{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65680\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65679\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65681\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?facet.page=2\u0026page=65773\u0026view=compact"},"meta":{"pages":{"current_page":65680,"next_page":65681,"prev_page":65679,"total_pages":65773,"limit_value":10,"offset_value":656790,"total_count":657724,"first_page?":false,"last_page?":false}},"data":[{"id":"72deb24cd94ab58efde27fe0_aspace_92664","type":"File","attributes":{"title":"YWCA","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_92664#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e1 photo\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_92664#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_92664","ref_ssm":["aspace_92664","aspace_92664"],"id":"72deb24cd94ab58efde27fe0_aspace_92664","title_filing_ssi":"YWCA","title_ssm":["YWCA"],"title_tesim":["YWCA"],"normalized_title_ssm":["YWCA"],"text":["YWCA","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn","Folder 23","/repositories/2/archival_objects/78991","box 50","folder 23","1 photo"],"component_level_isim":[3],"parent_ids_ssim":["72deb24cd94ab58efde27fe0","72deb24cd94ab58efde27fe0_aspace_51853","72deb24cd94ab58efde27fe0_aspace_108247"],"parent_unittitles_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn"],"parent_unittitles_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Commercial Photography","Wright - Zurn"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 23","/repositories/2/archival_objects/78991"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2719,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 50","folder 23"],"scopecontent_html_tesm":["\u003cp\u003e1 photo\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["1 photo"],"_nest_path_":"/components#0/components#49/components#22","_nest_parent_":"72deb24cd94ab58efde27fe0_aspace_108247","_root_":"72deb24cd94ab58efde27fe0","_version_":1877023012303142912,"timestamp":"2026-09-22T09:17:18.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72deb24cd94ab58efde27fe0","title_ssm":["Gandy Commercial and Aerial Photography collection"],"title_tesim":["Gandy Commercial and Aerial Photography collection"],"ead_ssi":"72deb24cd94ab58efde27fe0","unitdate_ssm":["1950-2010","Date acquired: 12/01/2010"],"unitdate_inclusive_ssm":["1950-2010"],"unitdate_other_ssim":["Date acquired: 12/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-02","/repositories/2/resources/390"],"text":["MS-2010-02","/repositories/2/resources/390","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Boats and boating -- Florida","Photograph collections","No restrictions.","Arranged alphabetically in two series (aerial and commercial photography).","Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.","Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/","The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed.","Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/","USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)","English"],"unitid_tesim":["MS-2010-02","/repositories/2/resources/390"],"normalized_date_ssm":["1950-2010, Date acquired: 12/01/2010"],"normalized_title_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_title_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creator_persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"creators_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Skip Gandy","Donation"],"access_subjects_ssim":["Boats and boating -- Florida","Photograph collections"],"access_subjects_ssm":["Boats and boating -- Florida","Photograph collections"],"has_online_content_ssim":["false"],"extent_ssm":["43.33 Linear Feet","80 boxes"],"extent_tesim":["43.33 Linear Feet","80 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically in two series (aerial and commercial photography).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arranged alphabetically in two series (aerial and commercial photography)."],"bioghist_html_tesm":["\u003cp\u003eSkip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer.\u0026#xA0;With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010."],"prefercite_html_tesm":["\u003cp\u003eSkip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Skip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBay Study Group Collection.\u003c/p\u003e\n","\u003cp\u003ehttp://scholarcommons.usf.edu/basgp/\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/"],"scopecontent_html_tesm":["\u003cp\u003eThe negatives are from the years 1970-2010, documenting Skip Gandy's activities.\u0026#xA0; A few of the prints are from his father, Sandy Gandy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f0829ee87f156f9d8e1500edac814ac3\" label=\"Abstract\"\u003eThe Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.\u0026#xA0; Only the negatives, which comprise the bulk of the materials, have been fully processed.\u003c/abstract\u003e"],"abstract_tesim":["The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06412a435727cb367b88f193b6659b9d\"\u003ePhotographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877023012303142912,"_root_":"72deb24cd94ab58efde27fe0","timestamp":"2026-09-22T09:17:18.046Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_92664"}},{"id":"5e17dda97e7549e9d9b40539_aspace_bf43c9095aa116322b3fa00c71f79af2","type":"File","attributes":{"title":"YWCA Exposition Women's Arts and Industries program (copy), 1930","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_bf43c9095aa116322b3fa00c71f79af2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bf43c9095aa116322b3fa00c71f79af2","ref_ssm":["aspace_bf43c9095aa116322b3fa00c71f79af2","aspace_bf43c9095aa116322b3fa00c71f79af2"],"id":"5e17dda97e7549e9d9b40539_aspace_bf43c9095aa116322b3fa00c71f79af2","title_filing_ssi":"YWCA Exposition Women's Arts and Industries program (copy)","title_ssm":["YWCA Exposition Women's Arts and Industries program (copy)"],"title_tesim":["YWCA Exposition Women's Arts and Industries program (copy)"],"unitdate_other_ssim":["1930"],"normalized_date_ssm":["1930"],"normalized_title_ssm":["YWCA Exposition Women's Arts and Industries program (copy), 1930"],"text":["YWCA Exposition Women's Arts and Industries program (copy), 1930","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009","/repositories/2/archival_objects/6798","box 63","folder 1401"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/6798"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1441,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1930],"containers_ssim":["box 63","folder 1401"],"_nest_path_":"/components#5/components#2/components#230","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_bf43c9095aa116322b3fa00c71f79af2"}},{"id":"d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7","type":"File","attributes":{"title":"YWCA Newsletter, 1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_09d3ecf715dc227f687d376718feafe7","ref_ssm":["aspace_09d3ecf715dc227f687d376718feafe7","aspace_09d3ecf715dc227f687d376718feafe7"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7","title_filing_ssi":"YWCA Newsletter","title_ssm":["YWCA Newsletter"],"title_tesim":["YWCA Newsletter"],"unitdate_other_ssim":["1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["YWCA Newsletter, 1981"],"text":["YWCA Newsletter, 1981","Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990","/repositories/2/archival_objects/14224","box 44","folder 13"],"component_level_isim":[2],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd","d708aa3104bd5d4ccbcc4efd_aspace_0423abd5d3f08576a05189e1c8dfbc86"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/14224"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":644,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1981],"containers_ssim":["box 44","folder 13"],"_nest_path_":"/components#7/components#89","_nest_parent_":"d708aa3104bd5d4ccbcc4efd_aspace_0423abd5d3f08576a05189e1c8dfbc86","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7"}},{"id":"d9a36525adf5c0fd8dab049a_aspace_52681","type":"File","attributes":{"title":"YWCA Pioneers Dinner - Miami, Feb. 9, 1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d9a36525adf5c0fd8dab049a_aspace_52681#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52681","ref_ssm":["aspace_52681","aspace_52681"],"id":"d9a36525adf5c0fd8dab049a_aspace_52681","title_filing_ssi":"YWCA Pioneers Dinner - Miami","title_ssm":["YWCA Pioneers Dinner - Miami"],"title_tesim":["YWCA Pioneers Dinner - Miami"],"unitdate_other_ssim":["Feb. 9, 1967"],"normalized_date_ssm":["Feb. 9, 1967"],"normalized_title_ssm":["YWCA Pioneers Dinner - Miami, Feb. 9, 1967"],"text":["YWCA Pioneers Dinner - Miami, Feb. 9, 1967","LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Senate Nomination and Campaign, 1966-1968","Speeches, Remarks, Press Releases, 1967-1968","Folder 22","/repositories/2/archival_objects/71772","box 230","folder 22"],"component_level_isim":[3],"parent_ids_ssim":["d9a36525adf5c0fd8dab049a","d9a36525adf5c0fd8dab049a_aspace_52596","d9a36525adf5c0fd8dab049a_aspace_52659"],"parent_unittitles_ssm":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Senate Nomination and Campaign, 1966-1968","Speeches, Remarks, Press Releases, 1967-1968"],"parent_unittitles_tesim":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Senate Nomination and Campaign, 1966-1968","Speeches, Remarks, Press Releases, 1967-1968"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 22","/repositories/2/archival_objects/71772"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2183,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 230","folder 22"],"_nest_path_":"/components#7/components#5/components#21","_nest_parent_":"d9a36525adf5c0fd8dab049a_aspace_52659","_root_":"d9a36525adf5c0fd8dab049a","_version_":1879922096413343744,"timestamp":"2026-10-24T09:17:00.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d9a36525adf5c0fd8dab049a","title_ssm":["LeRoy Collins papers"],"title_tesim":["LeRoy Collins papers"],"ead_ssi":"d9a36525adf5c0fd8dab049a","unitdate_ssm":["1945-1993","1953-1968","Date acquired: 00/00/1962"],"unitdate_bulk_ssim":["1953-1968"],"unitdate_inclusive_ssm":["1945-1993"],"unitdate_other_ssim":["Date acquired: 00/00/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-01","/repositories/2/resources/382"],"text":["MS-1962-01","/repositories/2/resources/382","LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Florida -- Politics and government","Florida -- History","Civil rights -- Florida","United States. Navy","Florida -- Legislature -- House of Representatives","Governors -- Florida -- biography","Additional correspondence (1961-1968), film strips, tapes, and campaign materials for Collins' senatorial campaign in 1969 donated by LeRoy Collins in December 1969.","The collection is arranged chronologically by Collins' career. Individual series are devoted to Collins' years in the House of Representatives and the Senate, the Governorship, the Chairmanship of the Democratic National Convention, his tenure as president of the National Association of Broadcasters, appointments as both Director of Community Relations and Undersecretary of Commerce, an unsuccessful bid for the Senate in 1968, and his years in retirement. Within each series, the papers are arranged categorically by box. Pictures, films, and memorabilia are arranged in separate series as well.","LeRoy Collins was born in Tallahassee on March 10, 1909. He graduated from Leon High School in Tallahassee and received a degree in law from Cumberland University in Birmingham, Alabama. He returned to Tallahassee and married Mary Call Darby, the great-granddaughter of Richard Call who had twice served as Territorial Governor of Florida.","Soon after his marriage to Mary Call, Collins was elected as the representative of Leon County to the Florida House of Representatives in 1934. He served in this position until 1940 when he filled the term of the late William Hodges in the Florida Senate. Collins purchased the Call family home \"The Grove\" in 1941 and shortly thereafter resigned his position from the Florida Senate to join the Navy in 1942. He was reelected to the Florida Senate upon his return from World War II in 1946. He was reelected in 1950, serving until 1954 when a special election was held to fill the remaining two years in the term of the late Governor Daniel T. McCarty, who had died in office in 1953.","Collins Served as Florida's thirty-third Governor from 1955 to 1961 where he dealt with the complicated social and political issues of the time. His two greatest issues were the dismantling of segregation and the process of political patronage, both of which he employed a liberal diplomacy. Collins was also integral in the development of the Florida University system, including the University of South Florida in Tampa. He is considered by many historians to be one of the first liberal Southern Democrats to transform the political agenda of the South and is thought to be one of the best governors in Florida's History.","Collins served as the Chairman of the Democratic National Convention in 1960, where he was a possible candidate for the presidential nomination due to his leadership position amongst Southern Governors and his strong stance on Civil Rights which would attract Northern liberals, however he did not seek the nomination. Upon leaving the governor's office, he became President of the National Association of Broadcasters, where he served until 1964. President Lyndon B. Johnson appointed Collins to be the first Director of Community Relations, a government office created out of the Civil Rights Act of 1964. This was followed by an appointment to the Undersecretary of Commerce in 1965 by President Johnson.","Following his service in the federal government, Collins sought reelection to the Florida Senate in 1968. He won the primary but lost in the general election. His progressive stand for Civil Rights and his highly publicized role in the Selma, Alabama march while Director of Community Relations is credited with having cost him the 1968 Senate election.","Upon his retirement from public service, Collins retired from his law firm in Tampa in which he had been a partner. He then returned to \"The Grove\" in Tallahassee where he remained active in the community and was also a guest contributor on politics to the  St. Petersburg Times  until his death from cancer in 1991","Note written by JT, 2011","Thomas LeRoy Collins Papers, Special Collections, Robert Manning Strozier Library, Florida State University, Tallahassee, Florida.","The materials comprising the Collins papers range in date from the 1940s to the 1980s, with concentrations in Collins' terms as Governor and materials related to his 1968 unsuccessful Senatorial campaign. The collection consists of 344 manuscript boxes, approximately 200 linear feet of papers which include and are not limited to correspondence files, working papers, reports, campaign research, memoranda and speeches. The collection also includes approximately 35 scrapbooks, memorabilia, and an extensive amount of pictures. Film and recordings from the collection were transferred to the State Library and Archives of Florida for preservation.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. Senate","Collins, LeRoy, 1909-1991","Collins, Mary Call","English"],"unitid_tesim":["MS-1962-01","/repositories/2/resources/382"],"normalized_date_ssm":["1945-1993, Date acquired: 00/00/1962, bulk 1953-1968"],"normalized_title_ssm":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968"],"collection_title_tesim":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968"],"collection_ssim":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Florida -- History"],"geogname_ssim":["Florida -- Politics and government","Florida -- History"],"creator_ssm":["Collins, LeRoy, 1909-1991"],"creator_ssim":["Collins, LeRoy, 1909-1991"],"creator_persname_ssim":["Collins, LeRoy, 1909-1991"],"creators_ssim":["Collins, LeRoy, 1909-1991"],"places_ssim":["Florida -- Politics and government","Florida -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["LeRoy Collins","Donation"],"access_subjects_ssim":["Civil rights -- Florida","United States. Navy","Florida -- Legislature -- House of Representatives","Governors -- Florida -- biography"],"access_subjects_ssm":["Civil rights -- Florida","United States. Navy","Florida -- Legislature -- House of Representatives","Governors -- Florida -- biography"],"has_online_content_ssim":["false"],"extent_ssm":["209.61 Linear Feet","471 boxes"],"extent_tesim":["209.61 Linear Feet","471 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accruals_html_tesm":["\u003cp\u003eAdditional correspondence (1961-1968), film strips, tapes, and campaign materials for Collins' senatorial campaign in 1969 donated by LeRoy Collins in December 1969.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additional correspondence (1961-1968), film strips, tapes, and campaign materials for Collins' senatorial campaign in 1969 donated by LeRoy Collins in December 1969."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by Collins' career. Individual series are devoted to Collins' years in the House of Representatives and the Senate, the Governorship, the Chairmanship of the Democratic National Convention, his tenure as president of the National Association of Broadcasters, appointments as both Director of Community Relations and Undersecretary of Commerce, an unsuccessful bid for the Senate in 1968, and his years in retirement. Within each series, the papers are arranged categorically by box. Pictures, films, and memorabilia are arranged in separate series as well.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged chronologically by Collins' career. Individual series are devoted to Collins' years in the House of Representatives and the Senate, the Governorship, the Chairmanship of the Democratic National Convention, his tenure as president of the National Association of Broadcasters, appointments as both Director of Community Relations and Undersecretary of Commerce, an unsuccessful bid for the Senate in 1968, and his years in retirement. Within each series, the papers are arranged categorically by box. Pictures, films, and memorabilia are arranged in separate series as well."],"bioghist_html_tesm":["\u003cp\u003eLeRoy Collins was born in Tallahassee on March 10, 1909. He graduated from Leon High School in Tallahassee and received a degree in law from Cumberland University in Birmingham, Alabama. He returned to Tallahassee and married Mary Call Darby, the great-granddaughter of Richard Call who had twice served as Territorial Governor of Florida.\u003c/p\u003e\n","\u003cp\u003eSoon after his marriage to Mary Call, Collins was elected as the representative of Leon County to the Florida House of Representatives in 1934. He served in this position until 1940 when he filled the term of the late William Hodges in the Florida Senate. Collins purchased the Call family home \"The Grove\" in 1941 and shortly thereafter resigned his position from the Florida Senate to join the Navy in 1942. He was reelected to the Florida Senate upon his return from World War II in 1946. He was reelected in 1950, serving until 1954 when a special election was held to fill the remaining two years in the term of the late Governor Daniel T. McCarty, who had died in office in 1953.\u003c/p\u003e\n","\u003cp\u003eCollins Served as Florida's thirty-third Governor from 1955 to 1961 where he dealt with the complicated social and political issues of the time. His two greatest issues were the dismantling of segregation and the process of political patronage, both of which he employed a liberal diplomacy. Collins was also integral in the development of the Florida University system, including the University of South Florida in Tampa. He is considered by many historians to be one of the first liberal Southern Democrats to transform the political agenda of the South and is thought to be one of the best governors in Florida's History.\u003c/p\u003e\n","\u003cp\u003eCollins served as the Chairman of the Democratic National Convention in 1960, where he was a possible candidate for the presidential nomination due to his leadership position amongst Southern Governors and his strong stance on Civil Rights which would attract Northern liberals, however he did not seek the nomination. Upon leaving the governor's office, he became President of the National Association of Broadcasters, where he served until 1964. President Lyndon B. Johnson appointed Collins to be the first Director of Community Relations, a government office created out of the Civil Rights Act of 1964. This was followed by an appointment to the Undersecretary of Commerce in 1965 by President Johnson.\u003c/p\u003e\n","\u003cp\u003eFollowing his service in the federal government, Collins sought reelection to the Florida Senate in 1968. He won the primary but lost in the general election. His progressive stand for Civil Rights and his highly publicized role in the Selma, Alabama march while Director of Community Relations is credited with having cost him the 1968 Senate election.\u003c/p\u003e\n","\u003cp\u003eUpon his retirement from public service, Collins retired from his law firm in Tampa in which he had been a partner. He then returned to \"The Grove\" in Tallahassee where he remained active in the community and was also a guest contributor on politics to the \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e until his death from cancer in 1991\u003c/p\u003e\n","\u003cp\u003eNote written by JT, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["LeRoy Collins was born in Tallahassee on March 10, 1909. He graduated from Leon High School in Tallahassee and received a degree in law from Cumberland University in Birmingham, Alabama. He returned to Tallahassee and married Mary Call Darby, the great-granddaughter of Richard Call who had twice served as Territorial Governor of Florida.","Soon after his marriage to Mary Call, Collins was elected as the representative of Leon County to the Florida House of Representatives in 1934. He served in this position until 1940 when he filled the term of the late William Hodges in the Florida Senate. Collins purchased the Call family home \"The Grove\" in 1941 and shortly thereafter resigned his position from the Florida Senate to join the Navy in 1942. He was reelected to the Florida Senate upon his return from World War II in 1946. He was reelected in 1950, serving until 1954 when a special election was held to fill the remaining two years in the term of the late Governor Daniel T. McCarty, who had died in office in 1953.","Collins Served as Florida's thirty-third Governor from 1955 to 1961 where he dealt with the complicated social and political issues of the time. His two greatest issues were the dismantling of segregation and the process of political patronage, both of which he employed a liberal diplomacy. Collins was also integral in the development of the Florida University system, including the University of South Florida in Tampa. He is considered by many historians to be one of the first liberal Southern Democrats to transform the political agenda of the South and is thought to be one of the best governors in Florida's History.","Collins served as the Chairman of the Democratic National Convention in 1960, where he was a possible candidate for the presidential nomination due to his leadership position amongst Southern Governors and his strong stance on Civil Rights which would attract Northern liberals, however he did not seek the nomination. Upon leaving the governor's office, he became President of the National Association of Broadcasters, where he served until 1964. President Lyndon B. Johnson appointed Collins to be the first Director of Community Relations, a government office created out of the Civil Rights Act of 1964. This was followed by an appointment to the Undersecretary of Commerce in 1965 by President Johnson.","Following his service in the federal government, Collins sought reelection to the Florida Senate in 1968. He won the primary but lost in the general election. His progressive stand for Civil Rights and his highly publicized role in the Selma, Alabama march while Director of Community Relations is credited with having cost him the 1968 Senate election.","Upon his retirement from public service, Collins retired from his law firm in Tampa in which he had been a partner. He then returned to \"The Grove\" in Tallahassee where he remained active in the community and was also a guest contributor on politics to the  St. Petersburg Times  until his death from cancer in 1991","Note written by JT, 2011"],"prefercite_html_tesm":["\u003cp\u003eLeRoy Collins papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["LeRoy Collins papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas LeRoy Collins Papers, Special Collections, Robert Manning Strozier Library, Florida State University, Tallahassee, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas LeRoy Collins Papers, Special Collections, Robert Manning Strozier Library, Florida State University, Tallahassee, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe materials comprising the Collins papers range in date from the 1940s to the 1980s, with concentrations in Collins' terms as Governor and materials related to his 1968 unsuccessful Senatorial campaign. The collection consists of 344 manuscript boxes, approximately 200 linear feet of papers which include and are not limited to correspondence files, working papers, reports, campaign research, memoranda and speeches. The collection also includes approximately 35 scrapbooks, memorabilia, and an extensive amount of pictures. Film and recordings from the collection were transferred to the State Library and Archives of Florida for preservation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials comprising the Collins papers range in date from the 1940s to the 1980s, with concentrations in Collins' terms as Governor and materials related to his 1968 unsuccessful Senatorial campaign. The collection consists of 344 manuscript boxes, approximately 200 linear feet of papers which include and are not limited to correspondence files, working papers, reports, campaign research, memoranda and speeches. The collection also includes approximately 35 scrapbooks, memorabilia, and an extensive amount of pictures. Film and recordings from the collection were transferred to the State Library and Archives of Florida for preservation."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. Senate","Collins, LeRoy, 1909-1991","Collins, Mary Call"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. Senate","Collins, LeRoy, 1909-1991","Collins, Mary Call"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. Senate"],"persname_ssim":["Collins, LeRoy, 1909-1991","Collins, Mary Call"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3590,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879922096413343744,"_root_":"d9a36525adf5c0fd8dab049a","timestamp":"2026-10-24T09:17:00.075Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d9a36525adf5c0fd8dab049a_aspace_52681"}},{"id":"d9a36525adf5c0fd8dab049a_aspace_53277","type":"File","attributes":{"title":"YWCA Pioneers Miami, Feb 9, 1967","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d9a36525adf5c0fd8dab049a_aspace_53277#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_53277","ref_ssm":["aspace_53277","aspace_53277"],"id":"d9a36525adf5c0fd8dab049a_aspace_53277","title_filing_ssi":"YWCA Pioneers Miami","title_ssm":["YWCA Pioneers Miami"],"title_tesim":["YWCA Pioneers Miami"],"unitdate_other_ssim":["Feb 9, 1967"],"normalized_date_ssm":["Feb 9, 1967"],"normalized_title_ssm":["YWCA Pioneers Miami, Feb 9, 1967"],"text":["YWCA Pioneers Miami, Feb 9, 1967","LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Senate Nomination and Campaign, 1966-1968","Speeches, 1967-1968","Folder 16","/repositories/2/archival_objects/73073","box 273","folder 16"],"component_level_isim":[3],"parent_ids_ssim":["d9a36525adf5c0fd8dab049a","d9a36525adf5c0fd8dab049a_aspace_52596","d9a36525adf5c0fd8dab049a_aspace_53261"],"parent_unittitles_ssm":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Senate Nomination and Campaign, 1966-1968","Speeches, 1967-1968"],"parent_unittitles_tesim":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Senate Nomination and Campaign, 1966-1968","Speeches, 1967-1968"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 16","/repositories/2/archival_objects/73073"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2668,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 273","folder 16"],"_nest_path_":"/components#7/components#48/components#15","_nest_parent_":"d9a36525adf5c0fd8dab049a_aspace_53261","_root_":"d9a36525adf5c0fd8dab049a","_version_":1879922096413343744,"timestamp":"2026-10-24T09:17:00.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d9a36525adf5c0fd8dab049a","title_ssm":["LeRoy Collins papers"],"title_tesim":["LeRoy Collins papers"],"ead_ssi":"d9a36525adf5c0fd8dab049a","unitdate_ssm":["1945-1993","1953-1968","Date acquired: 00/00/1962"],"unitdate_bulk_ssim":["1953-1968"],"unitdate_inclusive_ssm":["1945-1993"],"unitdate_other_ssim":["Date acquired: 00/00/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-01","/repositories/2/resources/382"],"text":["MS-1962-01","/repositories/2/resources/382","LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","Florida -- Politics and government","Florida -- History","Civil rights -- Florida","United States. Navy","Florida -- Legislature -- House of Representatives","Governors -- Florida -- biography","Additional correspondence (1961-1968), film strips, tapes, and campaign materials for Collins' senatorial campaign in 1969 donated by LeRoy Collins in December 1969.","The collection is arranged chronologically by Collins' career. Individual series are devoted to Collins' years in the House of Representatives and the Senate, the Governorship, the Chairmanship of the Democratic National Convention, his tenure as president of the National Association of Broadcasters, appointments as both Director of Community Relations and Undersecretary of Commerce, an unsuccessful bid for the Senate in 1968, and his years in retirement. Within each series, the papers are arranged categorically by box. Pictures, films, and memorabilia are arranged in separate series as well.","LeRoy Collins was born in Tallahassee on March 10, 1909. He graduated from Leon High School in Tallahassee and received a degree in law from Cumberland University in Birmingham, Alabama. He returned to Tallahassee and married Mary Call Darby, the great-granddaughter of Richard Call who had twice served as Territorial Governor of Florida.","Soon after his marriage to Mary Call, Collins was elected as the representative of Leon County to the Florida House of Representatives in 1934. He served in this position until 1940 when he filled the term of the late William Hodges in the Florida Senate. Collins purchased the Call family home \"The Grove\" in 1941 and shortly thereafter resigned his position from the Florida Senate to join the Navy in 1942. He was reelected to the Florida Senate upon his return from World War II in 1946. He was reelected in 1950, serving until 1954 when a special election was held to fill the remaining two years in the term of the late Governor Daniel T. McCarty, who had died in office in 1953.","Collins Served as Florida's thirty-third Governor from 1955 to 1961 where he dealt with the complicated social and political issues of the time. His two greatest issues were the dismantling of segregation and the process of political patronage, both of which he employed a liberal diplomacy. Collins was also integral in the development of the Florida University system, including the University of South Florida in Tampa. He is considered by many historians to be one of the first liberal Southern Democrats to transform the political agenda of the South and is thought to be one of the best governors in Florida's History.","Collins served as the Chairman of the Democratic National Convention in 1960, where he was a possible candidate for the presidential nomination due to his leadership position amongst Southern Governors and his strong stance on Civil Rights which would attract Northern liberals, however he did not seek the nomination. Upon leaving the governor's office, he became President of the National Association of Broadcasters, where he served until 1964. President Lyndon B. Johnson appointed Collins to be the first Director of Community Relations, a government office created out of the Civil Rights Act of 1964. This was followed by an appointment to the Undersecretary of Commerce in 1965 by President Johnson.","Following his service in the federal government, Collins sought reelection to the Florida Senate in 1968. He won the primary but lost in the general election. His progressive stand for Civil Rights and his highly publicized role in the Selma, Alabama march while Director of Community Relations is credited with having cost him the 1968 Senate election.","Upon his retirement from public service, Collins retired from his law firm in Tampa in which he had been a partner. He then returned to \"The Grove\" in Tallahassee where he remained active in the community and was also a guest contributor on politics to the  St. Petersburg Times  until his death from cancer in 1991","Note written by JT, 2011","Thomas LeRoy Collins Papers, Special Collections, Robert Manning Strozier Library, Florida State University, Tallahassee, Florida.","The materials comprising the Collins papers range in date from the 1940s to the 1980s, with concentrations in Collins' terms as Governor and materials related to his 1968 unsuccessful Senatorial campaign. The collection consists of 344 manuscript boxes, approximately 200 linear feet of papers which include and are not limited to correspondence files, working papers, reports, campaign research, memoranda and speeches. The collection also includes approximately 35 scrapbooks, memorabilia, and an extensive amount of pictures. Film and recordings from the collection were transferred to the State Library and Archives of Florida for preservation.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. 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Navy","Florida -- Legislature -- House of Representatives","Governors -- Florida -- biography"],"has_online_content_ssim":["false"],"extent_ssm":["209.61 Linear Feet","471 boxes"],"extent_tesim":["209.61 Linear Feet","471 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accruals_html_tesm":["\u003cp\u003eAdditional correspondence (1961-1968), film strips, tapes, and campaign materials for Collins' senatorial campaign in 1969 donated by LeRoy Collins in December 1969.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Additional correspondence (1961-1968), film strips, tapes, and campaign materials for Collins' senatorial campaign in 1969 donated by LeRoy Collins in December 1969."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by Collins' career. Individual series are devoted to Collins' years in the House of Representatives and the Senate, the Governorship, the Chairmanship of the Democratic National Convention, his tenure as president of the National Association of Broadcasters, appointments as both Director of Community Relations and Undersecretary of Commerce, an unsuccessful bid for the Senate in 1968, and his years in retirement. Within each series, the papers are arranged categorically by box. Pictures, films, and memorabilia are arranged in separate series as well.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged chronologically by Collins' career. Individual series are devoted to Collins' years in the House of Representatives and the Senate, the Governorship, the Chairmanship of the Democratic National Convention, his tenure as president of the National Association of Broadcasters, appointments as both Director of Community Relations and Undersecretary of Commerce, an unsuccessful bid for the Senate in 1968, and his years in retirement. Within each series, the papers are arranged categorically by box. Pictures, films, and memorabilia are arranged in separate series as well."],"bioghist_html_tesm":["\u003cp\u003eLeRoy Collins was born in Tallahassee on March 10, 1909. He graduated from Leon High School in Tallahassee and received a degree in law from Cumberland University in Birmingham, Alabama. He returned to Tallahassee and married Mary Call Darby, the great-granddaughter of Richard Call who had twice served as Territorial Governor of Florida.\u003c/p\u003e\n","\u003cp\u003eSoon after his marriage to Mary Call, Collins was elected as the representative of Leon County to the Florida House of Representatives in 1934. He served in this position until 1940 when he filled the term of the late William Hodges in the Florida Senate. Collins purchased the Call family home \"The Grove\" in 1941 and shortly thereafter resigned his position from the Florida Senate to join the Navy in 1942. He was reelected to the Florida Senate upon his return from World War II in 1946. He was reelected in 1950, serving until 1954 when a special election was held to fill the remaining two years in the term of the late Governor Daniel T. McCarty, who had died in office in 1953.\u003c/p\u003e\n","\u003cp\u003eCollins Served as Florida's thirty-third Governor from 1955 to 1961 where he dealt with the complicated social and political issues of the time. His two greatest issues were the dismantling of segregation and the process of political patronage, both of which he employed a liberal diplomacy. Collins was also integral in the development of the Florida University system, including the University of South Florida in Tampa. He is considered by many historians to be one of the first liberal Southern Democrats to transform the political agenda of the South and is thought to be one of the best governors in Florida's History.\u003c/p\u003e\n","\u003cp\u003eCollins served as the Chairman of the Democratic National Convention in 1960, where he was a possible candidate for the presidential nomination due to his leadership position amongst Southern Governors and his strong stance on Civil Rights which would attract Northern liberals, however he did not seek the nomination. Upon leaving the governor's office, he became President of the National Association of Broadcasters, where he served until 1964. President Lyndon B. Johnson appointed Collins to be the first Director of Community Relations, a government office created out of the Civil Rights Act of 1964. This was followed by an appointment to the Undersecretary of Commerce in 1965 by President Johnson.\u003c/p\u003e\n","\u003cp\u003eFollowing his service in the federal government, Collins sought reelection to the Florida Senate in 1968. He won the primary but lost in the general election. His progressive stand for Civil Rights and his highly publicized role in the Selma, Alabama march while Director of Community Relations is credited with having cost him the 1968 Senate election.\u003c/p\u003e\n","\u003cp\u003eUpon his retirement from public service, Collins retired from his law firm in Tampa in which he had been a partner. He then returned to \"The Grove\" in Tallahassee where he remained active in the community and was also a guest contributor on politics to the \u003cemph render=\"italic\"\u003eSt. Petersburg Times\u003c/emph\u003e until his death from cancer in 1991\u003c/p\u003e\n","\u003cp\u003eNote written by JT, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["LeRoy Collins was born in Tallahassee on March 10, 1909. He graduated from Leon High School in Tallahassee and received a degree in law from Cumberland University in Birmingham, Alabama. He returned to Tallahassee and married Mary Call Darby, the great-granddaughter of Richard Call who had twice served as Territorial Governor of Florida.","Soon after his marriage to Mary Call, Collins was elected as the representative of Leon County to the Florida House of Representatives in 1934. He served in this position until 1940 when he filled the term of the late William Hodges in the Florida Senate. Collins purchased the Call family home \"The Grove\" in 1941 and shortly thereafter resigned his position from the Florida Senate to join the Navy in 1942. He was reelected to the Florida Senate upon his return from World War II in 1946. He was reelected in 1950, serving until 1954 when a special election was held to fill the remaining two years in the term of the late Governor Daniel T. McCarty, who had died in office in 1953.","Collins Served as Florida's thirty-third Governor from 1955 to 1961 where he dealt with the complicated social and political issues of the time. His two greatest issues were the dismantling of segregation and the process of political patronage, both of which he employed a liberal diplomacy. Collins was also integral in the development of the Florida University system, including the University of South Florida in Tampa. He is considered by many historians to be one of the first liberal Southern Democrats to transform the political agenda of the South and is thought to be one of the best governors in Florida's History.","Collins served as the Chairman of the Democratic National Convention in 1960, where he was a possible candidate for the presidential nomination due to his leadership position amongst Southern Governors and his strong stance on Civil Rights which would attract Northern liberals, however he did not seek the nomination. Upon leaving the governor's office, he became President of the National Association of Broadcasters, where he served until 1964. President Lyndon B. Johnson appointed Collins to be the first Director of Community Relations, a government office created out of the Civil Rights Act of 1964. This was followed by an appointment to the Undersecretary of Commerce in 1965 by President Johnson.","Following his service in the federal government, Collins sought reelection to the Florida Senate in 1968. He won the primary but lost in the general election. His progressive stand for Civil Rights and his highly publicized role in the Selma, Alabama march while Director of Community Relations is credited with having cost him the 1968 Senate election.","Upon his retirement from public service, Collins retired from his law firm in Tampa in which he had been a partner. He then returned to \"The Grove\" in Tallahassee where he remained active in the community and was also a guest contributor on politics to the  St. Petersburg Times  until his death from cancer in 1991","Note written by JT, 2011"],"prefercite_html_tesm":["\u003cp\u003eLeRoy Collins papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["LeRoy Collins papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas LeRoy Collins Papers, Special Collections, Robert Manning Strozier Library, Florida State University, Tallahassee, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas LeRoy Collins Papers, Special Collections, Robert Manning Strozier Library, Florida State University, Tallahassee, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe materials comprising the Collins papers range in date from the 1940s to the 1980s, with concentrations in Collins' terms as Governor and materials related to his 1968 unsuccessful Senatorial campaign. The collection consists of 344 manuscript boxes, approximately 200 linear feet of papers which include and are not limited to correspondence files, working papers, reports, campaign research, memoranda and speeches. The collection also includes approximately 35 scrapbooks, memorabilia, and an extensive amount of pictures. Film and recordings from the collection were transferred to the State Library and Archives of Florida for preservation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials comprising the Collins papers range in date from the 1940s to the 1980s, with concentrations in Collins' terms as Governor and materials related to his 1968 unsuccessful Senatorial campaign. The collection consists of 344 manuscript boxes, approximately 200 linear feet of papers which include and are not limited to correspondence files, working papers, reports, campaign research, memoranda and speeches. The collection also includes approximately 35 scrapbooks, memorabilia, and an extensive amount of pictures. Film and recordings from the collection were transferred to the State Library and Archives of Florida for preservation."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. Senate","Collins, LeRoy, 1909-1991","Collins, Mary Call"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. Senate","Collins, LeRoy, 1909-1991","Collins, Mary Call"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida. Governor (1955-1961 : Collins)","National Association of Broadcasters","Florida. Legislature. Senate"],"persname_ssim":["Collins, LeRoy, 1909-1991","Collins, Mary Call"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3590,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879922096413343744,"_root_":"d9a36525adf5c0fd8dab049a","timestamp":"2026-10-24T09:17:00.075Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d9a36525adf5c0fd8dab049a_aspace_53277"}},{"id":"af523c30b90933b50a837e53_aspace_6125e8e12b8b6b80993ac5c0b460f336","type":"Item","attributes":{"title":"YWCA property on the southeast corner of Twigg and Morgan Streets","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_6125e8e12b8b6b80993ac5c0b460f336#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6125e8e12b8b6b80993ac5c0b460f336","ref_ssm":["aspace_6125e8e12b8b6b80993ac5c0b460f336","aspace_6125e8e12b8b6b80993ac5c0b460f336"],"id":"af523c30b90933b50a837e53_aspace_6125e8e12b8b6b80993ac5c0b460f336","title_filing_ssi":"YWCA property on the southeast corner of Twigg and Morgan Streets","title_ssm":["YWCA property on the southeast corner of Twigg and Morgan Streets"],"title_tesim":["YWCA property on the southeast corner of Twigg and Morgan Streets"],"normalized_title_ssm":["YWCA property on the southeast corner of Twigg and Morgan Streets"],"text":["YWCA property on the southeast corner of Twigg and Morgan Streets","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","15338-19799","17","/repositories/2/archival_objects/146045","box 4"],"component_level_isim":[2],"parent_ids_ssim":["af523c30b90933b50a837e53","af523c30b90933b50a837e53_aspace_d903f5cdb831079a17476cf95f989aeb"],"parent_unittitles_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","15338-19799"],"parent_unittitles_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960","15338-19799"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["17","/repositories/2/archival_objects/146045"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":141,"parent_access_restrict_tesm":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 4"],"_nest_path_":"/components#3/components#16","_nest_parent_":"af523c30b90933b50a837e53_aspace_d903f5cdb831079a17476cf95f989aeb","_root_":"af523c30b90933b50a837e53","_version_":1879740859650408448,"timestamp":"2026-10-22T09:16:19.330Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"af523c30b90933b50a837e53","title_ssm":["Burgert Brothers collection of Tampa photographs"],"title_tesim":["Burgert Brothers collection of Tampa photographs"],"ead_ssi":"af523c30b90933b50a837e53","unitdate_ssm":["1890-1960"],"unitdate_bulk_ssim":["1890-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-03","/repositories/2/resources/458"],"text":["MS-2000-03","/repositories/2/resources/458","Burgert Brothers collection of Tampa photographs, bulk 1890-1960","The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.","This collection is currently unprocessed.","Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992.","The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers","English"],"unitid_tesim":["MS-2000-03","/repositories/2/resources/458"],"normalized_date_ssm":["bulk 1890-1960"],"normalized_title_ssm":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_title_tesim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"collection_ssim":["Burgert Brothers collection of Tampa photographs, bulk 1890-1960"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Burgert Brothers Commercial Photographers"],"creator_ssim":["Burgert Brothers Commercial Photographers"],"creator_corpname_ssim":["Burgert Brothers Commercial Photographers"],"creators_ssim":["Burgert Brothers Commercial Photographers"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["4.39 Linear Feet","21 boxes"],"extent_tesim":["4.39 Linear Feet","21 boxes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is unprocessed, but is available in the Special and Digital Collections Reading Room, Tampa Library, University of South Florida."],"arrangement_html_tesm":["\u003cp\u003eThis collection is currently unprocessed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is currently unprocessed."],"bioghist_html_tesm":["\u003cp\u003eSamuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. \u003c/p\u003e\n","\u003cp\u003eSynder, Robert E. and Jack B. Morre, \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e , 16 (November 1990) pp. 19-26.\u003c/p\u003e\n","\u003cp\u003eFor further reading see: Synder, Robert B. and Jack B. Moore, \u003cemph render=\"italic\"\u003ePioneer Commercial Photography- The Burgert Brothers\u003c/emph\u003e, Tampa, Florida, University Press of Flordia: Gainesville, 1992.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel Burgert was born in Cincinnati, Ohio in 1849. He later married Adelina Jane Barlow who was a native of Shreveport, Louisana. During the 1880's Samuel moved his wife and four sons to Florida. Locating in Jacksonville, Samuel worked as a photographer, during which time Adelina gave birth to twin boys. Near the end of the 19th century the Burgert family finally moved to Tampa where three of the Burgerts worked as photographers. Samuel's sons Al and Jean started the Burgert Brothers firm around 1917. They were widley known as skilled, and reputable photographers who maintained the finest equipment and didn't discriminate. They worked nearly every aspect of the business, including news, portrait, and commercial photography. Throughout their careers they took hundreds of thousands of photographs which recorded the development of Tampa from a small town to a major city. ","Synder, Robert E. and Jack B. Morre,  Sunland Tribune  , 16 (November 1990) pp. 19-26.","For further reading see: Synder, Robert B. and Jack B. Moore,  Pioneer Commercial Photography- The Burgert Brothers , Tampa, Florida, University Press of Flordia: Gainesville, 1992."],"prefercite_html_tesm":["\u003cp\u003eBurgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Burgert Brothers Collection of Tampa Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.\u0026#xA0; The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Burgert Brothers prints derived from various sources and assembled into a composite collection.  The two principle sources for the Burgert images were the photographic holdings of the Tony Pizzo and Hampton Dunn collections. Both had considerable numbers of Burgert prints and negatives dispersed under various subject headings. The collection was assembled into a single, coherent collection in 1993."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Burgert Brothers Commercial Photographers"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":774,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879740859650408448,"_root_":"af523c30b90933b50a837e53","timestamp":"2026-10-22T09:16:19.330Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/af523c30b90933b50a837e53_aspace_6125e8e12b8b6b80993ac5c0b460f336"}},{"id":"5d745054e40d7bb54235fac2_aspace_65539","type":"Item","attributes":{"title":"Y.W.C.A. residence, Tampa, Florida","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5d745054e40d7bb54235fac2_aspace_65539#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65539","ref_ssm":["aspace_65539","aspace_65539"],"id":"5d745054e40d7bb54235fac2_aspace_65539","title_filing_ssi":"Y.W.C.A. residence, Tampa, Florida","title_ssm":["Y.W.C.A. residence, Tampa, Florida"],"title_tesim":["Y.W.C.A. residence, Tampa, Florida"],"normalized_title_ssm":["Y.W.C.A. residence, Tampa, Florida"],"text":["Y.W.C.A. residence, Tampa, Florida","Hampton Dunn Collection of Florida Postcards, 1900-1985","Counties","Hillsborough County","Box 6","Item 166","/repositories/2/archival_objects/95084","usfldc:D32-0591"],"component_level_isim":[4],"parent_ids_ssim":["5d745054e40d7bb54235fac2","5d745054e40d7bb54235fac2_aspace_62334","5d745054e40d7bb54235fac2_aspace_64110","5d745054e40d7bb54235fac2_aspace_64112"],"parent_unittitles_ssm":["Hampton Dunn Collection of Florida Postcards, 1900-1985","Counties","Hillsborough County","Box 6"],"parent_unittitles_tesim":["Hampton Dunn Collection of Florida Postcards, 1900-1985","Counties","Hillsborough County","Box 6"],"parent_levels_ssm":["collection","Series","Subseries","Box"],"unitid_ssm":["Item 166","/repositories/2/archival_objects/95084"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":596,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_1738bc6322d0572e1a5b4a099ec58de9\"\u003eusfldc:D32-0591\u003c/materialspec\u003e"],"materialspec_tesim":["usfldc:D32-0591"],"_nest_path_":"/components#0/components#27/components#1/components#92","_nest_parent_":"5d745054e40d7bb54235fac2_aspace_64112","_root_":"5d745054e40d7bb54235fac2","_version_":1879650271648284672,"timestamp":"2026-10-21T09:16:27.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5d745054e40d7bb54235fac2","title_ssm":["Hampton Dunn Collection of Florida Postcards"],"title_tesim":["Hampton Dunn Collection of Florida Postcards"],"ead_ssi":"5d745054e40d7bb54235fac2","unitdate_ssm":["1900-1985"],"unitdate_inclusive_ssm":["1900-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1981-02","/repositories/2/resources/422"],"text":["MS-1981-02","/repositories/2/resources/422","Hampton Dunn Collection of Florida Postcards, 1900-1985","Florida -- Pictorial works.","Florida -- History -- 20th Century.","Postcards -- Florida.","Florida -- Social life and customs.","The collection is arranged into four series and then alphabetically by sub-series.  Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes.","Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006.","This collection is actively being digitized. You can view the collection on  Digital Commons at USF .","Hampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Dunn, Hampton (Henry Hampton), 1916-2002","English"],"unitid_tesim":["MS-1981-02","/repositories/2/resources/422"],"normalized_date_ssm":["1900-1985"],"normalized_title_ssm":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"collection_title_tesim":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"collection_ssim":["Hampton Dunn Collection of Florida Postcards, 1900-1985"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"geogname_ssim":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"creator_ssm":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creator_persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"creators_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"places_ssim":["Florida -- Pictorial works.","Florida -- History -- 20th Century."],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Hampton Dunn","Donation"],"access_subjects_ssim":["Postcards -- Florida.","Florida -- Social life and customs."],"access_subjects_ssm":["Postcards -- Florida.","Florida -- Social life and customs."],"has_online_content_ssim":["false"],"extent_ssm":["18.29 Linear Feet","34 boxes"],"extent_tesim":["18.29 Linear Feet","34 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series and then alphabetically by sub-series.\u0026#xA0; Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into four series and then alphabetically by sub-series.  Postcards with a specific location, such as cities or landmarks, are placed in the Counties series. Postcards with no specific location or that span multiple counties, such as rivers, are placed in the Topical series. Digitized postcards are placed in plastic sleeves in their respective boxes."],"bioghist_html_tesm":["\u003cp\u003eHenry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the \u003cemph render=\"italic\"\u003eTampa Tribune\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eFlorida Times Union\u003c/emph\u003e. He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.\u003c/p\u003e\n","\u003cp\u003eDunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.\u0026#xA0; When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.\u003c/p\u003e\n","\u003cp\u003eDunn edited AAA's monthly magazine, \u003cemph render=\"italic\"\u003eFlorida Explorer\u003c/emph\u003e, and several other journals and newsletters including the \u003cemph render=\"italic\"\u003eSunland Tribune \u003c/emph\u003e(Tampa Historical Society) and \u003cemph render=\"italic\"\u003eThe Hub\u003c/emph\u003e (Rotary Club of Tampa).\u0026#xA0; His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"\u0026#xA0; During his later years, he presented \"Hampton Dunn's Yesterdays\" \u0026#x2013; little histories of Florida events \u0026#x2013; on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.\u0026#xA0; His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"\u003c/p\u003e\n","\u003cp\u003eHampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.\u0026#xA0; He died February 3, 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBerube, Rich.\u0026#xA0; \"Hampton Dunn Gift Brings Florida's History to Life.\"\u0026#xA0; \u003cemph render=\"italic\"\u003eSunland Tribune\u003c/emph\u003e\u0026#xA0; 7 (November 1982): 65-67.\u003c/p\u003e\n","\u003cp\u003eCamp, Paul.\u0026#xA0; \u003cemph render=\"italic\"\u003eCollecting Florida: The Hampton Dunn Collection and other Floridiana.\u003c/emph\u003e Tampa, FL: University of South Florida Libraries, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Henry Hampton Dunn and his twin sister Hazel were born in Floral City, Florida on December 14, 1916. Dunn published his first article in 1932 as a Boy Scout correspondent for the Citrus County Chronicle. During his high school years, which he completed in Tampa, he wrote sports reviews for the  Tampa Tribune  and  Florida Times Union . He attended Mercer University in Macon, Georgia, University of Tampa in Florida and served as a public relations officer and war correspondent with the 12 th  Air Force during World War II. He left the service in November 1945 at the rank of major and with a Bronze Star.","Dunn joined the Tampa Daily Times as a full-time journalist in 1936. In 1946 he received the \"Best News Story Award\" from the Associated Press Association of Florida for his coverage of the Marjorie Kinnan Rawlings invasion of privacy trial.For two years Dunn served as a political commentator and news analyst for station WCKT-TV in Miami.  When he returned to Tampa, he joined the Peninsula Motor Club, an affiliate of the American Automobile Association, as an executive officer and later vice president.","Dunn edited AAA's monthly magazine,  Florida Explorer , and several other journals and newsletters including the  Sunland Tribune  (Tampa Historical Society) and  The Hub  (Rotary Club of Tampa).  His syndicated columns included \"Photouring Florida\" (began in 1966), \"Floridana,\" and \"Palm Tree Politics.\"  During his later years, he presented \"Hampton Dunn's Yesterdays\" – little histories of Florida events – on WTVT, Channel 13. Hampton belonged to many organizations, including the Tampa Historical Society, Florida Historical Society, and Historical Association of Southern Florida.  His talks to many historical and genealogical groups around the state earned him the affectionate title, \"Mr. Florida.\"","Hampton and his wife Charlotte Ruth Rawls Dunn were the parents of three children.  He died February 3, 2002.","Sources:","Berube, Rich.  \"Hampton Dunn Gift Brings Florida's History to Life.\"   Sunland Tribune   7 (November 1982): 65-67.","Camp, Paul.   Collecting Florida: The Hampton Dunn Collection and other Floridiana.  Tampa, FL: University of South Florida Libraries, 2006."],"prefercite_html_tesm":["\u003cp\u003eHampton Dunn Collection of Florida postcards, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Hampton Dunn Collection of Florida postcards, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is actively being digitized. You can view the collection on \u003ca href=\"https://digitalcommons.usf.edu/dunn_postcards/\"\u003eDigital Commons at USF\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eHampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Collection","Related Materials"],"relatedmaterial_tesim":["This collection is actively being digitized. You can view the collection on  Digital Commons at USF .","Hampton Dunn collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains approximately 16,100 postcards that represent Florida's culture, environment and history. Postcards depict a variety of images, such as beaches, streets, hotels and government buildings, plants, landmarks, and tourist attractions. The collection primarily consists of postcards from the first half of the twentieth century. Many have been postmarked and mailed."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Dunn, Hampton (Henry Hampton), 1916-2002"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Dunn, Hampton (Henry Hampton), 1916-2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2823,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879650271648284672,"_root_":"5d745054e40d7bb54235fac2","timestamp":"2026-10-21T09:16:27.807Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5d745054e40d7bb54235fac2_aspace_65539"}},{"id":"cfe589384758583d08a814b1_aspace_d4d5b35dd3d374a21ac67d977987ba01","type":"File","attributes":{"title":"YWCA, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1_aspace_d4d5b35dd3d374a21ac67d977987ba01#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d4d5b35dd3d374a21ac67d977987ba01","ref_ssm":["aspace_d4d5b35dd3d374a21ac67d977987ba01","aspace_d4d5b35dd3d374a21ac67d977987ba01"],"id":"cfe589384758583d08a814b1_aspace_d4d5b35dd3d374a21ac67d977987ba01","title_filing_ssi":"YWCA","title_ssm":["YWCA"],"title_tesim":["YWCA"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["YWCA, undated"],"text":["YWCA, undated","Alcee Hastings Collection, 1977-2011","Photographs","/repositories/2/archival_objects/33505","box 9","folder 13"],"component_level_isim":[2],"parent_ids_ssim":["cfe589384758583d08a814b1","cfe589384758583d08a814b1_aspace_13c6a57280ea9647861afd1b54425aea"],"parent_unittitles_ssm":["Alcee Hastings Collection, 1977-2011","Photographs"],"parent_unittitles_tesim":["Alcee Hastings Collection, 1977-2011","Photographs"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/33505"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alcee Hastings Collection, 1977-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":191,"parent_access_restrict_tesm":["The Alcee Hastings Collection is open for research."],"containers_ssim":["box 9","folder 13"],"_nest_path_":"/components#0/components#189","_nest_parent_":"cfe589384758583d08a814b1_aspace_13c6a57280ea9647861afd1b54425aea","_root_":"cfe589384758583d08a814b1","timestamp":"2026-05-03T01:31:27.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfe589384758583d08a814b1","title_filing_ssi":"Hastings, Alcee Collection","title_ssm":["Alcee Hastings Collection"],"title_tesim":["Alcee Hastings Collection"],"ead_ssi":"cfe589384758583d08a814b1","unitdate_ssm":["1977-2011"],"unitdate_inclusive_ssm":["1977-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.10","/repositories/2/resources/95"],"text":["AARLCC.2003.10","/repositories/2/resources/95","Alcee Hastings Collection, 1977-2011","Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations","The Alcee Hastings Collection is open for research.","View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.","Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.","This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.","AARLCC Special Collections","Hastings, Alcee L.","English"],"unitid_tesim":["AARLCC.2003.10","/repositories/2/resources/95"],"normalized_date_ssm":["1977-2011"],"normalized_title_ssm":["Alcee Hastings Collection, 1977-2011"],"collection_title_tesim":["Alcee Hastings Collection, 1977-2011"],"collection_ssim":["Alcee Hastings Collection, 1977-2011"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Art W. Kennedy donated the materials on behalf of Alcee L. Hastings to the AARLCC Special Collections on April 10, 2003 (Accession AARLCC-2003.10). An accrual was donated on April 29 and May 6, 2021 (Accession AARLCC-2021.8). Alcee L. Hastings II donated an accrual on March 8, 2025 (Accession AARLCC-2025.5)."],"access_subjects_ssim":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"access_subjects_ssm":["Legislators -- United States","Judges -- Florida -- Broward County","Photographs","Certificates","plaques (flat objects)","Proclamations"],"has_online_content_ssim":["false"],"extent_ssm":["23 Hollinger Boxes"],"extent_tesim":["23 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","Proclamations"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alcee Hastings Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll22/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digital Materials"],"altformavail_tesim":["View a selection of digitized materials from the Alcee Hastings Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eAlcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026amp;M University School of Law. \u003c/p\u003e\n","\u003cp\u003eAfter practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. \u003c/p\u003e\n","\u003cp\u003eIn 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.\u003c/p\u003e\n","\u003cp\u003eCongressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters\u0026#x2026;Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. \u003c/p\u003e\n","\u003cp\u003eAlcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alcee L. (Lamar) Hastings was born on September 5, 1936 in Altamonte Springs, Florida to Mildred and Julius \"J. C.\" Hastings. He received a B.A. degree in Zoology and Botany from Fisk University in 1958. From 1958 to 1960, Hastings attended Howard University School of Law and earned his Juris Doctorate degree in 1963 from Florida A\u0026M University School of Law. ","After practicing law, Hastings became a judge in the circuit court of Broward County, Florida in 1977. He was nominated by President Jimmy Carter to the United States District Court for the Southern District of Florida and held this position from 1979 to 1989. ","In 1992, Alcee L. Hastings was elected to the U.S. House of Representatives, representing Florida's 23rd district (1993-2013) and 20th district (2013-2021). These congressional districts cover Fort Lauderdale and West Palm Beach. Congressman Hastings, Carrie Meek and Corrine Brown were the first black representatives from Florida elected to Congress in 1992.","Congressman Hastings participated in several community and political organizations and events such as the Urban League of Broward County inaugural \"Achievement Matters…Salute to Scholars\", the National Advancement for the Association of Colored People (NAACP), Broward County Young Democrats, Little Haiti Housing Association, Inc., and Kappa Alpha Psi fraternity alumni chapter gatherings. He was a member of Kappa Alpha Psi fraternity and the Congressional Black Caucus. ","Alcee L. Hastings was diagnosed with pancreatic cancer in 2019. He died on April 6, 2021."],"prefercite_html_tesm":["\u003cp\u003eAlcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alcee Hastings Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing by Emily Calderon in May 2021. Additional materials were processed at the file level and the finding aid updated by Adam Anderson in March 2026. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alcee Hastings Collection contains materials that document the career of Broward County lawyer, judge, and U.S. House of Representatives Congressman Alcee L. Hastings, such as photographs, printed materials, books, artwork, plaques, certificates, and award objects. The majority of the materials in the collection came from Congressman Hasting's congressional office."],"names_ssim":["AARLCC Special Collections","Hastings, Alcee L."],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hastings, Alcee L."],"persname_ssim":["Hastings, Alcee L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":315,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfe589384758583d08a814b1","timestamp":"2026-05-03T01:31:27.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfe589384758583d08a814b1_aspace_d4d5b35dd3d374a21ac67d977987ba01"}},{"id":"18ce43a3c782b797db9fa781_aspace_176263","type":"Item","attributes":{"title":"Y.W.C.A. United War Work Campaign. Back our girls over there.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176263#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eHand-colored illustration.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176263#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_176263","ref_ssm":["aspace_176263","aspace_176263"],"id":"18ce43a3c782b797db9fa781_aspace_176263","title_filing_ssi":"Y.W.C.A. United War Work Campaign. Back our girls over there.","title_ssm":["Y.W.C.A. United War Work Campaign. Back our girls over there."],"title_tesim":["Y.W.C.A. United War Work Campaign. Back our girls over there."],"normalized_title_ssm":["Y.W.C.A. United War Work Campaign. Back our girls over there."],"text":["Y.W.C.A. United War Work Campaign. Back our girls over there.","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","World War I Posters","Item 19","/repositories/2/archival_objects/82744","Hand-colored illustration."],"component_level_isim":[3],"parent_ids_ssim":["18ce43a3c782b797db9fa781","18ce43a3c782b797db9fa781_aspace_179818","18ce43a3c782b797db9fa781_aspace_176244"],"parent_unittitles_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","World War I Posters"],"parent_unittitles_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Slides -Title Cards, Theather Title Cards, Christmas, World War I Posters, Historical Figures, Fashion, Patriotic Illustrations","World War I Posters"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["Item 19","/repositories/2/archival_objects/82744"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":655,"parent_access_restrict_tesm":["Fragile materials served by appointment. Gloves required."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored illustration.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Hand-colored illustration."],"_nest_path_":"/components#16/components#3/components#18","_nest_parent_":"18ce43a3c782b797db9fa781_aspace_176244","_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"18ce43a3c782b797db9fa781","title_ssm":["Photographic lantern slide collection"],"title_tesim":["Photographic lantern slide collection"],"ead_ssi":"18ce43a3c782b797db9fa781","unitdate_ssm":["1902-1929","Date acquired: 00/00/1995"],"unitdate_inclusive_ssm":["1902-1929"],"unitdate_other_ssim":["Date acquired: 00/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-06","/repositories/2/resources/391"],"text":["MS-1995-06","/repositories/2/resources/391","Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995","Lantern slides","Fragile materials served by appointment. Gloves required.","Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.","The slides have been issued inventory numbers; for item level description see printed document with the collection.","The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139.","published","Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-06","/repositories/2/resources/391"],"normalized_date_ssm":["1902-1929, Date acquired: 00/00/1995"],"normalized_title_ssm":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_title_tesim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"collection_ssim":["Photographic lantern slide collection, 1902-1929, Date acquired: 00/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Lantern slides"],"access_subjects_ssm":["Lantern slides"],"has_online_content_ssim":["false"],"extent_ssm":["20.23 Linear Feet","39 boxes"],"extent_tesim":["20.23 Linear Feet","39 boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eFragile materials served by appointment. Gloves required.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Fragile materials served by appointment. Gloves required."],"accruals_html_tesm":["\u003cp\u003eFive lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Five lantern slides measuring 1.75\" by 6.75\" donated to USF Special Collections on August 23, 2023."],"arrangement_html_tesm":["\u003cp\u003eThe slides have been issued inventory numbers; for item level description see printed document with the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The slides have been issued inventory numbers; for item level description see printed document with the collection."],"bioghist_html_tesm":["\u003cp\u003eThe history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides.\u003c/p\u003e\n","\u003cp\u003e \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations.\u003c/p\u003e\n","\u003cp\u003e \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.\u003c/p\u003e\n","\u003cp\u003e \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026amp; Company, Ltd., 1901), 133-139.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The history of the lantern slide has its origins in seventeenth-century optical viewing devices which came to be known as \"magic lanterns\". The earliest slides for magic lanterns consisted of hand-painted images on glass, projected by itinerant showmen to amuse their audiences. In 1849, about ten years after the invention of photography, lantern slides began to be produced photographically.  Rapid improvements in photographic reproduction methods and more effective projection illuminants sparked the increased popularization of magic lantern slides."," \nIn the United States, magic lantern shows were especially popular in formal education settings. From the 1850s, following the lead of the Philadelphia-based Langenheim Brothers, a growing number of slide manufacturers retained stock collections of negatives from which lantern slides could be produced, assembled into thematic boxed sets, and sold to consumers, including universities, companies, clubs and other social organizations."," \nThe vast majority of these commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either \"contact\" or \"reduction\" prints. They made contact prints by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass \"sandwich\" together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding."," \nIn the 1930s and 1940s, less expensive film-based transparencies replaced glass lantern slides.  Commercial glass lantern slide firms and photographic studios disappeared or adapted to the new medium of 35 mm slides. [1] John Barnes. Catalogue of the Collection. Part 2: Optical Projection, The History of the Magic Lantern from the 17th to the 20th Century (St. Ives, Cornwall: Barnes Museum of Cinematography, 1970), 27-29. [2] Elizabeth Shepard. \"The Magic Lantern Slide in Entertainment and Education, 1860-1920.\" History of Photography 11: 2 (April-June 1987), 91. [3] Paul N. Hasluck. Optical Lanterns and Accessories: How to Make and Manage Them, Including Instructions on Making Slides (London: Cassell \u0026 Company, Ltd., 1901), 133-139."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003ePhotographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Photographic Lantern Slide Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eLantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.\u003c/p\u003e\n","\u003cp\u003eThe Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.\u003c/p\u003e\n","\u003cp\u003eDocumentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.\u003c/p\u003e\n","\u003cp\u003eThe bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]\u003c/p\u003e\n","\u003cp\u003eOnce the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.\u003c/p\u003e\n","\u003cp\u003eIn the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.\u003c/p\u003e\n","\u003cp\u003eThe manufacturers, retailers, photographers, studios or colorists identified in this collection are:\u003c/p\u003e\n","\u003cp\u003eBeseler Lantern Slide Company, 131 East 23\u003cemph render=\"super\"\u003erd\u003c/emph\u003e Street, New York\u003c/p\u003e\n","\u003cp\u003eBrown and Dawson, Stamford, Connecticut\u003c/p\u003e\n","\u003cp\u003eDetroit Publishing Company, Detroit, Michigan\u003c/p\u003e\n","\u003cp\u003eC. H. Graves Company, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eMisses Griffith (colorists), New York, New York\u003c/p\u003e\n","\u003cp\u003eA. D. Handy, Boston, Massachusetts\u003c/p\u003e\n","\u003cp\u003eJoseph Hawkes, 108 Fulton Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eMilton R. Holmes (photographer), Pennsylvania\u003c/p\u003e\n","\u003cp\u003eW. C. Ives, New York, New York\u003c/p\u003e\n","\u003cp\u003eKeystone View Company, Meadville, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eChas. W. Kimble, Trenton, New Jersey\u003c/p\u003e\n","\u003cp\u003eT. H. McAllister-Keller Co., Inc., New York, New York\u003c/p\u003e\n","\u003cp\u003eMoore, Bond \u0026amp; Company, Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003eWilliam Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eRiley Optical, New York, New York\u003c/p\u003e\n","\u003cp\u003eJohn Duer Scott (photographer), New York, New York\u003c/p\u003e\n","\u003cp\u003eScott and Van Altena, 59 Pearl Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eUnderwood and Underwood, Washington, D. C.\u003c/p\u003e\n","\u003cp\u003eEdward Van Altena, 71-79 West 45\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Street, New York, New York\u003c/p\u003e\n","\u003cp\u003eWilliams, Brown \u0026amp; Earle, Inc., Philadelphia, Pennsylvania\u003c/p\u003e\n","\u003cp\u003eIn most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.\u003c/p\u003e\n","\u003cp\u003eSlide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.\u003c/p\u003e\n","\u003cp\u003eLantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref1][1][/url] John A. Tennant, ed.  \u003cemph render=\"italic\"\u003eThe Photo-Miniature: A Magazine of Photographic Information\u003c/emph\u003e 7:83 (Nov. 1907), 501-539.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref2][2][/url] Hasluck, 129-132.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref4][4][/url] David Robinson, et al., editors.  \u003cemph render=\"italic\"\u003eEncyclopaedia of the Magic Lantern  \u003c/emph\u003e(London: The Magic Lantern Society, 2001),181-2.\u003c/p\u003e\n","\u003cp\u003e[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Lantern slides have their origins in optical projection devices dating to the seventeenth century, yet their widespread use did not begin until after the advent of the wet collodion photographic process by Frederick Scott Archer in the late 1840s. As the nineteenth century progressed, lantern slides with photographic images quickly became popular forms of public and private education and entertainment.","The Photographic Lantern Slide collection is a source of visual imagery that spans the world in historical, architectural, cultural and agricultural subjects.  It represents one of the most popular categories of lantern slides, travel destinations.  It is international in scope, with scenes varying by locale, as indicated in the container listing. Many of the slides in this collection represent the sacred spaces of the Jewish, Buddhist, Christian and Muslim religions. Popular tourist destinations and historic sites are also prevalent, as are scenes of working people, housing structures, rural agriculture and transportation methods.","Documentation pertaining to this collection is limited to information affixed to the slides. Studios, manufacturers and retailers are identified on printed or handwritten labels, and some slides bear dates ranging from 1902 to 1929.  The hand colorists known as \"the Misses Griffith\" are identified on a number of slides, yet in most instances, the photographer who took the picture and the date of the negative's creation are not indicated. Nonetheless, the collection documents the products of a number of photographers, manufacturers, retailers of optical supplies and hand colorists.  The collection is especially notable for its number of hand-colored lantern slides.","The bulk of photographic lantern slides sold in the United States in the early twentieth century were black and white, products of the wet collodion or a gelatine photographic process. Hand coloring required additional skilled labor, space and tools, and delayed the mass production of the slides. Its relationship to painting on china and glass meant that women often performed the skilled labor.  Transparent oil paints, aniline dyes or watercolors were most frequently used in the process, the slides sometimes baked in an oven to set the paint layers prior to subsequent pigment applications.  While the earliest hand-colored slides required the painter's experimentation with different pigments and dyes, by the early twentieth century, paint manufacturers produced sets of colors specifically designed for slide lantern use.[url=#_ftn1][1][/url]","Once the photographic image was ready for assembly, the binders often applied a gummed opaque paper border (called a mask) to the glass negative and then topped it with a clear glass cover.  They then placed the two pieces of glass into a binding clamp and bound them together with gummed paper tape.[url=#_ftn2][2][/url]  Slides could then be individually sold or grouped into thematic sets, placed in grooved boxes, and distributed. Originally housed in the wooden boxes associated with glass negatives, the majority of the slides bearing the labels of individual manufacturers and studios, the Photographic Lantern Slide Collection is representative of such commercial sales.","In the early twentieth century, various American companies sold thematic slide lecture sets. The Keystone View Company (1892-1963), founded by the amateur photographer B.L. Singley in Meadville, Pennsylvania, was one of the largest commercial suppliers.[url=#_ftn3][3][/url] The McAllister family was another leader in the magic lantern business, establishing operations in Philadelphia by 1846 and in New York by 1866.  Trading under the name McAllister-Keller Co., Inc. from 1917, the company continued to offer lantern slides and other supplies until 1942.[url=#_ftn4][4][/url] The photographer John Duer Scott and the colorist Edward Van Altena joined forces to create a New York-based business in 1904. Riley Optical was a British company specializing in slide and lantern manufacturing, which opened a New York branch by 1895. Williams, Brown and Earle primarily sold laboratory supplies and optical equipment, but also produced lantern slide sets.","The manufacturers, retailers, photographers, studios or colorists identified in this collection are:","Beseler Lantern Slide Company, 131 East 23 rd  Street, New York","Brown and Dawson, Stamford, Connecticut","Detroit Publishing Company, Detroit, Michigan","C. H. Graves Company, Philadelphia, Pennsylvania","Misses Griffith (colorists), New York, New York","A. D. Handy, Boston, Massachusetts","Joseph Hawkes, 108 Fulton Street, New York, New York","Milton R. Holmes (photographer), Pennsylvania","W. C. Ives, New York, New York","Keystone View Company, Meadville, Pennsylvania","Chas. W. Kimble, Trenton, New Jersey","T. H. McAllister-Keller Co., Inc., New York, New York","Moore, Bond \u0026 Company, Chicago, Illinois","William Herman Rau, 1324 Chestnut Street, Philadelphia, Pennsylvania","Riley Optical, New York, New York","John Duer Scott (photographer), New York, New York","Scott and Van Altena, 59 Pearl Street, New York, New York","Underwood and Underwood, Washington, D. C.","Edward Van Altena, 71-79 West 45 th  Street, New York, New York","Williams, Brown \u0026 Earle, Inc., Philadelphia, Pennsylvania","In most instances, the maker's identification labels do not distinguish professions of the named entities, although the Misses Griffith are clearly indicated as hand colorists operating out of New York City. The street addresses listed above reflect identification printed on the commercial paper labels. In some instances, additional research revealed city or state of operation.","Slide lantern manufacturers also sold instruction manuals and mass-produced kits intended for amateur photographers, teachers, organizations, and educational institutions. Such kits included light sensitive lantern glass, clear cover glass, gummed paper masks, binding tape, and grooved wooden boxes for safe storage. Museums, schools and universities frequently created their own lantern slides for educational use. Photographic clubs emerged in American cities, offering lantern slide lectures and organizing slide exchanges. The slides in this collection that lack manufacturer, retailer or studio labels may be the products of such non-commercial endeavors.","Lantern slides created a new way to view both commercial and amateur photography. While the earliest photographic methods required an intimate viewership, the projection capabilities of the magic lantern allowed for a sizable audience. In the United States, the greatest impact of lantern slides was as a didactic tool and a form of entertainment.[url=#_ftn5][5][/url] Photographic lantern slides reached the peak of their popularity during the first third of the twentieth century, and dramatically impacted the development of animation technologies as well as visual-based education methods in fields such as anthropology, art history, and geography. As new photographic films emerged in the 1930s and 1940s, magic lantern shows became a rarity and ultimately obsolete.","[url=#_ftnref1][1][/url] John A. Tennant, ed.   The Photo-Miniature: A Magazine of Photographic Information  7:83 (Nov. 1907), 501-539.","[url=#_ftnref2][2][/url] Hasluck, 129-132.","[url=#_ftnref3][3][/url] Shepard, \"The Magic Lantern Slide,\" 105.  The company was purchased by the Mast Development Company in 1963.","[url=#_ftnref4][4][/url] David Robinson, et al., editors.   Encyclopaedia of the Magic Lantern   (London: The Magic Lantern Society, 2001),181-2.","[url=#_ftnref5][5][/url] Shepard, \"The Magic Lantern Slide,\" 91."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"18ce43a3c782b797db9fa781","timestamp":"2026-06-19T03:16:57.188Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/18ce43a3c782b797db9fa781_aspace_176263"}},{"id":"8a59a7d5170b598adb3047fc_aspace_186292","type":"Item","attributes":{"title":"Ywyoming Seminary, 2/10/1977","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_186292#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eJob Number 1945. Lownsend. 1 sheet.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a59a7d5170b598adb3047fc_aspace_186292#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_186292","ref_ssm":["aspace_186292","aspace_186292"],"id":"8a59a7d5170b598adb3047fc_aspace_186292","title_filing_ssi":"Ywyoming Seminary","title_ssm":["Ywyoming Seminary"],"title_tesim":["Ywyoming Seminary"],"unitdate_other_ssim":["2/10/1977"],"normalized_date_ssm":["2/10/1977"],"normalized_title_ssm":["Ywyoming Seminary, 2/10/1977"],"text":["Ywyoming Seminary, 2/10/1977","J. R. Clancy Collection, 1911-1999, Date acquired: 01/01/2010","Job Drawings","Roll 33","Item 46","/repositories/10/archival_objects/41445","Job Number 1945. 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