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In an autodidact manner he studied Spanish guitar and Flamenco by taking private lessons with Paco de Lucia, Emilio de Diego, and Juan Marote.\n\tThe first two discs of Latin American titles by Paco de Lucia were recorded using \"three guitars\" arrangements\u0026#xA0; by Jes\u0026#xFA;s de Alba for the themes: Moliendo caf\u0026#xE9;, La flor de la canela, Alma, coraz\u0026#xF3;n y vida, Manha do carnaval y Jarabe tapatio.\n\tAlong with his studies in Business Administration and professional activities in the pharmaceutical industry, he continued his studies in music composition, classical guitar, and folk guitar at the Conservatory in Santiago de Cali, Colombia and the Institute of Culture in the same city, with professors Alvaro Ramirez, Hern\u0026#xE1;n Moncada, Henry Rivas, and Valdiri.\n\tIn addition to his musical activities and professional routine, he devoted much of his time to musical composition and musical arrangements digitalized for vocal groups and orchestras. He was also a composer and researcher of history, author of several works of history, poetry, and children's literature. Furthermore, he wrote a book of traditions and historical legends, several historical cartographic monographs, an essay on Andr\u0026#xE9;s Bello, and was a pioneer in graphic Venezuelan advertising.\n\tHis legacy consists of seventy musical compositions written by the artist for vocal and instrumental groups. He passed away in October 15, 2013.\u003c/abstract\u003e"],"abstract_tesim":["Jesús María de Alba Castellanos was an Executive Music Director, composer, arranger of polyphonic digitized music, in charge of public relations, fourth voice of the Rondalla group, who also played the guitar and clarinet. He began his musical studies at an early age, in the Musical Chair of The Conference Conciliate of Barranquilla, Colombia, where he studied four years of Gregorian chant and sacred music, music theory, and basic piano. He used both Latin and French languages on his historical research projects.\n\tSimultaneously with his studies of Bachelor of Philosophy and Humanities, professional studies perfected his musical skills at the School of fine arts in Barranquilla, Colombia, where he studied music theory and composition with his mentor Pietro Biava, as well as classical guitar with experts Joseph Mazzilli and Calixto González. 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For more information, please contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"prefercite_html_tesm":["\u003cp\u003eUniversity Communications Collection, HUA 2016-098, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009\u003c/p\u003e"],"prefercite_tesim":["University Communications Collection, HUA 2016-098, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HPUA-2016-009"],"relatedmaterial_html_tesm":["\u003cp\u003eHUA 2016-098\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["HUA 2016-098"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.\u003c/p\u003e","\u003cp\u003eSelect materials from this collection have been digitized, or are born-digital materials, and are available online through the \u003cextref href=\"https://repository.lib.fsu.edu/islandora/object/fsu:huauniversitycommunications\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["This collection contains vertical files, photographs, and audiovisual material from University Communications at Florida State University. The vertical files include press releases, news clippings, promotional material, correspondence, and more. The audiovisual media consists of 2290 Beta tapes, 880 DVCPRO tapes, 765 DVDs, 461 Mini DV tapes, 24 VHS tapes, 26 CD-Rs and 25 items of other formats covering topics such as athletics, research at FSU, student affairs, anniversaries and homecoming celebrations, FSU in the media and more.","Select materials from this collection have been digitized, or are born-digital materials, and are available online through the  FSU Digital Library"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5721fca542b589212104877ea6eef86a\"\u003eContains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013.\u003c/abstract\u003e"],"abstract_tesim":["Contains vertical files, photographs, and audiovisual material from University Communications. Most of the material was produced between 1995 and 2013."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872306257437655040,"_root_":"8030186565dd6cea11cc22bc","timestamp":"2026-08-01T07:46:30.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8030186565dd6cea11cc22bc_aspace_d57abfbe98ddd8f25a9831ff7cb5aa89"}},{"id":"514ec64c5f9049888398835d_aspace_115967","type":"Item","attributes":{"title":"26 Miscellaneous Zip Disks","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/514ec64c5f9049888398835d_aspace_115967#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_115967","ref_ssm":["aspace_115967","aspace_115967"],"id":"514ec64c5f9049888398835d_aspace_115967","title_filing_ssi":"26 Miscellaneous Zip Disks","title_ssm":["26 Miscellaneous Zip Disks"],"title_tesim":["26 Miscellaneous Zip Disks"],"normalized_title_ssm":["26 Miscellaneous Zip Disks"],"text":["26 Miscellaneous Zip Disks","Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Zip Disks","Item 1","/repositories/2/archival_objects/112848","Missing one (1) zip disk since collection was acquired and processed."],"component_level_isim":[2],"parent_ids_ssim":["514ec64c5f9049888398835d","514ec64c5f9049888398835d_aspace_115966"],"parent_unittitles_ssm":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Zip Disks"],"parent_unittitles_tesim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Zip Disks"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 1","/repositories/2/archival_objects/112848"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":400,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"odd_html_tesm":["\u003cp\u003eMissing one (1) zip disk since collection was acquired and processed.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Missing one (1) zip disk since collection was acquired and processed."],"_nest_path_":"/components#21/components#0","_nest_parent_":"514ec64c5f9049888398835d_aspace_115966","_root_":"514ec64c5f9049888398835d","_version_":1872040145508630528,"timestamp":"2026-07-29T09:16:46.045Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"514ec64c5f9049888398835d","title_ssm":["Equality Florida records"],"title_tesim":["Equality Florida records"],"ead_ssi":"514ec64c5f9049888398835d","unitdate_ssm":["1994 - 2008","Date acquired: 00/00/2012"],"unitdate_inclusive_ssm":["1994 - 2008"],"unitdate_other_ssim":["Date acquired: 00/00/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2008-09","/repositories/2/resources/496"],"text":["MS-2008-09","/repositories/2/resources/496","Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Queer studies -- Tampa (Fla.)","Homosexuality -- Laws and legislation","Homosexuality -- Florida","Gay rights -- United States","The collection is arranged by material type:","1. Corporate Documents","2. Projects","3. Research","4. Audio/Visual Materials","5. Miscellaneous","Equality Florida is the largest civil rights organization dedicated to securing full equality for Florida's lesbian, gay, bisexual and transgender (LBGT) community. Utilizing lobbying, grassroots organizing, education and coalition building, Equality Florida is helping to change Florida to ensure that no one suffers harassment or discrimination on the basis of sexual orientation or gender identity.  Equality Florida was formed in 1997 and has defeated every piece of anti-LBGT legislation filed in Tallahassee for 14 years in a row. Equality Florida consists of two organizations: Equality Florida, Inc., which focuses on advocating for and against new laws that impact lives of LBGT Floridians and mobilizing pro-equality voters; and Equality Florida Institute, Inc. which  focuses on educating the public, elected officials, and businesses about issues of importance to the LGBT community.","Website: www.eqfl.org/about","Note written by Kevin Arms, 2013","processed","Donald L. Bentz collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","National Center for Lesbian Rights [St. Petersburg Office] Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Jan K. Platt Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Bobby Smith photograph collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Gozemba, Patricia A, and Karen Kahn.  Courting Equality: A Documentary History of America's First Legal Same-Sex Marriages . Boston: Beacon Press, 2007. Print.","Smith, Lance S.  The Effects of Homophobia, Legislation, and Local Policies on Heterosexual Pupil Services Professionals' Likelihood of Incorporating Gay Affirming Behaviors in Their Professional Work with Sexual Minority Youths in Public Schools . Tampa, Fla.: University of South Florida, 2007. Internet resource.","This collection of records is primarily comprised of documents relating to the day-to-day operations of Equality Florida, formerly known as the Human Rights Task Force, as well as documents regarding projects conducted by Equality Florida. Also in the collection are research articles on a variety of topics related to the LGBT community, including the several Human Rights Ordinances put forth in the Tampa Bay area, Youth Lobby Days, the 1999 LGBT Rights Rally held in Tallahasee, Safe Schools Summits and Equality Florida's work on the SAVE Dade project.  The collection also contains miscellaneous documents such as news articles dealing with Equality Florida's many projects and press releases, photographs, scrapbooks, and audio/visual materials.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of documents concerning the work of Equality Florida, including projects, corporate documents and research.","USF Libraries - Tampa Special Collections","Equality Florida","English"],"unitid_tesim":["MS-2008-09","/repositories/2/resources/496"],"normalized_date_ssm":["1994 - 2008, Date acquired: 00/00/2012"],"normalized_title_ssm":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"collection_title_tesim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"collection_ssim":["Equality Florida records, 1994 - 2008, Date acquired: 00/00/2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government"],"creator_ssm":["Equality Florida"],"creator_ssim":["Equality Florida"],"creator_corpname_ssim":["Equality Florida"],"creators_ssim":["Equality Florida"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Equality Florida","Donation"],"access_subjects_ssim":["Queer studies -- Tampa (Fla.)","Homosexuality -- Laws and legislation","Homosexuality -- Florida","Gay rights -- United States"],"access_subjects_ssm":["Queer studies -- Tampa (Fla.)","Homosexuality -- Laws and legislation","Homosexuality -- Florida","Gay rights -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["13.72 Linear Feet","32  boxes"],"extent_tesim":["13.72 Linear Feet","32  boxes"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. Corporate Documents\u003c/p\u003e\n","\u003cp\u003e2. Projects\u003c/p\u003e\n","\u003cp\u003e3. Research\u003c/p\u003e\n","\u003cp\u003e4. Audio/Visual Materials\u003c/p\u003e\n","\u003cp\u003e5. Miscellaneous\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type:","1. Corporate Documents","2. Projects","3. Research","4. Audio/Visual Materials","5. Miscellaneous"],"bioghist_html_tesm":["\u003cp\u003eEquality Florida is the largest civil rights organization dedicated to securing full equality for Florida's lesbian, gay, bisexual and transgender (LBGT) community. Utilizing lobbying, grassroots organizing, education and coalition building, Equality Florida is helping to change Florida to ensure that no one suffers harassment or discrimination on the basis of sexual orientation or gender identity.\u0026#xA0; Equality Florida was formed in 1997 and has defeated every piece of anti-LBGT legislation filed in Tallahassee for 14 years in a row. 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Bentz collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eNational Center for Lesbian Rights [St. Petersburg Office] Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eJan K. Platt Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eBobby Smith photograph collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e","\u003cp\u003eGozemba, Patricia A, and Karen Kahn. \u003cemph render=\"italic\"\u003eCourting Equality: A Documentary History of America's First Legal Same-Sex Marriages\u003c/emph\u003e. Boston: Beacon Press, 2007. Print.\u003c/p\u003e\n","\u003cp\u003eSmith, Lance S. \u003cemph render=\"italic\"\u003eThe Effects of Homophobia, Legislation, and Local Policies on Heterosexual Pupil Services Professionals' Likelihood of Incorporating Gay Affirming Behaviors in Their Professional Work with Sexual Minority Youths in Public Schools\u003c/emph\u003e. Tampa, Fla.: University of South Florida, 2007. Internet resource.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Donald L. Bentz collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","National Center for Lesbian Rights [St. Petersburg Office] Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Jan K. 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Also in the collection are research articles on a variety of topics related to the LGBT community, including the several Human Rights Ordinances put forth in the Tampa Bay area, Youth Lobby Days, the 1999 LGBT Rights Rally held in Tallahasee, Safe Schools Summits and Equality Florida's work on the SAVE Dade project.\u0026#xA0; The collection also contains miscellaneous documents such as news articles dealing with Equality Florida's many projects and press releases, photographs, scrapbooks, and audio/visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection of records is primarily comprised of documents relating to the day-to-day operations of Equality Florida, formerly known as the Human Rights Task Force, as well as documents regarding projects conducted by Equality Florida. Also in the collection are research articles on a variety of topics related to the LGBT community, including the several Human Rights Ordinances put forth in the Tampa Bay area, Youth Lobby Days, the 1999 LGBT Rights Rally held in Tallahasee, Safe Schools Summits and Equality Florida's work on the SAVE Dade project.  The collection also contains miscellaneous documents such as news articles dealing with Equality Florida's many projects and press releases, photographs, scrapbooks, and audio/visual materials."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55a3bbfa1f2f3fa8d38f9c1e9f56c85d\" label=\"Abstract\"\u003eA collection of documents concerning the work of Equality Florida, including projects, corporate documents and research.\u003c/abstract\u003e"],"abstract_tesim":["A collection of documents concerning the work of Equality Florida, including projects, corporate documents and research."],"names_ssim":["USF Libraries - Tampa Special Collections","Equality Florida"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Equality Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":505,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872040145508630528,"_root_":"514ec64c5f9049888398835d","timestamp":"2026-07-29T09:16:46.045Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/514ec64c5f9049888398835d_aspace_115967"}},{"id":"c244066c048086c8992959b4_aspace_68d200c0fbdd643509115b42deca0576","type":"Item","attributes":{"title":"26- Partial view of Downtown Buisness Section, Tampa, Fla.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c244066c048086c8992959b4_aspace_68d200c0fbdd643509115b42deca0576#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePub: Genuine Curteich-Chicago, Artistic rendtion of Downtown Tampa, Fl.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c244066c048086c8992959b4_aspace_68d200c0fbdd643509115b42deca0576#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_68d200c0fbdd643509115b42deca0576","ref_ssm":["aspace_68d200c0fbdd643509115b42deca0576","aspace_68d200c0fbdd643509115b42deca0576"],"id":"c244066c048086c8992959b4_aspace_68d200c0fbdd643509115b42deca0576","title_filing_ssi":"26- Partial view of Downtown Buisness Section, Tampa, Fla.","title_ssm":["26- Partial view of Downtown Buisness Section, Tampa, Fla."],"title_tesim":["26- Partial view of Downtown Buisness Section, Tampa, Fla."],"normalized_title_ssm":["26- Partial view of Downtown Buisness Section, Tampa, Fla."],"text":["26- Partial view of Downtown Buisness Section, Tampa, Fla.","Florida Travel Collection, 1951-1992, bulk 1920-1960","Florida Postcards Collection","/repositories/2/archival_objects/82367","box 10","Item 43","Pub: Genuine Curteich-Chicago, Artistic rendtion of Downtown Tampa, Fl."],"component_level_isim":[2],"parent_ids_ssim":["c244066c048086c8992959b4","c244066c048086c8992959b4_aspace_ae0d5656902459391af4ba4b63a46482"],"parent_unittitles_ssm":["Florida Travel Collection, 1951-1992, bulk 1920-1960","Florida Postcards Collection"],"parent_unittitles_tesim":["Florida Travel Collection, 1951-1992, bulk 1920-1960","Florida Postcards Collection"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/82367"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Florida Travel Collection, 1951-1992, bulk 1920-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":642,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 10","Item 43"],"scopecontent_html_tesm":["\u003cp\u003ePub: Genuine Curteich-Chicago, Artistic rendtion of Downtown Tampa, Fl.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Pub: Genuine Curteich-Chicago, Artistic rendtion of Downtown Tampa, Fl."],"_nest_path_":"/components#1/components#446","_nest_parent_":"c244066c048086c8992959b4_aspace_ae0d5656902459391af4ba4b63a46482","_root_":"c244066c048086c8992959b4","timestamp":"2026-04-21T17:48:47.589Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c244066c048086c8992959b4","title_ssm":["Florida Travel Collection"],"title_tesim":["Florida Travel Collection"],"ead_ssi":"c244066c048086c8992959b4","unitdate_ssm":["1951-1992","1920-1960"],"unitdate_bulk_ssim":["1920-1960"],"unitdate_inclusive_ssm":["1951-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00030","/repositories/2/resources/62"],"text":["SPC00030","/repositories/2/resources/62","Florida Travel Collection, 1951-1992, bulk 1920-1960","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Simone Clunie updated this collection in 2018.","The Florida Travel Collection consists of a variety of advertising literature used by governmental and private organizations to depict the region as an ideal vacation destination and permanent residence. The collection includes illustrated brochures, pamphlets, and flyers that provide information on tourism, horticulture, recreation, sports, as well as Florida's famous hotels and cities. This collection provides insight into the growth of Florida's east coast from the boom of the 1920s through post World War II.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00030","/repositories/2/resources/62"],"normalized_date_ssm":["1951-1992, bulk 1920-1960"],"normalized_title_ssm":["Florida Travel Collection, 1951-1992, bulk 1920-1960"],"collection_title_tesim":["Florida Travel Collection, 1951-1992, bulk 1920-1960"],"collection_ssim":["Florida Travel Collection, 1951-1992, bulk 1920-1960"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eSimone Clunie updated this collection in 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Simone Clunie updated this collection in 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe Florida Travel Collection consists of a variety of advertising literature used by governmental and private organizations to depict the region as an ideal vacation destination and permanent residence. The collection includes illustrated brochures, pamphlets, and flyers that provide information on tourism, horticulture, recreation, sports, as well as Florida's famous hotels and cities. This collection provides insight into the growth of Florida's east coast from the boom of the 1920s through post World War II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida Travel Collection consists of a variety of advertising literature used by governmental and private organizations to depict the region as an ideal vacation destination and permanent residence. The collection includes illustrated brochures, pamphlets, and flyers that provide information on tourism, horticulture, recreation, sports, as well as Florida's famous hotels and cities. This collection provides insight into the growth of Florida's east coast from the boom of the 1920s through post World War II."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Florida Historical Society","Ohio Historical Society","Paisley, Clifton","Goffman, Judy","Avant, David","Bailey, William (William Alton)","Barnett, Ronald David, 1943-","Blitch, John","Bowen, Clara Adger, 1837-1915","Lowery, Woodbury, 1853-1906","Macomb, David Betton, 1793-1837","Millican, James, 1910-1955","Nichols, Richard (Bookseller)"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida Historical Society","Ohio Historical Society","Paisley, Clifton","Goffman, Judy","Avant, David","Bailey, William (William Alton)","Barnett, Ronald David, 1943-","Blitch, John","Bowen, Clara Adger, 1837-1915","Lowery, Woodbury, 1853-1906","Macomb, David Betton, 1793-1837","Millican, James, 1910-1955","Nichols, Richard (Bookseller)"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Florida Historical Society","Ohio Historical Society"],"persname_ssim":["Paisley, Clifton","Goffman, Judy","Avant, David","Bailey, William (William Alton)","Barnett, Ronald David, 1943-","Blitch, John","Bowen, Clara Adger, 1837-1915","Lowery, Woodbury, 1853-1906","Macomb, David Betton, 1793-1837","Millican, James, 1910-1955","Nichols, Richard (Bookseller)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":419,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"19ccdd4435a2926a9437d20e","timestamp":"2026-04-21T12:33:03.425Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/19ccdd4435a2926a9437d20e_aspace_150224"}},{"id":"6761a506162d88e3b0374f0f_aspace_162927","type":"Item","attributes":{"title":"26. St. Peter's Vatican and Arcade, Rome, Italy.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162927#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_162927","ref_ssm":["aspace_162927","aspace_162927"],"id":"6761a506162d88e3b0374f0f_aspace_162927","title_filing_ssi":"26. St. Peter's Vatican and Arcade, Rome, Italy.","title_ssm":["26. St. Peter's Vatican and Arcade, Rome, Italy."],"title_tesim":["26. St. Peter's Vatican and Arcade, Rome, Italy."],"normalized_title_ssm":["26. St. Peter's Vatican and Arcade, Rome, Italy."],"text":["26. St. Peter's Vatican and Arcade, Rome, Italy.","George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","Manufacturer Unidentified - Numbered Series I","Item 26","/repositories/2/archival_objects/12823"],"component_level_isim":[3],"parent_ids_ssim":["6761a506162d88e3b0374f0f","6761a506162d88e3b0374f0f_aspace_162631","6761a506162d88e3b0374f0f_aspace_162901"],"parent_unittitles_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","Manufacturer Unidentified - Numbered Series I"],"parent_unittitles_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018","Stereoscopic Cards","Manufacturer Unidentified - Numbered Series I"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["Item 26","/repositories/2/archival_objects/12823"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":281,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"_nest_path_":"/components#1/components#2/components#25","_nest_parent_":"6761a506162d88e3b0374f0f_aspace_162901","_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6761a506162d88e3b0374f0f","title_ssm":["George G. Morgan stereograph collection"],"title_tesim":["George G. 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When applicable, images are ordered numerically within each series.","This collection consists of 380 stereoscopic image cards and a stereoscopic viewer.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.","USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)","English"],"unitid_tesim":["MS-2018-08","/repositories/2/resources/81"],"normalized_date_ssm":["1894-1925, Date acquired: 00/00/2018"],"normalized_title_ssm":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_title_tesim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"collection_ssim":["George G. Morgan stereograph collection, 1894-1925, Date acquired: 00/00/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Morgan, George G. (1952-)"],"creator_ssim":["Morgan, George G. (1952-)"],"creator_persname_ssim":["Morgan, George G. (1952-)"],"creators_ssim":["Morgan, George G. (1952-)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["George G. Morgan, Drew Smith","Donation."],"access_subjects_ssim":["Stereoscope","Photography"],"access_subjects_ssm":["Stereoscope","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["1.38 Linear Feet","3 boxes"],"extent_tesim":["1.38 Linear Feet","3 boxes"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"arrangement_html_tesm":["\u003cp\u003eStereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Stereoscopic images are arranged according to manufacturer, when available. When applicable, images are ordered numerically within each series."],"prefercite_html_tesm":["\u003cp\u003eGeorge G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["George G. Morgan stereograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 380 stereoscopic image cards and a stereoscopic viewer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 380 stereoscopic image cards and a stereoscopic viewer."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a78128125148d19eb3a41fc899acdbce\" label=\"Abstract\"\u003eThis collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026amp; Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026amp; Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of stereoscopic image cards and a stereoscope viewer, dated between 1894 to 1925. Areas of manufacture include the United States and Europe, including by the following manufacturers: A.C. Co., American Views, B.L. Singley, B.W. Kilburn, C.H. Graves, Griffith \u0026 Griffith, H.G. White and Co., Kawin and Co., Keystone View Company, Underwood \u0026 Underwood, and Woodward Stereoscopic Co. Themes of the images are varied and include, but are not limited to: historical monuments, tourist attractions, United States and international sites, landmarks, historical figures, and assorted illustrations."],"names_ssim":["USF Libraries - Tampa Special Collections","Morgan, George G. (1952-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Morgan, George G. (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":408,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6761a506162d88e3b0374f0f","timestamp":"2026-07-08T05:46:54.367Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6761a506162d88e3b0374f0f_aspace_162927"}},{"id":"731369245814d8ade7a56926_aspace_107545","type":"File","attributes":{"title":"26th Annual Florida Workmen's Compensation Educational Conference, Miami Beach, October 19, 1971","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/731369245814d8ade7a56926_aspace_107545#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_107545","ref_ssm":["aspace_107545","aspace_107545"],"id":"731369245814d8ade7a56926_aspace_107545","title_filing_ssi":"26th Annual Florida Workmen's Compensation Educational Conference, Miami Beach","title_ssm":["26th Annual Florida Workmen's Compensation Educational Conference, Miami Beach"],"title_tesim":["26th Annual Florida Workmen's Compensation Educational Conference, Miami Beach"],"unitdate_other_ssim":["October 19, 1971"],"normalized_date_ssm":["October 19, 1971"],"normalized_title_ssm":["26th Annual Florida Workmen's Compensation Educational Conference, Miami Beach, October 19, 1971"],"text":["26th Annual Florida Workmen's Compensation Educational Conference, Miami Beach, October 19, 1971","Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974","Speeches by Tom Adams","Box 15","Folder 37","/repositories/2/archival_objects/56449","box 15","folder 37"],"component_level_isim":[3],"parent_ids_ssim":["731369245814d8ade7a56926","731369245814d8ade7a56926_aspace_106873","731369245814d8ade7a56926_aspace_107490"],"parent_unittitles_ssm":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974","Speeches by Tom Adams","Box 15"],"parent_unittitles_tesim":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974","Speeches by Tom Adams","Box 15"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 37","/repositories/2/archival_objects/56449"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":614,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 15","folder 37"],"_nest_path_":"/components#0/components#14/components#35","_nest_parent_":"731369245814d8ade7a56926_aspace_107490","_root_":"731369245814d8ade7a56926","_version_":1870862926758281216,"timestamp":"2026-07-16T09:25:22.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"731369245814d8ade7a56926","title_ssm":["Tom Adams collection"],"title_tesim":["Tom Adams collection"],"ead_ssi":"731369245814d8ade7a56926","unitdate_ssm":["1950-1980","1962-1974","Date acquired: 00/00/1999"],"unitdate_bulk_ssim":["1962-1974"],"unitdate_inclusive_ssm":["1950-1980"],"unitdate_other_ssim":["Date acquired: 00/00/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1999-01","/repositories/2/resources/354"],"text":["MS-1999-01","/repositories/2/resources/354","Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974","Florida -- Politics and government","The collection is divided into 10 series, such as speeches, clippings, correspondence, audiovisual materials, etc. Speeches are organized chronologically.","Florida native Thomas \"Tom\" Burton Adams was a Florida Senator from 1956-1960, Florida Secretary of State from 1961-1971, and served as lieutenant governor during Reubin Askew's first term as Governor (1971-1975). 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After a near-impeachment in 1973 mostly scuttled him from the political arena, Adams remained a slightly eccentric yet endearing public figure, maintaining his flair for organizational involvement and was even chosen by former political opponent Claude Kirk in 1978 to become his statewide campaign chairman.","Note written by PC","The collection contains speeches by Adams, newspaper clippings, film and audio recordings, correspondence, photographs, newsletters, awards and plaques, as well as campaign signs and other items mostly focused on the period of Adams's political life when he was most active, the bulk of the materials ending with his lieutenant governorship in 1975.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Adams, Tom, 1917-2006","English"],"unitid_tesim":["MS-1999-01","/repositories/2/resources/354"],"normalized_date_ssm":["1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"normalized_title_ssm":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"collection_title_tesim":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"collection_ssim":["Tom Adams collection, 1950-1980, Date acquired: 00/00/1999, bulk 1962-1974"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government"],"geogname_ssim":["Florida -- Politics and government"],"creator_ssm":["Adams, Tom, 1917-2006"],"creator_ssim":["Adams, Tom, 1917-2006"],"creator_persname_ssim":["Adams, Tom, 1917-2006"],"creators_ssim":["Adams, Tom, 1917-2006"],"places_ssim":["Florida -- Politics and government"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Tom Adams","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["17.07 Linear Feet","35 boxes"],"extent_tesim":["17.07 Linear Feet","35 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into 10 series, such as speeches, clippings, correspondence, audiovisual materials, etc. Speeches are organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into 10 series, such as speeches, clippings, correspondence, audiovisual materials, etc. Speeches are organized chronologically."],"bioghist_html_tesm":["\u003cp\u003eFlorida native Thomas \"Tom\" Burton Adams was a Florida Senator from 1956-1960, Florida Secretary of State from 1961-1971, and served as lieutenant governor during Reubin Askew's first term as Governor (1971-1975). Prior to his political career, Adams worked in the dairy industry after returning from college at the University of Michigan. He also maintained a farm and was involved in the lumber industry and property management during this time. After a near-impeachment in 1973 mostly scuttled him from the political arena, Adams remained a slightly eccentric yet endearing public figure, maintaining his flair for organizational involvement and was even chosen by former political opponent Claude Kirk in 1978 to become his statewide campaign chairman.\u003c/p\u003e\n","\u003cp\u003eNote written by PC\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Florida native Thomas \"Tom\" Burton Adams was a Florida Senator from 1956-1960, Florida Secretary of State from 1961-1971, and served as lieutenant governor during Reubin Askew's first term as Governor (1971-1975). 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After a near-impeachment in 1973 mostly scuttled him from the political arena, Adams remained a slightly eccentric yet endearing public figure, maintaining his flair for organizational involvement and was even chosen by former political opponent Claude Kirk in 1978 to become his statewide campaign chairman.","Note written by PC"],"prefercite_html_tesm":["\u003cp\u003eTom Adams Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tom Adams Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains speeches by Adams, newspaper clippings, film and audio recordings, correspondence, photographs, newsletters, awards and plaques, as well as campaign signs and other items mostly focused on the period of Adams's political life when he was most active, the bulk of the materials ending with his lieutenant governorship in 1975.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains speeches by Adams, newspaper clippings, film and audio recordings, correspondence, photographs, newsletters, awards and plaques, as well as campaign signs and other items mostly focused on the period of Adams's political life when he was most active, the bulk of the materials ending with his lieutenant governorship in 1975."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Adams, Tom, 1917-2006"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Adams, Tom, 1917-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":946,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862926758281216,"_root_":"731369245814d8ade7a56926","timestamp":"2026-07-16T09:25:22.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/731369245814d8ade7a56926_aspace_107545"}},{"id":"83f92d0a0a882d51dcaee274_aspace_a7d80ea2d67faffded38c9e90fdc1559","type":"File","attributes":{"title":"26th Annual Report, Continuing Surface Water Quality, 2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_a7d80ea2d67faffded38c9e90fdc1559#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a7d80ea2d67faffded38c9e90fdc1559","ref_ssm":["aspace_a7d80ea2d67faffded38c9e90fdc1559","aspace_a7d80ea2d67faffded38c9e90fdc1559"],"id":"83f92d0a0a882d51dcaee274_aspace_a7d80ea2d67faffded38c9e90fdc1559","title_filing_ssi":"26th Annual Report, Continuing Surface Water Quality","title_ssm":["26th Annual Report, Continuing Surface Water Quality"],"title_tesim":["26th Annual Report, Continuing Surface Water Quality"],"unitdate_other_ssim":["2011"],"normalized_date_ssm":["2011"],"normalized_title_ssm":["26th Annual Report, Continuing Surface Water Quality, 2011"],"text":["26th Annual Report, Continuing Surface Water Quality, 2011","Southwest Florida Regional Planning Council Collection, 1920-2020","Palmer Ranch","Analysis, 1969-2019","/repositories/2/archival_objects/39967","Report and studies","English","box 93","folder 251"],"component_level_isim":[3],"parent_ids_ssim":["83f92d0a0a882d51dcaee274","83f92d0a0a882d51dcaee274_aspace_2c528b37264d9bdc8a4d32b668d60cc0","83f92d0a0a882d51dcaee274_aspace_44982f04eb0b71a8718437d9435ef1d9"],"parent_unittitles_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020","Palmer Ranch","Analysis, 1969-2019"],"parent_unittitles_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020","Palmer Ranch","Analysis, 1969-2019"],"parent_levels_ssm":["collection","Series","Subgroup"],"unitid_ssm":["/repositories/2/archival_objects/39967"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3334,"parent_access_restrict_tesm":["The collection is open for use by the public."],"date_range_isim":[2011],"access_subjects_ssim":["Report and studies"],"access_subjects_ssm":["Report and studies"],"language_ssim":["English"],"containers_ssim":["box 93","folder 251"],"_nest_path_":"/components#75/components#1/components#122","_nest_parent_":"83f92d0a0a882d51dcaee274_aspace_44982f04eb0b71a8718437d9435ef1d9","_root_":"83f92d0a0a882d51dcaee274","_version_":1879903291767259136,"timestamp":"2026-10-24T04:18:06.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83f92d0a0a882d51dcaee274","title_ssm":["Southwest Florida Regional Planning Council Collection"],"title_tesim":["Southwest Florida Regional Planning Council Collection"],"ead_ssi":"83f92d0a0a882d51dcaee274","unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.03.11","/repositories/2/resources/69"],"text":["02.03.11","/repositories/2/resources/69","Southwest Florida Regional Planning Council Collection, 1920-2020","Urban Planning","Environmental planning","The collection is open for use by the public.","Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection .","Southwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. The Southwest Florida Regional Planning Council Collection offers an extensive array of documents, reports, maps, and materials documenting the development and conservation of the SWFL region from the Southwest Florida Regional Planning Council.","Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council","English"],"unitid_tesim":["02.03.11","/repositories/2/resources/69"],"normalized_date_ssm":["1920-2020"],"normalized_title_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_title_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Urban Planning"],"geogname_ssim":["Urban Planning"],"creator_ssm":["Southwest Florida Regional Planning Council"],"creator_ssim":["Southwest Florida Regional Planning Council"],"creator_corpname_ssim":["Southwest Florida Regional Planning Council"],"creators_ssim":["Southwest Florida Regional Planning Council"],"places_ssim":["Urban Planning"],"access_subjects_ssim":["Environmental planning"],"access_subjects_ssm":["Environmental planning"],"has_online_content_ssim":["false"],"extent_ssm":["408 Linear Feet"],"extent_tesim":["408 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use by the public.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use by the public."],"relatedmaterial_html_tesm":["\u003cp\u003eOversized maps within the Southwest Regional Planning Council are published and described in the \u003ca href=\"https://archives.fgcu.edu/archival_objects/rpcmaps\"\u003eSouthwest Florida Map Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSouthwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. 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The Southwest Florida Regional Planning Council Collection offers an extensive array of documents, reports, maps, and materials documenting the development and conservation of the SWFL region from the Southwest Florida Regional Planning Council."],"names_coll_ssim":["Southwest Florida Regional Planning Council"],"names_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"corpname_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content 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2017","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9ccc11598872734b4fb9ef7e_aspace_cdbb985e725e3f4638abb15db6ab98aa#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cdbb985e725e3f4638abb15db6ab98aa","ref_ssm":["aspace_cdbb985e725e3f4638abb15db6ab98aa","aspace_cdbb985e725e3f4638abb15db6ab98aa"],"id":"9ccc11598872734b4fb9ef7e_aspace_cdbb985e725e3f4638abb15db6ab98aa","title_filing_ssi":"26th Annual Southwest Florida Water Resources Conference and Student Poster Scores","title_ssm":["26th Annual Southwest Florida Water Resources Conference and Student Poster Scores"],"title_tesim":["26th Annual Southwest Florida Water Resources Conference and Student Poster Scores"],"unitdate_other_ssim":["January 13, 2017"],"normalized_date_ssm":["January 13, 2017"],"normalized_title_ssm":["26th Annual Southwest Florida Water Resources Conference and Student Poster Scores, January 13, 2017"],"text":["26th Annual Southwest Florida Water Resources Conference and Student Poster Scores, January 13, 2017","The Water School, 2022-11-18","Southwest Florida Water Conference, 2011-2021","/repositories/3/archival_objects/35822","English","box 89","folder 56"],"component_level_isim":[2],"parent_ids_ssim":["9ccc11598872734b4fb9ef7e","9ccc11598872734b4fb9ef7e_aspace_3dd05b5a4108ea37b56485633edc4de6"],"parent_unittitles_ssm":["The Water School, 2022-11-18","Southwest Florida Water Conference, 2011-2021"],"parent_unittitles_tesim":["The Water School, 2022-11-18","Southwest Florida Water Conference, 2011-2021"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/35822"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["The Water School, 2022-11-18"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":53,"parent_access_restrict_tesm":["This collection is open for 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Archives","English"],"unitid_tesim":["01.02.13","/repositories/3/resources/77"],"normalized_date_ssm":["2022-11-18"],"normalized_title_ssm":["The Water School, 2022-11-18"],"collection_title_tesim":["The Water School, 2022-11-18"],"collection_ssim":["The Water School, 2022-11-18"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["\u003c1 Linear Feet"],"extent_tesim":["\u003c1 Linear Feet"],"date_range_isim":[2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the creation and development of The Water School.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This 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Div. Boys, Parade, 1919","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178197#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178197#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_178197","ref_ssm":["aspace_178197","aspace_178197"],"id":"18ce43a3c782b797db9fa781_aspace_178197","title_filing_ssi":"26th. Div. Boys, Parade","title_ssm":["26th. Div. Boys, Parade"],"title_tesim":["26th. Div. Boys, Parade"],"unitdate_other_ssim":["1919"],"normalized_date_ssm":["1919"],"normalized_title_ssm":["26th. Div. Boys, Parade, 1919"],"text":["26th. Div. Boys, Parade, 1919","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Parades, Admiral Dewey","Parades","Item 61","/repositories/2/archival_objects/83369","Black and white photograph."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179820","18ce43a3c782b797db9fa781_aspace_177911"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Parades, Admiral Dewey","Parades"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides - Parades, Admiral Dewey","Parades"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 61","/repositories/2/archival_objects/83369"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":816,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Black and white photograph."],"_nest_path_":"/components#18/components#0/components#60","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_177911","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_178197"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=list"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=list"}},{"attributes":{"label":"Sam 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