{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=282\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=281\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=283\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65773\u0026view=list"},"meta":{"pages":{"current_page":282,"next_page":283,"prev_page":281,"total_pages":65773,"limit_value":10,"offset_value":2810,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"c4b5143bd4fbeaf1b54b554c_aspace_1a6a8e5b43e27f793fbd6b0e85f21c51","type":"File","attributes":{"title":"16 th Annual Report, June 1975","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c4b5143bd4fbeaf1b54b554c_aspace_1a6a8e5b43e27f793fbd6b0e85f21c51#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1a6a8e5b43e27f793fbd6b0e85f21c51","ref_ssm":["aspace_1a6a8e5b43e27f793fbd6b0e85f21c51","aspace_1a6a8e5b43e27f793fbd6b0e85f21c51"],"id":"c4b5143bd4fbeaf1b54b554c_aspace_1a6a8e5b43e27f793fbd6b0e85f21c51","title_filing_ssi":"16 th Annual Report, June 1975","title_ssm":["16 th Annual Report, June 1975"],"title_tesim":["16 th Annual Report, June 1975"],"normalized_title_ssm":["16 th Annual Report, June 1975"],"text":["16 th Annual Report, June 1975","The Florida Citrus Reporter Collection, 1974-2005, 2009-2015","Box 3","Annual Reports","/repositories/3/archival_objects/11508","folder 14"],"component_level_isim":[3],"parent_ids_ssim":["c4b5143bd4fbeaf1b54b554c","c4b5143bd4fbeaf1b54b554c_aspace_a0ff44a8b27c07d54bfe5ceaf7a0fb0b","c4b5143bd4fbeaf1b54b554c_aspace_6464d7bde3323189ce72defc4bb73b2d"],"parent_unittitles_ssm":["The Florida Citrus Reporter Collection, 1974-2005, 2009-2015","Box 3","Annual Reports"],"parent_unittitles_tesim":["The Florida Citrus Reporter Collection, 1974-2005, 2009-2015","Box 3","Annual Reports"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["/repositories/3/archival_objects/11508"],"repository_ssim":["Thomas B. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The Florida Citrus Reporter was an independent citrus industry newsletter started by John D. \"Jack\" Gurnett on January 10, 1940. It provided an in-depth look at the industry and covered a range of topics including legislation, crop conditions, and scientific research relevant to the industry. In 1968, Gurnett's daughter Nancy Gurnett Hardy took over the role of Editor after his passing. Prior to her taking on the role, Gurnett Hardy had worked on the newsletter since the age of seven. During their respective times as Editor, both also wrote for other publications including local newspapers the Winter Haven News-Chief and Lakeland Ledger as well as industry publications such as The Produce News and Citrus Industry. In 1993, Jack Gurnett was posthumously inducted into the Florida Citrus Hall of Fame, and Nancy Gurnett Hardy was\ninducted in 2002. To date, they are the only father-daughter duo in the Hall of Fame. In 2002, Karen McEver took over the role of Editor shortly before Gurnett Hardy's death in 2003. McEver was a friend of Gurnett Hardy's and had joined the newsletter's writing staff in the 1980s.","The collection contains both originals and photocopies of bulletins. Originals bulletins are printed on goldenrod yellow paper.\nPlease note that Volume and Issue numbers reflect what is printed on the newsletter.","-Dates inside square brackets [MM/DD] indicate the publication date of an issue that\nshares the same issue number as another.","-In the 1970s, the Weekly Bulletin Volumes ran from the second week of January to the first week of January of the following year. Starting in 1980, however, the Weekly Bulletin volumes ran based on the calendar year (January through December). Furthermore, starting in 2002, the volume numbers appear to reflect the years since the newsletter's inception rather than the year ","For newsletters from 1966-1971, please see files 5, 9, and 10 in Box 109 of the James A.Haley Papers. ","This collection contains both the weekly bulletins published as well as the annual special reports published each year. 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Please inquire if you have questions at 863-680-4453."],"acqinfo_ssim":["The Florida Citrus Reporter newsletter collection was donated to the Thomas B. Mack Citrus Archives at an indeterminate time. The Thomas B. 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Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_67e52966332380db256a4ff546a85dcf"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_76b07f1f17ae13c59289dc4746cd9695","type":"Item","attributes":{"title":"16th Annual Tampa International Gay and Lesbian Film Festival, 2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_76b07f1f17ae13c59289dc4746cd9695#abstract_or_scope","type":"document_value","attributes":{"value":["Crowd in front of Tampa Theatre marquee."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_76b07f1f17ae13c59289dc4746cd9695#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_76b07f1f17ae13c59289dc4746cd9695","ref_ssm":["aspace_76b07f1f17ae13c59289dc4746cd9695","aspace_76b07f1f17ae13c59289dc4746cd9695"],"id":"ec0d65981df646e0f1a8b1b3_aspace_76b07f1f17ae13c59289dc4746cd9695","title_filing_ssi":"16th Annual Tampa International Gay and Lesbian Film Festival","title_ssm":["16th Annual Tampa International Gay and Lesbian Film Festival"],"title_tesim":["16th Annual Tampa International Gay and Lesbian Film Festival"],"unitdate_other_ssim":["2005"],"normalized_date_ssm":["2005"],"normalized_title_ssm":["16th Annual Tampa International Gay and Lesbian Film Festival, 2005"],"text":["16th Annual Tampa International Gay and Lesbian Film Festival, 2005","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics","/repositories/2/archival_objects/184663","box 8","object 5","Crowd in front of Tampa Theatre marquee."],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_dae1e1dff512474bf3a620267652982d"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184663"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":326,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2005],"containers_ssim":["box 8","object 5"],"abstract_html_tesm":["\u003cabstract id=\"aspace_51a621ae4ad71d0ea525b3975623ca99\"\u003eCrowd in front of Tampa Theatre marquee.\u003c/abstract\u003e"],"abstract_tesim":["Crowd in front of Tampa Theatre marquee."],"_nest_path_":"/components#7/components#4","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_dae1e1dff512474bf3a620267652982d","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_76b07f1f17ae13c59289dc4746cd9695"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_0686ddbdc56856e1ae7af1505ea88849","type":"Item","attributes":{"title":"16th Annual Tampa International Gay and Lesbian Film Festival, 2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_0686ddbdc56856e1ae7af1505ea88849#abstract_or_scope","type":"document_value","attributes":{"value":["Performers in front of Tampa Theatre marquee."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_0686ddbdc56856e1ae7af1505ea88849#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0686ddbdc56856e1ae7af1505ea88849","ref_ssm":["aspace_0686ddbdc56856e1ae7af1505ea88849","aspace_0686ddbdc56856e1ae7af1505ea88849"],"id":"ec0d65981df646e0f1a8b1b3_aspace_0686ddbdc56856e1ae7af1505ea88849","title_filing_ssi":"16th Annual Tampa International Gay and Lesbian Film Festival","title_ssm":["16th Annual Tampa International Gay and Lesbian Film Festival"],"title_tesim":["16th Annual Tampa International Gay and Lesbian Film Festival"],"unitdate_other_ssim":["2005"],"normalized_date_ssm":["2005"],"normalized_title_ssm":["16th Annual Tampa International Gay and Lesbian Film Festival, 2005"],"text":["16th Annual Tampa International Gay and Lesbian Film Festival, 2005","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics","/repositories/2/archival_objects/184664","box 8","object 6","Performers in front of Tampa Theatre marquee."],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_dae1e1dff512474bf3a620267652982d"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184664"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":327,"parent_access_terms_tesm":["None. 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Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  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This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. 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He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. 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Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. 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Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  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This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_b4029d7eb4dff03162f3480bd9adf398"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_72bd83a31387973f10190cdfc86892d9","type":"Item","attributes":{"title":"16th Annual Tampa International Gay and Lesbian Film Festival, October 6-16, 2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_72bd83a31387973f10190cdfc86892d9#abstract_or_scope","type":"document_value","attributes":{"value":["Historic Tampa Theatre, Sunrise Cinemas at Old Hyde Park Village. Presented by Simons \u0026amp; Leoni Home Loans, LLC. Sundance Channel, Alternative Yellow Pages (AYP), JP Morgan Chase, Weekly Planet, Tropicana, Tampa Bay Business Guild. 3 copies."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_72bd83a31387973f10190cdfc86892d9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72bd83a31387973f10190cdfc86892d9","ref_ssm":["aspace_72bd83a31387973f10190cdfc86892d9","aspace_72bd83a31387973f10190cdfc86892d9"],"id":"ec0d65981df646e0f1a8b1b3_aspace_72bd83a31387973f10190cdfc86892d9","title_filing_ssi":"16th Annual Tampa International Gay and Lesbian Film Festival","title_ssm":["16th Annual Tampa International Gay and Lesbian Film Festival"],"title_tesim":["16th Annual Tampa International Gay and Lesbian Film Festival"],"unitdate_inclusive_ssm":["October 6-16, 2005"],"normalized_date_ssm":["October 6-16, 2005"],"normalized_title_ssm":["16th Annual Tampa International Gay and Lesbian Film Festival, October 6-16, 2005"],"text":["16th Annual Tampa International Gay and Lesbian Film Festival, October 6-16, 2005","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Clippings, Photographs, Posters, Advertisements, Realia","Oversized Posters","/repositories/2/archival_objects/184623","box 7","folder 4","object 10","Historic Tampa Theatre, Sunrise Cinemas at Old Hyde Park Village. 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This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. 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This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_72bd83a31387973f10190cdfc86892d9"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_c80705133e945d44fa6e6a9de943d600","type":"File","attributes":{"title":"16th Annual Tampa International Gay \u0026 Lesbian Film Festival – Part 1, 2005","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_c80705133e945d44fa6e6a9de943d600#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c80705133e945d44fa6e6a9de943d600","ref_ssm":["aspace_c80705133e945d44fa6e6a9de943d600","aspace_c80705133e945d44fa6e6a9de943d600"],"id":"ec0d65981df646e0f1a8b1b3_aspace_c80705133e945d44fa6e6a9de943d600","title_filing_ssi":"16th Annual Tampa International Gay \u0026 Lesbian Film Festival – Part 1","title_ssm":["16th Annual Tampa International Gay \u0026 Lesbian Film Festival – Part 1"],"title_tesim":["16th Annual Tampa International Gay \u0026 Lesbian Film Festival – Part 1"],"unitdate_other_ssim":["2005"],"normalized_date_ssm":["2005"],"normalized_title_ssm":["16th Annual Tampa International Gay \u0026 Lesbian Film Festival – Part 1, 2005"],"text":["16th Annual Tampa International Gay \u0026 Lesbian Film Festival – Part 1, 2005","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part II","/repositories/2/archival_objects/184457","box 2","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_2fcfbbddfe064894c1f7e2be0f86abe2"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part II"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part II"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184457"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2005],"containers_ssim":["box 2","folder 1"],"_nest_path_":"/components#1/components#0","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_2fcfbbddfe064894c1f7e2be0f86abe2","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_c80705133e945d44fa6e6a9de943d600"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_53d3e795b2895b01dcc7f82c5168270d","type":"File","attributes":{"title":"16th Annual Tampa International Gay \u0026 Lesbian Film Festival – Part 2, 2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_53d3e795b2895b01dcc7f82c5168270d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes clippings, liability insurance paperwork, correspondence to donors and advertisers, calendar of events for the Metro Center, TIGLFF Summer Film Series flyers, TIGLFF Film FEASTival invitations, Plunge tickets, sponsorship program information, admission pass designs, admission passes, tickets to Fish Can't Fly performance, Palladium Summer Film series card, Olive Films promotional card, T-shirt design, and film advertisement cards. 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The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2005],"containers_ssim":["box 2","folder 2"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes clippings, liability insurance paperwork, correspondence to donors and advertisers, calendar of events for the Metro Center, TIGLFF Summer Film Series flyers, TIGLFF Film FEASTival invitations, Plunge tickets, sponsorship program information, admission pass designs, admission passes, tickets to Fish Can't Fly performance, Palladium Summer Film series card, Olive Films promotional card, T-shirt design, and film advertisement cards. Sources of clippings include Watermark, Tampa Bay Times, The Gazette, and The Times.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes clippings, liability insurance paperwork, correspondence to donors and advertisers, calendar of events for the Metro Center, TIGLFF Summer Film Series flyers, TIGLFF Film FEASTival invitations, Plunge tickets, sponsorship program information, admission pass designs, admission passes, tickets to Fish Can't Fly performance, Palladium Summer Film series card, Olive Films promotional card, T-shirt design, and film advertisement cards. Sources of clippings include Watermark, Tampa Bay Times, The Gazette, and The Times."],"_nest_path_":"/components#1/components#1","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_2fcfbbddfe064894c1f7e2be0f86abe2","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_53d3e795b2895b01dcc7f82c5168270d"}},{"id":"5c664f35ba84cce3023f6a62_aspace_f2c0d2824428072b5fdb3a4589fe21fb","type":"File","attributes":{"title":"16th Annual Women's Equality Day Luncheon Naval Air Engineering Center, 1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_f2c0d2824428072b5fdb3a4589fe21fb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f2c0d2824428072b5fdb3a4589fe21fb","ref_ssm":["aspace_f2c0d2824428072b5fdb3a4589fe21fb","aspace_f2c0d2824428072b5fdb3a4589fe21fb"],"id":"5c664f35ba84cce3023f6a62_aspace_f2c0d2824428072b5fdb3a4589fe21fb","title_filing_ssi":"16th Annual Women's Equality Day Luncheon Naval Air Engineering Center","title_ssm":["16th Annual Women's Equality Day Luncheon Naval Air Engineering Center"],"title_tesim":["16th Annual Women's Equality Day Luncheon Naval Air Engineering Center"],"unitdate_inclusive_ssm":["1991"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["16th Annual Women's Equality Day Luncheon Naval Air Engineering Center, 1991"],"text":["16th Annual Women's Equality Day Luncheon Naval Air Engineering Center, 1991","Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures","/repositories/2/archival_objects/28640","box 29","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_b5365ab1884eb615bb19cd586fd94d24","5c664f35ba84cce3023f6a62_aspace_5a1303dec2f1da6a46336f1e37d205e3"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/28640"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":623,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1991],"containers_ssim":["box 29","folder 1"],"_nest_path_":"/components#3/components#2/components#1","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_5a1303dec2f1da6a46336f1e37d205e3","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_f2c0d2824428072b5fdb3a4589fe21fb"}},{"id":"2d920f17dde733c1cf36099d_aspace_66972","type":"Item","attributes":{"title":"16th Bromeliad Society International World Conference: Chicago, My Kind of Town!, August, 11-15, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_66972#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66972","ref_ssm":["aspace_66972","aspace_66972"],"id":"2d920f17dde733c1cf36099d_aspace_66972","title_filing_ssi":"16th Bromeliad Society International World Conference: Chicago, My Kind of Town!","title_ssm":["16th Bromeliad Society International World Conference: Chicago, My Kind of Town!"],"title_tesim":["16th Bromeliad Society International World Conference: Chicago, My Kind of Town!"],"unitdate_other_ssim":["August, 11-15, 2004"],"normalized_date_ssm":["August, 11-15, 2004"],"normalized_title_ssm":["16th Bromeliad Society International World Conference: Chicago, My Kind of Town!, August, 11-15, 2004"],"text":["16th Bromeliad Society International World Conference: Chicago, My Kind of Town!, August, 11-15, 2004","Bromeliad Society International (BSI) Archive, 1911-2018","Additional Materials, 1911-2018, Undated","Accession no: CFM2016_06, 1946-2012, Undated","Records, 1946-2008, Undated","Conferences \u0026 Symposium, 1980-2008","Item 3","/repositories/4/archival_objects/17427","box 7","folder 2"],"component_level_isim":[5],"parent_ids_ssim":["2d920f17dde733c1cf36099d","2d920f17dde733c1cf36099d_aspace_58713","2d920f17dde733c1cf36099d_aspace_66956","2d920f17dde733c1cf36099d_aspace_66957","2d920f17dde733c1cf36099d_aspace_66959"],"parent_unittitles_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018","Additional Materials, 1911-2018, Undated","Accession no: CFM2016_06, 1946-2012, Undated","Records, 1946-2008, Undated","Conferences \u0026 Symposium, 1980-2008"],"parent_unittitles_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018","Additional Materials, 1911-2018, Undated","Accession no: CFM2016_06, 1946-2012, Undated","Records, 1946-2008, Undated","Conferences \u0026 Symposium, 1980-2008"],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 3","/repositories/4/archival_objects/17427"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1199,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 7","folder 2"],"_nest_path_":"/components#5/components#1/components#0/components#0/components#11","_nest_parent_":"2d920f17dde733c1cf36099d_aspace_66959","_root_":"2d920f17dde733c1cf36099d","_version_":1870858035398705152,"timestamp":"2026-07-16T08:07:37.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d920f17dde733c1cf36099d","title_ssm":["Bromeliad Society International (BSI) Archive"],"title_tesim":["Bromeliad Society International (BSI) Archive"],"ead_ssi":"2d920f17dde733c1cf36099d","unitdate_ssm":["1911-2018"],"unitdate_inclusive_ssm":["1911-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.097","/repositories/4/resources/78"],"text":["SC.097","/repositories/4/resources/78","Bromeliad Society International (BSI) Archive, 1911-2018","Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)","Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)","The entire collection is open for research.","For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\"","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.","The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies","Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.","UCF Special Collections","Bromeliad Society International","English"],"unitid_tesim":["SC.097","/repositories/4/resources/78"],"normalized_date_ssm":["1911-2018"],"normalized_title_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_title_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"geogname_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"places_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department acquired these materials from Jay Thurrott in 2014 (CFM2014_04). Additional materials were donated in 2015 (CFM2015_08), 2016 (CFM2016_06), 2018 (CFM2018_11) and 2022 (CFM2022_17)."],"access_subjects_ssim":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"access_subjects_ssm":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"extent_tesim":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"genreform_ssim":["Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eFor many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.\u003c/p\u003e\n","\u003cp\u003eOther adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.\u003c/p\u003e\n","\u003cp\u003eThe September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.\u003c/p\u003e\n","\u003cp\u003eThis meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.\u003c/p\u003e\n","\u003cp\u003eIn November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.\u003c/p\u003e\n","\u003cp\u003eIn the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.\u003c/p\u003e\n","\u003cp\u003eIn the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.\u003c/p\u003e\n","\u003cp\u003eList of past Bromeliad World Conferences:\u003c/p\u003e\n","\u003cp\u003e\n1972 Houston, Texas - First acknowledged Bromeliad Conference\u003c/p\u003e\n","\u003cp\u003e\n1975 25th Anniversary Celebration, Buena Park, California\u003c/p\u003e\n","\u003cp\u003e\n1977 New Orleans, Louisiana\u003c/p\u003e\n","\u003cp\u003e\n1980 Orlando, Florida - 30th Birthday celebration\u003c/p\u003e\n","\u003cp\u003e\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"\u003c/p\u003e\n","\u003cp\u003e\n1984 Los Angeles, California - \"Bromelympics\"\u003c/p\u003e\n","\u003cp\u003e\n1986 New Orleans, Louisiana - \"One Mo' Time\"\u003c/p\u003e\n","\u003cp\u003e\n1988 Miami, Florida - \"Miami Magic\"\u003c/p\u003e\n","\u003cp\u003e\n1990 Houston, Texas - Bromeliads in Space\"\u003c/p\u003e\n","\u003cp\u003e\n1992 Tampa, Florida - \"Bromeliad Safari\"\u003c/p\u003e\n","\u003cp\u003e\n1994 San Diego, California - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n1996 Orlando, Florida - \"Orlandiana '96\"\u003c/p\u003e\n","\u003cp\u003e\n1998 Houston, Texas - \"Bromeliad Roundup\"\u003c/p\u003e\n","\u003cp\u003e\n2000 San Francisco, California - \"50th Birthday Celebration\"\u003c/p\u003e\n","\u003cp\u003e\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"\u003c/p\u003e\n","\u003cp\u003e\n2004 Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003e\n2006 San Diego, California - \"Bromeliads on the Border\"\u003c/p\u003e\n","\u003cp\u003e\n2008 Cairns, Australia - \"Bromeliads Down Under\"\u003c/p\u003e\n","\u003cp\u003e\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"\u003c/p\u003e\n","\u003cp\u003e2012 Orlando, Florida - \"Orlandiana '12\"\u003c/p\u003e\n","\u003cp\u003e\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n2018 San Diego, California - \"Fiesta de las Bromelias\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\""],"prefercite_html_tesm":["\u003cp\u003eBromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eThe Michael A. Spencer Bromeliad Research Collection\u003c/extref\u003e. Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eThe Michael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e. Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e. These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e. Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn\u003c/extref\u003e. These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/new/\"\u003eBromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/bsi_info/affiliates/?bylocation\"\u003eAffiliated Societies of Bromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.fcbs.org\"\u003eFlorida Council of Affiliated Societies\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026amp; symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026amp; standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ae065e663a8566449eee07dbeca3db9\" label=\"Abstract\"\u003eThe Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.\u003c/abstract\u003e"],"abstract_tesim":["The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. 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