{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65731\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65730\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65732\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65773\u0026view=list"},"meta":{"pages":{"current_page":65731,"next_page":65732,"prev_page":65730,"total_pages":65773,"limit_value":10,"offset_value":657300,"total_count":657724,"first_page?":false,"last_page?":false}},"data":[{"id":"5d071ae2b8210ec4a1b8c7f7_aspace_31a29c9e7b058ef46f9d1c2f676e3da5","type":"File","attributes":{"title":"Zines","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5d071ae2b8210ec4a1b8c7f7_aspace_31a29c9e7b058ef46f9d1c2f676e3da5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_31a29c9e7b058ef46f9d1c2f676e3da5","ref_ssm":["aspace_31a29c9e7b058ef46f9d1c2f676e3da5","aspace_31a29c9e7b058ef46f9d1c2f676e3da5"],"id":"5d071ae2b8210ec4a1b8c7f7_aspace_31a29c9e7b058ef46f9d1c2f676e3da5","title_filing_ssi":"Zines","title_ssm":["Zines"],"title_tesim":["Zines"],"normalized_title_ssm":["Zines"],"text":["Zines","SGA and Student Groups, Undated","/repositories/10/archival_objects/222861","box 7"],"component_level_isim":[1],"parent_ids_ssim":["5d071ae2b8210ec4a1b8c7f7"],"parent_unittitles_ssm":["SGA and Student Groups, Undated"],"parent_unittitles_tesim":["SGA and Student Groups, Undated"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/222861"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["SGA and Student Groups, Undated"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":22,"parent_access_restrict_tesm":["This collection is open to all researchers.","Boxes 21, 25, and oversized material can be accessed at the Claude Pepper Library. Boxes 1-20 and 22-24 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 7"],"_nest_path_":"/components#21","_nest_parent_":"5d071ae2b8210ec4a1b8c7f7","_root_":"5d071ae2b8210ec4a1b8c7f7","_version_":1870858016180404224,"timestamp":"2026-07-16T08:07:19.671Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5d071ae2b8210ec4a1b8c7f7","title_ssm":["SGA and Student Groups"],"title_tesim":["SGA and Student Groups"],"ead_ssi":"5d071ae2b8210ec4a1b8c7f7","unitdate_ssm":["Undated"],"unitdate_inclusive_ssm":["Undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2018-011","/repositories/10/resources/2155"],"text":["HUA 2018-011","/repositories/10/resources/2155","SGA and Student Groups, Undated","This collection is open to all researchers.","Boxes 21, 25, and oversized material can be accessed at the Claude Pepper Library. Boxes 1-20 and 22-24 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date received: 2018/04/21\nDate accessioned: 2018","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2018-011","/repositories/10/resources/2155"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["SGA and Student Groups, Undated"],"collection_title_tesim":["SGA and Student Groups, Undated"],"collection_ssim":["SGA and Student Groups, Undated"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Student Government Association/ Carolyn Harris"],"has_online_content_ssim":["false"],"extent_ssm":["29 Linear Feet"],"extent_tesim":["29 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eBoxes 21, 25, and oversized material can be accessed at the Claude Pepper Library. Boxes 1-20 and 22-24 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","Boxes 21, 25, and oversized material can be accessed at the Claude Pepper Library. Boxes 1-20 and 22-24 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"custodhist_html_tesm":["\u003cp\u003eDate received: 2018/04/21\nDate accessioned: 2018\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date received: 2018/04/21\nDate accessioned: 2018"],"prefercite_html_tesm":["\u003cp\u003eSGA and Student Groups, HUA 2018-011, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/HUA-2018-011\u003c/p\u003e"],"prefercite_tesim":["SGA and Student Groups, HUA 2018-011, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/HUA-2018-011"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":199,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858016180404224,"_root_":"5d071ae2b8210ec4a1b8c7f7","timestamp":"2026-07-16T08:07:19.671Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5d071ae2b8210ec4a1b8c7f7_aspace_31a29c9e7b058ef46f9d1c2f676e3da5"}},{"id":"7102752fac959e9873e34cce_aspace_124048","type":"Series","attributes":{"title":"Zines, 1990-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7102752fac959e9873e34cce_aspace_124048#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_124048","ref_ssm":["aspace_124048","aspace_124048"],"id":"7102752fac959e9873e34cce_aspace_124048","title_filing_ssi":"Zines","title_ssm":["Zines"],"title_tesim":["Zines"],"unitdate_other_ssim":["1990-2003"],"normalized_date_ssm":["1990-2003"],"normalized_title_ssm":["Zines, 1990-2003"],"text":["Zines, 1990-2003","Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007","4","/repositories/10/archival_objects/114019"],"component_level_isim":[1],"parent_ids_ssim":["7102752fac959e9873e34cce"],"parent_unittitles_ssm":["Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007"],"parent_unittitles_tesim":["Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007"],"parent_levels_ssm":["collection"],"unitid_ssm":["4","/repositories/10/archival_objects/114019"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":51,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":82,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"_nest_path_":"/components#3","_nest_parent_":"7102752fac959e9873e34cce","_root_":"7102752fac959e9873e34cce","timestamp":"2026-07-08T11:53:22.429Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7102752fac959e9873e34cce","title_ssm":["Alicia Korenman Graphic Novels Collection"],"title_tesim":["Alicia Korenman Graphic Novels Collection"],"ead_ssi":"7102752fac959e9873e34cce","unitdate_ssm":["1983-2007","1990-2007"],"unitdate_bulk_ssim":["1990-2007"],"unitdate_inclusive_ssm":["1983-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2007-047","/repositories/10/resources/645"],"text":["MSS 2007-047","/repositories/10/resources/645","Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007","Pamphlets","Promotional materials","Underground comic books, strips, etc.","Zines.","Superhero comics.","Comic books, strips, etc.--Fiction","Graphic novels--History and criticism","Graphic novels.","Videocassettes.","Commonplace books","Comic books, strips, etc.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Organized by type of publication.","Alicia Korenman became interested in the portrayal of women by the American comic book industry in the 1990s. Korenman found that alternative and small press comic book publishers offered realistic explorations of human emotions and the female experience.","Note written by ","Portions of collection available online?: No","Processed by Sara Duff in 2009.","Comic Book and Graphic Novel Collection, David M. Rubenstein Rare Book \u0026\tManuscript Library, Duke University.  http://library.duke.edu/rubenstein/findingaids/comicbooks.pdf","Includes small press and alternative publications, with a focus on content related to everyday experiences and societal norms. Publishers include Alternative Comics, Fantagraphics Books, Slave Labor Graphics, Vertigo Comics, and independently produced zines, as well as Dark Horse Comics, DC Comics, Image Comics, Oni Press, and Marvel Comics.","Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2007-047","/repositories/10/resources/645"],"normalized_date_ssm":["1983-2007, bulk 1990-2007"],"normalized_title_ssm":["Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007"],"collection_title_tesim":["Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007"],"collection_ssim":["Alicia Korenman Graphic Novels Collection, 1983-2007, bulk 1990-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Given by Alicia Korenman."],"access_subjects_ssim":["Pamphlets","Promotional materials","Underground comic books, strips, etc.","Zines.","Superhero comics.","Comic books, strips, etc.--Fiction","Graphic novels--History and criticism","Graphic novels.","Videocassettes.","Commonplace books","Comic books, strips, etc."],"access_subjects_ssm":["Pamphlets","Promotional materials","Underground comic books, strips, etc.","Zines.","Superhero comics.","Comic books, strips, etc.--Fiction","Graphic novels--History and criticism","Graphic novels.","Videocassettes.","Commonplace books","Comic books, strips, etc."],"has_online_content_ssim":["false"],"extent_ssm":["25.00 boxes"],"extent_tesim":["25.00 boxes"],"genreform_ssim":["Videocassettes.","Commonplace books","Comic books, strips, etc."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eOrganized by type of publication.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized by type of publication."],"bioghist_html_tesm":["\u003cp\u003eAlicia Korenman became interested in the portrayal of women by the American comic book industry in the 1990s. Korenman found that alternative and small press comic book publishers offered realistic explorations of human emotions and the female experience.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Alicia Korenman became interested in the portrayal of women by the American comic book industry in the 1990s. Korenman found that alternative and small press comic book publishers offered realistic explorations of human emotions and the female experience.","Note written by "],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eAlicia Korenman Graphic Novels Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2007-047\"\u003ehttp://purl.fcla.edu/fsu/MSS_2007-047\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Alicia Korenman Graphic Novels Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2007-047"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sara Duff in 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sara Duff in 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eComic Book and Graphic Novel Collection, David M. Rubenstein Rare Book \u0026amp;\tManuscript Library, Duke University. \u003cextref href=\"http://library.duke.edu/rubenstein/findingaids/comicbooks.pdf\"\u003ehttp://library.duke.edu/rubenstein/findingaids/comicbooks.pdf\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Comic Book and Graphic Novel Collection, David M. Rubenstein Rare Book \u0026\tManuscript Library, Duke University.  http://library.duke.edu/rubenstein/findingaids/comicbooks.pdf"],"scopecontent_html_tesm":["\u003cp\u003eIncludes small press and alternative publications, with a focus on content related to everyday experiences and societal norms. Publishers include Alternative Comics, Fantagraphics Books, Slave Labor Graphics, Vertigo Comics, and independently produced zines, as well as Dark Horse Comics, DC Comics, Image Comics, Oni Press, and Marvel Comics.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes small press and alternative publications, with a focus on content related to everyday experiences and societal norms. Publishers include Alternative Comics, Fantagraphics Books, Slave Labor Graphics, Vertigo Comics, and independently produced zines, as well as Dark Horse Comics, DC Comics, Image Comics, Oni Press, and Marvel Comics."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been transferred to the Florida State University Libraries.\u003c/p\u003e\n","\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been transferred to the Florida State University Libraries.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":375,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7102752fac959e9873e34cce","timestamp":"2026-07-08T11:53:22.429Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7102752fac959e9873e34cce_aspace_124048"}},{"id":"256e771e3cc0782aac349f80_aspace_17943","type":"Subseries","attributes":{"title":"Zines from Other Creators","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_17943#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17943","ref_ssm":["aspace_17943","aspace_17943"],"id":"256e771e3cc0782aac349f80_aspace_17943","title_filing_ssi":"Zines from Other Creators","title_ssm":["Zines from Other Creators"],"title_tesim":["Zines from Other Creators"],"normalized_title_ssm":["Zines from Other Creators"],"text":["Zines from Other Creators","Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Sub-Series 3","/repositories/2/archival_objects/3768","box 1"],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_17302"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 3","/repositories/2/archival_objects/3768"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":62,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":30,"parent_access_restrict_tesm":["The collection is open for use."],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#2","_nest_parent_":"256e771e3cc0782aac349f80_aspace_17302","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_17943"}},{"id":"085cdf111f574f3d1d8dd845_aspace_158037","type":"Item","attributes":{"title":"Zines?Zines!","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_158037#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA zine FAQ for the Tampa Free Skool zine workshop.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_158037#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_158037","ref_ssm":["aspace_158037","aspace_158037"],"id":"085cdf111f574f3d1d8dd845_aspace_158037","title_filing_ssi":"Zines?Zines!","title_ssm":["Zines?Zines!"],"title_tesim":["Zines?Zines!"],"normalized_title_ssm":["Zines?Zines!"],"text":["Zines?Zines!","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","DIY Zines","Item 19","/repositories/2/archival_objects/9103","A zine FAQ for the Tampa Free Skool zine workshop.","[Shae Krispinsky, auth.]","Tampa, FL"],"component_level_isim":[2],"parent_ids_ssim":["085cdf111f574f3d1d8dd845","085cdf111f574f3d1d8dd845_aspace_158120"],"parent_unittitles_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","DIY Zines"],"parent_unittitles_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","DIY Zines"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 19","/repositories/2/archival_objects/9103"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":646,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eA zine FAQ for the Tampa Free Skool zine workshop.\u003c/p\u003e","\u003cp\u003e[Shae Krispinsky, auth.]\u003c/p\u003e","\u003cp\u003eTampa, FL\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A zine FAQ for the Tampa Free Skool zine workshop.","[Shae Krispinsky, auth.]","Tampa, FL"],"_nest_path_":"/components#18/components#17","_nest_parent_":"085cdf111f574f3d1d8dd845_aspace_158120","_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"085cdf111f574f3d1d8dd845","title_ssm":["Tampa Zine Fest Public Library"],"title_tesim":["Tampa Zine Fest Public Library"],"ead_ssi":"085cdf111f574f3d1d8dd845","unitdate_ssm":["1980-2016","Date acquired: 00/00/2017"],"unitdate_inclusive_ssm":["1980-2016"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-08","/repositories/2/resources/47"],"text":["MS-2017-08","/repositories/2/resources/47","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines","Accrual integrated 2026-02; CC","The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.","Processed","The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.","USF Libraries - Tampa Special Collections","Bloom, Philip","English"],"unitid_tesim":["MS-2017-08","/repositories/2/resources/47"],"normalized_date_ssm":["1980-2016, Date acquired: 00/00/2017"],"normalized_title_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_title_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bloom, Philip"],"creator_ssim":["Bloom, Philip"],"creator_persname_ssim":["Bloom, Philip"],"creators_ssim":["Bloom, Philip"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Philip Bloom","Donation."],"access_subjects_ssim":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"access_subjects_ssm":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","18 boxes"],"extent_tesim":["6.00 Linear Feet","18 boxes"],"genreform_ssim":["Zines","LGBTQ+ zines"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accruals_html_tesm":["\u003cp\u003eAccrual integrated 2026-02; CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual integrated 2026-02; CC"],"arrangement_html_tesm":["\u003cp\u003eThe zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine."],"prefercite_html_tesm":["\u003cp\u003eTampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThe majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.\u003c/p\u003e\n","\u003cp\u003eThis finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_330acc9f5dfb8f75036aa56087852cfe\" label=\"Abstract\"\u003eZine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.\u003c/abstract\u003e"],"abstract_tesim":["Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest."],"names_ssim":["USF Libraries - Tampa Special Collections","Bloom, Philip"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bloom, Philip"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":739,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_158037"}},{"id":"256e771e3cc0782aac349f80_aspace_18476","type":"File","attributes":{"title":"Zine Workshop Agenda, February 9, 2018","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18476#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eAn agenda of the February 9th meeting to organize artists and trips for the \"Transcending Trauma Through Art\" project.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18476#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18476","ref_ssm":["aspace_18476","aspace_18476"],"id":"256e771e3cc0782aac349f80_aspace_18476","title_filing_ssi":"Zine Workshop Agenda","title_ssm":["Zine Workshop Agenda"],"title_tesim":["Zine Workshop Agenda"],"unitdate_other_ssim":["February 9, 2018"],"normalized_date_ssm":["February 9, 2018"],"normalized_title_ssm":["Zine Workshop Agenda, February 9, 2018"],"text":["Zine Workshop Agenda, February 9, 2018","Zine Collection, 1973-2019","\"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018","Folder 5","/repositories/2/archival_objects/3831","box 4","folder 5","An agenda of the February 9th meeting to organize artists and trips for the \"Transcending Trauma Through Art\" project."],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_18441"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","\"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","\"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 5","/repositories/2/archival_objects/3831"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":351,"parent_access_restrict_tesm":["The collection is open for use."],"containers_ssim":["box 4","folder 5"],"scopecontent_html_tesm":["\u003cp\u003eAn agenda of the February 9th meeting to organize artists and trips for the \"Transcending Trauma Through Art\" project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["An agenda of the February 9th meeting to organize artists and trips for the \"Transcending Trauma Through Art\" project."],"_nest_path_":"/components#3/components#4","_nest_parent_":"256e771e3cc0782aac349f80_aspace_18441","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_18476"}},{"id":"d3616fdf15e8d4c7a8a83827_aspace_b96e84f29da9bc3d3163e8c6442cc7fb","type":"File","attributes":{"title":"Zinfandel Grape Label","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d3616fdf15e8d4c7a8a83827_aspace_b96e84f29da9bc3d3163e8c6442cc7fb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b96e84f29da9bc3d3163e8c6442cc7fb","ref_ssm":["aspace_b96e84f29da9bc3d3163e8c6442cc7fb","aspace_b96e84f29da9bc3d3163e8c6442cc7fb"],"id":"d3616fdf15e8d4c7a8a83827_aspace_b96e84f29da9bc3d3163e8c6442cc7fb","title_filing_ssi":"Zinfandel Grape Label","title_ssm":["Zinfandel Grape Label"],"title_tesim":["Zinfandel Grape Label"],"normalized_title_ssm":["Zinfandel Grape Label"],"text":["Zinfandel Grape Label","Jim Ellis Collection, 1885-1999","Fruit Labels","/repositories/3/archival_objects/25436","box 1","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["d3616fdf15e8d4c7a8a83827","d3616fdf15e8d4c7a8a83827_aspace_12873eaa0cae0831f210b83fdb2726e3"],"parent_unittitles_ssm":["Jim Ellis Collection, 1885-1999","Fruit Labels"],"parent_unittitles_tesim":["Jim Ellis Collection, 1885-1999","Fruit Labels"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/25436"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Jim Ellis Collection, 1885-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"containers_ssim":["box 1","folder 11"],"_nest_path_":"/components#2/components#2","_nest_parent_":"d3616fdf15e8d4c7a8a83827_aspace_12873eaa0cae0831f210b83fdb2726e3","_root_":"d3616fdf15e8d4c7a8a83827","_version_":1870852005533057024,"timestamp":"2026-07-16T06:31:47.472Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d3616fdf15e8d4c7a8a83827","title_ssm":["Jim Ellis Collection"],"title_tesim":["Jim Ellis Collection"],"ead_ssi":"d3616fdf15e8d4c7a8a83827","unitdate_ssm":["1885-1999"],"unitdate_inclusive_ssm":["1885-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT4030","/repositories/3/resources/135"],"text":["CIT4030","/repositories/3/resources/135","Jim Ellis Collection, 1885-1999","Citrus fruit industry--Florida--History.","Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruit industry--Florida--Polk County","Florida Citrus Mutual","Citrus fruits--Diseases and pests--Florida","Agricultural policy--United States","Citrus fruits--Packing--Florida","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","James Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees – whatever needed to be done – a trait he would carry with him throughout his life.","He attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute – where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.","He finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.","Shortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM– hosting steak dinners and signing up growers as members of the organization.","In 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.","As general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but – more importantly – sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.","When the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026 Bonds, Division of Fruits \u0026 Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.","Jim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.","His main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and – if you don't – you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections – along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.","However, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the décor of a restaurant recently opened in Sarasota!","However, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.","He has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.","Jim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain – his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website.","This collection contains various artifacts relating to citrus history.  The bulk of the collection is made of citrus labeling, ranging from collected crate labels to can labels, correspondence on label collecting, and even a crate label stamp.  It also contains information on inspections on citrus and vegetable groves, including inspector manuals and records.  Finiancial and business records are also contained in this collection.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT4030","/repositories/3/resources/135"],"normalized_date_ssm":["1885-1999"],"normalized_title_ssm":["Jim Ellis Collection, 1885-1999"],"collection_title_tesim":["Jim Ellis Collection, 1885-1999"],"collection_ssim":["Jim Ellis Collection, 1885-1999"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated by Jim Ellis 2014-current."],"access_subjects_ssim":["Citrus fruit industry--Florida--History.","Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruit industry--Florida--Polk County","Florida Citrus Mutual","Citrus fruits--Diseases and pests--Florida","Agricultural policy--United States","Citrus fruits--Packing--Florida"],"access_subjects_ssm":["Citrus fruit industry--Florida--History.","Fruit Crate Labels","Fruit--Labels--Florida","Antiques--Florida--Collectors and collecting","Citrus fruit industry--Florida--Polk County","Florida Citrus Mutual","Citrus fruits--Diseases and pests--Florida","Agricultural policy--United States","Citrus fruits--Packing--Florida"],"has_online_content_ssim":["false"],"extent_ssm":["4.37 Linear Feet 3 Legal Standard Archival Document Containers and 10 banker storage boxes"],"extent_tesim":["4.37 Linear Feet 3 Legal Standard Archival Document Containers and 10 banker storage boxes"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eJames Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees \u0026#x2013; whatever needed to be done \u0026#x2013; a trait he would carry with him throughout his life.\u003c/p\u003e\n","\u003cp\u003eHe attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute \u0026#x2013; where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.\u003c/p\u003e\n","\u003cp\u003eHe finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.\u003c/p\u003e\n","\u003cp\u003eShortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM\u0026#x2013; hosting steak dinners and signing up growers as members of the organization.\u003c/p\u003e\n","\u003cp\u003eIn 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.\u003c/p\u003e\n","\u003cp\u003eAs general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but \u0026#x2013; more importantly \u0026#x2013; sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.\u003c/p\u003e\n","\u003cp\u003eWhen the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026amp; Bonds, Division of Fruits \u0026amp; Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.\u003c/p\u003e\n","\u003cp\u003eJim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.\u003c/p\u003e\n","\u003cp\u003eHis main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and \u0026#x2013; if you don't \u0026#x2013; you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections \u0026#x2013; along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.\u003c/p\u003e\n","\u003cp\u003eHowever, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the d\u0026#xE9;cor of a restaurant recently opened in Sarasota!\u003c/p\u003e\n","\u003cp\u003eHowever, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.\u003c/p\u003e\n","\u003cp\u003eHe has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.\u003c/p\u003e\n","\u003cp\u003eJim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain \u0026#x2013; his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Howard Ellis was born on April 2, 1935 to Percy and Fannie Ellis in their wooden frame home in the middle of an Alturas orange grove, by our current Florida Commissioner of Agriculture, Adam Putnam's great-grandfather, Dr. Hughes.  His father had a small grove, but also worked at Lake Garfield Citrus Cooperative as a night watchman and repaired their wooden field crates before moving up the ladder to become the General Manager.  Jim grew up with his younger brother Charles, working in his family's groves hoeing, feeding livestock, pruning trees – whatever needed to be done – a trait he would carry with him throughout his life.","He attended a wooden three-room schoolhouse in Alturas through six grades, moving on to Bartow High School for two years before going to the Summerlin Institute – where he graduated in 1953. He was a Sentinel in the FFA, as well as a member of the Parliamentarian and Judging Teams, and participated in the first Polk County Youth Fair, where he placed with a dairy animal. After graduation, he attended a National Guard summer camp, which prompted him to join the army in September of that year. He served in the United States Army with the 7th Infantry Division from 1953-56 in Korea, replacing those who were on the front lines and preparing their remains for shipment back to the United States.","He finished his tour of duty and returned home in 1956, where he met and married his wife of almost 60 years, Shirley, who he met through her father, a Baptist preacher in Alturas.  He worked for a year with the Plant Board on the burrowing nematode project, digging up roots and putting them in a jar for testing.  His crew leader was a graduate of Florida Southern College and it didn't take Jim long to realize that an education meant better wages, so he signed up for Florida Southern College on the GI Bill majoring in citrus. While there, he was president of the Citrus Club and received the Florida Citrus Mutual Award for Outstanding Achievement in the field of citrus studies, graduating in 1960 with a degree in citrus.  While attending school, Jim worked part-time in groves for whoever would hire him, earning a reputation as a personable hard worker who knew his way around a grove.","Shortly before Jim's graduation, Bob Rutledge, the general manager of Florida Citrus Mutual, was driving through town, saw Jim, and yelled out the car window for Jim to stop by and see him.  Jim did, and Rutledge hired him on the spot as the Florida Citrus Mutual field man for Polk County under Dale Carlton. He worked there for five years during the early stages of FCM– hosting steak dinners and signing up growers as members of the organization.","In 1965, his father and Uncle Joe needed him as a shipping clerk for Lake Garfield Citrus Cooperative and, after a brief stint selling chemicals to growers, he moved up the ladder to General Manager, making him the third Ellis man to work in that position for Lake Garfield Citrus Cooperative.","As general manager, Jim learned to \"think outside the box,\" always experimenting with ways to do things better but – more importantly – sharing his successes with other industry members.  In 1979, he gave a presentation to the Florida State Horticultural Society which was printed in the February 1980 issue of Citrus Industry Magazine titled \"Innovations for Citrus Packinghouses.\"  The article showcased a number of unique ideas including: mechanical gathering of leaves and other trash in pallet boxes that are dumped with a homemade forklift attachment; controlled recycling of hot air to reduce dryer fuel costs; a \"magnetic broom\" on forklift trucks in the receiving yard to gather nails and junk metal that otherwise ruin tires; and electric photocells that detected a fruit pile-up in the cannery bins and shut off the necessary equipment. He introduced the first electronic sorter to the state of Florida and experimented with cutting and scoring grapefruit, applying a sweetener and shrink wrapping them to market as a breakfast item. In addition, he was among the early experimenters using different forms of automated fruit harvesting equipment such as cherry pickers to shake seedling trees and abscission chemicals, which were only good when conditions were ideal.","When the freezes shut down the packinghouse in the late '80s, Jim went to work at Orange-Co as the production manager for Polk County, going back to chemical sales when they shut down.  However, his broad knowledge of the growers and the industry made him an ideal candidate for running the Citrus License \u0026 Bonds, Division of Fruits \u0026 Vegetables, for the Florida Department of Agriculture and Consumer Services.  His attention to detail and love for the industry helped him watch out for the growers' interest in numerous fruit-buying situations.","Jim has served on numerous boards, including stints as president for the Polk County Farm Bureau, Florida Citrus Showcase and the Interior Seald-Sweet Shippers, Inc. He was a member of the Citrus Research and Education Foundation, the Polk County Extension Overall Advisory Council, the Florida Farm Bureau and a 25-year member of the Kiwanis Club.","His main love, however, is history and talking about history.  Jim always has a story to tell if you have the time to listen, and – if you don't – you should make time, because he's a great storyteller!!!  His recollections of the early days of the industry are an invaluable asset to the Florida Citrus Hall of Fame's Oral History Project, and he is constantly finding old artifacts to add to the archival collections – along with the information on how they were utilized. He continues to run the \"No Names\" Club, which is strictly for \"old-timers,\" and sets up the meetings and programs each month.","However, Jim is probably best known for not only his passion for the citrus industry and its history, but his citrus crate label collection.  He has one of the largest collections of Florida citrus crate labels in the world, which is the nucleus for the Florida Citrus Label Digital Collection at Florida Southern College.  He and fellow label collector, Jerry Chicone, brought label-collecting to the forefront in the early '60s and '70s, when people were throwing out and burning old labels to make room in the packinghouses for the cardboard fruit boxes which had taken the place of the wooden shipping crates.  His collection, along with that of Chicone's, has been used in three books on citrus labels, and has even been featured in the décor of a restaurant recently opened in Sarasota!","However, the newest development based on Jim's collection is the Polk County Citrus Label Driving Tour, which is a collaboration between the Florida Citrus Hall of Fame, Visit Central Florida and The Polk County History and Heritage Trail to stimulate interest in the history and citrus legacy of all the communities throughout Polk County. This flagship program currently includes almost 20 installations with enlarged reproductions of the vintage labels located on various buildings and sites throughout the county. The accompanying map provides background information on each label displayed, presenting the connection between that community and the citrus industry and the long-term goal is to eventually take the concept statewide and help showcase the importance of the citrus industry to the state of Florida.","He has been an avid speaker about both citrus labels and the industry in general, helping educate everyone from school children to senior citizens on the Florida citrus industry.  He was also a key component in creating the partnership in 2008 between the Florida Citrus Hall of Fame and his beloved alma mater, Florida Southern College.  He attended the initial meetings between Dr. Anne Kerr, Rob Tate and the Hall of Fame, helping to smooth the way for the move to FSC and raise the necessary funding.  Funding that not only led to a physical presence on campus, but a website and fellowship endowments that have led to an engaged learning program with FSC students focused on preserving the heritage of the Florida citrus industry.  Current digital collections include over 1,500 Florida citrus labels, 350 industry postcards and 500 photographs, as well as oral history interviews and Hall of Fame member biographies.","Jim has led a distinguished career for decades in the Florida citrus industry as a grower, packer, industry representative and historian. His love of the industry and his willingness to share his knowledge has made him an invaluable resource to whoever asks him for help or information.  Dr. Calvin Arnold summed it up nicely: \"Jim really gives to the industry from his heart, with no expectation of personal gain – his passion IS the citrus industry.\"\nBiographical Information found via Florida Citrus Hall of Fame website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains various artifacts relating to citrus history.  The bulk of the collection is made of citrus labeling, ranging from collected crate labels to can labels, correspondence on label collecting, and even a crate label stamp.  It also contains information on inspections on citrus and vegetable groves, including inspector manuals and records.  Finiancial and business records are also contained in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains various artifacts relating to citrus history.  The bulk of the collection is made of citrus labeling, ranging from collected crate labels to can labels, correspondence on label collecting, and even a crate label stamp.  It also contains information on inspections on citrus and vegetable groves, including inspector manuals and records.  Finiancial and business records are also contained in this collection."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"language_ssim":["Sing"],"containers_ssim":["box 01","folder 94"],"odd_html_tesm":["\u003cp\u003eJuly 1954\u003c/p\u003e","\u003cp\u003eSchrogin, Joseph\u003c/p\u003e","\u003cp\u003eRouch, I. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013, this collection was processed by Elizabeth Fairall and Victoria Thur.","In 2004, the family of Joseph Schrogin donated his collection of original manuscripts. Joseph Schrogin was a Lithuanian composer immigrated to the United States in 1921 and lived between New York and Chicago, establishing his home with his wife Manya Schrogin (nee Ptashe) and their two children in Los Angeles. While Mr. Schrogin was not a formally trained musician, he learned to play the piano and mandolin. According to the family, Mr. Schrogin studied harmony and had a gift for melody. After 30 of composing music and publishing a book of his songs titled Gezangen, he passed away at the age of 53 in Los Angeles.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00017","/repositories/2/resources/93"],"normalized_date_ssm":["1954-1961, bulk 1954-1961"],"normalized_title_ssm":["Joseph Schrogin Music Collection, 1954-1961, bulk 1954-1961"],"collection_title_tesim":["Joseph Schrogin Music Collection, 1954-1961, bulk 1954-1961"],"collection_ssim":["Joseph Schrogin Music Collection, 1954-1961, bulk 1954-1961"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Songs and music"," Songs, Yiddish","Songs, Yiddish United States","Folk songs, Yiddish","Manuscripts","Music Manuscripts","Music"],"access_subjects_ssm":["Songs and music"," Songs, Yiddish","Songs, Yiddish United States","Folk songs, Yiddish","Manuscripts","Music Manuscripts","Music"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet"],"extent_tesim":["0.50 Linear Feet"],"genreform_ssim":[" Songs, Yiddish","Songs, Yiddish United States","Folk songs, Yiddish","Manuscripts","Music Manuscripts","Music"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eIn 2004, the family of Joseph Schrogin donated his collection of original manuscripts. Joseph Schrogin was a Lithuanian composer immigrated to the United States in 1921 and lived between New York and Chicago, establishing his home with his wife Manya Schrogin (nee Ptashe) and their two children in Los Angeles. While Mr. Schrogin was not a formally trained musician, he learned to play the piano and mandolin. According to the family, Mr. Schrogin studied harmony and had a gift for melody. After 30 of composing music and publishing a book of his songs titled Gezangen, he passed away at the age of 53 in Los Angeles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2004, the family of Joseph Schrogin donated his collection of original manuscripts. Joseph Schrogin was a Lithuanian composer immigrated to the United States in 1921 and lived between New York and Chicago, establishing his home with his wife Manya Schrogin (nee Ptashe) and their two children in Los Angeles. While Mr. Schrogin was not a formally trained musician, he learned to play the piano and mandolin. According to the family, Mr. Schrogin studied harmony and had a gift for melody. After 30 of composing music and publishing a book of his songs titled Gezangen, he passed away at the age of 53 in Los Angeles."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"334611b48c3fe0d4883f0835","timestamp":"2026-04-21T17:59:30.750Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/334611b48c3fe0d4883f0835_aspace_62398"}},{"id":"2adc31a30bfcd724088cd673_aspace_198252","type":"Item","attributes":{"title":"Zingarello, Maude M, 5/25/1975","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_198252#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFountain, Florida 1920-1970s OHP Control Number 0054\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_198252#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_198252","ref_ssm":["aspace_198252","aspace_198252"],"id":"2adc31a30bfcd724088cd673_aspace_198252","title_filing_ssi":"Zingarello, Maude M","title_ssm":["Zingarello, Maude M"],"title_tesim":["Zingarello, Maude M"],"unitdate_other_ssim":["5/25/1975"],"normalized_date_ssm":["5/25/1975"],"normalized_title_ssm":["Zingarello, Maude M, 5/25/1975"],"text":["Zingarello, Maude M, 5/25/1975","Reichelt Oral History Collection, 1969-2022","Florida and American Southern Histories","Item 388","/repositories/10/archival_objects/134395","Fountain, Florida 1920-1970s OHP Control Number 0054"],"component_level_isim":[2],"parent_ids_ssim":["2adc31a30bfcd724088cd673","2adc31a30bfcd724088cd673_aspace_197864"],"parent_unittitles_ssm":["Reichelt Oral History Collection, 1969-2022","Florida and American Southern Histories"],"parent_unittitles_tesim":["Reichelt Oral History Collection, 1969-2022","Florida and American Southern Histories"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 388","/repositories/10/archival_objects/134395"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Reichelt Oral History Collection, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1688,"parent_access_restrict_tesm":["Access to interviews and administrative files is restricted. Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.","Most transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"scopecontent_html_tesm":["\u003cp\u003eFountain, Florida 1920-1970s OHP Control Number 0054\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Fountain, Florida 1920-1970s OHP Control Number 0054"],"_nest_path_":"/components#4/components#388","_nest_parent_":"2adc31a30bfcd724088cd673_aspace_197864","_root_":"2adc31a30bfcd724088cd673","_version_":1870859629991297024,"timestamp":"2026-07-16T08:32:58.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2adc31a30bfcd724088cd673","title_ssm":["Reichelt Oral History Collection"],"title_tesim":["Reichelt Oral History Collection"],"ead_ssi":"2adc31a30bfcd724088cd673","unitdate_ssm":["1969-2022"],"unitdate_other_ssim":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2015-00R","/repositories/10/resources/912"],"text":["HUA 2015-00R","/repositories/10/resources/912","Reichelt Oral History Collection, 1969-2022","Access to interviews and administrative files is restricted.  Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.","Most transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.  In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts.","Sound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women.","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2015-00R","/repositories/10/resources/912"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Reichelt Oral History Collection, 1969-2022"],"collection_title_tesim":["Reichelt Oral History Collection, 1969-2022"],"collection_ssim":["Reichelt Oral History Collection, 1969-2022"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Florida State University Department of History"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet"],"extent_tesim":["0.00 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eAccess to interviews and administrative files is restricted.\u003c/emph\u003e Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.\u003c/p\u003e\n","\u003cp\u003eMost transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Access to interviews and administrative files is restricted.  Requests for access may be addressed to lib-specialcollections@fsu.edu. Requests will be reviewed by curators in consideration of interview rights and interviewee privacy. Please be as specific as possible in placing an access request, including interviewee name, interview date, and OHP Control Number where possible.","Most transcripts are available digitally. Staff should contact curators before retrieving containers from offsite storage.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.\u0026#xA0; In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Reichelt Oral History Program was founded in the Florida State University Department of History in 1969 under by Dr. Edward F. Keuchel, with the intent of teaching oral\thistory techniques to students while documenting FSU's history.  In\t1996, with the encouragement of university president Sandy\tD'Alemberte, the program was established permanently as an entity\twithin the History Department. The program later expanded to include histories on the University, the Florida State College for Women, Tallahassee, Florida, veterans of World War II, the\tKorean conflict, the Vietnam War, and other military conflicts."],"prefercite_html_tesm":["\u003cp\u003eReichelt Oral History Collection, HUA 2015-00R, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA-2015-00R\"\u003ehttp://purl.fcla.edu/fsu/HPUA-2015-00R\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Reichelt Oral History Collection, HUA 2015-00R, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R"],"scopecontent_html_tesm":["\u003cp\u003eSound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sound recordings, transcripts, and administrative files documenting the activities of the Reichelt Oral History Program in the Florida State University Department of History. Significant interview topics include United States military, life in Florida and Tallahassee, and student life at Florida State University and its predecessor institution Florida State College for Women."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859629991297024,"_root_":"2adc31a30bfcd724088cd673","timestamp":"2026-07-16T08:32:58.674Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2adc31a30bfcd724088cd673_aspace_198252"}},{"id":"2326334e5e159c8d459e96a3_aspace_38262","type":"Item","attributes":{"title":"\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\", September 13, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38262#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38262","ref_ssm":["aspace_38262","aspace_38262"],"id":"2326334e5e159c8d459e96a3_aspace_38262","title_filing_ssi":"\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\"","title_ssm":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\""],"title_tesim":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\""],"unitdate_other_ssim":["September 13, 1988."],"normalized_date_ssm":["September 13, 1988."],"normalized_title_ssm":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\", September 13, 1988."],"text":["\"Zing!\", \"Greetings\", \"I hate inter-planetary t-shirt salesmen!!\", September 13, 1988.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated.","Item 23","/repositories/4/archival_objects/3069","box 10","folder 3"],"component_level_isim":[5],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_37101","2326334e5e159c8d459e96a3_aspace_37826","2326334e5e159c8d459e96a3_aspace_38164","2326334e5e159c8d459e96a3_aspace_38237"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Editorial Cartoon Arts, 1983-2003, Undated.","Unpublished Cartoons.","Hijinx, 1987-1989, 1994, Undated.","Comic Strips (Pencil Drawings), 1988-1989, 1994, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","File"],"unitid_ssm":["Item 23","/repositories/4/archival_objects/3069"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1070,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 10","folder 3"],"_nest_path_":"/components#0/components#1/components#4/components#2/components#22","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38237","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38262"}},{"id":"a33cb88ff8cc6c0b350c22be_aspace_67437","type":"Item","attributes":{"title":"Zingiber \u0026 'Darceyi', 16\" x 10\"., Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a33cb88ff8cc6c0b350c22be_aspace_67437#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67437","ref_ssm":["aspace_67437","aspace_67437"],"id":"a33cb88ff8cc6c0b350c22be_aspace_67437","title_filing_ssi":"Zingiber \u0026 'Darceyi', 16\" x 10\".","title_ssm":["Zingiber \u0026 'Darceyi', 16\" x 10\"."],"title_tesim":["Zingiber \u0026 'Darceyi', 16\" x 10\"."],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Zingiber \u0026 'Darceyi', 16\" x 10\"., Undated"],"text":["Zingiber \u0026 'Darceyi', 16\" x 10\"., Undated","Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Arts, 1935-1966, Undated.","Oil paintings (unframed)., Undated","Item 1","/repositories/4/archival_objects/50635","box 2","folder 15"],"component_level_isim":[3],"parent_ids_ssim":["a33cb88ff8cc6c0b350c22be","a33cb88ff8cc6c0b350c22be_aspace_67420","a33cb88ff8cc6c0b350c22be_aspace_67432"],"parent_unittitles_ssm":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Arts, 1935-1966, Undated.","Oil paintings (unframed)., Undated"],"parent_unittitles_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Arts, 1935-1966, Undated.","Oil paintings (unframed)., Undated"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/50635"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":57,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 2","folder 15"],"_nest_path_":"/components#1/components#7/components#1","_nest_parent_":"a33cb88ff8cc6c0b350c22be_aspace_67432","_root_":"a33cb88ff8cc6c0b350c22be","timestamp":"2026-07-11T02:57:48.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a33cb88ff8cc6c0b350c22be","title_ssm":["Grant Groves Collection on Mulford B. Foster Collection"],"title_tesim":["Grant Groves Collection on Mulford B. Foster Collection"],"ead_ssi":"a33cb88ff8cc6c0b350c22be","unitdate_ssm":["Circa 1920's-1979"],"unitdate_inclusive_ssm":["Circa 1920's-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.103","/repositories/4/resources/192"],"text":["SC.103","/repositories/4/resources/192","Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979","Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations","The entire collection is open for research.","Collection is arranged in three parts: Personal files, arts, and photographs:","Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.","Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"","UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC.103","/repositories/4/resources/192"],"normalized_date_ssm":["Circa 1920's-1979"],"normalized_title_ssm":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_title_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"collection_ssim":["Grant Groves Collection on Mulford B. Foster Collection, Circa 1920's-1979"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Groves, Grant"],"creator_ssim":["Groves, Grant"],"creator_persname_ssim":["Groves, Grant"],"creators_ssim":["Groves, Grant"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Grant Groves donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2016 (CFM2016_07). Additional Materials were donated in 2018 (CFM2018_04)."],"access_subjects_ssim":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"access_subjects_ssm":["Architecture -- Design and plans -- Florida","Botany -- Florida","Drawing","botanical illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"extent_tesim":["2.50 Linear Feet 4 Boxes, 1 Flat File"],"genreform_ssim":["botanical illustrations"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged in three parts: Personal files, arts, and photographs:\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is arranged in three parts: Personal files, arts, and photographs:"],"bioghist_html_tesm":["\u003cp\u003eMulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.\u003c/p\u003e\n","\u003cp\u003e\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mulford Bateman Foster, \"the father of Bromeliads\", was born on December 25, 1888 in Elmer, New Jersey. His interest in botany began at early ages by exploring wild plants in New Jersey. With the help of his mother, Fannie Bateman, he set up his first garden around the family home. In 1905, he graduated from Elmer High School and attended Philadelphia business school. Upon graduation in 1910, he started working as an Associate Editor for Elmer Times. In the early 1920's Foster moved from New Jersey to Florida to work as a landscape architect. He got married to Racine Foster who was also interested in tropical plants and traveled multiple times to Brazil with him in search of rare plants. Following years, he established his own business called the Tropical Arts Nursery. Mr. Foster considered to be Orlando's first landscape architect. As a naturalist explorer, botanist, hybridizer, and plant collector, he traveled most of the United States, as well as other countries in the Americas and discovered over two hundred new species such as cacti, palms, aroids, amaryllis, and bromeliads.","\nMulford wrote a book called \"Brazil - Orchid of the Tropics\" and account his plant-collecting travels in Brazil. He also published articles in the Journal of the Bromeliad Society, the Smithsonian Annual Report, and the National Geographic Magazine. He was also heavily involved in the International Bromeliad Society edited bi-monthly bulletin for twelve years. He received the Herbert Medal for work in promoting amaryllis in 1951. He also received the Reasoner Trophy for outstanding contributions to the ornamental horticulture industry. He was a great artist worked mainly in oil paintings. His work has been exhibited in Orlando, Miami, New York, Baltimore, Philadelphia and Pittsburgh. He passed away at the age of 89 at his house on Lakeville Road in northwest Orange County, Florida on August 28, 1978. His home was surrounded over four hundred varieties of rare plants which includes the largest collection of living bromeliads in the world."],"prefercite_html_tesm":["\u003cp\u003eGrant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Grant Groves Collection on Mulford B. Foster Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-04\"\u003eThe Bromeliad Society International (BSI) Archive, 1942-2012\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eMichael A. Spencer Bromeliad Research Collection, 1754-2014\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn, 1855-1934","The Bromeliad Society International (BSI) Archive, 1942-2012","Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026amp; Bernard N. and Mulford \u0026amp; Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026amp; Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026amp; Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026amp; Testimony\" blue folders which lacks materials inside.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia \u0026#x96; Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera\u0026#x97;Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Personal Files, Circa 1920's-1979, Undated, includes three pages of blueprints of a house Mulford and Racine Foster built in the late 1950's in Orange County, Florida on a 12 acres of land close to Lake Apopka. The house also known as \"Bromel - La\" had two greenhouses used to hybrid bromeliads during the twenty years that they owned the land; correspondence between June F. Fry \u0026 Bernard N. and Mulford \u0026 Racine Foster regarding to fulfill the orders before the freeze. Another letter describes June's doctors and hospital visits in regard to her infections in sinuses and throat. On another occasion, June talks about selling her house and moving from Maryland to California; news clippings from Elmer News where Mulford's father, Samuel P. Foster, contributed articles on a weekly basis; brief plant notes for Tillandsia Dasylirifolia, Tillandsia Grandis, and Tillandsia Butzii; a book called \"Catalogue, 3rd International Exhibition of Botanical Art \u0026 Illustration, 12 November 1972 to 30 March 1973\" contains Mulford Foster's short biography and a painting \"Bromelia balansae\"; a little booklet called \"Color Mediums\" published by Talens \u0026 Sons, Ltd., provides information on artists' oil colours and identifies most durable binding materials; and two \"Royal Portraits \u0026 Testimony\" blue folders which lacks materials inside.","\nSeries II: Arts, 1935-1966, Undated, Mulford B. Foster created various art pieces over the course of his long career as a botanist including black and white sketches, miniature canvas art pieces, christmas card designs, color sketches, oil paintings (framed) and (unframed), and portfolio folders. Collection also includes portable three-panel wood folding screen hand painted by Mulford B. Foster. The large screen is made of solid wood with walnut-color finish with floral design on each panel.","\nSeries III: Photographs, 1946-1970, Undated, Mulford B. Foster and other members of the Bromeliad Society gathered during a banquet on June 6, 1970 in Los Angeles, California to celebrate the 20th year of the Bromeliad Society and took pictures to document the event. Series also includes several notable photographs such as Bert Foster's house during the Christmas 1958; Mulford B. Foster discovers \"Dyckia Fosteriana\" in habitat rocky ledge of Brazil in 1939 on his stops around South America; Foster's visit to Putumayo, Colombia documenting various plants \"Welfia regia – Wendly\", \"Bellarista\", \"Wettinia aff. Maynensis\", and \"Attalea funifera—Mart\"; and three slides taken by Oather Van Hyning during Pineapple dinner at Bromel - La in 1970 together with Althea Van Hyning, Julian Nally, Maggie Nally, Mulford B. Foster, and Racine Foster. Also significant is a collection of photographs of upper class society homes in Florida during the 19th and 20th century. Both small and large photographic images have not been identified. Images are documenting architectural interior and exterior designs of various homes including landscape, gardens, front and rear entrance, interior furnishing, patio fountain, pool, porch, living room, and library room. A few photographs are hand-colored by Mulford B. Foster."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_548f80ce4014d98f8905382f700e1008\" label=\"Abstract\"\u003eGrant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026amp; white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\"\u003c/abstract\u003e"],"abstract_tesim":["Grant Groves, owner of Color Zone Tropicals, Inc. in Winter Garden Florida, collected materials on Mulford B. Foster. He was a botanist, horticulturist, and a lifelong naturalist, also known as \"Father of the Bromeliad\", born in 1888 in Elmer, New Jersey and passed away at the age of 89 in Orange County, Florida. Collection includes Foster's black \u0026 white sketches, color drawings, oil paintings, three-fold screen art work, news clippings, publications, photographs, slides, negatives, correspondence, and blueprints of Foster's house called \"Bromel - La.\""],"names_ssim":["UCF Special Collections","Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"persname_ssim":["Groves, Grant","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a33cb88ff8cc6c0b350c22be","timestamp":"2026-07-11T02:57:48.935Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a33cb88ff8cc6c0b350c22be_aspace_67437"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":38466},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026view=list"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8744},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026view=list"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":8167},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026view=list"}},{"attributes":{"label":"University Communications Collection, 1940-2013, bulk 1990-2013","value":"University Communications Collection, 1940-2013, bulk 1990-2013","hits":8132},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+Communications+Collection%2C+1940-2013%2C+bulk+1990-2013\u0026view=list"}},{"attributes":{"label":"Degen Playbill Collection, 1895-2023","value":"Degen Playbill Collection, 1895-2023","hits":7504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Degen+Playbill+Collection%2C+1895-2023\u0026view=list"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6282},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026view=list"}},{"attributes":{"label":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","value":"William Knight Zewadski Classical movie stills collection, 1860-2007, Date acquired: 00/00/2018","hits":6121},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=William+Knight+Zewadski+Classical+movie+stills+collection%2C+1860-2007%2C+Date+acquired%3A+00%2F00%2F2018\u0026view=list"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026view=list"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4992},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026view=list"}},{"attributes":{"label":"Vertical files, 1900-2005","value":"Vertical files, 1900-2005","hits":4915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Vertical+files%2C+1900-2005\u0026view=list"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4821},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026view=list"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?facet.page=2\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Henry Clay and Bock \u0026 Co., Ltd. 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