{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=1979\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=1978\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=1980\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.sort=count\u0026page=65767\u0026view=compact"},"meta":{"pages":{"current_page":1979,"next_page":1980,"prev_page":1978,"total_pages":65767,"limit_value":10,"offset_value":19780,"total_count":657669,"first_page?":false,"last_page?":false}},"data":[{"id":"619ed046271c6e7bc4229ab4_aspace_30667","type":"File","attributes":{"title":"A Black Oasis: Tuskegee Institute's Fight Against Infantile Paralysis, 1941-1975","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/619ed046271c6e7bc4229ab4_aspace_30667#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_30667","ref_ssm":["aspace_30667","aspace_30667"],"id":"619ed046271c6e7bc4229ab4_aspace_30667","title_filing_ssi":"A Black Oasis: Tuskegee Institute's Fight Against Infantile Paralysis, 1941-1975","title_ssm":["A Black Oasis: Tuskegee Institute's Fight Against Infantile Paralysis, 1941-1975"],"title_tesim":["A Black Oasis: Tuskegee Institute's Fight Against Infantile Paralysis, 1941-1975"],"normalized_title_ssm":["A Black Oasis: Tuskegee Institute's Fight Against Infantile Paralysis, 1941-1975"],"text":["A Black Oasis: Tuskegee Institute's Fight Against Infantile Paralysis, 1941-1975","Tucker Collection, 1941-1991","Box 33","Folder 4","/repositories/2/archival_objects/70554","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["619ed046271c6e7bc4229ab4","619ed046271c6e7bc4229ab4_aspace_30663"],"parent_unittitles_ssm":["Tucker Collection, 1941-1991","Box 33"],"parent_unittitles_tesim":["Tucker Collection, 1941-1991","Box 33"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 4","/repositories/2/archival_objects/70554"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Tucker Collection, 1941-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":341,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 4"],"_nest_path_":"/components#32/components#3","_nest_parent_":"619ed046271c6e7bc4229ab4_aspace_30663","_root_":"619ed046271c6e7bc4229ab4","_version_":1870844729867894784,"timestamp":"2026-07-16T04:36:08.856Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"619ed046271c6e7bc4229ab4","title_ssm":["Tucker Collection"],"title_tesim":["Tucker Collection"],"ead_ssi":"619ed046271c6e7bc4229ab4","unitdate_ssm":["1941-1991"],"unitdate_inclusive_ssm":["1941-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5005","/repositories/2/resources/92"],"text":["SPC5005","/repositories/2/resources/92","Tucker Collection, 1941-1991","The collection is open for research.","Professor Jan L. Tucker was among the first global educators nationally and internationally and was a former professor at Florida International University. She strived in presenting the students of South Florida a global perspective that what occurs in South Florida does not occur everywhere, and vice versa. The idea was the more her students knew about the world around them, the more they realized it's not as small.","This collection contains documentations such as audio files, legal documents, personal documents, and video documentations from Jan L. tucker depicting the global impact of the educational system based on different events and cultures. Such examples include comparison to the Chinese curriculum and relations within Iraq during the 1991 Gulf War and how the United States schools were adjusting, such as at Miami Edison Middle School. Additional content emphasizes on Global Awareness Programs (GAP) to help students of South Florida relate to the curriculum over schools on the international scale.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC5005","/repositories/2/resources/92"],"normalized_date_ssm":["1941-1991"],"normalized_title_ssm":["Tucker Collection, 1941-1991"],"collection_title_tesim":["Tucker Collection, 1941-1991"],"collection_ssim":["Tucker Collection, 1941-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"has_online_content_ssim":["false"],"extent_ssm":["34.00 boxes"],"extent_tesim":["34.00 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eProfessor Jan L. Tucker was among the first global educators nationally and internationally and was a former professor at Florida International University. She strived in presenting the students of South Florida a global perspective that what occurs in South Florida does not occur everywhere, and vice versa. The idea was the more her students knew about the world around them, the more they realized it's not as small.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Professor Jan L. Tucker was among the first global educators nationally and internationally and was a former professor at Florida International University. She strived in presenting the students of South Florida a global perspective that what occurs in South Florida does not occur everywhere, and vice versa. The idea was the more her students knew about the world around them, the more they realized it's not as small."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains documentations such as audio files, legal documents, personal documents, and video documentations from Jan L. tucker depicting the global impact of the educational system based on different events and cultures. Such examples include comparison to the Chinese curriculum and relations within Iraq during the 1991 Gulf War and how the United States schools were adjusting, such as at Miami Edison Middle School. Additional content emphasizes on Global Awareness Programs (GAP) to help students of South Florida relate to the curriculum over schools on the international scale.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains documentations such as audio files, legal documents, personal documents, and video documentations from Jan L. tucker depicting the global impact of the educational system based on different events and cultures. Such examples include comparison to the Chinese curriculum and relations within Iraq during the 1991 Gulf War and how the United States schools were adjusting, such as at Miami Edison Middle School. Additional content emphasizes on Global Awareness Programs (GAP) to help students of South Florida relate to the curriculum over schools on the international scale."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":351,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844729867894784,"_root_":"619ed046271c6e7bc4229ab4","timestamp":"2026-07-16T04:36:08.856Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/619ed046271c6e7bc4229ab4_aspace_30667"}},{"id":"5c664f35ba84cce3023f6a62_aspace_b0ec4903f34ea46ff6dd901fd1db3c76","type":"File","attributes":{"title":"A Black Perspective on Traditional African Lifestyles Interpersonal and Institutional Relationships in African Society, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_b0ec4903f34ea46ff6dd901fd1db3c76#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b0ec4903f34ea46ff6dd901fd1db3c76","ref_ssm":["aspace_b0ec4903f34ea46ff6dd901fd1db3c76","aspace_b0ec4903f34ea46ff6dd901fd1db3c76"],"id":"5c664f35ba84cce3023f6a62_aspace_b0ec4903f34ea46ff6dd901fd1db3c76","title_filing_ssi":"A Black Perspective on Traditional African Lifestyles Interpersonal and Institutional Relationships in African Society","title_ssm":["A Black Perspective on Traditional African Lifestyles Interpersonal and Institutional Relationships in African Society"],"title_tesim":["A Black Perspective on Traditional African Lifestyles Interpersonal and Institutional Relationships in African Society"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["A Black Perspective on Traditional African Lifestyles Interpersonal and Institutional Relationships in African Society, Undated"],"text":["A Black Perspective on Traditional African Lifestyles Interpersonal and Institutional Relationships in African Society, Undated","Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures","/repositories/2/archival_objects/28673","box 31","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_b5365ab1884eb615bb19cd586fd94d24","5c664f35ba84cce3023f6a62_aspace_5a1303dec2f1da6a46336f1e37d205e3"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by Niara Sudarkasa","Speeches and Lectures"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/28673"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":656,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"containers_ssim":["box 31","folder 2"],"_nest_path_":"/components#3/components#2/components#34","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_5a1303dec2f1da6a46336f1e37d205e3","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. 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Floyd Monk Collection, bulk 1826-1999","Box 5","Folder 4","/repositories/2/archival_objects/4477","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["3809a92600af476ee27dc057","3809a92600af476ee27dc057_aspace_68896"],"parent_unittitles_ssm":["J. Floyd Monk Collection, bulk 1826-1999","Box 5"],"parent_unittitles_tesim":["J. Floyd Monk Collection, bulk 1826-1999","Box 5"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 4","/repositories/2/archival_objects/4477"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["J. Floyd Monk Collection, bulk 1826-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":129,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 4"],"_nest_path_":"/components#4/components#3","_nest_parent_":"3809a92600af476ee27dc057_aspace_68896","_root_":"3809a92600af476ee27dc057","_version_":1870844519624212480,"timestamp":"2026-07-16T04:32:48.350Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3809a92600af476ee27dc057","title_ssm":["J. Floyd Monk Collection"],"title_tesim":["J. Floyd Monk Collection"],"ead_ssi":"3809a92600af476ee27dc057","unitdate_ssm":["1826-1999"],"unitdate_bulk_ssim":["1826-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5075","/repositories/2/resources/19"],"text":["SPC5075","/repositories/2/resources/19","J. Floyd Monk Collection, bulk 1826-1999","cedar Key (Fla)- Description and travels","Cedar Key (Fla)- History","Rosewood (Fla)- Race relations","Seminole War, 2nd, 1835-1842","This collection is open for research.","J. Floyd Monk was born in 1914 in Moultrie, Georgia. He was the youngest in a family of 13 children. Though all of his brothers (and a few of his sisters) went to college, the highest degree he earned was a High School diploma (as class valedictorian) in 1932. Floyd worked in Moultrie for a few years before moving to Miami, Florida in 1936. He took a job as a clerk for Florida National Bank. By the time he retired in the 1970's—after 42 years—he had ascended to Vice President of the bank. He died in September of 2004 at the age of 90. Monk's collection of books and papers were donated to FIU's Special Collections department in 2005.","Please note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive.","J. Floyd Monk began amassing his book collection in the 1930's and continued collecting throughout his life. He was especially interested in books on Florida history, geography and wildlife. Most of his books were purchased from the used book stores he frequently visited. A\t large portion of his Florida book collection was compiled as part of his research while writing the two books and several articles he authored. Although his books went unpublished, several of his articles were accepted for publication. The J. Floyd Monk papers are comprised of 4 boxes of research in Florida history and boxes of music sheets. Some of his frequently addressed topics include: The Seminole War, tourism in Florida, and the history of Cedar Key, one of Monk's special interests which also served as a vacation place for his family. The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). Included are the manuscripts of his scholarly articles and works of fiction.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004","English"],"unitid_tesim":["SPC5075","/repositories/2/resources/19"],"normalized_date_ssm":["bulk 1826-1999"],"normalized_title_ssm":["J. Floyd Monk Collection, bulk 1826-1999"],"collection_title_tesim":["J. Floyd Monk Collection, bulk 1826-1999"],"collection_ssim":["J. Floyd Monk Collection, bulk 1826-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["cedar Key (Fla)- Description and travels","Cedar Key (Fla)- History","Rosewood (Fla)- Race relations","Seminole War, 2nd, 1835-1842"],"access_subjects_ssm":["cedar Key (Fla)- Description and travels","Cedar Key (Fla)- History","Rosewood (Fla)- Race relations","Seminole War, 2nd, 1835-1842"],"has_online_content_ssim":["false"],"extent_ssm":["4.00 boxes"],"extent_tesim":["4.00 boxes"],"date_range_isim":[1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJ. Floyd Monk was born in 1914 in Moultrie, Georgia. He was the youngest in a family of 13 children. Though all of his brothers (and a few of his sisters) went to college, the highest degree he earned was a High School diploma (as class valedictorian) in 1932. Floyd worked in Moultrie for a few years before moving to Miami, Florida in 1936. He took a job as a clerk for Florida National Bank. By the time he retired in the 1970's\u0026#x2014;after 42 years\u0026#x2014;he had ascended to Vice President of the bank. He died in September of 2004 at the age of 90. Monk's collection of books and papers were donated to FIU's Special Collections department in 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["J. Floyd Monk was born in 1914 in Moultrie, Georgia. He was the youngest in a family of 13 children. Though all of his brothers (and a few of his sisters) went to college, the highest degree he earned was a High School diploma (as class valedictorian) in 1932. Floyd worked in Moultrie for a few years before moving to Miami, Florida in 1936. He took a job as a clerk for Florida National Bank. By the time he retired in the 1970's—after 42 years—he had ascended to Vice President of the bank. He died in September of 2004 at the age of 90. Monk's collection of books and papers were donated to FIU's Special Collections department in 2005."],"odd_html_tesm":["\u003cp\u003ePlease note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Please note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive."],"scopecontent_html_tesm":["\u003cp\u003eJ. Floyd Monk began amassing his book collection in the 1930's and continued collecting throughout his life. He was especially interested in books on Florida history, geography and wildlife. Most of his books were purchased from the used book stores he frequently visited. A\t large portion of his Florida book collection was compiled as part of his research while writing the two books and several articles he authored. Although his books went unpublished, several of his articles were accepted for publication. The J. Floyd Monk papers are comprised of 4 boxes of research in Florida history and boxes of music sheets. Some of his frequently addressed topics include: The Seminole War, tourism in Florida, and the history of Cedar Key, one of Monk's special interests which also served as a vacation place for his family. The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). 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The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). Included are the manuscripts of his scholarly articles and works of fiction."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_coll_ssim":["Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004"],"names_ssim":["FIU Special Collections","Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004"],"corpname_ssim":["FIU Special Collections","Eberhard Faber Pencil Company"],"persname_ssim":["Monk, J. Floyd, 1914-2004"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":348,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844519624212480,"_root_":"3809a92600af476ee27dc057","timestamp":"2026-07-16T04:32:48.350Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3809a92600af476ee27dc057_aspace_68901"}},{"id":"f8f446b15f81524e15fa326b_aspace_120366","type":"File","attributes":{"title":"Able, J. M.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_120366#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_120366","ref_ssm":["aspace_120366","aspace_120366"],"id":"f8f446b15f81524e15fa326b_aspace_120366","title_filing_ssi":"Able, J. M.","title_ssm":["Able, J. M."],"title_tesim":["Able, J. M."],"normalized_title_ssm":["Able, J. M."],"text":["Able, J. M.","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Clippings","Alphabetized","Folder 2","/repositories/10/archival_objects/8552","box 177","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_113500","f8f446b15f81524e15fa326b_aspace_113501"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Clippings","Alphabetized"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Clippings","Alphabetized"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 2","/repositories/10/archival_objects/8552"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7632,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_120366"}},{"id":"2326334e5e159c8d459e96a3_aspace_38200","type":"Item","attributes":{"title":"\"Able to leap tall buildings in a single bound....\", June 7, 1989.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38200#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38200","ref_ssm":["aspace_38200","aspace_38200"],"id":"2326334e5e159c8d459e96a3_aspace_38200","title_filing_ssi":"\"Able to leap tall buildings in a single bound....\"","title_ssm":["\"Able to leap tall buildings in a single bound....\""],"title_tesim":["\"Able to leap tall buildings in a single bound....\""],"unitdate_other_ssim":["June 7, 1989."],"normalized_date_ssm":["June 7, 1989."],"normalized_title_ssm":["\"Able to leap tall buildings in a single bound....\", June 7, 1989."],"text":["\"Able to leap tall buildings in a single bound....\", June 7, 1989.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings), 1989, Undated.","Item 33","/repositories/4/archival_objects/3316","box 10","folder 1"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38164","2326334e5e159c8d459e96a3_aspace_38165"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings), 1989, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Original Drawings), 1989, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 33","/repositories/4/archival_objects/3316"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1012,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 10","folder 1"],"_nest_path_":"/components#0/components#1/components#4/components#0/components#32","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38165","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38200"}},{"id":"2326334e5e159c8d459e96a3_aspace_38309","type":"Item","attributes":{"title":"\"Able to leap tall buildings in a single bound....\", \"Rrriip!\", December 16, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38309#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38309","ref_ssm":["aspace_38309","aspace_38309"],"id":"2326334e5e159c8d459e96a3_aspace_38309","title_filing_ssi":"\"Able to leap tall buildings in a single bound....\", \"Rrriip!\"","title_ssm":["\"Able to leap tall buildings in a single bound....\", \"Rrriip!\""],"title_tesim":["\"Able to leap tall buildings in a single bound....\", \"Rrriip!\""],"unitdate_other_ssim":["December 16, 1988."],"normalized_date_ssm":["December 16, 1988."],"normalized_title_ssm":["\"Able to leap tall buildings in a single bound....\", \"Rrriip!\", December 16, 1988."],"text":["\"Able to leap tall buildings in a single bound....\", \"Rrriip!\", December 16, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated.","Item 70","/repositories/4/archival_objects/3485","box 10","folder 3"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38164","2326334e5e159c8d459e96a3_aspace_38237"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 70","/repositories/4/archival_objects/3485"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1117,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 10","folder 3"],"_nest_path_":"/components#0/components#1/components#4/components#2/components#69","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38237","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38309"}},{"id":"6678d1ef17eb0b784725a98a_aspace_946649e0225d1930a9a8432bca16c178","type":"Item","attributes":{"title":"A blue marlin and four mahi-mahi caught by Arthur S. Bush at Bahia Mar, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_946649e0225d1930a9a8432bca16c178#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe blue marlin (9' 2'', 165 lbs.) and other fish were caught with Captain Harold Vreeland on the Kingfisher III.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_946649e0225d1930a9a8432bca16c178#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_946649e0225d1930a9a8432bca16c178","ref_ssm":["aspace_946649e0225d1930a9a8432bca16c178","aspace_946649e0225d1930a9a8432bca16c178"],"id":"6678d1ef17eb0b784725a98a_aspace_946649e0225d1930a9a8432bca16c178","title_filing_ssi":"A blue marlin and four mahi-mahi caught by Arthur S. Bush at Bahia Mar","title_ssm":["A blue marlin and four mahi-mahi caught by Arthur S. Bush at Bahia Mar"],"title_tesim":["A blue marlin and four mahi-mahi caught by Arthur S. Bush at Bahia Mar"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["A blue marlin and four mahi-mahi caught by Arthur S. Bush at Bahia Mar, Undated"],"text":["A blue marlin and four mahi-mahi caught by Arthur S. Bush at Bahia Mar, Undated","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960","/repositories/4/archival_objects/36371","box 2","Item 13","The blue marlin (9' 2'', 165 lbs.) and other fish were caught with Captain Harold Vreeland on the Kingfisher III."],"component_level_isim":[3],"parent_ids_ssim":["6678d1ef17eb0b784725a98a","6678d1ef17eb0b784725a98a_aspace_a6f48c80ef8af9d9bea8abe4c032829e","6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f"],"parent_unittitles_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_unittitles_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/36371"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":178,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"containers_ssim":["box 2","Item 13"],"scopecontent_html_tesm":["\u003cp\u003eThe blue marlin (9' 2'', 165 lbs.) and other fish were caught with Captain Harold Vreeland on the Kingfisher III.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The blue marlin (9' 2'', 165 lbs.) and other fish were caught with Captain Harold Vreeland on the Kingfisher III."],"_nest_path_":"/components#0/components#0/components#175","_nest_parent_":"6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f","_root_":"6678d1ef17eb0b784725a98a","_version_":1877635433981018112,"timestamp":"2026-09-29T03:31:28.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_946649e0225d1930a9a8432bca16c178"}},{"id":"6678d1ef17eb0b784725a98a_aspace_b5e487bec1b61c295609c8e7416226b8","type":"Item","attributes":{"title":"A blue marlin and two mahi mahi caught by Arthur S. Bush and displayed by Captain Harold Vreeland and a group of people inside Bahia Mar parking lot, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_b5e487bec1b61c295609c8e7416226b8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlue marlin weighing 157 lbs. (front reads: 165 lbs., 9' 2\"). Note on back: \"Hooked in tail; came in dead.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_b5e487bec1b61c295609c8e7416226b8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b5e487bec1b61c295609c8e7416226b8","ref_ssm":["aspace_b5e487bec1b61c295609c8e7416226b8","aspace_b5e487bec1b61c295609c8e7416226b8"],"id":"6678d1ef17eb0b784725a98a_aspace_b5e487bec1b61c295609c8e7416226b8","title_filing_ssi":"A blue marlin and two mahi mahi caught by Arthur S. Bush and displayed by Captain Harold Vreeland and a group of people inside Bahia Mar parking lot","title_ssm":["A blue marlin and two mahi mahi caught by Arthur S. Bush and displayed by Captain Harold Vreeland and a group of people inside Bahia Mar parking lot"],"title_tesim":["A blue marlin and two mahi mahi caught by Arthur S. Bush and displayed by Captain Harold Vreeland and a group of people inside Bahia Mar parking lot"],"unitdate_inclusive_ssm":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["A blue marlin and two mahi mahi caught by Arthur S. Bush and displayed by Captain Harold Vreeland and a group of people inside Bahia Mar parking lot, Undated"],"text":["A blue marlin and two mahi mahi caught by Arthur S. Bush and displayed by Captain Harold Vreeland and a group of people inside Bahia Mar parking lot, Undated","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960","/repositories/4/archival_objects/36450","box 3","Item 30","Blue marlin weighing 157 lbs. (front reads: 165 lbs., 9' 2\"). Note on back: \"Hooked in tail; came in dead.\""],"component_level_isim":[3],"parent_ids_ssim":["6678d1ef17eb0b784725a98a","6678d1ef17eb0b784725a98a_aspace_a6f48c80ef8af9d9bea8abe4c032829e","6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f"],"parent_unittitles_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_unittitles_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Photographs, postcards, and illustrations, 1917-1960","Fish, 1920-1960"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/36450"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":257,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"containers_ssim":["box 3","Item 30"],"scopecontent_html_tesm":["\u003cp\u003eBlue marlin weighing 157 lbs. (front reads: 165 lbs., 9' 2\"). Note on back: \"Hooked in tail; came in dead.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Blue marlin weighing 157 lbs. (front reads: 165 lbs., 9' 2\"). Note on back: \"Hooked in tail; came in dead.\""],"_nest_path_":"/components#0/components#0/components#254","_nest_parent_":"6678d1ef17eb0b784725a98a_aspace_dd1b38a89f52ae4e28cd9fa0a22e4d0f","_root_":"6678d1ef17eb0b784725a98a","_version_":1877635433981018112,"timestamp":"2026-09-29T03:31:28.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a_aspace_b5e487bec1b61c295609c8e7416226b8"}},{"id":"514ec64c5f9049888398835d_aspace_115947","type":"Item","attributes":{"title":"A Blueprint for Effective Voter Outreach II, 2002-06-07","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/514ec64c5f9049888398835d_aspace_115947#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_115947","ref_ssm":["aspace_115947","aspace_115947"],"id":"514ec64c5f9049888398835d_aspace_115947","title_filing_ssi":"A Blueprint for Effective Voter Outreach II","title_ssm":["A Blueprint for Effective Voter Outreach II"],"title_tesim":["A Blueprint for Effective Voter Outreach II"],"unitdate_other_ssim":["2002-06-07"],"normalized_date_ssm":["2002-06-07"],"normalized_title_ssm":["A Blueprint for Effective Voter Outreach II, 2002-06-07"],"text":["A Blueprint for Effective Voter Outreach II, 2002-06-07","Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Research: Q - Z","Item 2","/repositories/2/archival_objects/113037","box 21","object 2","Colloquium on Voter Outreach 2002: A Report. Los Angeles, California. Presented by WomenVote."],"component_level_isim":[2],"parent_ids_ssim":["514ec64c5f9049888398835d","514ec64c5f9049888398835d_aspace_115945"],"parent_unittitles_ssm":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Research: Q - Z"],"parent_unittitles_tesim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Research: Q - Z"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 2","/repositories/2/archival_objects/113037"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":362,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2002],"containers_ssim":["box 21","object 2"],"odd_html_tesm":["\u003cp\u003eColloquium on Voter Outreach 2002: A Report. Los Angeles, California. Presented by WomenVote.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Colloquium on Voter Outreach 2002: A Report. Los Angeles, California. Presented by WomenVote."],"_nest_path_":"/components#20/components#1","_nest_parent_":"514ec64c5f9049888398835d_aspace_115945","_root_":"514ec64c5f9049888398835d","_version_":1872040145508630528,"timestamp":"2026-07-29T09:16:46.045Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"514ec64c5f9049888398835d","title_ssm":["Equality Florida records"],"title_tesim":["Equality Florida records"],"ead_ssi":"514ec64c5f9049888398835d","unitdate_ssm":["1994 - 2008","Date acquired: 00/00/2012"],"unitdate_inclusive_ssm":["1994 - 2008"],"unitdate_other_ssim":["Date acquired: 00/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2008-09","/repositories/2/resources/496"],"text":["MS-2008-09","/repositories/2/resources/496","Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Queer studies -- Tampa (Fla.)","Homosexuality -- Laws and legislation","Homosexuality -- Florida","Gay rights -- United States","The collection is arranged by material type:","1. Corporate Documents","2. Projects","3. Research","4. Audio/Visual Materials","5. Miscellaneous","Equality Florida is the largest civil rights organization dedicated to securing full equality for Florida's lesbian, gay, bisexual and transgender (LBGT) community. Utilizing lobbying, grassroots organizing, education and coalition building, Equality Florida is helping to change Florida to ensure that no one suffers harassment or discrimination on the basis of sexual orientation or gender identity.  Equality Florida was formed in 1997 and has defeated every piece of anti-LBGT legislation filed in Tallahassee for 14 years in a row. Equality Florida consists of two organizations: Equality Florida, Inc., which focuses on advocating for and against new laws that impact lives of LBGT Floridians and mobilizing pro-equality voters; and Equality Florida Institute, Inc. which  focuses on educating the public, elected officials, and businesses about issues of importance to the LGBT community.","Website: www.eqfl.org/about","Note written by Kevin Arms, 2013","processed","Donald L. Bentz collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","National Center for Lesbian Rights [St. Petersburg Office] Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Jan K. Platt Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Bobby Smith photograph collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Gozemba, Patricia A, and Karen Kahn.  Courting Equality: A Documentary History of America's First Legal Same-Sex Marriages . Boston: Beacon Press, 2007. Print.","Smith, Lance S.  The Effects of Homophobia, Legislation, and Local Policies on Heterosexual Pupil Services Professionals' Likelihood of Incorporating Gay Affirming Behaviors in Their Professional Work with Sexual Minority Youths in Public Schools . Tampa, Fla.: University of South Florida, 2007. Internet resource.","This collection of records is primarily comprised of documents relating to the day-to-day operations of Equality Florida, formerly known as the Human Rights Task Force, as well as documents regarding projects conducted by Equality Florida. Also in the collection are research articles on a variety of topics related to the LGBT community, including the several Human Rights Ordinances put forth in the Tampa Bay area, Youth Lobby Days, the 1999 LGBT Rights Rally held in Tallahasee, Safe Schools Summits and Equality Florida's work on the SAVE Dade project.  The collection also contains miscellaneous documents such as news articles dealing with Equality Florida's many projects and press releases, photographs, scrapbooks, and audio/visual materials.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of documents concerning the work of Equality Florida, including projects, corporate documents and research.","USF Libraries - Tampa Special Collections","Equality Florida","English"],"unitid_tesim":["MS-2008-09","/repositories/2/resources/496"],"normalized_date_ssm":["1994 - 2008, Date acquired: 00/00/2012"],"normalized_title_ssm":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"collection_title_tesim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"collection_ssim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government"],"creator_ssm":["Equality Florida"],"creator_ssim":["Equality Florida"],"creator_corpname_ssim":["Equality Florida"],"creators_ssim":["Equality Florida"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Equality Florida","Donation"],"access_subjects_ssim":["Queer studies -- Tampa (Fla.)","Homosexuality -- Laws and legislation","Homosexuality -- Florida","Gay rights -- United States"],"access_subjects_ssm":["Queer studies -- Tampa (Fla.)","Homosexuality -- Laws and legislation","Homosexuality -- Florida","Gay rights -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["13.72 Linear Feet","32  boxes"],"extent_tesim":["13.72 Linear Feet","32  boxes"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. Corporate Documents\u003c/p\u003e\n","\u003cp\u003e2. Projects\u003c/p\u003e\n","\u003cp\u003e3. Research\u003c/p\u003e\n","\u003cp\u003e4. Audio/Visual Materials\u003c/p\u003e\n","\u003cp\u003e5. Miscellaneous\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type:","1. Corporate Documents","2. Projects","3. Research","4. Audio/Visual Materials","5. Miscellaneous"],"bioghist_html_tesm":["\u003cp\u003eEquality Florida is the largest civil rights organization dedicated to securing full equality for Florida's lesbian, gay, bisexual and transgender (LBGT) community. Utilizing lobbying, grassroots organizing, education and coalition building, Equality Florida is helping to change Florida to ensure that no one suffers harassment or discrimination on the basis of sexual orientation or gender identity.\u0026#xA0; Equality Florida was formed in 1997 and has defeated every piece of anti-LBGT legislation filed in Tallahassee for 14 years in a row. Equality Florida consists of two organizations: Equality Florida, Inc., which focuses on advocating for and against new laws that impact lives of LBGT Floridians and mobilizing pro-equality voters; and Equality Florida Institute, Inc. which\u0026#xA0; focuses on educating the public, elected officials, and businesses about issues of importance to the LGBT community.\u003c/p\u003e\n","\u003cp\u003eWebsite: www.eqfl.org/about\u003c/p\u003e\n","\u003cp\u003eNote written by Kevin Arms, 2013\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Equality Florida is the largest civil rights organization dedicated to securing full equality for Florida's lesbian, gay, bisexual and transgender (LBGT) community. Utilizing lobbying, grassroots organizing, education and coalition building, Equality Florida is helping to change Florida to ensure that no one suffers harassment or discrimination on the basis of sexual orientation or gender identity.  Equality Florida was formed in 1997 and has defeated every piece of anti-LBGT legislation filed in Tallahassee for 14 years in a row. Equality Florida consists of two organizations: Equality Florida, Inc., which focuses on advocating for and against new laws that impact lives of LBGT Floridians and mobilizing pro-equality voters; and Equality Florida Institute, Inc. which  focuses on educating the public, elected officials, and businesses about issues of importance to the LGBT community.","Website: www.eqfl.org/about","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eEquality Florida Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Equality Florida Records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"relatedmaterial_html_tesm":["\u003cp\u003eDonald L. Bentz collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eNational Center for Lesbian Rights [St. Petersburg Office] Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eJan K. Platt Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eBobby Smith photograph collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e","\u003cp\u003eGozemba, Patricia A, and Karen Kahn. \u003cemph render=\"italic\"\u003eCourting Equality: A Documentary History of America's First Legal Same-Sex Marriages\u003c/emph\u003e. Boston: Beacon Press, 2007. Print.\u003c/p\u003e\n","\u003cp\u003eSmith, Lance S. \u003cemph render=\"italic\"\u003eThe Effects of Homophobia, Legislation, and Local Policies on Heterosexual Pupil Services Professionals' Likelihood of Incorporating Gay Affirming Behaviors in Their Professional Work with Sexual Minority Youths in Public Schools\u003c/emph\u003e. Tampa, Fla.: University of South Florida, 2007. Internet resource.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Donald L. Bentz collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","National Center for Lesbian Rights [St. Petersburg Office] Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Jan K. Platt Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Bobby Smith photograph collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Gozemba, Patricia A, and Karen Kahn.  Courting Equality: A Documentary History of America's First Legal Same-Sex Marriages . Boston: Beacon Press, 2007. Print.","Smith, Lance S.  The Effects of Homophobia, Legislation, and Local Policies on Heterosexual Pupil Services Professionals' Likelihood of Incorporating Gay Affirming Behaviors in Their Professional Work with Sexual Minority Youths in Public Schools . Tampa, Fla.: University of South Florida, 2007. Internet resource."],"scopecontent_html_tesm":["\u003cp\u003eThis collection of records is primarily comprised of documents relating to the day-to-day operations of Equality Florida, formerly known as the Human Rights Task Force, as well as documents regarding projects conducted by Equality Florida. Also in the collection are research articles on a variety of topics related to the LGBT community, including the several Human Rights Ordinances put forth in the Tampa Bay area, Youth Lobby Days, the 1999 LGBT Rights Rally held in Tallahasee, Safe Schools Summits and Equality Florida's work on the SAVE Dade project.\u0026#xA0; The collection also contains miscellaneous documents such as news articles dealing with Equality Florida's many projects and press releases, photographs, scrapbooks, and audio/visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of records is primarily comprised of documents relating to the day-to-day operations of Equality Florida, formerly known as the Human Rights Task Force, as well as documents regarding projects conducted by Equality Florida. Also in the collection are research articles on a variety of topics related to the LGBT community, including the several Human Rights Ordinances put forth in the Tampa Bay area, Youth Lobby Days, the 1999 LGBT Rights Rally held in Tallahasee, Safe Schools Summits and Equality Florida's work on the SAVE Dade project.  The collection also contains miscellaneous documents such as news articles dealing with Equality Florida's many projects and press releases, photographs, scrapbooks, and audio/visual materials."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55a3bbfa1f2f3fa8d38f9c1e9f56c85d\" label=\"Abstract\"\u003eA collection of documents concerning the work of Equality Florida, including projects, corporate documents and research.\u003c/abstract\u003e"],"abstract_tesim":["A collection of documents concerning the work of Equality Florida, including projects, corporate documents and research."],"names_ssim":["USF Libraries - Tampa Special Collections","Equality Florida"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Equality Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":505,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872040145508630528,"_root_":"514ec64c5f9049888398835d","timestamp":"2026-07-29T09:16:46.045Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/514ec64c5f9049888398835d_aspace_115947"}},{"id":"3232c27cb5756431732dd4dd_aspace_129263","type":"File","attributes":{"title":"A Blues Serenade, 1927","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129263#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_129263","ref_ssm":["aspace_129263","aspace_129263"],"id":"3232c27cb5756431732dd4dd_aspace_129263","title_filing_ssi":"A Blues Serenade","title_ssm":["A Blues Serenade"],"title_tesim":["A Blues Serenade"],"unitdate_other_ssim":["1927"],"normalized_date_ssm":["1927"],"normalized_title_ssm":["A Blues Serenade, 1927"],"text":["A Blues Serenade, 1927","Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music","Folder 21","/repositories/2/archival_objects/36775","5","box 13","folder 21","Signorelli, Frank / Grande, Vincent / Lytell, Jimmy","New York, NY","Jack Mills Inc.","English"],"component_level_isim":[3],"parent_ids_ssim":["3232c27cb5756431732dd4dd","3232c27cb5756431732dd4dd_aspace_128094","3232c27cb5756431732dd4dd_aspace_128095"],"parent_unittitles_ssm":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_unittitles_tesim":["Joe Merman Sheet Music Collection, 1909-1999","Joe Merman Music Collection","Sheet Music"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 21","/repositories/2/archival_objects/36775"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"physdesc_tesim":["5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1157,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 13","folder 21"],"odd_html_tesm":["\u003cp\u003eSignorelli, Frank / Grande, Vincent / Lytell, Jimmy\u003c/p\u003e","\u003cp\u003eNew York, NY\u003c/p\u003e","\u003cp\u003eJack Mills Inc.\u003c/p\u003e"],"odd_heading_ssm":["Composer","Place","Publisher"],"odd_tesim":["Signorelli, Frank / Grande, Vincent / Lytell, Jimmy","New York, NY","Jack Mills Inc."],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"_nest_path_":"/components#0/components#0/components#1154","_nest_parent_":"3232c27cb5756431732dd4dd_aspace_128095","_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3232c27cb5756431732dd4dd","title_ssm":["Joe Merman Sheet Music Collection"],"title_tesim":["Joe Merman Sheet Music Collection"],"ead_ssi":"3232c27cb5756431732dd4dd","unitdate_ssm":["1909-1999"],"unitdate_inclusive_ssm":["1909-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00012","/repositories/2/resources/98"],"text":["PMC00012","/repositories/2/resources/98","Joe Merman Sheet Music Collection, 1909-1999","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by score name","Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00012","/repositories/2/resources/98"],"normalized_date_ssm":["1909-1999"],"normalized_title_ssm":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_title_tesim":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by score name\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by score name"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eJoe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. 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