{"title":"Women and Community Activities, 1935","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b8f5477bfb9165c54746c744_aspace_102886#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_102886","ref_ssm":["aspace_102886","aspace_102886"],"id":"b8f5477bfb9165c54746c744_aspace_102886","title_filing_ssi":"Women and Community Activities","title_ssm":["Women and Community Activities"],"title_tesim":["Women and Community Activities"],"unitdate_other_ssim":["1935"],"normalized_date_ssm":["1935"],"normalized_title_ssm":["Women and Community Activities, 1935"],"text":["Women and Community Activities, 1935","Doak S. Campbell Papers, 1935-1972, 1935-1972","Addresses and Papers, 1922-1967","Addresses and Papers, 1934-1935","Item 23","/repositories/10/archival_objects/56727"],"component_level_isim":[3],"parent_ids_ssim":["b8f5477bfb9165c54746c744","b8f5477bfb9165c54746c744_aspace_116703","b8f5477bfb9165c54746c744_aspace_102862"],"parent_unittitles_ssm":["Doak S. Campbell Papers, 1935-1972, 1935-1972","Addresses and Papers, 1922-1967","Addresses and Papers, 1934-1935"],"parent_unittitles_tesim":["Doak S. Campbell Papers, 1935-1972, 1935-1972","Addresses and Papers, 1922-1967","Addresses and Papers, 1934-1935"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 23","/repositories/10/archival_objects/56727"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":137,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"_nest_path_":"/components#1/components#1/components#22","_nest_parent_":"b8f5477bfb9165c54746c744_aspace_102862","_root_":"b8f5477bfb9165c54746c744","_version_":1870859154518704128,"timestamp":"2026-07-16T08:25:25.172Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b8f5477bfb9165c54746c744","title_ssm":["Doak S. Campbell Papers, 1935-1972"],"title_tesim":["Doak S. Campbell Papers, 1935-1972"],"ead_ssi":"b8f5477bfb9165c54746c744","unitdate_ssm":["1935-1972"],"unitdate_inclusive_ssm":["1935-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS-044","/repositories/10/resources/579"],"text":["MSS-044","/repositories/10/resources/579","Doak S. Campbell Papers, 1935-1972, 1935-1972","Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)","Campbell, Doak Sheridan, 1888-1973--Correspondence.","Campbell, Doak Sheridan, 1888-1973--Societies, etc.","Florida State University--Presidents--Correspondences","Freemasons--United States","Governors--Georgia.","Education","Baptists--Florida.","Baptists--Kentucky.","Depression and the New Deal Years in Florida, 1930-1941","The Post War Florida, 1945-1960","Contemporary Florida, 1960-","Florida. Governor (1955-1961 : Collins)","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Doak Sheridan Campbell, the third president of Florida State College for Women (1941-1957), was born near Waldron, Scott County, Arkansas, on November 16, 1888. He was the son of a country physician, Edward Campbell and his wife, Elizabeth. It was from his great uncle, a Presbyterian minister, Samuel Doak, that young Campbell received his name.","Doak Campbell attended elementary and high school in Arkansas, graduating in 1905. Immediately after graduation, he obtained a teacher's license and began teaching in summer school. After a year in the \"normal department\" of the high school, he left to attend Ouachita College at Arkadelphia, Arkansas. By his senior year he had decided upon a teaching career. He graduated in 1911 with a Bachelor of Arts degree and major emphasis in music and speech. He was the president of his graduating class, an inter-collegiate debater and orator, and a distance runner. Upon graduation he became superintendent of school at Columbus, Arkansas.","In 1913 he married Helen Gray Smith, and to them two children were born, Doak, Jr., and Elizabeth Caroline. Mrs. Campbell passed away in 1938.","In 1916 he became associated with Central College, Conway, Arkansas as a chemistry instructor. By 1920 he had become president. It was at this time that his work in junior college began. Central College under his guidance changed from a floundering four year institution to a creditable two year junior college.","In 1928 he graduated from George Peabody with a master's degree. After receiving the Ph.D. in 1930 from Peabody he was appointed to the faculty. In 1934 Dr. Campbell became director of the division of survey and field services, and in 1938 he was also appointed to the position of dean of the graduate school He held these positions until he resigned to accept the presidency at Florida State College for Women in September, 1941.","Shortly before coming to Tallahassee, he was married to Miss Edna Simmons of Mississippi.","By legislative act Florida State College for Women became Florida State University on July 1, 1947. Overnight it became an undergraduate, professional, and graduate university for men and women. Under his tutelage he saw the graduate school grow from eleven students in 1945 to eight hundred sixty-one by 1956, making it the ninth largest graduate school in the South. A broader look at Florida State University can be obtained by reading Dr. Campbell's book,  A University in Transition .","After serving as president at Florida State University for sixteen years, Dr. Campbell retired June 30, 1957, and remained in Tallahassee until his death on March 23, 1973. Though retired, he was an active participant in many educational projects, serving on educational boards, governors' commissions on education, and as visiting professor.","In addition to his work in education, Dr. Campbell was an active layman in the Baptist church. He served in a number of capacities on committees, council, and commissions of the Southern Baptist Convention.","Dr. Campbell held membership in many professional, fraternal, civic, and religious organizations and societies. Also to his credit were many published papers, journal articles, and books.","Karl O. Kuersteiner stated at the Faculty Dinner in 1957, \"...In order to work successfully with such a complex phenomena, a college president must be a person of many parts, with many friends, and with a keen business and diplomatic sense...these are cited as the guiding forces behind the record of Doak Sheridan Campbell at Florida State University.\"","Processed by Sara Buckmaster and Shirley Fogle, Fall 1974. Completed December 1974. Additional materials were processed in October 1978.","This collection consists mainly of papers connected with Doak S. Campbell's years at Florida State University and those after his retirement. His broad educational affiliations and religious works are reflected in this collection. Includes biographical sketches, newspaper clippings, speeches, correspondence, books, writings, musical scores, invitations, dedications and related publications. Contains MSS 78-56.","Select materials from the Campbell Collection have been digitized and are available through the  FSU Digital Library .","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","This collection contains materials related to the life and career of Doak Sheridan Campbell. It includes biographical sketches of Dr. Campbell, newspaper clippings about Campbell and Florida State University, speeches, personal correspondence, some of which relate information about the Campbell family history. Other persons and topics mentioned in the collection include: Florida Governors LeRoy Collins and Claude Kirk, Campbell's book,  A University in Transition , educational materials including projects, programs and correspondence related to various educational institutions, boards and commissions in Florida and Georgia, the Georgia Peabody College for Teachers, Appalachian State Teachers College, Mar-A-Largo, Campbell's work with the Baptist Church, local and state correspondence with the Southern Baptist Convention, First Baptist Church of Tallahassee, Baptists in Florida and Kentucky, Stetson University, Campbell's civil and fraternal affiliations including Civil Defense, Free and Accepted Masons and the Rotary Club.","FSU Special Collections \u0026 Archives","Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor","Campbell family","Campbell, Doak S. (Doak Sheridan)","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825","English"],"unitid_tesim":["MSS-044","/repositories/10/resources/579"],"normalized_date_ssm":["1935-1972"],"normalized_title_ssm":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"collection_title_tesim":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"collection_ssim":["Doak S. Campbell Papers, 1935-1972, 1935-1972"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)"],"geogname_ssim":["Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)"],"creator_ssm":["Campbell, Doak S. (Doak Sheridan)"],"creator_ssim":["Campbell, Doak S. (Doak Sheridan)"],"creator_persname_ssim":["Campbell, Doak S. (Doak Sheridan)"],"creators_ssim":["Campbell, Doak S. (Doak Sheridan)"],"places_ssim":["Leon County (Fla.)","Mar-A-Lago National Historic Site (Palm Beach, Fla.)"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Gift of Dr. and Mrs. Doak S. Campbell."],"access_subjects_ssim":["Campbell, Doak Sheridan, 1888-1973--Correspondence.","Campbell, Doak Sheridan, 1888-1973--Societies, etc.","Florida State University--Presidents--Correspondences","Freemasons--United States","Governors--Georgia.","Education","Baptists--Florida.","Baptists--Kentucky.","Depression and the New Deal Years in Florida, 1930-1941","The Post War Florida, 1945-1960","Contemporary Florida, 1960-","Florida. Governor (1955-1961 : Collins)"],"access_subjects_ssm":["Campbell, Doak Sheridan, 1888-1973--Correspondence.","Campbell, Doak Sheridan, 1888-1973--Societies, etc.","Florida State University--Presidents--Correspondences","Freemasons--United States","Governors--Georgia.","Education","Baptists--Florida.","Baptists--Kentucky.","Depression and the New Deal Years in Florida, 1930-1941","The Post War Florida, 1945-1960","Contemporary Florida, 1960-","Florida. Governor (1955-1961 : Collins)"],"has_online_content_ssim":["false"],"extent_ssm":["18.00 boxes"],"extent_tesim":["18.00 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eDoak Sheridan Campbell, the third president of Florida State College for Women (1941-1957), was born near Waldron, Scott County, Arkansas, on November 16, 1888. He was the son of a country physician, Edward Campbell and his wife, Elizabeth. It was from his great uncle, a Presbyterian minister, Samuel Doak, that young Campbell received his name.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eDoak Campbell attended elementary and high school in Arkansas, graduating in 1905. Immediately after graduation, he obtained a teacher's license and began teaching in summer school. After a year in the \"normal department\" of the high school, he left to attend Ouachita College at Arkadelphia, Arkansas. By his senior year he had decided upon a teaching career. He graduated in 1911 with a Bachelor of Arts degree and major emphasis in music and speech. He was the president of his graduating class, an inter-collegiate debater and orator, and a distance runner. Upon graduation he became superintendent of school at Columbus, Arkansas.\u003c/p\u003e\n","\u003cp\u003eIn 1913 he married Helen Gray Smith, and to them two children were born, Doak, Jr., and Elizabeth Caroline. Mrs. Campbell passed away in 1938.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 1916 he became associated with Central College, Conway, Arkansas as a chemistry instructor. By 1920 he had become president. It was at this time that his work in junior college began. Central College under his guidance changed from a floundering four year institution to a creditable two year junior college.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 1928 he graduated from George Peabody with a master's degree. After receiving the Ph.D. in 1930 from Peabody he was appointed to the faculty. In 1934 Dr. Campbell became director of the division of survey and field services, and in 1938 he was also appointed to the position of dean of the graduate school He held these positions until he resigned to accept the presidency at Florida State College for Women in September, 1941.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eShortly before coming to Tallahassee, he was married to Miss Edna Simmons of Mississippi.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eBy legislative act Florida State College for Women became Florida State University on July 1, 1947. Overnight it became an undergraduate, professional, and graduate university for men and women. Under his tutelage he saw the graduate school grow from eleven students in 1945 to eight hundred sixty-one by 1956, making it the ninth largest graduate school in the South. A broader look at Florida State University can be obtained by reading Dr. Campbell's book, \u003cemph render=\"italic\"\u003eA University in Transition\u003c/emph\u003e.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eAfter serving as president at Florida State University for sixteen years, Dr. Campbell retired June 30, 1957, and remained in Tallahassee until his death on March 23, 1973. Though retired, he was an active participant in many educational projects, serving on educational boards, governors' commissions on education, and as visiting professor.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eIn addition to his work in education, Dr. Campbell was an active layman in the Baptist church. He served in a number of capacities on committees, council, and commissions of the Southern Baptist Convention.\u003c/p\u003e\n","\u003cp\u003eDr. Campbell held membership in many professional, fraternal, civic, and religious organizations and societies. Also to his credit were many published papers, journal articles, and books.\u003cbr\u003e\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eKarl O. Kuersteiner stated at the Faculty Dinner in 1957, \"...In order to work successfully with such a complex phenomena, a college president must be a person of many parts, with many friends, and with a keen business and diplomatic sense...these are cited as the guiding forces behind the record of Doak Sheridan Campbell at Florida State University.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Doak Sheridan Campbell, the third president of Florida State College for Women (1941-1957), was born near Waldron, Scott County, Arkansas, on November 16, 1888. He was the son of a country physician, Edward Campbell and his wife, Elizabeth. It was from his great uncle, a Presbyterian minister, Samuel Doak, that young Campbell received his name.","Doak Campbell attended elementary and high school in Arkansas, graduating in 1905. Immediately after graduation, he obtained a teacher's license and began teaching in summer school. After a year in the \"normal department\" of the high school, he left to attend Ouachita College at Arkadelphia, Arkansas. By his senior year he had decided upon a teaching career. He graduated in 1911 with a Bachelor of Arts degree and major emphasis in music and speech. He was the president of his graduating class, an inter-collegiate debater and orator, and a distance runner. Upon graduation he became superintendent of school at Columbus, Arkansas.","In 1913 he married Helen Gray Smith, and to them two children were born, Doak, Jr., and Elizabeth Caroline. Mrs. Campbell passed away in 1938.","In 1916 he became associated with Central College, Conway, Arkansas as a chemistry instructor. By 1920 he had become president. It was at this time that his work in junior college began. Central College under his guidance changed from a floundering four year institution to a creditable two year junior college.","In 1928 he graduated from George Peabody with a master's degree. After receiving the Ph.D. in 1930 from Peabody he was appointed to the faculty. In 1934 Dr. Campbell became director of the division of survey and field services, and in 1938 he was also appointed to the position of dean of the graduate school He held these positions until he resigned to accept the presidency at Florida State College for Women in September, 1941.","Shortly before coming to Tallahassee, he was married to Miss Edna Simmons of Mississippi.","By legislative act Florida State College for Women became Florida State University on July 1, 1947. Overnight it became an undergraduate, professional, and graduate university for men and women. Under his tutelage he saw the graduate school grow from eleven students in 1945 to eight hundred sixty-one by 1956, making it the ninth largest graduate school in the South. A broader look at Florida State University can be obtained by reading Dr. Campbell's book,  A University in Transition .","After serving as president at Florida State University for sixteen years, Dr. Campbell retired June 30, 1957, and remained in Tallahassee until his death on March 23, 1973. Though retired, he was an active participant in many educational projects, serving on educational boards, governors' commissions on education, and as visiting professor.","In addition to his work in education, Dr. Campbell was an active layman in the Baptist church. He served in a number of capacities on committees, council, and commissions of the Southern Baptist Convention.","Dr. Campbell held membership in many professional, fraternal, civic, and religious organizations and societies. Also to his credit were many published papers, journal articles, and books.","Karl O. Kuersteiner stated at the Faculty Dinner in 1957, \"...In order to work successfully with such a complex phenomena, a college president must be a person of many parts, with many friends, and with a keen business and diplomatic sense...these are cited as the guiding forces behind the record of Doak Sheridan Campbell at Florida State University.\""],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], The Doak Campbell Papers, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS-044\"\u003ehttp://purl.fcla.edu/fsu/MSS-044\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], The Doak Campbell Papers, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS-044"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sara Buckmaster and Shirley Fogle, Fall 1974. Completed December 1974. Additional materials were processed in October 1978.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sara Buckmaster and Shirley Fogle, Fall 1974. Completed December 1974. Additional materials were processed in October 1978."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists mainly of papers connected with Doak S. Campbell's years at Florida State University and those after his retirement. His broad educational affiliations and religious works are reflected in this collection. Includes biographical sketches, newspaper clippings, speeches, correspondence, books, writings, musical scores, invitations, dedications and related publications. Contains MSS 78-56.\u003c/p\u003e","\u003cp\u003eSelect materials from the Campbell Collection have been digitized and are available through the \u003cextref href=\"http://fsu.digital.flvc.org/islandora/object/fsu:fsucampbellcollection\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection consists mainly of papers connected with Doak S. Campbell's years at Florida State University and those after his retirement. His broad educational affiliations and religious works are reflected in this collection. Includes biographical sketches, newspaper clippings, speeches, correspondence, books, writings, musical scores, invitations, dedications and related publications. Contains MSS 78-56.","Select materials from the Campbell Collection have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4080662a92cedc91d7da810ae3ae8cbf\" label=\"Abstract\"\u003eThis collection contains materials related to the life and career of Doak Sheridan Campbell. It includes biographical sketches of Dr. Campbell, newspaper clippings about Campbell and Florida State University, speeches, personal correspondence, some of which relate information about the Campbell family history. Other persons and topics mentioned in the collection include: Florida Governors LeRoy Collins and Claude Kirk, Campbell's book, \u003cemph render=\"italic\"\u003eA University in Transition\u003c/emph\u003e, educational materials including projects, programs and correspondence related to various educational institutions, boards and commissions in Florida and Georgia, the Georgia Peabody College for Teachers, Appalachian State Teachers College, Mar-A-Largo, Campbell's work with the Baptist Church, local and state correspondence with the Southern Baptist Convention, First Baptist Church of Tallahassee, Baptists in Florida and Kentucky, Stetson University, Campbell's civil and fraternal affiliations including Civil Defense, Free and Accepted Masons and the Rotary Club.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the life and career of Doak Sheridan Campbell. It includes biographical sketches of Dr. Campbell, newspaper clippings about Campbell and Florida State University, speeches, personal correspondence, some of which relate information about the Campbell family history. Other persons and topics mentioned in the collection include: Florida Governors LeRoy Collins and Claude Kirk, Campbell's book,  A University in Transition , educational materials including projects, programs and correspondence related to various educational institutions, boards and commissions in Florida and Georgia, the Georgia Peabody College for Teachers, Appalachian State Teachers College, Mar-A-Largo, Campbell's work with the Baptist Church, local and state correspondence with the Southern Baptist Convention, First Baptist Church of Tallahassee, Baptists in Florida and Kentucky, Stetson University, Campbell's civil and fraternal affiliations including Civil Defense, Free and Accepted Masons and the Rotary Club."],"names_coll_ssim":["Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor","Campbell family","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825"],"names_ssim":["FSU Special Collections \u0026 Archives","Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor","Campbell family","Campbell, Doak S. (Doak Sheridan)","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Appalachian State Teachers College (N.C.)","Southern Baptist Convention","First Baptist Church (Tallahassee, Fla.)","Florida. Governor"],"famname_ssim":["Campbell family"],"persname_ssim":["Campbell, Doak S. (Doak Sheridan)","Campbell, Doak S. (Doak Sheridan), 1888-1973.","Collins, LeRoy","Kirk, Claude R., 1926-","Barbier, Antoine-Alexandre, 1765-1825"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4553,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859154518704128,"_root_":"b8f5477bfb9165c54746c744","timestamp":"2026-07-16T08:25:25.172Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b8f5477bfb9165c54746c744_aspace_102886"}},{"id":"2868ee54af3563fe2f0377c1_aspace_123566","type":"Item","attributes":{"title":"Women and Foot Binding in China, 2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123566#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDetails the oppressive tradition of women in China\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123566#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123566","ref_ssm":["aspace_123566","aspace_123566"],"id":"2868ee54af3563fe2f0377c1_aspace_123566","title_filing_ssi":"Women and Foot Binding in China","title_ssm":["Women and Foot Binding in China"],"title_tesim":["Women and Foot Binding in China"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["Women and Foot Binding in China, 2002"],"text":["Women and Foot Binding in China, 2002","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Women's History","Folder 13","Item 2","/repositories/2/archival_objects/30281","Details the oppressive tradition of women in China"],"component_level_isim":[4],"parent_ids_ssim":["2868ee54af3563fe2f0377c1","2868ee54af3563fe2f0377c1_aspace_123039","2868ee54af3563fe2f0377c1_aspace_123534","2868ee54af3563fe2f0377c1_aspace_123564"],"parent_unittitles_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Women's History","Folder 13"],"parent_unittitles_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","Teaching--Supplemental Research","Articles \u0026 Documents--Women's History","Folder 13"],"parent_levels_ssm":["collection","Series","Subseries","File"],"unitid_ssm":["Item 2","/repositories/2/archival_objects/30281"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":714,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eDetails the oppressive tradition of women in China\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Details the oppressive tradition of women in China"],"_nest_path_":"/components#1/components#13/components#2/components#1","_nest_parent_":"2868ee54af3563fe2f0377c1_aspace_123564","_root_":"2868ee54af3563fe2f0377c1","_version_":1870842163975159808,"timestamp":"2026-07-16T03:55:21.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2868ee54af3563fe2f0377c1","title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection"],"title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection"],"ead_ssi":"2868ee54af3563fe2f0377c1","unitdate_ssm":["1971-2006","1980 - 2000","Date acquired: 01/15/2017"],"unitdate_bulk_ssim":["1980 - 2000"],"unitdate_inclusive_ssm":["1971-2006"],"unitdate_other_ssim":["Date acquired: 01/15/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0008","/repositories/2/resources/79"],"text":["UAFP0008","/repositories/2/resources/79","Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Topical","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","Heather Frazer","English"],"unitid_tesim":["UAFP0008","/repositories/2/resources/79"],"normalized_date_ssm":["1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"normalized_title_ssm":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_title_tesim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"collection_ssim":["Dr. Heather T. Frazer Faculty Papers Collection, 1971-2006, Date acquired: 01/15/2017, bulk 1980 - 2000"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Heather Frazer"],"creator_ssim":["Heather Frazer"],"creator_persname_ssim":["Heather Frazer"],"creators_ssim":["Heather Frazer"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["21.00 Linear Feet","38 boxes other_unmapped"],"extent_tesim":["21.00 Linear Feet","38 boxes other_unmapped"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eTopical\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Topical"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan, \u003cemph render=\"italic\"\u003eWe Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II\u003c/emph\u003e (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. After graduating from Connecticut College for her undergraduate studies, she attained a M.A. and Ph.D. from Duke University in South Asian History. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history. She researched and published in the fields of India and women's history, and co-authored with her colleague, Dr. John O'Sullivan,  We Have Just Begun to Not  Fight: An Oral History of Conscientious Objectors in Civilian Public Service during World War II  (1996). In 1988, she received a Fulbright Fellowship and spent part of the year in India. In 1990, she was selected FAU's Distinguished Teacher of the Year, the highest teaching award conferred by the university, and one selected exclusively by the students. Upon her retirement she was named Professor Emerita of History."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries","Heather Frazer"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Heather Frazer"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2918,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842163975159808,"_root_":"2868ee54af3563fe2f0377c1","timestamp":"2026-07-16T03:55:21.784Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2868ee54af3563fe2f0377c1_aspace_123566"}},{"id":"4831053176f6f3dd0c1ca247_aspace_161437","type":"File","attributes":{"title":"Women and Girls I","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161437#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_161437","ref_ssm":["aspace_161437","aspace_161437"],"id":"4831053176f6f3dd0c1ca247_aspace_161437","title_filing_ssi":"Women and Girls I","title_ssm":["Women and Girls I"],"title_tesim":["Women and Girls I"],"normalized_title_ssm":["Women and Girls I"],"text":["Women and Girls I","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Miscellaneous Prints","Folder 11","/repositories/2/archival_objects/19988","box 6","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["4831053176f6f3dd0c1ca247","4831053176f6f3dd0c1ca247_aspace_161418"],"parent_unittitles_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Miscellaneous Prints"],"parent_unittitles_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Miscellaneous Prints"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 11","/repositories/2/archival_objects/19988"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 6","folder 11"],"_nest_path_":"/components#5/components#10","_nest_parent_":"4831053176f6f3dd0c1ca247_aspace_161418","_root_":"4831053176f6f3dd0c1ca247","_version_":1870862436233379840,"timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161437"}},{"id":"4831053176f6f3dd0c1ca247_aspace_161438","type":"File","attributes":{"title":"Women and Girls II","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161438#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_161438","ref_ssm":["aspace_161438","aspace_161438"],"id":"4831053176f6f3dd0c1ca247_aspace_161438","title_filing_ssi":"Women and Girls II","title_ssm":["Women and Girls II"],"title_tesim":["Women and Girls II"],"normalized_title_ssm":["Women and Girls II"],"text":["Women and Girls II","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Miscellaneous Prints","Folder 12","/repositories/2/archival_objects/19990","box 6","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["4831053176f6f3dd0c1ca247","4831053176f6f3dd0c1ca247_aspace_161418"],"parent_unittitles_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Miscellaneous Prints"],"parent_unittitles_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Miscellaneous Prints"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 12","/repositories/2/archival_objects/19990"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":70,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 6","folder 12"],"_nest_path_":"/components#5/components#11","_nest_parent_":"4831053176f6f3dd0c1ca247_aspace_161418","_root_":"4831053176f6f3dd0c1ca247","_version_":1870862436233379840,"timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161438"}},{"id":"45f0c643c652899fe05f6d58_aspace_21885a0d47d379715ec05d9faba4da31","type":"File","attributes":{"title":"Women and HIV/AIDS Collaborative Group Meeting I, 1998-09-18","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45f0c643c652899fe05f6d58_aspace_21885a0d47d379715ec05d9faba4da31#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_21885a0d47d379715ec05d9faba4da31","ref_ssm":["aspace_21885a0d47d379715ec05d9faba4da31","aspace_21885a0d47d379715ec05d9faba4da31"],"id":"45f0c643c652899fe05f6d58_aspace_21885a0d47d379715ec05d9faba4da31","title_filing_ssi":"Women and HIV/AIDS Collaborative Group Meeting I","title_ssm":["Women and HIV/AIDS Collaborative Group Meeting I"],"title_tesim":["Women and HIV/AIDS Collaborative Group Meeting I"],"unitdate_other_ssim":["1998-09-18"],"normalized_date_ssm":["1998-09-18"],"normalized_title_ssm":["Women and HIV/AIDS Collaborative Group Meeting I, 1998-09-18"],"text":["Women and HIV/AIDS Collaborative Group Meeting I, 1998-09-18","Marion Banzhaf Papers, 1978-2000","Women's HIV \u0026 AIDS Advocacy","/repositories/10/archival_objects/210778","box 8","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["45f0c643c652899fe05f6d58","45f0c643c652899fe05f6d58_aspace_4347e4e55f7de6d07d0578d001159d28"],"parent_unittitles_ssm":["Marion Banzhaf Papers, 1978-2000","Women's HIV \u0026 AIDS Advocacy"],"parent_unittitles_tesim":["Marion Banzhaf Papers, 1978-2000","Women's HIV \u0026 AIDS Advocacy"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/210778"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Marion Banzhaf Papers, 1978-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":219,"parent_access_restrict_tesm":["This collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.","See also Technical Requirements Note for information on access to audio recordings."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"date_range_isim":[1998],"containers_ssim":["box 8","folder 3"],"_nest_path_":"/components#1/components#136","_nest_parent_":"45f0c643c652899fe05f6d58_aspace_4347e4e55f7de6d07d0578d001159d28","_root_":"45f0c643c652899fe05f6d58","timestamp":"2026-04-21T07:48:18.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45f0c643c652899fe05f6d58","title_ssm":["Marion Banzhaf Papers"],"title_tesim":["Marion Banzhaf Papers"],"ead_ssi":"45f0c643c652899fe05f6d58","unitdate_ssm":["1978-2000"],"unitdate_inclusive_ssm":["1978-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2022-004","/repositories/10/resources/2023"],"text":["MSS 2022-004","/repositories/10/resources/2023","Marion Banzhaf Papers, 1978-2000","Feminist Women's Health Center (Tallahassee)","League of Women Voters of Tallahassee","National Organization for Women--Tallahassee Chapter","This collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.","See also Technical Requirements Note for information on access to audio recordings.","Content of audio recordings is not immediately available to researchers. Contact lib-specialcollections@fsu.edu for more information.","During her time as a women's health advocate, Marion Banzhaf interacted with and participated in activities surrounding women's health, and HIV and AIDS advocacy. Throughout the Marion Banzhaf Papers, researchers will encounter the following organizations and subjects documented: ","the People with AIDS Coalition of New York and New Jersey (PWA), the AIDS Coalition to Unleash Power (ACT UP), the New Jersey Women and AIDS Network (NJWAN), the AIDS Drug Assistance Program (ADAP), the Sexuality Information and Education Council of the United States (SIECUS), the Governor's Advisory Council of New Jersey (GAC NJ), the National Institute of Allergy and Infectious Disease (NIAID), the Association for Women's AIDS Research and Education (A.W.A.R.E), the Women's AIDS Network (WAN), the Pregnancy Information Project (PIP), the New Jersey Department of Health (NJ DOH), the Morbidity and Mortality Weekly Report (MMWR), the National Organization for Women (NOW), the Health Resources and Services Administration (HRSA), the Harm Reduction Training Institute (HRTI), the Feminist Women's Health Center (FWHC), AIDS Counseling and Education (ACE), and the Hyacinth AIDS Foundation. ","The Marion Banzhaf Papers document a 30 year span of Marion Banzhaf's career as an activist in the women's health movement and her work with awareness raising and the prevention of and care for HIV/AIDS among women. The papers include: correspondence, organizational files, conference files, research files, recorded audio interviews with members of the women's health movement, interview transcripts, promotional and informational materials on HIV and AIDS related programs, as well as ephemera and printed publications.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2022-004","/repositories/10/resources/2023"],"normalized_date_ssm":["1978-2000"],"normalized_title_ssm":["Marion Banzhaf Papers, 1978-2000"],"collection_title_tesim":["Marion Banzhaf Papers, 1978-2000"],"collection_ssim":["Marion Banzhaf Papers, 1978-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["The Marion Banzhaf Papers were donated to Florida State University Special Collections and Archives by Marion Banzhaf in May of 2022 via deed of gift."],"access_subjects_ssim":["Feminist Women's Health Center (Tallahassee)","League of Women Voters of Tallahassee","National Organization for Women--Tallahassee Chapter"],"access_subjects_ssm":["Feminist Women's Health Center (Tallahassee)","League of Women Voters of Tallahassee","National Organization for Women--Tallahassee Chapter"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet 11 boxes - 10 cubic ft. and 1 hollinger legal size boxes."],"extent_tesim":["14 Linear Feet 11 boxes - 10 cubic ft. and 1 hollinger legal size boxes."],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Requirements Note for information on access to audio recordings.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.","See also Technical Requirements Note for information on access to audio recordings."],"phystech_html_tesm":["\u003cp\u003eContent of audio recordings is not immediately available to researchers. Contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Content of audio recordings is not immediately available to researchers. Contact lib-specialcollections@fsu.edu for more information."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Marion Banzhaf Papers, MSS 2022-004, Special Collections and Archives, Florida State University, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Marion Banzhaf Papers, MSS 2022-004, Special Collections and Archives, Florida State University, Tallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eDuring her time as a women's health advocate, Marion Banzhaf interacted with and participated in activities surrounding women's health, and HIV and AIDS advocacy. Throughout the Marion Banzhaf Papers, researchers will encounter the following organizations and subjects documented: \u003c/p\u003e\n","\u003cp\u003ethe People with AIDS Coalition of New York and New Jersey (PWA), the AIDS Coalition to Unleash Power (ACT UP), the New Jersey Women and AIDS Network (NJWAN), the AIDS Drug Assistance Program (ADAP), the Sexuality Information and Education Council of the United States (SIECUS), the Governor's Advisory Council of New Jersey (GAC NJ), the National Institute of Allergy and Infectious Disease (NIAID), the Association for Women's AIDS Research and Education (A.W.A.R.E), the Women's AIDS Network (WAN), the Pregnancy Information Project (PIP), the New Jersey Department of Health (NJ DOH), the Morbidity and Mortality Weekly Report (MMWR), the National Organization for Women (NOW), the Health Resources and Services Administration (HRSA), the Harm Reduction Training Institute (HRTI), the Feminist Women's Health Center (FWHC), AIDS Counseling and Education (ACE), and the Hyacinth AIDS Foundation. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["During her time as a women's health advocate, Marion Banzhaf interacted with and participated in activities surrounding women's health, and HIV and AIDS advocacy. Throughout the Marion Banzhaf Papers, researchers will encounter the following organizations and subjects documented: ","the People with AIDS Coalition of New York and New Jersey (PWA), the AIDS Coalition to Unleash Power (ACT UP), the New Jersey Women and AIDS Network (NJWAN), the AIDS Drug Assistance Program (ADAP), the Sexuality Information and Education Council of the United States (SIECUS), the Governor's Advisory Council of New Jersey (GAC NJ), the National Institute of Allergy and Infectious Disease (NIAID), the Association for Women's AIDS Research and Education (A.W.A.R.E), the Women's AIDS Network (WAN), the Pregnancy Information Project (PIP), the New Jersey Department of Health (NJ DOH), the Morbidity and Mortality Weekly Report (MMWR), the National Organization for Women (NOW), the Health Resources and Services Administration (HRSA), the Harm Reduction Training Institute (HRTI), the Feminist Women's Health Center (FWHC), AIDS Counseling and Education (ACE), and the Hyacinth AIDS Foundation. "],"scopecontent_html_tesm":["\u003cp\u003eThe Marion Banzhaf Papers document a 30 year span of Marion Banzhaf's career as an activist in the women's health movement and her work with awareness raising and the prevention of and care for HIV/AIDS among women. The papers include: correspondence, organizational files, conference files, research files, recorded audio interviews with members of the women's health movement, interview transcripts, promotional and informational materials on HIV and AIDS related programs, as well as ephemera and printed publications.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marion Banzhaf Papers document a 30 year span of Marion Banzhaf's career as an activist in the women's health movement and her work with awareness raising and the prevention of and care for HIV/AIDS among women. The papers include: correspondence, organizational files, conference files, research files, recorded audio interviews with members of the women's health movement, interview transcripts, promotional and informational materials on HIV and AIDS related programs, as well as ephemera and printed publications."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":264,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"45f0c643c652899fe05f6d58","timestamp":"2026-04-21T07:48:18.982Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45f0c643c652899fe05f6d58_aspace_21885a0d47d379715ec05d9faba4da31"}},{"id":"45f0c643c652899fe05f6d58_aspace_624401648e5dd10df38cb64ecf001c81","type":"File","attributes":{"title":"Women and HIV/AIDS Collaborative Group Meeting II","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45f0c643c652899fe05f6d58_aspace_624401648e5dd10df38cb64ecf001c81#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_624401648e5dd10df38cb64ecf001c81","ref_ssm":["aspace_624401648e5dd10df38cb64ecf001c81","aspace_624401648e5dd10df38cb64ecf001c81"],"id":"45f0c643c652899fe05f6d58_aspace_624401648e5dd10df38cb64ecf001c81","title_filing_ssi":"Women and HIV/AIDS Collaborative Group Meeting II","title_ssm":["Women and HIV/AIDS Collaborative Group Meeting II"],"title_tesim":["Women and HIV/AIDS Collaborative Group Meeting II"],"normalized_title_ssm":["Women and HIV/AIDS Collaborative Group Meeting II"],"text":["Women and HIV/AIDS Collaborative Group Meeting II","Marion Banzhaf Papers, 1978-2000","Women's HIV \u0026 AIDS Advocacy","/repositories/10/archival_objects/210779","box 8","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["45f0c643c652899fe05f6d58","45f0c643c652899fe05f6d58_aspace_4347e4e55f7de6d07d0578d001159d28"],"parent_unittitles_ssm":["Marion Banzhaf Papers, 1978-2000","Women's HIV \u0026 AIDS Advocacy"],"parent_unittitles_tesim":["Marion Banzhaf Papers, 1978-2000","Women's HIV \u0026 AIDS Advocacy"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/10/archival_objects/210779"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Marion Banzhaf Papers, 1978-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":220,"parent_access_restrict_tesm":["This collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.","See also Technical Requirements Note for information on access to audio recordings."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 8","folder 4"],"_nest_path_":"/components#1/components#137","_nest_parent_":"45f0c643c652899fe05f6d58_aspace_4347e4e55f7de6d07d0578d001159d28","_root_":"45f0c643c652899fe05f6d58","timestamp":"2026-04-21T07:48:18.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45f0c643c652899fe05f6d58","title_ssm":["Marion Banzhaf Papers"],"title_tesim":["Marion Banzhaf Papers"],"ead_ssi":"45f0c643c652899fe05f6d58","unitdate_ssm":["1978-2000"],"unitdate_inclusive_ssm":["1978-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2022-004","/repositories/10/resources/2023"],"text":["MSS 2022-004","/repositories/10/resources/2023","Marion Banzhaf Papers, 1978-2000","Feminist Women's Health Center (Tallahassee)","League of Women Voters of Tallahassee","National Organization for Women--Tallahassee Chapter","This collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.","See also Technical Requirements Note for information on access to audio recordings.","Content of audio recordings is not immediately available to researchers. Contact lib-specialcollections@fsu.edu for more information.","During her time as a women's health advocate, Marion Banzhaf interacted with and participated in activities surrounding women's health, and HIV and AIDS advocacy. Throughout the Marion Banzhaf Papers, researchers will encounter the following organizations and subjects documented: ","the People with AIDS Coalition of New York and New Jersey (PWA), the AIDS Coalition to Unleash Power (ACT UP), the New Jersey Women and AIDS Network (NJWAN), the AIDS Drug Assistance Program (ADAP), the Sexuality Information and Education Council of the United States (SIECUS), the Governor's Advisory Council of New Jersey (GAC NJ), the National Institute of Allergy and Infectious Disease (NIAID), the Association for Women's AIDS Research and Education (A.W.A.R.E), the Women's AIDS Network (WAN), the Pregnancy Information Project (PIP), the New Jersey Department of Health (NJ DOH), the Morbidity and Mortality Weekly Report (MMWR), the National Organization for Women (NOW), the Health Resources and Services Administration (HRSA), the Harm Reduction Training Institute (HRTI), the Feminist Women's Health Center (FWHC), AIDS Counseling and Education (ACE), and the Hyacinth AIDS Foundation. ","The Marion Banzhaf Papers document a 30 year span of Marion Banzhaf's career as an activist in the women's health movement and her work with awareness raising and the prevention of and care for HIV/AIDS among women. The papers include: correspondence, organizational files, conference files, research files, recorded audio interviews with members of the women's health movement, interview transcripts, promotional and informational materials on HIV and AIDS related programs, as well as ephemera and printed publications.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2022-004","/repositories/10/resources/2023"],"normalized_date_ssm":["1978-2000"],"normalized_title_ssm":["Marion Banzhaf Papers, 1978-2000"],"collection_title_tesim":["Marion Banzhaf Papers, 1978-2000"],"collection_ssim":["Marion Banzhaf Papers, 1978-2000"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["The Marion Banzhaf Papers were donated to Florida State University Special Collections and Archives by Marion Banzhaf in May of 2022 via deed of gift."],"access_subjects_ssim":["Feminist Women's Health Center (Tallahassee)","League of Women Voters of Tallahassee","National Organization for Women--Tallahassee Chapter"],"access_subjects_ssm":["Feminist Women's Health Center (Tallahassee)","League of Women Voters of Tallahassee","National Organization for Women--Tallahassee Chapter"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet 11 boxes - 10 cubic ft. and 1 hollinger legal size boxes."],"extent_tesim":["14 Linear Feet 11 boxes - 10 cubic ft. and 1 hollinger legal size boxes."],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.\u003c/p\u003e\n","\u003cp\u003eSee also Technical Requirements Note for information on access to audio recordings.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. All materials are available upon request at the Claude Pepper Library reading room.","See also Technical Requirements Note for information on access to audio recordings."],"phystech_html_tesm":["\u003cp\u003eContent of audio recordings is not immediately available to researchers. Contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Content of audio recordings is not immediately available to researchers. Contact lib-specialcollections@fsu.edu for more information."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Marion Banzhaf Papers, MSS 2022-004, Special Collections and Archives, Florida State University, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Marion Banzhaf Papers, MSS 2022-004, Special Collections and Archives, Florida State University, Tallahassee, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eDuring her time as a women's health advocate, Marion Banzhaf interacted with and participated in activities surrounding women's health, and HIV and AIDS advocacy. Throughout the Marion Banzhaf Papers, researchers will encounter the following organizations and subjects documented: \u003c/p\u003e\n","\u003cp\u003ethe People with AIDS Coalition of New York and New Jersey (PWA), the AIDS Coalition to Unleash Power (ACT UP), the New Jersey Women and AIDS Network (NJWAN), the AIDS Drug Assistance Program (ADAP), the Sexuality Information and Education Council of the United States (SIECUS), the Governor's Advisory Council of New Jersey (GAC NJ), the National Institute of Allergy and Infectious Disease (NIAID), the Association for Women's AIDS Research and Education (A.W.A.R.E), the Women's AIDS Network (WAN), the Pregnancy Information Project (PIP), the New Jersey Department of Health (NJ DOH), the Morbidity and Mortality Weekly Report (MMWR), the National Organization for Women (NOW), the Health Resources and Services Administration (HRSA), the Harm Reduction Training Institute (HRTI), the Feminist Women's Health Center (FWHC), AIDS Counseling and Education (ACE), and the Hyacinth AIDS Foundation. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["During her time as a women's health advocate, Marion Banzhaf interacted with and participated in activities surrounding women's health, and HIV and AIDS advocacy. Throughout the Marion Banzhaf Papers, researchers will encounter the following organizations and subjects documented: ","the People with AIDS Coalition of New York and New Jersey (PWA), the AIDS Coalition to Unleash Power (ACT UP), the New Jersey Women and AIDS Network (NJWAN), the AIDS Drug Assistance Program (ADAP), the Sexuality Information and Education Council of the United States (SIECUS), the Governor's Advisory Council of New Jersey (GAC NJ), the National Institute of Allergy and Infectious Disease (NIAID), the Association for Women's AIDS Research and Education (A.W.A.R.E), the Women's AIDS Network (WAN), the Pregnancy Information Project (PIP), the New Jersey Department of Health (NJ DOH), the Morbidity and Mortality Weekly Report (MMWR), the National Organization for Women (NOW), the Health Resources and Services Administration (HRSA), the Harm Reduction Training Institute (HRTI), the Feminist Women's Health Center (FWHC), AIDS Counseling and Education (ACE), and the Hyacinth AIDS Foundation. "],"scopecontent_html_tesm":["\u003cp\u003eThe Marion Banzhaf Papers document a 30 year span of Marion Banzhaf's career as an activist in the women's health movement and her work with awareness raising and the prevention of and care for HIV/AIDS among women. The papers include: correspondence, organizational files, conference files, research files, recorded audio interviews with members of the women's health movement, interview transcripts, promotional and informational materials on HIV and AIDS related programs, as well as ephemera and printed publications.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marion Banzhaf Papers document a 30 year span of Marion Banzhaf's career as an activist in the women's health movement and her work with awareness raising and the prevention of and care for HIV/AIDS among women. The papers include: correspondence, organizational files, conference files, research files, recorded audio interviews with members of the women's health movement, interview transcripts, promotional and informational materials on HIV and AIDS related programs, as well as ephemera and printed publications."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":264,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"45f0c643c652899fe05f6d58","timestamp":"2026-04-21T07:48:18.982Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45f0c643c652899fe05f6d58_aspace_624401648e5dd10df38cb64ecf001c81"}},{"id":"ae4e9efba5260571ede19734_aspace_69682","type":"File","attributes":{"title":"Women and Industry., 1944-1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734_aspace_69682#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_69682","ref_ssm":["aspace_69682","aspace_69682"],"id":"ae4e9efba5260571ede19734_aspace_69682","title_filing_ssi":"Women and Industry.","title_ssm":["Women and Industry."],"title_tesim":["Women and Industry."],"unitdate_inclusive_ssm":["1944-1981"],"normalized_date_ssm":["1944-1981"],"normalized_title_ssm":["Women and Industry., 1944-1981"],"text":["Women and Industry., 1944-1981","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Postal Series, 1884-1997","Postcards., 1893-1996","/repositories/4/archival_objects/76424","box 22"],"component_level_isim":[3],"parent_ids_ssim":["ae4e9efba5260571ede19734","ae4e9efba5260571ede19734_aspace_69211","ae4e9efba5260571ede19734_aspace_69550"],"parent_unittitles_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Postal Series, 1884-1997","Postcards., 1893-1996"],"parent_unittitles_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Postal Series, 1884-1997","Postcards., 1893-1996"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/76424"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":697,"parent_access_restrict_tesm":["The entire collection is open for research except for Box 34, which is closed until 2042."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 22"],"_nest_path_":"/components#2/components#6/components#114","_nest_parent_":"ae4e9efba5260571ede19734_aspace_69550","_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ae4e9efba5260571ede19734","title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"ead_ssi":"ae4e9efba5260571ede19734","unitdate_ssm":["1792-2016","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1792-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 100","/repositories/4/resources/8"],"text":["SC 100","/repositories/4/resources/8","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Stamp collecting","Suffrage","first day covers","The entire collection is open for research except for Box 34, which is closed until 2042.","The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.","Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.","Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.","Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County.","Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.","UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith","English"],"unitid_tesim":["SC 100","/repositories/4/resources/8"],"normalized_date_ssm":["1792-2016, bulk 1900-2000"],"normalized_title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Kaplan, Judith"],"creator_ssim":["Kaplan, Judith"],"creator_persname_ssim":["Kaplan, Judith"],"creators_ssim":["Kaplan, Judith"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Judith and Warren Kaplan donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFM2015_01). Additional materials were donated in 2016 (CFM2016_11) and 2017 (CFM2017_01)."],"access_subjects_ssim":["Stamp collecting","Suffrage","first day covers"],"access_subjects_ssm":["Stamp collecting","Suffrage","first day covers"],"has_online_content_ssim":["false"],"extent_ssm":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"extent_tesim":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"genreform_ssim":["first day covers"],"date_range_isim":[1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for Box 34, which is closed until 2042.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for Box 34, which is closed until 2042."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world."],"bioghist_html_tesm":["\u003cp\u003eJudith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'\u0026#x92;s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024."],"prefercite_html_tesm":["\u003cp\u003eThe Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eJudith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog.\u003c/extref\u003e \nOther collections concerning women and politics include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-05\"\u003eDemocratic Women's Club of Florida, Inc. Collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2010-02\"\u003eLeague of Women Voters of Volusia County.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5765cfec293662f410013f49a81ec804\" label=\"Abstract\"\u003eCreated by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.\u003c/abstract\u003e"],"abstract_tesim":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"names_coll_ssim":["National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"names_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith"],"corpname_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"persname_ssim":["Kaplan, Judith"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":929,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734_aspace_69682"}},{"id":"18ce43a3c782b797db9fa781_aspace_178728","type":"Item","attributes":{"title":"[Women and man in yard]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178728#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178728#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178728","ref_ssm":["aspace_178728","aspace_178728"],"id":"18ce43a3c782b797db9fa781_aspace_178728","title_filing_ssi":"[Women and man in yard]","title_ssm":["[Women and man in yard]"],"title_tesim":["[Women and man in yard]"],"normalized_title_ssm":["[Women and man in yard]"],"text":["[Women and man in yard]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Fenns","Item 21","/repositories/2/archival_objects/82913","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179888","18ce43a3c782b797db9fa781_aspace_178699"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Fenns"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Fenns"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 21","/repositories/2/archival_objects/82913"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1963,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#30/components#1/components#20","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178699","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178728"}},{"id":"ae4e9efba5260571ede19734_aspace_69194","type":"File","attributes":{"title":"Women and Men Newsletter., 1981-1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734_aspace_69194#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_69194","ref_ssm":["aspace_69194","aspace_69194"],"id":"ae4e9efba5260571ede19734_aspace_69194","title_filing_ssi":"Women and Men Newsletter.","title_ssm":["Women and Men Newsletter."],"title_tesim":["Women and Men Newsletter."],"unitdate_inclusive_ssm":["1981-1982"],"normalized_date_ssm":["1981-1982"],"normalized_title_ssm":["Women and Men Newsletter., 1981-1982"],"text":["Women and Men Newsletter., 1981-1982","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Research Files, 1868-2016","/repositories/4/archival_objects/75802","box 10","folder 16"],"component_level_isim":[2],"parent_ids_ssim":["ae4e9efba5260571ede19734","ae4e9efba5260571ede19734_aspace_69096"],"parent_unittitles_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Research Files, 1868-2016"],"parent_unittitles_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Research Files, 1868-2016"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/75802"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":258,"parent_access_restrict_tesm":["The entire collection is open for research except for Box 34, which is closed until 2042."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 10","folder 16"],"_nest_path_":"/components#1/components#100","_nest_parent_":"ae4e9efba5260571ede19734_aspace_69096","_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ae4e9efba5260571ede19734","title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"ead_ssi":"ae4e9efba5260571ede19734","unitdate_ssm":["1792-2016","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1792-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 100","/repositories/4/resources/8"],"text":["SC 100","/repositories/4/resources/8","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Stamp collecting","Suffrage","first day covers","The entire collection is open for research except for Box 34, which is closed until 2042.","The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.","Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.","Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.","Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County.","Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.","UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith","English"],"unitid_tesim":["SC 100","/repositories/4/resources/8"],"normalized_date_ssm":["1792-2016, bulk 1900-2000"],"normalized_title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Kaplan, Judith"],"creator_ssim":["Kaplan, Judith"],"creator_persname_ssim":["Kaplan, Judith"],"creators_ssim":["Kaplan, Judith"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Judith and Warren Kaplan donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFM2015_01). Additional materials were donated in 2016 (CFM2016_11) and 2017 (CFM2017_01)."],"access_subjects_ssim":["Stamp collecting","Suffrage","first day covers"],"access_subjects_ssm":["Stamp collecting","Suffrage","first day covers"],"has_online_content_ssim":["false"],"extent_ssm":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"extent_tesim":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"genreform_ssim":["first day covers"],"date_range_isim":[1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for Box 34, which is closed until 2042.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for Box 34, which is closed until 2042."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world."],"bioghist_html_tesm":["\u003cp\u003eJudith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'\u0026#x92;s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024."],"prefercite_html_tesm":["\u003cp\u003eThe Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eJudith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog.\u003c/extref\u003e \nOther collections concerning women and politics include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-05\"\u003eDemocratic Women's Club of Florida, Inc. Collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2010-02\"\u003eLeague of Women Voters of Volusia County.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5765cfec293662f410013f49a81ec804\" label=\"Abstract\"\u003eCreated by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.\u003c/abstract\u003e"],"abstract_tesim":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"names_coll_ssim":["National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"names_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith"],"corpname_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"persname_ssim":["Kaplan, Judith"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":929,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734_aspace_69194"}},{"id":"18ce43a3c782b797db9fa781_aspace_178125","type":"Item","attributes":{"title":"[Women and men on dock]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178125#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178125#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178125","ref_ssm":["aspace_178125","aspace_178125"],"id":"18ce43a3c782b797db9fa781_aspace_178125","title_filing_ssi":"[Women and men on dock]","title_ssm":["[Women and men on dock]"],"title_tesim":["[Women and men on dock]"],"normalized_title_ssm":["[Women and men on dock]"],"text":["[Women and men on dock]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Marrs, 1901","Item 21","/repositories/2/archival_objects/82972","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179890","18ce43a3c782b797db9fa781_aspace_178119"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Marrs, 1901"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Marrs, 1901"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 21","/repositories/2/archival_objects/82972"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2044,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#31/components#0/components#20","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178119","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178125"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=compact"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=compact"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=compact"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=compact"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=compact"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=compact"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=compact"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=compact"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?facet.sort=count\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":262},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":152},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Stecher%2C+Jo\u0026view=compact"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":145},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=compact"}},{"attributes":{"label":"Holman, Bill (Willis Leonard) (1927-05-21)","value":"Holman, Bill (Willis Leonard) (1927-05-21)","hits":115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Holman%2C+Bill+%28Willis+Leonard%29+%281927-05-21%29\u0026view=compact"}},{"attributes":{"label":"Eastman Kodak Company","value":"Eastman Kodak Company","hits":114},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Eastman+Kodak+Company\u0026view=compact"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":73},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026view=compact"}},{"attributes":{"label":"Nestico, Sammy (1924-02-06-2021-01-17)","value":"Nestico, Sammy (1924-02-06-2021-01-17)","hits":70},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Nestico%2C+Sammy+%281924-02-06-2021-01-17%29\u0026view=compact"}},{"attributes":{"label":"Levine, Seymour","value":"Levine, Seymour","hits":62},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Levine%2C+Seymour\u0026view=compact"}},{"attributes":{"label":"Jones, Thad (1923-03-28-1986-08-20)","value":"Jones, Thad (1923-03-28-1986-08-20)","hits":57},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Jones%2C+Thad+%281923-03-28-1986-08-20%29\u0026view=compact"}},{"attributes":{"label":"Morey, Brad","value":"Morey, Brad","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Morey%2C+Brad\u0026view=compact"}},{"attributes":{"label":"Wagner, Richard, 1813-1883","value":"Wagner, Richard, 1813-1883","hits":45},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Wagner%2C+Richard%2C+1813-1883\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?facet.sort=count\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1990","value":"1990","hits":6652},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026view=compact"}},{"attributes":{"label":"1945","value":"1945","hits":6569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1945\u0026view=compact"}},{"attributes":{"label":"1987","value":"1987","hits":6549},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026view=compact"}},{"attributes":{"label":"1986","value":"1986","hits":6489},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026view=compact"}},{"attributes":{"label":"1989","value":"1989","hits":6487},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026view=compact"}},{"attributes":{"label":"1985","value":"1985","hits":6394},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026view=compact"}},{"attributes":{"label":"1988","value":"1988","hits":6361},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026view=compact"}},{"attributes":{"label":"1984","value":"1984","hits":6130},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026view=compact"}},{"attributes":{"label":"1944","value":"1944","hits":6115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026view=compact"}},{"attributes":{"label":"1983","value":"1983","hits":6046},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026view=compact"}},{"attributes":{"label":"1997","value":"1997","hits":6023},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026view=compact"}},{"attributes":{"label":"1991","value":"1991","hits":5994},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026view=compact"}},{"attributes":{"label":"1996","value":"1996","hits":5979},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"1992","value":"1992","hits":5931},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"1995","value":"1995","hits":5889},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"1982","value":"1982","hits":5882},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026view=compact"}},{"attributes":{"label":"1993","value":"1993","hits":5831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026view=compact"}},{"attributes":{"label":"1994","value":"1994","hits":5792},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026view=compact"}},{"attributes":{"label":"1998","value":"1998","hits":5765},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026view=compact"}},{"attributes":{"label":"1980","value":"1980","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026view=compact"}},{"attributes":{"label":"1981","value":"1981","hits":5758},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026view=compact"}},{"attributes":{"label":"1999","value":"1999","hits":5648},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026view=compact"}},{"attributes":{"label":"1979","value":"1979","hits":5612},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026view=compact"}},{"attributes":{"label":"1978","value":"1978","hits":5538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026view=compact"}},{"attributes":{"label":"1976","value":"1976","hits":5526},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"1943","value":"1943","hits":5405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1943\u0026view=compact"}},{"attributes":{"label":"1977","value":"1977","hits":5348},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026view=compact"}},{"attributes":{"label":"1975","value":"1975","hits":5327},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026view=compact"}},{"attributes":{"label":"1974","value":"1974","hits":5252},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026view=compact"}},{"attributes":{"label":"1973","value":"1973","hits":5220},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026view=compact"}},{"attributes":{"label":"2000","value":"2000","hits":5154},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"1970","value":"1970","hits":5098},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026view=compact"}},{"attributes":{"label":"1972","value":"1972","hits":5045},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026view=compact"}},{"attributes":{"label":"1971","value":"1971","hits":4971},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026view=compact"}},{"attributes":{"label":"1969","value":"1969","hits":4843},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026view=compact"}},{"attributes":{"label":"1968","value":"1968","hits":4674},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026view=compact"}},{"attributes":{"label":"2001","value":"2001","hits":4639},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026view=compact"}},{"attributes":{"label":"1967","value":"1967","hits":4527},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026view=compact"}},{"attributes":{"label":"1942","value":"1942","hits":4470},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026view=compact"}},{"attributes":{"label":"1946","value":"1946","hits":4455},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":4429},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":4375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026view=compact"}},{"attributes":{"label":"1950","value":"1950","hits":4338},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1950\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":4307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":4281},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026view=compact"}},{"attributes":{"label":"2002","value":"2002","hits":4270},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":4266},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":4263},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":4223},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":4194},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":4187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":4165},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026view=compact"}},{"attributes":{"label":"1953","value":"1953","hits":4133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026view=compact"}},{"attributes":{"label":"1952","value":"1952","hits":4111},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026view=compact"}},{"attributes":{"label":"1948","value":"1948","hits":4110},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026view=compact"}},{"attributes":{"label":"1951","value":"1951","hits":4101},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":4094},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026view=compact"}},{"attributes":{"label":"1947","value":"1947","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":4066},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026view=compact"}},{"attributes":{"label":"1949","value":"1949","hits":4058},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026view=compact"}},{"attributes":{"label":"2003","value":"2003","hits":3981},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":3944},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026view=compact"}},{"attributes":{"label":"1941","value":"1941","hits":3800},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026view=compact"}},{"attributes":{"label":"2004","value":"2004","hits":3678},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026view=compact"}},{"attributes":{"label":"2005","value":"2005","hits":3664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026view=compact"}},{"attributes":{"label":"2007","value":"2007","hits":3627},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026view=compact"}},{"attributes":{"label":"2006","value":"2006","hits":3607},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026view=compact"}},{"attributes":{"label":"1940","value":"1940","hits":3567},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026view=compact"}},{"attributes":{"label":"1939","value":"1939","hits":3187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026view=compact"}},{"attributes":{"label":"2008","value":"2008","hits":3056},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026view=compact"}},{"attributes":{"label":"1938","value":"1938","hits":2998},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026view=compact"}},{"attributes":{"label":"1937","value":"1937","hits":2799},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026view=compact"}},{"attributes":{"label":"2009","value":"2009","hits":2676},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026view=compact"}},{"attributes":{"label":"1936","value":"1936","hits":2625},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026view=compact"}},{"attributes":{"label":"1935","value":"1935","hits":2538},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1935\u0026view=compact"}},{"attributes":{"label":"2010","value":"2010","hits":2491},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026view=compact"}},{"attributes":{"label":"1932","value":"1932","hits":2463},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026view=compact"}},{"attributes":{"label":"1934","value":"1934","hits":2423},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026view=compact"}},{"attributes":{"label":"1933","value":"1933","hits":2395},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026view=compact"}},{"attributes":{"label":"1925","value":"1925","hits":2337},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026view=compact"}},{"attributes":{"label":"1930","value":"1930","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1930\u0026view=compact"}},{"attributes":{"label":"1931","value":"1931","hits":2336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1931\u0026view=compact"}},{"attributes":{"label":"1926","value":"1926","hits":2213},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1926\u0026view=compact"}},{"attributes":{"label":"1929","value":"1929","hits":2158},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026view=compact"}},{"attributes":{"label":"1928","value":"1928","hits":2108},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026view=compact"}},{"attributes":{"label":"1927","value":"1927","hits":2076},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1927\u0026view=compact"}},{"attributes":{"label":"2011","value":"2011","hits":1988},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026view=compact"}},{"attributes":{"label":"2012","value":"2012","hits":1831},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026view=compact"}},{"attributes":{"label":"2013","value":"2013","hits":1750},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026view=compact"}},{"attributes":{"label":"1920","value":"1920","hits":1725},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1920\u0026view=compact"}},{"attributes":{"label":"1924","value":"1924","hits":1714},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026view=compact"}},{"attributes":{"label":"1923","value":"1923","hits":1664},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026view=compact"}},{"attributes":{"label":"1922","value":"1922","hits":1603},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1922\u0026view=compact"}},{"attributes":{"label":"2014","value":"2014","hits":1579},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026view=compact"}},{"attributes":{"label":"1921","value":"1921","hits":1553},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026view=compact"}},{"attributes":{"label":"1919","value":"1919","hits":1381},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1919\u0026view=compact"}},{"attributes":{"label":"1918","value":"1918","hits":1367},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026view=compact"}},{"attributes":{"label":"1917","value":"1917","hits":1335},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1917\u0026view=compact"}},{"attributes":{"label":"1916","value":"1916","hits":1316},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026view=compact"}},{"attributes":{"label":"1915","value":"1915","hits":1290},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?facet.sort=count\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":422809},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Item","value":"Item","hits":192992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"Box","value":"Box","hits":9618},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Series","value":"Series","hits":8556},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026view=compact"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":6594},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026view=compact"}},{"attributes":{"label":"Collection","value":"Collection","hits":5009},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}},{"attributes":{"label":"Folder","value":"Folder","hits":4717},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Folder\u0026view=compact"}},{"attributes":{"label":"Other level","value":"Other level","hits":2770},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Other+level\u0026view=compact"}},{"attributes":{"label":"Sub-sub-series","value":"Sub-sub-series","hits":939},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Sub-sub-series\u0026view=compact"}},{"attributes":{"label":"Container","value":"Container","hits":633},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Container\u0026view=compact"}},{"attributes":{"label":"Drawer","value":"Drawer","hits":412},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Drawer\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?facet.sort=count\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":2617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":534},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=compact"}},{"attributes":{"label":" Broward County Historical Archives","value":" Broward County Historical Archives","hits":299},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=+Broward+County+Historical+Archives\u0026view=compact"}},{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","value":"Henry Clay and Bock \u0026 Co., Ltd. (Trenton, New Jersey)","hits":265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Henry+Clay+and+Bock+%26+Co.%2C+Ltd.+%28Trenton%2C+New+Jersey%29\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":185},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":174},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida State College for Women","value":"Florida State College for Women","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+College+for+Women\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Stecher%2C+Jo\u0026view=compact"}},{"attributes":{"label":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","value":"Florida State University Libraries. Heritage Protocol \u0026 University Archives","hits":150},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Florida+State+University+Libraries.+Heritage+Protocol+%26+University+Archives\u0026view=compact"}},{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":148},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bnames%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?facet.sort=count\u0026view=compact"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":209699},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":163506},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":66602},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":44227},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":35563},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=FIU+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":23064},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UCF+University+Archives\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":18653},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":13020},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Archives","value":"Florida Gulf Coast University Archives","hits":12777},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Archives\u0026view=compact"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":12495},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections\u0026view=compact"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":11405},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Brepository%5D%5B%5D=AARLCC+Special+Collections\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?facet.sort=count\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Captiva Island (Fla.)","value":"Captiva Island (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Captiva+Island+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Sanibel (Fla.)","value":"Sanibel (Fla.)","hits":646},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Sanibel+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Zines.","value":"Zines.","hits":328},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Zines.\u0026view=compact"}},{"attributes":{"label":"Community organization.","value":"Community organization.","hits":189},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Community+organization.\u0026view=compact"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":164},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Feminism.","value":"Feminism.","hits":143},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Feminism.\u0026view=compact"}},{"attributes":{"label":"Art.","value":"Art.","hits":107},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Art.\u0026view=compact"}},{"attributes":{"label":"Fort Myers (Fla.)--History.","value":"Fort Myers (Fla.)--History.","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Fort+Myers+%28Fla.%29--History.\u0026view=compact"}},{"attributes":{"label":"Kodak camera.","value":"Kodak camera.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Kodak+camera.\u0026view=compact"}},{"attributes":{"label":"Photography.","value":"Photography.","hits":102},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Photography.\u0026view=compact"}},{"attributes":{"label":"Punk culture.","value":"Punk culture.","hits":93},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bplaces%5D%5B%5D=Punk+culture.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?facet.sort=count\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Maps","value":"Maps","hits":4265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Maps\u0026view=compact"}},{"attributes":{"label":"Sheet music","value":"Sheet music","hits":1647},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sheet+music\u0026view=compact"}},{"attributes":{"label":"Jazz","value":"Jazz","hits":1631},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz\u0026view=compact"}},{"attributes":{"label":"Jazz musicians","value":"Jazz musicians","hits":1624},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz+musicians\u0026view=compact"}},{"attributes":{"label":"Popular music -- Lead sheets","value":"Popular music -- Lead sheets","hits":1617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Popular+music+--+Lead+sheets\u0026view=compact"}},{"attributes":{"label":"Developmental Regional Impact (DRI)","value":"Developmental Regional Impact (DRI)","hits":1247},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Developmental+Regional+Impact+%28DRI%29\u0026view=compact"}},{"attributes":{"label":"Report and studies","value":"Report and studies","hits":636},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Report+and+studies\u0026view=compact"}},{"attributes":{"label":"World War, 1939-1945","value":"World War, 1939-1945","hits":379},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945\u0026view=compact"}},{"attributes":{"label":"Sufficiency","value":"Sufficiency","hits":350},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sufficiency\u0026view=compact"}},{"attributes":{"label":"Legal documents","value":"Legal documents","hits":330},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Legal+documents\u0026view=compact"}},{"attributes":{"label":"Clippings (Books, newspapers, etc.)","value":"Clippings (Books, newspapers, etc.)","hits":322},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Clippings+%28Books%2C+newspapers%2C+etc.%29\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?facet.sort=count\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64972\u0026sort=title_sort+desc\u0026view=compact"}}]}