{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64603\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64602\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=64604\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65767\u0026view=compact"},"meta":{"pages":{"current_page":64603,"next_page":64604,"prev_page":64602,"total_pages":65767,"limit_value":10,"offset_value":646020,"total_count":657665,"first_page?":false,"last_page?":false}},"data":[{"id":"5c664f35ba84cce3023f6a62_aspace_97d43cf59a7443d4a36c7399a146d314","type":"File","attributes":{"title":"Will the Real King Tut Please Rise?, 2006","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_97d43cf59a7443d4a36c7399a146d314#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_97d43cf59a7443d4a36c7399a146d314","ref_ssm":["aspace_97d43cf59a7443d4a36c7399a146d314","aspace_97d43cf59a7443d4a36c7399a146d314"],"id":"5c664f35ba84cce3023f6a62_aspace_97d43cf59a7443d4a36c7399a146d314","title_filing_ssi":"Will the Real King Tut Please Rise?","title_ssm":["Will the Real King Tut Please Rise?"],"title_tesim":["Will the Real King Tut Please Rise?"],"unitdate_inclusive_ssm":["2006"],"normalized_date_ssm":["2006"],"normalized_title_ssm":["Will the Real King Tut Please Rise?, 2006"],"text":["Will the Real King Tut Please Rise?, 2006","Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Published","/repositories/2/archival_objects/28402","box 11","folder 11"],"component_level_isim":[3],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_b5365ab1884eb615bb19cd586fd94d24","5c664f35ba84cce3023f6a62_aspace_0813c586219663aac6faa7dabcb1a4ca"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Published"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Published"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/28402"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":385,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[2006],"containers_ssim":["box 11","folder 11"],"_nest_path_":"/components#3/components#0/components#46","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_0813c586219663aac6faa7dabcb1a4ca","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_97d43cf59a7443d4a36c7399a146d314"}},{"id":"cca5a1d5a68332202957d1b9_aspace_154702","type":"File","attributes":{"title":"Will There Be a Morning?, February 1983","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cca5a1d5a68332202957d1b9_aspace_154702#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_154702","ref_ssm":["aspace_154702","aspace_154702"],"id":"cca5a1d5a68332202957d1b9_aspace_154702","title_filing_ssi":"Will There Be a Morning?","title_ssm":["Will There Be a Morning?"],"title_tesim":["Will There Be a Morning?"],"unitdate_other_ssim":["February 1983"],"normalized_date_ssm":["February 1983"],"normalized_title_ssm":["Will There Be a Morning?, February 1983"],"text":["Will There Be a Morning?, February 1983","Dr. Thomas William Hoffer Papers, 1920-2005","Professional Papers, 1965-2005","Research Files, 1925-2001","Folder 12","/repositories/10/archival_objects/71148","box 277","folder 12"],"component_level_isim":[3],"parent_ids_ssim":["cca5a1d5a68332202957d1b9","cca5a1d5a68332202957d1b9_aspace_152112","cca5a1d5a68332202957d1b9_aspace_153915"],"parent_unittitles_ssm":["Dr. Thomas William Hoffer Papers, 1920-2005","Professional Papers, 1965-2005","Research Files, 1925-2001"],"parent_unittitles_tesim":["Dr. Thomas William Hoffer Papers, 1920-2005","Professional Papers, 1965-2005","Research Files, 1925-2001"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 12","/repositories/10/archival_objects/71148"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Dr. Thomas William Hoffer Papers, 1920-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2305,"parent_access_restrict_tesm":["Collection is open to all researchers. ","Boxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 182-397 may be accessed at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 277","folder 12"],"_nest_path_":"/components#0/components#2/components#768","_nest_parent_":"cca5a1d5a68332202957d1b9_aspace_153915","_root_":"cca5a1d5a68332202957d1b9","_version_":1870859149381730304,"timestamp":"2026-07-16T08:25:20.261Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cca5a1d5a68332202957d1b9","title_ssm":["Dr. Thomas William Hoffer Papers"],"title_tesim":["Dr. Thomas William Hoffer Papers"],"ead_ssi":"cca5a1d5a68332202957d1b9","unitdate_ssm":["1920-2005"],"unitdate_inclusive_ssm":["1920-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2008-024","/repositories/10/resources/623"],"text":["MSS 2008-024","/repositories/10/resources/623","Dr. Thomas William Hoffer Papers, 1920-2005","Apalachicola (Fla.)","Franklin County (Fla.)","Bibliography","Animation","Broadcasting.","Campaign speeches","Cancer--Treatment.","Censorship.","Copyright.","Digital media.","Mass media.","Motion picture industry.","Obscenity (Law)","Pirate radio broadcasting","Political analysis","Political campaigns","Political parties.","Religion and politics","Radio broadcasting--United States--History","Motion picture plays.","Television authorship","Television--Production and direction","United States. Federal Communications Commission.","Vietnam War, 1961-1975","Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books","Collection is open to all researchers. ","Boxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 182-397 may be accessed at the Claude Pepper Library.","Dr. Thomas William Hoffer was born on May 31, 1938, in Toledo, Iowa, the son of Martin H. and Margaret K. (Plum) Hoffer. Hoffer attended Toledo High School, graduating in 1955. Later that year, he enrolled at the State University of Iowa, where he earned his B.A. in 1960. Following his college graduation, Hoffer briefly worked at WITI-TV, a Milwaukee, WI television station, from 1960 to 1961.\n In 1961, Hoffer enrolled in Officer Candidate School in Newport, RI. Later year, he was stationed at the US Naval Base at Yokosuka Bay, Japan. Hoffer served on the USS Bon Homme Richard, nicknamed the \"Bonnie Dick.\" On board, Hoffer served in the Communications Department from 1961 to 1963; he also became part of the newly re-structured US Naval Communications State at Yokosuka. He was promoted to Lieutenant (junior grade), served in the Pacific from 1961 until 1964, and retired from active duty in order to enroll at the University of Wisconsin, Madison (Hoffer remained in the Naval Reserves for several more years). His service during that time included an assignment in Vietnam. He received the Vietnam Service Medal and the Republic of Vietnam Campaign Medal, and was honorably discharged at the rank of Lieutenant Commander.  Hoffer retired from active duty in 1964, but remained a member of the US Naval Reserve Program, assigned to the Ninth Naval District in Great Lakes, Illinois. He served two weeks of active duty in 1968 aboard the USS Wright, while still in graduate school at the University of Wisconsin, as a Radio-Television Officer and was eventually promoted to Lieutenant Commander and Supply Officer.\n Hoffer attended the University of Wisconsin in 1964, where he earned a Masters Degree in Speech Communication in 1969. His M.A. thesis was \"Norman Baker and American Broadcasting.\" Hoffer continued his doctoral studies at the University of Wisconsin, focusing on film and mass communication. He majored in Communication Arts, and minored in Journalism. Hoffer completed his doctorate in 1972. From 1972 until his retirement in 1996, Hoffer was a professor in the Department of Communication at Florida State University (FSU). He was particularly interested in mass media, photojournalism, and documentary film, and taught classes in documentary film making before the establishment of the FSU Film School. When he retired in 1996, he became the founding publisher of The Franklin Chronicle, a local newspaper distributed in Franklin, Gulf, and Wakulla counties. He died in Tallahassee on December 9, 2006.","Portions of collection available online?: No","Processed by Claude Pepper Library staff, Summer 2009-Fall 2010.","Thomas William Hoffer. (1969). Norman Baker and American Broadcasting (thesis).  https://search.library.wisc.edu/catalog/999822730802121","Hoffer Florida Primary collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.","Wilkinson Collection on Thomas Hoffer, MSS 2021-004, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2021-004","Selected issues of the  Franklin County Chronicle  and  Franklin Chronicle  are accessible through the University of Florida Digital Collections:","Franklin County Chronicle , 1992-1996:","http://ufdc.ufl.edu/UF00089927","Franklin Chronicle , 1994-2008:","http://ufdc.ufl.edu/UF00089928","The Thomas William Hoffer Papers consists of a wide variety of personal and professional materials created and collected by this prolific and creative educator. Personal papers are organized into correspondence with friends and colleagues, research files for his Norman Baker M.A. Thesis and Vietnam dissertation, materials related to the operations of the Franklin County Chronicle, family files, and military activities.\n Professional files are organized into correspondence and subject files, parts of which give researchers particular insight into film studies at FSU before the establishment of the university's film school; professional writings, particularly materials used in developing his animation publication, teaching materials on documentary film making, research files, and student files. There is an extensive collection of audiocassettes and videotapes documenting his teaching and research activities as an instructor at Florida State University, and recordings of speakers at various events and meetings of the Franklin County Commission on such topics as aquaculture and other environmental issues that impacted the growth of Franklin County, FL.\n \tWithin his teaching materials are a large set of card index files to Variety and Motion Picture World his students compiled as a project to study the history of film making in the United States.","Select materials from the Hoffer Papers have been digitized and are available through the  FSU Digital Library .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Professional and personal files of Dr. Thomas William Hoffer, documenting his prolific and creative activities in animation studies, broadcasting, communication education, and documentary production.","FSU Special Collections \u0026 Archives","American Medical Association","Hoffer, Thomas William, 1938-2006","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James","English"],"unitid_tesim":["MSS 2008-024","/repositories/10/resources/623"],"normalized_date_ssm":["1920-2005"],"normalized_title_ssm":["Dr. Thomas William Hoffer Papers, 1920-2005"],"collection_title_tesim":["Dr. Thomas William Hoffer Papers, 1920-2005"],"collection_ssim":["Dr. Thomas William Hoffer Papers, 1920-2005"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Apalachicola (Fla.)","Franklin County (Fla.)"],"geogname_ssim":["Apalachicola (Fla.)","Franklin County (Fla.)"],"creator_ssm":["Hoffer, Thomas William, 1938-2006"],"creator_ssim":["Hoffer, Thomas William, 1938-2006"],"creator_persname_ssim":["Hoffer, Thomas William, 1938-2006"],"creators_ssim":["Hoffer, Thomas William, 1938-2006"],"places_ssim":["Apalachicola (Fla.)","Franklin County (Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Hoffer Papers were acquired by Deed of Gift from Gary Heald and Richard Alan Nelson, Hoffer's executors."],"access_subjects_ssim":["Bibliography","Animation","Broadcasting.","Campaign speeches","Cancer--Treatment.","Censorship.","Copyright.","Digital media.","Mass media.","Motion picture industry.","Obscenity (Law)","Pirate radio broadcasting","Political analysis","Political campaigns","Political parties.","Religion and politics","Radio broadcasting--United States--History","Motion picture plays.","Television authorship","Television--Production and direction","United States. Federal Communications Commission.","Vietnam War, 1961-1975","Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books"],"access_subjects_ssm":["Bibliography","Animation","Broadcasting.","Campaign speeches","Cancer--Treatment.","Censorship.","Copyright.","Digital media.","Mass media.","Motion picture industry.","Obscenity (Law)","Pirate radio broadcasting","Political analysis","Political campaigns","Political parties.","Religion and politics","Radio broadcasting--United States--History","Motion picture plays.","Television authorship","Television--Production and direction","United States. Federal Communications Commission.","Vietnam War, 1961-1975","Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books"],"has_online_content_ssim":["false"],"extent_ssm":["172.00 Linear Feet"],"extent_tesim":["172.00 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Manuscripts","Correspondence","Books"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eBoxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e\n","\u003cp\u003eBoxes 182-397 may be accessed at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. ","Boxes 1-181 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 182-397 may be accessed at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eDr. Thomas William Hoffer was born on May 31, 1938, in Toledo, Iowa, the son of Martin H. and Margaret K. (Plum) Hoffer. Hoffer attended Toledo High School, graduating in 1955. Later that year, he enrolled at the State University of Iowa, where he earned his B.A. in 1960. Following his college graduation, Hoffer briefly worked at WITI-TV, a Milwaukee, WI television station, from 1960 to 1961.\n\u003cbr\u003e\u003cbr\u003eIn 1961, Hoffer enrolled in Officer Candidate School in Newport, RI. Later year, he was stationed at the US Naval Base at Yokosuka Bay, Japan. Hoffer served on the USS Bon Homme Richard, nicknamed the \"Bonnie Dick.\" On board, Hoffer served in the Communications Department from 1961 to 1963; he also became part of the newly re-structured US Naval Communications State at Yokosuka. He was promoted to Lieutenant (junior grade), served in the Pacific from 1961 until 1964, and retired from active duty in order to enroll at the University of Wisconsin, Madison (Hoffer remained in the Naval Reserves for several more years). His service during that time included an assignment in Vietnam. He received the Vietnam Service Medal and the Republic of Vietnam Campaign Medal, and was honorably discharged at the rank of Lieutenant Commander. \u003cbr\u003e\u003cbr\u003eHoffer retired from active duty in 1964, but remained a member of the US Naval Reserve Program, assigned to the Ninth Naval District in Great Lakes, Illinois. He served two weeks of active duty in 1968 aboard the USS Wright, while still in graduate school at the University of Wisconsin, as a Radio-Television Officer and was eventually promoted to Lieutenant Commander and Supply Officer.\n\u003cbr\u003e\u003cbr\u003eHoffer attended the University of Wisconsin in 1964, where he earned a Masters Degree in Speech Communication in 1969. His M.A. thesis was \"Norman Baker and American Broadcasting.\" Hoffer continued his doctoral studies at the University of Wisconsin, focusing on film and mass communication. He majored in Communication Arts, and minored in Journalism. Hoffer completed his doctorate in 1972. From 1972 until his retirement in 1996, Hoffer was a professor in the Department of Communication at Florida State University (FSU). He was particularly interested in mass media, photojournalism, and documentary film, and taught classes in documentary film making before the establishment of the FSU Film School. When he retired in 1996, he became the founding publisher of The Franklin Chronicle, a local newspaper distributed in Franklin, Gulf, and Wakulla counties. He died in Tallahassee on December 9, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Thomas William Hoffer was born on May 31, 1938, in Toledo, Iowa, the son of Martin H. and Margaret K. (Plum) Hoffer. Hoffer attended Toledo High School, graduating in 1955. Later that year, he enrolled at the State University of Iowa, where he earned his B.A. in 1960. Following his college graduation, Hoffer briefly worked at WITI-TV, a Milwaukee, WI television station, from 1960 to 1961.\n In 1961, Hoffer enrolled in Officer Candidate School in Newport, RI. Later year, he was stationed at the US Naval Base at Yokosuka Bay, Japan. Hoffer served on the USS Bon Homme Richard, nicknamed the \"Bonnie Dick.\" On board, Hoffer served in the Communications Department from 1961 to 1963; he also became part of the newly re-structured US Naval Communications State at Yokosuka. He was promoted to Lieutenant (junior grade), served in the Pacific from 1961 until 1964, and retired from active duty in order to enroll at the University of Wisconsin, Madison (Hoffer remained in the Naval Reserves for several more years). His service during that time included an assignment in Vietnam. He received the Vietnam Service Medal and the Republic of Vietnam Campaign Medal, and was honorably discharged at the rank of Lieutenant Commander.  Hoffer retired from active duty in 1964, but remained a member of the US Naval Reserve Program, assigned to the Ninth Naval District in Great Lakes, Illinois. He served two weeks of active duty in 1968 aboard the USS Wright, while still in graduate school at the University of Wisconsin, as a Radio-Television Officer and was eventually promoted to Lieutenant Commander and Supply Officer.\n Hoffer attended the University of Wisconsin in 1964, where he earned a Masters Degree in Speech Communication in 1969. His M.A. thesis was \"Norman Baker and American Broadcasting.\" Hoffer continued his doctoral studies at the University of Wisconsin, focusing on film and mass communication. He majored in Communication Arts, and minored in Journalism. Hoffer completed his doctorate in 1972. From 1972 until his retirement in 1996, Hoffer was a professor in the Department of Communication at Florida State University (FSU). He was particularly interested in mass media, photojournalism, and documentary film, and taught classes in documentary film making before the establishment of the FSU Film School. When he retired in 1996, he became the founding publisher of The Franklin Chronicle, a local newspaper distributed in Franklin, Gulf, and Wakulla counties. He died in Tallahassee on December 9, 2006."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Thomas William Hoffer Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2008-024\"\u003ehttp://purl.fcla.edu/fsu/MSS_2008-024\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Thomas William Hoffer Papers, Claude Pepper Library, Florida State University Libraries, Tallahassee, Florida.","http://purl.fcla.edu/fsu/MSS_2008-024"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Claude Pepper Library staff, Summer 2009-Fall 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Claude Pepper Library staff, Summer 2009-Fall 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas William Hoffer. (1969). Norman Baker and American Broadcasting (thesis). \u003cextref href=\"https://search.library.wisc.edu/catalog/999822730802121\"\u003ehttps://search.library.wisc.edu/catalog/999822730802121\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHoffer Florida Primary collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\u003c/p\u003e\n","\u003cp\u003eWilkinson Collection on Thomas Hoffer, MSS 2021-004, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"https://purl.lib.fsu.edu/fa/MSS_2021-004\"\u003ehttps://purl.lib.fsu.edu/fa/MSS_2021-004\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eSelected issues of the \u003cemph render=\"underline\"\u003eFranklin County Chronicle\u003c/emph\u003e and \u003cemph render=\"underline\"\u003eFranklin Chronicle\u003c/emph\u003e are accessible through the University of Florida Digital Collections:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eFranklin County Chronicle\u003c/emph\u003e, 1992-1996:\u003c/p\u003e\n","\u003cp\u003ehttp://ufdc.ufl.edu/UF00089927\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003eFranklin Chronicle\u003c/emph\u003e, 1994-2008:\u003c/p\u003e\n","\u003cp\u003ehttp://ufdc.ufl.edu/UF00089928\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas William Hoffer. (1969). Norman Baker and American Broadcasting (thesis).  https://search.library.wisc.edu/catalog/999822730802121","Hoffer Florida Primary collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.","Wilkinson Collection on Thomas Hoffer, MSS 2021-004, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  https://purl.lib.fsu.edu/fa/MSS_2021-004","Selected issues of the  Franklin County Chronicle  and  Franklin Chronicle  are accessible through the University of Florida Digital Collections:","Franklin County Chronicle , 1992-1996:","http://ufdc.ufl.edu/UF00089927","Franklin Chronicle , 1994-2008:","http://ufdc.ufl.edu/UF00089928"],"scopecontent_html_tesm":["\u003cp\u003eThe Thomas William Hoffer Papers consists of a wide variety of personal and professional materials created and collected by this prolific and creative educator. Personal papers are organized into correspondence with friends and colleagues, research files for his Norman Baker M.A. Thesis and Vietnam dissertation, materials related to the operations of the Franklin County Chronicle, family files, and military activities.\n\u003cbr\u003e\u003cbr\u003eProfessional files are organized into correspondence and subject files, parts of which give researchers particular insight into film studies at FSU before the establishment of the university's film school; professional writings, particularly materials used in developing his animation publication, teaching materials on documentary film making, research files, and student files. There is an extensive collection of audiocassettes and videotapes documenting his teaching and research activities as an instructor at Florida State University, and recordings of speakers at various events and meetings of the Franklin County Commission on such topics as aquaculture and other environmental issues that impacted the growth of Franklin County, FL.\n\u003cbr\u003e\u003cbr\u003e\tWithin his teaching materials are a large set of card index files to Variety and Motion Picture World his students compiled as a project to study the history of film making in the United States.\u003c/p\u003e","\u003cp\u003eSelect materials from the Hoffer Papers have been digitized and are available through the \u003cextref href=\"http://diginole.lib.fsu.edu/islandora/object/fsu:hofferpapers\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Thomas William Hoffer Papers consists of a wide variety of personal and professional materials created and collected by this prolific and creative educator. Personal papers are organized into correspondence with friends and colleagues, research files for his Norman Baker M.A. Thesis and Vietnam dissertation, materials related to the operations of the Franklin County Chronicle, family files, and military activities.\n Professional files are organized into correspondence and subject files, parts of which give researchers particular insight into film studies at FSU before the establishment of the university's film school; professional writings, particularly materials used in developing his animation publication, teaching materials on documentary film making, research files, and student files. There is an extensive collection of audiocassettes and videotapes documenting his teaching and research activities as an instructor at Florida State University, and recordings of speakers at various events and meetings of the Franklin County Commission on such topics as aquaculture and other environmental issues that impacted the growth of Franklin County, FL.\n \tWithin his teaching materials are a large set of card index files to Variety and Motion Picture World his students compiled as a project to study the history of film making in the United States.","Select materials from the Hoffer Papers have been digitized and are available through the  FSU Digital Library ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_becb894e5adf9f80936757be088c9f12\" label=\"Abstract\"\u003eProfessional and personal files of Dr. Thomas William Hoffer, documenting his prolific and creative activities in animation studies, broadcasting, communication education, and documentary production.\u003c/abstract\u003e"],"abstract_tesim":["Professional and personal files of Dr. Thomas William Hoffer, documenting his prolific and creative activities in animation studies, broadcasting, communication education, and documentary production."],"names_coll_ssim":["American Medical Association","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James"],"names_ssim":["FSU Special Collections \u0026 Archives","American Medical Association","Hoffer, Thomas William, 1938-2006","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James"],"corpname_ssim":["FSU Special Collections \u0026 Archives","American Medical Association"],"persname_ssim":["Hoffer, Thomas William, 1938-2006","Armstrong, Garner Ted","Baker, Norman, 1882-1958","Hargis, Billy James, 1925-","Nelson, Richard Alan, 1947-","Roberts, Oral, 1918-2009","Wills, James"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3677,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859149381730304,"_root_":"cca5a1d5a68332202957d1b9","timestamp":"2026-07-16T08:25:20.261Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cca5a1d5a68332202957d1b9_aspace_154702"}},{"id":"de4a7c17fd45b45ec0532f39_aspace_281635408e140da39726ae19d2c8fe45","type":"File","attributes":{"title":"\"Will There be a Renaissance or Destruction?\" by Peter Demens 1905","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/de4a7c17fd45b45ec0532f39_aspace_281635408e140da39726ae19d2c8fe45#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_281635408e140da39726ae19d2c8fe45","ref_ssm":["aspace_281635408e140da39726ae19d2c8fe45","aspace_281635408e140da39726ae19d2c8fe45"],"id":"de4a7c17fd45b45ec0532f39_aspace_281635408e140da39726ae19d2c8fe45","title_filing_ssi":"\"Will There be a Renaissance or Destruction?\" by Peter Demens 1905","title_ssm":["\"Will There be a Renaissance or Destruction?\" by Peter Demens 1905"],"title_tesim":["\"Will There be a Renaissance or Destruction?\" by Peter Demens 1905"],"normalized_title_ssm":["\"Will There be a Renaissance or Destruction?\" by Peter Demens 1905"],"text":["\"Will There be a Renaissance or Destruction?\" by Peter Demens 1905","Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005","Publications and scholarship","/repositories/3/archival_objects/216433","box 2","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["de4a7c17fd45b45ec0532f39","de4a7c17fd45b45ec0532f39_aspace_7dc4e6bccb0e407358807f1468edf9d8"],"parent_unittitles_ssm":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005","Publications and scholarship"],"parent_unittitles_tesim":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005","Publications and scholarship"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/216433"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":12,"parent_access_restrict_tesm":["None"],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 2","folder 11"],"_nest_path_":"/components#0/components#10","_nest_parent_":"de4a7c17fd45b45ec0532f39_aspace_7dc4e6bccb0e407358807f1468edf9d8","_root_":"de4a7c17fd45b45ec0532f39","timestamp":"2026-04-24T03:10:47.290Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"de4a7c17fd45b45ec0532f39","title_ssm":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia)"],"title_tesim":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia)"],"ead_ssi":"de4a7c17fd45b45ec0532f39","unitdate_ssm":["1890-2005"],"unitdate_bulk_ssim":["1890-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2016-004","/repositories/3/resources/761"],"text":["SP-MS-2016-004","/repositories/3/resources/761","Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005","St. Petersburg (Fla.) ","St. Petersburg (Fla.)  -- Maps","Russia","Railroads -- Florida","Clippings (Books, newspapers, etc.)","Museum exhibits","Cities and towns -- Florida","Genealogy.","None","Dr. William (Bill) Parsons has been studying Peter Demens and the histories of the two St. Petersburgs and their interactions for many years. He became interested in these topics in 1966 when he first arrived in St. Petersburg, Florida, to teach Russian History at Florida Presbyterian College (now Eckerd College).  At Eckerd College, Dr. Parsons taught a course called \"The History of the Two St. Petersburgs\" beginning in the spring of 1988 when the city celebrated its \"first\" centennial in Florida.","Contents of Peter Demens and the St. Petersburg, Florida and Russia collection has the following series: publications and scholarship, Demens family, St. Petersburg, FL research, exhibits and events, Sobchak photographs, media, ephemera, oversized materials, and books.","The collection also contains monographs donated by Dr. Parsons that are available on the USF Libraries catalog.  Click here to view the monographs in the William (Bill) and Vivian Parsons Collection of the Two St. Petersburgs.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection focuses on Peter Demens, the founder of St. Petersburg, Florida, and the relations between the two sister cities of St. Petersburg in Florida and Russia since 1966.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","English Russian"],"unitid_tesim":["SP-MS-2016-004","/repositories/3/resources/761"],"normalized_date_ssm":["bulk 1890-2005"],"normalized_title_ssm":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005"],"collection_title_tesim":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005"],"collection_ssim":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), bulk 1890-2005"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["St. Petersburg (Fla.) ","St. Petersburg (Fla.)  -- Maps","Russia"],"geogname_ssim":["St. Petersburg (Fla.) ","St. Petersburg (Fla.)  -- Maps","Russia"],"places_ssim":["St. Petersburg (Fla.) ","St. Petersburg (Fla.)  -- Maps","Russia"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Bill Parsons donated collection in 2016."],"access_subjects_ssim":["Railroads -- Florida","Clippings (Books, newspapers, etc.)","Museum exhibits","Cities and towns -- Florida","Genealogy."],"access_subjects_ssm":["Railroads -- Florida","Clippings (Books, newspapers, etc.)","Museum exhibits","Cities and towns -- Florida","Genealogy."],"has_online_content_ssim":["false"],"extent_ssm":["14 boxes"],"extent_tesim":["14 boxes"],"genreform_ssim":["Genealogy."],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None"],"bioghist_html_tesm":["\u003cp\u003eDr. William (Bill) Parsons has been studying Peter Demens and the histories of the two St. Petersburgs and their interactions for many years. He became interested in these topics in 1966 when he first arrived in St. Petersburg, Florida, to teach Russian History at Florida Presbyterian College (now Eckerd College).  At Eckerd College, Dr. Parsons taught a course called \"The History of the Two St. Petersburgs\" beginning in the spring of 1988 when the city celebrated its \"first\" centennial in Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. William (Bill) Parsons has been studying Peter Demens and the histories of the two St. Petersburgs and their interactions for many years. He became interested in these topics in 1966 when he first arrived in St. Petersburg, Florida, to teach Russian History at Florida Presbyterian College (now Eckerd College).  At Eckerd College, Dr. Parsons taught a course called \"The History of the Two St. Petersburgs\" beginning in the spring of 1988 when the city celebrated its \"first\" centennial in Florida."],"prefercite_html_tesm":["\u003cp\u003eParsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Parsons collection of Peter Demens and the two St. Petersburgs (Florida and Russia), Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eContents of Peter Demens and the St. Petersburg, Florida and Russia collection has the following series: publications and scholarship, Demens family, St. Petersburg, FL research, exhibits and events, Sobchak photographs, media, ephemera, oversized materials, and books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contents of Peter Demens and the St. Petersburg, Florida and Russia collection has the following series: publications and scholarship, Demens family, St. Petersburg, FL research, exhibits and events, Sobchak photographs, media, ephemera, oversized materials, and books."],"separatedmaterial_html_tesm":["\u003cp\u003eThe collection also contains monographs donated by Dr. Parsons that are available on the USF Libraries catalog. \u003ca href=\"https://usf-flvc.primo.exlibrisgroup.com/discovery/search?query=lds53,exact,William%20(Bill)%20and%20Vivian%20Parsons%20Collection%20of%20the%20Two%20St.%20Petersburgs.\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01FALSC_USF:USF\u0026amp;mode=basic\u0026amp;offset=0\"\u003eClick here to view the monographs in the William (Bill) and Vivian Parsons Collection of the Two St. Petersburgs.\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The collection also contains monographs donated by Dr. Parsons that are available on the USF Libraries catalog.  Click here to view the monographs in the William (Bill) and Vivian Parsons Collection of the Two St. Petersburgs."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4cd9d8b8a71001d25d0d3e4d7ac4c96a\"\u003eCollection focuses on Peter Demens, the founder of St. Petersburg, Florida, and the relations between the two sister cities of St. Petersburg in Florida and Russia since 1966.\u003c/abstract\u003e"],"abstract_tesim":["Collection focuses on Peter Demens, the founder of St. Petersburg, Florida, and the relations between the two sister cities of St. Petersburg in Florida and Russia since 1966."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"language_ssim":["English Russian"],"total_component_count_is":134,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"de4a7c17fd45b45ec0532f39","timestamp":"2026-04-24T03:10:47.290Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/de4a7c17fd45b45ec0532f39_aspace_281635408e140da39726ae19d2c8fe45"}},{"id":"5c664f35ba84cce3023f6a62_aspace_4de154c504d71c3e4a79258cc38b77af","type":"File","attributes":{"title":"Will There be More Than the Illusion of Inclusion In the Academy of the Future?, 1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_4de154c504d71c3e4a79258cc38b77af#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4de154c504d71c3e4a79258cc38b77af","ref_ssm":["aspace_4de154c504d71c3e4a79258cc38b77af","aspace_4de154c504d71c3e4a79258cc38b77af"],"id":"5c664f35ba84cce3023f6a62_aspace_4de154c504d71c3e4a79258cc38b77af","title_filing_ssi":"Will There be More Than the Illusion of Inclusion In the Academy of the Future?","title_ssm":["Will There be More Than the Illusion of Inclusion In the Academy of the Future?"],"title_tesim":["Will There be More Than the Illusion of Inclusion In the Academy of the Future?"],"unitdate_inclusive_ssm":["1995"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["Will There be More Than the Illusion of Inclusion In the Academy of the Future?, 1995"],"text":["Will There be More Than the Illusion of Inclusion In the Academy of the Future?, 1995","Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","General Writings","/repositories/2/archival_objects/28633","box 28","folder 6"],"component_level_isim":[3],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_b5365ab1884eb615bb19cd586fd94d24","5c664f35ba84cce3023f6a62_aspace_02f037e5f86bf923c0fdb9c1a981d976"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","General Writings"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","General Writings"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/28633"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":616,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1995],"containers_ssim":["box 28","folder 6"],"_nest_path_":"/components#3/components#1/components#228","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_02f037e5f86bf923c0fdb9c1a981d976","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_4de154c504d71c3e4a79258cc38b77af"}},{"id":"085cdf111f574f3d1d8dd845_aspace_158022","type":"Item","attributes":{"title":"Will There Ever Be Enough Hours in the Day for All the Bitching I Have to Do?, 2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_158022#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eAssorted writings about self, life, experiences, and growing up.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_158022#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_158022","ref_ssm":["aspace_158022","aspace_158022"],"id":"085cdf111f574f3d1d8dd845_aspace_158022","title_filing_ssi":"Will There Ever Be Enough Hours in the Day for All the Bitching I Have to Do?","title_ssm":["Will There Ever Be Enough Hours in the Day for All the Bitching I Have to Do?"],"title_tesim":["Will There Ever Be Enough Hours in the Day for All the Bitching I Have to Do?"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["Will There Ever Be Enough Hours in the Day for All the Bitching I Have to Do?, 2002"],"text":["Will There Ever Be Enough Hours in the Day for All the Bitching I Have to Do?, 2002","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, T-Y","Item 28","/repositories/2/archival_objects/9069","Assorted writings about self, life, experiences, and growing up.","[Lynette Koh, auth.]","Singapore"],"component_level_isim":[2],"parent_ids_ssim":["085cdf111f574f3d1d8dd845","085cdf111f574f3d1d8dd845_aspace_157997"],"parent_unittitles_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, T-Y"],"parent_unittitles_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, T-Y"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 28","/repositories/2/archival_objects/9069"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":273,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eAssorted writings about self, life, experiences, and growing up.\u003c/p\u003e","\u003cp\u003e[Lynette Koh, auth.]\u003c/p\u003e","\u003cp\u003eSingapore\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Assorted writings about self, life, experiences, and growing up.","[Lynette Koh, auth.]","Singapore"],"_nest_path_":"/components#8/components#27","_nest_parent_":"085cdf111f574f3d1d8dd845_aspace_157997","_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"085cdf111f574f3d1d8dd845","title_ssm":["Tampa Zine Fest Public Library"],"title_tesim":["Tampa Zine Fest Public Library"],"ead_ssi":"085cdf111f574f3d1d8dd845","unitdate_ssm":["1980-2016","Date acquired: 00/00/2017"],"unitdate_inclusive_ssm":["1980-2016"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-08","/repositories/2/resources/47"],"text":["MS-2017-08","/repositories/2/resources/47","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines","Accrual integrated 2026-02; CC","The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.","Processed","The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.","USF Libraries - Tampa Special Collections","Bloom, Philip","English"],"unitid_tesim":["MS-2017-08","/repositories/2/resources/47"],"normalized_date_ssm":["1980-2016, Date acquired: 00/00/2017"],"normalized_title_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_title_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bloom, Philip"],"creator_ssim":["Bloom, Philip"],"creator_persname_ssim":["Bloom, Philip"],"creators_ssim":["Bloom, Philip"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Philip Bloom","Donation."],"access_subjects_ssim":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"access_subjects_ssm":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","18 boxes"],"extent_tesim":["6.00 Linear Feet","18 boxes"],"genreform_ssim":["Zines","LGBTQ+ zines"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accruals_html_tesm":["\u003cp\u003eAccrual integrated 2026-02; CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual integrated 2026-02; CC"],"arrangement_html_tesm":["\u003cp\u003eThe zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine."],"prefercite_html_tesm":["\u003cp\u003eTampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThe majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.\u003c/p\u003e\n","\u003cp\u003eThis finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_330acc9f5dfb8f75036aa56087852cfe\" label=\"Abstract\"\u003eZine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.\u003c/abstract\u003e"],"abstract_tesim":["Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest."],"names_ssim":["USF Libraries - Tampa Special Collections","Bloom, Philip"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bloom, Philip"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":739,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_158022"}},{"id":"272e0ee1994c210ad3695a1a_aspace_68091","type":"File","attributes":{"title":"Will the South Dissolve the Union, 1856","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/272e0ee1994c210ad3695a1a_aspace_68091#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePamphlet containing an address by George M. Weston about Slavery and the South leaving the Union\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/272e0ee1994c210ad3695a1a_aspace_68091#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_68091","ref_ssm":["aspace_68091","aspace_68091"],"id":"272e0ee1994c210ad3695a1a_aspace_68091","title_filing_ssi":"Will the South Dissolve the Union","title_ssm":["Will the South Dissolve the Union"],"title_tesim":["Will the South Dissolve the Union"],"unitdate_other_ssim":["1856"],"normalized_date_ssm":["1856"],"normalized_title_ssm":["Will the South Dissolve the Union, 1856"],"text":["Will the South Dissolve the Union, 1856","Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983","Weiner Pamphlets--Essays \u0026 Reports","Folder 2","/repositories/2/archival_objects/51185","box 12","folder 2","Pamphlet containing an address by George M. Weston about Slavery and the South leaving the Union"],"component_level_isim":[2],"parent_ids_ssim":["272e0ee1994c210ad3695a1a","272e0ee1994c210ad3695a1a_aspace_67765"],"parent_unittitles_ssm":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983","Weiner Pamphlets--Essays \u0026 Reports"],"parent_unittitles_tesim":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983","Weiner Pamphlets--Essays \u0026 Reports"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 2","/repositories/2/archival_objects/51185"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":317,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 12","folder 2"],"scopecontent_html_tesm":["\u003cp\u003ePamphlet containing an address by George M. Weston about Slavery and the South leaving the Union\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Pamphlet containing an address by George M. Weston about Slavery and the South leaving the Union"],"_nest_path_":"/components#0/components#315","_nest_parent_":"272e0ee1994c210ad3695a1a_aspace_67765","_root_":"272e0ee1994c210ad3695a1a","timestamp":"2026-07-08T02:01:00.118Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"272e0ee1994c210ad3695a1a","title_ssm":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports"],"title_tesim":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports"],"ead_ssi":"272e0ee1994c210ad3695a1a","unitdate_ssm":["1745-1983"],"unitdate_inclusive_ssm":["1745-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPCW0010","/repositories/2/resources/147"],"text":["SPCW0010","/repositories/2/resources/147","Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983","Weiner","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","Annaleah Morse updated this collection in 2015. In 2013-2014 Teresa Van Dyke, Rick Cullen, Kate Dahlstrand, Victoria Thur, and Dakota Merchant processed this collection.","The Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents. The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, and letters covering the years 1745 through 1983.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPCW0010","/repositories/2/resources/147"],"normalized_date_ssm":["1745-1983"],"normalized_title_ssm":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983"],"collection_title_tesim":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983"],"collection_ssim":["Marvin and Sybil Weiner Spirit of America Collection Pamphlets -- Essays \u0026 Reports, 1745-1983"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Weiner"],"access_subjects_ssm":["Weiner"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 Linear Feet","22 document boxes other_unmapped"],"extent_tesim":["12.00 Linear Feet","22 document boxes other_unmapped"],"date_range_isim":[1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eAnnaleah Morse updated this collection in 2015. In 2013-2014 Teresa Van Dyke, Rick Cullen, Kate Dahlstrand, Victoria Thur, and Dakota Merchant processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Annaleah Morse updated this collection in 2015. In 2013-2014 Teresa Van Dyke, Rick Cullen, Kate Dahlstrand, Victoria Thur, and Dakota Merchant processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents. The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. Included are Congressional reports and speeches, and letters covering the years 1745 through 1983.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents. The pamphlets in this collection cover the Civil War Era as well as the pre and post war years. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":659,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"272e0ee1994c210ad3695a1a","timestamp":"2026-07-08T02:01:00.118Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/272e0ee1994c210ad3695a1a_aspace_68091"}},{"id":"c535959967939890c4a30b27_aspace_71fcc4b5c89ac446e93247f8d934ed59","type":"Item","attributes":{"title":"Will, Thomas E. \u0026 Will, Lawrence E.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c535959967939890c4a30b27_aspace_71fcc4b5c89ac446e93247f8d934ed59#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71fcc4b5c89ac446e93247f8d934ed59","ref_ssm":["aspace_71fcc4b5c89ac446e93247f8d934ed59","aspace_71fcc4b5c89ac446e93247f8d934ed59"],"id":"c535959967939890c4a30b27_aspace_71fcc4b5c89ac446e93247f8d934ed59","title_filing_ssi":"Will, Thomas E. \u0026 Will, Lawrence E. ","title_ssm":["Will, Thomas E. \u0026 Will, Lawrence E. "],"title_tesim":["Will, Thomas E. \u0026 Will, Lawrence E. "],"normalized_title_ssm":["Will, Thomas E. \u0026 Will, Lawrence E."],"text":["Will, Thomas E. \u0026 Will, Lawrence E.","Vertical files, 1900-2005","Biographical Index","W","/repositories/2/archival_objects/197600"],"component_level_isim":[3],"parent_ids_ssim":["c535959967939890c4a30b27","c535959967939890c4a30b27_aspace_e24dde343949547256f92be295beae4d","c535959967939890c4a30b27_aspace_3923f361ecf2aafd7d77b8f119e14d80"],"parent_unittitles_ssm":["Vertical files, 1900-2005","Biographical Index","W"],"parent_unittitles_tesim":["Vertical files, 1900-2005","Biographical Index","W"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/197600"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Vertical files, 1900-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4767,"parent_access_terms_tesm":["None.  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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. These files may contain feature length articles or obituary notices.","USF Libraries - Tampa Special Collections","Tampa Tribune (1895-2016) (Tampa, Fla.)","Florida Audubon Society","Greater Tampa Chamber of Commerce","Florida. 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Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b751902f9471baf1c338df56dba5bba1\"\u003eThe biographical vertical files consist of articles from local publications including, but not limited to, the following: La Gaceta, The Tampa Tribune, The St. Petersburg Times and the Miami Herald. 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These pieces were central components of the exhibition, POLITICAL PANDEMONIUM Presidential Pop Culture From 2008 Through 2020 that ran from October 1, 2020 - January 15, 2021 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":181,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d570293c5aa1e29ef024f756","timestamp":"2026-04-21T17:35:09.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d570293c5aa1e29ef024f756_aspace_0b549aad72cc0193a38e3e4c75e5ed2a"}},{"id":"18ce43a3c782b797db9fa781_aspace_178088","type":"Item","attributes":{"title":"Will with \"Jersey\"","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178088#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178088#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178088","ref_ssm":["aspace_178088","aspace_178088"],"id":"18ce43a3c782b797db9fa781_aspace_178088","title_filing_ssi":"Will with \"Jersey\"","title_ssm":["Will with \"Jersey\""],"title_tesim":["Will with \"Jersey\""],"normalized_title_ssm":["Will with \"Jersey\""],"text":["Will with \"Jersey\"","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford","St Hartford - Bolles Home","Item 14","/repositories/2/archival_objects/82372","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179823","18ce43a3c782b797db9fa781_aspace_178024"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford","St Hartford - Bolles Home"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Outdoor Scenes, Winter Scenes, Sunset Farm, St. Hartford","St Hartford - Bolles Home"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 14","/repositories/2/archival_objects/82372"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1017,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#20/components#3/components#13","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_178024","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178088"}},{"id":"1309a9d63f577afddf5ec714_aspace_111352","type":"Item","attributes":{"title":"Will Work For Passengers, November 18, 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1309a9d63f577afddf5ec714_aspace_111352#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_111352","ref_ssm":["aspace_111352","aspace_111352"],"id":"1309a9d63f577afddf5ec714_aspace_111352","title_filing_ssi":"Will Work For Passengers","title_ssm":["Will Work For Passengers"],"title_tesim":["Will Work For Passengers"],"unitdate_other_ssim":["November 18, 2002"],"normalized_date_ssm":["November 18, 2002"],"normalized_title_ssm":["Will Work For Passengers, November 18, 2002"],"text":["Will Work For Passengers, November 18, 2002","Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons I","Item 66","/repositories/2/archival_objects/112776","usfldc:H59-00135"],"component_level_isim":[3],"parent_ids_ssim":["1309a9d63f577afddf5ec714","1309a9d63f577afddf5ec714_aspace_123466","1309a9d63f577afddf5ec714_aspace_110515"],"parent_unittitles_ssm":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons I"],"parent_unittitles_tesim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Code Red Cartoons","Code Red Cartoons I"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Item 66","/repositories/2/archival_objects/112776"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":68,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_9a6a3be6a5f991ecbe7197b1e1f32458\"\u003eusfldc:H59-00135\u003c/materialspec\u003e"],"materialspec_tesim":["usfldc:H59-00135"],"_nest_path_":"/components#0/components#0/components#65","_nest_parent_":"1309a9d63f577afddf5ec714_aspace_110515","_root_":"1309a9d63f577afddf5ec714","_version_":1870863200756432896,"timestamp":"2026-07-16T09:29:44.067Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1309a9d63f577afddf5ec714","title_ssm":["Ed Hall editorial cartoon collection"],"title_tesim":["Ed Hall editorial cartoon collection"],"ead_ssi":"1309a9d63f577afddf5ec714","unitdate_ssm":["1996-2006","Date acquired: 12/00/2012"],"unitdate_inclusive_ssm":["1996-2006"],"unitdate_other_ssim":["Date acquired: 12/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["H59","/repositories/2/resources/494"],"text":["H59","/repositories/2/resources/494","Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012","Florida -- Politics and government","Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons","Series Two added March 2014.","Original order maintained. Order corresponds with cartoon numbering in the publications  Code Red  and  Diversions.","Born in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.  While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.  After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.  He has also won the Florida Press Club Award four times (2003 \u0026 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.","Ed is the owner of  Design Alternatives , a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.","Ed's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.  Through Artizans, Ed's cartoons appear weekly in newspapers across North America.","In 2003, Hall published his first book of oolitical cartoons entitled,  Code Red – Editorial Cartoons by Ed Hall.   His second collection entitled  Diversions and other Political Observations  was published in 2006.  His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"","Hall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.  He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.  Other recent awards include best of show in  Behind the Mask, Inside the Head  a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for  Figures of the Millenium , a St. Augustine Art Association show held in 1999.","Hall is represented in Florida by The Corse Gallery \u0026 Atelier.  His work is also held in the permanent collection of the St. Augustine Art Association.","Hall resides in Jacksonville with his wife Emmy.","published","This collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled  Code Red—Editorial Cartoons  and his 2006 book entitled  Diversions . These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection.","\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Hall, Ed","English"],"unitid_tesim":["H59","/repositories/2/resources/494"],"normalized_date_ssm":["1996-2006, Date acquired: 12/00/2012"],"normalized_title_ssm":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"collection_title_tesim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"collection_ssim":["Ed Hall editorial cartoon collection, 1996-2006, Date acquired: 12/00/2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government"],"geogname_ssim":["Florida -- Politics and government"],"creator_ssm":["Hall, Ed"],"creator_ssim":["Hall, Ed"],"creator_persname_ssim":["Hall, Ed"],"creators_ssim":["Hall, Ed"],"places_ssim":["Florida -- Politics and government"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Ed Hall","Donation"],"access_subjects_ssim":["Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons"],"access_subjects_ssm":["Caricatures and cartoons -- United States","Artists -- Florida","Political cartoons"],"has_online_content_ssim":["false"],"extent_ssm":["6.62 Linear Feet","4 boxes"],"extent_tesim":["6.62 Linear Feet","4 boxes"],"genreform_ssim":["Political cartoons"],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accruals_html_tesm":["\u003cp\u003eSeries Two added March 2014.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Series Two added March 2014."],"arrangement_html_tesm":["\u003cp\u003eOriginal order maintained. Order corresponds with cartoon numbering in the publications \u003cemph render=\"italic\"\u003eCode Red\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eDiversions.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Original order maintained. Order corresponds with cartoon numbering in the publications  Code Red  and  Diversions."],"bioghist_html_tesm":["\u003cp\u003eBorn in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.\u0026#xA0; While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.\u0026#xA0; After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.\u0026#xA0; He has also won the Florida Press Club Award four times (2003 \u0026amp; 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.\u003c/p\u003e\n","\u003cp\u003eEd is the owner of \u003cemph render=\"italic\"\u003eDesign Alternatives\u003c/emph\u003e, a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.\u003c/p\u003e\n","\u003cp\u003eEd's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.\u0026#xA0; Through Artizans, Ed's cartoons appear weekly in newspapers across North America.\u003c/p\u003e\n","\u003cp\u003eIn 2003, Hall published his first book of oolitical cartoons entitled, \u003cemph render=\"italic\"\u003eCode Red \u0026#x2013; Editorial Cartoons by Ed Hall.\u0026#xA0; \u003c/emph\u003eHis second collection entitled \u003cemph render=\"italic\"\u003eDiversions and other Political Observations\u003c/emph\u003e was published in 2006.\u0026#xA0; His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"\u003c/p\u003e\n","\u003cp\u003eHall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.\u0026#xA0; He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.\u0026#xA0; Other recent awards include best of show in \u003cemph render=\"bold\"\u003e\u003cemph render=\"italic\"\u003eBehind the Mask, Inside the Head\u003c/emph\u003e\u003c/emph\u003e a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for \u003cemph render=\"bold\"\u003e\u003cemph render=\"italic\"\u003eFigures of the Millenium\u003c/emph\u003e\u003c/emph\u003e, a St. Augustine Art Association show held in 1999.\u003c/p\u003e\n","\u003cp\u003eHall is represented in Florida by The Corse Gallery \u0026amp; Atelier.\u0026#xA0; His work is also held in the permanent collection of the St. Augustine Art Association.\u003c/p\u003e\n","\u003cp\u003eHall resides in Jacksonville with his wife Emmy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Born in Jacksonville, Florida, Ed Hall received his B.D. in Graphic Design, and his M.F.A. in Painting from the University of Florida.  While in college he did political cartoons and illustrations for The Florida Independent Alligator, UF's school newspaper.  After college, Hall worked for several weekly publications in and around Jacksonville, and finally settled at The Baker County Press in Macclenny (just outside of Jacksonville) where he continues to work as the weekly cartoonist. Over the last 12 years, Hall has won 9 Florida Press Awards, 3 Newsmaker Awards, and numerous fine art awards in national and international competitions. In 2003, Ed was presented the 53rd Annual Green Eyeshade Award for weekly cartoons by The Society of Professional Journalists.  He has also won the Florida Press Club Award four times (2003 \u0026 2006, 2008 and 2012), competing with cartoonists from newspapers with up to 75,000 in circulation.","Ed is the owner of  Design Alternatives , a home-based residential design service. He has also been an adjunct professor of drawing at Flagler College in St. Augustine and The University of North Florida, Jacksonville.","Ed's cartoons and political illustrations have been featured in The Washington Post, The Los Angeles Times, The Tallahassee Democrat, The New York Time's Scope Magazine and on CNN Headline News. In 2003 he was asked to join Artizans, a Canadian based syndicate.  Through Artizans, Ed's cartoons appear weekly in newspapers across North America.","In 2003, Hall published his first book of oolitical cartoons entitled,  Code Red – Editorial Cartoons by Ed Hall.   His second collection entitled  Diversions and other Political Observations  was published in 2006.  His cartoons are also consistently featured in Charles Brook's \"Best Editorial Cartoons of the Year.\"","Hall's art work has been displayed both regionally and nationally; most recently at the American University Museum in Washington DC, the Warhol Museum in Pittsburgh, Pennsylvania, the Fowler Gallery in Provincetown, Massachusetts, and the Laredo Center for the Arts in Laredo, Texas.  He was also awarded a one-person show at the Reddi-arts Gallery in Jacksonville, Florida.  Other recent awards include best of show in  Behind the Mask, Inside the Head  a Jacksonville Coalition for the Visual Arts exhibition in 1997, and best of show for  Figures of the Millenium , a St. Augustine Art Association show held in 1999.","Hall is represented in Florida by The Corse Gallery \u0026 Atelier.  His work is also held in the permanent collection of the St. Augustine Art Association.","Hall resides in Jacksonville with his wife Emmy."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eEd Hall Editorial Cartoon Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ed Hall Editorial Cartoon Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled \u003cemph render=\"italic\"\u003eCode Red\u0026#x2014;Editorial Cartoons \u003c/emph\u003eand his 2006 book entitled \u003cemph render=\"italic\"\u003eDiversions\u003c/emph\u003e. These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains original cartoons by Baker Country Press and Artizans cartoonist Ed Hall from his 2003 book entitled  Code Red—Editorial Cartoons  and his 2006 book entitled  Diversions . These cartoons, which originally ran from 1996-2006, cover topics including Florida politics, national politics, popular culture and the war in Iraq. Select cartoons were not donated and are not part of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. It is located in box 23 of the Mahan Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["\"Lil Bin Ladens from Bombed Saddam\" was donated separately to the Mahan Collection of American Humor and Cartoon Art. 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