{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64886\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64885\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64887\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65767\u0026view=list"},"meta":{"pages":{"current_page":64886,"next_page":64887,"prev_page":64885,"total_pages":65767,"limit_value":10,"offset_value":648850,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"b3c6027684c62e3ea8c2ccd9_aspace_117401","type":"Item","attributes":{"title":"Woman getting out of the pool, ca. 1980s/90s","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b3c6027684c62e3ea8c2ccd9_aspace_117401#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA woman is getting out of the pool, smiling and looking directly at the camera. She is wearing a one-piece bathing suit and earings. Portrait oriented. Labled 29A on the back.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3c6027684c62e3ea8c2ccd9_aspace_117401#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_117401","ref_ssm":["aspace_117401","aspace_117401"],"id":"b3c6027684c62e3ea8c2ccd9_aspace_117401","title_filing_ssi":"Woman getting out of the pool","title_ssm":["Woman getting out of the pool"],"title_tesim":["Woman getting out of the pool"],"unitdate_other_ssim":["ca. 1980s/90s"],"normalized_date_ssm":["ca. 1980s/90s"],"normalized_title_ssm":["Woman getting out of the pool, ca. 1980s/90s"],"text":["Woman getting out of the pool, ca. 1980s/90s","FAU Swimming Team Photograph Collection, 1976-1999","Swimming","Item 146","/repositories/2/archival_objects/23449","3x5, color photo","box 1","A woman is getting out of the pool, smiling and looking directly at the camera. She is wearing a one-piece bathing suit and earings. Portrait oriented. Labled 29A on the back."],"component_level_isim":[2],"parent_ids_ssim":["b3c6027684c62e3ea8c2ccd9","b3c6027684c62e3ea8c2ccd9_aspace_117254"],"parent_unittitles_ssm":["FAU Swimming Team Photograph Collection, 1976-1999","Swimming"],"parent_unittitles_tesim":["FAU Swimming Team Photograph Collection, 1976-1999","Swimming"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 146","/repositories/2/archival_objects/23449"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Swimming Team Photograph Collection, 1976-1999"],"physdesc_tesim":["3x5, color photo"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":147,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003eA woman is getting out of the pool, smiling and looking directly at the camera. She is wearing a one-piece bathing suit and earings. Portrait oriented. 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Labled 29A on the back."],"_nest_path_":"/components#0/components#145","_nest_parent_":"b3c6027684c62e3ea8c2ccd9_aspace_117254","_root_":"b3c6027684c62e3ea8c2ccd9","_version_":1870842037546254336,"timestamp":"2026-07-16T03:53:21.181Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3c6027684c62e3ea8c2ccd9","title_ssm":["FAU Swimming Team Photograph Collection"],"title_tesim":["FAU Swimming Team Photograph Collection"],"ead_ssi":"b3c6027684c62e3ea8c2ccd9","unitdate_ssm":["1976-1999"],"unitdate_inclusive_ssm":["1976-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAP00041","/repositories/2/resources/53"],"text":["UAP00041","/repositories/2/resources/53","FAU Swimming Team Photograph Collection, 1976-1999","University Archives -- Photography ","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Isabel Hidalgo processed this collection in 2018.","For more information please see  http://purl.fcla.edu/fau/teamphotos.","This collection contains photographs of the FAU Swimming Team.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAP00041","/repositories/2/resources/53"],"normalized_date_ssm":["1976-1999"],"normalized_title_ssm":["FAU Swimming Team Photograph Collection, 1976-1999"],"collection_title_tesim":["FAU Swimming Team Photograph Collection, 1976-1999"],"collection_ssim":["FAU Swimming Team Photograph Collection, 1976-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIsabel Hidalgo processed this collection in 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Isabel Hidalgo processed this collection in 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information please see \u003cextref href=\"http://purl.fcla.edu/fau/teamphotos.\"\u003ehttp://purl.fcla.edu/fau/teamphotos.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information please see  http://purl.fcla.edu/fau/teamphotos."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs of the FAU Swimming Team.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographs of the FAU Swimming Team."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Photograph #1050., Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_4aa844dea4bc7c1eb0d9c166739153fb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4aa844dea4bc7c1eb0d9c166739153fb","ref_ssm":["aspace_4aa844dea4bc7c1eb0d9c166739153fb","aspace_4aa844dea4bc7c1eb0d9c166739153fb"],"id":"763de249ff7d9b630424e493_aspace_4aa844dea4bc7c1eb0d9c166739153fb","title_filing_ssi":"Woman, girl and baby posed for photograph. Photographer and studio unknown. Photograph #1050.","title_ssm":["Woman, girl and baby posed for photograph. Photographer and studio unknown. Photograph #1050."],"title_tesim":["Woman, girl and baby posed for photograph. Photographer and studio unknown. Photograph #1050."],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman, girl and baby posed for photograph. Photographer and studio unknown. Photograph #1050., Undated"],"text":["Woman, girl and baby posed for photograph. Photographer and studio unknown. Photograph #1050., Undated","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families","Scrapbooks and Photo Albums","/repositories/2/archival_objects/7183","box 32"],"component_level_isim":[3],"parent_ids_ssim":["763de249ff7d9b630424e493","763de249ff7d9b630424e493_aspace_acb689989cbc6d5b9a27e48d4327b0d6","763de249ff7d9b630424e493_aspace_09339530b2ee739581cb68cd99d8f15c"],"parent_unittitles_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families","Scrapbooks and Photo Albums"],"parent_unittitles_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families","Scrapbooks and Photo Albums"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/7183"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1433,"parent_access_restrict_tesm":["The Love-Thornell Collection of Black American Photographs is open for research."],"containers_ssim":["box 32"],"_nest_path_":"/components#3/components#223/components#5","_nest_parent_":"763de249ff7d9b630424e493_aspace_09339530b2ee739581cb68cd99d8f15c","_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"763de249ff7d9b630424e493","title_filing_ssi":"Love-Thornell Collection of Black American Photographs","title_ssm":["Love-Thornell Collection of Black American Photographs"],"title_tesim":["Love-Thornell Collection of Black American Photographs"],"ead_ssi":"763de249ff7d9b630424e493","unitdate_ssm":["Circa 1850-1950"],"unitdate_inclusive_ssm":["Circa 1850-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.17","/repositories/2/resources/168"],"text":["AARLCC.2021.17","/repositories/2/resources/168","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera","The Love-Thornell Collection of Black American Photographs is open for research.","The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.","Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... 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Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families."],"bioghist_html_tesm":["\u003cp\u003eJacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.\u003c/p\u003e\n","\u003cp\u003eJacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. 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This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e","\u003cp\u003eDescription of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. "],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll35/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=LOT\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_4aa844dea4bc7c1eb0d9c166739153fb"}},{"id":"27c60a84fd2f5fc89fc968d1_aspace_143685","type":"Item","attributes":{"title":"Woman Hair Blowing","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143685#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eInner Cigar Box Label\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143685#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_143685","ref_ssm":["aspace_143685","aspace_143685"],"id":"27c60a84fd2f5fc89fc968d1_aspace_143685","title_filing_ssi":"Woman Hair Blowing","title_ssm":["Woman Hair Blowing"],"title_tesim":["Woman Hair Blowing"],"normalized_title_ssm":["Woman Hair Blowing"],"text":["Woman Hair Blowing","Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5","Item 51","/repositories/2/archival_objects/1986","Inner Cigar Box Label"],"component_level_isim":[3],"parent_ids_ssim":["27c60a84fd2f5fc89fc968d1","27c60a84fd2f5fc89fc968d1_aspace_170715","27c60a84fd2f5fc89fc968d1_aspace_143359"],"parent_unittitles_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5"],"parent_unittitles_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 51","/repositories/2/archival_objects/1986"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":402,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eInner Cigar Box Label\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Inner Cigar Box Label"],"_nest_path_":"/components#1/components#0/components#50","_nest_parent_":"27c60a84fd2f5fc89fc968d1_aspace_143359","_root_":"27c60a84fd2f5fc89fc968d1","timestamp":"2026-07-09T04:17:20.293Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"27c60a84fd2f5fc89fc968d1","title_ssm":["Rick and Patricia Ballantyne cigar label collection"],"title_tesim":["Rick and Patricia Ballantyne cigar label collection"],"ead_ssi":"27c60a84fd2f5fc89fc968d1","unitdate_ssm":["1880-1930","Date acquired: 12/01/2016"],"unitdate_inclusive_ssm":["1880-1930"],"unitdate_other_ssim":["Date acquired: 12/01/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2016-10","/repositories/2/resources/37"],"text":["MS-2016-10","/repositories/2/resources/37","Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Chromolithography","Cigar bands and labels",".","Arranged alphabetically by title.","This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.  Mr. Ballantyne had a special affinity for labels depicting women.","Note written by Andy Huse","Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Kane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Osterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Collection of cigar labels from the late 1800s and early 1900s.","USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia","English"],"unitid_tesim":["MS-2016-10","/repositories/2/resources/37"],"normalized_date_ssm":["1880-1930, Date acquired: 12/01/2016"],"normalized_title_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_title_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_ssim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creators_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Rick and Trish Ballantyne","Donation."],"access_subjects_ssim":["Chromolithography","Cigar bands and labels"],"access_subjects_ssm":["Chromolithography","Cigar bands and labels"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet","6 boxes"],"extent_tesim":["2.50 Linear Feet","6 boxes"],"genreform_ssim":["Cigar bands and labels"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930],"appraisal_html_tesm":["\u003cp\u003e.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.\u0026#xA0; Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e\n","\u003cp\u003eNote written by Andy Huse\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.  Mr. Ballantyne had a special affinity for labels depicting women.","Note written by Andy Huse"],"prefercite_html_tesm":["\u003cp\u003eRick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Rick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eFred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eKane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eOsterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Kane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Osterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffeb33666aa8afab57423eb79361a6e5\" label=\"Abstract\"\u003eCollection of cigar labels from the late 1800s and early 1900s.\u003c/abstract\u003e"],"abstract_tesim":["Collection of cigar labels from the late 1800s and early 1900s."],"names_ssim":["USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1895,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"27c60a84fd2f5fc89fc968d1","timestamp":"2026-07-09T04:17:20.293Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143685"}},{"id":"6678d1ef17eb0b784725a98a_aspace_5d93441c719d3bad7067a9f96b4765e7","type":"Item","attributes":{"title":"Woman handling a sailfish with Captain James B. Vreeland Jr. abord Kingfisher IV., Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_5d93441c719d3bad7067a9f96b4765e7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA description added on the picture says: \"Don't see the ladies short, as this picture proves, and his small sailfish, length (5' 2\") and weighing 12 lbs. Is very scarce and more sought for than the biggest ones. As I have the extra space left, here is some important facts. (Why the fishing is becoming less each year). Fish or animals, and people have to eat and lack of it effects them the same as us. The modern commercial methods today is depleting food for our local fish. We have no definite shrimp beds as yet located here. our main foods, locally are (migrating mullet) main food source is crawfish, on our reefs, and their spawn in its small stages, is our main fish food for all fish. The season was closed for five years, in the third supply is our schools of (balao), on our shallow reefs. Now they are very scarce, with the modern big signs molesting. To change these above facts, will be as hard as stopping street marching so a woman, can walk on them in safety.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_5d93441c719d3bad7067a9f96b4765e7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5d93441c719d3bad7067a9f96b4765e7","ref_ssm":["aspace_5d93441c719d3bad7067a9f96b4765e7","aspace_5d93441c719d3bad7067a9f96b4765e7"],"id":"6678d1ef17eb0b784725a98a_aspace_5d93441c719d3bad7067a9f96b4765e7","title_filing_ssi":"Woman handling a sailfish with Captain James B. Vreeland Jr. abord Kingfisher IV.","title_ssm":["Woman handling a sailfish with Captain James B. Vreeland Jr. abord Kingfisher IV."],"title_tesim":["Woman handling a sailfish with Captain James B. Vreeland Jr. abord Kingfisher IV."],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman handling a sailfish with Captain James B. Vreeland Jr. abord Kingfisher IV., Undated"],"text":["Woman handling a sailfish with Captain James B. Vreeland Jr. abord Kingfisher IV., Undated","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960","/repositories/4/archival_objects/36518","box 5","Item 29","A description added on the picture says: \"Don't see the ladies short, as this picture proves, and his small sailfish, length (5' 2\") and weighing 12 lbs. Is very scarce and more sought for than the biggest ones. As I  have the extra space left, here is some important facts. (Why the fishing is becoming less each year). Fish or animals, and people have to eat and lack of it effects them the same as us. The modern commercial methods today is depleting food for our local fish. We have no definite shrimp beds as yet located here. our main foods, locally are (migrating mullet) main food source is crawfish, on our reefs, and their spawn in its small stages, is our main fish food for all fish. The season was closed for five years, in the third supply is our schools of (balao), on our shallow reefs. Now they are very scarce, with the modern big signs molesting. To change these above facts, will be as hard as stopping street marching so a woman, can walk on them in safety.\""],"component_level_isim":[3],"parent_ids_ssim":["6678d1ef17eb0b784725a98a","6678d1ef17eb0b784725a98a_aspace_a6f48c80ef8af9d9bea8abe4c032829e","6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f"],"parent_unittitles_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_unittitles_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/36518"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":325,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"containers_ssim":["box 5","Item 29"],"scopecontent_html_tesm":["\u003cp\u003eA description added on the picture says: \"Don't see the ladies short, as this picture proves, and his small sailfish, length (5' 2\") and weighing 12 lbs. Is very scarce and more sought for than the biggest ones. As I  have the extra space left, here is some important facts. (Why the fishing is becoming less each year). Fish or animals, and people have to eat and lack of it effects them the same as us. The modern commercial methods today is depleting food for our local fish. We have no definite shrimp beds as yet located here. our main foods, locally are (migrating mullet) main food source is crawfish, on our reefs, and their spawn in its small stages, is our main fish food for all fish. The season was closed for five years, in the third supply is our schools of (balao), on our shallow reefs. Now they are very scarce, with the modern big signs molesting. To change these above facts, will be as hard as stopping street marching so a woman, can walk on them in safety.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A description added on the picture says: \"Don't see the ladies short, as this picture proves, and his small sailfish, length (5' 2\") and weighing 12 lbs. Is very scarce and more sought for than the biggest ones. As I  have the extra space left, here is some important facts. (Why the fishing is becoming less each year). Fish or animals, and people have to eat and lack of it effects them the same as us. The modern commercial methods today is depleting food for our local fish. We have no definite shrimp beds as yet located here. our main foods, locally are (migrating mullet) main food source is crawfish, on our reefs, and their spawn in its small stages, is our main fish food for all fish. The season was closed for five years, in the third supply is our schools of (balao), on our shallow reefs. Now they are very scarce, with the modern big signs molesting. To change these above facts, will be as hard as stopping street marching so a woman, can walk on them in safety.\""],"_nest_path_":"/components#0/components#0/components#322","_nest_parent_":"6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f","_root_":"6678d1ef17eb0b784725a98a","_version_":1877635433981018112,"timestamp":"2026-09-29T03:31:28.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_5d93441c719d3bad7067a9f96b4765e7"}},{"id":"6678d1ef17eb0b784725a98a_aspace_5e74dcd2ca174f7348d7a644025d1cec","type":"Item","attributes":{"title":"Woman handling sailfish aboard, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_5e74dcd2ca174f7348d7a644025d1cec#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDescription on the back of the picture reads: \"The lady angler is happy. Why? Because she is proudly showing the 7' 10\" - 80 lbs. sail that she just landed. Almost a record sail for women.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_5e74dcd2ca174f7348d7a644025d1cec#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5e74dcd2ca174f7348d7a644025d1cec","ref_ssm":["aspace_5e74dcd2ca174f7348d7a644025d1cec","aspace_5e74dcd2ca174f7348d7a644025d1cec"],"id":"6678d1ef17eb0b784725a98a_aspace_5e74dcd2ca174f7348d7a644025d1cec","title_filing_ssi":"Woman handling sailfish aboard","title_ssm":["Woman handling sailfish aboard"],"title_tesim":["Woman handling sailfish aboard"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman handling sailfish aboard, Undated"],"text":["Woman handling sailfish aboard, Undated","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960","/repositories/4/archival_objects/36406","box 2","Item 48a, 48b","Description on the back of the picture reads: \"The lady angler is happy. Why? Because she is proudly showing the 7' 10\" - 80 lbs. sail that she just landed. Almost a record sail for women.\""],"component_level_isim":[3],"parent_ids_ssim":["6678d1ef17eb0b784725a98a","6678d1ef17eb0b784725a98a_aspace_a6f48c80ef8af9d9bea8abe4c032829e","6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f"],"parent_unittitles_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_unittitles_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/36406"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":213,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"containers_ssim":["box 2","Item 48a, 48b"],"scopecontent_html_tesm":["\u003cp\u003eDescription on the back of the picture reads: \"The lady angler is happy. Why? Because she is proudly showing the 7' 10\" - 80 lbs. sail that she just landed. Almost a record sail for women.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Description on the back of the picture reads: \"The lady angler is happy. Why? Because she is proudly showing the 7' 10\" - 80 lbs. sail that she just landed. Almost a record sail for women.\""],"_nest_path_":"/components#0/components#0/components#210","_nest_parent_":"6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f","_root_":"6678d1ef17eb0b784725a98a","_version_":1877635433981018112,"timestamp":"2026-09-29T03:31:28.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_5e74dcd2ca174f7348d7a644025d1cec"}},{"id":"27c60a84fd2f5fc89fc968d1_aspace_143696","type":"Item","attributes":{"title":"Woman Hands on Head","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143696#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eInner Cigar Box Label\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143696#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_143696","ref_ssm":["aspace_143696","aspace_143696"],"id":"27c60a84fd2f5fc89fc968d1_aspace_143696","title_filing_ssi":"Woman Hands on Head","title_ssm":["Woman Hands on Head"],"title_tesim":["Woman Hands on Head"],"normalized_title_ssm":["Woman Hands on Head"],"text":["Woman Hands on Head","Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5","Item 62","/repositories/2/archival_objects/2178","Inner Cigar Box Label"],"component_level_isim":[3],"parent_ids_ssim":["27c60a84fd2f5fc89fc968d1","27c60a84fd2f5fc89fc968d1_aspace_170715","27c60a84fd2f5fc89fc968d1_aspace_143359"],"parent_unittitles_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5"],"parent_unittitles_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Box 2","Folder 5"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 62","/repositories/2/archival_objects/2178"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":413,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eInner Cigar Box Label\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Inner Cigar Box Label"],"_nest_path_":"/components#1/components#0/components#61","_nest_parent_":"27c60a84fd2f5fc89fc968d1_aspace_143359","_root_":"27c60a84fd2f5fc89fc968d1","timestamp":"2026-07-09T04:17:20.293Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"27c60a84fd2f5fc89fc968d1","title_ssm":["Rick and Patricia Ballantyne cigar label collection"],"title_tesim":["Rick and Patricia Ballantyne cigar label collection"],"ead_ssi":"27c60a84fd2f5fc89fc968d1","unitdate_ssm":["1880-1930","Date acquired: 12/01/2016"],"unitdate_inclusive_ssm":["1880-1930"],"unitdate_other_ssim":["Date acquired: 12/01/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2016-10","/repositories/2/resources/37"],"text":["MS-2016-10","/repositories/2/resources/37","Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016","Chromolithography","Cigar bands and labels",".","Arranged alphabetically by title.","This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.  Mr. Ballantyne had a special affinity for labels depicting women.","Note written by Andy Huse","Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Kane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Osterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Collection of cigar labels from the late 1800s and early 1900s.","USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia","English"],"unitid_tesim":["MS-2016-10","/repositories/2/resources/37"],"normalized_date_ssm":["1880-1930, Date acquired: 12/01/2016"],"normalized_title_ssm":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_title_tesim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"collection_ssim":["Rick and Patricia Ballantyne cigar label collection, 1880-1930, Date acquired: 12/01/2016"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creator_persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"creators_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Rick and Trish Ballantyne","Donation."],"access_subjects_ssim":["Chromolithography","Cigar bands and labels"],"access_subjects_ssm":["Chromolithography","Cigar bands and labels"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet","6 boxes"],"extent_tesim":["2.50 Linear Feet","6 boxes"],"genreform_ssim":["Cigar bands and labels"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930],"appraisal_html_tesm":["\u003cp\u003e.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.\u0026#xA0; Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e\n","\u003cp\u003eNote written by Andy Huse\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2015.  Mr. Ballantyne had a special affinity for labels depicting women.","Note written by Andy Huse"],"prefercite_html_tesm":["\u003cp\u003eRick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Rick and Patricia Ballantyne Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eFred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eKane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eOsterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Kane-Greenberg Lithography Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Osterweil collection of cigar labels, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of vintage cigar labels was collected by Rick and Trish Ballantyne and donated in 2016. Mr. Ballantyne had a special affinity for labels depicting women."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffeb33666aa8afab57423eb79361a6e5\" label=\"Abstract\"\u003eCollection of cigar labels from the late 1800s and early 1900s.\u003c/abstract\u003e"],"abstract_tesim":["Collection of cigar labels from the late 1800s and early 1900s."],"names_ssim":["USF Libraries - Tampa Special Collections","Ballantyne, Rick","Ballantyne, Patricia"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ballantyne, Rick","Ballantyne, Patricia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1895,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"27c60a84fd2f5fc89fc968d1","timestamp":"2026-07-09T04:17:20.293Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/27c60a84fd2f5fc89fc968d1_aspace_143696"}},{"id":"18ce43a3c782b797db9fa781_aspace_179642","type":"Item","attributes":{"title":"[Woman holding baby]","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179642#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179642#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_179642","ref_ssm":["aspace_179642","aspace_179642"],"id":"18ce43a3c782b797db9fa781_aspace_179642","title_filing_ssi":"[Woman holding baby]","title_ssm":["[Woman holding baby]"],"title_tesim":["[Woman holding baby]"],"normalized_title_ssm":["[Woman holding baby]"],"text":["[Woman holding baby]","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Misc.","Item 39","/repositories/2/archival_objects/83464","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179901","18ce43a3c782b797db9fa781_aspace_179603"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Misc."],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Family Pictures","Family Pictures - Misc."],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 39","/repositories/2/archival_objects/83464"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2274,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#33/components#1/components#38","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_179603","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_179642"}},{"id":"763de249ff7d9b630424e493_aspace_de6dc5e4b9d9f08f198955e26761d69d","type":"Item","attributes":{"title":"Woman holding baby. Front reads: \"Flint\". Photographer and studio unknown. Carte de Visite., Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_de6dc5e4b9d9f08f198955e26761d69d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_de6dc5e4b9d9f08f198955e26761d69d","ref_ssm":["aspace_de6dc5e4b9d9f08f198955e26761d69d","aspace_de6dc5e4b9d9f08f198955e26761d69d"],"id":"763de249ff7d9b630424e493_aspace_de6dc5e4b9d9f08f198955e26761d69d","title_filing_ssi":"Woman holding baby. Front reads: \"Flint\". Photographer and studio unknown. Carte de Visite.","title_ssm":["Woman holding baby. Front reads: \"Flint\". Photographer and studio unknown. Carte de Visite."],"title_tesim":["Woman holding baby. Front reads: \"Flint\". Photographer and studio unknown. Carte de Visite."],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman holding baby. Front reads: \"Flint\". Photographer and studio unknown. Carte de Visite., Undated"],"text":["Woman holding baby. Front reads: \"Flint\". Photographer and studio unknown. Carte de Visite., Undated","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Children","/repositories/2/archival_objects/6645","box 23"],"component_level_isim":[2],"parent_ids_ssim":["763de249ff7d9b630424e493","763de249ff7d9b630424e493_aspace_672e2834d1c028a7b282023e4928abb2"],"parent_unittitles_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Children"],"parent_unittitles_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Children"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6645"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1112,"parent_access_restrict_tesm":["The Love-Thornell Collection of Black American Photographs is open for research."],"containers_ssim":["box 23"],"_nest_path_":"/components#2/components#208","_nest_parent_":"763de249ff7d9b630424e493_aspace_672e2834d1c028a7b282023e4928abb2","_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"763de249ff7d9b630424e493","title_filing_ssi":"Love-Thornell Collection of Black American Photographs","title_ssm":["Love-Thornell Collection of Black American Photographs"],"title_tesim":["Love-Thornell Collection of Black American Photographs"],"ead_ssi":"763de249ff7d9b630424e493","unitdate_ssm":["Circa 1850-1950"],"unitdate_inclusive_ssm":["Circa 1850-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.17","/repositories/2/resources/168"],"text":["AARLCC.2021.17","/repositories/2/resources/168","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera","The Love-Thornell Collection of Black American Photographs is open for research.","The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.","Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"","The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. ","View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.","The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.17","/repositories/2/resources/168"],"normalized_date_ssm":["Circa 1850-1950"],"normalized_title_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_title_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Jaquelyn Love-Thornell donated the materials to AARLCC Special Collections on November 15, 2021 (Accession AARLCC-2021.17)."],"access_subjects_ssim":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"access_subjects_ssm":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"extent_tesim":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"genreform_ssim":["Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Love-Thornell Collection of Black American Photographs is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.\u003c/p\u003e\n","\u003cp\u003eChildren and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families."],"bioghist_html_tesm":["\u003cp\u003eJacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.\u003c/p\u003e\n","\u003cp\u003eJacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.\u003c/p\u003e\n","\u003cp\u003eShe began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\""],"prefercite_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e","\u003cp\u003eDescription of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. "],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll35/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=LOT\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_de6dc5e4b9d9f08f198955e26761d69d"}},{"id":"fed50d47ce16a4f24338bcb4_aspace_00e07beaef7c2b857fbb670fed6e2a48","type":"Item","attributes":{"title":"Woman Holding Baby in a Progress Village Home","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fed50d47ce16a4f24338bcb4_aspace_00e07beaef7c2b857fbb670fed6e2a48#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_00e07beaef7c2b857fbb670fed6e2a48","ref_ssm":["aspace_00e07beaef7c2b857fbb670fed6e2a48","aspace_00e07beaef7c2b857fbb670fed6e2a48"],"id":"fed50d47ce16a4f24338bcb4_aspace_00e07beaef7c2b857fbb670fed6e2a48","title_filing_ssi":"Woman Holding Baby in a Progress Village Home","title_ssm":["Woman Holding Baby in a Progress Village Home"],"title_tesim":["Woman Holding Baby in a Progress Village Home"],"normalized_title_ssm":["Woman Holding Baby in a Progress Village Home"],"text":["Woman Holding Baby in a Progress Village Home","Progress Village Records, 1957-1977","Assorted Materials","Box 3","Slides","/repositories/2/archival_objects/200244"],"component_level_isim":[4],"parent_ids_ssim":["fed50d47ce16a4f24338bcb4","fed50d47ce16a4f24338bcb4_aspace_10504","fed50d47ce16a4f24338bcb4_aspace_10505","fed50d47ce16a4f24338bcb4_aspace_10516"],"parent_unittitles_ssm":["Progress Village Records, 1957-1977","Assorted Materials","Box 3","Slides"],"parent_unittitles_tesim":["Progress Village Records, 1957-1977","Assorted Materials","Box 3","Slides"],"parent_levels_ssm":["collection","Series","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/200244"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Progress Village Records, 1957-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":118,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#5/components#0/components#11/components#40","_nest_parent_":"fed50d47ce16a4f24338bcb4_aspace_10516","_root_":"fed50d47ce16a4f24338bcb4","_version_":1874576837913346048,"timestamp":"2026-08-26T09:16:24.444Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fed50d47ce16a4f24338bcb4","title_ssm":["Progress Village Records"],"title_tesim":["Progress Village Records"],"ead_ssi":"fed50d47ce16a4f24338bcb4","unitdate_ssm":["1957-1977"],"unitdate_inclusive_ssm":["1957-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2009-09","/repositories/2/resources/537"],"text":["MS-2009-09","/repositories/2/resources/537","Progress Village Records, 1957-1977","African Americans -- Housing","Community development -- Florida","African Americans -- Florida -- Tampa -- History","Alphabetically within series.","In the late 1950s, the Progress Village community was established to provide affordable housing for members of Hillsborough County, Florida's African American population. Developed as a \"model community\" that would offset major displacements caused by redevelopment in predominantly black neighborhoods, Progress Village grew under the leadership of such prominent, local leaders as C. Blythe Andrews, Cody Fowler, James Hargrett, Sr., and Perry Harvey, Sr., who – along with others – composed the original Board of Trustees for Progress Village, Inc.  More than fifty years later, Progress Village still stands as a viable example of public enterprise and cooperative neighborhood development.","published","processed","The Civil Rights Papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Materials related to community development, infrastructure, site plans, reports, and legal files are included in this collection.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of historic materials related to the Progress Village community, which was established in the 1950s to provide affordable housing for members of Hillsborough County's African American population.","USF Libraries - Tampa Special Collections","Progress Village, Inc.","Fowler, Cody, 1892-1978","English"],"unitid_tesim":["MS-2009-09","/repositories/2/resources/537"],"normalized_date_ssm":["1957-1977"],"normalized_title_ssm":["Progress Village Records, 1957-1977"],"collection_title_tesim":["Progress Village Records, 1957-1977"],"collection_ssim":["Progress Village Records, 1957-1977"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Fowler, Cody, 1892-1978"],"creator_ssim":["Fowler, Cody, 1892-1978"],"creator_persname_ssim":["Fowler, Cody, 1892-1978"],"creators_ssim":["Fowler, Cody, 1892-1978"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Received in conjunction with Cody Fowler's papers on the Tampa Bi-Racial Committee, which currently comprise a portion of The Civil Rights Papers of Cody Fowler and Steven Lawson.","Donation."],"access_subjects_ssim":["African Americans -- Housing","Community development -- Florida","African Americans -- Florida -- Tampa -- History"],"access_subjects_ssm":["African Americans -- Housing","Community development -- Florida","African Americans -- Florida -- Tampa -- History"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet","3  boxes"],"extent_tesim":["1.25 Linear Feet","3  boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eAlphabetically within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically within series."],"bioghist_html_tesm":["\u003cp\u003eIn the late 1950s, the Progress Village community was established to provide affordable housing for members of Hillsborough County, Florida's African American population. Developed as a \"model community\" that would offset major displacements caused by redevelopment in predominantly black neighborhoods, Progress Village grew under the leadership of such prominent, local leaders as C. Blythe Andrews, Cody Fowler, James Hargrett, Sr., and Perry Harvey, Sr., who \u0026#x2013; along with others \u0026#x2013; composed the original Board of Trustees for Progress Village, Inc.  More than fifty years later, Progress Village still stands as a viable example of public enterprise and cooperative neighborhood development.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In the late 1950s, the Progress Village community was established to provide affordable housing for members of Hillsborough County, Florida's African American population. Developed as a \"model community\" that would offset major displacements caused by redevelopment in predominantly black neighborhoods, Progress Village grew under the leadership of such prominent, local leaders as C. Blythe Andrews, Cody Fowler, James Hargrett, Sr., and Perry Harvey, Sr., who – along with others – composed the original Board of Trustees for Progress Village, Inc.  More than fifty years later, Progress Village still stands as a viable example of public enterprise and cooperative neighborhood development."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eProgress Village records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Progress Village records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Civil Rights Papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Civil Rights Papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to community development, infrastructure, site plans, reports, and legal files are included in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to community development, infrastructure, site plans, reports, and legal files are included in this collection."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_48c43409ea1ed4a5c3462dccb1317d3c\" label=\"Abstract\"\u003eThis collection consists of historic materials related to the Progress Village community, which was established in the 1950s to provide affordable housing for members of Hillsborough County's African American population.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of historic materials related to the Progress Village community, which was established in the 1950s to provide affordable housing for members of Hillsborough County's African American population."],"names_coll_ssim":["Progress Village, Inc.","Fowler, Cody, 1892-1978"],"names_ssim":["USF Libraries - Tampa Special Collections","Progress Village, Inc.","Fowler, Cody, 1892-1978"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Progress Village, Inc."],"persname_ssim":["Fowler, Cody, 1892-1978"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":163,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874576837913346048,"_root_":"fed50d47ce16a4f24338bcb4","timestamp":"2026-08-26T09:16:24.444Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fed50d47ce16a4f24338bcb4_aspace_00e07beaef7c2b857fbb670fed6e2a48"}},{"id":"763de249ff7d9b630424e493_aspace_3e075f5d6febb34ffaaba7529876bd95","type":"Item","attributes":{"title":"Woman holding baby. NO 71 1/2 West Bay Street Jacksonville, Fla. Carte de visite #380, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_3e075f5d6febb34ffaaba7529876bd95#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3e075f5d6febb34ffaaba7529876bd95","ref_ssm":["aspace_3e075f5d6febb34ffaaba7529876bd95","aspace_3e075f5d6febb34ffaaba7529876bd95"],"id":"763de249ff7d9b630424e493_aspace_3e075f5d6febb34ffaaba7529876bd95","title_filing_ssi":"Woman holding baby. NO 71 1/2 West Bay Street Jacksonville, Fla. Carte de visite #380","title_ssm":["Woman holding baby. NO 71 1/2 West Bay Street Jacksonville, Fla. Carte de visite #380"],"title_tesim":["Woman holding baby. NO 71 1/2 West Bay Street Jacksonville, Fla. Carte de visite #380"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Woman holding baby. NO 71 1/2 West Bay Street Jacksonville, Fla. Carte de visite #380, Undated"],"text":["Woman holding baby. NO 71 1/2 West Bay Street Jacksonville, Fla. Carte de visite #380, Undated","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families","/repositories/2/archival_objects/6901","box 25"],"component_level_isim":[2],"parent_ids_ssim":["763de249ff7d9b630424e493","763de249ff7d9b630424e493_aspace_acb689989cbc6d5b9a27e48d4327b0d6"],"parent_unittitles_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families"],"parent_unittitles_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950","Photographs of Couples and Families"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/6901"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1231,"parent_access_restrict_tesm":["The Love-Thornell Collection of Black American Photographs is open for research."],"containers_ssim":["box 25"],"_nest_path_":"/components#3/components#27","_nest_parent_":"763de249ff7d9b630424e493_aspace_acb689989cbc6d5b9a27e48d4327b0d6","_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"763de249ff7d9b630424e493","title_filing_ssi":"Love-Thornell Collection of Black American Photographs","title_ssm":["Love-Thornell Collection of Black American Photographs"],"title_tesim":["Love-Thornell Collection of Black American Photographs"],"ead_ssi":"763de249ff7d9b630424e493","unitdate_ssm":["Circa 1850-1950"],"unitdate_inclusive_ssm":["Circa 1850-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.17","/repositories/2/resources/168"],"text":["AARLCC.2021.17","/repositories/2/resources/168","Love-Thornell Collection of Black American Photographs, Circa 1850-1950","African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera","The Love-Thornell Collection of Black American Photographs is open for research.","The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.","Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"","The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. ","View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.","The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.17","/repositories/2/resources/168"],"normalized_date_ssm":["Circa 1850-1950"],"normalized_title_ssm":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_title_tesim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"collection_ssim":["Love-Thornell Collection of Black American Photographs, Circa 1850-1950"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Jaquelyn Love-Thornell donated the materials to AARLCC Special Collections on November 15, 2021 (Accession AARLCC-2021.17)."],"access_subjects_ssim":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"access_subjects_ssm":["African American women","African American men","African American children","Families","Cabinet photographs","Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"extent_tesim":["43 Boxes","39 Photograph Binder Boxes","1 Hollinger Box","2 Oversize Print Boxes","1 Box (irregular size)","13 Books"],"genreform_ssim":["Group portraits","Photographs","Tintypes","Stereographs","Postcards","Daguerreotypes","Correspondence","School yearbooks","Ephemera"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Love-Thornell Collection of Black American Photographs is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.\u003c/p\u003e\n","\u003cp\u003eChildren and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into eleven series: Series I. Photographs of Women, Series II. Photographs of Men, Series III. Photographs of Children, Series IV. Photographs of Couples and Families, Series V. Photographs of Celebrities, Series VI. Sports, Series VII. Military, Series VIII. Groups, Series IX. Printed Materials, Series X. Correspondence, and Series XI. Audio Visual Materials.","Children and Edcuation are a subseries of Series III. Photographs of Children, and Scrapbooks and Photo Albums are a sub-series of Series IV. Photographs of Couples and Families."],"bioghist_html_tesm":["\u003cp\u003eJacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.\u003c/p\u003e\n","\u003cp\u003eJacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.\u003c/p\u003e\n","\u003cp\u003eShe began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jacquelyn \"Jacqui\" Love Thornell was born on April 27, 1948 in the Liberty City neighborhood of Miami, Florida to parents Minnie Tysdale Love and Wyatt Love. Jacqui moved to Newark, New Jersey in the 7th grade and attended Trent State University after graduating from high school. She earned a Bachelor of Arts degree in Early Childhood Education with minors in Math and Psychology. She worked as a teacher in a charter school in Massachusetts. She met and married her husband, Kwasi Thornell during graduate school. They have three daughters. Dr. Kwasi Thornell is a retired minister of the Presbyterian Church.","Jacqui worked as an assistant to the publisher for the Washington Post and the Miami Herald. She later became the Head of the Human Resources department at the Miami Herald. Jacqui left her position due to her health. For fifteen years, she collected memorabilia and photographs of African Americans from the mid-nineteenth century to the mid-twentieth century.","She began collecting photographs because, in her words, \"I wanted to see photographs of everyday Black people. Because I knew that there were a lot of Black people going to work everyday and going to church and thriving, but we don't see a lot of those pictures. So I decided that I was going to focus on everyday people... The more I looked the more I found, and the more I found the more I bought.\""],"prefercite_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Love-Thornell Collection of Black American Photographs, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e","\u003cp\u003eDescription of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Love-Thornell Collection of Black American Photographs received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Description of the items rely on an inventory provided by Jacqui Love-Thornell which includes description and item numbers for each photograph from 1-776. Gaps witihin this range reflect items not received by Broward County Library Special Collections. Items numbered after 776 were provided description by Broward County Library Special Collections staff. "],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll35/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Love-Thornell Collection of Black American Photographs in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Love-Thornell Collection of Black American Photographs contains over 1300 photographs including cabinet cards, tintypes, daguerreotypes, ambrotypes, stereotypes, cartes de visite and postcards documenting Black American life from the mid-nineteenth to mid-twentieth century. Jaquelyn Love-Thornell collected the photographs over a 15-year period."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=LOT\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"LOT\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"763de249ff7d9b630424e493","timestamp":"2026-04-23T01:31:38.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/763de249ff7d9b630424e493_aspace_3e075f5d6febb34ffaaba7529876bd95"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=list"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 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00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=list"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=list"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=list"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=list"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?facet.sort=count\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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