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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Philomene \"Phil\" Asher Gates (formerly known as Philomene Asher) was born on March 19, 1918 in Daytona Beach, Florida. She grew up in Orlando, Florida and after graduating from high school, attended Florida State College for Women in 1934. While a student at FSCW, Gates was active in Even activities, Pi Beta Phi Sorority, and other college organizations, events, and programs. Upon graduating in 1938 with her bachelor's degree in Commerce, she was recruited by the  Orlando Sentinel  to travel to Europe and the Soviet Union to report on developments there. Although disillusioned by conditions she saw in the Soviet Union and Germany, and the censorship of her weekly reports to the  Sentinel , she remained interested in political and social issues. After returning and moving to Washington, DC, at the age of twenty she was one of only three women entering the George Washington University Law School, where she earned her law degree in 1941. Her legal career began as an attorney of general counsel in the Office of Price Administration, after which she moved to the office of the chairman of the Civil Aeronautics Board.  Following World War II, she and her husband, Samuel Eugene Gates moved to New York City. Upon being admitted to the Bar of the State of New York, She began a long career as a private attorney. Gates was an active member of the Bar Association of the City of New York and was a founder and chairman of the Women's Division (now the Civil Division) of the Legal Aid Society. She spent her summers in Westhampton Beach, where she was active in the community, serving as a director of Southampton Hospital and the Greater Westhampton Association. In 1990, following the death of her husband in 1979, she published her first book,  Suddenly Alone: A Woman's Guide to Widowhood . In 2001, her second book, a memoir entitled,  A Soft Rebel Yell: From Grits to Gotham  was published. She was active in numerous clubs and organizations, including the Girl Scouts Council of Greater New York, the Cosmopolitan Club, the Century Association, the New York Infirmary-Beekman Downtown Hospital, and the Grosvenor Neighborhood House. She served as a trustee of the Florida State University Foundation and endowed the Philomene Gates Award for Excellence in Communication at Florida State University, a major communications award to encourage excellence in that field. She passed away on February 17, 2009. According to her obituary, she was \"considered by many the quintessential 'grande dame,'\" and was known, \"for her beauty, intellectual curiosity, energy, and hospitality.\"","Entered 30 August 2010.","Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection.","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Gates, Philomene Asher","Asher, Philomene","English"],"unitid_tesim":["HP 2010-013","/repositories/10/resources/1326"],"normalized_date_ssm":["1934-1938, Date acquired: 06/03/2010"],"normalized_title_ssm":["Philomene Asher Gates Collection, 1934-1938, Date acquired: 06/03/2010"],"collection_title_tesim":["Philomene Asher Gates Collection, 1934-1938, Date acquired: 06/03/2010"],"collection_ssim":["Philomene Asher Gates Collection, 1934-1938, Date acquired: 06/03/2010"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Gates, Philomene Asher"],"creator_ssim":["Gates, Philomene Asher"],"creator_persname_ssim":["Gates, Philomene Asher"],"creators_ssim":["Gates, Philomene Asher"],"access_terms_ssm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"acqinfo_ssim":["Donated by Sharon Stearns."],"access_subjects_ssim":["Poetry","Pamphlets","Grade reports","Class of 1938","Place cards","Scrapbooks","Invitation cards.","Clippings (Books, newspapers, etc.)","Programs","Photographs","Tags","Jewelry.","Notecards","Notes.","Telegraph.","Envelopes (Stationery)","Postcards."],"access_subjects_ssm":["Poetry","Pamphlets","Grade reports","Class of 1938","Place cards","Scrapbooks","Invitation cards.","Clippings (Books, newspapers, etc.)","Programs","Photographs","Tags","Jewelry.","Notecards","Notes.","Telegraph.","Envelopes (Stationery)","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 9 Folders in box 1813"],"extent_tesim":["0.5 Linear Feet 9 Folders in box 1813"],"genreform_ssim":["Place cards","Scrapbooks","Invitation cards.","Clippings (Books, newspapers, etc.)","Programs","Photographs","Tags","Jewelry.","Notecards","Notes.","Telegraph.","Envelopes (Stationery)","Postcards."],"date_range_isim":[1934,1935,1936,1937,1938],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003ePhilomene \"Phil\" Asher Gates (formerly known as Philomene Asher) was born on March 19, 1918 in Daytona Beach, Florida.\u0026#xA0;She grew up in Orlando, Florida and after graduating from high school, attended Florida State College for Women in 1934. While a student at FSCW, Gates was active in Even activities, Pi Beta Phi Sorority, and other college organizations, events, and programs. Upon graduating in 1938 with her bachelor's degree in Commerce, she was recruited by the \u003cemph render=\"italic\"\u003eOrlando Sentinel\u003c/emph\u003e to travel to Europe and the Soviet Union to report on developments there.\u0026#xA0;Although disillusioned by conditions she saw in the Soviet Union and Germany, and the censorship of her weekly reports to the \u003cemph render=\"italic\"\u003eSentinel\u003c/emph\u003e, she remained interested in political and social issues.\u0026#xA0;After returning and moving to Washington, DC, at the age of twenty she was one of only three women entering the George Washington University Law School, where she earned her law degree in 1941. Her legal career began as an attorney of general counsel in the Office of Price Administration, after which she moved to the office of the chairman of the Civil Aeronautics Board. \u003cbr\u003e\u003cbr\u003eFollowing World War II, she and her husband, Samuel Eugene Gates moved to New York City.\u0026#xA0;Upon being admitted to the Bar of the State of New York, She began a long career as a private attorney.\u0026#xA0;Gates was an active member of the Bar Association of the City of New York and was a founder and chairman of the Women's Division (now the Civil Division) of the Legal Aid Society.\u0026#xA0;She spent her summers in Westhampton Beach, where she was active in the community, serving as a director of Southampton Hospital and the Greater Westhampton Association. In 1990, following the death of her husband in 1979, she published her first book, \u003cemph render=\"italic\"\u003eSuddenly Alone: A Woman's Guide to Widowhood\u003c/emph\u003e.\u0026#xA0;In 2001, her second book, a memoir entitled, \u003cemph render=\"italic\"\u003eA Soft Rebel Yell: From Grits to Gotham\u003c/emph\u003e was published.\u0026#xA0;She was active in numerous clubs and organizations, including the Girl Scouts Council of Greater New York, the Cosmopolitan Club, the Century Association, the New York Infirmary-Beekman Downtown Hospital, and the Grosvenor Neighborhood House.\u0026#xA0;She served as a trustee of the Florida State University Foundation and endowed the Philomene Gates Award for Excellence in Communication at Florida State University, a major communications award to encourage excellence in that field.\u0026#xA0;She passed away on February 17, 2009.\u0026#xA0;According to her obituary, she was \"considered by many the quintessential 'grande dame,'\" and was known, \"for her beauty, intellectual curiosity, energy, and hospitality.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Philomene \"Phil\" Asher Gates (formerly known as Philomene Asher) was born on March 19, 1918 in Daytona Beach, Florida. She grew up in Orlando, Florida and after graduating from high school, attended Florida State College for Women in 1934. While a student at FSCW, Gates was active in Even activities, Pi Beta Phi Sorority, and other college organizations, events, and programs. Upon graduating in 1938 with her bachelor's degree in Commerce, she was recruited by the  Orlando Sentinel  to travel to Europe and the Soviet Union to report on developments there. Although disillusioned by conditions she saw in the Soviet Union and Germany, and the censorship of her weekly reports to the  Sentinel , she remained interested in political and social issues. After returning and moving to Washington, DC, at the age of twenty she was one of only three women entering the George Washington University Law School, where she earned her law degree in 1941. Her legal career began as an attorney of general counsel in the Office of Price Administration, after which she moved to the office of the chairman of the Civil Aeronautics Board.  Following World War II, she and her husband, Samuel Eugene Gates moved to New York City. Upon being admitted to the Bar of the State of New York, She began a long career as a private attorney. Gates was an active member of the Bar Association of the City of New York and was a founder and chairman of the Women's Division (now the Civil Division) of the Legal Aid Society. She spent her summers in Westhampton Beach, where she was active in the community, serving as a director of Southampton Hospital and the Greater Westhampton Association. In 1990, following the death of her husband in 1979, she published her first book,  Suddenly Alone: A Woman's Guide to Widowhood . In 2001, her second book, a memoir entitled,  A Soft Rebel Yell: From Grits to Gotham  was published. She was active in numerous clubs and organizations, including the Girl Scouts Council of Greater New York, the Cosmopolitan Club, the Century Association, the New York Infirmary-Beekman Downtown Hospital, and the Grosvenor Neighborhood House. She served as a trustee of the Florida State University Foundation and endowed the Philomene Gates Award for Excellence in Communication at Florida State University, a major communications award to encourage excellence in that field. She passed away on February 17, 2009. According to her obituary, she was \"considered by many the quintessential 'grande dame,'\" and was known, \"for her beauty, intellectual curiosity, energy, and hospitality.\""],"prefercite_html_tesm":["\u003cp\u003e[Name of Item], [Date of Item], Philomene Asher Gates Collection, Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. \t\u003cextref href=\"http://purl.fcla.edu/fsu/HP-2010-013\"\u003ehttp://purl.fcla.edu/fsu/HP-2010-013\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Name of Item], [Date of Item], Philomene Asher Gates Collection, Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. \t http://purl.fcla.edu/fsu/HP-2010-013"],"processinfo_html_tesm":["\u003cp\u003eEntered 30 August 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Entered 30 August 2010."],"scopecontent_html_tesm":["\u003cp\u003eSelect materials from this collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:huaphotographcollection\"\u003eFSU Digital Library\u003c/extref\u003e as part of a larger photograph collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Online Copies Available"],"scopecontent_tesim":["Select materials from this collection have been digitized and are available through the  FSU Digital Library  as part of a larger photograph collection."],"userestrict_html_tesm":["\u003cp\u003eTo request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026amp; University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"names_coll_ssim":["Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State College for Women","Gates, Philomene Asher","Asher, Philomene"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State University Libraries. 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Nearly tore up the room doing the \"Charleston\".\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1f0f7919b08c97c8a2284d2e_aspace_95718#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_95718","ref_ssm":["aspace_95718","aspace_95718"],"id":"1f0f7919b08c97c8a2284d2e_aspace_95718","title_filing_ssi":"Wrapper, White Circular Wrapper","title_ssm":["Wrapper, White Circular Wrapper"],"title_tesim":["Wrapper, White Circular Wrapper"],"unitdate_other_ssim":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["Wrapper, White Circular Wrapper, undated"],"text":["Wrapper, White Circular Wrapper, undated","Annie Gertrude Gilliam Scrapbook, 1925-1931, bulk 1925-1929","Page","Item 13","/repositories/10/archival_objects/18666","Inscription reads, \"The girls next door at Gray's. Party- heaps of fun. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright."],"scopecontent_html_tesm":["\u003cp\u003eInscription reads, \"The girls next door at Gray's. Party- heaps of fun. Nearly tore up the room doing the \"Charleston\".\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Inscription reads, \"The girls next door at Gray's. Party- heaps of fun. Nearly tore up the room doing the \"Charleston\".\""],"_nest_path_":"/components#41/components#12","_nest_parent_":"1f0f7919b08c97c8a2284d2e_aspace_95705","_root_":"1f0f7919b08c97c8a2284d2e","_version_":1870858823382597632,"timestamp":"2026-07-16T08:20:09.472Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1f0f7919b08c97c8a2284d2e","title_ssm":["Annie Gertrude Gilliam Scrapbook"],"title_tesim":["Annie Gertrude Gilliam Scrapbook"],"ead_ssi":"1f0f7919b08c97c8a2284d2e","unitdate_ssm":["1925-1931","1925-1929"],"unitdate_bulk_ssim":["1925-1929"],"unitdate_inclusive_ssm":["1925-1931"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HP 2007-121","/repositories/10/resources/45"],"text":["HP 2007-121","/repositories/10/resources/45","Annie Gertrude Gilliam Scrapbook, 1925-1931, bulk 1925-1929","North Carolina","Florida State University Reservation (Fla.)","Advertising fliers","Class of 1929","Pamphlets","Addresses","Payment.","Poetry","Bottles.","Administration building","Jennie Murphree Hall (Tallahassee, Fla.)","Student Government Association (Florida State University)","Rules and Regulations","Football.","May Day Festival","Proms","Odd Team (Sports Team)","Thanksgiving dinner","Thanksgiving game","Trinity Methodist Church","Florida State University. School of Music","Fealty","Orchesus","Distaff, The","Commencement Ceremony","Place cards","Pennants.","Photographs","Bulletins","Lists.","Receipts","Schedules","Notes.","Programs","Greeting cards.","Cutouts","Labels.","Postage stamps","Sketches","Tags","Telegraph.","Containers.","Textiles.","Tickets","Ticket stubs","Envelopes (Stationery)","Postcards.","Seals (Animals)","Invitation cards.","Pages","Lyrics","Clippings (Books, newspapers, etc.)","Ribbons","Notices","Favors","Napkins.","Wrappers","Flowers.","Implements, utensils, etc.","Certificates","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Annie Gertrude Gilliam Scrapbook contains photographs, programs, and other items related to her years as a student at Florida State College for Women.","Both the scrapbook in its entirety and select individual objects from the scrapbook have been digitized and are available through the  FSU Digital Library .","To request permission to quote, publish, broadcast or otherwise reproduce from the archives, please contact Heritage \u0026 University Archives, Florida State University Libraries, Tallahassee, Florida. Researchers must obtain separate permission from the copyright holders of material held within University Archives collections for which the institution does not hold copyright.","FSU Special Collections \u0026 Archives","YWCA","Florida State College for Women","Florida State University Libraries. Heritage Protocol \u0026 University Archives","Florida State University. School of Education","State Theatre (Tallahassee, Fla.)","Phi Mu Fraternity","Florida State College for Women. 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Heritage Protocol \u0026 University Archives","Lang, Lucy","Mays, Irene","Byrd, Elizabeth","Burton, Allene \"Bitsie\"","Miller, Eleanor Hope","Alman, Virginia","Page, Ann","Beggs, Emily","Clemants, Mary","Neeld, Winnifred","Barnett, Geraldine","Summer, Lucile","Harris, Ainslie","Reece, Lucile","Reese, Jamie","Pyles, Lucile","Goode, Catherine","Kennedy, Mary","Johnson, Anita","Jackson, Carolyn","Henderson, Jessie","Bird, Isabelle","Matthews, Mary Lee","Feagin, Bessie","Kehoe, Minnie","Nelson, Rebekah \"Doody\"","Smith, Mary Pringle","Parkhill, Martha Page"],"names_ssim":["FSU Special Collections \u0026 Archives","Florida State College for Women--Sports","Florida State College for Women","University of Florida","Even Team (Sports Team)","Florida State University. Artist Series","Kappa Delta Sorority","Georgia Institute of Technology","Florida State University Libraries. 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When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. 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Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_4eb7aec61e48ea357f49fe1e40ad3128"}},{"id":"377018d2c691025d88612f9e_aspace_70bad0a04fc9957394d45e7ec3306d9e","type":"File","attributes":{"title":"\"Wrap your troubles in dreams\", undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_70bad0a04fc9957394d45e7ec3306d9e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_70bad0a04fc9957394d45e7ec3306d9e","ref_ssm":["aspace_70bad0a04fc9957394d45e7ec3306d9e","aspace_70bad0a04fc9957394d45e7ec3306d9e"],"id":"377018d2c691025d88612f9e_aspace_70bad0a04fc9957394d45e7ec3306d9e","title_filing_ssi":"\"Wrap your troubles in dreams\"","title_ssm":["\"Wrap your troubles in dreams\""],"title_tesim":["\"Wrap your troubles in dreams\""],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["\"Wrap your troubles in dreams\", undated"],"text":["\"Wrap your troubles in dreams\", undated","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79827","/repositories/2/archival_objects/83089","box 25","folder 26"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79827","/repositories/2/archival_objects/83089"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":863,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 25","folder 26"],"_nest_path_":"/components#862","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. 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He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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