{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=4\u0026page=65718\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=4\u0026page=65717\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=4\u0026page=65719\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=4\u0026page=65773\u0026view=compact"},"meta":{"pages":{"current_page":65718,"next_page":65719,"prev_page":65717,"total_pages":65773,"limit_value":10,"offset_value":657170,"total_count":657728,"first_page?":false,"last_page?":false}},"data":[{"id":"72deb24cd94ab58efde27fe0_aspace_92670","type":"File","attributes":{"title":"Zero Plate Manufacturing Company","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_92670#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e6 photos\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_92670#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_92670","ref_ssm":["aspace_92670","aspace_92670"],"id":"72deb24cd94ab58efde27fe0_aspace_92670","title_filing_ssi":"Zero Plate Manufacturing Company","title_ssm":["Zero Plate Manufacturing Company"],"title_tesim":["Zero Plate Manufacturing Company"],"normalized_title_ssm":["Zero Plate Manufacturing Company"],"text":["Zero Plate Manufacturing Company","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn","Folder 29","/repositories/2/archival_objects/79224","box 50","folder 29","6 photos"],"component_level_isim":[3],"parent_ids_ssim":["72deb24cd94ab58efde27fe0","72deb24cd94ab58efde27fe0_aspace_51853","72deb24cd94ab58efde27fe0_aspace_108247"],"parent_unittitles_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn"],"parent_unittitles_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 29","/repositories/2/archival_objects/79224"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2725,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 50","folder 29"],"scopecontent_html_tesm":["\u003cp\u003e6 photos\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["6 photos"],"_nest_path_":"/components#0/components#49/components#28","_nest_parent_":"72deb24cd94ab58efde27fe0_aspace_108247","_root_":"72deb24cd94ab58efde27fe0","_version_":1877023012303142912,"timestamp":"2026-09-22T09:17:18.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72deb24cd94ab58efde27fe0","title_ssm":["Gandy Commercial and Aerial Photography collection"],"title_tesim":["Gandy Commercial and Aerial Photography collection"],"ead_ssi":"72deb24cd94ab58efde27fe0","unitdate_ssm":["1950-2010","Date acquired: 12/01/2010"],"unitdate_inclusive_ssm":["1950-2010"],"unitdate_other_ssim":["Date acquired: 12/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-02","/repositories/2/resources/390"],"text":["MS-2010-02","/repositories/2/resources/390","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Boats and boating -- Florida","Photograph collections","No restrictions.","Arranged alphabetically in two series (aerial and commercial photography).","Skip Gandy was born in Tampa in 1942. 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More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. 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As cataloging continues to take place, we will be able to ascertain the extent of this very special and unique collection."],"names_ssim":["The John A. Degen Resource Room at FSU"],"corpname_ssim":["The John A. 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He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba.","Primarily covers his years in the U.S. House of Representatives, 1962-1996.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Gibbons, Sam M. (Sam Melville), 1920-2012","English"],"unitid_tesim":["MS-1996-02","/repositories/2/resources/378"],"normalized_date_ssm":["1940-2000, 1996, bulk 1960-1996"],"normalized_title_ssm":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"collection_title_tesim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"collection_ssim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"creator_ssm":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"creator_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"creator_persname_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"creators_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Sam Gibbons and Gibbons family, U.S. House of Representatives","Donation."],"access_subjects_ssim":["University of South Florida -- History"],"access_subjects_ssm":["University of South Florida -- History"],"has_online_content_ssim":["false"],"extent_ssm":["504.02 Linear Feet","370 boxes"],"extent_tesim":["504.02 Linear Feet","370 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eChronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing."],"bioghist_html_tesm":["\u003cp\u003eSam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.\u0026#xA0; Gibbons died in Tampa in 2012.\u003c/p\u003e\n","\u003cp\u003eAs a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Sam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba."],"scopecontent_html_tesm":["\u003cp\u003ePrimarily covers his years in the U.S. House of Representatives, 1962-1996.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Primarily covers his years in the U.S. House of Representatives, 1962-1996."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Gibbons, Sam M. (Sam Melville), 1920-2012"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8166,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881013055886721024,"_root_":"65675f74ccda9442057b96d0","timestamp":"2026-11-05T10:17:19.988Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/65675f74ccda9442057b96d0_aspace_51425eb78ed6ee157b34ee94c1b54f06"}},{"id":"2326334e5e159c8d459e96a3_aspace_38109","type":"Item","attributes":{"title":"Zero tolerance smoking policy, May 15, 2001.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38109#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38109","ref_ssm":["aspace_38109","aspace_38109"],"id":"2326334e5e159c8d459e96a3_aspace_38109","title_filing_ssi":"Zero tolerance smoking policy","title_ssm":["Zero tolerance smoking policy"],"title_tesim":["Zero tolerance smoking policy"],"unitdate_other_ssim":["May 15, 2001."],"normalized_date_ssm":["May 15, 2001."],"normalized_title_ssm":["Zero tolerance smoking policy, May 15, 2001."],"text":["Zero tolerance smoking policy, May 15, 2001.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002.","Item 28","/repositories/4/archival_objects/2740","box 9","folder 5"],"component_level_isim":[4],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38079"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Gag Cartoons, 1988-2002."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Item 28","/repositories/4/archival_objects/2740"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":929,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 9","folder 5"],"_nest_path_":"/components#0/components#1/components#2/components#27","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38079","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38109"}},{"id":"a01f3f95adf1c9c7acaac02c_aspace_f5ddb41258969afd1b09a03de1849908","type":"File","attributes":{"title":"Zero Zero, 1974","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a01f3f95adf1c9c7acaac02c_aspace_f5ddb41258969afd1b09a03de1849908#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSigned copy of Francis Poole's collection of poetry. It contains works that have previous been featured in the magazines Bachaet, Beloit Poetry Journal, Epos, Poem, Southern Humanities Review, and Zephyr. It features Lady Zero, one of his more well-known poems.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a01f3f95adf1c9c7acaac02c_aspace_f5ddb41258969afd1b09a03de1849908#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f5ddb41258969afd1b09a03de1849908","ref_ssm":["aspace_f5ddb41258969afd1b09a03de1849908","aspace_f5ddb41258969afd1b09a03de1849908"],"id":"a01f3f95adf1c9c7acaac02c_aspace_f5ddb41258969afd1b09a03de1849908","title_filing_ssi":"Zero Zero","title_ssm":["Zero Zero"],"title_tesim":["Zero Zero"],"unitdate_other_ssim":["1974"],"normalized_date_ssm":["1974"],"normalized_title_ssm":["Zero Zero, 1974"],"text":["Zero Zero, 1974","Francis Poole Papers Collection, bulk 1974-2025","Francis Poole Collection","/repositories/2/archival_objects/87570","box 1","folder 1","Signed copy of Francis Poole's collection of poetry. It contains works that have previous been featured in the magazines Bachaet, Beloit Poetry Journal, Epos, Poem, Southern Humanities Review, and Zephyr. It features Lady Zero, one of his more well-known poems."],"component_level_isim":[2],"parent_ids_ssim":["a01f3f95adf1c9c7acaac02c","a01f3f95adf1c9c7acaac02c_aspace_8744efd62b1f94a0cd65f6d0383e4641"],"parent_unittitles_ssm":["Francis Poole Papers Collection, bulk 1974-2025","Francis Poole Collection"],"parent_unittitles_tesim":["Francis Poole Papers Collection, bulk 1974-2025","Francis Poole Collection"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/87570"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Francis Poole Papers Collection, bulk 1974-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1974],"containers_ssim":["box 1","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eSigned copy of Francis Poole's collection of poetry. It contains works that have previous been featured in the magazines Bachaet, Beloit Poetry Journal, Epos, Poem, Southern Humanities Review, and Zephyr. It features Lady Zero, one of his more well-known poems.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Signed copy of Francis Poole's collection of poetry. It contains works that have previous been featured in the magazines Bachaet, Beloit Poetry Journal, Epos, Poem, Southern Humanities Review, and Zephyr. It features Lady Zero, one of his more well-known poems."],"_nest_path_":"/components#0/components#0","_nest_parent_":"a01f3f95adf1c9c7acaac02c_aspace_8744efd62b1f94a0cd65f6d0383e4641","_root_":"a01f3f95adf1c9c7acaac02c","_version_":1870932196925112320,"timestamp":"2026-07-17T03:46:23.944Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a01f3f95adf1c9c7acaac02c","title_ssm":["Francis Poole Papers Collection"],"title_tesim":["Francis Poole Papers Collection"],"ead_ssi":"a01f3f95adf1c9c7acaac02c","unitdate_ssm":["1974-2025"],"unitdate_bulk_ssim":["1974-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0005","/repositories/2/resources/223"],"text":["UAFP0005","/repositories/2/resources/223","Francis Poole Papers Collection, bulk 1974-2025","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Poole's poetry books are arranged in chronological order. The magazines he edited are arranged first by title and then chronologically.","Material held by Francis Poole until mailed to the Special Collections.","In 2013, the collection was processed by Leslie Siegel and then revised in 2026 by Victoria Thur and Antonietta Ruschak","Francis Poole was born in St. Johnsbury, Vermont and his family moved to Florida where Poole attended high school in Tarpon Springs. By 1971, Francis Poole graduated from Florida Atlantic University with a bachelor's degree in English. While he was a student, Poole edited the literary magazine \"Zephyr.\" After graduation along with Bert Furbee, they edited another literary magazine \"Skullpolish.\" In 1974 he received a fellowship to the MacDowell Colony in Peterborough, New Hampshire. In 1977, Poole began publishing and editing \"Blades\" which he describes as \"a tiny magazine.\" \"Blades,\" in fact, is considered a poetry magazine of importance for both its content and its design which falls within the book arts category. In 1990, Poole joined the staff of the University of Delaware Library. Poole is the curator of the Paul Bowles Collection at the University of Delaware. Poole retired in 2017 from the University of Delaware. The collection at FAU Libraries consists of Poole's published books of poetry and the magazines he edited after graduating from Florida Atlantic University. His poetry has appeared in several notable publications: Southern Poetry Review, Shattered Wig Review, Rolling Stone, Philadelphia Poets, Village Voice, and the New York Quarterly.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0005","/repositories/2/resources/223"],"normalized_date_ssm":["bulk 1974-2025"],"normalized_title_ssm":["Francis Poole Papers Collection, bulk 1974-2025"],"collection_title_tesim":["Francis Poole Papers Collection, bulk 1974-2025"],"collection_ssim":["Francis Poole Papers Collection, bulk 1974-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003ePoole's poetry books are arranged in chronological order. The magazines he edited are arranged first by title and then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Poole's poetry books are arranged in chronological order. The magazines he edited are arranged first by title and then chronologically."],"custodhist_html_tesm":["\u003cp\u003eMaterial held by Francis Poole until mailed to the Special Collections.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material held by Francis Poole until mailed to the Special Collections."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, the collection was processed by Leslie Siegel and then revised in 2026 by Victoria Thur and Antonietta Ruschak\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, the collection was processed by Leslie Siegel and then revised in 2026 by Victoria Thur and Antonietta Ruschak"],"scopecontent_html_tesm":["\u003cp\u003eFrancis Poole was born in St. Johnsbury, Vermont and his family moved to Florida where Poole attended high school in Tarpon Springs. By 1971, Francis Poole graduated from Florida Atlantic University with a bachelor's degree in English. While he was a student, Poole edited the literary magazine \"Zephyr.\" After graduation along with Bert Furbee, they edited another literary magazine \"Skullpolish.\" In 1974 he received a fellowship to the MacDowell Colony in Peterborough, New Hampshire. In 1977, Poole began publishing and editing \"Blades\" which he describes as \"a tiny magazine.\" \"Blades,\" in fact, is considered a poetry magazine of importance for both its content and its design which falls within the book arts category. In 1990, Poole joined the staff of the University of Delaware Library. Poole is the curator of the Paul Bowles Collection at the University of Delaware. Poole retired in 2017 from the University of Delaware. The collection at FAU Libraries consists of Poole's published books of poetry and the magazines he edited after graduating from Florida Atlantic University. His poetry has appeared in several notable publications: Southern Poetry Review, Shattered Wig Review, Rolling Stone, Philadelphia Poets, Village Voice, and the New York Quarterly.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Francis Poole was born in St. Johnsbury, Vermont and his family moved to Florida where Poole attended high school in Tarpon Springs. By 1971, Francis Poole graduated from Florida Atlantic University with a bachelor's degree in English. While he was a student, Poole edited the literary magazine \"Zephyr.\" After graduation along with Bert Furbee, they edited another literary magazine \"Skullpolish.\" In 1974 he received a fellowship to the MacDowell Colony in Peterborough, New Hampshire. In 1977, Poole began publishing and editing \"Blades\" which he describes as \"a tiny magazine.\" \"Blades,\" in fact, is considered a poetry magazine of importance for both its content and its design which falls within the book arts category. In 1990, Poole joined the staff of the University of Delaware Library. Poole is the curator of the Paul Bowles Collection at the University of Delaware. Poole retired in 2017 from the University of Delaware. The collection at FAU Libraries consists of Poole's published books of poetry and the magazines he edited after graduating from Florida Atlantic University. His poetry has appeared in several notable publications: Southern Poetry Review, Shattered Wig Review, Rolling Stone, Philadelphia Poets, Village Voice, and the New York Quarterly."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013, Rita Pellen, Teresa Van Dyke, Rick Cullen, Annaleah Morse, and Victoria Thur processed this collection. In 2014, Shellie Labell translated the German pamphlets. In 2015, Annaleah Morse updated this collection.","The Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Weiner"],"access_subjects_ssm":["Weiner"],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet","20 document boxes other_unmapped"],"extent_tesim":["9.00 Linear Feet","20 document boxes other_unmapped"],"date_range_isim":[1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In 2015, Annaleah Morse updated this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, Rita Pellen, Teresa Van Dyke, Rick Cullen, Annaleah Morse, and Victoria Thur processed this collection. In 2014, Shellie Labell translated the German pamphlets. In 2015, Annaleah Morse updated this collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents.\u003c/p\u003e\n","\u003cp\u003eThe pamphlets in this series highlight European concerns in the 17th and 18th centuries.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marvin and Sybil Weiner Spirit of America Collection at Florida Atlantic University offers a wide variety of primary source materials suitable for research in the disciplines of history, political science, philosophy, pre-law and linguistics. With more than 13,000 items, the collection consists of printed and manuscript materials dating from the fifteenth century to the modern era. Materials include rare books, pamphlets, historical newspapers and journals, broadsides and cartoons, and documents.","The pamphlets in this series highlight European concerns in the 17th and 18th centuries."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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